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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,610 --> 00:00:08,414 [ HIP-HOP MUSIC PLAYS ] 2 00:00:15,754 --> 00:00:18,457 [ TIRES SCREECH ] -OH! HEY! 3 00:00:18,491 --> 00:00:20,226 SORRY. 4 00:00:20,259 --> 00:00:21,627 SORRY. 5 00:00:21,660 --> 00:00:24,230 PRETTY SURE THAT WAS YOUR FAULT! 6 00:00:24,263 --> 00:00:26,499 BUT WHATEVER. 7 00:00:26,532 --> 00:00:28,534 [ MUSIC CONTINUES ] 8 00:00:35,408 --> 00:00:38,377 [ GRUNTING ] 9 00:00:43,149 --> 00:00:44,783 NOT EVEN FOR A LITTLE WHILE? 10 00:00:44,817 --> 00:00:47,253 UNH-UNH. I TOLD YOU -- I HAVE PLANS. 11 00:00:47,286 --> 00:00:48,787 HEY. IT IS A VALID STRATEGY. 12 00:00:48,821 --> 00:00:50,389 IT'S NOT A STRATEGY, MAN! 13 00:00:50,423 --> 00:00:52,391 IT'S JUST ANNOYING WHEN YOU BET EVERY HAND. 14 00:00:52,425 --> 00:00:54,793 I JUST GOT A PHONE MESSAGE FROM DETECTIVE BONANNO, 15 00:00:54,827 --> 00:00:57,230 SAYING THAT HE WANTS TO COME OVER. 16 00:00:57,263 --> 00:00:58,297 HE'S -- NO, NO, NO, NO. NO, NO, GUYS. NO. 17 00:00:58,331 --> 00:00:59,598 OH, COME ON. 18 00:00:59,632 --> 00:01:01,267 YOUR FATHER HAD A POKER GAME FOR 30 YEARS. 19 00:01:01,300 --> 00:01:02,435 POLICE, CRIMINALS AT THE SAME TABLE. 20 00:01:02,468 --> 00:01:03,369 THIS IS GOOD FOR YOU. 21 00:01:03,402 --> 00:01:05,804 YEAH, YES, I WANT TO BE LIKE MY FATHER. 22 00:01:05,838 --> 00:01:07,240 GOOD INSIGHT, SOPHIE. 23 00:01:08,674 --> 00:01:11,444 LIVING IN YOUR OWN HEAD. 24 00:01:11,477 --> 00:01:12,778 THE ONLY CONVERSATION YOU HAVE IS WITH YOUR OWN CREW. 25 00:01:12,811 --> 00:01:13,912 THAT AIN'T RIGHT. 26 00:01:13,946 --> 00:01:16,249 YEAH, NAME ONE PERSON YOU CAN HAVE A CONVERSATION WITH 27 00:01:16,282 --> 00:01:17,750 WHO ISN'T ON THIS TEAM. 28 00:01:17,783 --> 00:01:18,884 -AND DON'T SAY MAGGIE. -AND DON'T SAY MAGGIE. 29 00:01:18,917 --> 00:01:21,320 LOOK, I GOT MY FRIENDS AND MY BUDDIES FROM THE SERVICE. 30 00:01:21,354 --> 00:01:22,855 I MEAN, HELL, EVEN HARDISON HAS HIS LITTLE INTERNET FRIENDS, 31 00:01:22,888 --> 00:01:25,124 EVEN THOUGH THEY'RE ALL ELVES AND GNOMES. 32 00:01:25,158 --> 00:01:27,126 THEY'RE ORCS. I SAID "ORCS," MAN. YOU JUST DON'T LISTEN. 33 00:01:27,160 --> 00:01:28,327 I HAVE DINNER PLANS. 34 00:01:28,361 --> 00:01:29,562 EVEN PARKER'S MEETING A FRIEND TONIGHT. 35 00:01:29,595 --> 00:01:32,565 MM-HMM. REMEMBER PEGGY FROM THAT JURY JOB IN LOS ANGELES? 36 00:01:32,598 --> 00:01:34,300 TECHNICALLY, SHE'S ALICE'S FRIEND. 37 00:01:34,333 --> 00:01:35,568 -YOU'RE ALICE. -YOU'RE ALICE, ACTUALLY. 38 00:01:35,601 --> 00:01:36,769 BUT SHE MOVED HERE FROM BOSTON LAST YEAR, 39 00:01:36,802 --> 00:01:39,405 SO WE'VE BEEN DOING BRUNCH AND OTHER NORMAL-PEOPLE STUFF. 40 00:01:39,438 --> 00:01:41,207 AND WE'RE VERY PROUD OF YOU. 41 00:01:41,240 --> 00:01:43,842 WELL, BRUNCH ISN'T HARD. I MEAN, THERE ARE FORKS. 42 00:01:43,876 --> 00:01:46,445 SO, GIRLS' NIGHT OUT, BOYS' NIGHT POKER -- 43 00:01:46,479 --> 00:01:48,447 CHARACTER BUILDING FOR EVERYONE. 44 00:01:48,481 --> 00:01:49,582 HAVE FUN. 45 00:01:49,615 --> 00:01:52,351 DO NOT LET HIM GO OFF AND SULK. 46 00:02:00,726 --> 00:02:03,429 THE RICH AND POWERFUL TAKE WHAT THEY WANT. 47 00:02:03,462 --> 00:02:05,498 WE STEAL IT BACK FOR YOU. 48 00:02:11,870 --> 00:02:16,509 SOMETIMES, BAD GUYS MAKE THE BEST GOOD GUYS. 49 00:02:18,244 --> 00:02:19,512 WE PROVIDE... 50 00:02:20,746 --> 00:02:23,382 BAM! [ LAUGHS ] 51 00:02:23,416 --> 00:02:25,684 YOU BET OUT ON A PAIR OF TWOS. 52 00:02:25,718 --> 00:02:28,587 YEAH. NEVER TELL ME THE ODDS. 53 00:02:28,621 --> 00:02:30,523 HAN SOLO. 54 00:02:30,556 --> 00:02:31,724 [ CELLPHONE RINGS ] -HEY, YOU KNOW WHAT? 55 00:02:31,757 --> 00:02:33,259 I LIKE YOUR FRIEND, ELIOT. 56 00:02:33,292 --> 00:02:35,861 HEY, RESPECT THE GAME. RESPECT THE GAME. 57 00:02:35,894 --> 00:02:37,830 SO, WHAT LINE OF WORK ARE YOU IN, SHELLY? 58 00:02:37,863 --> 00:02:39,632 IF I TOLD YOU, I'D HAVE TO KILL YOU. 59 00:02:39,665 --> 00:02:41,634 -[ LAUGHTER ] -RIGHT. 60 00:02:41,667 --> 00:02:43,769 YEAH...HE ACTUALLY WOULD. 61 00:02:43,802 --> 00:02:45,471 YOU KNOW HE'S STATE POLICE. 62 00:02:45,504 --> 00:02:47,740 WELL, WE'D HAVE TO MAKE IT LOOK LIKE AN ACCIDENT, THEN. 63 00:02:47,773 --> 00:02:49,375 LIKE THAT GUY IN UZBEKISTAN. 64 00:02:49,408 --> 00:02:50,643 [ CHOKING ] 65 00:02:50,676 --> 00:02:52,411 [ Strained ] "WHAT'S IN THIS SALAD?" 66 00:02:52,445 --> 00:02:55,381 TERRORISM AND PEANUT ALLERGIES DO NOT MIX. 67 00:02:55,414 --> 00:02:56,849 -ELIOT. -WHAT? 68 00:02:56,882 --> 00:02:58,917 THE GUY PARKER JUST ASKED ME TO GET THE 411 ON. 69 00:02:58,951 --> 00:03:01,220 PARKER YOUR GIRL? 70 00:03:01,254 --> 00:03:03,889 YOU KNOW, MAN, I BEEN TRYING, BUT SOMETIMES I THINK 71 00:03:03,922 --> 00:03:05,224 SHE GETS, LIKE, SECOND THOUGHTS. 72 00:03:05,258 --> 00:03:06,392 YOU KNOW, I JUST SOMETIMES 73 00:03:06,425 --> 00:03:07,826 WANT TO TAKE AND GET A NICE PEDICURE. 74 00:03:07,860 --> 00:03:09,662 YEAH, YEAH, YEAH, YEAH, YOU KNOW, I JUST DON'T 75 00:03:09,695 --> 00:03:11,497 WANT TO HAVE THIS CONVERSATION RIGHT NOW, THANKS. 76 00:03:11,530 --> 00:03:12,765 WHERE ARE YOU GOING? 77 00:03:12,798 --> 00:03:14,533 GONNA GO GET A BOTTLE OF SCOTCH DOWNSTAIRS. 78 00:03:14,567 --> 00:03:16,769 YOU KNOW, HE'S WORSE THAN BEFORE HE WENT TO PRISON. 79 00:03:16,802 --> 00:03:18,671 HE WAS IN PRISON? 80 00:03:18,704 --> 00:03:20,673 YEAH, HE WENT TO JAIL. BUT HE ESCAPED. 81 00:03:20,706 --> 00:03:22,941 SHOULDN'T THAT BUG YOU? BEING A COP AND ALL? 82 00:03:22,975 --> 00:03:24,377 YOU GET USED TO IT. 83 00:03:24,410 --> 00:03:26,845 [ LAUGHS ] 84 00:03:29,848 --> 00:03:31,450 [ SIGHS ] 85 00:03:41,727 --> 00:03:44,430 NATE! [ LAUGHS ] 86 00:03:44,463 --> 00:03:45,431 HURLEY. 87 00:03:45,464 --> 00:03:46,832 YEAH! 88 00:03:46,865 --> 00:03:48,801 OH, MAN, ARE YOU DRINKING AGAIN? 89 00:03:48,834 --> 00:03:50,803 YEAH, I'M STILL DRINKING, HURLEY. 90 00:03:50,836 --> 00:03:53,406 OHH, THAT'S A SHAME. 91 00:03:53,439 --> 00:03:55,408 AH, YOU CAN'T BE HERE. HOW DID YOU FIND ME? 92 00:03:55,441 --> 00:03:57,009 OH. SO, I WAS IN MEXICO, 93 00:03:57,042 --> 00:03:58,344 -WHERE YOU SENT ME, RIGHT? -YEAH, YEAH. 94 00:03:58,377 --> 00:03:59,545 TACOS ARE AMAZING. 95 00:03:59,578 --> 00:04:02,448 AND SO, IT'S BRILLIANT. 96 00:04:02,481 --> 00:04:03,582 AND HOW DID YOU FIND ME? 97 00:04:03,616 --> 00:04:04,717 HARDISON TOLD ME. 98 00:04:04,750 --> 00:04:05,718 OH, OF COURSE HE DID. 99 00:04:05,751 --> 00:04:08,587 LOOK AT THAT. SOBER TWO YEARS. THAT'S MY PIN. 100 00:04:08,621 --> 00:04:09,888 WANTED TO SHOW YOU THAT, MY FRIEND. 101 00:04:09,922 --> 00:04:10,789 I'M NOT YOUR FRIEND. 102 00:04:10,823 --> 00:04:14,293 LOOK, I WAS A WRECK WHEN WE MET, NATE. 103 00:04:14,327 --> 00:04:15,561 BUT YOU GUYS, WHEN YOU DECIDED TO HELP ME -- 104 00:04:15,594 --> 00:04:16,729 YOU AND YOUR CREW -- 105 00:04:16,762 --> 00:04:18,731 YEAH, WE WANTED TO TAKE YOU DOWN FOR EMBEZZLING, HURLEY. 106 00:04:18,764 --> 00:04:20,733 OKAY, BAD START, BUT -- BUT YOU HELPED ME. 107 00:04:20,766 --> 00:04:22,568 AND YOU WERE A FRIEND WHEN I NEEDED ONE. 108 00:04:22,601 --> 00:04:24,069 I WANTED YOU TO GO TO PRISON. 109 00:04:24,102 --> 00:04:26,004 AND NOW I'M TOTALLY CLEAN AND SOBER, 110 00:04:26,038 --> 00:04:27,606 I HAVE A GOOD JOB, A GOOD LIFE, 111 00:04:27,640 --> 00:04:28,707 AND I OWE THAT ALL TO YOU. 112 00:04:28,741 --> 00:04:29,908 YEAH, ALL RIGHT. NO MORE TROUBLE? 113 00:04:29,942 --> 00:04:32,811 I MET THIS NUN, SISTER LUPE, WHEN YOU SENT ME TO MEXICO, 114 00:04:32,845 --> 00:04:33,846 AND NOW I WORK FOR HER CHURCH. 115 00:04:33,879 --> 00:04:35,614 THEY NEEDED TO RAISE MONEY FOR THEIR ORPHANAGE, 116 00:04:35,648 --> 00:04:37,316 SO I HELPED THEM SET UP THIS ONLINE BUSINESS, 117 00:04:37,350 --> 00:04:38,984 AND WE SELL THEIR HANDMADE STATUES OF THE VIRGIN MARY. 118 00:04:39,017 --> 00:04:41,720 I HAD TO DO A DELIVERY IN BOSTON, SO I DECIDED TO -- 119 00:04:41,754 --> 00:04:43,589 YOU -- YOU DELIVER THESE? 120 00:04:43,622 --> 00:04:45,324 YEAH, YEAH. I-I DRIVE 'EM ACROSS THE BORDER. 121 00:04:45,358 --> 00:04:46,359 AND I DELIVER THEM 122 00:04:46,392 --> 00:04:48,761 TO THESE DIFFERENT WAREHOUSES ACROSS AMERICA. 123 00:04:48,794 --> 00:04:50,028 I GOT A WHOLE TRUNKFUL OF THEM IN MY CAR. 124 00:04:50,062 --> 00:04:51,497 YEAH, ANY DELIVERIES AT NIGHT? 125 00:04:51,530 --> 00:04:52,531 OH, WELL, WAREHOUSES ARE OPEN 24/7. 126 00:04:52,565 --> 00:04:54,367 -IT'S A GLOBAL ECONOMY, NATE. -HEY, HURLEY -- 127 00:04:54,400 --> 00:04:55,634 I JUST NEEDED TO LET YOU KNOW -- 128 00:04:55,668 --> 00:04:56,902 -HURLEY...HURLEY, RUN! [ GUN COCKS ] 129 00:04:59,938 --> 00:05:02,508 [ GUNFIRE IN DISTANCE ] 130 00:05:02,541 --> 00:05:04,743 I'M OUT. HARDISON, COME WITH ME. 131 00:05:04,777 --> 00:05:06,412 YOU SEE WHAT I'M SITTING ON? 132 00:05:06,445 --> 00:05:08,481 YEAH, YOU'RE CHASING AN INSIDE STRAIGHT, MAN. 133 00:05:08,514 --> 00:05:10,349 I CAN'T TELL YOU HOW OFFENSIVE THAT IS! 134 00:05:10,383 --> 00:05:12,385 PAT, SHELLY, WE'LL SEE YOU GUYS IN A LITTLE BIT, MAN. 135 00:05:12,418 --> 00:05:13,586 WE GOT TO GO GET SOME PIZZA. 136 00:05:13,619 --> 00:05:14,753 -PIZZA? -ALL RIGHT. 137 00:05:16,822 --> 00:05:18,524 YOU MARRIED, SHELLY? 138 00:05:18,557 --> 00:05:21,927 TO THE CONSTITUTION OF THE UNITED STATES OF AMERICA. 139 00:05:21,960 --> 00:05:24,329 MM-HMM. 140 00:05:31,870 --> 00:05:32,905 [ PANTING ] 141 00:05:32,938 --> 00:05:35,374 MAN, THOSE GUYS ARE REALLY MAD AT YOU. 142 00:05:35,408 --> 00:05:37,042 AT YOU, HURLEY. I THINK THEY'RE MAD AT YOU. 143 00:05:37,075 --> 00:05:38,544 WE GOT TO GET OFF THE STREET. 144 00:05:46,852 --> 00:05:48,987 SO, WHAT, RANDOM SHOTS FIRED IN THE BIG CITY 145 00:05:49,021 --> 00:05:50,956 ON A FRIDAY NIGHT? THAT'S NOT UNUSUAL. 146 00:05:50,989 --> 00:05:52,725 LOOK, MAN, VIOLENT CRIMES IN MAJOR AMERICAN CITIES 147 00:05:52,758 --> 00:05:54,527 IS AT THEIR ALL-TIME LOW IN OVER 40 YEARS. 148 00:05:54,560 --> 00:05:56,829 EXCUSE THE HELL OUT OF ME, PUBLIC-SERVICE ANNOUNCEMENT. 149 00:05:56,862 --> 00:05:58,564 NATE'S NOT AT THE BAR, SHOTS FIRED -- 150 00:05:58,597 --> 00:05:59,832 COME ON, MAN. 151 00:05:59,865 --> 00:06:01,867 [ CASINGS RATTLE ] 152 00:06:04,102 --> 00:06:06,972 THERE'S NO WRITING. JUST A MAGNETIC STRIP. 153 00:06:10,175 --> 00:06:11,877 SOMEBODY WAS FIRING WHILE THEY WERE RUNNING. 154 00:06:11,910 --> 00:06:13,078 CALL NATE. 155 00:06:13,111 --> 00:06:14,980 DOESN'T HAVE HIS CELLPHONE ON HIM. 156 00:06:15,013 --> 00:06:16,014 THEN EARBUD. 157 00:06:16,048 --> 00:06:17,583 NO, MAN, LOOK -- 158 00:06:17,616 --> 00:06:20,853 WHEREVER HE IS, WHATEVER TROUBLE HE'S GOTTEN INTO -- 159 00:06:20,886 --> 00:06:23,456 WE'RE FLYING BLIND. 160 00:06:23,489 --> 00:06:24,690 THEY ARE NOT AFTER ME, NATE. 161 00:06:24,723 --> 00:06:26,459 LOOK, I DON'T MEAN TO BE NEGATIVE HERE, 162 00:06:26,492 --> 00:06:27,426 BUT I'VE MADE MY AMENDS, 163 00:06:27,460 --> 00:06:29,161 AND YOU'RE STILL BREAKING THE LAW AND STUFF. 164 00:06:29,194 --> 00:06:30,963 HURLEY, YOU ARE IN OVER YOUR HEAD, AGAIN. 165 00:06:30,996 --> 00:06:32,598 UNTIL I FIGURE OUT WHAT'S GOING ON, 166 00:06:32,631 --> 00:06:34,600 WE ARE NOT LEAVING THIS BASEMENT. 167 00:06:34,633 --> 00:06:35,868 [ INDISTINCT CONVERSATIONS ] 168 00:06:35,901 --> 00:06:39,772 UH, WE ARE LEAVING THIS BASEMENT. 169 00:06:39,805 --> 00:06:41,840 -HURLEY. -YEAH. 170 00:06:41,874 --> 00:06:44,009 IT'S GOD. 171 00:06:46,812 --> 00:06:48,814 LISTEN TO HIM. 172 00:06:51,650 --> 00:06:53,018 CALL SOPHIE AND PARKER. 173 00:06:53,051 --> 00:06:54,487 CAN'T -- THEY'RE BUSY. 174 00:06:54,520 --> 00:06:56,021 WELL, PARKER'S BUSY. 175 00:06:56,054 --> 00:06:57,623 -MAN -- -LOOK, LOOK, MAN, LOOK. 176 00:06:57,656 --> 00:06:59,858 I'M BETTING THIS IS A HOTEL ROOM KEY, OKAY? 177 00:06:59,892 --> 00:07:02,194 I'VE HACKED MY PHONE TO READ THE STRIP, AND... 178 00:07:02,227 --> 00:07:03,529 [ BEEP ] 179 00:07:03,562 --> 00:07:04,797 ...BAM -- PALAESTRA HOTEL. 180 00:07:04,830 --> 00:07:06,064 EVEN GOT THE ROOM NUMBER. 181 00:07:06,098 --> 00:07:07,132 PALAESTRA HOTEL'S A COUPLE OF BLOCKS OVER. 182 00:07:07,165 --> 00:07:08,534 -YEAH. -LET'S GO. 183 00:07:08,567 --> 00:07:10,135 YOU KNOW ANYBODY ELSE WHO CAN DO THAT? 184 00:07:10,168 --> 00:07:11,870 DO YOU? NO, I DON'T THINK SO. 185 00:07:11,904 --> 00:07:14,039 DAMN THE TUX. DAMN THE TUX. 186 00:07:17,275 --> 00:07:19,044 HI! 187 00:07:19,077 --> 00:07:20,513 -FIRST TIME? -OH, NO, NO. 188 00:07:20,546 --> 00:07:21,747 I'M CLEAN AND SOBER, TWO YEARS. 189 00:07:21,780 --> 00:07:22,948 IT IS MY FRIEND'S FIRST TIME. 190 00:07:22,981 --> 00:07:25,918 GOOD FOR YOU. SO YOU'RE HIS SPONSOR? 191 00:07:25,951 --> 00:07:27,520 -AH, KIND OF. -[ LAUGHS ] NO, NO, NO, NO. 192 00:07:27,553 --> 00:07:29,154 HEY, LET ME TALK TO YOU A SEC. 193 00:07:29,187 --> 00:07:31,657 FIRST NIGHT'S ALWAYS THE HARDEST. 194 00:07:31,690 --> 00:07:32,958 YEAH. FIRST, YOU'RE NOT MY FRIEND. 195 00:07:32,991 --> 00:07:34,593 -SECOND, YOU'RE A DRUG MULE. -UH, NO. 196 00:07:34,627 --> 00:07:35,460 I USED TO BE A DRUG ADDICT. 197 00:07:35,494 --> 00:07:37,029 I THINK I'D KNOW IF I WAS A DRUG MULE. 198 00:07:37,062 --> 00:07:38,797 HURLEY, LISTEN, THEY KEEP THE DRUGS IN THESE. 199 00:07:38,831 --> 00:07:40,065 NO, NO, NO! 200 00:07:40,098 --> 00:07:42,200 SISTER LUPE WOULD NOT GET ME INVOLVED IN THAT KIND OF THING. 201 00:07:42,234 --> 00:07:44,202 "SISTER LUPE"? WHEN DID YOU MEET THIS "SISTER LUPE"? 202 00:07:44,236 --> 00:07:44,937 WHAT'S THAT? WHAT'S WITH THE QUOTES? 203 00:07:44,970 --> 00:07:46,872 -SHE'S NOT A NUN! -NOT A NUN. 204 00:07:46,905 --> 00:07:48,674 YEAH. I MET HER DOING CHARITY WORK. 205 00:07:48,707 --> 00:07:50,576 -LOOK, HERE'S A PICTURE OF US. -OH! 206 00:07:52,010 --> 00:07:54,179 -OH... -WHAT? NUNS SWIM. 207 00:07:54,212 --> 00:07:55,180 HURLEY, YOU'VE BEEN DUPED, OKAY? 208 00:07:55,213 --> 00:07:56,048 NO! 209 00:07:56,081 --> 00:07:57,282 -YES. -Listen. 210 00:07:57,315 --> 00:07:59,752 Look, I know I used to be a screw-up, okay? 211 00:07:59,785 --> 00:08:01,286 But I'm not that guy anymore. 212 00:08:01,319 --> 00:08:02,988 I don't hurt people anymore! 213 00:08:03,021 --> 00:08:04,590 Okay, now, it's not -- it's not your fault. 214 00:08:04,623 --> 00:08:05,658 I'm a good guy! Really, I am. 215 00:08:05,691 --> 00:08:06,825 I understand. It's not your fault. 216 00:08:06,859 --> 00:08:08,527 -I SWEAR. -YOU ARE. 217 00:08:08,561 --> 00:08:09,595 YES, YOU ARE. YOU'RE A GOOD GUY. 218 00:08:09,628 --> 00:08:10,629 AND I'M SURE YOU'RE DOING GREAT WORK, 219 00:08:10,663 --> 00:08:13,165 AND THAT SHE'S A NUN -- AN IMPROBABLY HOT NUN, 220 00:08:13,198 --> 00:08:14,700 BY THE WAY, BUT SHE'S A NUN, OKAY? 221 00:08:14,733 --> 00:08:16,802 OKAY, GOT IT, YEAH. MY BAD. 222 00:08:16,835 --> 00:08:18,236 EVERYTHING YOU SAID, YOU'RE RIGHT. 223 00:08:18,270 --> 00:08:19,304 YEAH, I TAKE IT ALL BACK. 224 00:08:19,337 --> 00:08:20,706 -OKAY? NO, NO, YOU'RE GOOD. -THANKS. 225 00:08:20,739 --> 00:08:22,207 OKAY? OKAY. 226 00:08:22,240 --> 00:08:23,676 WE'RE GONNA STAY HIDDEN DOWN IN THIS BASEMENT 227 00:08:23,709 --> 00:08:25,110 UNTIL I FIGURE OUT WHAT'S GOING ON, OKAY? 228 00:08:25,143 --> 00:08:26,144 NO, NO, NO. 229 00:08:26,178 --> 00:08:27,946 NO. NO, NO, NO. YOU'RE NOT GONNA HUG ME ANYMORE. 230 00:08:27,980 --> 00:08:29,114 -SORRY. -OKAY? NO HUGS. 231 00:08:29,147 --> 00:08:30,148 ALL RIGHT, LET ME SEE THE PHONE. 232 00:08:30,182 --> 00:08:32,017 OH, IT'S ACTUALLY NOT A PHONE. IT PLAYS MUSIC. 233 00:08:32,050 --> 00:08:33,986 -DO YOU WANT TO SEE? -WE'RE ABOUT TO START. 234 00:08:34,019 --> 00:08:35,721 SWEET. 235 00:08:35,754 --> 00:08:37,823 OKAY, LISTEN. I NEED A PHONE. 236 00:08:37,856 --> 00:08:39,958 SORRY, THE OFFICES ARE CLOSED. 237 00:08:39,992 --> 00:08:43,095 NO, NO! I NEED...A PHONE -- NOW. 238 00:08:43,128 --> 00:08:45,831 SORRY. HAVE A SEAT. 239 00:08:51,103 --> 00:08:52,237 [ SIGHS ] 240 00:08:57,843 --> 00:08:59,978 DID YOU GET A LOOK AT THAT DARK-HAIRED FELLA WITH HIM? 241 00:09:00,012 --> 00:09:01,580 NO, IF WE LOST THE COURIER, 242 00:09:01,614 --> 00:09:03,181 CALLAGHAN'S GONNA HAVE OUR HEADS. 243 00:09:05,918 --> 00:09:08,887 THE CHURCH. THEY'RE IN THE CHURCH. 244 00:09:08,921 --> 00:09:11,223 OH, I'M NOT JUST BUSTING INTO A CHURCH TO KILL TWO MEN. 245 00:09:11,256 --> 00:09:13,025 WHAT IF THEY'RE IN THE CHURCH BASEMENT? 246 00:09:13,058 --> 00:09:14,126 IF THEY'RE IN THE CHURCH BASEMENT, 247 00:09:14,159 --> 00:09:15,060 THEN WE CAN KILL 'EM. 248 00:09:15,093 --> 00:09:17,029 SO YOU'RE IMPLYING THAT THE CHURCH IS HOLY, 249 00:09:17,062 --> 00:09:18,363 BUT THE CHURCH BASEMENT ISN'T? 250 00:09:18,396 --> 00:09:20,132 THEY DON'T SAY MASS IN THE BASEMENT. 251 00:09:20,165 --> 00:09:21,967 THE CHURCH BASEMENT IS NOT HOLY GROUND. 252 00:09:22,000 --> 00:09:24,069 SO, WHAT, IT GOES HOLY GROUND, 253 00:09:24,102 --> 00:09:25,904 MM, THE BASEMENT, HOLY GROUND? 254 00:09:25,938 --> 00:09:27,673 THE BOY SCOUTS MEET IN THE BASEMENT, 255 00:09:27,706 --> 00:09:29,174 AND THEY'RE NOT A RELIGIOUS GROUP. 256 00:09:29,207 --> 00:09:31,910 A BOY SCOUT IS TRUSTWORTHY, LOYAL, HELPFUL, 257 00:09:31,944 --> 00:09:33,912 FRIENDLY, COURTEOUS, KIND, OBEDIENT, CHEERFUL, 258 00:09:33,946 --> 00:09:35,914 THRIFTY, BRAVE, CLEAN, AND REVERENT! 259 00:09:35,948 --> 00:09:37,015 "REVERENT" IS RIGHT THERE AT THE END, 260 00:09:37,049 --> 00:09:39,718 BECAUSE IT IS, IF NOT A FAITH-BASED ORGANIZATION, 261 00:09:39,752 --> 00:09:41,253 NOT ENTIRELY SECULAR. 262 00:09:41,286 --> 00:09:43,922 SO YOU'RE NOT COMING IN WITH ME. 263 00:09:43,956 --> 00:09:45,023 WE'LL WAIT RIGHT HERE, 264 00:09:45,057 --> 00:09:46,124 AND WE'LL -- I DON'T KNOW -- 265 00:09:46,158 --> 00:09:47,660 SHOOT THE COURIER WHEN HE COMES OUT. 266 00:09:47,693 --> 00:09:50,328 YOU CAN CALL CALLAGHAN IF YOU WANT, 267 00:09:50,362 --> 00:09:51,964 BUT I AM NOT GOING INTO THAT CHURCH. 268 00:09:55,233 --> 00:09:57,836 THIS ABOUT THE GUY THAT PARKER TOOK THE PICTURE WITH? 269 00:09:57,870 --> 00:09:59,972 YES, IT'S ABOUT THE GUY THAT PARKER TOOK THE PICTURE WITH. 270 00:10:00,005 --> 00:10:01,807 -YOU'RE KIDDING ME. -WHO GOES TO A COCKTAIL LOUNGE 271 00:10:01,840 --> 00:10:02,808 IN A TUXEDO? 272 00:10:02,841 --> 00:10:03,776 -WHO DOES HE THINK HE IS? -I DON'T KNOW, MAN. 273 00:10:03,809 --> 00:10:05,944 HE'S NOT EVEN WEARING A TIE. DID YOU SEE HIM? 274 00:10:05,978 --> 00:10:07,946 MAYBE, EVERY ONCE IN A WHILE, TAKE THE HOODIE OFF 275 00:10:07,980 --> 00:10:09,081 AND PUT A SUIT ON -- MAYBE LIGHT SOME CANDLES. 276 00:10:09,114 --> 00:10:09,982 SHE WAS EATING CHOCOLATE. GETTING IT. 277 00:10:10,015 --> 00:10:12,217 BACK AWAY FROM "WITCH OF THE WARCRAFT" 278 00:10:12,250 --> 00:10:13,518 AND TAKE CARE OF -- 279 00:10:13,551 --> 00:10:15,087 YOU KNOW, I'M ABOUT SICK OF YOU AND ALL MY GAMES. IT MAKES -- 280 00:10:15,120 --> 00:10:16,221 -HANG ON. -WHAT? 281 00:10:16,254 --> 00:10:17,823 WHY'S IT DARK? 282 00:10:17,856 --> 00:10:18,957 I DON'T KNOW. 283 00:10:18,991 --> 00:10:20,926 [ GUNSHOTS ] 284 00:10:26,899 --> 00:10:28,901 DON'T PLAY WITH THAT. 285 00:10:28,934 --> 00:10:30,736 -HEY, HEY, WHERE Y'ALL GOING? [ GUN COCKS ] 286 00:10:30,769 --> 00:10:33,972 WHY -- BELIEVE THIS -- WHERE YOU... 287 00:10:34,006 --> 00:10:36,875 LET ME SHOOT HIM, ELIOT! MOVE! MOVE! 288 00:10:36,909 --> 00:10:39,144 LET ME SHOOT HIM, ELIOT! 289 00:10:39,177 --> 00:10:41,013 MOVE OUT THE WAY, ELIOT! LET ME SHOOT HIM, MAN! 290 00:10:41,046 --> 00:10:42,781 LET... 291 00:10:45,751 --> 00:10:46,551 AND HOW DID YOU EVEN KNOW? 292 00:10:46,584 --> 00:10:48,821 TOLD YOU NOT TO PLAY WITH THAT THING. 293 00:10:48,854 --> 00:10:51,156 THE MAID LEAVES THE LIGHTS ON WHEN THEY CLEAN THE ROOM. 294 00:10:51,189 --> 00:10:52,290 OOH. 295 00:10:52,324 --> 00:10:54,026 WHAT WOULD YOU NEED FOUR GUYS... 296 00:10:56,995 --> 00:11:00,365 -TWO GUYS... -HEY, WE BEAT UP SOME DANCERS. 297 00:11:00,398 --> 00:11:01,599 -DANCERS? -YEAH. 298 00:11:01,633 --> 00:11:02,835 "A NIGHT OF TANGO CELEBRATING THE CULTURE OF VENEZUELANS." 299 00:11:02,868 --> 00:11:04,102 THOSE WERE MEXICANS. 300 00:11:04,136 --> 00:11:05,070 -THE FIRST TWO GUYS WERE MEXICANS. -THEY'RE VENEZUELANS. 301 00:11:05,103 --> 00:11:07,039 TWINKLE-TOES BACK HERE KNOWS A LITTLE MORE 302 00:11:07,072 --> 00:11:08,273 THAN HOW TO DO THE TANGO, ALL RIGHT? 303 00:11:08,306 --> 00:11:09,474 -THEY AREN'T DANCERS. -WE MESSED UP. 304 00:11:09,507 --> 00:11:11,209 THEY WHOLE CAREER ALL SCREWED UP. 305 00:11:11,243 --> 00:11:12,344 LET'S JUST CHECK THE ROOM. 306 00:11:12,377 --> 00:11:15,347 I MEAN, I LIED, I STOLE, 307 00:11:15,380 --> 00:11:17,349 AND I DELUDED MYSELF INTO THINKING 308 00:11:17,382 --> 00:11:19,017 THAT I WAS STILL A GOOD GUY. 309 00:11:19,051 --> 00:11:22,287 BUT YOU KNOW WHAT? I WASN'T. OKAY? 310 00:11:22,320 --> 00:11:24,089 I WAS FOOLING MYSELF. 311 00:11:24,122 --> 00:11:26,091 NOW? 312 00:11:26,124 --> 00:11:27,826 Can I use your phone real quick? 313 00:11:27,860 --> 00:11:29,762 -MNH-MNH. MNH-MNH. -TWO YEARS CLEAN AND SOBER. 314 00:11:29,795 --> 00:11:32,765 I GOT A CAT NAMED PEDRO. 315 00:11:32,798 --> 00:11:34,266 AND YOU KNOW WHAT I'M DOING NOW? 316 00:11:34,299 --> 00:11:35,267 Can I use your cellphone? 317 00:11:35,300 --> 00:11:36,301 -NO. -I AM HELPING OTHER PEOPLE 318 00:11:36,334 --> 00:11:37,836 TO BECOME BETTER PEOPLE. 319 00:11:37,870 --> 00:11:39,304 SO THAT WE CAN ALL BE BETTER PEOPLE 320 00:11:39,337 --> 00:11:41,173 TOGETHER AS A PEOPLE. 321 00:11:41,206 --> 00:11:42,440 AND YOU KNOW WHAT? 322 00:11:42,474 --> 00:11:43,909 Can I use your phone? 323 00:11:43,942 --> 00:11:45,310 IT FEELS PRETTY GOOD. 324 00:11:45,343 --> 00:11:47,179 SO, THANK YOU. 325 00:11:47,212 --> 00:11:50,515 [ EXHALES SHARPLY ] YEAH. HEY, I, UH... 326 00:11:50,548 --> 00:11:52,284 I'D LIKE TO TALK NEXT. 327 00:11:52,317 --> 00:11:54,753 YEAH! COME ON, EVERYBODY! 328 00:11:54,787 --> 00:11:56,755 OH, YEAH! NATE, THIS IS A BIG DEAL. 329 00:11:56,789 --> 00:11:59,391 THIS IS THE GUY THAT HELPED ME GET CLEAN AND SOBER! 330 00:11:59,424 --> 00:12:00,292 WHICH IS TOTALLY WEIRD, 331 00:12:00,325 --> 00:12:01,860 'CAUSE HE'S KIND OF MESSED UP HIMSELF. 332 00:12:01,894 --> 00:12:03,461 SO, COME ON, EVERYBODY! 333 00:12:03,495 --> 00:12:06,064 -[ APPLAUSE ] -I LOVE YOU, MAN. 334 00:12:06,098 --> 00:12:07,465 IT'S A BIG MOMENT. 335 00:12:07,499 --> 00:12:10,002 THANKS, HURLEY. 336 00:12:10,035 --> 00:12:12,204 This is gonna be great. 337 00:12:12,237 --> 00:12:15,007 WELL, I DRINK TOO MUCH. 338 00:12:15,040 --> 00:12:17,075 I MEAN, UH... 339 00:12:17,109 --> 00:12:20,345 I MEAN, WHO CAN SAY HOW MUCH DRINKING IS TOO MUCH? 340 00:12:21,379 --> 00:12:23,481 [ CHUCKLES ] 341 00:12:23,515 --> 00:12:26,218 WOW. WELL...YEAH. 342 00:12:26,251 --> 00:12:29,354 THE POINT IS THAT I HURT A LOT OF PEOPLE. 343 00:12:29,387 --> 00:12:33,491 AND YOU PEOPLE -- VERY SPECIAL, 344 00:12:33,525 --> 00:12:35,861 SELF-INVOLVED PEOPLE -- 345 00:12:35,894 --> 00:12:38,296 YOU POINTED OUT TO ME TODAY THAT I NEED TO MAKE AMENDS. 346 00:12:38,330 --> 00:12:40,498 YOU KNOW, AND I WISH THAT I COULD JUST REACH OUT 347 00:12:40,532 --> 00:12:43,101 AND MAKE AMENDS TO, SAY, MY EX-WIFE, WHO I HURT. 348 00:12:43,135 --> 00:12:45,370 NOW, IF I HAD A CELLPHONE RIGHT NOW, 349 00:12:45,403 --> 00:12:47,072 YOU KNOW, I'D CALL HER UP, 350 00:12:47,105 --> 00:12:48,373 AND I WOULD START THE HEALING PROCESS, 351 00:12:48,406 --> 00:12:49,975 JUST SO ALL OF YOU COULD TAKE CREDIT. 352 00:12:50,008 --> 00:12:52,244 [ CELLPHONES BEEPING ] -HALLELUJAH. 353 00:12:52,277 --> 00:12:54,512 -YES! YES. -RIGHT HERE IN THE FRONT. 354 00:12:54,546 --> 00:12:57,215 GREAT. THANK YOU. 355 00:12:57,249 --> 00:13:00,218 I GOT HIS OVERNIGHT BAG. 356 00:13:00,252 --> 00:13:01,954 LOOKS LIKE THERE'S ENOUGH CLOTHES HERE 357 00:13:01,987 --> 00:13:03,221 FOR ABOUT THREE DAYS. 358 00:13:03,255 --> 00:13:06,491 HE'S A BIG GUY. 359 00:13:06,524 --> 00:13:08,827 ALL HIS CLOTHES WERE MADE IN MEXICO. 360 00:13:08,861 --> 00:13:10,395 I JUST FOUND A VALET TICKET. 361 00:13:10,428 --> 00:13:13,398 WHOEVER THIS IS, HIS CAR IS SITTING IN THE PARKING LOT. 362 00:13:13,431 --> 00:13:15,533 [ CELLPHONE RINGS ] 363 00:13:15,567 --> 00:13:17,903 YEAH? 364 00:13:17,936 --> 00:13:19,304 HELLO, SWEETHEART. DON'T HANG UP! DON'T HANG UP! 365 00:13:19,337 --> 00:13:21,606 PLEASE DON'T HANG UP. NO, I'M CALLING. 366 00:13:21,639 --> 00:13:22,607 -I WANT TO APOLOGIZE -Yes. 367 00:13:22,640 --> 00:13:24,142 AND TO ASK FOR FORGIVENESS. 368 00:13:24,176 --> 00:13:26,144 -Okay. -HEY, MAN, IT'S NATE. 369 00:13:26,178 --> 00:13:27,279 HE JUST CALLED ME "SWEETHEART." 370 00:13:27,312 --> 00:13:28,413 -ARE YOU DRUNK? -No. 371 00:13:28,446 --> 00:13:30,883 I AM NOT DRUNK. 372 00:13:30,916 --> 00:13:33,251 He's a little drunk. 373 00:13:33,285 --> 00:13:36,621 NO -- YEAH, I'M WITH HURLEY. 374 00:13:36,654 --> 00:13:38,256 HE'S WITH HURLEY? 375 00:13:38,290 --> 00:13:40,158 WHO THE HELL'S HURLEY? 376 00:13:40,192 --> 00:13:42,160 THE -- THE DUDE FROM THE REHAB JOB? 377 00:13:42,194 --> 00:13:43,295 I GUESS. 378 00:13:43,328 --> 00:13:45,163 PUT IT ON SPEAKERPHONE. 379 00:13:45,197 --> 00:13:46,364 [ BEEP ] 380 00:13:46,398 --> 00:13:47,632 HEY. CAN YOU TALK? 381 00:13:47,665 --> 00:13:50,235 I CAN'T SAY EVERYTHING I WANT TO SAY... 382 00:13:50,268 --> 00:13:52,170 BUT I'M WITH HURLEY... 383 00:13:52,204 --> 00:13:54,239 I'M IN A SAFE PLACE, 384 00:13:54,272 --> 00:13:56,141 AND I'M WITH A LOT OF REALLY NICE 385 00:13:56,174 --> 00:13:58,010 AND VERY SUPPORTIVE NEW FRIENDS. 386 00:13:58,043 --> 00:13:59,411 YEAH, I THINK WE MET A COUPLE OF YOUR FRIENDS. 387 00:13:59,444 --> 00:14:01,880 MEXICAN HITTERS -- OR THERE WAS A VENEZUE-- 388 00:14:01,914 --> 00:14:04,282 MEXICAN HITTER -- THE FIRST TWO WERE MEXICAN HITTERS. 389 00:14:04,316 --> 00:14:05,183 Yeah, no, no. 390 00:14:05,217 --> 00:14:06,418 YOU KNOW WHAT IT REMINDS ME OF, DARLING? 391 00:14:06,451 --> 00:14:09,988 IT REMINDS ME OF THAT IRISH CHURCH THAT WE GOT MARRIED IN. 392 00:14:10,022 --> 00:14:11,389 SO, WHAT, THE GUYS WHO WERE SHOOTING AT YOU, 393 00:14:11,423 --> 00:14:12,524 THEY'RE IRISH MUSCLE? 394 00:14:12,557 --> 00:14:13,358 That's right. 395 00:14:13,391 --> 00:14:15,127 SO THERE'S TWO SETS OF HITTERS -- 396 00:14:15,160 --> 00:14:18,196 IRISH AND MEXICAN -- AND BOTH AFTER HURLEY? 397 00:14:18,230 --> 00:14:19,231 I JUST BASICALLY WANT TO SAY I'M SORRY. 398 00:14:19,264 --> 00:14:21,566 I'M SORRY FOR EVERYTHING. I'M SORRY ABOUT THE CAR. 399 00:14:21,599 --> 00:14:23,301 -THE CAR. -THE CAR. WHAT CAR? 400 00:14:23,335 --> 00:14:26,171 OH! UH, WE JUST FOUND A VALET TICKET. 401 00:14:26,204 --> 00:14:28,140 ARE YOU SAYING THAT THERE'S SOMETHING IN HURLEY'S CAR? 402 00:14:28,173 --> 00:14:31,944 YEAH, AND [SIGHS] SORRY ABOUT THE BAG OF DRUGS. 403 00:14:31,977 --> 00:14:33,078 Ohh. 404 00:14:33,111 --> 00:14:34,479 EVERYTHING. 405 00:14:34,512 --> 00:14:36,214 WANTED TO APOLOGIZE FOR THAT. 406 00:14:36,248 --> 00:14:37,482 ALL RIGHT. WE'RE ON OUR WAY. LET'S GO. 407 00:14:37,515 --> 00:14:38,616 THE TICKET. 408 00:14:38,650 --> 00:14:43,221 OKAY. THANK YOU SO MUCH FOR LISTENING. 409 00:14:43,255 --> 00:14:44,957 AND I LOVE YOU. 410 00:14:44,990 --> 00:14:47,325 OH! OH! COME ON! 411 00:14:47,359 --> 00:14:50,195 YEAH! YES! 412 00:14:50,228 --> 00:14:53,465 [ GRUNTS ] 413 00:14:53,498 --> 00:14:55,267 HUH? 414 00:15:01,373 --> 00:15:03,075 WE GOT A PULSE. 415 00:15:03,108 --> 00:15:04,109 [ TIRES SCREECH ] 416 00:15:19,024 --> 00:15:20,225 [ CRASHING ] 417 00:15:29,101 --> 00:15:30,735 NOTHING UP FRONT. 418 00:15:30,768 --> 00:15:33,105 BACK'S EMPTY. 419 00:15:33,138 --> 00:15:36,041 THEY GOT THE DRUGS. 420 00:15:37,375 --> 00:15:39,144 I AM SUPER-PROUD OF YOU, MAN. 421 00:15:39,177 --> 00:15:41,746 LISTEN, HURLEY, THAT WAS NOT MY WIFE ON THE PHONE. 422 00:15:41,779 --> 00:15:42,847 I DON'T WANT TO TELL YOU YOUR BUSINESS, 423 00:15:42,880 --> 00:15:44,149 BUT YOU REALLY NEED TO MAKE AMENDS WITH YOUR WIFE 424 00:15:44,182 --> 00:15:45,017 ABOUT HAVING A GIRLFRIEND. 425 00:15:45,050 --> 00:15:48,120 Listen -- I think it's safe right now. 426 00:15:48,153 --> 00:15:50,355 We got to get out of here. 427 00:15:50,388 --> 00:15:53,625 HOW DO YOU KNOW THE BOY SCOUT LAW? 428 00:15:53,658 --> 00:15:57,662 WE ALL HAD DREAMS ONCE, LIAM. 429 00:15:57,695 --> 00:15:59,664 [ LAUGHS ] 430 00:15:59,697 --> 00:16:01,433 [ INDISTINCT CONVERSATIONS ] 431 00:16:01,466 --> 00:16:03,335 LOOKS LIKE THAT MEETING'S BREAKING UP. 432 00:16:17,349 --> 00:16:18,350 [ GUN COCKS ] 433 00:16:18,383 --> 00:16:19,417 HURLEY. 434 00:16:22,187 --> 00:16:23,455 SISTER LUPE! 435 00:16:23,488 --> 00:16:26,058 [ GUN COCKS ] 436 00:16:26,091 --> 00:16:28,526 SISTER LUPE. 437 00:16:38,736 --> 00:16:40,338 THIS IS SO NOT COOL, SISTER LUPE. 438 00:16:40,372 --> 00:16:42,340 MUY MALO! 439 00:16:42,374 --> 00:16:43,575 BACK AWAY FROM HIM. 440 00:16:43,608 --> 00:16:46,111 HE'S LEADING YOU OUTSIDE TO AN AMBUSH. 441 00:16:46,144 --> 00:16:48,280 I SAW TWO MEN WITH GUNS OUT THERE. 442 00:16:48,313 --> 00:16:49,281 MEXICANS? 443 00:16:49,314 --> 00:16:51,383 NO. LOCAL, LIKE YOU. 444 00:16:51,416 --> 00:16:55,453 WAIT, ARE YOU NOT -- 445 00:16:55,487 --> 00:16:56,554 OH! 446 00:16:56,588 --> 00:16:58,390 YOU JUST COLDCOCKED A NUN! 447 00:16:58,423 --> 00:17:00,558 IN CHURCH! 448 00:17:00,592 --> 00:17:03,661 TALK ABOUT MAKING AMENDS. 449 00:17:03,695 --> 00:17:05,397 [ CELLPHONE RINGS ] 450 00:17:05,430 --> 00:17:06,531 HELLO? 451 00:17:06,564 --> 00:17:08,233 YEAH, DID YOU GET THE BAG OF DRUGS? 452 00:17:08,266 --> 00:17:09,667 No, we lost the bag to the same guys 453 00:17:09,701 --> 00:17:11,303 who were searching Hurley's room. 454 00:17:11,336 --> 00:17:12,404 -Is he okay? -YEAH, YEAH, YEAH. 455 00:17:12,437 --> 00:17:15,273 HE'S BEEN RUNNING DRUGS ACROSS THE MEXICAN BORDER. 456 00:17:15,307 --> 00:17:17,142 NO, NO, IT'S NOT HIS FAULT. 457 00:17:17,175 --> 00:17:20,145 BUT SO HE WAS IN BOSTON, MAKING A DELIVERY 458 00:17:20,178 --> 00:17:22,314 WHEN THE IRISH MOB -- PROBABLY THE CALLAGHAN FAMILY -- 459 00:17:22,347 --> 00:17:23,815 DECIDED THEY WERE GONNA TAKE HIM OUT. 460 00:17:23,848 --> 00:17:25,517 WELL, THERE'S YOUR IRISH HITTERS FROM EARLIER. 461 00:17:25,550 --> 00:17:26,618 Yeah, exactly. 462 00:17:26,651 --> 00:17:28,286 CALLAGHANS RUN THE DRUGS IN BOSTON, 463 00:17:28,320 --> 00:17:29,687 AND THEY DIDN'T WANT THE MEXICANS 464 00:17:29,721 --> 00:17:31,156 INFRINGING ON THEIR TERRITORY. 465 00:17:31,189 --> 00:17:32,824 SO THEY'RE GONNA KILL HURLEY 466 00:17:32,857 --> 00:17:34,426 TO TRY TO SEND A MESSAGE TO THE CARTEL 467 00:17:34,459 --> 00:17:36,561 UNLESS, OF COURSE, I CAN MAKE A BARGAIN WITH THEM, 468 00:17:36,594 --> 00:17:38,363 WHICH IS WHY I NEED THAT BAG OF DRUGS. 469 00:17:38,396 --> 00:17:40,765 DO YOU KNOW WHERE THE MEXICAN CARTEL IS BASED IN BOSTON? 470 00:17:40,798 --> 00:17:41,699 Well, no. 471 00:17:41,733 --> 00:17:43,535 THEY'RE NOT EXACTLY MAJOR PLAYERS HERE, 472 00:17:43,568 --> 00:17:45,370 SO I DON'T KNOW WHERE THEIR SAFE HOUSES ARE. 473 00:17:45,403 --> 00:17:47,872 They're probably holed up somewhere laying low. 474 00:17:47,905 --> 00:17:50,575 BUT I'LL TELL YOU WHAT -- I KNOW WHO YOU CAN CALL. 475 00:17:50,608 --> 00:17:53,178 [ GRUNTING ] 476 00:17:53,211 --> 00:17:55,313 YOU SEE THAT? 477 00:17:55,347 --> 00:17:57,582 GET THE CROOK OF YOUR ELBOW OVER THE TRACHEA, 478 00:17:57,615 --> 00:17:59,451 THEN YOU GET YOUR OTHER ARM BACK THERE 479 00:17:59,484 --> 00:18:00,518 AND GET THE LEVERAGE. 480 00:18:00,552 --> 00:18:03,488 THAT'S HOW YOU CUT THE BLOOD FLOW OFF TO THE BRAIN. 481 00:18:03,521 --> 00:18:04,789 THAT'S HOW YOU CHOKE A GUY OUT. 482 00:18:04,822 --> 00:18:07,759 -NICE. [ CELLPHONE RINGS ] 483 00:18:07,792 --> 00:18:09,627 HEY, HARDISON. 484 00:18:09,661 --> 00:18:11,363 REALLY? 485 00:18:11,396 --> 00:18:14,566 WHERE IN BOSTON WOULD BE THE MAIN SAFE HOUSE 486 00:18:14,599 --> 00:18:16,268 FOR ANY MEXICAN DRUG SMUGGLERS? 487 00:18:16,301 --> 00:18:18,603 YEAH, JUST THEORETICALLY, RIGHT. 488 00:18:18,636 --> 00:18:20,305 I'LL TEXT YOU SOME ADDRESSES. 489 00:18:20,338 --> 00:18:21,539 [ BEEPING ] 490 00:18:21,573 --> 00:18:23,675 TAKE IT THEY'RE NOT COMING BACK WITH THAT PIZZA, ARE THEY? 491 00:18:23,708 --> 00:18:25,677 YOU GET USED TO IT. 492 00:18:25,710 --> 00:18:27,345 [ SIGHS ] 493 00:18:27,379 --> 00:18:29,781 FAKE. CHILDREN'S TOY. 494 00:18:31,183 --> 00:18:32,750 I WAS ONLY TRYING TO SCARE YOU OFF. 495 00:18:32,784 --> 00:18:34,586 WHAT, SO YOU COULD GET YOUR DRUGS?! 496 00:18:34,619 --> 00:18:36,454 HURLEY -- 497 00:18:36,488 --> 00:18:40,858 NO! DON'T TALK TO ME. YOU PLAYED ME FOR A SAP! 498 00:18:40,892 --> 00:18:42,827 NATE WAS RIGHT. I'M A DUPE. 499 00:18:42,860 --> 00:18:45,430 AND I'M HURTING PEOPLE AGAIN! 500 00:18:45,463 --> 00:18:46,798 NO, YOU ARE HELPING PEOPLE! 501 00:18:46,831 --> 00:18:48,433 WHAT, BY SELLING DRUGS? 502 00:18:48,466 --> 00:18:49,334 CANCER DRUGS. 503 00:18:49,367 --> 00:18:51,403 DO YOU KNOW HOW EXPENSIVE CANCER DRUGS ARE 504 00:18:51,436 --> 00:18:54,172 FOR FAMILIES WITHOUT HEALTH INSURANCE IN THIS COUNTRY? 505 00:18:54,206 --> 00:18:55,640 -SHE'S LYING, HURLEY. -NO! 506 00:18:55,673 --> 00:18:58,643 I AM PART OF A GROUP THAT LIBERATES DRUGS 507 00:18:58,676 --> 00:19:00,278 FROM FACTORIES IN SOUTH AMERICA. 508 00:19:00,312 --> 00:19:03,515 THEN WE SMUGGLE THEM TO CHURCHES AND HOSPICES IN THE U.S. 509 00:19:03,548 --> 00:19:07,719 THERE ARE CHILDREN WHO WOULD DIE IF WE DIDN'T DO THIS. 510 00:19:07,752 --> 00:19:10,188 NO. NO! NO. 511 00:19:10,222 --> 00:19:12,257 I AM NOT FALLING FOR THAT AGAIN. 512 00:19:12,290 --> 00:19:13,391 I LIED TO PROTECT YOU. 513 00:19:13,425 --> 00:19:15,760 THEN WHY IS THE CARTEL INVOLVED? 514 00:19:15,793 --> 00:19:18,363 THE CARTEL FOUND OUT WE HAD A REGULAR ROUTE INTO THE STATES. 515 00:19:18,396 --> 00:19:20,532 THEY PLANTED THEIR DRUGS IN HURLEY'S CAR. 516 00:19:20,565 --> 00:19:23,668 I ONLY FOUND OUT ABOUT IT AFTER YOU LEFT, I SWEAR. 517 00:19:23,701 --> 00:19:24,869 I FLEW UP HERE TO WARN YOU. 518 00:19:24,902 --> 00:19:26,238 SO THE LOCAL BRANCH OF THE CARTEL 519 00:19:26,271 --> 00:19:27,839 IS GONNA TAKE DELIVERY OF THE DRUGS 520 00:19:27,872 --> 00:19:30,242 AND KILL HURLEY TO COVER THEIR TRACKS. 521 00:19:30,275 --> 00:19:31,576 WHAT DO THE IRISH WANT? 522 00:19:31,609 --> 00:19:34,679 THEY WANT TO STEAL THE DELIVERY AND KILL YOU TO SEND A MESSAGE. 523 00:19:34,712 --> 00:19:36,548 THAT'S A LOT OF KILLING ME IN THERE. 524 00:19:36,581 --> 00:19:38,816 LISTEN -- YOU SAID THERE WERE TWO MEN WAITING OUTSIDE? 525 00:19:38,850 --> 00:19:41,419 YES. 526 00:19:48,693 --> 00:19:50,262 [ Irish accent ] WHERE IS HE? 527 00:19:50,295 --> 00:19:51,796 THEY'RE IN THE CHURCH, MR. CALLAGHAN. 528 00:19:51,829 --> 00:19:53,265 WHY DON'T YOU HAVE 'EM YET? 529 00:19:53,298 --> 00:19:56,434 IT'S A CHURCH, MR. CALLAGHAN. 530 00:19:56,468 --> 00:19:59,971 OH...I SEE YOUR POINT. 531 00:20:00,004 --> 00:20:03,975 YOU CAN'T GO SHOOTING A MAN IN CHURCH. 532 00:20:04,008 --> 00:20:05,777 WELL... 533 00:20:05,810 --> 00:20:09,514 GO IN THERE AND DRAG HIM OUT OF THE CHURCH. 534 00:20:09,547 --> 00:20:12,817 SHOOT HIM IN THE FACE IN THE CHURCH PARKING LOT! 535 00:20:12,850 --> 00:20:15,787 GO GET ME THOSE DRUGS! 536 00:20:20,057 --> 00:20:21,959 ALL RIGHT, THIS BAR IS THE LAST ADDRESS, MAN. 537 00:20:21,993 --> 00:20:23,828 MAYBE I SHOULD HANDLE THIS ONE BY MYSELF. 538 00:20:23,861 --> 00:20:26,398 SO, WHAT, YOU DON'T NEED ME, EITHER, NOW? YOU DON'T NEED ME? 539 00:20:26,431 --> 00:20:27,365 LISTEN TO ME, OKAY? 540 00:20:27,399 --> 00:20:28,533 SO PARKER'S OUT WITH A HANDSOME GUY, OKAY? 541 00:20:28,566 --> 00:20:29,367 AND HE'S ALSO A THIEF 542 00:20:29,401 --> 00:20:31,269 AND ALSO DOES COOL THIEF "STUFF," 543 00:20:31,303 --> 00:20:32,704 AND YOU'RE THE COMPUTER GEEK, DUDE -- 544 00:20:32,737 --> 00:20:36,274 IS -- IS THAT YOUR PEP TALK? ARE YOU KIDDING? 545 00:20:36,308 --> 00:20:38,810 WHAT THE HELL'S GOING ON? REALLY? 546 00:20:38,843 --> 00:20:40,545 IT'S A LITTLE ROUGH, BUT THE FACT -- 547 00:20:40,578 --> 00:20:41,913 IT'S A LITTLE ROUGH? A LITTLE ROUGH? 548 00:20:41,946 --> 00:20:43,348 AS A FRIEND, YOU'RE DEAD TO ME. 549 00:20:43,381 --> 00:20:44,582 PLEASE, DO GO ON. 550 00:20:44,616 --> 00:20:47,051 WHAT ARE YOU TRYING TO SAY? I'M NOT EXCITING? WHAT IS IT? 551 00:20:47,084 --> 00:20:48,520 THAT'S NOT WHAT I'M SAYING. 552 00:20:48,553 --> 00:20:49,487 IF I SAID THAT, THEN THAT MEANS 553 00:20:49,521 --> 00:20:50,755 I WOULD BE THINKING ABOUT YOU AND PARKER, 554 00:20:50,788 --> 00:20:51,856 WHICH I NEVER DO. 555 00:20:51,889 --> 00:20:54,492 THAN SAY WHAT YOU NEED TO SAY. WHAT ARE YOU SAYING? 556 00:20:55,993 --> 00:20:59,564 MAYBE YOU'RE SLOW-PLAYING IT JUST A LITTLE BIT. 557 00:20:59,597 --> 00:21:00,632 I'M SLOW-PLAYING? 558 00:21:00,665 --> 00:21:02,967 LIKE, I NEED TO BE MORE ASSERTIVE OR SOMETHING? 559 00:21:03,000 --> 00:21:05,036 -ASSERTIVE IS GOOD. -MORE ASSERTIVE? 560 00:21:05,069 --> 00:21:06,237 YEAH. FOCUS. 561 00:21:06,270 --> 00:21:08,340 LIKE THE DEFINITIVE DEXTER'S DICTIONARY DEFINITION OF -- 562 00:21:08,373 --> 00:21:09,574 ALL RIGHT, COOL. THAT'S ALL I NEED. 563 00:21:09,607 --> 00:21:10,975 -THAT'S ALL I NEED. -COME ON. 564 00:21:11,008 --> 00:21:12,744 -YOU KNOW WHAT? I GOT THIS. -COME ON. 565 00:21:12,777 --> 00:21:14,446 I'M GONNA GO IN THERE BY MY DAMN SELF. 566 00:21:14,479 --> 00:21:16,314 I'M GONNA GET THEM DRUGS BY MY DAMN SELF. 567 00:21:16,348 --> 00:21:18,316 ASSERTIVE. LET'S GET THIS. LET'S GET THIS. 568 00:21:18,350 --> 00:21:19,584 -DON'T DO THAT. -YO, MY MAN. 569 00:21:19,617 --> 00:21:20,985 -LET ME SPOKE AT YOU REAL QUICK? -YEAH, WHAT'S UP? 570 00:21:21,018 --> 00:21:22,454 -I NEED A MINUTE, IF I COULD. -DON'T DO IT. 571 00:21:22,487 --> 00:21:23,988 WHAT ARE YOU DOING, MAN? 572 00:21:24,021 --> 00:21:26,758 NO, IT'S COOL. SHAKE IT OFF. SHAKE IT OFF. 573 00:21:26,791 --> 00:21:28,092 -ASSERTIVE. -THAT'S WHAT I'M TALKING -- 574 00:21:28,125 --> 00:21:30,928 THIS GUY'S NOT EVEN -- HEY! 575 00:21:32,797 --> 00:21:35,633 BUENAS NOCHES CABRONES. 576 00:21:35,667 --> 00:21:39,070 FELIZ NAVIDAD AND KISS MY HAPPY BLACK ASS. 577 00:21:41,406 --> 00:21:43,775 -WHO IN THE HELL ARE YOU? -WHO AM I? 578 00:21:43,808 --> 00:21:46,110 WHO AM I? I'M YOUR WORST DAMN NIGHTMARE. 579 00:21:46,143 --> 00:21:48,880 I KNOW WHO YOU ARE. I KNOW WHO ALL OF YOU ARE. 580 00:21:48,913 --> 00:21:51,015 I KNOW WHAT YOU DO. I KNOW ABOUT THE SHIPMENT. 581 00:21:51,048 --> 00:21:52,684 I'M A DIRTY COP! 582 00:21:54,051 --> 00:21:55,887 BY THE WAY, I DON'T THINK THAT BOUNCER OUTSIDE 583 00:21:55,920 --> 00:21:57,589 IS AFFILIATED WITH THESE GUYS. 584 00:21:57,622 --> 00:21:59,357 JUST SO YOU KNOW. 585 00:22:02,093 --> 00:22:05,397 NOT IN THE BASEMENT. HE HAS TO BE IN -- 586 00:22:05,430 --> 00:22:07,932 PARDON ME...FATHER? 587 00:22:07,965 --> 00:22:09,834 [ Irish accent ] YES. 588 00:22:11,936 --> 00:22:13,971 [ ORGAN MUSIC PLAYS ] 589 00:22:23,848 --> 00:22:25,683 LET ME TAKE -- LET ME TAKE THIS ONE. 590 00:22:25,717 --> 00:22:27,084 I GOT THIS. 591 00:22:27,118 --> 00:22:31,489 WHEN I SAY GET BACK, I MEAN GET YOUR ASS BACK! 592 00:22:35,727 --> 00:22:38,563 NOW, WHICH ONE OF YOU IS IN CHARGE? IS IT YOU? 593 00:22:38,596 --> 00:22:39,997 IN CHARGE OF WHAT? 594 00:22:40,031 --> 00:22:41,433 DON'T DO THAT. DON'T PLAY ME. 595 00:22:41,466 --> 00:22:42,834 NOW, LET ME SEE SOME I.D. 596 00:22:42,867 --> 00:22:43,835 GET IT OUT. COME ON. WHERE YOU AT? 597 00:22:43,868 --> 00:22:45,069 WHERE YOU AT? POCKETS, POCKETS. 598 00:22:45,102 --> 00:22:46,871 WHERE YOU AT -- RIGHT HERE? 599 00:22:46,904 --> 00:22:48,740 RIGHT HERE? 600 00:22:48,773 --> 00:22:52,109 AARON CORTEZ. AARON? REALLY? 601 00:22:52,143 --> 00:22:53,144 YEAH, WHAT? 602 00:22:53,177 --> 00:22:55,146 YOU THINK ALL MEXICANS ARE NAMED JUAN AND ROBERTO? 603 00:22:55,179 --> 00:22:57,582 COME ON, HOMEY. THAT'S RACIST. 604 00:22:57,615 --> 00:23:00,452 I'M A DIRTY COP! OF COURSE I'M A DAMN RACIST! 605 00:23:00,485 --> 00:23:01,553 I SWEAR TO GOD. 606 00:23:01,586 --> 00:23:04,756 NOW I UNDERSTAND YOU GOT A SHIPMENT COMING IN, AARON? 607 00:23:04,789 --> 00:23:06,691 WHAT BUSINESS IS THAT OF YOURS? 608 00:23:06,724 --> 00:23:08,760 YOU'RE NEW IN TOWN, SO I'M GONNA LET YOUR IGNORANCE SLIDE. 609 00:23:08,793 --> 00:23:12,497 PO-PO GETS A TASTE, OR YOU NO-NO GET TO PLAY. 610 00:23:19,103 --> 00:23:20,472 SO EITHER YOU GOT TO MAKE A DEAL, 611 00:23:20,505 --> 00:23:21,739 OR SOMEBODY'S GOT TO SQUEAL. 612 00:23:23,741 --> 00:23:26,143 IT'S A LITTLE EARLY FOR MIDNIGHT MASS, EH, BOYS? 613 00:23:26,177 --> 00:23:28,145 WE'RE ACTUALLY LOOKING FOR SOMEONE, FATHER. 614 00:23:28,179 --> 00:23:29,847 WELL, WE'RE ALL LOOKING FOR SOMEONE, AREN'T WE? 615 00:23:29,881 --> 00:23:32,016 UM... 616 00:23:32,049 --> 00:23:34,752 COULD YOU JUST HELP ME WITH THESE FLOWERS OVER HERE, YES? 617 00:23:34,786 --> 00:23:37,021 JUST PUT THEM ON THE PEDESTAL. HERE, HELP HIM OUT. 618 00:23:37,054 --> 00:23:38,856 YOU WERE AN ALTAR BOY, WEREN'T YOU? 619 00:23:38,890 --> 00:23:40,124 I CAN ALWAYS TELL. 620 00:23:40,157 --> 00:23:41,659 ST. WILLIAM'S. 621 00:23:41,693 --> 00:23:42,827 SEE, I KNOW WHY YOU'RE HERE. 622 00:23:42,860 --> 00:23:44,696 YOU WANT TO EXPAND, AND PERSONALLY I THINK YOU SHOULD. 623 00:23:44,729 --> 00:23:46,664 THE LEPRECHAUNS, THEY COULD USE A LITTLE COMPETITION. 624 00:23:46,698 --> 00:23:49,734 THEY'RE GETTING A LITTLE SOFT. AND WE'RE ALL FOR THAT. 625 00:23:49,767 --> 00:23:51,168 AIN'T THAT RIGHT, LUIGI? 626 00:23:54,539 --> 00:23:56,641 -SO, YOU -- [ CELLPHONE RINGS ] 627 00:23:56,674 --> 00:23:57,809 EXCUSE ME. 628 00:23:58,843 --> 00:24:02,046 GOT TO TAKE THIS. I GOT SOME BUSINESS. 629 00:24:02,079 --> 00:24:02,947 Yeah. Hey. 630 00:24:02,980 --> 00:24:05,917 HEY, HEY, HEY. WHAT'S HAPPENING, BABY? 631 00:24:05,950 --> 00:24:07,919 AH, ST. WILLIAM'S. YES, IT'S A FINE PARISH. 632 00:24:07,952 --> 00:24:10,187 YES. [ CHUCKLES ] 633 00:24:10,221 --> 00:24:13,090 IF YOU DON'T MIND, FATHER, UH, WE NEED TO HAVE A LOOK AROUND. 634 00:24:13,124 --> 00:24:14,826 TAKE A LOOK AROUND. AH. WELL, THERE'S NO ONE IN HERE. 635 00:24:14,859 --> 00:24:16,961 WELL, THERE WAS ONE FELLOW WHO CAME IN HERE -- 636 00:24:16,994 --> 00:24:18,563 A LARGE FELLOW -- 637 00:24:18,596 --> 00:24:21,533 BUT HE WENT INTO THE CONFESSIONALS. 638 00:24:21,566 --> 00:24:23,635 FATHER, YOU NEED TO GET HIM OUT OF THERE. 639 00:24:23,668 --> 00:24:25,670 -FOR HIS OWN GOOD. -YES. YES. 640 00:24:27,539 --> 00:24:30,041 SAY, YOU MUST COME OUT OF THERE. 641 00:24:30,074 --> 00:24:31,976 THERE'S NO PLAYING ABOUT NOW. COME OUT. 642 00:24:32,009 --> 00:24:34,211 IT'S PROBABLY IN THE FRAME. 643 00:24:34,245 --> 00:24:38,215 SO, UM, P-PARKER, ARE YOU STILL WITH THAT GUY? 644 00:24:38,249 --> 00:24:40,818 -Thanks. -PARK-- PARKER? 645 00:24:40,852 --> 00:24:41,853 [ BEEP ] 646 00:24:43,688 --> 00:24:44,756 WOULD YOU BELIEVE THIS? 647 00:24:44,789 --> 00:24:46,924 HAD TO FRAME A GUY. GOT TO HANDLE MY OWN BUSINESS. 648 00:24:46,958 --> 00:24:47,759 HAD TO FRAME A GUY ON THE -- 649 00:24:47,792 --> 00:24:50,528 I HAD TO FRAME A GUY ON THE PHONE, 650 00:24:50,562 --> 00:24:51,829 JUST RIGHT NOW -- BUT IT'S COOL. 651 00:24:51,863 --> 00:24:53,798 WHAT DO YOU WANT, EXACTLY? 652 00:24:53,831 --> 00:24:55,833 THE DRUGS YOU GOT TODAY. 653 00:24:55,867 --> 00:24:58,169 WE GET THE FIRST TAKE. SIGN OF GOOD FAITH. 654 00:24:59,637 --> 00:25:01,105 THEN YOU CAN MOVE EVERYTHING ELSE IN, 655 00:25:01,138 --> 00:25:02,273 WITH OUR PROTECTION. 656 00:25:05,743 --> 00:25:08,580 [ LAUGHS ] THERE WE GO. 657 00:25:08,613 --> 00:25:10,848 -[ CHUCKLES ] -YOU HAPPY NOW? 658 00:25:10,882 --> 00:25:15,286 SEE, THIS IS BUSINESS DONE HOW BUSINESS SHOULD BE DONE. 659 00:25:15,319 --> 00:25:17,254 LOOK, I WANT THE COURIER. 660 00:25:17,288 --> 00:25:18,823 SOON AS WE GET HIM, HE'S YOURS. 661 00:25:27,031 --> 00:25:28,032 [ GRUNTS ] 662 00:25:29,767 --> 00:25:31,268 [ GROANS ] 663 00:25:31,302 --> 00:25:32,770 [ THUD ] 664 00:25:34,739 --> 00:25:35,807 YOU SAW THAT, RIGHT? 665 00:25:35,840 --> 00:25:38,242 YEAH, I GOT TO HAND IT TO YOU -- YOU DID A GREAT JOB. 666 00:25:38,275 --> 00:25:41,245 SEE SOME ROPE-CLIMBING PUNK BE THAT DAMN ASSERTIVE. 667 00:25:41,278 --> 00:25:43,581 [ GLASS SHATTERS ] 668 00:25:43,615 --> 00:25:45,983 MAN, THAT LOOK RIGHT TO YOU? 669 00:25:46,017 --> 00:25:48,152 NO, IT DOES NOT. 670 00:25:48,185 --> 00:25:49,621 NO, I CAN'T OFFER YOU SANCTUARY. 671 00:25:49,654 --> 00:25:50,487 NO, YOU MUST COME OUT 672 00:25:50,521 --> 00:25:52,289 AND FACE YOUR SINS AGAINST THESE MEN. 673 00:25:52,323 --> 00:25:55,026 -DID YOU HEAR HIM SAY ANYTHING? -I THINK SO. YEAH. 674 00:25:55,059 --> 00:25:56,728 PAUL WROTE TO THE EPHESIANS -- 675 00:25:56,761 --> 00:25:58,596 -FATHER. -YES. 676 00:25:58,630 --> 00:26:01,633 WHY IS THERE A NUN'S HABIT HERE WITHOUT THE NUN INSIDE? 677 00:26:01,666 --> 00:26:04,035 RAPTURE! 678 00:26:04,068 --> 00:26:05,770 [ CLATTER ] 679 00:26:05,803 --> 00:26:09,073 THE COURIER! HE'S GOT THE DRUGS! 680 00:26:15,680 --> 00:26:18,049 [ SCREAMING ] 681 00:26:18,082 --> 00:26:20,217 [ GUN COCKS ] -LET HIM GO. 682 00:26:20,251 --> 00:26:22,319 -NO, SISTER LUPE, NO! -RUN! 683 00:26:22,353 --> 00:26:24,822 -[ Normal voice ] GET IN! -NO, WE GOT TO HELP HER. 684 00:26:24,856 --> 00:26:28,192 YOU'RE NOT GONNA HELP HER BY BLEEDING TO DEATH IN THE STREET! GET IN! 685 00:26:28,225 --> 00:26:30,094 [ SCREAMING ] 686 00:26:34,966 --> 00:26:36,100 SISTER LUPE? 687 00:26:36,133 --> 00:26:40,905 I'M GOING TO HELL. 688 00:26:40,938 --> 00:26:42,473 [ TIRES SCREECH ] 689 00:26:46,343 --> 00:26:47,945 WHY ARE WE DITCHING THE CAR? 690 00:26:47,979 --> 00:26:49,947 'CAUSE WE DIDN'T JUST DITCH THE IRISH MOB 691 00:26:49,981 --> 00:26:52,249 SO THE POLICE COULD PULL US OVER IN A STOLEN CAR. 692 00:26:52,283 --> 00:26:53,651 HARDISON -- YEAH, LISTEN, 693 00:26:53,685 --> 00:26:54,886 I GOT HURLEY, BUT I LOST THE NUN. 694 00:26:54,919 --> 00:26:56,788 TELL ME YOU GOT THE DRUGS. 695 00:26:56,821 --> 00:26:58,790 WHAT? 696 00:26:58,823 --> 00:26:59,623 OKAY. 697 00:26:59,657 --> 00:27:01,325 OKAY, LISTEN, GO TO THE PHARMACY, 698 00:27:01,358 --> 00:27:02,226 AND GET WHAT YOU NEED. 699 00:27:02,259 --> 00:27:03,895 AND TELL ELIOT TO BUY WHATEVER HE NEEDS 700 00:27:03,928 --> 00:27:06,363 TO SEW UP A GUNSHOT WOUND. 701 00:27:08,032 --> 00:27:11,068 [ BELL JINGLES ] 702 00:27:11,102 --> 00:27:12,804 -HEY, GUYS. -HEY, WHAT'S UP, MAN? 703 00:27:12,837 --> 00:27:14,238 SHUT UP. GET ON THE TABLE. 704 00:27:14,271 --> 00:27:15,172 ALL RIGHT. YOU'RE CLOSED. 705 00:27:15,206 --> 00:27:17,008 -ANOTHER $100 WHEN WE LEAVE. -YOU GOT IT. 706 00:27:17,041 --> 00:27:18,976 WHAT'S THE PROBLEM? 707 00:27:22,747 --> 00:27:24,281 THESE ARE LEGIT. 708 00:27:24,315 --> 00:27:27,384 PICKED UP THIS DRUG-TESTING KIT FROM THE PHARMACY. 709 00:27:27,418 --> 00:27:29,120 -PULL YOUR JEANS UP. -IT'S A LITTLE TENDER. 710 00:27:29,153 --> 00:27:30,287 -PULL THEM UP! -OW! 711 00:27:30,321 --> 00:27:33,357 THEY SELL THEM SO MOMMIES AND DADDIES 712 00:27:33,390 --> 00:27:35,459 CAN TEST WHAT LITTLE JOHNNY'S GOT HIDDEN IN HIS SOCK DRAWER. 713 00:27:35,492 --> 00:27:37,261 NOW, LOOK -- IF IT TURNS RED, 714 00:27:37,294 --> 00:27:39,030 LITTLE JOHNNY'S GOT TO GO TO REHAB. 715 00:27:39,063 --> 00:27:42,133 IF IT TURNS GREEN, LITTLE JOHNNY CHECKS OUT. 716 00:27:45,036 --> 00:27:49,273 IF THEY'RE NOT FOR GETTING HIGH, WHAT ARE THEY FOR? 717 00:27:49,306 --> 00:27:51,108 THESE ARE THE CANCER DRUGS. 718 00:27:51,142 --> 00:27:52,710 SO SHE'S TELLING THE TRUTH. 719 00:27:52,744 --> 00:27:53,711 WHO? 720 00:27:53,745 --> 00:27:56,113 SISTER LUPE. LOOK. 721 00:27:56,147 --> 00:27:57,982 YEAH, THAT'S NOT A NUN. 722 00:27:58,015 --> 00:27:59,250 OHH! 723 00:28:03,888 --> 00:28:06,390 THEY SAID THEY WERE SENDING HEROIN AND COCAINE. 724 00:28:06,423 --> 00:28:08,059 THIS IS NOT HEROIN AND COCAINE. 725 00:28:08,092 --> 00:28:10,427 WHEN VASQUEZ CALLED, HE SAID THE DRUGS WERE IN THE CAR. 726 00:28:10,461 --> 00:28:11,462 "IN THE CAR"? 727 00:28:16,067 --> 00:28:19,003 "EN EL COCHE"? 728 00:28:19,036 --> 00:28:20,972 ARE YOU ASKING ME OR TELLING ME? 729 00:28:24,375 --> 00:28:25,943 WHERE'S HURLEY'S CAR? 730 00:28:25,977 --> 00:28:27,311 THE ONE HE DROVE ACROSS THE BORDER -- WHERE IS IT? 731 00:28:27,344 --> 00:28:28,345 IT'S BACK AT THE HOTEL. 732 00:28:29,346 --> 00:28:32,149 GUYS, COME ON. I KNOW WHERE THE REAL DRUGS ARE. 733 00:28:32,183 --> 00:28:33,484 -HERE YOU GO. -THANKS. 734 00:28:33,517 --> 00:28:36,954 HEY...GUYS? A LITTLE HELP? 735 00:28:36,988 --> 00:28:38,289 [ STRAINING ] 736 00:28:38,322 --> 00:28:40,024 NO, I'M GOOD. DON'T WORRY ABOUT ME. 737 00:28:40,057 --> 00:28:42,760 [ GROANS ] I'VE JUST BEEN SHOT. 738 00:28:42,794 --> 00:28:44,328 NO BIGGIE. 739 00:28:49,967 --> 00:28:51,468 COME ON, MAN. IT WAS RIGHT HERE! 740 00:28:51,502 --> 00:28:53,070 I'LL ASK THE VALET. 741 00:28:53,104 --> 00:28:54,338 THEY'RE GONNA KILL SISTER LUPE. 742 00:28:54,371 --> 00:28:55,940 NO, NO, THEY NEED HER TO BARGAIN WITH. 743 00:28:55,973 --> 00:28:57,809 UNFORTUNATELY, WE HAVE NOTHING TO BARGAIN WITH. 744 00:28:57,842 --> 00:28:58,976 YOU CAN HAVE YOUR BAG. 745 00:28:59,010 --> 00:29:00,144 NOW, COME ON. IT WASN'T HIS FAULT. 746 00:29:00,177 --> 00:29:01,478 YO! 747 00:29:01,512 --> 00:29:03,214 THEY SAID IT WAS TOWED TO THE CITY IMPOUND 748 00:29:03,247 --> 00:29:04,949 AFTER THE CARTEL BOYS CRASHED IT. 749 00:29:04,982 --> 00:29:07,218 ALL RIGHT, YOU AND ELIOT, GO GET US THAT CAR. 750 00:29:07,251 --> 00:29:08,485 HURLEY, YOU AND I ARE GONNA MAKE A PHONE CALL. 751 00:29:08,519 --> 00:29:09,420 WHO ARE WE CALLING? 752 00:29:09,453 --> 00:29:11,255 WE'RE GONNA GIVE THE DRUGS TO THE IRISH. 753 00:29:11,288 --> 00:29:12,556 WE DON'T HAVE THE DRUGS. 754 00:29:12,589 --> 00:29:16,460 WELL, RIGHT NOW THEY'RE THE ONLY ONES WHO DON'T KNOW THAT. 755 00:29:16,493 --> 00:29:19,130 FIRST OFF, THERE'S NO WAY SHE'S A NUN. 756 00:29:20,231 --> 00:29:22,934 [ CELLPHONE RINGS ] 757 00:29:22,967 --> 00:29:24,268 HELLO? 758 00:29:24,301 --> 00:29:26,904 YEAH, I'M CALLING ABOUT THE PROBLEM YOU'RE HAVING 759 00:29:26,938 --> 00:29:28,572 with people trying to sell their product in your territory. 760 00:29:28,605 --> 00:29:30,441 WHO IS THIS? 761 00:29:30,474 --> 00:29:31,475 I'M THE GUY WHO'S GONNA MAKE THE DEAL. 762 00:29:31,508 --> 00:29:32,543 YOU WANT THE PACKAGE? HOW MUCH IT WORTH TO YOU? 763 00:29:32,576 --> 00:29:37,548 WELL, MY BOYS SAID IT'S $10 MILLION STREET VALUE, 764 00:29:37,581 --> 00:29:39,884 BUT I'LL TRADE YOU THE WHOLE LOT 765 00:29:39,917 --> 00:29:42,353 FOR ONE BLESSED SISTER OF THE SACRAMENT. 766 00:29:42,386 --> 00:29:44,255 -Done. -AND WE WANT THE COURIER. 767 00:29:44,288 --> 00:29:46,457 GOT TO TEACH OUR COUSINS IN THE SOUTH 768 00:29:46,490 --> 00:29:47,892 THEY JUST CAN'T SET UP SHOP 769 00:29:47,925 --> 00:29:48,893 in our town. 770 00:29:48,926 --> 00:29:50,561 NO, NOT THE COURIER. 771 00:29:50,594 --> 00:29:53,464 YES. TRADE ME. 772 00:29:56,300 --> 00:29:58,135 OKAY. 773 00:29:58,169 --> 00:30:00,404 THE NUN FOR THE DRUGS AND THE COURIER. 774 00:30:00,437 --> 00:30:03,207 THE PALAESTRA HOTEL PARKING GARAGE, ONE HOUR. 775 00:30:05,176 --> 00:30:09,280 HURLEY, I'M GONNA TRY TO GET YOU OUT OF THIS IN ONE PIECE. 776 00:30:09,313 --> 00:30:10,982 IT'S OKAY, NATE. 777 00:30:11,015 --> 00:30:12,216 SHE GOT YOU INTO IT. 778 00:30:12,249 --> 00:30:15,519 YEAH, BUT I GOT MYSELF INTO TROUBLE THE FIRST TIME WE MET, 779 00:30:15,552 --> 00:30:17,922 AND YOU RISKED YOUR LIFE TO SAVE ME. 780 00:30:17,955 --> 00:30:19,323 SO I WANT TO PROVE TO YOU 781 00:30:19,356 --> 00:30:22,293 THAT I'VE EARNED THAT SECOND CHANCE YOU GAVE ME. 782 00:30:24,461 --> 00:30:27,431 [ DIALING ] 783 00:30:27,464 --> 00:30:29,200 WHO ARE YOU CALLING NOW? 784 00:30:29,233 --> 00:30:30,167 I'M CALLING THE BAR 785 00:30:30,201 --> 00:30:31,168 THAT HARDISON SAID THE CARTEL IS WAITING AT. 786 00:30:31,202 --> 00:30:32,136 I'M GONNA TELL THEM IF THEY WANT THEIR DRUGS, 787 00:30:32,169 --> 00:30:34,071 THEY CAN COME HERE AND GET IT IN ONE HOUR. 788 00:30:34,105 --> 00:30:35,940 THE DRUGS WE DON'T HAVE? 789 00:30:35,973 --> 00:30:38,475 MM-HMM. NOW YOU'RE GETTING IT. 790 00:30:38,509 --> 00:30:39,610 HOO! 791 00:30:39,643 --> 00:30:41,078 ARE YOU TALKING -- 792 00:30:41,112 --> 00:30:42,346 I GOT THIS. 793 00:30:42,379 --> 00:30:43,948 THEN GO. GO. GO! 794 00:30:43,981 --> 00:30:45,449 HOW YOU DOING? HEY. 795 00:30:45,482 --> 00:30:46,617 YEAH. 796 00:30:46,650 --> 00:30:49,086 UM, WE ARE LOOKING FOR A GOLD SEDAN. 797 00:30:49,486 --> 00:30:52,089 OKAY. YOU'RE GONNA HAVE TO BE MORE SPECIFIC THAN THAT. 798 00:30:52,123 --> 00:30:54,325 YOU JUST DESCRIBED FIVE CARS I HAVE BACK THERE. 799 00:30:54,358 --> 00:30:56,193 YEAH, IT WAS TOWED FROM THE PALAESTRA HOTEL EARLIER 800 00:30:56,227 --> 00:30:58,495 AFTER AN INCIDENT -- SHOULD BE A POLICE REPORT. 801 00:30:58,529 --> 00:31:01,232 OH. YEP. OKAY. THERE'S A POLICE REPORT. 802 00:31:01,265 --> 00:31:02,599 SO, YOU'RE GONNA HAVE TO COME BACK IN THE MORNING 803 00:31:02,633 --> 00:31:03,567 AND GET IT STRAIGHTENED OUT. 804 00:31:03,600 --> 00:31:05,903 WE CAN'T JUST PICK IT UP TONIGHT, PAY FOR IT? 805 00:31:05,937 --> 00:31:08,172 ORDINARILY, YES, BUT IN THIS CASE, 806 00:31:08,205 --> 00:31:10,141 I NEED A DETECTIVE TO SIGN OFF ON IT, 807 00:31:10,174 --> 00:31:12,309 WHICH MEANS YOU'RE GONNA HAVE TO COME BACK 808 00:31:12,343 --> 00:31:14,178 IN THE MORNING. 809 00:31:14,211 --> 00:31:16,447 MORNING. OKAY. ALL RIGHT. THANK YOU SO MUCH. 810 00:31:16,480 --> 00:31:17,915 LET'S GO. COME ON. 811 00:31:17,949 --> 00:31:19,917 [ Singsong voice ] YOU'RE WELCOME. 812 00:31:19,951 --> 00:31:21,185 I DIDN'T SAY THANK YOU. DID YOU? 813 00:31:21,218 --> 00:31:23,187 LISTEN -- YOU GO DISTRACT HER. 814 00:31:23,220 --> 00:31:24,455 I'M GONNA JUMP THIS FENCE. I'M GONNA GET THIS -- 815 00:31:24,488 --> 00:31:26,190 NO, NO, NO. I'M GONNA JUMP THE FENCE. 816 00:31:26,223 --> 00:31:27,458 I'LL JUMP THE FENCE. 817 00:31:27,491 --> 00:31:29,593 YEAH, I CAN HACK A CAR FASTER THAN YOU. 818 00:31:29,626 --> 00:31:31,595 I CAN HACK THE LOCK ON THE GATE. 819 00:31:31,628 --> 00:31:32,696 COME ON, MAN. 820 00:31:32,729 --> 00:31:34,966 YOU ALREADY PROVED YOURSELF WITH THE MEXICAN CARTEL. 821 00:31:34,999 --> 00:31:37,234 QUIT THIS CRAP. 822 00:31:37,268 --> 00:31:40,437 OKAY. YOU GOT A TELL. I ALREADY TOLD YOU. 823 00:31:40,471 --> 00:31:43,640 ARE YOU SCARED? YOU SCARED? LET'S GET IT. 824 00:31:43,674 --> 00:31:45,409 -LET'S GO. -ALL RIGHT. 825 00:31:47,378 --> 00:31:50,081 BAM! DO SOMETHING. 826 00:31:50,114 --> 00:31:52,349 TELL ME WHAT I CAN'T DO. I CAN CLIMB A FENCE. 827 00:31:52,383 --> 00:31:54,085 [ MUTTERING ] 828 00:31:54,118 --> 00:31:56,954 [ FENCE RATTLING ] 829 00:31:56,988 --> 00:31:58,089 HI. 830 00:31:58,122 --> 00:32:01,492 YEAH, YOU NEED A NEW WATCH. IT'S STILL NOT MORNING. 831 00:32:01,525 --> 00:32:02,493 I KNOW. 832 00:32:02,526 --> 00:32:05,429 I JUST -- I WANTED TO... GET RID OF MY FRIEND. 833 00:32:05,462 --> 00:32:10,034 I WANTED -- I WANTED TO ASK YOU A QUESTION. 834 00:32:10,067 --> 00:32:11,235 [ SIGHS ] YEAH? 835 00:32:11,268 --> 00:32:12,703 WHAT TIME DO YOU GET OFF? 836 00:32:12,736 --> 00:32:14,705 OH. 837 00:32:14,738 --> 00:32:16,573 [ HICCUPS ] UM... 838 00:32:16,607 --> 00:32:19,043 I HAVE A THING -- NOT A THING -- 839 00:32:19,076 --> 00:32:22,146 IT'S JUST A WO-- WOMAN IN UNIFORM... 840 00:32:22,179 --> 00:32:24,215 DO YOU WANT TO TOUCH MY GUN? 841 00:32:26,083 --> 00:32:28,319 NO. DO YOU HAVE... 842 00:32:28,352 --> 00:32:30,054 IS IT A TOUGH JOB? 843 00:32:30,087 --> 00:32:31,122 NO. 844 00:32:31,155 --> 00:32:32,389 UM, NOT REALLY. 845 00:32:32,423 --> 00:32:35,292 I MEAN, THE DOGS OUT BACK DO ALL THE HARD WORK. 846 00:32:35,326 --> 00:32:37,261 [ DOGS BARKING IN DISTANCE ] 847 00:32:37,294 --> 00:32:38,395 BIG ONES. 848 00:32:38,429 --> 00:32:40,697 NICE. NAMES? 849 00:32:40,731 --> 00:32:42,033 BUDDY AND TIKI. 850 00:32:42,066 --> 00:32:43,434 -TIKI. -YEAH. 851 00:32:43,467 --> 00:32:45,269 [ BARKING, INDISTINCT SHOUTING IN DISTANCE ] 852 00:32:45,302 --> 00:32:46,537 [ CELLPHONE RINGS ] 853 00:32:46,570 --> 00:32:49,040 OH. LOOK AT THAT. [ CHUCKLES ] 854 00:32:49,073 --> 00:32:50,707 PARDON ME. I'M GONNA...GONNA... 855 00:32:50,741 --> 00:32:52,443 OKAY. 856 00:32:52,476 --> 00:32:53,710 YEAH? 857 00:32:53,744 --> 00:32:56,047 Eliot, any trouble getting Hurley's car? No? 858 00:32:56,080 --> 00:32:57,581 -NO, HARDISON'S ON IT. -[ HARDISON YELPS ] 859 00:32:57,614 --> 00:33:01,052 Okay. Can you get me another one? 860 00:33:01,085 --> 00:33:02,486 An identical gold sedan. 861 00:33:02,519 --> 00:33:04,988 YOU BET. 862 00:33:07,724 --> 00:33:10,027 -HI. -HI. 863 00:33:10,061 --> 00:33:11,428 [ BOTH CHUCKLE ] 864 00:33:11,462 --> 00:33:12,696 THAT'S TOO MUCH. 865 00:33:12,729 --> 00:33:13,697 A LITTLE. 866 00:33:13,730 --> 00:33:15,066 OKAY. 867 00:33:19,736 --> 00:33:22,039 [ TIRES SCREECH ] 868 00:33:22,073 --> 00:33:23,607 [ ENGINE SHUTS OFF ] 869 00:33:27,244 --> 00:33:28,545 WHAT HAPPENED TO YOU? 870 00:33:28,579 --> 00:33:29,646 SECURITY SYSTEM. 871 00:33:29,680 --> 00:33:31,482 DOES ELIOT HAVE THE OTHER -- 872 00:33:31,515 --> 00:33:34,485 YEAH, HE'S RIGHT BEHIND ME. 873 00:33:34,518 --> 00:33:37,388 [ SIGHS ] THERE WE ARE. 874 00:33:39,656 --> 00:33:42,259 THIS IS TRICKY, NATE. 875 00:33:42,293 --> 00:33:43,760 IT ALWAYS IS. 876 00:33:43,794 --> 00:33:44,761 [ PACKET THUDS ] 877 00:33:44,795 --> 00:33:46,663 WHY DON'T YOU GET THE FRONT PLATE? 878 00:34:07,418 --> 00:34:09,520 WE'LL WAIT HERE. 879 00:34:09,553 --> 00:34:12,289 MAKE SURE THEY DON'T TRY TO SCAMPER. 880 00:34:18,329 --> 00:34:21,565 ELIOT AND HARDISON SET UP? 881 00:34:21,598 --> 00:34:24,335 -EVERYTHING'S GOOD. -SHOWTIME. 882 00:34:26,570 --> 00:34:28,605 WHO ARE YOU TO BE IN THE MIDDLE OF THIS? 883 00:34:28,639 --> 00:34:30,607 YOU WANT TO DEAL, OR YOU WANT TO TALK? 884 00:34:30,641 --> 00:34:34,745 THE NUN FOR THE DRUGS... AND THE COURIER. 885 00:34:34,778 --> 00:34:35,879 NO, NO, FIRST THE DRUGS. 886 00:34:35,912 --> 00:34:37,748 YOU KNOW, SHOW OF GOOD FAITH. 887 00:34:37,781 --> 00:34:39,650 THEN THE NUN, THEN THE COURIER. 888 00:34:39,683 --> 00:34:42,186 NO. MEET HALFWAY. 889 00:34:42,219 --> 00:34:44,721 [ STAMMERS ] I-I CAN'T DO THIS. 890 00:34:44,755 --> 00:34:47,624 HURLEY, HURLEY, YOU AGREED. 891 00:34:47,658 --> 00:34:49,326 -NO, THEY'RE GONNA KILL ME! -YOU AGREED, HURLEY! 892 00:34:49,360 --> 00:34:50,727 NO! I CAN'T! I'M SORRY! 893 00:34:50,761 --> 00:34:52,429 STICK TO THE PLAN, HURLEY! 894 00:34:52,463 --> 00:34:54,665 [ ENGINE TURNS OVER, TIRES SCREECH ] 895 00:34:54,698 --> 00:34:56,433 GET THE DRUGS! 896 00:34:56,467 --> 00:34:58,635 YEAH, THE COURIER'S PULLED A RUNNER! 897 00:34:58,669 --> 00:35:00,771 HE'S HEADING YOUR WAY! 898 00:35:00,804 --> 00:35:03,740 [ ENGINE TURNS OVER ] 899 00:35:11,515 --> 00:35:15,252 THERE HE IS! THE ONE WITH THE MEXICAN PLATES! 900 00:35:21,925 --> 00:35:25,429 FINE. WE'LL DO THIS OLD-SCHOOL. 901 00:35:29,466 --> 00:35:32,636 GET OUT OF THERE, YOU! 902 00:35:35,906 --> 00:35:37,474 WHAT KIND OF DOUBLE-CROSS IS THIS? 903 00:35:37,508 --> 00:35:39,476 WHO IN THE HELL ARE YOU? 904 00:35:39,510 --> 00:35:42,279 IS ONE OF THEM THE COURIER? 905 00:35:42,313 --> 00:35:43,847 NO. I DON'T KNOW. 906 00:35:43,880 --> 00:35:47,718 [ SIREN WAILS ] 907 00:35:47,751 --> 00:35:51,422 MASSACHUSETTS STATE POLICE! PUT YOUR HANDS UP! 908 00:35:56,327 --> 00:35:57,494 DO I LOOK LIKE I'M KIDDING? 909 00:36:10,507 --> 00:36:12,643 HOW WE DOING, BOYS? 910 00:36:14,278 --> 00:36:18,515 MAKE YOURSELVES COMFY. 911 00:36:18,549 --> 00:36:22,653 WHAT EXACTLY'S GOING ON HERE? 912 00:36:22,686 --> 00:36:25,256 WHAT'S GOING ON? 913 00:36:25,289 --> 00:36:26,923 I JUST CAUGHT THE CALLAGHAN FAMILY 914 00:36:26,957 --> 00:36:28,792 IN THE MIDDLE OF A MASSIVE DRUG BUY 915 00:36:28,825 --> 00:36:30,661 FROM ELEMENTS OF A MEXICAN CARTEL. 916 00:36:30,694 --> 00:36:35,399 WE'RE NOT -- WE'RE NOT BUYING ANYTHING FROM THEM! 917 00:36:35,432 --> 00:36:38,502 WHAT IN GOD'S NAME IS GOING ON HERE?! 918 00:36:38,535 --> 00:36:41,972 MASSACHUSETTS STATE POLICE! PUT YOUR HANDS UP! 919 00:36:42,005 --> 00:36:44,608 WHAT KIND OF DOUBLE-CROSS IS THIS? 920 00:36:44,641 --> 00:36:46,377 WHO IN THE HELL ARE YOU? 921 00:36:46,410 --> 00:36:47,778 ANY TROUBLE GETTING HURLEY'S CAR? NO? 922 00:36:47,811 --> 00:36:48,912 No, Hardison's on it. 923 00:36:48,945 --> 00:36:50,914 OKAY, CAN YOU GET ME ANOTHER ONE? 924 00:36:50,947 --> 00:36:52,983 AN IDENTICAL GOLD SEDAN. 925 00:36:53,016 --> 00:36:55,719 WE'RE LOOKING FOR A GOLD SEDAN. 926 00:36:55,752 --> 00:36:57,588 YOU JUST DESCRIBED FIVE CARS I HAVE BACK THERE. 927 00:36:59,055 --> 00:37:00,791 YOU BET. 928 00:37:03,827 --> 00:37:06,930 CUTE LITTLE TRICK YOU DID WITH THE MADONNAS. 929 00:37:06,963 --> 00:37:09,700 YOU CALLED US. YOU WANT TO DEAL? 930 00:37:09,733 --> 00:37:12,969 FOUND SOMETHING OF YOURS. 931 00:37:13,003 --> 00:37:14,571 OH, GOD, DON'T HURT ME. 932 00:37:14,605 --> 00:37:16,473 -GET OUT OF THE CAR. -[ Straining ] I'M SORRY. 933 00:37:16,507 --> 00:37:17,874 I'M SORRY. 934 00:37:17,908 --> 00:37:19,009 THE COURIER. 935 00:37:21,612 --> 00:37:24,715 LOOK -- YOU CAN TAKE THE CAR. SIGN OF GOOD FAITH. 936 00:37:24,748 --> 00:37:26,583 WE'LL TAKE COMMISSION. 937 00:37:26,617 --> 00:37:28,652 WE GET A TASTE OF EVERY SHIPMENT, 938 00:37:28,685 --> 00:37:30,554 AND YOU GUYS GET PROTECTION. 939 00:37:30,587 --> 00:37:32,956 FROM THE COPS AND THE IRISH. 940 00:37:32,989 --> 00:37:33,990 AND WHAT ABOUT HIM? 941 00:37:34,024 --> 00:37:35,292 OH, WE'LL DEAL WITH HIM FOR YOU. 942 00:37:35,326 --> 00:37:37,494 [ GROANS ] 943 00:37:40,497 --> 00:37:41,732 THIS A SETUP? 944 00:37:41,765 --> 00:37:45,469 HELL NO, MAN. I'M A DIRTY COP. 945 00:37:45,502 --> 00:37:49,440 LOOK -- THEY GOT CAMERAS ON EACH OF THE ENTRANCES. 946 00:37:49,473 --> 00:37:53,310 NOW, GIVE US TWO MINUTES TO GET OUT CLEAN, ALL RIGHT? 947 00:37:57,681 --> 00:38:01,718 -ELIOT AND HARDISON ALL SET? -EVERYTHING'S GOOD. 948 00:38:01,752 --> 00:38:03,019 SHOWTIME. 949 00:38:04,655 --> 00:38:05,956 [ HURLEY STAMMERS ] 950 00:38:05,989 --> 00:38:07,558 I-I CAN'T DO THIS. 951 00:38:07,591 --> 00:38:10,461 HURLEY, HURLEY, YOU AGREED. 952 00:38:10,494 --> 00:38:11,962 -NO, THEY'RE GONNA KILL ME! -YOU AGREED, HURLEY. 953 00:38:11,995 --> 00:38:13,564 NO! I CAN'T! I'M SORRY! 954 00:38:13,597 --> 00:38:15,031 STICK TO THE PLAN, HURLEY! 955 00:38:15,065 --> 00:38:17,501 [ ENGINE TURNS OVER, TIRES SCREECH ] 956 00:38:17,534 --> 00:38:19,035 GET THE DRUGS! 957 00:38:19,069 --> 00:38:23,607 YEAH, THE COURIER'S PULLED A RUNNER! HE'S HEADING YOUR WAY! 958 00:38:23,640 --> 00:38:26,577 [ ENGINE TURNS OVER ] 959 00:38:33,083 --> 00:38:36,086 [ TIRES SCREECHING ] 960 00:38:41,825 --> 00:38:43,527 GO! HE'S COMING AROUND TOWARDS YOU! 961 00:38:43,560 --> 00:38:46,397 NO, NO! STRAIGHT! NO, NO, NO, LEFT, LEFT! 962 00:38:56,840 --> 00:38:59,710 THERE HE IS! THE ONE WITH THE MEXICAN PLATES! 963 00:39:00,777 --> 00:39:03,113 FINE. WE'LL DO THIS OLD-SCHOOL. 964 00:39:05,982 --> 00:39:08,819 -TAKE IT EASY! -KEEP YOUR HANDS TO YOURSELF! 965 00:39:10,186 --> 00:39:14,558 I DON'T THINK HE'S A PRIEST, EITHER. 966 00:39:14,591 --> 00:39:17,428 I WANT YOU TO GET THEM OUT OF HERE, ALL RIGHT? ALL RIGHT. 967 00:39:17,461 --> 00:39:19,996 -I'M A RESPECTABLE BUSINESSMAN! -NO, YOU AREN'T! 968 00:39:24,200 --> 00:39:25,902 THE BARBERSHOP -- WITH ME, RIGHT? -- TOLD HIM TO GET A JHERI CURL 969 00:39:25,936 --> 00:39:27,037 'CAUSE HE DIDN'T KNOW WHAT ONE WAS -- 970 00:39:27,070 --> 00:39:28,672 TOLD HIM IT'D MAKE HIS HAIR REAL STRAIGHT AND PRETTY. 971 00:39:28,705 --> 00:39:29,640 BOY LOOKED LIKE HE WAS BEAT 972 00:39:29,673 --> 00:39:31,508 WITH A BOTTLE OF BABY OIL FOR ABOUT A MONTH. 973 00:39:31,542 --> 00:39:33,777 [ LAUGHTER ] 974 00:39:33,810 --> 00:39:36,046 HURLEY, HOW YOU DOING? 975 00:39:36,079 --> 00:39:39,650 I CAN'T BELIEVE YOU HAD TO BAIL ME OUT OF TROUBLE AGAIN. 976 00:39:39,683 --> 00:39:40,517 NO, NO, LISTEN, HURLEY -- 977 00:39:40,551 --> 00:39:42,118 YOU PUT YOUR LIFE ON THE LINE TONIGHT 978 00:39:42,152 --> 00:39:43,554 BECAUSE IT WAS THE RIGHT THING TO DO. 979 00:39:43,587 --> 00:39:44,588 YOU REALIZE THAT, RIGHT? 980 00:39:44,621 --> 00:39:45,989 AND BY THE WAY, FOR THE RECORD, 981 00:39:46,022 --> 00:39:47,858 YOU'RE NOT THE SAME GUY YOU USED TO BE. 982 00:39:47,891 --> 00:39:49,593 OKAY? 983 00:39:49,626 --> 00:39:52,996 WELL, I KNOW I'M NOT YOUR FRIEND, NATE, 984 00:39:53,029 --> 00:39:56,767 BUT FOR WHAT IT'S WORTH, YOU'RE MINE. 985 00:39:56,800 --> 00:39:58,502 [ CHUCKLES ] 986 00:39:58,535 --> 00:40:01,505 [ LAUGHTER ] 987 00:40:01,538 --> 00:40:04,475 SHE'S NOT A NUN, IS SHE? 988 00:40:05,776 --> 00:40:07,143 [ SIGHS ] 989 00:40:07,177 --> 00:40:11,114 YEAH. 990 00:40:12,549 --> 00:40:14,017 OH, I'M SO SORRY. 991 00:40:14,050 --> 00:40:15,886 OH. NO, THAT'S OKAY. IT WAS MY FAULT. 992 00:40:15,919 --> 00:40:17,754 HURLEY. 993 00:40:17,788 --> 00:40:20,491 OH, HI. PEGGY. 994 00:40:20,524 --> 00:40:22,893 UM, ARE YOU GOING OUT ALONE? IT'S KIND OF LATE. 995 00:40:22,926 --> 00:40:24,828 YEAH, I'LL -- I'LL BE FINE. 996 00:40:24,861 --> 00:40:26,630 LET ME WALK YOU. 997 00:40:26,663 --> 00:40:30,133 UH, OKAY. [ CHUCKLES ] 998 00:40:30,166 --> 00:40:33,136 WHAT A GENTLEMAN. OOH! YOUR ARM. [ LAUGHS ] 999 00:40:33,169 --> 00:40:34,605 DO YOU LIKE TACOS AT ALL? 1000 00:40:34,638 --> 00:40:35,872 YES. DO YOU LIKE CATS? 1001 00:40:35,906 --> 00:40:37,608 -OH, DO I LIKE CATS? -YOU DO? 1002 00:40:37,641 --> 00:40:41,612 OH. HEY, HEY. CAN I JUST ASK YOU ONE THING HERE BECAUSE... 1003 00:40:41,645 --> 00:40:45,015 HOW IN THE HELL WOULD YOU GIVE HURLEY 1004 00:40:45,048 --> 00:40:47,150 INFORMATION ABOUT HOW TO FIND ME -- EVER? 1005 00:40:47,183 --> 00:40:50,487 [ CHUCKLES ] YOU KNOW, NATE, IT SEEMS LIKE 1006 00:40:50,521 --> 00:40:52,756 LATELY YOU'VE BEEN SO FOCUSED ON THE PART OF THE JOB 1007 00:40:52,789 --> 00:40:54,925 WHERE WE WRECK PEOPLE, I THOUGHT IT MIGHT BE NICE 1008 00:40:54,958 --> 00:40:57,127 TO SHOW YOU WE ACTUALLY DO SOME GOOD IN THE WORLD. 1009 00:40:57,160 --> 00:40:58,729 I KNOW YOU'RE MAD, BUT -- 1010 00:40:58,762 --> 00:41:00,731 HARDISON... 1011 00:41:00,764 --> 00:41:03,033 THANKS. 1012 00:41:03,066 --> 00:41:04,935 ALL RIGHT. 1013 00:41:12,709 --> 00:41:15,812 YOU, UH...WE'RE GONNA... 1014 00:41:15,846 --> 00:41:18,281 OH, YEAH, NO, HEY. 1015 00:41:18,314 --> 00:41:20,517 OKAY. 1016 00:41:22,218 --> 00:41:23,787 [ INDISTINCT CONVERSATION ] 1017 00:41:23,820 --> 00:41:25,922 YOU WANT TO SEE HOW MY NIGHT WAS? 1018 00:41:25,956 --> 00:41:27,791 DON'T TALK TO THEM. THEN THEY'LL MAKE US STAY. 1019 00:41:27,824 --> 00:41:28,792 YOU SEE THIS? YEAH. 1020 00:41:28,825 --> 00:41:30,927 HEY, OH! THERE THEY ARE. 1021 00:41:30,961 --> 00:41:32,062 AH. 1022 00:41:32,095 --> 00:41:33,664 SOPHIE, THIS IS LUPE. 1023 00:41:33,697 --> 00:41:35,098 [ ALL TALKING ] 1024 00:41:35,131 --> 00:41:36,132 LET ME POUR YOU A DRINK! 1025 00:41:36,166 --> 00:41:38,268 ALL RIGHT. ALL RIGHT. WE WERE DRINKING TEQUILA. 1026 00:41:38,301 --> 00:41:41,171 I GOT WHISKEY. 68732

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