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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,275 --> 00:00:11,494 I'D RATHER DO THIS IN A BACK ALLEY OR SOMEWHERE. 2 00:00:11,538 --> 00:00:13,670 [ French accent ] YOU WATCH TOO MANY MOVIES. 3 00:00:13,714 --> 00:00:15,498 THE CASH. 4 00:00:15,542 --> 00:00:17,457 [ SIGHS ] 5 00:00:22,897 --> 00:00:24,855 YEAH, YOUR PRODUCT'S GREAT, 6 00:00:24,899 --> 00:00:26,509 BUT I CAN'T AFFORD YOUR PRICES ANYMORE. 7 00:00:26,553 --> 00:00:28,859 PRICE IS NON-NEGOTIABLE. 8 00:00:28,903 --> 00:00:31,166 WHAT WERE YOU THINKING, DAVID -- 9 00:00:31,210 --> 00:00:33,168 BANNING MY STUDENTS FROM THE SCHOOL? 10 00:00:33,212 --> 00:00:34,865 THIS IS NOT THE TIME OR PLACE. 11 00:00:34,909 --> 00:00:38,826 $12,000 A KILO, LAMPARD. NON-NEGOTIABLE. 12 00:00:40,567 --> 00:00:42,743 OH, MY GOD. 13 00:00:42,786 --> 00:00:46,964 YOU TWO ARE -- YOU WON'T GET AWAY WITH THIS. 14 00:00:48,140 --> 00:00:49,532 OHH! 15 00:00:49,576 --> 00:00:50,707 [ GASPS ] 16 00:00:50,751 --> 00:00:51,926 [ CHOKING ] 17 00:00:53,797 --> 00:00:57,366 THIS SCHOOL IS NO LONGER A SCHOOL FOR TROUBLED YOUTH, 18 00:00:57,410 --> 00:01:01,631 AS YOU CALL IT, AND YOUNO LONGER WORK HERE. 19 00:01:01,675 --> 00:01:03,633 [ GRUNTS, SCREAMS ] 20 00:01:03,677 --> 00:01:05,461 [ CLATTERING ] 21 00:01:05,505 --> 00:01:07,507 [ SCREAMS ] 22 00:01:12,947 --> 00:01:16,081 LOOK -- MY BODY WILL HEAL. 23 00:01:16,124 --> 00:01:17,386 IT'S ABOUT MY STUDENTS. 24 00:01:17,430 --> 00:01:18,779 THESE KIDS, THEY COME FROM FOSTER HOMES. 25 00:01:18,822 --> 00:01:20,911 A LOT OF THEM HAVE A-ARREST RECORDS. 26 00:01:20,955 --> 00:01:23,000 THEY CAN'T AFFORD NORMAL TRADE SCHOOL, 27 00:01:23,044 --> 00:01:24,132 NEVER MIND CULINARY SCHOOL. 28 00:01:24,176 --> 00:01:26,134 I WAS GIVING THEM A SECOND CHANCE. 29 00:01:26,178 --> 00:01:29,833 WE'RE ABOUT TO OPEN A RESTAURANT AT THE SCHOOL, GIVE THEM JOB OPPORTUNITIES. 30 00:01:29,877 --> 00:01:31,270 NOW THEY HAVE NOWHERE TO GO. 31 00:01:31,313 --> 00:01:34,838 AND ALL THIS SO LAMPARD CAN JACK UP THE TUITION COSTS? 32 00:01:34,882 --> 00:01:36,144 HE SAYS NOBODY CARES ABOUT THE ART, 33 00:01:36,188 --> 00:01:38,320 THAT THEY ALL JUST WANT TO BE CELEBRITY CHEFS, 34 00:01:38,364 --> 00:01:40,148 GET THEIR OWN TV SHOW. 35 00:01:40,192 --> 00:01:42,672 HE'S CHARGING 30 GRAND TUITION, 36 00:01:42,716 --> 00:01:45,588 PROMISING FOLKS THEY CAN BECOME ROCK-STAR CHEFS OR SOMETHING. 37 00:01:45,632 --> 00:01:48,113 THIS DOESN'T EXPLAIN THE BEATING THAT YOU TOOK. 38 00:01:48,156 --> 00:01:50,463 I'M PRETTY SURE LAMPARD'S DEALING DRUGS. 39 00:01:50,506 --> 00:01:51,681 HOW DO YOU KNOW? 40 00:01:51,725 --> 00:01:53,422 I WALKED IN ON HIM AND A COUPLE OF GUYS. 41 00:01:53,466 --> 00:01:55,772 THEY EXCHANGED A BRIEFCASE FULL OF CASH 42 00:01:55,816 --> 00:01:57,600 FOR A BIG DUFFEL BAG. 43 00:01:57,644 --> 00:01:59,515 DID -- DID YOU SEE ANY DRUGS? 44 00:01:59,559 --> 00:02:02,170 I DID HEAR SOMEONE SAY THE PRICE WAS $12,000 A KILO. 45 00:02:02,214 --> 00:02:04,172 -COCAINE. -COCAINE. 46 00:02:04,216 --> 00:02:06,305 CAN YOU HELP ME? 47 00:02:08,481 --> 00:02:10,309 CAN I TALK TO YOU? 48 00:02:18,360 --> 00:02:20,841 IT JUST -- IT SEEMS LIKE HE SHOULD GO TO THE POLICE. 49 00:02:20,884 --> 00:02:22,147 I KNOW WHAT YOU'RE GONNA SAY, NATE, 50 00:02:22,190 --> 00:02:24,366 BUT I WANT TO TELL YOU SOMETHING ABOUT TOBY. 51 00:02:24,410 --> 00:02:26,368 HE TAUGHT ME HOW TO USE A KNIFE. 52 00:02:26,412 --> 00:02:29,328 -USE A KNIFE? -NO. NOT LIKE IUSE A KNIFE. 53 00:02:29,371 --> 00:02:31,373 HE TAUGHT ME HOW TO COOK. 54 00:02:32,505 --> 00:02:35,290 I WAS OUT OF THE SERVICE, AND I WAS WORKING FOR MY SECOND PMC. 55 00:02:35,334 --> 00:02:38,293 AND THE JOBS WE WERE TAKING WERE WAY ACROSS THE LINE -- 56 00:02:38,337 --> 00:02:40,687 PAST EXTRACTIONS AND SECURITY ACTIONS. 57 00:02:40,730 --> 00:02:42,079 WETWORK. 58 00:02:43,124 --> 00:02:45,213 YEAH. 59 00:02:45,257 --> 00:02:46,562 ANYWAY, I MET TOBY. 60 00:02:46,606 --> 00:02:48,477 WE WERE RECONNING THIS RESTAURANT IN BELGIUM. 61 00:02:48,521 --> 00:02:50,827 AND I SHOULD HAVE CLOSED HIM OUT. 62 00:02:50,871 --> 00:02:52,655 I SHOULD HAVE BEEN IN AND OUT IN UNDER 90 SECONDS. 63 00:02:52,699 --> 00:02:55,397 BUT I ENDED UP TALKING TO HIM FOR THREE HOURS. 64 00:02:55,441 --> 00:02:58,531 HE SHOWED ME THAT I COULD USE MY KNIFE 65 00:02:58,574 --> 00:03:01,447 TO CREATE INSTEAD OF DESTROY. 66 00:03:03,449 --> 00:03:05,190 I STUCK AROUND FOR A COUPLE OF MONTHS. 67 00:03:05,233 --> 00:03:06,713 HE TAUGHT ME EVERYTHING THERE WAS 68 00:03:06,756 --> 00:03:08,236 ABOUT THE ART OF FOOD, AND I... 69 00:03:12,719 --> 00:03:13,937 HE'S ONE OF THE GUYS 70 00:03:13,981 --> 00:03:18,246 THAT KEPT ME FROM FALLING ALL THE WAY DOWN. 71 00:03:18,290 --> 00:03:20,509 SO NOW, I'M ASKING THE OTHER GUY 72 00:03:20,553 --> 00:03:26,994 TO UNDERSTAND WHY I'M GONNA HELP HIM. 73 00:03:33,305 --> 00:03:36,351 HEY. YOU SEEM KIND OF DOWN LATELY, GIRL. 74 00:03:36,395 --> 00:03:37,918 WHAT'S UP? TALK TO ME. 75 00:03:37,961 --> 00:03:39,049 [ CHUCKLES ] 76 00:03:39,093 --> 00:03:40,616 -HARDISON -- DELIVERY! -WELL, I FEEL -- 77 00:03:40,660 --> 00:03:42,966 OH, THAT'S MY STUFF. 78 00:03:43,010 --> 00:03:45,317 [ SIGHS ] 79 00:03:46,970 --> 00:03:49,799 [ CHUCKLES ] YEAH. 80 00:03:49,843 --> 00:03:52,062 YOU KNOW, I USUALLY HAVE TO ORDER THESE FROM HOLLAND. 81 00:03:52,106 --> 00:03:55,152 BUT THEY HAVE A STORE RIGHT HERE IN PORTLAND, MAN. 82 00:03:55,196 --> 00:03:56,458 WHOA. 83 00:03:56,502 --> 00:03:57,720 WHAT? 84 00:03:57,764 --> 00:04:00,288 -YOU GOT TO TIP THE GUY. -FOR DOING HIS JOB? 85 00:04:00,332 --> 00:04:01,550 HARDISON, HE RODE ALL THE WAY 86 00:04:01,594 --> 00:04:04,031 OVER HERE ON A BIKE TO DELIVER YOUR... 87 00:04:04,074 --> 00:04:05,598 -THAT AIN'T NOTHING SPECIAL. HE GOT SOME EXERCISE. -...DUNGEONS & DRAGONS CRAP YOU ORDERED. 88 00:04:05,641 --> 00:04:07,469 HE DIDN'T BRING ME NO CUPCAKES, NO FLOWERS, CARDS -- NOTHING. 89 00:04:07,513 --> 00:04:10,298 YOU WANT A TIP, LITTLE STANLEY TUCCI-LOOKING... 90 00:04:10,342 --> 00:04:11,821 BOOM, BOOM, BOOM. 91 00:04:11,865 --> 00:04:14,824 TWO QUARTERS, TWO PENNIES. GO BUY YOUR MAMA SOMETHING. 92 00:04:22,136 --> 00:04:25,618 [ LAUGHS ] OH, THIS TOWN ROCKS. 93 00:04:25,661 --> 00:04:26,923 WHO WOULD HAVE KNOWN 94 00:04:26,967 --> 00:04:29,143 THAT YOU CAN GET A NEGATIVE ION CAPACITOR HERE? 95 00:04:29,186 --> 00:04:30,231 SERIOUSLY. 96 00:04:30,275 --> 00:04:32,755 OKAY, SOPHIE IS STILL AT THE THEATER, 97 00:04:32,799 --> 00:04:34,975 DOING WHATEVER SHE'S DOING, SO LET'S JUST DO THIS. 98 00:04:35,018 --> 00:04:37,586 ALL RIGHT. 99 00:04:37,630 --> 00:04:40,328 DAVID LAMPARD. HE'S A FORMER CHEF. 100 00:04:40,372 --> 00:04:42,852 HE WANTED TO BE LIKE AN EMERIL OR MARIO BATALI, 101 00:04:42,896 --> 00:04:44,854 BUT HE COULDN'T CUT IT IN THE BIG KITCHENS, 102 00:04:44,898 --> 00:04:46,203 SO HE TURNED TO INVESTING. 103 00:04:46,247 --> 00:04:47,988 HE TAKES OVER COOKING SCHOOLS THAT NEED HELP. 104 00:04:48,031 --> 00:04:49,468 HE CHARGES RIDICULOUS TUITION, 105 00:04:49,511 --> 00:04:52,166 BUT HE OFFERS LOANS AT A BARGAIN INTEREST RATE OF 30%. 106 00:04:52,209 --> 00:04:53,820 NOW, IF PEOPLE CAN'T PAY, 107 00:04:53,863 --> 00:04:55,648 HE TAKES THEIR CARS, THEIR HOMES, WHATEVER. 108 00:04:55,691 --> 00:04:57,824 I MEAN, HE'S BASICALLY A LOAN SHARK, BUT THE LEGAL KIND. 109 00:04:57,867 --> 00:04:59,216 I MEAN, ALL HIS ACCOUNTS ARE LEGIT. 110 00:04:59,260 --> 00:05:00,609 ALL THE MONEY'S IN THE RIGHT SPOTS. 111 00:05:00,653 --> 00:05:02,307 OKAY, YEAH, BUT ACCORDING TO ELIOT'S FRIEND, 112 00:05:02,350 --> 00:05:03,830 IT'S NOT ABOUT MONEY. IT'S ABOUT DRUGS. 113 00:05:03,873 --> 00:05:05,135 AHA. [ BEEP ] 114 00:05:05,179 --> 00:05:07,312 YOU SEE, LAMPARD TOOK THREE TRIPS 115 00:05:07,355 --> 00:05:08,704 TO FRANCE IN THE LAST SIX MONTHS, 116 00:05:08,748 --> 00:05:10,445 WHICH, FOR A GUY IN THE FOOD BIZ, IS NOT WEIRD 117 00:05:10,489 --> 00:05:12,795 EXCEPT FOR THE FACT THAT, ACCORDING TO HIS GPS, 118 00:05:12,839 --> 00:05:14,710 HE NEVER SPENT ANY TIME IN THE FOOD WORLD. 119 00:05:14,754 --> 00:05:16,321 WHERE WAS HE? 120 00:05:16,364 --> 00:05:17,974 [ BEEP ] 121 00:05:18,018 --> 00:05:21,195 OUT IN THE MIDDLE OF NOWHERE, UNDER BRIDGES, IN BACK ALLEYS. 122 00:05:21,238 --> 00:05:23,284 SO, WHAT? THEY'RE BRINGING DRUGS IN FROM FRANCE? 123 00:05:23,328 --> 00:05:25,634 HE'S PROBABLY BUYING THEM WHOLESALE FROM THE FRENCH AND THEN SHIPPING THEM HERE. 124 00:05:25,678 --> 00:05:27,332 YEAH, BUT, I MEAN, IT DOESN'T SURPRISE ME 125 00:05:27,375 --> 00:05:28,855 THAT HIS ACCOUNTS ARE CLEAN. 126 00:05:28,898 --> 00:05:30,813 I MEAN, DEALERS DON'T HIDE THEIR MONEY IN ACCOUNTS. 127 00:05:30,857 --> 00:05:32,249 SO, WHERE ARE THEY HIDING IT? 128 00:05:32,293 --> 00:05:34,513 SAFEST PLACE THEY KNOW -- RIGHT NEXT TO THEIR STASH. 129 00:05:34,556 --> 00:05:36,863 SO WHAT WE GOT TO DO IS WE GOT TO STEAL THE STASH, 130 00:05:36,906 --> 00:05:39,256 FORCING LAMPARD TO GIVE THE NEW RESTAURANT 131 00:05:39,300 --> 00:05:41,346 AND THE SCHOOL BACK TO TOBY HEATH. 132 00:05:41,389 --> 00:05:44,174 SOPHIE, WE NEED YOU TO COME IN. 133 00:05:44,218 --> 00:05:47,917 NATE, WE'RE IN THE MIDDLE OF A MEISNER EXERCISE. 134 00:05:47,961 --> 00:05:49,049 YOU'RE HAPPY. 135 00:05:49,092 --> 00:05:50,093 I'M HAPPY. 136 00:05:50,137 --> 00:05:52,835 -YOU'RE HAPPY. -I'M HAPPY. 137 00:05:52,879 --> 00:05:55,664 Glad everyone's happy. Um, your day job needs you. 138 00:05:55,708 --> 00:05:57,274 UGH! 139 00:05:57,318 --> 00:05:58,406 OH, GOD, DID I DO IT WRONG? 140 00:05:58,450 --> 00:05:59,668 NO, NO, NO, NO, NO, NO. YOU'RE FINE. 141 00:05:59,712 --> 00:06:03,019 I JUST HAVE THESE... VOICES IN MY HEAD. 142 00:06:03,063 --> 00:06:05,718 TAKE FIVE, EVERYBODY. [ SIGHS ] 143 00:06:05,761 --> 00:06:09,461 [ STUDENTS MURMURING ] 45. 144 00:06:11,463 --> 00:06:13,073 I KNOW IT'S SHORT NOTICE, 145 00:06:13,116 --> 00:06:14,509 BUT OUR CELEBRITY CHEF JUST DROPPED OUT, 146 00:06:14,553 --> 00:06:16,424 AND THE NETWORK THINK YOU'RE A PERFECT REPLACEMENT 147 00:06:16,468 --> 00:06:18,426 FOR THE U.S. LAUNCH. 148 00:06:18,470 --> 00:06:21,777 THE SHOW IS CALLED "FROM POLE TO PLATE: COOKING WITH STRIPPERS." 149 00:06:21,821 --> 00:06:24,084 -HMM? -BUT WE HAVEN'T SORTED THE ACCOMMODATION YET, 150 00:06:24,127 --> 00:06:25,564 SO YOU'D HAVE TO LIVE WITH THE STRIPPERS TO START OFF WITH. 151 00:06:25,607 --> 00:06:29,568 -HELL, YEAH. -I HOPE THAT'S NOT GONNA BE A... 152 00:06:29,611 --> 00:06:33,267 AH, NATE, ONE TEACHING CHEF CLEARED OUT. 153 00:06:33,310 --> 00:06:35,269 GREAT. OKAY, NOW, HARDISON, REMEMBER, 154 00:06:35,312 --> 00:06:36,879 THE OBJECTIVE HERE IS TO BLEND IN. 155 00:06:36,923 --> 00:06:38,098 But we need to find out 156 00:06:38,141 --> 00:06:39,708 where Lampard keeps his money and drugs. 157 00:06:39,752 --> 00:06:40,927 NO WORRIES, NATE. 158 00:06:40,970 --> 00:06:44,278 MAN, MY FOCUS IS LIKE A -- LASER! OH! 159 00:06:44,321 --> 00:06:46,933 [ LAUGHS ] SQUIGGLES. YEAH! 160 00:06:46,976 --> 00:06:48,282 WE GOT A CLASS-FOUR LASER. 161 00:06:48,325 --> 00:06:50,719 OH, LIQUID NITROGEN TUBES, CRYO GUN. 162 00:06:50,763 --> 00:06:53,548 IT'S GOING DOWN. 163 00:06:53,592 --> 00:06:55,724 THIS IS WHY YOU'RE ALL HERE, RIGHT? 164 00:06:55,768 --> 00:06:59,119 DADDY TOOK AWAY MY BEEMER UNTIL I GET SOMEKIND OF DEGREE. 165 00:06:59,162 --> 00:07:00,642 I WANT TO START AN ORGANIC RESTAURANT 166 00:07:00,686 --> 00:07:03,428 THAT'S ONLY OPEN ON THE VERNAL EQUINOX. 167 00:07:03,471 --> 00:07:05,995 -THE HELL'S AN EQUINOX? -I'M JUST SICK OF THE WAY MY HUSBAND LOOKS AT MARTA, 168 00:07:06,039 --> 00:07:07,606 OUR HOUSEKEEPER, WHEN SHE'S COOKING. 169 00:07:07,649 --> 00:07:11,305 ALL RIGHT, EVERYBODY, LISTEN UP. COME DOWN TO TABLE TWO, LINE UP. 170 00:07:11,348 --> 00:07:14,264 HMM. 171 00:07:14,308 --> 00:07:16,310 THE CHEF THAT WAS GONNA BE WITH YOU TODAY 172 00:07:16,353 --> 00:07:18,965 HAS BOOKED ANOTHER GIG, SO I AM YOUR NEW INSTRUCTOR. 173 00:07:19,008 --> 00:07:20,488 WHAT'S YOUR NAME? 174 00:07:20,532 --> 00:07:22,838 CHEF. 175 00:07:35,416 --> 00:07:37,679 [ SIGHS ] 176 00:07:37,723 --> 00:07:40,203 THIS IS NOT A CLASS ABOUT COOKING. 177 00:07:40,247 --> 00:07:42,641 DOESN'T HAVE ANYTHING TO DO WITH TEMPERATURES. 178 00:07:42,684 --> 00:07:44,686 ALL RIGHT, IT'S NOT ABOUT MEASUREMENTS. 179 00:07:44,730 --> 00:07:48,037 IT HAS NOTHING TO DO WITH WHAT INGREDIENTS GO WITH WHAT. 180 00:07:48,081 --> 00:07:49,517 W-W-WHAT ARE YOU DOING? 181 00:07:49,561 --> 00:07:50,866 I'M TEXTING SYDNEY. 182 00:07:50,910 --> 00:07:53,390 WE'RE SUPPOSED TO GO SHOPPING AFTER THE -- 183 00:07:53,434 --> 00:07:55,436 [ WATER SPLASHES ] [ GASPS ] 184 00:07:56,568 --> 00:07:58,744 FOOD IS LIFE. 185 00:08:00,397 --> 00:08:04,837 FOOD...IS LIFE. 186 00:08:04,880 --> 00:08:06,534 FOOD IS LIFE. WHAT IS FOOD? 187 00:08:06,578 --> 00:08:07,753 FOOD IS LIFE? 188 00:08:07,796 --> 00:08:10,538 FOOD IS LIFE. LEARN IT. 189 00:08:10,582 --> 00:08:13,236 YOU WILL TAKE THIS CLASS SERIOUSLY. 190 00:08:13,280 --> 00:08:16,065 BECAUSE IF YOU DON'T, I'LL THROW YOUR ASS OUT OF HERE 191 00:08:16,109 --> 00:08:17,893 QUICKER THAN YOU -- 192 00:08:20,287 --> 00:08:22,463 I GET TO FIRE A LASER. 193 00:08:22,507 --> 00:08:24,073 [ Chuckling ] YEAH. 194 00:08:24,117 --> 00:08:27,860 GEEKING IN THE KITCHEN. UH, MAKE YOU WANT TO DANCE. 195 00:08:27,903 --> 00:08:30,602 We're here to cook food, not play with lasers. 196 00:08:30,645 --> 00:08:33,735 WHY IS ELIOT SO "AAH!" ABOUT FOOD? 197 00:08:33,779 --> 00:08:34,780 IT'S HIS PASSION. 198 00:08:36,172 --> 00:08:38,392 YOU OKAY? 199 00:08:38,435 --> 00:08:40,263 UH-HUH. 200 00:08:40,307 --> 00:08:43,223 HOW, UM -- HOW DO YOU LIKE BEING IN PORTLAND? 201 00:08:43,266 --> 00:08:45,965 IT'S FINE. [ SIGHS ] 202 00:08:46,008 --> 00:08:47,488 HARDISON AND I ARE FINE, 203 00:08:47,532 --> 00:08:50,447 AND EVERYTHING WITH THE NEW LEVERAGE IS FINE. 204 00:08:50,491 --> 00:08:53,625 PARKER, WHAT'S GOING ON? 205 00:08:53,668 --> 00:08:55,583 I JUST -- I DON'T HAVE A THING. 206 00:08:55,627 --> 00:08:57,411 WHAT DO YOU MEAN, "A THING"? 207 00:08:57,454 --> 00:08:59,413 ELIOT HAS A THING. HE LOVES FOOD. 208 00:08:59,456 --> 00:09:00,719 SOPHIE LOVES THEATER. 209 00:09:00,762 --> 00:09:03,286 YOU HAVE A SICKO LOVE OF CONTROLLING PEOPLE. 210 00:09:03,330 --> 00:09:05,767 [ LAUGHS ] I DON'T HAVE A SICKO LOVE -- 211 00:09:05,811 --> 00:09:07,334 LET'S STAY ON YOU. 212 00:09:07,377 --> 00:09:08,814 ART. WHAT DO YOU -- WHAT DO YOU SEE 213 00:09:08,857 --> 00:09:10,467 WHEN YOU LOOK AT MICHELANGELO'S DAVID? 214 00:09:10,511 --> 00:09:13,949 MARK TWO LASER GRID AROUND IT, INFRARED ON THE FLOOR, 215 00:09:13,993 --> 00:09:17,605 NEED A HARNESS RATED FOR SIX TONS ATTACHED TO A CHOPPER 216 00:09:17,649 --> 00:09:19,128 TO LIFT IT OUT THROUGH A SKYLIGHT. 217 00:09:19,172 --> 00:09:21,522 ELIOT, HARDISON, HOW ARE WE DOING? 218 00:09:24,133 --> 00:09:28,442 NATE, I ALREADY SWEPT THE KITCHEN TWICE. THERE'S NO DRUGS. 219 00:09:28,485 --> 00:09:29,748 DID YOU FIND ANYTHING? 220 00:09:29,791 --> 00:09:32,141 I THINK I DID, MAN. 221 00:09:32,185 --> 00:09:34,927 CHECK IT OUT. 222 00:09:34,970 --> 00:09:38,626 [ LASER HUMMING ] 223 00:09:38,670 --> 00:09:41,803 [ Laughing ] WHAT? 224 00:09:41,847 --> 00:09:43,892 WHA-- WHAT? WHAT?! 225 00:09:45,198 --> 00:09:47,156 HEY. THINK ABOUT IT. 226 00:09:47,200 --> 00:09:48,636 LEVITATING FOOD COULD REPLACE WAITERS. 227 00:09:48,680 --> 00:09:51,334 I WILL STAB YOU IN THE NECK. 228 00:09:51,378 --> 00:09:53,162 DON'T HATE THE BARBECUE. HATE THE SAUCE. 229 00:09:53,206 --> 00:09:55,861 I'M GONNA MAKE ONE MORE SWEEP. I SUGGEST YOU DO THE SAME. 230 00:09:55,904 --> 00:09:58,037 EVERYBODY, KEEP DOING WHAT YOU'RE DOING. 231 00:09:58,080 --> 00:09:59,560 -I'LL BE RIGHT BACK. -WELL, I'M-A -- 232 00:09:59,604 --> 00:10:01,867 I'M GONNA HIT THE HEAD -- OR THE -- UH, THE BATHROOM, 233 00:10:01,910 --> 00:10:04,217 OR WHAT-- WHATEVER Y'ALL CALL IT IN COOKING SCHOOL. 234 00:10:04,260 --> 00:10:05,566 IT'S A CULINARY INSTITUTE. 235 00:10:05,610 --> 00:10:07,524 CULINARY FOOD AND SCHOOL INSTITUTE, GOT IT. 236 00:10:07,568 --> 00:10:09,222 You're screwing this up! 237 00:10:11,093 --> 00:10:12,704 WHOA. 238 00:10:12,747 --> 00:10:14,053 IT'S MY DAMN GUN. 239 00:10:14,096 --> 00:10:15,184 SORRY. 240 00:10:48,130 --> 00:10:51,133 NATE, I'VE CHECKED EVERY KITCHEN AND REFRIGERATOR IN... 241 00:10:52,569 --> 00:10:54,223 WAIT A MINUTE. 242 00:10:59,228 --> 00:11:02,710 WHAT ARE YOU DOING IN HERE? 243 00:11:04,581 --> 00:11:06,366 I WAS, UH... I WAS LOOKING FOR SOME ICE. 244 00:11:06,409 --> 00:11:10,544 THE, UH, WELL, ICE MACHINE GOT BUSTED. 245 00:11:10,587 --> 00:11:13,199 -WELL, THIS FREEZER'S OFF-LIMITS. -OKAY. 246 00:11:13,242 --> 00:11:15,027 -I'LL CHECK THE ICE MACHINE. -ALL RIGHT. 247 00:11:15,070 --> 00:11:19,945 MR. LAMPARD WOULD LIKE TO SEE YOU IN HIS KITCHEN. 248 00:11:19,988 --> 00:11:23,296 [ DOOR OPENS ] 249 00:11:28,301 --> 00:11:31,608 FOUND HIM. HE WAS LOOKING FOR ICE. 250 00:11:31,652 --> 00:11:33,436 OH, THERE YOU ARE. 251 00:11:33,480 --> 00:11:37,092 LISTEN, I NEED AN EXECUTIVE CHEF FOR THE NEW RESTAURANT, 252 00:11:37,136 --> 00:11:39,268 AND I WANT IT TO BE YOU. 253 00:11:39,312 --> 00:11:40,966 YOU HAVEN'T EVEN TASTED MY FOOD. 254 00:11:41,009 --> 00:11:42,141 WELL, TASTE IS OVERRATED. 255 00:11:42,184 --> 00:11:45,579 TRUST ME. FOOD IS ALL ABOUT THE HYPE. 256 00:11:45,622 --> 00:11:47,233 PEOPLE PAY 100 BUCKS FOR A BURGER 257 00:11:47,276 --> 00:11:49,278 BECAUSE THEY THINK IT'S FROM A JAPANESE COW. 258 00:11:49,322 --> 00:11:52,455 IT'S THE SIZZLE THAT SELLS, AND I LIKE YOUR SIZZLE. 259 00:11:52,499 --> 00:11:54,762 THIS WHOLE NINJA VIBE YOU'VE GOT GOING ON. 260 00:11:54,806 --> 00:11:56,590 CUSTOMERS ARE GONNA LOVE IT. 261 00:11:56,633 --> 00:11:57,809 LISTEN, MY STUDENTS, THEY'RE -- 262 00:11:57,852 --> 00:11:59,201 THEY'RE NOT READY TO PUT FOOD OUT. 263 00:11:59,245 --> 00:12:01,073 HEY, THEY'RE PAYING 30 G's TO GO TO THIS SCHOOL. 264 00:12:01,116 --> 00:12:03,292 ANY ONE OF THEM COULD BE THE NEXT CULINARY SUPERSTAR. 265 00:12:04,641 --> 00:12:07,296 [ INDISTINCT CONVERSATIONS ] 266 00:12:07,340 --> 00:12:09,081 DID YOU GLUE THIS TO THE PLATE? 267 00:12:09,124 --> 00:12:11,474 YOU DON'T DECORATE THE PLATE. 268 00:12:11,518 --> 00:12:12,954 DON'T HARSH MY MELLOW. 269 00:12:12,998 --> 00:12:15,522 [ SIGHS ] 270 00:12:15,565 --> 00:12:18,046 YEAH, I DON'T KNOW ABOUT THAT. 271 00:12:42,854 --> 00:12:44,507 JUST PUT TOGETHER A GOOD MENU, 272 00:12:44,551 --> 00:12:47,554 DON'T KILL ME ON THE FOOD COSTS, AND DO YOUR ACT. 273 00:12:47,597 --> 00:12:50,035 MAYBE KICK A CUSTOMER OR TWO OUT OF THE RESTAURANT. 274 00:12:50,078 --> 00:12:52,733 BUT NOT ON OPENING NIGHT -- THAT HAS TO GO PERFECTLY. 275 00:12:52,777 --> 00:12:54,822 YOU'RE NOT LI-- 276 00:12:54,866 --> 00:12:57,042 [ SIGHS ] JEAN-LUC IS HERE. 277 00:12:57,085 --> 00:12:58,739 GO BACK TO THE KITCHEN. 278 00:12:58,783 --> 00:13:01,046 I TOLD HIM I DIDN'T WANT TO MEET HERE ANYMORE. 279 00:13:01,089 --> 00:13:02,525 [ EXHALES SHARPLY ] 280 00:13:10,795 --> 00:13:13,058 [ SNIFFS ] 281 00:13:13,101 --> 00:13:16,888 JEAN-LUC, I SAID NOT HERE. 282 00:13:16,931 --> 00:13:21,501 WHEN I HAVE PRODUCT, YOU TAKE DELIVERY. 283 00:13:21,544 --> 00:13:23,503 NATE, IT'S NOT DRUGS LAMPARD'S DEALING. 284 00:13:23,546 --> 00:13:25,853 IT'S BIGGER. IT'S A LOT BIGGER. 285 00:13:25,897 --> 00:13:28,421 OH, YEAH? WELL, IF IT'S NOT DRUGS, WHAT IS IT? 286 00:13:28,464 --> 00:13:31,903 TRUFFLES. 287 00:13:47,614 --> 00:13:49,529 IT'S THE FRENCH WINTER TRUFFLE. 288 00:13:49,572 --> 00:13:51,705 BLACK MARKET ON THESE THINGS ARE OFF THE CHARTS. 289 00:13:51,748 --> 00:13:53,011 -[ SNIFFS ] -YOU CAN'T GROW 'EM, YOU CAN'T MAKE 'EM. 290 00:13:53,054 --> 00:13:55,578 THEY JUST APPEAR, LIKE MUSHROOMS. 291 00:13:55,622 --> 00:13:58,538 HIGH-END RESTAURANTS WILL PAY FIVE, UP TO SIX GRAND A POUND. 292 00:13:58,581 --> 00:14:01,019 13 GRAND A KILO WHOLESALE. 293 00:14:01,062 --> 00:14:04,892 COCAINE'S WHAT -- $12,000 A KEY AND HEROIN'S $18,000? 294 00:14:04,936 --> 00:14:07,721 LESS THAN THAT IN MEXICO, A LITTLE MORE IN SOUTHEAST ASIA. 295 00:14:07,764 --> 00:14:11,116 SO, TRUFFLES ARE THE COCAINE OF THE FOOD WORLD. 296 00:14:11,159 --> 00:14:12,769 WHEN I WAS WALKING BY THOSE GUYS, THEY HAD A BAG. 297 00:14:12,813 --> 00:14:14,902 AND I SMELLED IT. 298 00:14:14,946 --> 00:14:16,904 NOTHING SMELLS LIKE A FRENCH TRUFFLE. 299 00:14:16,948 --> 00:14:20,125 LAMPARD'S SELLING THEM TO RESTAURANTS, OTHERS CHEFS. 300 00:14:20,168 --> 00:14:21,953 HIM AND JEAN-LUC ARE SPLITTING THE PROFIT. 301 00:14:21,996 --> 00:14:24,303 -WHAT NOW? -COCAINE OR TRUFFLES, THE PLAY'S THE SAME. 302 00:14:24,346 --> 00:14:25,913 WE GOT TO FIND OUT WHERE HE'S HIDING THEM. 303 00:14:25,957 --> 00:14:28,611 I WAS IN THE REFRIGERATOR. THAT'S WHERE RAMPONE FOUND ME. 304 00:14:28,655 --> 00:14:32,441 ACTUALLY, HE CALLED IT A FREEZER. SAID IT WAS OFF-LIMITS. 305 00:14:32,485 --> 00:14:34,617 -OFF-LIMITS? -YEAH, IN A COOKING SCHOOL. 306 00:14:34,661 --> 00:14:36,445 THAT'S WHERE THEY ARE. 307 00:14:36,489 --> 00:14:38,795 SOPHIE, WE'RE GONNA RUN A VERSION 308 00:14:38,839 --> 00:14:40,797 OF THE WHITE VAN SPEAKERS. 309 00:14:40,841 --> 00:14:42,625 YOUR ACTING STUDENTS -- UH... 310 00:14:42,669 --> 00:14:43,931 do you think they can handle it? 311 00:14:43,975 --> 00:14:45,454 OF COURSE THEY CAN. THEY'RE MY STUDENTS. 312 00:14:45,498 --> 00:14:48,109 [ ULULATING ] 313 00:14:48,153 --> 00:14:50,111 What was that? 314 00:14:50,155 --> 00:14:54,289 IT'S JUST ZACHARY GETTING TO HIS AUTHENTIC PLACE. 315 00:14:57,510 --> 00:15:01,949 I'M GONNA TURN THIS PLACE FROM A MICROBREWERY INTO A GASTROPUB. 316 00:15:01,993 --> 00:15:03,690 WHAT DO YOU THINK ABOUT THAT? 317 00:15:06,649 --> 00:15:09,914 TEACH ME TO LIKE STUFF. 318 00:15:11,524 --> 00:15:13,308 PARKER, I DON'T HAVE TIME FOR THIS, ALL RIGHT? 319 00:15:13,352 --> 00:15:14,962 I GOT TO GET THIS STUFF DONE. 320 00:15:15,006 --> 00:15:18,357 THEN I GOT TO GET BACK TO THE SCHOOL. 321 00:15:18,400 --> 00:15:20,489 [ WHISK SCRAPING ] 322 00:15:20,533 --> 00:15:23,492 SO, I FILLED THE INK CARTRIDGES WITH ORANGE JUICE, 323 00:15:23,536 --> 00:15:27,322 AND I RAN A SHEET OF POTATO STARCH THROUGH THE PRINTER, AND VOILà! 324 00:15:27,366 --> 00:15:28,845 [ SMACKS LIPS ] EDIBLE PAPER. 325 00:15:28,889 --> 00:15:31,109 IT'S DELICIOUS. 326 00:15:31,152 --> 00:15:32,980 NOW...GOGGLES. 327 00:15:33,024 --> 00:15:37,376 PLACE THE PAPER RIGHT HERE, AND WHEN I FIRE THE LASER AT IT, 328 00:15:37,419 --> 00:15:39,117 IT WILL CREATE A VAPOR 329 00:15:39,160 --> 00:15:43,686 THAT IS GOING TO FLOAT AND RISE INTO THE INVERTED WINE GLASSES. 330 00:15:43,730 --> 00:15:45,514 I DON'T THINK CHEF SCARY GUY IS GONNA LIKE THIS. 331 00:15:45,558 --> 00:15:48,517 HE SAID WE WERE JUST SUPPOSED TO PREP TILL HE GETS HERE. 332 00:15:48,561 --> 00:15:51,651 OKAY. EXCUSE YOU, MISS THING. I AM PREPPING. 333 00:15:51,694 --> 00:15:55,785 I AM PREPPING A CITRUS WINE COMPLEMENT WITH A LASER. 334 00:15:58,745 --> 00:16:01,530 HI. 335 00:16:01,574 --> 00:16:04,011 [ CRUNCHES ] 336 00:16:04,055 --> 00:16:06,187 IF YOU'RE LOOKING FOR CHEF, HE'S RUNNING LATE. 337 00:16:11,062 --> 00:16:13,151 RAWR! 338 00:16:13,194 --> 00:16:15,718 SURE ARE A LOT OF SHIFTY PEOPLE AROUND HERE. 339 00:16:15,762 --> 00:16:17,503 -OH, MR. RAMPONE? -YES? 340 00:16:17,546 --> 00:16:19,896 LOOKS LIKE YOU'VE GOT COMPETITION IN THE MALE COUGAR DEPARTMENT. 341 00:16:19,940 --> 00:16:22,943 YEAH, MAN, HE WAS JUST HERE, LOOKING ALL KINDS OF SHIFTY. 342 00:16:22,987 --> 00:16:24,249 WHAT DO YOU MEAN, "SHIFTY?" 343 00:16:24,292 --> 00:16:25,598 WHAT DO YOU MEAN, WHAT DO I MEAN? SH-SH-SHIFTY. 344 00:16:25,641 --> 00:16:26,947 IT'S JUST -- LIKE YOU. SHIFTY. 345 00:16:26,991 --> 00:16:29,906 LIKE, DRESSED IN BLACK, EVERYTHING -- SHIFTY. 346 00:16:34,781 --> 00:16:36,174 GOGGLES. 347 00:16:36,217 --> 00:16:39,307 [ BEEPING ] UNH. 348 00:16:53,800 --> 00:16:55,715 WHO ARE YOU? 349 00:16:55,758 --> 00:16:59,936 OH, HELLO. GNAR SLABDASH. 350 00:16:59,980 --> 00:17:01,547 THE "N" IS MOSTLY SILENT. 351 00:17:01,590 --> 00:17:03,723 WHAT ARE YOU DOING IN HERE? 352 00:17:03,766 --> 00:17:07,074 BOSS, SOME OF THE GUYS SAW A... GUY SNEAKING AROUND. 353 00:17:07,118 --> 00:17:09,076 GOOD WORK, RAMPONE. 354 00:17:09,120 --> 00:17:10,599 MISTER... 355 00:17:10,643 --> 00:17:13,428 UH, SLABDASH. UM, I'M A FOOD MOVER. 356 00:17:13,472 --> 00:17:14,951 WHAT EXACTLY ARE YOU SAYING? 357 00:17:14,995 --> 00:17:17,606 I THINK YOU KNOW EXACTLY WHAT I'M SAYING. 358 00:17:17,650 --> 00:17:19,217 SPELL IT OUT. 359 00:17:19,260 --> 00:17:22,916 WELL, IF YOU WANT TO MAKE A SMOOTHIE, YOU NEED TO MAKE SURE 360 00:17:22,959 --> 00:17:25,397 THAT YOU'RE GONNA BLEND THE RIGHT FRUIT, YES? 361 00:17:25,440 --> 00:17:27,268 YOU'RE NOT VERY GOOD AT SPELLING. 362 00:17:27,312 --> 00:17:29,966 I DEAL IN CERTAIN FOOD PRODUCTS THAT CERTAIN 363 00:17:30,010 --> 00:17:32,621 HIGH-END RESTAURANTS FIND EXTREMELY VALUABLE. 364 00:17:32,665 --> 00:17:34,971 YOU OFFERING ME A DEAL 365 00:17:35,015 --> 00:17:39,106 ON SOME KIND OF A RARE FRUIT, LIKE A CHERIMOYA? 366 00:17:39,150 --> 00:17:42,979 OH, NO. I-I ACTUALLY DON'T GET OUT OF THE TUB FOR CHERIMOYA. 367 00:17:43,023 --> 00:17:45,460 NO. TRUFFLES -- LOOKING TO MOVE TRUFFLES. 368 00:17:45,504 --> 00:17:47,593 BLACK WINTER -- LOOKING TO MOVE THEM FAST AND QUICK. 369 00:17:47,636 --> 00:17:48,855 INTERESTED? 370 00:17:48,898 --> 00:17:50,770 -I HAVE PLENTY. -LET ME ASK YOU SOMETHING. 371 00:17:50,813 --> 00:17:53,120 ARE YOU STILL GETTING THEM FROM FRANCE? 372 00:17:53,164 --> 00:17:55,949 IS NAPOLéON BRINGING THEM TO YOU ON HIS HORSE? 373 00:17:55,992 --> 00:17:57,777 NAPOLéON'S DEAD. 374 00:17:57,820 --> 00:17:59,996 THANK YOU, RAMPONE. 375 00:18:00,040 --> 00:18:01,520 WOW. 376 00:18:01,563 --> 00:18:03,870 WHERE ELSE AM I SUPPOSED TO GET FRENCH TRUFFLES FROM? 377 00:18:03,913 --> 00:18:05,872 FORGET IT, LAMPARD. I THOUGHT YOU WERE LIVING IN THE MODERN WORLD. 378 00:18:05,915 --> 00:18:07,830 I'M IN THE WRONG PLACE. [ CHUCKLES ] 379 00:18:10,181 --> 00:18:14,315 I'M GOING OUT FOR A WHILE. 380 00:18:19,886 --> 00:18:22,802 IT'S JUST FOOD. 381 00:18:22,845 --> 00:18:25,152 IT'S NOT JUST FOOD, ALL RIGHT? 382 00:18:25,196 --> 00:18:27,502 SOME PEOPLE COULD LOOK AT IT AND SEE JUST FOOD, BUT NOT ME. 383 00:18:27,546 --> 00:18:28,808 I SEE ART. 384 00:18:28,851 --> 00:18:30,114 WHEN I'M IN THE KITCHEN, 385 00:18:30,157 --> 00:18:32,333 I'M -- I'M CREATING SOMETHING OUT OF NOTHING. 386 00:18:32,377 --> 00:18:33,726 YOU KNOW WHAT I MEAN? 387 00:18:33,769 --> 00:18:35,554 AND SOMETIMES, I CRUSH IT. SOMETIMES, IT'S CRAP. 388 00:18:35,597 --> 00:18:37,556 BUT EITHER WAY, IT MAKES ME FEEL SOMETHING. 389 00:18:37,599 --> 00:18:39,166 FEEL WHAT? 390 00:18:39,210 --> 00:18:41,386 JUST...FEEL. 391 00:18:41,429 --> 00:18:44,215 FEEL. OKAY. 392 00:18:44,258 --> 00:18:45,607 [ INHALES SHARPLY ] 393 00:18:45,651 --> 00:18:47,870 YOU KNOW, I DIDN'T FEEL ANYTHING FOR A LONG TIME, 394 00:18:47,914 --> 00:18:49,350 AND TOBY TAUGHT ME HOW TO COOK, 395 00:18:49,394 --> 00:18:51,352 AND AFTER HE DID, I STARTED TO FEEL STUFF AGAIN. 396 00:18:51,396 --> 00:18:53,528 THAT'S WHY I SHARE IT THROUGH MY FOOD. 397 00:18:53,572 --> 00:18:56,357 THIS IS MY ART. THIS IS MY ART, PARKER. 398 00:18:56,401 --> 00:19:00,361 IT'S LIKE LETTING A STRANGER IN YOUR HEAD JUST FOR A SECOND. 399 00:19:00,405 --> 00:19:03,930 AND YOU ALLOW THEM TO FEEL WHAT YOU'RE FEELING. 400 00:19:06,411 --> 00:19:09,109 LOOK AGAIN. 401 00:19:17,117 --> 00:19:19,032 -[ GRUNTS ] -[ SNIFFS ] 402 00:19:19,075 --> 00:19:23,123 THE CLIMATE, THE LAND... 403 00:19:23,167 --> 00:19:25,865 [ CHUCKLES ] THIS IS FRANCE. 404 00:19:25,908 --> 00:19:28,781 OH, LAMPARD. 405 00:19:28,824 --> 00:19:30,391 THIS YOUR LAND, MISTER, UH...? 406 00:19:30,435 --> 00:19:33,568 GNAR SLABDASH. THE "N" IS MOSTLY SILENT. 407 00:19:33,612 --> 00:19:35,135 NO, ACTUALLY, THE LAND HERE, 408 00:19:35,179 --> 00:19:38,443 IT BELONGS TO THIS LOVELY CREATURE -- REBECCA WAMBACH. 409 00:19:38,486 --> 00:19:39,922 DAVID LAMPARD. 410 00:19:39,966 --> 00:19:41,402 ARE YOU A FRIEND OF GNAR'S? 411 00:19:41,446 --> 00:19:43,404 I'M WORKING ON IT. 412 00:19:43,448 --> 00:19:45,754 MAY I SEE IT? THE TRUFFLE? 413 00:19:45,798 --> 00:19:48,757 OH, THIS? SURE. 414 00:19:48,801 --> 00:19:51,499 THANK YOU. [ SNIFFS ] 415 00:19:57,940 --> 00:20:00,378 THIS IS A FRENCH TRUFFLE. 416 00:20:00,421 --> 00:20:03,076 EXCEPT WE'RE IN OREGON. 417 00:20:03,119 --> 00:20:04,904 ARE THERE OTHERS? 418 00:20:04,947 --> 00:20:06,601 -A FEW. -THOUSANDS OF THEM. 419 00:20:06,645 --> 00:20:07,994 [ CLEARS THROAT ] 420 00:20:08,037 --> 00:20:09,604 I THOUGHT YOU SAID YOU HAD PLENTY. 421 00:20:09,648 --> 00:20:11,606 ONE CAN NEVER HAVE ENOUGH TRUFFLES. 422 00:20:11,650 --> 00:20:14,957 YOU SEE, THAT'S WHY I'M DONATING THESE TO THE LOCAL CO-OPS. 423 00:20:15,001 --> 00:20:18,134 -[ COUGHS ] -SHE MIGHT, UH, YOU KNOW, TAKE A FEW AND SELL THEM 424 00:20:18,178 --> 00:20:20,615 AND -- AND USE THE PROCEEDS TO DO SOMETHING FOR THE LOCALS, 425 00:20:20,659 --> 00:20:22,791 LIKE OPEN UP ANOTHER BOOKSTORE. 426 00:20:22,835 --> 00:20:25,141 NO, THESE TRUFFLES BELONG TO THE CITY OF PORTLAND. 427 00:20:25,185 --> 00:20:26,839 YOU KNOW, THAT'S WHAT I DID BACK IN THE U.K., SEE? 428 00:20:26,882 --> 00:20:29,624 YEAH -- OPEN-SOURCE FOOD. THAT'S WHAT IT'S ALL ABOUT THESE DAYS. 429 00:20:29,668 --> 00:20:31,974 REBECCA, DARLING, LOVELY, UH, I -- 430 00:20:32,018 --> 00:20:34,977 IF MY NEW FRIEND AND I COULD JUST HAVE A WORD. 431 00:20:35,021 --> 00:20:36,588 OH, RIGHT. [ SNIFFS ] 432 00:20:36,631 --> 00:20:39,330 I'LL GO AND CHECK ON MY CROOKNECKS, THEN. 433 00:20:42,246 --> 00:20:46,685 THIS IS YOUR MODERN WORLD -- RIPPING OFF SOME HIPPIE CHICK. 434 00:20:46,728 --> 00:20:48,991 [ Laughing ] WELL... 435 00:20:49,035 --> 00:20:51,690 OKAY. HOW MUCH LAND DOES SHE HAVE? 436 00:20:51,733 --> 00:20:53,213 UH, 16,000 ACRES. 437 00:20:53,257 --> 00:20:54,867 AND HOW MUCH HAS TRUFFLES GROWING ON IT? 438 00:20:54,910 --> 00:20:57,261 16,000 ACRES. 439 00:21:01,352 --> 00:21:05,312 GET ME 20 POUNDS BY TONIGHT, I'LL PAY YOU FIVE GRAND. 440 00:21:05,356 --> 00:21:08,184 HMM. DO YOU KNOW WHAT MY, UM -- MY FIRST SQUASH TEACHER TOLD ME? 441 00:21:08,228 --> 00:21:10,317 IF YOU'RE GONNA PLAY WITH A BROKEN RACQUET, 442 00:21:10,361 --> 00:21:13,015 TAKE CARE TO LOB YOUR SHOTS. 443 00:21:13,059 --> 00:21:15,627 DOES THAT MEAN YOU'RE IN? 444 00:21:15,670 --> 00:21:16,976 NO, ACTUALLY, IT DOESN'T MEAN I'M IN. 445 00:21:17,019 --> 00:21:18,499 IT MEANS THAT YOU NEED TO PAY FAIR MARKET PRICE 446 00:21:18,543 --> 00:21:20,196 IF YOU WANT MY TRUFFLES. 447 00:21:20,240 --> 00:21:22,851 $2,000 A POUND. 448 00:21:22,895 --> 00:21:24,200 WELL, I CAN SEE 449 00:21:24,244 --> 00:21:26,725 I CAN'T PULL ONE OVER ON YOU, MISTER, UH... 450 00:21:26,768 --> 00:21:29,380 SLABDASH. IT'S GNAR SLABDASH. 451 00:21:29,423 --> 00:21:30,511 THE "N" IS -- 452 00:21:30,555 --> 00:21:32,557 MOSTLY SILENT, YEAH. 453 00:21:34,210 --> 00:21:38,171 $40,000. THREE HOURS. 454 00:21:38,214 --> 00:21:39,825 OH, AND UM, IF YOU... 455 00:21:39,868 --> 00:21:41,348 [ CLICKS TONGUE ] 456 00:21:41,392 --> 00:21:42,480 THANK YOU. 457 00:21:42,523 --> 00:21:45,134 [ SNIFFS ] 458 00:21:46,788 --> 00:21:48,747 16 POUNDS IS ALL I COULD GET. 459 00:21:48,790 --> 00:21:51,576 -[ SNIFFS ] -A FORMER STUDENT OF MINE IN SEATTLE GAVE ME ALL HE HAD. 460 00:21:51,619 --> 00:21:53,360 HAS TO TAKE TRUFFLES OFF HIS MENU FOR A WHILE. 461 00:21:53,404 --> 00:21:57,103 [ SNIFFS ] AHH. HE'LL GET THEM BACK WITH INTEREST. 462 00:21:57,146 --> 00:21:59,018 OKAY, SO ONCE LAMPARD BUYS THESE FROM US, 463 00:21:59,061 --> 00:22:01,586 WE'LL TRACK WHERE HE KEEPS HIS FRENCH TRUFFLES AND HIS CASH. 464 00:22:01,629 --> 00:22:03,109 EVERYTHING ALL SET WITH YOUR STUDENTS? 465 00:22:03,152 --> 00:22:04,893 YES. IT'S GONNA BE TONY-WORTHY. 466 00:22:04,937 --> 00:22:07,243 WELL, I HOPE IT'S GRIFTER-WORTHY. 467 00:22:07,287 --> 00:22:08,593 HARDISON, HOW ARE WE DOING BACK THERE? 468 00:22:08,636 --> 00:22:12,597 WE ARE GOOD. THE CAMERA'S OPERATIONAL. 469 00:22:12,640 --> 00:22:15,861 NO MATTER WHERE HE HIDES THOSE TRUFFLES, WE'LL SEE IT. 470 00:22:15,904 --> 00:22:18,429 OKAY. WISH ME LUCK. 471 00:22:18,472 --> 00:22:23,216 LISTEN, I DON'T TRUST LAMPARD OR RAMPONE, SO BE CAREFUL. 472 00:22:23,259 --> 00:22:26,393 I'M ALWAYS CAREFUL. 473 00:22:39,450 --> 00:22:42,235 IF I KEEP THIS IDIOT ON A LEASH -- 474 00:22:42,278 --> 00:22:44,716 SELLING TRUFFLES AT HALF THEIR VALUE -- 475 00:22:44,759 --> 00:22:48,720 I CAN CUT OUT JEAN-LUC AND THE FROGS FOR GOOD. 476 00:22:48,763 --> 00:22:50,983 LET'S SEE THE MERCH. 477 00:22:54,769 --> 00:22:56,249 [ SNIFFS ] 478 00:22:56,292 --> 00:22:58,730 [ SIGHS ] DOESN'T LOOK LIKE 20 POUNDS. 479 00:22:58,773 --> 00:23:01,907 LET ME SEE THE CASH. 480 00:23:01,950 --> 00:23:04,910 DOESN'T LOOK LIKE $40,000. 481 00:23:04,953 --> 00:23:07,608 WELL, YOU CAN COUNT IT AFTER I WEIGH YOUR BAG. 482 00:23:18,402 --> 00:23:20,969 NOW, MY GUESS IS AS GOOD AS ANY SCALE. 483 00:23:21,013 --> 00:23:22,362 AND YOU'RE LIGHT. 484 00:23:24,495 --> 00:23:27,236 ALMOST AN EIGHTH OF A POUND. 485 00:23:27,280 --> 00:23:29,891 THAT'S, UH... THAT'S REMARKABLE. 486 00:23:29,935 --> 00:23:32,241 THANK YOU. I'LL TAKE IT ANYWAY. 487 00:23:32,285 --> 00:23:34,722 CAN I HAVE THE CASH, PLEASE? 488 00:23:34,766 --> 00:23:37,072 HEY, DROP BY THE RESTAURANT TOMORROW NIGHT. 489 00:23:37,116 --> 00:23:38,813 I'LL GIVE YOU THE FRIENDS-AND-FAMILY DISCOUNT. 490 00:23:38,857 --> 00:23:42,382 YEAH, I'M TAKING MS. WAMBACH TO DINNER, SO... 491 00:23:42,426 --> 00:23:43,992 BRING HER ALONG. 492 00:23:44,036 --> 00:23:46,734 YOU CAN TRY ONE OF OUR NEW SIGNATURE BLACK TRUFFLE DISHES. 493 00:23:46,778 --> 00:23:47,779 [ LAUGHS ] 494 00:23:53,480 --> 00:23:56,265 OKAY, WHAT DO WE GOT? 495 00:23:56,309 --> 00:23:58,267 WELL, THEY'RE JUST COMING IN NOW. 496 00:23:58,311 --> 00:24:00,095 OKAY, OPEN IT UP, RAMPONE. 497 00:24:10,105 --> 00:24:13,108 OKAY, WE'RE GONNA DO THIS WHEN LAMPARD'S DISTRACTED -- 498 00:24:13,152 --> 00:24:14,719 TOMORROW NIGHT, OPENING NIGHT OF THE RESTAURANT. 499 00:24:14,762 --> 00:24:16,242 TO-- HOW ARE WE GONNA DO THAT? 500 00:24:16,285 --> 00:24:18,026 HE'S GONNA BE ALL OVER THAT KITCHEN. 501 00:24:18,070 --> 00:24:19,245 WELL, NOT IF A FOOD CRITIC IS THERE. 502 00:24:19,288 --> 00:24:20,855 I'M ON IT. 503 00:24:20,899 --> 00:24:23,249 BUT YOU KNOW SOPHIE BURNED HER I.D. WITH THE TRUFFLE HIPPIE. 504 00:24:24,772 --> 00:24:26,078 PARKER CAN DO IT. 505 00:24:26,121 --> 00:24:28,080 NO, I CAN'T. I DON'T EVEN LIKE FOOD. 506 00:24:28,123 --> 00:24:29,429 Except for chocolate and doughnuts. 507 00:24:29,473 --> 00:24:32,563 LISTEN TO ME, PARKER, YOU CAN DO IT, ALL RIGHT? 508 00:24:32,606 --> 00:24:34,782 REMEMBER EVERYTHING THAT WE TALKED ABOUT. 509 00:24:34,826 --> 00:24:36,175 Nate, she can do it. 510 00:24:36,218 --> 00:24:39,265 YEAH, OKAY. SO, PARKER, YOU'RE THE FOOD CRITIC. 511 00:24:39,308 --> 00:24:42,224 I GIVE YOU THE FOODIE QUEEN. 512 00:24:42,268 --> 00:24:44,096 I CAN MAKE OR BREAK A RESTAURANT WITH JUST ONE REVIEW? 513 00:24:44,139 --> 00:24:45,924 MM-HMM. 514 00:24:45,967 --> 00:24:48,274 NOW, NO ONE KNOWS WHAT THE FOODIE QUEEN LOOKS LIKE, 515 00:24:48,317 --> 00:24:50,755 EXCEPT FOR THIS WEIRD BIRTHMARK ON HER WRIST, AND THIS. 516 00:24:50,798 --> 00:24:53,105 AH. NICE. 517 00:24:53,148 --> 00:24:54,498 WAIT -- WAIT A MINUTE. 518 00:24:54,541 --> 00:24:56,108 IF PARKER'S ON THE FLOOR, ELIOT'S IN THE KITCHEN... 519 00:24:56,151 --> 00:24:57,762 -YEAH. -...WHO'S ON THE SAFE? 520 00:24:57,805 --> 00:24:59,111 [ CLEARS THROAT ] 521 00:24:59,154 --> 00:25:01,592 NO. MNH-MNH. NO, NO. 522 00:25:01,635 --> 00:25:04,116 YOU ARE NOT TEARING ME AWAY FROM MY MOLECULAR GASTRONOMY GENIUS. 523 00:25:04,159 --> 00:25:05,247 I THINK NOT. 524 00:25:05,291 --> 00:25:06,901 IT'S WHAT WE WERE COUNTING ON. 525 00:25:06,945 --> 00:25:08,207 YOU CAN COUNT ON SOMETHING ELSE. 526 00:25:08,250 --> 00:25:09,817 EVERYONE, YOU KNOW, HAS TO HAVE A ROLE, YEAH. 527 00:25:09,861 --> 00:25:11,297 [ INDISTINCT SHOUTING ] I GOT A LASER. 528 00:25:11,340 --> 00:25:12,994 DO YOU HEAR THAT? WHAT IS THAT? 529 00:25:13,038 --> 00:25:16,258 I-I CAN'T BELIEVE YOU THINK THAT I WOULD DO SOMETHING LIKE THAT! 530 00:25:16,302 --> 00:25:18,565 I MEAN, WE HAVE BEEN TOGETHER FOR THREE YEARS NOW. 531 00:25:18,609 --> 00:25:20,132 THREE YEARS. 532 00:25:20,175 --> 00:25:22,134 AND APPARENTLY, THAT HAS MEANT ABSOLUTELY NOTHING TO YOU. 533 00:25:22,177 --> 00:25:24,963 I THOUGHT THAT WE HAD A BOND OF TRUST, AND APPARENTLY -- 534 00:25:25,006 --> 00:25:26,530 WHAT'S GOING ON HERE? 535 00:25:26,573 --> 00:25:28,183 HUH? OH, OH, OH! IT'S VERY EXCITING. 536 00:25:28,227 --> 00:25:31,143 SHE'S ACCUSING HIM OF CHEATING ON HER WITH HER SISTER-IN-LAW. 537 00:25:31,186 --> 00:25:33,145 YES, BUT THE TRUTH IS, HE'S IN LOVE WITH HER BROTHER 538 00:25:33,188 --> 00:25:35,321 WHO WORKS AS A LONGSHOREMAN ON THE SAME DOCKS 539 00:25:35,364 --> 00:25:37,497 WHERE KITTY DUKAKIS ONCE SLAPPED A DRAG QUEEN IN A FIT OF -- 540 00:25:37,541 --> 00:25:39,499 OH, I'M SOR-- I GET IT. 541 00:25:39,543 --> 00:25:41,632 THEY'RE ACTING STUDENTS OF YOURS. 542 00:25:41,675 --> 00:25:44,635 -I SEE. -YES! YES. NATE, WE'RE WORKING ON CHARACTER 543 00:25:44,678 --> 00:25:47,986 AND THEIR BACKGROUNDS AND THEIR MOTIVATION, EVERYONE. 544 00:25:48,029 --> 00:25:50,858 GOOD JOB. 545 00:25:50,902 --> 00:25:53,861 OH, NATE, YOU KNOW THAT THE CORE OF GOOD ACTING 546 00:25:53,905 --> 00:25:56,168 COMES FROM THE PERSISTENCE OF TECTONICS. 547 00:25:56,211 --> 00:25:58,605 NO IDEA WHAT THAT MEANS. VERY CONCERNED THAT YOU DO. 548 00:25:58,649 --> 00:26:02,566 IGNORE HIM. HE'S NOT HERE. 549 00:26:02,609 --> 00:26:04,480 NOW, REMEMBER THE TIME WE DID IT IN SIGN LANGUAGE? 550 00:26:04,524 --> 00:26:07,005 THIS TIME, YOU'RE BLIND. 551 00:26:07,048 --> 00:26:11,923 OH, MY GOD. ARE YOU KIDDING ME?! 552 00:26:14,621 --> 00:26:16,318 ALL RIGHT, PEOPLE, LISTEN UP. [ CLAPS HANDS ] 553 00:26:16,362 --> 00:26:18,407 YOU HAVE MADE VARSITY. YOU'RE NO LONGER ON THE J.V. TEAM. 554 00:26:18,451 --> 00:26:20,235 LEO, YOU'RE ON SEAFOOD ALL NIGHT. RIGHT THERE. DON'T MOVE. 555 00:26:20,279 --> 00:26:22,411 HOPE, YOU'RE ON VEGETABLES. GARNISH, ALL RIGHT? 556 00:26:22,455 --> 00:26:23,717 REMEMBER THE PAIRING WORK THAT WE WENT OVER. 557 00:26:23,761 --> 00:26:25,371 WHITNEY, COME WITH ME. 558 00:26:25,414 --> 00:26:26,677 YOU ARE GONNA BE ON THE GRILL, SWEETHEART, 559 00:26:26,720 --> 00:26:28,374 RIGHT HERE ALL NIGHT -- MY SIDEKICK, OKAY? 560 00:26:28,417 --> 00:26:31,029 YOU -- YOU'RE ON SUPPLIES. 561 00:26:31,072 --> 00:26:32,552 SUPPLY. 562 00:26:32,596 --> 00:26:35,860 -YOU GO... -NO. GO. 563 00:26:35,903 --> 00:26:38,210 [ INDISTINCT CONVERSATIONS ] 564 00:26:38,253 --> 00:26:39,864 STOP EATING MY FOOD. 565 00:26:39,907 --> 00:26:42,431 RIGHT THIS WAY, MA'AM. 566 00:26:44,433 --> 00:26:46,000 KEEP AN EYE OUT FOR THIS ONE. 567 00:26:46,044 --> 00:26:47,828 WORD IS SHE'S GONNA BE HERE TONIGHT. 568 00:26:47,872 --> 00:26:49,569 I'M ON IT. 569 00:26:52,398 --> 00:26:56,184 AH, LAMPARD. YOU REMEMBER REBECCA. 570 00:26:56,228 --> 00:26:57,664 YES, WELCOME. WELCOME. 571 00:26:57,708 --> 00:27:00,362 WE HAVE AN OUTSTANDING ARRAY OF VEGAN CHOICES. 572 00:27:00,406 --> 00:27:02,190 OH, IS IT ORGANICALLY GROWN, 573 00:27:02,234 --> 00:27:04,540 ETHICALLY SOURCED, ORGANICALLY LOCAL? 574 00:27:04,584 --> 00:27:06,151 -OF COURSE. -AHH. 575 00:27:06,194 --> 00:27:10,068 I USE NOTHING BUT THE FINEST PORTLAND FARMERS FOR EVERYTHING. 576 00:27:10,111 --> 00:27:11,243 ENJOY. 577 00:27:11,286 --> 00:27:13,288 [ INDISTINCT CONVERSATIONS ] 578 00:27:18,119 --> 00:27:19,730 THE CRITIC -- SHE'S HERE. 579 00:27:19,773 --> 00:27:21,253 -FOODIE QUEEN? -MM-HMM. 580 00:27:21,296 --> 00:27:23,603 HOW DO YOU KNOW? 581 00:27:25,170 --> 00:27:26,650 WELL, IT LOOKS LIKE HER. 582 00:27:26,693 --> 00:27:28,652 YOU KNOW, I READ ONE THING ABOUT HER 583 00:27:28,695 --> 00:27:31,524 HAVING A CRESCENT-SHAPED BIRTHMARK ON ONE OF HER -- OH. 584 00:27:33,657 --> 00:27:35,136 IT'S HER. 585 00:27:37,922 --> 00:27:39,575 -AH. -WHAT? 586 00:27:39,619 --> 00:27:41,229 YOU'RE NOT SERVING TABLE SIX. I AM. 587 00:27:41,273 --> 00:27:43,231 NO ONE SERVES TABLE SIX BUT ME, GOT IT? 588 00:27:43,275 --> 00:27:45,669 Sí, SENOR. 589 00:27:45,712 --> 00:27:47,322 -HELLO. -B-B-BUP! 590 00:27:47,366 --> 00:27:50,456 [ CHUCKLES NERVOUSLY ] JOLLY GOOD. 591 00:27:50,499 --> 00:27:52,763 OKAY, BARRING ANY UNFORESEEN CIRCUMSTANCES, 592 00:27:52,806 --> 00:27:54,025 WE ARE GOOD TO GO. 593 00:27:59,204 --> 00:28:02,511 LAMPARD THINKS HE CAN CUT ME OUT, HUH? 594 00:28:02,555 --> 00:28:03,599 [ CHUCKLES ] 595 00:28:03,643 --> 00:28:07,255 HE WANTS TO TAKE MY TRUFFLE BUSINESS. 596 00:28:07,299 --> 00:28:10,345 THEN I WILL TAKE HIS MOST PRECIOUS COMMODITY. 597 00:28:10,389 --> 00:28:16,134 PATRICE, GO IN THERE AND BRING ME HIS CHEF. 598 00:28:26,884 --> 00:28:29,190 HERE WE GO. 599 00:28:29,234 --> 00:28:31,715 ENJOY. 600 00:28:31,758 --> 00:28:33,325 Parker, let's give them some micro-expressions. 601 00:28:33,368 --> 00:28:37,242 WHEN YOU TAKE YOUR FIRST BITE, JUST GIVE A HINT OF A SMILE. 602 00:28:37,285 --> 00:28:39,418 Remember, the key is micro. 603 00:28:39,461 --> 00:28:41,072 [ SNIFFS ] 604 00:28:41,115 --> 00:28:43,074 [ CRUNCHES ] 605 00:28:43,117 --> 00:28:44,597 [ GAGS ] 606 00:28:47,948 --> 00:28:50,037 [ SCOFFS ] WELL, THAT DIDN'T WORK. 607 00:28:50,081 --> 00:28:51,604 OKAY, SO, WHAT'S WRONG? 608 00:28:51,647 --> 00:28:53,780 WHEN SOMEONE REALLY SMILES, THEN THEIR EYES WRINKLE UP. 609 00:28:53,824 --> 00:28:55,521 YOU KNOW, YOU JUST CAN'T HELP IT. 610 00:28:55,564 --> 00:28:58,045 BUT IF A SMILE'S FAKE, THEN THE MUSCLES -- THEY DON'T CONTRACT. 611 00:28:58,089 --> 00:29:01,048 THERE ISN'T ANYTHING SHE LIKES OR CAN CONNECT WITH. 612 00:29:01,092 --> 00:29:02,136 PARKER, 613 00:29:02,180 --> 00:29:03,442 this time, when you take a bite, 614 00:29:03,485 --> 00:29:06,010 think of the first time you stole something. 615 00:29:08,664 --> 00:29:12,625 [ SIGHS ] 616 00:29:12,668 --> 00:29:14,932 YEAH, LISTEN -- LAMPARD NEEDS TO SEE SOME ANXIETY IN HER, 617 00:29:14,975 --> 00:29:17,456 YOU KNOW, JUST TO HAVE HIM STICK AROUND. 618 00:29:17,499 --> 00:29:19,937 Parker, take a bite, 619 00:29:19,980 --> 00:29:22,678 THEN BLINK, THEN THINK OF...JAZZ. 620 00:29:22,722 --> 00:29:25,812 [ GAGS, COUGHS ] 621 00:29:25,856 --> 00:29:27,814 EVERYTHING OKAY? CAN I GET YOU SOMETHING? 622 00:29:27,858 --> 00:29:28,902 MM, AH, SPRING ROLLS. 623 00:29:28,946 --> 00:29:29,947 SPRING ROLLS. [ SNAPS FINGERS ] 624 00:29:29,990 --> 00:29:31,122 NICELY DONE. 625 00:29:31,165 --> 00:29:32,906 [ CHUCKLES ] 626 00:29:32,950 --> 00:29:34,081 ALL RIGHT, LISTEN UP. 627 00:29:34,125 --> 00:29:36,127 I NEED A WEDGE SALAD, TWO DELMONICOS. 628 00:29:36,170 --> 00:29:37,519 I NEED ANOTHER BLACK TAG. 629 00:29:37,563 --> 00:29:38,738 -YES, CHEF. -YES, CHEF. 630 00:29:38,782 --> 00:29:40,261 OH, AND I'M OUT OF THESE PURPLE TOMATOES. 631 00:29:40,305 --> 00:29:43,177 HOPE, THOSE ARE RED ONIONS. HARDISON! 632 00:29:43,221 --> 00:29:45,658 -WHAT? -I NEED SOME MORE RED ONIONS IN HERE. 633 00:29:45,701 --> 00:29:47,442 -HOW LONG ON THOSE PRAWNS, LEO? -30 SECONDS, CHEF. 634 00:29:47,486 --> 00:29:49,270 I NEED THEM IN 20, BUDDY. 635 00:29:49,314 --> 00:29:52,621 ALL RIGHT, LET'S GO. RUNNERS! WE NEED SOME RUNNERS IN HERE! 636 00:29:52,665 --> 00:29:54,667 IF YOU'RE NOT COOKING, STAY OUT OF MY KITCHEN. 637 00:29:54,710 --> 00:29:57,322 [ French accent ] CHEF, YOU COME WITH ME. 638 00:29:57,365 --> 00:29:59,193 [ GROANS ] 639 00:30:05,025 --> 00:30:08,768 WHAT? PLATE 'EM! 640 00:30:13,207 --> 00:30:15,862 RUNNERS! 641 00:30:15,906 --> 00:30:17,646 IS THIS HOW IT'S GONNA BE NOW, HMM? 642 00:30:17,690 --> 00:30:19,257 I'M THE SUPPLIES GUY? 643 00:30:19,300 --> 00:30:22,477 -TAKE THOSE DOWN TO HOPE. AND STOP EATING MY FOOD. -TO HOPE? 644 00:30:22,521 --> 00:30:26,786 OKAY. LAMPARD'S LOCKED ON. GO, HARDISON. 645 00:30:28,005 --> 00:30:29,963 WHERE IS PATRICE? 646 00:30:30,007 --> 00:30:33,358 SAMIR, GO GET ME THE CHEF. 647 00:30:43,063 --> 00:30:44,543 UH... 648 00:30:44,586 --> 00:30:47,589 NATE, IT IS TIME FOR PLAN "B." 649 00:30:47,633 --> 00:30:49,722 YEAH, ACTUALLY, THAT WASPLAN "B." 650 00:30:49,765 --> 00:30:51,593 OKAY, PARKER, YOU NEED TO GET HARDISON INSIDE 651 00:30:51,637 --> 00:30:53,595 WITHOUT TIPPING OFF LAMPARD. 652 00:30:57,251 --> 00:30:58,557 [ CLEARS THROAT ] [ RECORDER BEEPS ] 653 00:30:58,600 --> 00:31:00,559 THE SPRING ROLLS SNEAK UP ON YOU. 654 00:31:00,602 --> 00:31:03,867 THE FLAVORS COME FROM SOMEWHERE ELSE, 655 00:31:03,910 --> 00:31:07,522 LIKE A SECRET PASSAGE IN THE BACK OF MY -- 656 00:31:07,566 --> 00:31:10,221 WHAT'S IT CALLED? -- PALATE. 657 00:31:10,264 --> 00:31:11,265 AIR DUCT. 658 00:31:11,309 --> 00:31:14,529 Got it. 659 00:31:14,573 --> 00:31:17,706 [ Muffled ] HOW'S IT TASTE, PARKER? YOU FEELING ANYTHING? 660 00:31:17,750 --> 00:31:20,013 [ BEEP ] 661 00:31:20,057 --> 00:31:22,537 THE SALSA VERDE IS A NICE MARRIAGE WITH THE SPRING ROLLS, 662 00:31:22,581 --> 00:31:24,191 BUT WHILE TOTALLY YUMMY, 663 00:31:24,235 --> 00:31:28,065 I JUST FEEL LIKE... I SHOULD BE FEELING MORE. 664 00:31:28,108 --> 00:31:29,414 [ GRUNTS ] 665 00:31:29,457 --> 00:31:31,590 WHY DIDN'T I THINK OF THAT? 666 00:31:31,633 --> 00:31:35,072 ALL RIGHT, LISTEN, I WANT TO PUT BONE MARROW IN THE SALSA VERDE. 667 00:31:35,115 --> 00:31:36,725 SO GROSS. 668 00:31:36,769 --> 00:31:38,205 NO, IT'S NOT. IT GIVES IT THE CONSISTENCY THAT IT'S LACKING. 669 00:31:38,249 --> 00:31:39,946 GO, RIGHT NOW. BONE MARROW. 670 00:31:39,990 --> 00:31:42,557 NO SALSA VERDE FLIES OUT OF THIS KITCHEN WITHOUT BONE MARROW. 671 00:31:42,601 --> 00:31:43,602 "YES, CHEF"? 672 00:31:43,645 --> 00:31:44,951 -YES, CHEF. -YES, CHEF. 673 00:31:44,995 --> 00:31:47,780 [ GRUNTS ] 674 00:31:47,823 --> 00:31:49,434 How we doing, Hardison? 675 00:31:49,477 --> 00:31:50,957 OH, WE'RE GOOD. 676 00:31:51,001 --> 00:31:55,440 JUST SWIMMING THROUGH AN OCEAN OF FOOD. 677 00:31:55,483 --> 00:31:57,442 SIDE NOTE -- DON'T ORDER THE SPINACH. 678 00:31:59,009 --> 00:32:04,275 [ Muffled ] I CAN TASTE GARLIC AND MUSHROOMS. 679 00:32:04,318 --> 00:32:07,060 AND SOMETHING ELSE THAT MAKES ME FEEL DIFFERENT. 680 00:32:07,104 --> 00:32:09,802 WAIT -- WAS THAT FOR ME? 'CAUSE I-I DON'T GET IT. 681 00:32:09,845 --> 00:32:13,284 NO. IT'S THE FOOD. 682 00:32:13,327 --> 00:32:16,635 [ CHUCKLES ] I GET IT. 683 00:32:16,678 --> 00:32:17,984 I FEEL SOMETHING. 684 00:32:18,028 --> 00:32:20,117 [ CHUCKLES ] 685 00:32:20,160 --> 00:32:22,815 [ CHUCKLES ] 686 00:32:22,858 --> 00:32:24,599 WHAT IS GOING ON IN THERE, HUH? 687 00:32:24,643 --> 00:32:27,341 THIERRY, GO BRING THEM ALL BACK -- 688 00:32:27,385 --> 00:32:30,301 PATRICE, SAMIR, AND THAT STUPID CHEF. 689 00:32:30,344 --> 00:32:33,521 WHAT'S YOUR PROBLEM, HUH? HE'S JUST A CHEF. 690 00:32:33,565 --> 00:32:34,870 HE'S NOT A MAN. 691 00:32:34,914 --> 00:32:37,264 HE COOKS LITTLE FOOD WITH LITTLE POTS AND PANS. 692 00:32:37,308 --> 00:32:40,833 COME ON. [ SPEAKS FRENCH ] 693 00:32:42,530 --> 00:32:44,880 YOU GONNA PUT ME ON SUPPLIES. 694 00:32:44,924 --> 00:32:47,666 THIS IS COOKING WITH LIQUID NITROGEN. 695 00:32:51,322 --> 00:32:53,802 MMM. 696 00:32:53,846 --> 00:32:55,630 THESE BLACK NOODLES ARE AMAZING! 697 00:32:55,674 --> 00:32:58,111 Parker, it's tagliolini nero con gamberi. 698 00:32:58,155 --> 00:33:01,114 MMM. 699 00:33:01,158 --> 00:33:03,638 [ Muffled ] MMM. MMM. 700 00:33:03,682 --> 00:33:05,205 THESE ARE REALLY GOOD. 701 00:33:20,264 --> 00:33:23,919 I CAN MAKE BLUE SPAGHETTI, OR I CAN BLOW A SAFE. 702 00:33:23,963 --> 00:33:25,704 [ BEEPING ] 703 00:33:36,280 --> 00:33:37,890 [ INDISTINCT CONVERSATIONS ] 704 00:33:41,981 --> 00:33:43,113 TASTE THIS. 705 00:33:45,245 --> 00:33:46,377 MMM. 706 00:33:46,420 --> 00:33:48,814 -NOT TOO MUCH GINGER? -MNH-MNH. 707 00:33:50,598 --> 00:33:53,558 UH, CHEF? CHEF? 708 00:33:53,601 --> 00:33:54,776 WHAT? 709 00:33:54,820 --> 00:33:56,952 SHOULD I PLATE THE DELMONICO? 710 00:33:56,996 --> 00:33:59,390 PERFECT TEMPERATURE. GOOD JOB, WHITNEY. 711 00:33:59,433 --> 00:34:01,392 OH, MY GOD! THANK YOU, THANK YOU! 712 00:34:01,435 --> 00:34:03,916 PUT IT ON THE PLATE. YOU GOT TO PUT IT ON THE PLATE. 713 00:34:03,959 --> 00:34:05,744 SORRY. SORRY. I KNOW. I KNOW. 714 00:34:05,787 --> 00:34:06,919 RUNNERS! 715 00:34:06,962 --> 00:34:09,878 AW, YEAH, BABY. 716 00:34:09,922 --> 00:34:11,097 [ CHUCKLES ] 717 00:34:11,141 --> 00:34:12,272 MONEY, MONEY, MONEY. 718 00:34:17,451 --> 00:34:20,628 I'LL BITE YOU. I'LL BITE YOU! 719 00:34:20,672 --> 00:34:22,587 [ SCREAMS ] 720 00:34:22,630 --> 00:34:25,242 NATE, COMING IN HOT. 721 00:34:25,285 --> 00:34:26,591 OKAY, SOPHIE, YOU'RE ON. 722 00:34:26,634 --> 00:34:28,419 [ SILVERWARE CLINKS ] 723 00:34:28,462 --> 00:34:32,771 LADIES AND GENTLEMEN, I THINK WE SHOULD ALL STAND UP -- 724 00:34:32,814 --> 00:34:35,426 STAND UP AND GIVE A BIG THANK-YOU TO DAVID LAMPARD 725 00:34:35,469 --> 00:34:37,471 FOR THIS LOVELY FOOD THAT WE'RE ENJOYING. 726 00:34:37,515 --> 00:34:39,386 YOU DON'T HAVE TO -- 727 00:34:39,430 --> 00:34:41,736 I KNOW YOU ALL KNOW WHAT TREE HUGGING IS, BUT I THINK -- 728 00:34:41,780 --> 00:34:44,435 WHY DON'T WE TRY HUGGING A CHEF? 729 00:34:44,478 --> 00:34:48,482 HUG A CHEF, WHY DON'T YOU? 730 00:34:48,526 --> 00:34:50,745 -ALL RIGHT. -LOVELY. OH, THAT'S A LOVELY HUG. 731 00:34:50,789 --> 00:34:53,008 OKAY, YOU CAN LET GO. PLEASE. 732 00:34:53,052 --> 00:34:55,489 MY GOODNESS. 733 00:34:55,533 --> 00:34:57,535 COME HERE. 734 00:34:59,014 --> 00:35:02,061 OH, LOOK. THERE'S A GROUP HUG. 735 00:35:08,981 --> 00:35:12,419 [ ENGINE TURNS OVER, TIRES SCREECH ] 736 00:35:12,463 --> 00:35:14,943 ISN'T HE JUST GONNA GRAB THE TRUFFLES AND RUN? 737 00:35:14,987 --> 00:35:16,119 I HOPE SO. 738 00:35:16,162 --> 00:35:19,470 MOVE, MOVE, MOVE, MOVE! 739 00:35:27,347 --> 00:35:32,004 SPENCER, RIGHT? I THOUGHT I RECOGNIZED YOU. 740 00:35:32,047 --> 00:35:35,050 EVERYBODY OUT -- NOW! 741 00:35:36,704 --> 00:35:38,706 -GOOD JOB TONIGHT. -THANKS. 742 00:35:41,492 --> 00:35:44,843 SEE, THE WHOLE HIPPIE THING THREW ME OFF. 743 00:35:49,021 --> 00:35:51,850 I'M GONNA EAT THAT WHEN I'M DONE WITH YOU. 744 00:35:51,893 --> 00:35:55,549 YEAH, YOU WERE A GOOD OPERATOR, IF I REMEMBER CORRECTLY. 745 00:35:55,593 --> 00:35:57,334 IT'S A DIFFERENT GUY. 746 00:35:57,377 --> 00:36:00,163 BAD ATTITUDE. 747 00:36:00,206 --> 00:36:04,167 SAME BAD ATTITUDE, THOUGH. 748 00:36:04,210 --> 00:36:06,212 YOU HURT MY FRIEND, RAMPONE. 749 00:36:06,256 --> 00:36:09,433 I SHOULD HAVE KILLED HIM. 750 00:36:13,219 --> 00:36:14,916 LIKE I'M GONNA DO TO YOU. 751 00:36:18,355 --> 00:36:20,226 [ GRUNTING ] 752 00:36:21,619 --> 00:36:23,055 AAH! 753 00:36:28,278 --> 00:36:30,889 COME ON. 754 00:36:45,382 --> 00:36:47,819 [ CLATTERING ] 755 00:37:12,496 --> 00:37:14,498 NOT ONLY DID YOU AND LAMPARD RUIN MY FRIEND TOBY'S LIFE, 756 00:37:16,195 --> 00:37:19,285 BUT YOU RUINED THE LIVES OF THE KIDS HE WAS TRYING TO HELP. 757 00:37:23,028 --> 00:37:24,986 ELIOT -- 758 00:37:25,030 --> 00:37:27,511 NOT WORTH IT. GIVE HIM TO THE COPS. 759 00:37:27,554 --> 00:37:29,208 CALL OFF YOUR DOG. HE'S CRAZY. 760 00:37:29,252 --> 00:37:30,862 CRAZY? 761 00:37:30,905 --> 00:37:34,344 I'M GONNA CUT YOUR FREAKING HEAD OFF AND SERVE IT ON A PLATTER. 762 00:37:35,823 --> 00:37:39,479 CALL HIM OFF. 763 00:37:47,226 --> 00:37:49,881 THAT'S ENOUGH, ELIOT. 764 00:37:52,753 --> 00:37:54,102 [ SIGHS ] 765 00:37:57,584 --> 00:38:00,021 THANKS. 766 00:38:04,548 --> 00:38:07,202 SERVE HIS -- HIS HEAD ON A PLATTER, HUH? 767 00:38:07,246 --> 00:38:09,030 -WAS IT TOO MUCH? -NO, ACTUALLY, I LIKED IT. 768 00:38:09,074 --> 00:38:10,728 I FELT LIKE IT WAS A LOT. 769 00:38:10,771 --> 00:38:12,686 LIKE, RIGHT WHEN I SAID IT, I FELT LIKE I MAY HAVE GONE TOO FAR. 770 00:38:16,690 --> 00:38:18,344 [ INDISTINCT TALKING OVER P.A. ] 771 00:38:18,388 --> 00:38:19,867 DAVID LAMPARD? 772 00:38:23,393 --> 00:38:25,830 I'M AGENT PALMER, AND THIS IS AGENT SNEAD -- 773 00:38:25,873 --> 00:38:27,658 LIKE THE GOLFERS, ONLY WE'RE NOT GOLFERS. 774 00:38:27,701 --> 00:38:30,487 WE'RE GOVERNMENT AGENTS. WE NEED TO LOOK IN YOUR BAGS. 775 00:38:30,530 --> 00:38:33,490 WHAT ARE YOU -- D.E.A., EH? LOOKING FOR DRUGS? 776 00:38:33,533 --> 00:38:37,232 SURE, LOOK ALL YOU WANT. NO DRUGS. 777 00:38:37,276 --> 00:38:39,234 WHAT'S THIS? 778 00:38:39,278 --> 00:38:41,541 CHARCOAL BRIQUETTES. 779 00:38:41,585 --> 00:38:43,064 I'M A BIT OF A GRILL MASTER. 780 00:38:43,108 --> 00:38:45,284 SMELLS LIKE TUBER MELANOSPORUM. 781 00:38:45,328 --> 00:38:47,721 -WHAT'S THAT? -TRUFFLES. 782 00:38:47,765 --> 00:38:52,422 OH, WELL, YOU SEE, I'M A RESTAURANT OWNER AND A CHEF. 783 00:38:52,465 --> 00:38:54,380 YEAH, THESE ARE ACTUALLY FRENCH TRUFFLES. 784 00:38:54,424 --> 00:38:56,730 THEY'RE NOT MINE. I'M JUST TAKING THEM BACK TO FRANCE. 785 00:38:56,774 --> 00:39:00,560 THERE'S A LOT OF SHADY PEOPLE IN THE TRUFFLE BUSINESS AND, YOU KNOW... 786 00:39:00,604 --> 00:39:03,258 HOLD ON A SECOND. WHAT DOES THE D.E.A. CARE ABOUT TRUFFLES? 787 00:39:03,302 --> 00:39:05,739 WE'RE WITH U.S. FISH AND WILDLIFE. 788 00:39:05,783 --> 00:39:08,089 OH, WELL, THEN YOU'RE NOT REAL POLICE. LEAVE ME ALONE. 789 00:39:08,133 --> 00:39:10,091 BUT YOU ARE IN VIOLATION 790 00:39:10,135 --> 00:39:12,572 OF SECTIONS FOUR AND NINE OF THE ENDANGERED SPECIES ACT. 791 00:39:12,616 --> 00:39:14,139 [ Laughing ] THAT'S FOR ANIMALS. 792 00:39:14,182 --> 00:39:16,097 FISH, WILDLIFE, ANDPLANTS. 793 00:39:16,141 --> 00:39:18,404 [ SCOFFS ] THIS IS OUTRAGEOUS. THEY'RE JUST TRUFFLES. 794 00:39:18,448 --> 00:39:21,929 IT IS ILLEGAL TO POSSESS OR SHIP ANY FISH, WILDLIFE, OR PLANT 795 00:39:21,973 --> 00:39:23,278 THAT HAS BEEN TAKEN ILLEGALLY. 796 00:39:23,322 --> 00:39:24,758 CUFF HIM. 797 00:39:24,802 --> 00:39:27,108 -NO, I AM NOT -- NO, I'M NOT GOING. -TASE HIM, SNEAD! 798 00:39:27,152 --> 00:39:28,153 [ TASER CRACKLES ] AAH! 799 00:39:28,196 --> 00:39:29,807 [ GASPS ] 800 00:39:29,850 --> 00:39:33,463 HANDS BEHIND YOUR BACK. COME ON. 801 00:39:33,506 --> 00:39:34,551 [ HANDCUFFS CLICK ] 802 00:39:34,594 --> 00:39:37,118 [ INDISTINCT CONVERSATIONS ] 803 00:39:49,479 --> 00:39:51,655 I CAN'T THANK YOU ENOUGH. 804 00:39:51,698 --> 00:39:55,006 I HAVE MY STUDENTS BACK, MY REPUTATION BACK. 805 00:39:55,049 --> 00:39:57,835 AND NOW I'LL BE ABLE TO KEEP THE DOORS OPEN FOR A WHILE. 806 00:39:57,878 --> 00:40:00,228 THE DOORS AREN'T GONNA CLOSE -- NOT WHILE WE'RE NEARBY. 807 00:40:06,496 --> 00:40:07,453 WHAT IS THAT? 808 00:40:07,497 --> 00:40:09,760 WHAT -- WHAT ARE YOU -- DON'T -- 809 00:40:09,803 --> 00:40:12,589 PACKAGE FOR...ALEC HARDISON. 810 00:40:12,632 --> 00:40:14,329 [ LAUGHS ] OH, YEAH. 811 00:40:14,373 --> 00:40:16,288 GOT MYSELF A LASER. 812 00:40:16,331 --> 00:40:17,376 ABSOLUTELY NOT. 813 00:40:17,420 --> 00:40:19,291 DON'T GIVE -- DON'T SIGN FOR THAT. 814 00:40:19,334 --> 00:40:21,162 DON'T SIGN FOR...? 815 00:40:21,206 --> 00:40:22,947 HEY, DO YOU KNOW WHAT WE'RE GONNA BE ABLE TO PUT ON THE PUB'S MENU? 816 00:40:22,990 --> 00:40:24,818 ON THE PUB'S EDIBLEMENU? 817 00:40:24,862 --> 00:40:27,517 -NATE, YOU KNOW... -YEAH, I KNOW. YOU WANT TO STAB HIM IN THE... 818 00:40:27,560 --> 00:40:29,301 STAB WHAT? OH, HOLD ON. 819 00:40:29,344 --> 00:40:31,303 LET ME ASK YOU SOMETHING, MAN. 820 00:40:31,346 --> 00:40:33,784 WOULDN'T YOU LIKE TO BE ABLE TO SLURP A BLOCK OF FOAM 821 00:40:33,827 --> 00:40:36,177 THAT TASTES JUST LIKE A SUCCULENT NEW YORK STEAK, 822 00:40:36,221 --> 00:40:37,483 OR HAVE A SHOT OF LIQUID 823 00:40:37,527 --> 00:40:39,833 THAT TASTES LIKE A THREE-COURSE ITALIAN MEAL? 824 00:40:39,877 --> 00:40:42,053 NO, HE WOULD RATHER HAVE THE THREE-COURSE MEAL. 825 00:40:42,096 --> 00:40:44,185 YOU DON'T KNOW THAT MAN'S LIFE, OKAY? 826 00:40:44,229 --> 00:40:46,666 HE'S DELIVERING PACKAGES ALL AROUND PORTLAND. 827 00:40:46,710 --> 00:40:49,495 HE'S TOO BUSY TO SIT DOWN AND HAVE A THREE-COURSE MEAL, OKAY? HE'S A MOVER, A SHAKER, A DOER. 828 00:40:49,539 --> 00:40:51,366 HE'D RATHER HAVE A TIP. HARDISON? 829 00:40:51,410 --> 00:40:52,367 [ WHISTLES ] 830 00:40:52,411 --> 00:40:54,674 FOR WHAT? FOR...? 831 00:40:54,718 --> 00:40:56,197 FOR YOUR LASER. 832 00:40:56,241 --> 00:40:57,851 [ COINS JINGLE ] HOW ABOUT THIS, MAN? HOW ABOUT THIS? 833 00:40:57,895 --> 00:40:59,462 HOW ABOUT I GIVE YOU A PICTURE OF ICE CREAM 834 00:40:59,505 --> 00:41:02,334 THAT LOOK LIKE A-A-A CHOCOLATE TASTE JUST LIKE ROCKY ROAD? 835 00:41:02,377 --> 00:41:05,511 HOW ABOUT A DOLLAR THAT TASTES LIKE A DOLLAR? 836 00:41:05,555 --> 00:41:07,861 UH-HUH. YOU GOT BRAVE. 837 00:41:07,905 --> 00:41:11,517 OKAY, I SEE WHAT THIS IS. GOT A LITTLE -- THAT'S ONE, TWO. 838 00:41:11,561 --> 00:41:15,739 AND THERE YOU GO. PUT THAT IN THE PIGGY BANK. 839 00:41:15,782 --> 00:41:18,437 THERE YOU GO. BE HAPPY. 840 00:41:18,481 --> 00:41:20,178 I DON'T CARE NO MORE. I'M DONE. 841 00:41:20,221 --> 00:41:22,354 YOU KNOW WHAT? IF PARKER WAS HERE, SHE WOULD HAVE MY BACK, OKAY? 842 00:41:22,397 --> 00:41:23,660 SHE'S A FORWARD THINKER. 843 00:41:23,703 --> 00:41:27,533 SHE AIN'T STUCK IN A TIME WARP LIKE Y'ALL. 844 00:41:27,577 --> 00:41:29,535 WHERE IS PARKER? 845 00:41:29,579 --> 00:41:34,453 OH, UH, SHE'S, UM, ON A LITTLE TRIP. 58859

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