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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:15,688 --> 00:00:16,722 NATE FORD. 2 00:00:23,129 --> 00:00:26,099 AAH! [ GUN COCKS ] 3 00:00:26,132 --> 00:00:27,333 YOU KNOW, YOU COULD HAVE -- 4 00:00:27,366 --> 00:00:28,767 CALLED FIRST? 5 00:00:28,801 --> 00:00:31,437 YES, MR. FORD. 6 00:00:31,470 --> 00:00:33,372 I COULD HAVE CALLED FIRST. 7 00:00:33,406 --> 00:00:35,808 CHAZ...PUT IT AWAY. 8 00:00:39,312 --> 00:00:40,679 [ GROANS ] 9 00:00:41,814 --> 00:00:44,383 [ DOOR CLOSES ] 10 00:00:44,417 --> 00:00:46,352 MY NAME IS WALT -- 11 00:00:46,385 --> 00:00:47,686 WHITMAN WELLESLEY IV. 12 00:00:47,720 --> 00:00:49,388 WELL-FUNDED, ON THE BOARD 13 00:00:49,422 --> 00:00:51,790 OF SEVERAL CORPORATIONS, FOUNDATIONS. 14 00:00:51,824 --> 00:00:53,326 I KNOW WHO YOU ARE. 15 00:00:53,359 --> 00:00:54,527 GOOD. 16 00:00:54,560 --> 00:00:57,696 THEN YOU KNOW EXACTLY WHAT'S AT RISK 17 00:00:57,730 --> 00:00:59,365 IF YOU REFUSE TO HELP ME. 18 00:01:01,400 --> 00:01:03,436 LET ME BE VERY CLEAR ABOUT SOMETHING. 19 00:01:03,469 --> 00:01:05,671 I HELP PEOPLE WHO HAVE NOWHERE ELSE TO GO. 20 00:01:05,704 --> 00:01:08,574 I HELP THEM AGAINST PEOPLE LIKE YOU. 21 00:01:08,607 --> 00:01:09,842 THANKS FOR COMING. 22 00:01:11,510 --> 00:01:13,746 [ Voice breaking ] BUT YOU MUST... 23 00:01:13,779 --> 00:01:15,348 HELP ME. 24 00:01:15,381 --> 00:01:16,482 [ SOBBING ] 25 00:01:19,885 --> 00:01:21,220 -UH... -I'M GONNA... 26 00:01:21,254 --> 00:01:22,855 -MAYBE... -I'M GONNA GO GET SOPHIE. 27 00:01:22,888 --> 00:01:24,623 SOPHIE, YEAH. 28 00:01:30,529 --> 00:01:33,899 MY WIFE HAS BEEN KIDNAPPED -- 29 00:01:33,932 --> 00:01:36,502 MISSING FOR FOUR DAYS NOW. 30 00:01:36,535 --> 00:01:39,205 -BUT THERE'S BEEN NO RANSOM. -NOT A WORD. 31 00:01:39,238 --> 00:01:41,740 SHE'S JUST...GONE. 32 00:01:41,774 --> 00:01:43,342 YOU POOR MAN. 33 00:01:43,376 --> 00:01:44,477 SHE'S BEEN MISSING FOR FOUR DAYS, 34 00:01:44,510 --> 00:01:46,145 AND THERE'S NO EVIDENCE OF FOUL PLAY. 35 00:01:46,179 --> 00:01:47,480 THE FBI HAS GIVEN UP ON THE CASE. 36 00:01:47,513 --> 00:01:49,748 THAT'S WHY YOU'RE HERE. SHE LEFT YOU, WELLESLEY. 37 00:01:49,782 --> 00:01:51,617 -NATE, THAT'S A BIT HARSH. -WHAT? 38 00:01:51,650 --> 00:01:54,320 NO, IT ISN'T. LACEY WOULD NEVER DELIBERATELY... 39 00:01:56,522 --> 00:01:59,425 I KNOW EXACTLY WHAT THIS LOOKS LIKE. 40 00:01:59,458 --> 00:02:01,560 RICH MAN MARRIES A WOMAN HALF HIS AGE, 41 00:02:01,594 --> 00:02:03,529 GETS JUST WHAT HE DESERVES, BUT -- 42 00:02:03,562 --> 00:02:05,898 -SHE WAS SPECIAL. -IS. 43 00:02:05,931 --> 00:02:07,900 I WAS MARRIED FOR 37 YEARS. 44 00:02:07,933 --> 00:02:10,569 MY SONS ARE GROWN -- GRANDKIDS, TOO. 45 00:02:10,603 --> 00:02:14,207 WHEN DOT DIED -- MY FIRST WIFE -- 46 00:02:14,240 --> 00:02:17,776 I WAS...BEREFT. 47 00:02:17,810 --> 00:02:21,680 FOR TWO YEARS, I JUST... WENT THROUGH THE MOTIONS. 48 00:02:21,714 --> 00:02:25,518 I WAS JUST WAITING TILL I...STOPPED. 49 00:02:25,551 --> 00:02:27,920 AND THEN YOU MET LACEY AND FELL IN LOVE. 50 00:02:27,953 --> 00:02:31,657 SHE CHANGED ME... 51 00:02:31,690 --> 00:02:32,958 RESTORED ME. 52 00:02:32,991 --> 00:02:34,660 IF YOU SAY SO. 53 00:02:34,693 --> 00:02:36,829 WHATEVER YOU WANT... 54 00:02:36,862 --> 00:02:38,631 IT'S YOURS. 55 00:02:38,664 --> 00:02:42,835 JUST...FIND MY WIFE. 56 00:02:45,304 --> 00:02:47,406 PLEASE. 57 00:02:50,743 --> 00:02:52,478 I CAN FIND YOUR WIFE. 58 00:02:52,511 --> 00:02:53,946 BUT YOU'RE GONNA HAVE TO DO SOMETHING FOR ME -- 59 00:02:53,979 --> 00:02:56,515 A FAVOR, IN THE FUTURE. 60 00:02:56,549 --> 00:02:59,285 YOU HAVE POWER, INFLUENCE -- SOMETHING I MIGHT FIND USEFUL. 61 00:02:59,318 --> 00:03:00,719 DONE. 62 00:03:04,857 --> 00:03:07,693 THE RICH AND POWERFUL TAKE WHAT THEY WANT. 63 00:03:07,726 --> 00:03:09,728 WE STEAL IT BACK FOR YOU. 64 00:03:16,569 --> 00:03:20,673 SOMETIMES, BAD GUYS MAKE THE BEST GOOD GUYS. 65 00:03:22,408 --> 00:03:23,642 WE PROVIDE... 66 00:03:24,877 --> 00:03:26,044 GO AHEAD, SAY IT. GO AHEAD. 67 00:03:26,078 --> 00:03:27,646 -I-I'M JUST SAYING HE LOVES HER. -SAYING WHAT? OH, COME ON. 68 00:03:27,680 --> 00:03:29,282 MEN LIKE THAT TREAT PEOPLE LIKE POSSESSIONS. 69 00:03:29,315 --> 00:03:31,417 -OH, JUST BECAUSE HE'S RICH DOESN'T MEAN HE'S HEARTLESS. -YOU SHOULD KNOW THAT. 70 00:03:31,450 --> 00:03:32,918 -OF ALL PEOPLE, YOU'RE ACTUALLY -- -HE WAS WRECKED. 71 00:03:32,951 --> 00:03:34,987 -NO, WRECKED. I MEAN -- -YOU DON'T HAVE A ROMANTIC BONE IN YOUR BODY. 72 00:03:35,020 --> 00:03:36,021 [ CHUCKLES ] 73 00:03:36,054 --> 00:03:36,955 -OH. -OH, REALLY? 74 00:03:36,989 --> 00:03:37,956 AND YOU'RE ONE TO LAUGH. 75 00:03:37,990 --> 00:03:39,925 YOU DON'T EVEN BOTHER TO LEARN THEIR NAMES. 76 00:03:39,958 --> 00:03:41,727 THEY'RE JUST WAITRESS, NURSE, STEWARDESS. 77 00:03:41,760 --> 00:03:43,429 FIRST OF ALL, IT'S FLIGHT ATTENDANT, ALL RIGHT? 78 00:03:43,462 --> 00:03:44,730 THEY DON'T LIKE BEING CALLED STEWARDESS. 79 00:03:44,763 --> 00:03:46,732 AND, SECOND, I KNOW THEIR NAMES. 80 00:03:46,765 --> 00:03:48,601 YOU GUYS HAVING A THREE-WAY? 81 00:03:48,634 --> 00:03:49,968 -WHAT? -WHAT? 82 00:03:50,002 --> 00:03:52,638 THREE-WAY FIGHT? HMM? 83 00:03:52,671 --> 00:03:55,474 ALL RIGHT, GUYS. 84 00:03:55,508 --> 00:03:57,343 WALT WHITMAN WELLESLEY IV. 85 00:03:57,376 --> 00:03:58,477 NOW, HE DOES LOOK 86 00:03:58,511 --> 00:04:00,946 LIKE EVERY OTHER SOULLESS C.E.O. WE'VE TAKEN DOWN BEFORE, 87 00:04:00,979 --> 00:04:03,516 BUT TO BE HONEST, THIS GUY GAVE AWAY MORE DOLLARS LAST YEAR 88 00:04:03,549 --> 00:04:04,983 THAN BILL AND MELINDA GATES. 89 00:04:05,017 --> 00:04:06,485 HE COMES FROM OLD MONEY. 90 00:04:06,519 --> 00:04:08,987 I'M TALKING LIKE "HIS ANCESTORS INVESTED IN IBM 91 00:04:09,021 --> 00:04:10,856 WHILE COMING OVER ON THE MAYFLOWER" OLD. 92 00:04:10,889 --> 00:04:12,891 OKAY. NOW, WHAT ABOUT THE LOVELY WIFE, LACEY? 93 00:04:12,925 --> 00:04:15,628 LOVELY? SHE AIN'T LOVELY. 94 00:04:15,661 --> 00:04:17,763 LACEY BEAUMONT -- SHE MET HER FUTURE HUSBAND 95 00:04:17,796 --> 00:04:19,365 AT A CHARITY FUNCTION IN THE HAMPTONS. 96 00:04:19,398 --> 00:04:21,434 BUT GET THIS -- SHE BOUGHT OLD BOY 97 00:04:21,467 --> 00:04:22,768 AT ONE OF THOSE BACHELOR AUCTIONS. 98 00:04:22,801 --> 00:04:24,470 THEY GET MARRIED LESS THAN A MONTH LATER. 99 00:04:24,503 --> 00:04:26,739 SEE? LOVE AT FIRST SIGHT. 100 00:04:26,772 --> 00:04:28,073 YEAH, OR SHE WANTED TO GET HITCHED 101 00:04:28,106 --> 00:04:29,808 BEFORE THE BACKGROUND CHECK WENT THROUGH. 102 00:04:29,842 --> 00:04:31,644 YEAH, THANK YOU. OKAY. SO SHE'S BEEN MISSING FOR FOUR DAYS. 103 00:04:31,677 --> 00:04:33,646 WHAT CAN YOU TELL ME ABOUT THAT TIME PERIOD? 104 00:04:33,679 --> 00:04:34,613 WELL, THERE'S NO ACTIVITY 105 00:04:34,647 --> 00:04:36,649 ON THE CREDIT CARDS OR THE BANK ACCOUNTS, 106 00:04:36,682 --> 00:04:38,884 BUT GOING BACK TO... 107 00:04:38,917 --> 00:04:40,118 GOT A LOT OF CASH WITHDRAWALS, OVER $2 MILLION-PLUS, 108 00:04:40,152 --> 00:04:42,655 ALL TRANSFERRED TO THE SAME ACCOUNT. FIND ME THAT BANK. 109 00:04:42,688 --> 00:04:45,491 BANK'S IN THE HAMPTONS, BUT... 110 00:04:45,524 --> 00:04:49,428 OH, THAT ACCOUNT WAS EMPTIED AND CLOSED FOUR DAYS AGO. 111 00:04:49,462 --> 00:04:51,764 ALL RIGHT, ALL RIGHT, ALL RIGHT. SHE'S A GRIFTER. 112 00:04:51,797 --> 00:04:54,833 BUT IT DOESN'T MEAN THAT WELLESLEY'S FEELINGS AREN'T GENUINE. 113 00:04:54,867 --> 00:04:56,101 OH, COME ON. 114 00:04:56,134 --> 00:04:57,836 LOOK, GUYS, SWEETHEART SCAMS LIKE THIS 115 00:04:57,870 --> 00:04:59,938 USUALLY TAKE, WHAT, SIX MONTHS, RIGHT, TO PULL OFF? 116 00:04:59,972 --> 00:05:01,374 THIS IS A LAND-SPEED RECORD. 117 00:05:01,407 --> 00:05:03,075 HERE'S A LIST OF OTHER WEALTHY MEN 118 00:05:03,108 --> 00:05:05,678 WHO MARRIED WITHIN A MONTH OF MEETING THEIR SPOUSES. 119 00:05:05,711 --> 00:05:07,813 THAT'S A LOT OF MYSTERIOUS ACCIDENTS. 120 00:05:07,846 --> 00:05:10,783 AND THEY EACH SEEM TO HAVE MET AT ONE OF THESE FUNCTIONS. 121 00:05:10,816 --> 00:05:12,951 WELL, THAT'S LACEY'S PATTERN. 122 00:05:12,985 --> 00:05:15,020 YEAH, WELL, IT LOOKS LIKE LACEY MIGHT BE A BLACK WIDOW. I'M JUST SAYING. 123 00:05:15,053 --> 00:05:17,423 YEAH, SHE MAY NOT HAVE KILLED WELLESLEY, 124 00:05:17,456 --> 00:05:18,691 BUT SHE'S OUT THERE, SPINNING HER WEB. 125 00:05:18,724 --> 00:05:19,958 MM-HMM. 126 00:05:19,992 --> 00:05:21,427 NOW, THERE'S ANOTHER CHARITY FUNCTION 127 00:05:21,460 --> 00:05:22,294 TOMORROW IN THE HAMPTONS. 128 00:05:22,327 --> 00:05:24,730 SAME DEAL -- LIVE AND SILENT AUCTIONS, 129 00:05:24,763 --> 00:05:25,931 REAL HIGH-END VENDORS. 130 00:05:25,964 --> 00:05:27,833 AND WHEN YOU COMPARE IT TO YOUR OTHERS... 131 00:05:27,866 --> 00:05:30,002 EVERYBODY, PACK YOUR BAGS. WE'RE GOING TO A PARTY. 132 00:05:30,035 --> 00:05:32,571 LET'S GO STEAL A SWEETHEART. 133 00:05:32,605 --> 00:05:34,707 NO? A WIDOW. 134 00:05:34,740 --> 00:05:36,675 -UNH-UNH. -NO? SPIDER? 135 00:05:36,709 --> 00:05:38,577 SPIDER. 136 00:05:48,721 --> 00:05:50,923 LACEY WILL HAVE CHANGED HER NAME AND APPEARANCE -- 137 00:05:50,956 --> 00:05:52,758 DIFFERENT HAIR, COLORED CONTACTS. 138 00:05:54,960 --> 00:05:57,763 MORE THAN THAT -- IF SHE'S AS GOOD AS WE THINK SHE IS, 139 00:05:57,796 --> 00:06:00,132 THEN SHE CAN CHANGE HER SKIN TYPE WITH MAKEUP, 140 00:06:00,165 --> 00:06:03,569 HER BODY SHAPE WITH CLOTHING, CREATE A WHOLE NEW PERSON. 141 00:06:03,602 --> 00:06:05,504 PARKER, ANY LUCK? 142 00:06:08,607 --> 00:06:11,610 NO MATCHES ON HARDISON'S SOFTWARE YET. 143 00:06:11,644 --> 00:06:14,713 OOH. SPARKLY. 144 00:06:14,747 --> 00:06:15,748 PARKER, NO BURGLING. 145 00:06:15,781 --> 00:06:17,483 BUT THESE JEWELS -- 146 00:06:17,516 --> 00:06:19,418 THEY'RE JUST ASKING TO BE TAKEN. 147 00:06:19,452 --> 00:06:21,119 [ SIGHS ] 148 00:06:21,153 --> 00:06:22,821 [ INDISTINCT CONVERSATIONS ] 149 00:06:31,664 --> 00:06:33,732 LADIES AND GENTLEMEN, 150 00:06:33,766 --> 00:06:36,769 OUR ANNUAL BACHELOR AUCTION IS ABOUT TO BEGIN! 151 00:06:36,802 --> 00:06:39,037 [ APPLAUSE ] I KNOW, I KNOW. YOU'RE EXCITED. 152 00:06:39,071 --> 00:06:42,775 NOW LET'S DIG DEEP INTO THOSE UNALLOCATED FUNDS. 153 00:06:42,808 --> 00:06:45,177 REMEMBER, IT'S FOR CHARITY. 154 00:06:46,779 --> 00:06:49,181 STEAK DINNER TO WHOEVER GETS THE HIGHEST BID? 155 00:06:49,214 --> 00:06:51,584 I'M IN. 156 00:06:57,956 --> 00:06:59,992 ALL RIGHT, LADIES! 157 00:07:00,025 --> 00:07:02,060 ARE WE READY FOR OUR NEXT BACHELOR? [ WOMEN CHEERING ] 158 00:07:02,094 --> 00:07:04,630 LACEY SHOULD BE AMONG THE HIGH BIDDERS. 159 00:07:04,663 --> 00:07:07,232 PARKER AND I WILL DRIVE THE BIDS HIGHER BY COUNTERING. 160 00:07:07,265 --> 00:07:09,535 ELIOT, PICK A BIDDER AND MAINTAIN EYE CONTACT. 161 00:07:09,568 --> 00:07:11,504 PAYING ATTENTION TO ONE WILL CEMENT THE BID 162 00:07:11,537 --> 00:07:12,671 AND PUT ALL THE OTHERS OFF. 163 00:07:12,705 --> 00:07:14,139 YEAH, I GOT IT. 164 00:07:14,172 --> 00:07:19,244 THEN LET'S MEET AUSTIN, TEXAS, NATIVE JACKSON COOPER! 165 00:07:19,277 --> 00:07:20,879 AUSTIN, TEXAS? [ CHEERS AND APPLAUSE ] 166 00:07:20,913 --> 00:07:22,681 DID YOU WRITE THAT? 167 00:07:22,715 --> 00:07:24,249 ALL RIGHT. 168 00:07:24,282 --> 00:07:28,120 NOW, NOT ONLY IS JACKSON THE FOUNDER OF BARON OIL, 169 00:07:28,153 --> 00:07:29,888 HE ALSO LED THE UNDERWATER TEAM 170 00:07:29,922 --> 00:07:31,156 THAT CAPPED THE WELL IN THE GULF. 171 00:07:31,189 --> 00:07:32,825 [ AUDIENCE MURMURS ] OH, YES. 172 00:07:32,858 --> 00:07:36,094 SO WE ARE GONNA START THIS AUCTION OFF AT $1,000. 173 00:07:36,128 --> 00:07:37,262 DO I HEAR $1,000? 174 00:07:37,295 --> 00:07:38,831 $1,000 RIGHT AWAY. VERY GOOD. 175 00:07:38,864 --> 00:07:40,933 $1,500. LOOKING FOR $1,500. 176 00:07:40,966 --> 00:07:42,835 $1,500. $1,500 IN THE BACK THERE! 177 00:07:42,868 --> 00:07:45,137 $2,000, $2,000. $2,000. 178 00:07:45,170 --> 00:07:47,506 $2,500. ANYONE, $2,500? $2,500 RIGHT THERE. 179 00:07:47,540 --> 00:07:49,041 WE HAVE $3,000. DO I HEAR $3,000? 180 00:07:49,074 --> 00:07:51,076 $3,000 TO THE LOVELY LADY IN THE FRONT. 181 00:07:51,109 --> 00:07:54,246 LOOKING FOR $3,500. COME ON, LADIES, DON'T BE SHY. 182 00:07:54,279 --> 00:07:55,748 ME, ME! 183 00:07:55,781 --> 00:07:57,916 -$3,500 RIGHT THERE IN THE BACK! DO I HAVE $4,000? -Thank you, Sophie. 184 00:07:57,950 --> 00:07:59,985 $4,000. $4,000 IN FRONT. 185 00:08:00,018 --> 00:08:02,655 DO I HAVE $4,500, ANYONE? $4,500 OVER THERE! 186 00:08:02,688 --> 00:08:05,724 $4,500. GOING FOR $5,000. $5,000 RIGHT IN FRONT. 187 00:08:05,758 --> 00:08:08,794 $5,500 IN THE BACK THERE. WE HAVE $5,500. 188 00:08:08,827 --> 00:08:10,228 $6,000 OVER THERE. 189 00:08:10,262 --> 00:08:11,930 $6,500. THANK YOU. $7,000. 190 00:08:11,964 --> 00:08:13,766 $7,000 IN THE BACK. DARE WE GO $7,500? 191 00:08:13,799 --> 00:08:15,167 $7,500, GOOD. $8,000. 192 00:08:15,200 --> 00:08:18,937 $8,500. $8-- WAIT. HOLD ON. HOLD ON. 193 00:08:18,971 --> 00:08:20,573 WE GOT $10,000 RIGHT HERE. 194 00:08:20,606 --> 00:08:23,876 THAT'S $10,000 GOING ONCE. $10,000 GOING TWICE. 195 00:08:23,909 --> 00:08:26,178 AND SOLD TO THIS LOVELY LADY UP FRONT. 196 00:08:26,211 --> 00:08:27,646 [ APPLAUSE ] 197 00:08:29,748 --> 00:08:31,049 [ French accent ] ENCHANTé. 198 00:08:31,083 --> 00:08:32,885 -OOH. FRENCH. -PHOTO FOR THE SOCIETY PAGE? 199 00:08:32,918 --> 00:08:34,252 YOU WANT TO TAKE A PICTURE? 200 00:08:34,286 --> 00:08:35,554 [ CAMERA SHUTTER CLICKS ] [ GASPS ] 201 00:08:35,588 --> 00:08:37,155 I GOT YOU. 202 00:08:37,189 --> 00:08:38,757 OOH. KLUTZ. 203 00:08:38,791 --> 00:08:40,593 PARKER, ANY LUCK? 204 00:08:40,626 --> 00:08:42,761 GOT PHOTOS OF EVERY GIRL LACEY'S AGE. STILL NO MATCH. 205 00:08:42,795 --> 00:08:44,296 OOH. LOVELY. 206 00:08:44,329 --> 00:08:46,799 THAT'S RIGHT, LADIES. 207 00:08:46,832 --> 00:08:50,335 LET'S GIVE IT UP FOR OUR LAST ELIGIBLE BACHELOR, 208 00:08:50,368 --> 00:08:52,738 MR. STEVEN MELCHING. 209 00:08:52,771 --> 00:08:55,708 [ APPLAUSE ] COME ON, STEVEN. 210 00:08:55,741 --> 00:08:57,943 STEVEN COMES TO US 211 00:08:57,976 --> 00:08:59,845 STRAIGHT FROM HIS COMPOUND IN SILICON VALLEY. 212 00:08:59,878 --> 00:09:01,580 WHOA, WHOA, WHOA! 213 00:09:01,614 --> 00:09:05,584 SO, WE'RE GONNA START THIS AUCTION OFF AT $1,000. 214 00:09:05,618 --> 00:09:07,119 $1,000 FROM THE ENTHUSIASTIC LADY IN THE FRONT. 215 00:09:07,152 --> 00:09:08,754 WE'RE LOOKING FOR $1,500. 216 00:09:08,787 --> 00:09:11,624 $1,500 UP BACK THERE. $1,500. LOOKING FOR $2,000. 217 00:09:11,657 --> 00:09:13,692 $2,000, THANK YOU. LOOKING FOR $2,500. 218 00:09:13,726 --> 00:09:14,960 GOING FOR -- $2,500 OVER THERE. 219 00:09:14,993 --> 00:09:16,328 -OOH. -$3,000. LOOKING FOR $3,000. 220 00:09:16,361 --> 00:09:20,032 $3,000 RIGHT HERE. $3,500 OVER HERE. 221 00:09:20,065 --> 00:09:21,199 -THANK YOU. LOOKING FOR $4,000. -Parker. 222 00:09:21,233 --> 00:09:22,400 Parker, Parker. 223 00:09:22,434 --> 00:09:24,069 -Parker, put your hand up. -LOOKING FOR $4,000, ANYBODY. 224 00:09:24,102 --> 00:09:25,370 -YOU -- YOU -- -ANYBODY. 225 00:09:25,403 --> 00:09:26,271 -You better bid. -ANYONE, ANYONE. 226 00:09:26,304 --> 00:09:28,707 WHAT? I'M UP. IT'S UP. JUST WATCH HER. 227 00:09:28,741 --> 00:09:29,474 KEEP YOUR EYES ON HER. THERE'S A STEAK. 228 00:09:29,507 --> 00:09:30,876 MMM. [ GROWLS ] STEAK FOR YOU. 229 00:09:30,909 --> 00:09:32,678 $4,000 RIGHT THERE. THERE WE GO. 230 00:09:32,711 --> 00:09:34,046 $4,000. $4,500, ANYONE? ANYONE? 231 00:09:34,079 --> 00:09:36,314 $4,500 RIGHT HERE. LOOKING FOR $5,000. 232 00:09:36,348 --> 00:09:38,984 WHERE'S $5,000? DO I HEAR $5,000, ANYONE? 233 00:09:39,017 --> 00:09:40,919 ANYONE, $5,000? $6,000, RIGHT HERE. 234 00:09:40,953 --> 00:09:42,320 $6,000. $6,500 RIGHT HERE. 235 00:09:42,354 --> 00:09:44,923 -OOH! -$7,000. $7,000. THANK YOU. 236 00:09:44,957 --> 00:09:46,692 $7,500 UP FRONT HERE. 237 00:09:46,725 --> 00:09:49,127 $8,000 IN THE BACK THERE. LOOKING FOR $8,500. 238 00:09:49,161 --> 00:09:50,696 $8,500 RIGHT -- 239 00:09:50,729 --> 00:09:54,199 LADIES AND GENTLEMEN, WE HAVE A BID FOR $15,000. 240 00:09:54,232 --> 00:09:56,835 [ CHEERS AND APPLAUSE ] OOH! 241 00:09:57,770 --> 00:09:59,938 YOU SAY $15,000? 242 00:09:59,972 --> 00:10:01,707 I'M GONNA SAY SOLD RIGHT HERE! 243 00:10:01,740 --> 00:10:04,209 -AAH! [ GIGGLING ] -WELL DONE, BROTHER. 244 00:10:04,242 --> 00:10:05,243 I'LL BE DAMNED. 245 00:10:05,277 --> 00:10:06,712 -HOW YOU DOING? -HI! 246 00:10:06,745 --> 00:10:09,915 I'M GETTING ME A STEAK DINNER. STEAK-UMMS. 247 00:10:09,948 --> 00:10:11,349 [ SIGHS ] 248 00:10:11,383 --> 00:10:12,751 [ CHUCKLES ] 249 00:10:12,785 --> 00:10:14,252 REMEMBER WHEN WOMEN HAD DIGNITY? 250 00:10:14,286 --> 00:10:15,353 AH, YES. 251 00:10:15,387 --> 00:10:16,855 MYSTERY AND ALLURE, TOO -- 252 00:10:16,889 --> 00:10:18,724 THINGS OF THE PAST, I'M AFRAID. 253 00:10:18,757 --> 00:10:20,693 I'M MEREDITH. 254 00:10:20,726 --> 00:10:22,661 AH. LADY CHARLOTTE PRENTICE. 255 00:10:22,695 --> 00:10:25,230 -OH, DUCHESS, MAY I, FOR THE SOCIETY PAGE? -OF COURSE. 256 00:10:25,263 --> 00:10:26,865 [ COUGHING ] [ CAMERA SHUTTER CLICKING ] 257 00:10:26,899 --> 00:10:29,768 OH, WELL, I -- I SHOULD, UH, GO TAKE A PHOTO 258 00:10:29,802 --> 00:10:32,004 OF THE HIGHEST BIDDER WITH HER PRIZE. 259 00:10:32,037 --> 00:10:33,138 NICE MEETING YOU. 260 00:10:33,171 --> 00:10:36,074 You bid $15,000? Wow. 261 00:10:36,108 --> 00:10:37,142 THAT SURE IS A LOT. 262 00:10:37,175 --> 00:10:38,811 -MAY I? -YOU SURE? $15,000? 263 00:10:38,844 --> 00:10:40,212 -OH! [ GIGGLES ] -WHOA. 264 00:10:40,245 --> 00:10:41,847 OH. THEY'RE ALL KLUTZES. 265 00:10:41,880 --> 00:10:43,448 -[ GIGGLES ] EXCUSE ME. -OH. 266 00:10:43,481 --> 00:10:45,417 -THANK YOU. YOU'RE SO STRONG. -OH. 267 00:10:45,450 --> 00:10:46,952 WAIT. THEY'RE ALL KLUTZES. 268 00:10:46,985 --> 00:10:49,187 SHE TRIPPED, TOO. THAT'S ODD. 269 00:10:49,221 --> 00:10:52,224 YOU HAVE...THE BLUEST EYES. 270 00:10:52,257 --> 00:10:54,092 WHAT? 271 00:10:54,126 --> 00:10:55,460 [ CAMERA SHUTTER CLICKING ] 272 00:10:55,493 --> 00:10:57,429 -OHH! -OHH! 273 00:10:57,462 --> 00:10:59,131 HEY. HOW YOU DOING? YOU OKAY? 274 00:10:59,164 --> 00:11:02,034 I'M -- I'M SO SORRY. I-I JUST WASN'T LOOKING. 275 00:11:02,067 --> 00:11:04,269 AH, LOOKS LIKE THE WORKING GIRL COULD USE A DRINK. 276 00:11:04,302 --> 00:11:05,804 WORKING GIRL? 277 00:11:05,838 --> 00:11:08,206 I'M SORRY. I-I DIDN'T MEAN IT LIKE THAT. I WAS... 278 00:11:10,208 --> 00:11:11,744 50-YEAR-OLD BALMOOR. MMM. 279 00:11:11,777 --> 00:11:14,146 YES, IT IS, INDEED. CASK STRENGTH. 280 00:11:14,179 --> 00:11:15,480 YOU KNOW, YOU'RE A LOUSY VENDOR. 281 00:11:15,513 --> 00:11:17,115 YOU COULD HAVE SAVED A LOT OF MONEY DILUTING THIS 282 00:11:17,149 --> 00:11:19,217 WITHOUT ANYONE THE WISER. 283 00:11:19,251 --> 00:11:20,853 MONEY'S NOT ONE OF MY WORRIES. 284 00:11:20,886 --> 00:11:22,220 REALLY? 285 00:11:25,924 --> 00:11:27,459 OUTRAGEOUS. 286 00:11:27,492 --> 00:11:28,794 HMM? 287 00:11:28,827 --> 00:11:30,729 A LOVELY LADY LIKE YOU GOING THIRSTY. 288 00:11:30,763 --> 00:11:32,164 -OH. -UNACCEPTABLE. 289 00:11:32,197 --> 00:11:33,131 -OH? [ CHUCKLES ] -CHAMPAGNE? 290 00:11:33,165 --> 00:11:34,199 LOOK AT THAT. 291 00:11:36,434 --> 00:11:38,003 LADY CHARLOTTE PRENTICE. 292 00:11:38,036 --> 00:11:39,905 OSCAR SAN GUILLERMO. 293 00:11:39,938 --> 00:11:43,942 I ORGANIZE THESE FUNDRAISERS FOR THE LOCAL CHARITIES. 294 00:11:43,976 --> 00:11:45,077 NOT A FAN? 295 00:11:45,110 --> 00:11:46,478 OH, IT'S NOT THAT. I JUST -- [ SCOFFS ] 296 00:11:46,511 --> 00:11:48,346 I KNOW, I KNOW. IT'S A LITTLE OVER THE TOP, 297 00:11:48,380 --> 00:11:50,482 BUT SEPARATING ALL THESE RICH PEOPLE FROM THEIR MONEY 298 00:11:50,515 --> 00:11:52,484 FOR A GOOD CAUSE -- THAT'S FORGIVABLE, ISN'T IT? 299 00:11:52,517 --> 00:11:54,452 I'D SAY. 300 00:11:54,486 --> 00:11:56,354 TO OLD FRIENDS AND NEW. 301 00:11:56,388 --> 00:11:58,390 HA. 302 00:12:00,158 --> 00:12:02,294 -OOH. -AHH. 303 00:12:02,327 --> 00:12:04,362 YOUR EYES ARE SO DEEP. 304 00:12:06,832 --> 00:12:11,303 E-EXCUSE ME ONE MOMENT, PLEASE. SORRY. 305 00:12:11,336 --> 00:12:13,105 EVERYONE, LISTEN UP. 306 00:12:13,138 --> 00:12:16,141 THIS TECHNIQUE, THE STARING -- IT'S CALLED SOUL-GAZING. 307 00:12:16,174 --> 00:12:19,144 JUST TWO MINUTES OF IT CAN CREATE REAL FEELINGS OF LOVE. 308 00:12:19,177 --> 00:12:20,512 -OOH! -IT'S OAKY. 309 00:12:20,545 --> 00:12:23,215 Nate, the tripping, the soul-gazing -- 310 00:12:23,248 --> 00:12:25,951 it's every seduction technique in the book. 311 00:12:25,984 --> 00:12:30,889 THEY'RE ALL ON SCRIPT -- EVERY SINGLE ONE OF THEM. 312 00:12:30,923 --> 00:12:32,357 SO TRUE. 313 00:12:32,390 --> 00:12:34,292 THAT'S RIGHT. 314 00:12:39,464 --> 00:12:41,867 NOT BAD. 315 00:12:41,900 --> 00:12:44,002 [ GIGGLES ] 316 00:12:44,036 --> 00:12:46,805 THE WOMEN -- THEY'RE ALL GRIFTERS. 317 00:12:48,073 --> 00:12:50,075 WE CAME HERE LOOKING FOR ONE LACEY. 318 00:12:50,108 --> 00:12:52,811 WE STUMBLED ACROSS AN ENTIRE RING OF LACEYS. 319 00:12:52,845 --> 00:12:54,512 NO WONDER THE MEET-TO-MARRY TIME IS SO QUICK. 320 00:12:54,546 --> 00:12:56,915 ANYONE WOULD BE SUSCEPTIBLE TO THIS. 321 00:12:56,949 --> 00:12:59,818 IT'S LIKE AN ASSEMBLY LINE OF GRIFT. 322 00:12:59,852 --> 00:13:00,718 I HAVE NEVER TRIED THAT. 323 00:13:00,752 --> 00:13:02,454 -OH, I'M GONNA GET YOU -- OKAY. -THANKS. 324 00:13:02,487 --> 00:13:04,156 SOPHIE, OKAY. I CAN'T TALK RIGHT NOW. 325 00:13:04,189 --> 00:13:05,423 YOU GOT TO TAKE POINT, OKAY, 326 00:13:05,457 --> 00:13:07,059 and try to get us some information. 327 00:13:07,092 --> 00:13:07,860 PARKER? 328 00:13:07,893 --> 00:13:08,827 HUH? 329 00:13:08,861 --> 00:13:09,928 Are you up to doing some lifts? 330 00:13:09,962 --> 00:13:11,163 OH, GOODY. 331 00:13:13,598 --> 00:13:16,168 Just phones. We're only gonna clone them. 332 00:13:16,201 --> 00:13:19,537 -FINE. -I'll meet you in the lobby in five minutes. 333 00:13:19,571 --> 00:13:21,606 GUYS, DISTRACT THE WOMEN. GET CLOSE TO THEM. 334 00:13:21,639 --> 00:13:23,175 CREATE SOME HEAT. 335 00:13:23,208 --> 00:13:25,878 -[ GIGGLING ] HOW'D YOU SWING THAT? -YEAH. 336 00:13:25,911 --> 00:13:27,412 [ CELLPHONE BEEPING ] Y-YOU KNOW... 337 00:13:27,445 --> 00:13:31,349 LET ME GET TO KNOW YOU REAL QUICK. 338 00:13:34,019 --> 00:13:35,387 -ALL RIGHT... -OH. OH, YEAH. 339 00:13:35,420 --> 00:13:36,521 [ BOTH LAUGH ] 340 00:13:36,554 --> 00:13:37,589 -YEAH. -ALL RIGHT. 341 00:13:37,622 --> 00:13:39,557 OKAY. 342 00:13:39,591 --> 00:13:42,327 [ CELLPHONE BEEPING ] 343 00:13:42,360 --> 00:13:46,198 JUST VERY, VERY... 344 00:13:46,231 --> 00:13:49,434 LET ME TELL YOU SOMETHING. 345 00:13:49,467 --> 00:13:52,170 I OWN A VINEYARD IN THE SOUTH OF FRANCE. 346 00:13:52,204 --> 00:13:53,571 [ CELLPHONE BEEPING ] 347 00:13:53,605 --> 00:13:56,641 [ WHISPERING INDISTINCTLY ] 348 00:13:56,674 --> 00:13:58,443 NATE, NO NAMES, NO ADDRESSES, 349 00:13:58,476 --> 00:13:59,477 NOTHING TO LEAD US TO LACEY, 350 00:13:59,511 --> 00:14:00,645 AND ALL THE CALLS ARE FROM TODAY. 351 00:14:00,678 --> 00:14:02,280 YEAH, NOT EVEN GPS. THEY'RE BURNERS. 352 00:14:02,314 --> 00:14:03,882 IT'S DEFINITELY A RING. 353 00:14:03,916 --> 00:14:05,383 LET'S THINK ABOUT THIS. 354 00:14:05,417 --> 00:14:07,619 EVERY RING HAS A LEADER, SOMEONE CALLING THE SHOTS. 355 00:14:07,652 --> 00:14:09,121 AND TO GRIFT ON THIS SCALE, 356 00:14:09,154 --> 00:14:11,056 THAT LEADER'S GONNA BE HERE TO SUPERVISE. 357 00:14:11,089 --> 00:14:12,124 I KNOW I WOULD. 358 00:14:12,157 --> 00:14:14,159 YOU KNOW, THESE WOMEN SOMETIMES KILL THEIR MARKS. 359 00:14:14,192 --> 00:14:16,628 I KNOW, BUT FIRST THINGS FIRST -- 360 00:14:16,661 --> 00:14:19,597 WE NEED TO FIND OUT WHO THAT LEADER IS. 361 00:14:19,631 --> 00:14:21,399 NATE, WE NEED A DISRUPTION, 362 00:14:21,433 --> 00:14:23,668 give us a chance to see how they interact. 363 00:14:23,701 --> 00:14:25,904 -JUST A SECOND. BE RIGHT BACK. -MM. 364 00:14:25,938 --> 00:14:27,906 I MEAN, IT COULD GIVE US A CLUE. 365 00:14:27,940 --> 00:14:29,474 PARKER, PICK A FIGHT WITH HARDISON'S DATE. 366 00:14:29,507 --> 00:14:32,477 -YEAH. YEAH. -YEAH, SURE. 367 00:14:33,278 --> 00:14:35,513 [ INDISTINCT SHOUTING ] 368 00:14:38,350 --> 00:14:39,584 ARE YOU KIDDING ME? 369 00:14:39,617 --> 00:14:41,086 [ CLATTERING ] 370 00:14:41,119 --> 00:14:42,988 PARKER! HE DIDN'T MEAN A LITERAL FIGHT. 371 00:14:43,021 --> 00:14:46,024 HE MEANT START AN ARGUMENT. 372 00:14:51,997 --> 00:14:53,198 WHAT?! 373 00:14:53,231 --> 00:14:54,632 HEY! HE SAID DISTRACT HER, NOT BEAT HER ASS. 374 00:14:54,666 --> 00:14:55,767 -WHAT ARE YOU -- -LET'S GO, MISS. 375 00:14:55,800 --> 00:14:57,902 YOU GONNA STAND THERE AND LET HER GET HER ASS WHUPPED? 376 00:15:00,205 --> 00:15:02,307 WHERE'S YOUR NEW LADY FRIEND? 377 00:15:04,076 --> 00:15:08,680 -[ CRYING ] -COME HERE, SWEETIE. THAT WAS TERRIBLE. 378 00:15:08,713 --> 00:15:10,648 I CAN'T BELIEVE SHE DID THAT HERE. 379 00:15:10,682 --> 00:15:13,318 NICE JOB OF FLUSHING OUT THE LEADER. 380 00:15:13,351 --> 00:15:15,053 MM. 381 00:15:19,057 --> 00:15:21,193 MEREDITH'S THE RINGLEADER. I SHOULD HAVE SEEN IT. 382 00:15:21,226 --> 00:15:22,260 THE CAMERA'S THE PERFECT COVER 383 00:15:22,294 --> 00:15:23,528 FOR WATCHING HER GIRLS IN ACTION. 384 00:15:23,561 --> 00:15:24,396 AND SHE'S GONNA HAVE FILES. 385 00:15:24,429 --> 00:15:26,264 WE FIND THOSE, WE TAKE DOWN THE RING. 386 00:15:26,298 --> 00:15:28,433 -AND LACEY. -YEAH. 387 00:15:28,466 --> 00:15:30,035 I'M THINKING A HOHE MINNE VARIANT. 388 00:15:30,068 --> 00:15:32,670 I LIKE YOUR THINKING. 389 00:15:36,208 --> 00:15:39,511 YOU'RE NOT A SOCIETY PHOTOGRAPHER, ARE YOU? 390 00:15:39,544 --> 00:15:42,514 AND YOU'RE NOT A PURVEYOR OF FINE SPIRITS. 391 00:15:42,547 --> 00:15:44,216 HEY, WHY DON'T WE THINK OF THIS AS A HAPPY ACCIDENT? 392 00:15:44,249 --> 00:15:45,450 YOU DIDN'T KNOW WE WERE GONNA BE HERE. 393 00:15:45,483 --> 00:15:46,584 WE DIDN'T KNOW YOU WERE GONNA BE HERE. 394 00:15:46,618 --> 00:15:48,520 ALL RIGHT? BUT THERE'S PLENTY TO GO AROUND. COME ON. 395 00:15:48,553 --> 00:15:50,255 -YOU WANT TO PARTNER UP? -NOT A BAD IDEA. 396 00:15:50,288 --> 00:15:53,025 YOU KNOW, YOU'RE OBVIOUSLY GREAT WITH THE GENTLEMEN, 397 00:15:53,058 --> 00:15:55,193 AND WE CAN HANDLE THE LADIES, SO...WIN-WIN. 398 00:15:55,227 --> 00:15:56,728 I DON'T KNOW YOU OR WHAT YOU'RE CAPABLE OF. 399 00:15:56,761 --> 00:15:58,630 LISTEN, YOU MIGHT BE QUEEN OF THE HAMPTONS, 400 00:15:58,663 --> 00:16:00,498 BUT I HAVE FLEECED MORE DIVORCéES AND WIDOWS 401 00:16:00,532 --> 00:16:02,034 THAN YOU COULD SHAKE A STICK AT, HUH? 402 00:16:02,067 --> 00:16:03,035 THAT'S ME, OKAY? YEAH. 403 00:16:03,068 --> 00:16:05,570 SO, UH, I COULD GET ANY LADY I WANT -- ANYONE. 404 00:16:05,603 --> 00:16:07,272 PROVE IT. 405 00:16:09,341 --> 00:16:10,742 HERE'S YOUR COAT, MA'AM. 406 00:16:10,775 --> 00:16:12,610 NO, UM...THAT'S NOT MINE. 407 00:16:12,644 --> 00:16:15,413 MINE'S A-A SILK SHAWL. 408 00:16:15,447 --> 00:16:16,781 I'M MEREDITH. 409 00:16:16,814 --> 00:16:18,683 OH. LADY CHARLOTTE PRENTICE. 410 00:16:18,716 --> 00:16:21,553 -OH, DUCHESS, MAY I, FOR THE SOCIETY PAGE? -OF COURSE. 411 00:16:21,586 --> 00:16:24,622 THAT WOMAN AT COAT CHECK -- SHE'S A REAL DUCHESS. 412 00:16:24,656 --> 00:16:28,226 YOU GET HER TO GO OUT WITH YOU WITHIN THE NEXT 24 HOURS, 413 00:16:28,260 --> 00:16:30,462 I'LL WATCH YOU WORK AND MAKE A DETERMINATION. 414 00:16:30,495 --> 00:16:33,031 NO TIME LIKE THE PRESENT. 415 00:16:35,433 --> 00:16:37,169 DUCHESS. 416 00:16:37,202 --> 00:16:38,570 HUH. 417 00:16:38,603 --> 00:16:41,106 NOW, AT LEAST HAVE A DRINK WITH ME. 418 00:16:41,139 --> 00:16:42,674 OH, THANK YOU. 419 00:16:42,707 --> 00:16:46,444 GONNA HAVE TO TRY A BIT HARDER THAN THAT. 420 00:16:46,478 --> 00:16:48,580 LOOKS LIKE SOMEONE GOT A HEAD START. 421 00:16:48,613 --> 00:16:50,048 TOMORROW, CALL THAT NUMBER. 422 00:16:50,082 --> 00:16:54,386 ONCE YOU'VE MADE YOUR MOVE, I'LL BE THERE. 423 00:16:54,419 --> 00:16:56,621 ELIOT, I WANT YOU TO FOLLOW SOPHIE. 424 00:16:56,654 --> 00:16:58,390 HARDISON, YOU TRACK MEREDITH. 425 00:16:58,423 --> 00:17:02,127 THEY WENT OUT THE EAST DOOR, BOTH OF THEM. NOW. 426 00:17:02,160 --> 00:17:03,395 [ SIGHS ] 427 00:17:03,428 --> 00:17:04,729 ALL RIGHT, LACEY'S IN THE SYSTEM 428 00:17:04,762 --> 00:17:06,298 BECAUSE SHE WAS REPORTED MISSING, 429 00:17:06,331 --> 00:17:08,500 BUT THE OTHERS ARE NOT. 430 00:17:08,533 --> 00:17:10,635 SO I THINK IF... 431 00:17:10,668 --> 00:17:11,703 UH... 432 00:17:11,736 --> 00:17:13,138 ALL RIGHT, ALL RIGHT. 433 00:17:13,171 --> 00:17:14,772 LISTEN, NEXT TIME, I PROMISE, 434 00:17:14,806 --> 00:17:17,075 I'LL USE THE WORD "ARGUMENT" INSTEAD OF "FIGHT." 435 00:17:17,109 --> 00:17:19,344 -PROMISE. -OKAY. 436 00:17:19,377 --> 00:17:20,312 [ DOOR CLOSES ] 437 00:17:20,345 --> 00:17:21,613 -HEY. -HEY. 438 00:17:23,181 --> 00:17:24,282 SO... 439 00:17:24,316 --> 00:17:27,752 I-I LOST MEREDITH'S TOWN CAR, BUT I HACKED THE GPS. 440 00:17:27,785 --> 00:17:29,654 ASSUMING THAT SHE KEEPS FILES, 441 00:17:29,687 --> 00:17:32,490 THEY'RE PROBABLY AT HER HOME OR HER OFFICE, IF SHE USES ONE. 442 00:17:32,524 --> 00:17:34,292 WE FIND THOSE RECORDS, WE COULD TAKE DOWN 443 00:17:34,326 --> 00:17:35,793 MEREDITH, LACEY, AND THE WHOLE RING. 444 00:17:35,827 --> 00:17:38,796 NOW, BASED ON RECURRENCE OF LOCATION 445 00:17:38,830 --> 00:17:41,366 AND CALCULATING DURATION OF STAY, 446 00:17:41,399 --> 00:17:44,469 ACCORDING TO TIME CODES, I HAVE FOR YOU TWO ADDRESSES. 447 00:17:44,502 --> 00:17:45,703 OKAY, PARKER, LISTEN. 448 00:17:45,737 --> 00:17:47,539 TOMORROW, WHILE I'M RUNNING THE HOHE MINNE SCAM, 449 00:17:47,572 --> 00:17:49,507 I WANT YOU TO CHECK OUT THESE ADDRESSES. 450 00:17:49,541 --> 00:17:50,708 WHAT'S A HOHE MINNE? 451 00:17:50,742 --> 00:17:53,378 OH, GERMAN -- MEANS HIGH COURTLY LOVE. 452 00:17:53,411 --> 00:17:55,113 IN THE MIDDLE AGES, 453 00:17:55,147 --> 00:17:57,349 A KNIGHT WOULD UNDERGO CHALLENGES 454 00:17:57,382 --> 00:18:00,385 TO PROVE HIMSELF WORTHY OF A NOBLEWOMAN'S LOVE. 455 00:18:00,418 --> 00:18:03,855 SURE SEEMS LIKE A LOT OF WORK. I'M JUST SAYING. 456 00:18:03,888 --> 00:18:05,523 [ COMPUTER BEEPING ] 457 00:18:05,557 --> 00:18:07,359 HEY, MAN, WHY DO YOU HAVE SOPHIE'S COMM MUTED? 458 00:18:07,392 --> 00:18:08,726 DON'T YOU WANT TO HEAR HOW SHE'S DOING? 459 00:18:08,760 --> 00:18:10,828 [ LAUGHING ] 460 00:18:10,862 --> 00:18:13,198 -THAT'S FUNNY. -UH, NOT REALLY. 461 00:18:13,231 --> 00:18:15,500 [ CLEARS THROAT ] 462 00:18:16,901 --> 00:18:18,536 WHAT? 463 00:18:18,570 --> 00:18:20,572 SOPHIE'S REAL LAUGH. 464 00:18:20,605 --> 00:18:22,340 -MM. -OH, I GET IT. 465 00:18:22,374 --> 00:18:25,443 SHE'S NOT THE NOBLEWOMAN. SHE'S THE CHALLENGE. 466 00:18:25,477 --> 00:18:28,513 [ CHUCKLES ] 467 00:18:38,856 --> 00:18:40,358 HMM? 468 00:18:40,392 --> 00:18:43,495 OH! AWAKE! I'M AWAKE. 469 00:18:43,528 --> 00:18:44,762 [ GRUNTS ] 470 00:18:44,796 --> 00:18:47,165 THAT WAS... 471 00:18:47,199 --> 00:18:48,900 KIND OF A LONG TIME THERE. 472 00:18:48,933 --> 00:18:50,568 WELL, SAN GUILLERMO ASKED ME OUT. 473 00:18:50,602 --> 00:18:55,373 I HAD TO MAKE IT LOOK REAL. 474 00:18:55,407 --> 00:18:57,442 IF I HAD TURNED HIM DOWN, 475 00:18:57,475 --> 00:18:59,811 MEREDITH MIGHT HAVE SUSPECTED THAT I WAS IN YOUR CREW, 476 00:18:59,844 --> 00:19:01,779 OR SHE COULD HAVE HAD SOMEONE WATCHING ME 477 00:19:01,813 --> 00:19:03,915 FROM THE MOMENT SHE PICKED ME OUT AS YOUR MARK. 478 00:19:03,948 --> 00:19:07,785 ANYWAY, OSCAR GIVES YOU SOME HEALTHY COMPETITION... 479 00:19:07,819 --> 00:19:09,454 -OSCAR? -...HELPS SELL THE CON. 480 00:19:09,487 --> 00:19:10,755 [ GRUNTS ] 481 00:19:10,788 --> 00:19:12,490 WHAT? ARE YOU JEALOUS? 482 00:19:12,524 --> 00:19:14,426 HMM? JUST A LITTLE BIT? 483 00:19:14,459 --> 00:19:15,693 -[ STAMMERING ] -HMM? 484 00:19:15,727 --> 00:19:17,094 I WAS BUSY. 485 00:19:17,128 --> 00:19:19,431 -WHAT'S WITH ALL THIS LAUGHING AND STUFF THAT WAS GOING ON? -HMM? 486 00:19:19,464 --> 00:19:22,434 WHAT, MM? BUSY LISTENING IN ON COMMS, I HOPE. 487 00:19:22,467 --> 00:19:23,935 -NO, BUT I -- YOU WERE -- -HMM? 488 00:19:23,968 --> 00:19:26,271 YOU HAD THAT KIND OF LIKE [IMITATES SOPHIE'S LAUGH] 489 00:19:26,304 --> 00:19:29,807 GETTING A FEW TIPS AND IDEAS FROM OSCAR? 490 00:19:29,841 --> 00:19:30,708 WHAT IDEAS? 491 00:19:30,742 --> 00:19:32,544 WELL, IDEAS ABOUT ROMANCE 492 00:19:32,577 --> 00:19:34,346 AND SETTING THE MOOD 493 00:19:34,379 --> 00:19:37,715 AND SEDUCTION AND COMPLIMENTS 494 00:19:37,749 --> 00:19:41,486 AND...MM, DATING STUFF. 495 00:19:41,519 --> 00:19:43,255 OKAY. FIRST OF ALL, I KNOW HOW TO DO ALL THAT STUFF. 496 00:19:43,288 --> 00:19:44,789 I KNOW WHAT ALL THAT'S ABOUT. AND I KNOW HOW TO DATE. 497 00:19:44,822 --> 00:19:46,358 I'VE DATED BEFORE, SOPHIE. I -- IT'S HOW WE -- 498 00:19:46,391 --> 00:19:48,926 NO. I MEAN, WE HAVEN'T DEFINED WHAT WE ARE. 499 00:19:48,960 --> 00:19:50,995 BUT WE'RE DEFINITELY NOT DATING. 500 00:19:51,028 --> 00:19:53,565 -OKAY, BUT -- -LISTEN, YOU WANT TO GET CLOSE TO MEREDITH, 501 00:19:53,598 --> 00:19:56,501 THEN YOU DON'T HAVE TO ACTUALLY, YOU KNOW, SEDUCE ME. 502 00:19:56,534 --> 00:19:58,303 YOU JUST HAVE TO CONVINCE HER 503 00:19:58,336 --> 00:20:01,306 THAT YOU'RE CAPABLE OF SEDUCING ME, MAKE IT BELIEVABLE. 504 00:20:01,339 --> 00:20:03,508 OKAY. HERE'S WHAT -- HERE'S WHAT WE'RE GONNA DO. 505 00:20:03,541 --> 00:20:06,844 WE'RE GONNA SET UP A -- A MEET CUTE, ALL RIGHT? 506 00:20:06,878 --> 00:20:09,747 AND, UM -- AND I'M GONNA START BY SAYING, "HEY" -- 507 00:20:09,781 --> 00:20:11,816 NO, NATE, NATE, NATE. NO, NO, NO, NO, NO. 508 00:20:11,849 --> 00:20:13,818 -YOU CAN'T SCRIPT THIS. NO. -WHAT? WHY NOT? 509 00:20:13,851 --> 00:20:16,921 I -- WELL, IF -- IF I KNOW WHAT YOUR APPROACH IS, 510 00:20:16,954 --> 00:20:19,991 THEN MY REACTIONS -- THEY'RE NOT GONNA BE GENUINE. 511 00:20:20,024 --> 00:20:22,294 NO, NO, NO, NO, NO, NO, NO, NO, NO, NO. 512 00:20:22,327 --> 00:20:24,396 IT HAS TO BE A REAL DATE, 513 00:20:24,429 --> 00:20:26,764 AND YOU, MY FRIEND, 514 00:20:26,798 --> 00:20:29,634 HAVE TO BE VERY... 515 00:20:29,667 --> 00:20:32,837 VERY... 516 00:20:32,870 --> 00:20:34,872 CHARMING. 517 00:20:34,906 --> 00:20:36,040 AH. 518 00:20:36,073 --> 00:20:38,643 -HOW DO YOU GET THIS -- -MNH-MNH-MNH-MNH-MNH-MNH-MNH. 519 00:20:38,676 --> 00:20:41,346 NO. I'M SORRY. 520 00:20:41,379 --> 00:20:43,981 I HAVE TO GET MY BEAUTY SLEEP. 521 00:20:44,015 --> 00:20:47,919 I HAVE A VERY HOT DATE WITH OSCAR TOMORROW. 522 00:20:47,952 --> 00:20:49,787 TICK, TOCK. 523 00:20:49,821 --> 00:20:53,925 [ SIGHS ] 524 00:21:00,498 --> 00:21:03,601 ALL RIGHT, THIS EMCEE GUY'S NAME'S OSCAR SAN GUILLERMO. 525 00:21:03,635 --> 00:21:04,536 NO PRIORS. 526 00:21:04,569 --> 00:21:06,504 HE PICKED SOPHIE UP AT 7:20, 527 00:21:06,538 --> 00:21:07,639 AND THEY WENT TO A, UH... 528 00:21:07,672 --> 00:21:08,940 SWANK BAR ON THIRD. 529 00:21:08,973 --> 00:21:10,442 HE HAD TWO MOJITOS. 530 00:21:10,475 --> 00:21:13,778 SHE HAD A 2008 POUILLY-FUISSé. WHAT? 531 00:21:13,811 --> 00:21:15,547 DID YOU GET THE NAME OF THE RESTAURANT? 532 00:21:15,580 --> 00:21:18,683 -I JUST SAID IT WAS SWANK. -WHY DO YOU HAVE TO EDITORIALIZE? 533 00:21:18,716 --> 00:21:19,651 THEY LEFT SWANK AT 8:15. 534 00:21:19,684 --> 00:21:21,486 THEY WENT TO A PLACE CALLED LA DOLCE VITA. 535 00:21:21,519 --> 00:21:23,655 THEY GOT SEATED IMMEDIATELY, WHICH IS PRETTY OUTSTANDING, 536 00:21:23,688 --> 00:21:25,523 CONSIDERING IT'S A TWO-WEEK WAIT JUST TO GET IN THERE. 537 00:21:25,557 --> 00:21:26,758 AT 11:30, THEY LEFT. 538 00:21:26,791 --> 00:21:28,593 THEY SCHEDULED A BRUNCH, AND HE BROUGHT HER STRAIGHT HOME. 539 00:21:28,626 --> 00:21:30,395 THAT'S THE END. 540 00:21:30,428 --> 00:21:33,398 RESERVATIONS TODAY ARE AT LA CHATEAU LYON. 541 00:21:33,431 --> 00:21:34,699 OH, GEEZ. IT'S LA CHâTILLON. 542 00:21:34,732 --> 00:21:35,733 CHâTILLON. 543 00:21:35,767 --> 00:21:37,402 THREE-STAR MICHELIN RATING. 544 00:21:37,435 --> 00:21:38,603 IT'S GOT A SOLID 29 ZAGAT. 545 00:21:38,636 --> 00:21:41,373 I MEAN, THIS SAN GUI, HE'S GOT -- HE'S GOT GOOD TASTE, MAN. 546 00:21:41,406 --> 00:21:42,807 SAN GUI? 547 00:21:42,840 --> 00:21:44,609 YEAH, SHORT FOR SAN GUILLERMO. 548 00:21:44,642 --> 00:21:45,643 [ SIGHS ] 549 00:21:45,677 --> 00:21:47,912 HE PREFERS IT TO OSCAR. 550 00:21:47,945 --> 00:21:50,915 [ SIGHS ] 551 00:21:55,487 --> 00:21:57,955 AHH. WHAT A DAY. 552 00:21:57,989 --> 00:22:01,826 YES. WHAT A DAY. 553 00:22:01,859 --> 00:22:04,862 SOMETIMES IT'S FUN TO KICK A MAN WHEN HE'S DOWN. WE SET? 554 00:22:04,896 --> 00:22:06,030 OH, SURE, RIGHT. 555 00:22:06,063 --> 00:22:09,133 SPEAKING OF WHICH, DID YOU EVER FIND THAT STEAK PLACE? 556 00:22:09,166 --> 00:22:11,869 -THE BET'S OFF. -WHAT YOU MEAN THE BET'S OFF? 557 00:22:11,903 --> 00:22:13,971 THE SECOND THAT WE FOUND OUT THEY WERE GRIFTERS, THE BET'S OFF. 558 00:22:14,005 --> 00:22:14,972 THAT DOESN'T COUNT. YOU DIDN'T SET -- 559 00:22:15,006 --> 00:22:17,074 PAGE 189, RULE NUMBER 7 IN THE BRO HANDBOOK. 560 00:22:17,108 --> 00:22:18,876 WHAT? THERE WASN'T NO RULES. YOU DIDN'T SET ANY RULES. 561 00:22:18,910 --> 00:22:20,111 THE BET IS OFF IN A SITUATION WHERE -- 562 00:22:20,144 --> 00:22:21,746 -I'LL BE DAMNED IF IT'S OFF. -ALL RIGHT, THEN! 563 00:22:21,779 --> 00:22:23,448 I'LL MAKE YOU SOME PRIME RIB WHEN THIS IS OVER. 564 00:22:23,481 --> 00:22:25,149 BONE IN, WELL-DONE? 565 00:22:25,182 --> 00:22:27,519 -WELL-DONE, BONE IN. -ALL RIGHT. 566 00:22:27,552 --> 00:22:30,121 MAN, I LOVE IT WHEN RESTAURANTS GET ALL CORPORATEY ON ME. 567 00:22:30,154 --> 00:22:33,458 HACKING INTO LA CHâTILLON'S RESERVATION AND EMPLOYEE SCHEDULE LIST 568 00:22:33,491 --> 00:22:36,661 WAS A MORCEAU OF GâTEAU. 569 00:22:36,694 --> 00:22:37,995 WE ARE IN. 570 00:22:38,029 --> 00:22:40,064 ALL RIGHT, MAN, WORK STARTS IN AN HOUR. 571 00:22:40,097 --> 00:22:41,733 YOU ARE THE SOUS CHEF. 572 00:22:41,766 --> 00:22:45,136 [ South African accent ] I AM THE SOMMELIER VISITING FROM THE SOUTH AFRICAN WINERY. 573 00:22:45,169 --> 00:22:46,838 -SOMMELIER? -[ Normal voice ] SOMMELIER. 574 00:22:46,871 --> 00:22:49,574 -AGAIN? -YES. 575 00:22:49,607 --> 00:22:51,643 DO YOU WANT ME TO TEACH YOU ABOUT THE WINES AGAIN? 576 00:22:51,676 --> 00:22:52,710 THAT'S JUST HURTFUL. 577 00:22:52,744 --> 00:22:55,880 JUST -- JUST MAKING ASSUMPTIONS AND PRESUMPTIONS 578 00:22:55,913 --> 00:22:57,549 THAT I DON'T KNOW WHAT I'M -- 579 00:22:57,582 --> 00:23:00,051 YES, I NEED YOU TO TEACH ME ABOUT THE WINES AGAIN, YES. 580 00:23:03,187 --> 00:23:05,790 OH. 581 00:23:05,823 --> 00:23:08,192 YOUR SOMMELIER WILL BE WITH YOU SHORTLY TO POUR THE MALBEC. 582 00:23:08,225 --> 00:23:11,162 -ENJOY. -THANK YOU. -MMM. SO LOVELY. 583 00:23:11,195 --> 00:23:13,665 -BON APPéTIT. -THANK YOU. 584 00:23:15,633 --> 00:23:18,903 [ SIGHS ] 585 00:23:18,936 --> 00:23:21,439 YOU LOOK LIKE YOU'RE ENJOYING YOURSELF. 586 00:23:21,473 --> 00:23:23,107 [ CHUCKLE ] 587 00:23:27,812 --> 00:23:29,814 [ CHUCKLES ] 588 00:23:32,784 --> 00:23:34,952 I assume this little gift is from you, Meredith. 589 00:23:34,986 --> 00:23:36,821 THAT'S A TWO-WAY TRANSMITTER. 590 00:23:36,854 --> 00:23:38,656 I CAN HEAR EVERYTHING YOU SAY 591 00:23:38,690 --> 00:23:40,958 AND EVERYTHING SHE SAYS, SO NO CHEATING. 592 00:23:40,992 --> 00:23:42,093 Now impress me. 593 00:23:42,126 --> 00:23:44,829 WILL YOU BE HAVING ONE OF THE BRUNCH SELECTIONS, SIR? 594 00:23:44,862 --> 00:23:47,431 I WILL. FLIGHT OF REDS, PLEASE. 595 00:23:49,000 --> 00:23:51,603 [ CLEARS THROAT ] 596 00:23:55,840 --> 00:23:57,809 [ SIGHS ] 597 00:23:57,842 --> 00:23:59,176 HAVE YOU CHANGED YOUR MIND? 598 00:23:59,210 --> 00:24:00,244 NO, NO! NO, NO. 599 00:24:00,277 --> 00:24:02,647 I WAS JUST WONDERING, ALSO, IF I COULD MAYBE GET 600 00:24:02,680 --> 00:24:03,915 A FIVE-LETTER WORD FROM YOU 601 00:24:03,948 --> 00:24:06,083 FOR "MAKES ONE'S HAIR STAND ON END." 602 00:24:06,117 --> 00:24:07,218 IT'S... 603 00:24:07,251 --> 00:24:10,988 LA CHâTILLON DOES NOT HAVE WORDS ON THE MENU, SIR. 604 00:24:11,022 --> 00:24:11,956 ENJOY. 605 00:24:11,989 --> 00:24:13,958 -YOU SEEM A LITTLE DISTRACTED. -[ LAUGHS ] 606 00:24:16,728 --> 00:24:17,929 OH. 607 00:24:17,962 --> 00:24:20,532 [ South African accent ] HELLO. HELLO. 608 00:24:20,565 --> 00:24:22,199 THIS IS THE ARGENTINE MALBEC. 609 00:24:22,233 --> 00:24:23,267 IT IS CHARACTERIZED 610 00:24:23,300 --> 00:24:26,571 BY ITS INTENSE FRUITY FLAVOR AND DEEP PLUM COLOR, 611 00:24:26,604 --> 00:24:28,973 WHILE IT DOES NOT HAVE 612 00:24:29,006 --> 00:24:30,241 tan-tan-tan... 613 00:24:30,274 --> 00:24:32,810 T-TANNIC -- TANNIC STRUCTURE. 614 00:24:32,844 --> 00:24:37,782 ...TANNIC STRUCTURE OF A FRENCH MALBEC... 615 00:24:37,815 --> 00:24:39,717 ...whose texture is more plush, 616 00:24:39,751 --> 00:24:42,119 THEY HAVE BEEN KNOWN TO SHOW A SIMILAR AGING POTENTIAL. 617 00:24:42,153 --> 00:24:44,155 YOU DIDN'T EVEN SAY THE WHOLE THING, HARDISON. 618 00:24:44,188 --> 00:24:47,992 HEY, COME HERE. STOP. 619 00:24:48,025 --> 00:24:50,027 THAT'S -- NO. NO, GO. 620 00:24:50,061 --> 00:24:52,997 PUT -- SPRINKLE SOME SEA SALT. JUST A LITTLE SALT. 621 00:24:53,030 --> 00:24:56,267 GUYS, THE FIRST ADDRESS -- IT'S A MARINA. 622 00:24:56,300 --> 00:24:58,970 I CAN'T SEARCH EVERY BOAT FOR MEREDITH'S FILES. 623 00:24:59,003 --> 00:25:00,972 I'M HEADING TO THE SECOND ADDRESS. 624 00:25:01,005 --> 00:25:03,541 [ ENGINE TURNS OVER ] 625 00:25:03,575 --> 00:25:04,976 PARKER, WE'RE COUNTING ON YOU. 626 00:25:05,009 --> 00:25:07,111 THE WHOLE DATE SIDE OF THIS CON CAN GO EITHER WAY. 627 00:25:07,144 --> 00:25:09,213 ENJOY. 628 00:25:09,246 --> 00:25:10,615 -OH! OH! -OH! -OH. 629 00:25:10,648 --> 00:25:12,550 OH, I'M SORRY. I'M SO -- I'M SO SORRY. 630 00:25:12,584 --> 00:25:14,185 -OH, MY GOSH. -NO, IT'S RIGHT. -YEAH, THAT'S -- 631 00:25:14,218 --> 00:25:16,688 OH, THAT'S A GOOD IDEA. THAT WORKS. THAT WORKS. I'VE TRIED THAT. 632 00:25:16,721 --> 00:25:18,155 -NO, NO, NO. THAT'S ENOUGH, ENOUGH. -LET ME -- LET ME TAKE THIS. 633 00:25:18,189 --> 00:25:20,024 -MAY I -- -LET ME -- -I SAID ENOUGH! 634 00:25:20,057 --> 00:25:21,993 YOU'VE DONE ENOUGH. THANK YOU. 635 00:25:22,026 --> 00:25:23,728 SORRY. 636 00:25:23,761 --> 00:25:26,798 I... 637 00:25:26,831 --> 00:25:29,734 [ SIGHS ] UH, EXCUSE ME, DUCHESS. 638 00:25:29,767 --> 00:25:32,069 I, UH...THINK I'LL BE A WHILE. 639 00:25:32,103 --> 00:25:33,605 STAY RIGHT THERE. 640 00:25:33,638 --> 00:25:35,206 I -- I... 641 00:25:40,211 --> 00:25:42,780 UGH! WHAT AN IDIOT. 642 00:25:44,015 --> 00:25:45,282 AAH! 643 00:25:49,987 --> 00:25:52,890 -ALLOW ME. -THANK YOU, SIR. 644 00:25:52,924 --> 00:25:54,592 OH. THANK YOU. 645 00:25:54,626 --> 00:25:55,660 I'M SO EMBARRASSED. 646 00:25:55,693 --> 00:25:58,963 I, UM -- I DIDN'T...PREPARE FOR THIS SITUATION. 647 00:25:58,996 --> 00:26:00,131 YEAH, IT'S ALL RIGHT. 648 00:26:00,164 --> 00:26:02,233 I DON'T OFTEN GET TO PLAY THE WHITE KNIGHT. 649 00:26:02,266 --> 00:26:05,036 GUS McAVOY, DISTRIBUTOR. 650 00:26:05,069 --> 00:26:06,671 OH. SCOTTISH? 651 00:26:06,704 --> 00:26:09,040 Eh, on my father's father's side. 652 00:26:09,073 --> 00:26:11,175 OH. PLEASE, JOIN ME. 653 00:26:11,208 --> 00:26:12,209 OH, THANK YOU VERY MUCH. 654 00:26:12,243 --> 00:26:13,377 LADY CHARLOTTE PRENTICE. 655 00:26:13,410 --> 00:26:15,913 LADY CHARLOTTE PRENTICE. THAT'S LOVELY. 656 00:26:15,947 --> 00:26:17,181 TEASE. 657 00:26:17,214 --> 00:26:18,750 EXCUSE ME? 658 00:26:18,783 --> 00:26:21,653 FIVE-LETTER WORD, MAKES YOUR HAIR STAND UP. 659 00:26:21,686 --> 00:26:23,988 OH, RIGHT. WELL, LOOK AT THAT. 660 00:26:24,021 --> 00:26:26,323 IT'S THE KEY TO THE WHOLE THING. 661 00:26:26,357 --> 00:26:29,393 LISTEN, WOULD YOU LIKE TO, UM...GET SOME DESSERT? 662 00:26:29,426 --> 00:26:30,995 THERE'S THIS WONDERFUL ITALIAN-ICE PLACE 663 00:26:31,028 --> 00:26:32,063 DOWN BY THE WATER. 664 00:26:32,096 --> 00:26:34,666 I HEAR IT PUTS LA CHâTILLON'S SORBET TO SHAME. 665 00:26:34,699 --> 00:26:35,800 SOUNDS GOOD. 666 00:26:35,833 --> 00:26:37,301 YEAH? 667 00:26:40,371 --> 00:26:42,239 [ CHUCKLES ] NICE HOOK. 668 00:26:42,273 --> 00:26:43,908 NOW LET'S SEE IF YOU CAN LAND HER. 669 00:26:45,877 --> 00:26:48,980 HEY, BROTHER, HERE'S A $20, MAN. CAN YOU PLAY SOMETHING ROMANTIC? 670 00:26:49,013 --> 00:26:51,082 SOMETHING TO KIND OF MIX IT UP A LITTLE? 671 00:26:51,115 --> 00:26:53,350 MM-HMM. YEAH. 672 00:26:53,384 --> 00:26:55,252 [ SOFT GUITAR MUSIC PLAYING ] 673 00:27:01,158 --> 00:27:04,095 HE'S ONE OF YOURS. VERY NICE. SETTING THE MOOD. 674 00:27:04,128 --> 00:27:07,732 All right, Parker, you got that second address yet? 675 00:27:07,765 --> 00:27:10,001 YEAH, I'M IN. 676 00:27:17,041 --> 00:27:19,176 THERE'S NOT MUCH HERE. 677 00:27:19,210 --> 00:27:21,679 NO WALL SAFE. 678 00:27:21,713 --> 00:27:24,115 I'LL CHECK THE COMPUTER AND THE HARD-COPY FILES. 679 00:27:25,016 --> 00:27:27,084 [ CHUCKLES ] 680 00:27:27,118 --> 00:27:28,352 LET'S JUST SIT RIGHT OVER HERE. 681 00:27:28,385 --> 00:27:29,721 OH. 682 00:27:40,331 --> 00:27:41,999 That was a mistake. 683 00:27:42,033 --> 00:27:43,935 THE ICE PLUS THE SHADE WILL GIVE HER A CHILL. 684 00:27:43,968 --> 00:27:45,202 GAME OVER. NICE MEETING YOU. 685 00:27:45,236 --> 00:27:46,904 [ SHIVERS ] 686 00:27:46,938 --> 00:27:48,940 OH, HERE, LET ME, UH... 687 00:28:01,786 --> 00:28:04,722 CLEVER BOY. ALWAYS THINKING AHEAD, AREN'T YOU? 688 00:28:07,358 --> 00:28:09,761 ELIOT, THERE'S NOTHING HERE. IT'S JUST A FRONT. 689 00:28:09,794 --> 00:28:12,296 THERE'S NOT EVEN A COMPUTER TO HOOK UP TO THE MONITOR. 690 00:28:14,999 --> 00:28:17,869 HANG ON A SECOND. THERE'S A PORTRAIT. 691 00:28:17,902 --> 00:28:20,404 IT'S LACEY. 692 00:28:20,437 --> 00:28:21,538 [ CAMERA SHUTTER CLICKS ] 693 00:28:21,572 --> 00:28:24,075 SHE SIGNED IT, "THANKS FOR EVERYTHING. HEART, JULIE." 694 00:28:24,108 --> 00:28:27,311 BUT... 695 00:28:27,344 --> 00:28:29,313 FACIAL-RECOGNITION APP CONFIRMS IT'S HER. 696 00:28:29,346 --> 00:28:32,183 ELIOT, THAT IS OUR FIRST SOLID LEAD. 697 00:28:32,216 --> 00:28:34,952 LOOK, IF LACEY SIGNED THAT PHOTO, SHE'S TOUCHED IT. 698 00:28:34,986 --> 00:28:36,888 THAT'S MY THINKING, TOO. PARKER, GRAB THE PHOTO. 699 00:28:36,921 --> 00:28:38,890 WE MIGHT BE ABLE TO TELL SOMETHING FROM IT. 700 00:28:38,923 --> 00:28:40,925 -We're close to being done here. -YEAH, I GOT IT. 701 00:28:40,958 --> 00:28:43,795 IT STILL ONLY SAYS, "THANKS FOR EVERYTHING. HEART, JULIE." 702 00:28:49,867 --> 00:28:50,902 OH. 703 00:28:53,104 --> 00:28:56,307 AH. HERE YOU GO. 704 00:28:56,340 --> 00:28:57,875 HEY, IT'S BEST TO KEEP THE BALL 705 00:28:57,909 --> 00:29:00,778 RIGHT IN FRONT OF YOU, ALWAYS. 706 00:29:00,812 --> 00:29:03,214 SWEET. 707 00:29:03,247 --> 00:29:05,516 HOW DID YOU ARRANGE THAT? 708 00:29:05,549 --> 00:29:08,252 DID YOU EVER PLAY CATCH WITH YOUR FATHER? 709 00:29:08,285 --> 00:29:09,954 NAH. NO. 710 00:29:09,987 --> 00:29:13,457 NO, WE WENT TO, UH, FENWAY PRETTY MUCH EVERY YEAR, 711 00:29:13,490 --> 00:29:15,226 WENT TO A LOT OF GAMES. 712 00:29:15,259 --> 00:29:16,794 HE LOVED BASEBALL. 713 00:29:16,828 --> 00:29:19,096 YOU HAD THAT, AT LEAST. 714 00:29:19,130 --> 00:29:22,233 WE SAT THERE IN THE STANDS WITH OUR GLOVES, 715 00:29:22,266 --> 00:29:23,935 WAITING FOR A FOUL BALL. 716 00:29:23,968 --> 00:29:26,838 THEN HE WAS JUST -- WASN'T JIMMY. 717 00:29:26,871 --> 00:29:29,106 YOU KNOW, HE WAS -- HE WAS MY DAD. 718 00:29:29,140 --> 00:29:32,977 I MEAN, HE DIDN'T GIVE ME MUCH, BUT HE -- 719 00:29:33,010 --> 00:29:34,478 HE GAVE ME THAT. 720 00:29:34,511 --> 00:29:38,115 WELL, IT CAN'T HAVE BEEN ALL BAD IF HE PASSED ON HIS PASSION, 721 00:29:38,149 --> 00:29:40,051 EVEN IF THAT PASSION'S FOR A SPORT 722 00:29:40,084 --> 00:29:41,385 THAT'S NOT QUITE CRICKET. 723 00:29:41,418 --> 00:29:44,956 -[ SCOFFS ] CRICKET? -WHAT? I KNOW MY CRICKET. 724 00:29:44,989 --> 00:29:47,458 GIVE ME A BATSMAN, A COUPLE OF BALLS, 725 00:29:47,491 --> 00:29:51,128 AND...YOU'LL SEE IF I CAN'T OUTSTUMP HIM. 726 00:29:55,299 --> 00:29:58,002 YOU REALLY ARE BEAUTIFUL. 727 00:29:58,035 --> 00:30:00,404 [ CHUCKLES ] 728 00:30:11,482 --> 00:30:13,584 HMM. 729 00:30:17,288 --> 00:30:19,223 -LET'S GO. -MM-HMM. 730 00:30:19,256 --> 00:30:20,925 [ ENGINE TURNS OVER ] 731 00:30:20,958 --> 00:30:24,361 OKAY. MEREDITH IS OFF COMMS. PARKER? 732 00:30:24,395 --> 00:30:26,397 I'M HERE. IS SOPHIE READY? 733 00:30:26,430 --> 00:30:29,400 ELIOT, HARDISON, WE NEED TO ANALYZE THAT PORTRAIT. 734 00:30:29,433 --> 00:30:32,303 MEET ME AT THE CAR. TIME TO GET A MOVE ON. 735 00:30:32,336 --> 00:30:36,307 I THOUGHT THAT'S WHAT YOU HAVE BEEN DOING. 736 00:30:36,340 --> 00:30:37,942 LISTEN. 737 00:30:37,975 --> 00:30:39,176 I PICKED YOU. 738 00:30:39,210 --> 00:30:41,312 I DIDN'T PICK THE OTHERS. 739 00:30:41,345 --> 00:30:44,281 HARDISON, PARKER, ELIOT -- I PICKED YOU. 740 00:30:44,315 --> 00:30:46,217 ALL RIGHT? 741 00:31:03,667 --> 00:31:05,937 [ ENGINE TURNS OVER ] 742 00:31:21,552 --> 00:31:22,954 I AM IMPRESSED. 743 00:31:22,987 --> 00:31:24,088 OH. [ CHUCKLES ] 744 00:31:24,121 --> 00:31:26,457 SEEMS WE HAVE TERMS TO DISCUSS. 745 00:31:26,490 --> 00:31:28,325 A NEW PARTNERSHIP TO CELEBRATE. 746 00:31:28,359 --> 00:31:30,627 EXCELLENT. UH...WHERE SHOULD WE MEET? 747 00:31:30,661 --> 00:31:32,496 MY CAR'S JUST RIGHT OVER -- 748 00:31:32,529 --> 00:31:33,664 GET IN. 749 00:31:38,469 --> 00:31:40,337 OKAY. 750 00:31:44,541 --> 00:31:46,710 LOOKS LIKE MEREDITH'S TOWN CAR IS HEADED TO THE MARINA. 751 00:31:46,743 --> 00:31:49,113 I CAN TRACK THE GPS, BUT NATE'S STILL OFF COMMS. 752 00:31:49,146 --> 00:31:51,648 I DON'T LIKE IT. THIS WOMAN'S LEFT A LOT OF BODIES IN THE ROAD. 753 00:31:51,682 --> 00:31:53,985 YEAH, BUT NATE'S NOT A MARK. NO, IT'S PERFECT. 754 00:31:54,018 --> 00:31:56,087 HE GETS CLOSE TO MEREDITH, GETS ACCESS TO HER FILES, 755 00:31:56,120 --> 00:31:58,489 -WHILE WE ALL -- -GET ALL "CSI" ON THE PICTURE. 756 00:31:59,523 --> 00:32:02,393 TRY THAT ONE. 757 00:32:02,426 --> 00:32:04,728 [ CAMERA SHUTTER CLICKS ] 758 00:32:04,761 --> 00:32:05,963 NO. 759 00:32:05,997 --> 00:32:07,598 TRY THAT ONE. 760 00:32:07,631 --> 00:32:09,600 [ CAMERA SHUTTER CLICKS ] IT'S LACEY. 761 00:32:09,633 --> 00:32:13,637 OKAY, IT MATCHES A CHRISTINE VALADA. 762 00:32:15,639 --> 00:32:18,242 NOW, LOOK, IT SAYS LACEY/CHRISTINE'S ADDRESS 763 00:32:18,275 --> 00:32:19,476 IS JUST A FEW MINUTES FROM HERE. 764 00:32:19,510 --> 00:32:21,445 IT'S SUNDAY. I BET SHE'S HOME. 765 00:32:21,478 --> 00:32:26,083 YEAH. LET'S PAY CHRISTINE VALADA A VISIT, SHALL WE? 766 00:32:26,117 --> 00:32:27,251 [ TIRES SCREECHING ] 767 00:32:27,284 --> 00:32:30,021 WHOA, WHOA, WHOA, WHOA, WHOA, WHOA! PARKER, SLOW DOWN! 768 00:32:30,054 --> 00:32:32,389 PARKER! 769 00:32:36,460 --> 00:32:39,163 SO, COME ON, 75/25 -- THAT YOUR BEST OFFER? 770 00:32:39,196 --> 00:32:40,297 TAKE IT OR LEAVE IT. 771 00:32:40,331 --> 00:32:43,000 YEAH, WELL, YOU KNOW, YOU PUT IT LIKE THAT, I'M ALL-IN. 772 00:32:43,034 --> 00:32:44,768 THIS IS IT. 773 00:32:44,801 --> 00:32:45,769 NICE BOAT. 774 00:32:45,802 --> 00:32:47,538 IT WAS MY LATE HUSBAND'S. 775 00:32:47,571 --> 00:32:49,540 PERMISSION TO COME ABOARD. 776 00:32:49,573 --> 00:32:52,076 GRANTED. 777 00:32:55,812 --> 00:32:57,414 THIS IS NOT WHAT I EXPECTED. 778 00:32:57,448 --> 00:32:58,549 ME NEITHER. 779 00:32:58,582 --> 00:33:01,518 HELLO? HELLO? 780 00:33:01,552 --> 00:33:03,354 HI, THERE. 781 00:33:03,387 --> 00:33:05,722 HI. 782 00:33:05,756 --> 00:33:07,424 HI. CHRISTINE VALADA? 783 00:33:07,458 --> 00:33:09,260 YES, THAT'S ME. WHAT CAN I DO FOR YOU? 784 00:33:09,293 --> 00:33:11,428 ALSO LACEY BEAUMONT WELLESLEY? 785 00:33:12,596 --> 00:33:14,331 NO. 786 00:33:14,365 --> 00:33:16,333 I DIDN'T -- PLEASE! 787 00:33:16,367 --> 00:33:18,469 I DIDN'T CONTACT HIM, I SWEAR. 788 00:33:18,502 --> 00:33:19,603 OH, PLEASE. 789 00:33:19,636 --> 00:33:23,040 PLEASE TELL ME YOU HAVEN'T HURT WALT. 790 00:33:23,074 --> 00:33:25,542 WE'RE NOT HERE TO HURT ANYBODY. 791 00:33:25,576 --> 00:33:29,413 WE'RE HERE TO FIND YOU. WELLESLEY SENT US. 792 00:33:29,446 --> 00:33:31,682 [ SOBBING ] 793 00:33:46,863 --> 00:33:48,665 DON'T YOU THINK WE SHOULD GET A PHOTO 794 00:33:48,699 --> 00:33:50,567 TO COMMEMORATE THIS MOMENTOUS OCCASION? 795 00:33:50,601 --> 00:33:52,536 PLENTY OF TIME FOR THAT LATER. 796 00:33:52,569 --> 00:33:54,205 [ CHUCKLES ] 797 00:33:54,238 --> 00:33:56,740 HO! 798 00:33:56,773 --> 00:33:59,176 NOW, I HAVE A FEELING THAT YOU KNOW 799 00:33:59,210 --> 00:34:00,744 AS MUCH ABOUT YOUR CHAMPAGNE AS YOU DO YOUR WHISKEY. 800 00:34:00,777 --> 00:34:01,845 [ CHUCKLES ] 801 00:34:01,878 --> 00:34:04,148 I FIND IT USEFUL TO BE CONVERSANT. 802 00:34:04,181 --> 00:34:06,450 AH, YES. 803 00:34:06,483 --> 00:34:10,321 I SUPPOSE IT WOULD BE REMISS OF ME NOT TO MENTION 804 00:34:10,354 --> 00:34:11,755 THAT I ALREADY HAVE A PARTNER. 805 00:34:11,788 --> 00:34:14,225 SAN GUI. YES, I HEAR YOU PREFER THAT TO OSCAR. 806 00:34:14,258 --> 00:34:15,526 YEAH. 807 00:34:15,559 --> 00:34:16,660 WELL, WELL. 808 00:34:16,693 --> 00:34:18,695 SO, YOU TOLD MEREDITH YOU WERE DONE. 809 00:34:18,729 --> 00:34:20,397 YOU WANTED OUT. 810 00:34:20,431 --> 00:34:21,798 ONCE I'D SENT HER $2 MILLION, 811 00:34:21,832 --> 00:34:25,469 I -- I FIGURED SHE'D ALLOW ME TO GO MY OWN WAY. 812 00:34:25,502 --> 00:34:28,539 YOU UNDERESTIMATED HER GREED. 813 00:34:28,572 --> 00:34:31,142 I UNDERESTIMATED HER FEAR. 814 00:34:31,175 --> 00:34:33,744 MY FALLING IN LOVE WITH A MARK 815 00:34:33,777 --> 00:34:36,847 MEANT SHE COULD NO LONGER TRUST ME. 816 00:34:36,880 --> 00:34:39,550 OH. SHE THOUGHT YOU WERE GONNA TELL YOUR HUSBAND EVERYTHING. 817 00:34:39,583 --> 00:34:42,319 IF I SO MUCH AS CONTACTED WALT, 818 00:34:42,353 --> 00:34:45,156 HE'D MEET WITH SOME TERRIBLE ACCIDENT... 819 00:34:45,189 --> 00:34:47,724 JUST LIKE HER LATE HUSBANDS DID. 820 00:34:47,758 --> 00:34:49,693 SHE WAS RIGHT. 821 00:34:49,726 --> 00:34:52,696 I WOULD HAVE TOLD HIM THE TRUTH. 822 00:34:52,729 --> 00:34:56,200 I JUST HADN'T GOTTEN UP THE COURAGE YET. 823 00:34:56,233 --> 00:35:00,571 DO YOU LET THEM HATE THE REAL YOU 824 00:35:00,604 --> 00:35:01,738 OR LOVE THE FAKE YOU? 825 00:35:01,772 --> 00:35:03,874 YOU'RE SAYING YOU DIDN'T KNOW ANYTHING 826 00:35:03,907 --> 00:35:06,210 ABOUT HER KILLING THESE GUYS GOING IN. 827 00:35:06,243 --> 00:35:07,578 NO. 828 00:35:07,611 --> 00:35:09,213 I DIDN'T PUT IT ALL TOGETHER 829 00:35:09,246 --> 00:35:12,349 UNTIL THEY THREATENED ME WITH WALT. 830 00:35:12,383 --> 00:35:16,353 I'D NEVER HAVE JOINED HER CREW IF I'D KNOWN. 831 00:35:18,689 --> 00:35:20,657 HAND THEM OVER. 832 00:35:20,691 --> 00:35:21,925 WHAT... 833 00:35:21,958 --> 00:35:25,496 THERE YOU GO. 834 00:35:25,529 --> 00:35:26,697 WHAT? 835 00:35:26,730 --> 00:35:28,732 [ GUN COCKS ] OH. 836 00:35:28,765 --> 00:35:31,268 THERE. HERE WE ARE. 837 00:35:33,404 --> 00:35:35,706 GUYS, WE HAVE A MAYDAY SITUATION. 838 00:35:35,739 --> 00:35:37,941 NATE'S COMM JUST WENT ONLINE AND OFF AGAIN. 839 00:35:37,974 --> 00:35:39,676 HIS GPS IS DEAD, TOO. 840 00:35:41,378 --> 00:35:42,279 YOU FBI? 841 00:35:42,313 --> 00:35:44,648 NO. NO, NO. I'M NOT A -- I'M NOT A FED. 842 00:35:44,681 --> 00:35:46,283 I'M A THIEF. 843 00:35:46,317 --> 00:35:48,452 THOUGHT IF I COULD GET CLOSE ENOUGH TO YOUR FILES, 844 00:35:48,485 --> 00:35:50,254 I COULD MAYBE, YOU KNOW, USE YOUR MARKS 845 00:35:50,287 --> 00:35:52,456 OR ONE OR TWO OF YOUR GIRLS TO START MY OWN SCHEME. 846 00:35:52,489 --> 00:35:54,725 HIS LAST-KNOWN COORDINATES WERE THE MARINA. 847 00:35:54,758 --> 00:35:56,793 YEAH, AND I STILL NEVER SOLVED THE WATERPROOFING PROBLEM. 848 00:35:56,827 --> 00:35:59,730 LOOK, THE COMMS STILL GO OUT WHEN THEY'RE SUBMERGED IN WATER. 849 00:35:59,763 --> 00:36:03,367 [ ENGINE REVVING ] 850 00:36:03,400 --> 00:36:05,569 [ TIRES SCREECH ] 851 00:36:08,405 --> 00:36:10,207 PARKER, YOU'RE WITH ME. 852 00:36:17,948 --> 00:36:18,949 AS GOOD AS YOU ARE, 853 00:36:18,982 --> 00:36:21,685 YOU'RE NOT NEARLY AS GOOD AS YOU THINK YOU ARE. 854 00:36:21,718 --> 00:36:25,356 IT'S OBVIOUS YOU DON'T HAVE WHAT IT TAKES TO DO WHAT I DO. 855 00:36:25,389 --> 00:36:27,224 WHAT -- WHAT IS IT, EXACTLY, YOU THINK I'M LACKING? 856 00:36:27,258 --> 00:36:29,226 RUTHLESSNESS. 857 00:36:29,260 --> 00:36:31,762 YOU'RE FAR TOO VULNERABLE AND OPEN. 858 00:36:31,795 --> 00:36:33,564 I'VE WATCHED YOU WITH THE DUCHESS. 859 00:36:33,597 --> 00:36:35,266 YOU'RE HALF IN LOVE WITH HER ALREADY, 860 00:36:35,299 --> 00:36:37,401 FALLING PREY TO THE VERY TECHNIQUES YOU EMPLOY. 861 00:36:37,434 --> 00:36:39,236 HEY, YOU MEAN FALLING IN LOVE. 862 00:36:40,771 --> 00:36:42,706 THERE'S NO SUCH THING AS LOVE. 863 00:36:50,881 --> 00:36:53,350 SORRY, BUDDY. 864 00:36:56,320 --> 00:36:57,888 [ GUNSHOT ] 865 00:37:03,460 --> 00:37:05,596 [ WATER SPLASHES ] 866 00:37:11,402 --> 00:37:13,404 OLLY OLLY OXEN FREE. 867 00:37:18,909 --> 00:37:20,644 OH, YOU'RE GOOD. 868 00:37:20,677 --> 00:37:22,279 SO I'VE BEEN TOLD. 869 00:37:22,313 --> 00:37:25,382 I NEVER SUSPECTED YOU AT ALL, NOT FOR A MOMENT. 870 00:37:25,416 --> 00:37:26,417 OF COURSE NOT. 871 00:37:26,450 --> 00:37:27,684 AS GOOD AS YOU ARE, 872 00:37:27,718 --> 00:37:30,787 YOU'RE NOT NEARLY AS GOOD AS YOU THINK YOU ARE. 873 00:37:30,821 --> 00:37:32,823 I DESTROYED HIS EAR BUD BEFORE I SAID THAT. 874 00:37:32,856 --> 00:37:34,358 HOW DID YOU... 875 00:37:39,996 --> 00:37:42,566 I HEARD YOU GO OVER. 876 00:37:44,100 --> 00:37:46,036 IF NOT YOU, THEN WH-- 877 00:37:46,069 --> 00:37:47,604 YEAH. 878 00:37:58,081 --> 00:37:59,082 COME ON. 879 00:37:59,115 --> 00:38:00,884 FISTICUFFS? REALLY? 880 00:38:02,453 --> 00:38:04,421 ALL RIGHT. 881 00:38:08,058 --> 00:38:09,593 LET'S GO. 882 00:38:33,417 --> 00:38:36,420 WHAT DO YOU WANT, 50/50? 60/40? 883 00:38:36,453 --> 00:38:38,655 I WASN'T LYING WHEN I SAID I WAS AFTER YOUR RECORDS. 884 00:38:38,689 --> 00:38:40,457 I'LL NEVER GIVE THEM UP. 885 00:38:40,491 --> 00:38:41,992 AH. 886 00:38:42,025 --> 00:38:44,094 BUT YOU ALREADY HAVE. 887 00:38:46,129 --> 00:38:47,564 AS GOOD AS YOU ARE, 888 00:38:47,598 --> 00:38:51,034 YOU'RE NOT NEARLY AS GOOD AS YOU THINK YOU ARE. 889 00:38:55,138 --> 00:38:58,675 OKAY, GOOD. IT'S THERE. IT'S ALL THERE. 890 00:38:58,709 --> 00:39:00,477 ALL THE DATA -- I'M E-MAILING IT NOW TO NATE. 891 00:39:00,511 --> 00:39:02,846 RIGHT NOW, ALL YOUR DETAILS ARE BEING SENT 892 00:39:02,879 --> 00:39:05,916 TO EVERY RICH AND POWERFUL MARK YOU HAVE ON FILE. 893 00:39:05,949 --> 00:39:07,851 OH, AND YOUR FINGERPRINTS -- 894 00:39:07,884 --> 00:39:09,653 ALREADY BEEN FORWARDED TO THE AUTHORITIES, 895 00:39:09,686 --> 00:39:11,822 JUST IN CASE THEY WANT TO LOOK INTO THE DEATHS 896 00:39:11,855 --> 00:39:14,758 OF ALL THOSE LATE HUSBANDS. 897 00:39:14,791 --> 00:39:16,627 IF I WERE YOU, I'D START RUNNING. 898 00:39:16,660 --> 00:39:17,928 NOW. 899 00:39:21,665 --> 00:39:22,799 HA! 900 00:39:22,833 --> 00:39:23,934 SHALL WE? 901 00:39:34,778 --> 00:39:36,012 THANK YOU. 902 00:39:36,046 --> 00:39:37,648 MMM! 903 00:39:37,681 --> 00:39:40,517 LET'S GET OUT OF HERE. 904 00:39:42,052 --> 00:39:44,488 TRUE LOVE DOES EXIST. 905 00:39:44,521 --> 00:39:45,656 MAY IT ALWAYS PREVAIL. 906 00:39:46,623 --> 00:39:48,091 -HEAR, HEAR. -SLAINTE. 907 00:39:50,226 --> 00:39:51,828 LOOKING FOR A MISS DEVEREAUX. 908 00:39:51,862 --> 00:39:53,029 MM. THAT'S ME. 909 00:39:53,063 --> 00:39:54,531 AND A PARKER. 910 00:39:54,565 --> 00:39:56,433 -OOH. -OOH. THESE ONES? 911 00:39:56,467 --> 00:39:57,468 YEAH. THAT'S FOR YOU. 912 00:39:57,501 --> 00:40:00,437 -THERE YOU ARE. -THANKS. 913 00:40:00,471 --> 00:40:02,439 I TAKE IT ALL BACK. 914 00:40:02,473 --> 00:40:04,475 MWAH. EVERY WORD. 915 00:40:04,508 --> 00:40:05,942 -YOU ARE ROMANTIC. -OOH. 916 00:40:07,210 --> 00:40:10,481 OH. THEY'RE BEAUTIFUL. 917 00:40:10,514 --> 00:40:11,682 [ SNIFFS ] 918 00:40:11,715 --> 00:40:13,183 IT EATS FLIES. 919 00:40:13,216 --> 00:40:15,719 HUH. A PLANT THAT DOES SOMETHING. 920 00:40:15,752 --> 00:40:17,988 -THAT'S NICE. -THANKS. 921 00:40:18,021 --> 00:40:19,623 SHOULD I FEED IT MICE, LIKE A SNAKE? 922 00:40:19,656 --> 00:40:21,157 YEAH, YEAH. YEAH, YEAH, YEAH. 923 00:40:21,191 --> 00:40:23,460 -THEY'RE MY FAVORITE. -IT'S GOT TEETH. 924 00:40:24,828 --> 00:40:27,531 SMELL. [ GROWLS ] 925 00:40:27,564 --> 00:40:30,066 UH, THEY SMELL NICE? 926 00:40:30,100 --> 00:40:32,002 IT DOESN'T REALLY SMELL. 927 00:40:34,605 --> 00:40:36,673 [ CELLPHONE RINGS ] 928 00:40:36,707 --> 00:40:39,075 [ CELLPHONE BEEPS ] 929 00:40:39,109 --> 00:40:41,011 I DON'T RECOGNIZE THIS NUMBER, 930 00:40:41,044 --> 00:40:42,779 WHICH MEANS YOU SHOULDN'T BE TALKING TO ME. 931 00:40:42,813 --> 00:40:46,082 [ LAUGHING ] A CALL TO ARMS, MR. FORD. 932 00:40:46,116 --> 00:40:47,150 In my dealings, 933 00:40:47,183 --> 00:40:49,786 I've discovered an innocent who's been wronged. 934 00:40:49,820 --> 00:40:51,722 An engineer's invention was stolen 935 00:40:51,755 --> 00:40:53,223 BY A CORPORATION. 936 00:40:53,256 --> 00:40:55,258 IF YOU AND YOUR TEAM ACQUIRE THE PATENT, 937 00:40:55,291 --> 00:40:57,594 YOU CAN PROVE THE COMPANY OWES HIM MILLIONS. 938 00:40:57,628 --> 00:40:58,529 [ SCOFFS ] 939 00:40:58,562 --> 00:41:00,196 YOU MAKE A FEW INVESTMENTS AHEAD OF TIME, 940 00:41:00,230 --> 00:41:01,097 BET AGAINST OUR OPPONENTS. 941 00:41:01,131 --> 00:41:04,668 A FINDER'S FEE. YOU PUNISH. I PROFIT. 942 00:41:04,701 --> 00:41:06,870 Well, it sounds tempting, Latimer, I'll give you that. 943 00:41:06,903 --> 00:41:08,271 SOMETHING I WANT, NO DOWNSIDE. 944 00:41:08,304 --> 00:41:10,707 PROBLEM IS, I'VE MADE THAT OFFER 945 00:41:10,741 --> 00:41:12,776 A HUNDRED TIMES TO A HUNDRED MARKS. 946 00:41:12,809 --> 00:41:14,645 I KNOW A CON WHEN I SPIN ONE. 947 00:41:14,678 --> 00:41:15,512 No, thanks. 948 00:41:15,546 --> 00:41:17,714 WE COULD HAVE BEEN FRIENDS, MR. FORD. 949 00:41:17,748 --> 00:41:19,750 I DON'T NEED ANY FRIENDS, LATIMER. 950 00:41:19,783 --> 00:41:21,117 [ CELLPHONE BEEPS ] 951 00:41:22,886 --> 00:41:24,855 AH. 952 00:41:24,888 --> 00:41:29,626 [ Cellphone speed-dialing, ringing ] 953 00:41:29,660 --> 00:41:33,163 HE WOULDN'T TAKE THE JOB. 954 00:41:33,196 --> 00:41:35,632 YOU DO THAT, IT'S WAR. 955 00:41:38,769 --> 00:41:40,804 WELL, WAR IT IS, THEN. 63691

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