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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,012 --> 00:00:07,780 [ TELEPHONE RINGS ] 2 00:00:07,813 --> 00:00:09,415 GOOD CHEER GREETING CARD COMPANY. 3 00:00:09,448 --> 00:00:12,151 HOW MAY I DIRECT YOUR CALL? 4 00:00:12,185 --> 00:00:13,619 HEY! HAL. 5 00:00:13,652 --> 00:00:14,587 F'LEESH. 6 00:00:14,620 --> 00:00:18,491 HEAD OF H.R., CALLING ME IN TO SEE HER -- 7 00:00:18,524 --> 00:00:19,692 AWFULLY FORMAL. 8 00:00:19,725 --> 00:00:23,396 OH, WAIT, DID I ALREADY MISS THE BROWNIES YOU BROUGHT IN? 9 00:00:23,429 --> 00:00:25,231 HAL... 10 00:00:25,264 --> 00:00:26,399 SOMETHING'S COME UP. 11 00:00:26,432 --> 00:00:28,234 I [SIGHS] 12 00:00:28,267 --> 00:00:29,635 THIS JUST ISN'T FAIR. 13 00:00:29,668 --> 00:00:31,070 [ SIGHS ] 14 00:00:31,104 --> 00:00:32,071 ARE YOU KIDDING ME? 15 00:00:32,105 --> 00:00:34,807 BARTLEY IS DRIVING THIS PLACE INTO THE GROUND! 16 00:00:34,840 --> 00:00:37,810 COMPANY I SPENT MY LIFE BUILDING UP! 17 00:00:37,843 --> 00:00:39,612 CAN'T EVEN DO HIS OWN DIRTY WORK, CAN HE? 18 00:00:39,645 --> 00:00:42,348 I GIVE HIM SIX MONTHS BEFORE HE ASKS ME TO FIRE MYSELF. 19 00:00:42,381 --> 00:00:44,083 -BARTLEY! -HAL? 20 00:00:44,117 --> 00:00:46,119 YOU AND I BOTH KNOW WHY THIS IS HAPPENING NOW! 21 00:00:46,152 --> 00:00:47,653 -GET OUT HERE! -WHAT'S GOING ON? 22 00:00:47,686 --> 00:00:49,855 GET OUT HERE AND TELL ME TO MY FACE! 23 00:00:49,888 --> 00:00:52,258 -BARTLEY! HEY! LET GO OF ME! -ALL RIGHT, THAT'S ENOUGH. 24 00:00:52,291 --> 00:00:54,227 -BARTLEY! [ WHISTLE BLOWS ] 25 00:00:54,260 --> 00:00:57,463 ENTER YOUR FANTASY FOOTBALL PICK IN TWO MINUTES. 26 00:00:57,496 --> 00:00:58,631 YOU THINK HE'S EMBEZZLING? 27 00:00:58,664 --> 00:01:01,367 IT'S ALL I CAN COME UP WITH. 28 00:01:01,400 --> 00:01:04,437 I FOUND SOME IRREGULARITIES IN THE COMPANY BOOKS, 29 00:01:04,470 --> 00:01:07,606 MENTIONED THE DISCREPANCIES TO BARTLEY PRIVATELY, 30 00:01:07,640 --> 00:01:09,142 AND I'M LET GO WITHIN A WEEK. 31 00:01:09,175 --> 00:01:11,210 NOT EXACTLY THE WORK OF A CRIMINAL MASTERMIND. 32 00:01:11,244 --> 00:01:12,378 MR. FORD... 33 00:01:12,411 --> 00:01:14,813 I HELPED FRED BARTLEY'S FATHER AND GRANDFATHER 34 00:01:14,847 --> 00:01:17,783 BUILD GOOD CHEER CARDS UP FROM A STOREFRONT 35 00:01:17,816 --> 00:01:20,153 ON GRAND AVENUE IN MONTVALE, MASS., 36 00:01:20,186 --> 00:01:22,288 TO BE THE BEST INDEPENDENT BRAND IN THE REGION. 37 00:01:22,321 --> 00:01:23,756 OKAY, SO, I GET IT -- YOU WANT TO BE PART 38 00:01:23,789 --> 00:01:25,691 OF THE PAYDAY WHEN HEARTFELT COMES IN AND BUYS THEM OUT. 39 00:01:25,724 --> 00:01:27,226 IT SHOULDN'T BE TOO HARD. 40 00:01:27,260 --> 00:01:28,827 MAYBE I CAME TO THE WRONG PLACE. 41 00:01:28,861 --> 00:01:29,862 WHAT DO YOU MEAN? 42 00:01:29,895 --> 00:01:33,166 THIS IS ABOUT THE COMPANY, MR. FORD, 43 00:01:33,199 --> 00:01:34,867 AND THE WHOLE TOWN -- NOT ME. 44 00:01:34,900 --> 00:01:38,871 FRED BARTLEY, THE C.E.O., HAS GOOD CHEER IN A TAILSPIN. 45 00:01:38,904 --> 00:01:41,207 COMPANY KEEPS GOING THE WAY HE'S TAKING IT, 46 00:01:41,240 --> 00:01:43,842 A YEAR FROM NOW, MONTVALE'S A GHOST TOWN. 47 00:01:43,876 --> 00:01:45,578 THIS HEARTFELT BUYOUT... 48 00:01:45,611 --> 00:01:47,580 THAT COULD SAVE US. 49 00:01:51,817 --> 00:01:53,319 YOU'VE COME TO THE RIGHT PLACE. 50 00:01:54,620 --> 00:01:56,655 HEY, GUYS, I GOT BAD NEWS AND BAD NEWS, 51 00:01:56,689 --> 00:01:58,857 SO I'LL START WITH THE BAD NEWS. 52 00:01:58,891 --> 00:02:00,493 [ COMPUTER BEEPING ] 53 00:02:00,526 --> 00:02:02,295 GOOD CHEER WAS ALREADY A SINKING SHIP, 54 00:02:02,328 --> 00:02:04,597 HAVING NOTHING TO DO WITH THE C.E.O.'s EMBEZZLEMENT. 55 00:02:04,630 --> 00:02:05,731 I MEAN, IT'S CERTAINLY NOT HELPING, 56 00:02:05,764 --> 00:02:08,767 BUT ONE DIVISION FAILS AFTER THE OTHER LIKE CLOCKWORK. 57 00:02:08,801 --> 00:02:10,135 Y-- 58 00:02:11,837 --> 00:02:13,272 YOU KNOW THAT WAS MINE. 59 00:02:13,306 --> 00:02:14,373 OH, I THOUGHT YOU GOT IT FOR ME. 60 00:02:14,407 --> 00:02:15,308 OH, REALLY? 61 00:02:15,341 --> 00:02:16,409 YEAH. WHAT, I CAN'T ENJOY AN ORANGE SODA? 62 00:02:16,442 --> 00:02:17,610 -NO, YOU CAN'T. -HUH? 63 00:02:17,643 --> 00:02:19,312 DON'T THINK I DON'T SEE WHAT YOU'RE DOING. 64 00:02:19,345 --> 00:02:20,879 -WHAT IS HE DOING? -SHUT UP. 65 00:02:20,913 --> 00:02:22,881 -THIS MAKE US EVEN NOW? -OKAY, GUYS, GUYS. 66 00:02:22,915 --> 00:02:25,218 THE TOWN OF MONTVALE, MASSACHUSETTS -- 67 00:02:25,251 --> 00:02:26,352 BUILT UPON THE SUCCESS 68 00:02:26,385 --> 00:02:28,254 OF GOOD CHEER GREETING CARD COMPANY. 69 00:02:28,287 --> 00:02:30,856 EVERYTHING FROM THE OFFICES TO THEIR PRINTING OPERATION, 70 00:02:30,889 --> 00:02:33,492 WAREHOUSE, SHIPPING -- THEY ARE THE LOCAL ECONOMY. 71 00:02:33,526 --> 00:02:35,594 -SO BASICALLY IT'S A MILL TOWN. -YEAH, SO -- 72 00:02:35,628 --> 00:02:37,863 YEAH, EXCEPT THIS MILL HAS A GOOD CHANCE OF BEING BOUGHT OUT 73 00:02:37,896 --> 00:02:39,465 BY HEARTFELT CARDS AT THE END OF THE WEEK, 74 00:02:39,498 --> 00:02:40,733 WHICH IS A GREAT WIN FOR GOOD CHEER. 75 00:02:40,766 --> 00:02:42,435 YEAH, AS LONG AS THIS EMBEZZLEMENT SCAM 76 00:02:42,468 --> 00:02:43,669 -DOESN'T GET IN THE WAY. -YEAH. 77 00:02:43,702 --> 00:02:46,872 NOW, THE C.E.O., FRED BARTLEY, IS A WASHED-UP QUARTERBACK, 78 00:02:46,905 --> 00:02:48,907 GRANDSON OF GOOD CHEER'S FOUNDER. 79 00:02:48,941 --> 00:02:50,909 HE WAS A BLUE-CHIP BALLPLAYER UNTIL HE INJURED HIS BACK. 80 00:02:50,943 --> 00:02:53,379 LET'S RUN THE WICKED STEPSISTER. IT'S PERFECT. 81 00:02:53,412 --> 00:02:56,349 NO, T-THAT'S WAY TOO INVOLVED, SOPHIE. NO, NO. 82 00:02:56,382 --> 00:02:57,950 NO, I'M THINKING ABOUT SOMETHING SIMPLER, ACTUALLY. 83 00:02:57,983 --> 00:02:59,385 FOR US TO MAYBE, UH... 84 00:02:59,418 --> 00:03:01,287 -WHAT IS -- WHAT ARE YOU -- -WHAT? NOTHING. 85 00:03:01,320 --> 00:03:02,187 THIS GUY'S BUYING UP A BUNCH 86 00:03:02,221 --> 00:03:04,257 OF EXPENSIVE OFFICE EQUIPMENT, SUPPLIES. 87 00:03:04,290 --> 00:03:06,259 THE THING IS, IT NEVER GETS DROPPED OFF. 88 00:03:06,292 --> 00:03:08,561 OR IT COSTS MUCH LESS THAN IT SAYS ON THE BOOKS. 89 00:03:08,594 --> 00:03:10,396 BARTLEY HAS GOT TO BE POCKETING THE DIFFERENCE. 90 00:03:10,429 --> 00:03:12,265 ALL RIGHT, THE THING ABOUT IT IS, HEARTFELT -- 91 00:03:12,298 --> 00:03:15,268 THEY THRIVE ON THEIR SPARKLING GOOD, CLEAN IMAGE. 92 00:03:15,301 --> 00:03:17,936 SO IF WE CAN EXPOSE THE C.E.O. OF GOOD CHEER 93 00:03:17,970 --> 00:03:20,005 BEFORE GOOD CHEER DOES THEIR PRESENTATION 94 00:03:20,038 --> 00:03:21,774 FOR HEARTFELT ON FRIDAY, 95 00:03:21,807 --> 00:03:23,676 THEN THAT STILL GIVES THEM ENOUGH COVER 96 00:03:23,709 --> 00:03:25,544 TO GO AHEAD WITH THE BUYOUT, DOESN'T IT? 97 00:03:25,578 --> 00:03:27,913 YEAH, HEARTFELT PULLS GOOD CHEER INTO THEIR WARM EMBRACE... 98 00:03:27,946 --> 00:03:30,549 SAVING A TOWN AND A COMPANY. 99 00:03:30,583 --> 00:03:32,585 ALL RIGHT. HIGH-FIVE FROM AROUND. 100 00:03:32,618 --> 00:03:34,253 MY DAMN SODA. 101 00:03:34,287 --> 00:03:38,391 OKAY, SOPHIE, YOU AND PARKER ARE GONNA ENTERTAIN THEM ALL 102 00:03:38,424 --> 00:03:40,826 WHILE ELIOT AND HARDISON GET THE EVIDENCE WE NEED. 103 00:03:40,859 --> 00:03:43,362 -UM... -OH. 104 00:03:44,463 --> 00:03:46,265 HELLO! 105 00:03:46,299 --> 00:03:47,366 YES. HI. I AM -- 106 00:03:47,400 --> 00:03:49,935 OH, HEY, DON'T MIND HER. DON'T MIND HER, MR. MEEKER. 107 00:03:49,968 --> 00:03:52,305 NO, WE'VE JUST NEVER HIRED A-AN EFFICIENCY TEAM BEFORE. 108 00:03:52,338 --> 00:03:53,706 -OH. -YEAH. 109 00:03:53,739 --> 00:03:55,574 BUT YOUR BID WAS, UH, SO MUCH LOWER 110 00:03:55,608 --> 00:03:56,675 THAN ALL THE OTHER CONSULTANTS'. 111 00:03:56,709 --> 00:03:58,977 YEAH, WELL, I MEAN, IT'S REALLY NOTHING TO WORK WITH. 112 00:03:59,011 --> 00:04:01,013 KIND OF GOES WITH THE TERRITORY, UH, MR. BARTLEY. 113 00:04:01,046 --> 00:04:02,948 YEAH, NO, MY ASSOCIATES AND I, WE'RE JUST HERE 114 00:04:02,981 --> 00:04:05,984 SIMPLY TO SURVEY YOUR OPERATIVE INFRASTRUCTURE 115 00:04:06,018 --> 00:04:07,720 AND SHAKE UP THE CREATIVE PROCESS 116 00:04:07,753 --> 00:04:09,588 AND FORTIFY THE I.T. AND -- 117 00:04:09,622 --> 00:04:11,557 AND THEN WE'LL, UH, DETERMINE AND STRENGTHEN 118 00:04:11,590 --> 00:04:14,026 AND STREAMLINE YOUR VERTICAL FLUIDITY, 119 00:04:14,059 --> 00:04:17,563 YOU KNOW, FROM THE TOP DOWN AND THE BOTTOM UP, 120 00:04:17,596 --> 00:04:18,664 AND THEN WE'RE GOOD TO GO. 121 00:04:18,697 --> 00:04:20,466 COOL. COOL. 122 00:04:20,499 --> 00:04:23,035 LIKE THE SCRIMMAGE BEFORE A BIG GAME. 123 00:04:23,068 --> 00:04:24,437 HA HA! YEAH, IF THAT HELPS YOU. 124 00:04:24,470 --> 00:04:26,339 -OKAY, LET'S GO TO WORK, GUYS. -COOL. 125 00:04:26,372 --> 00:04:27,272 -SO... -UH-HUH. 126 00:04:27,306 --> 00:04:28,441 IF YOU COULD SHOW US AROUND A LITTLE BIT. 127 00:04:28,474 --> 00:04:30,776 OKAY, SO, WE'LL JUST, UH, WE'LL ROLL OFF A COUPLE COPIES 128 00:04:30,809 --> 00:04:31,910 OF YOUR PAPERWORK HERE. 129 00:04:31,944 --> 00:04:34,847 I'M SORRY, MR. BARTLEY. THE COPIER IS STILL BROKEN. 130 00:04:34,880 --> 00:04:36,315 OH, NOT A GOOD START. 131 00:04:36,349 --> 00:04:38,484 JOE MEEKER OF MEEKER EFFICIENCY CONSULTING. 132 00:04:38,517 --> 00:04:40,519 -[ BARTLEY SIGHS ] -[ EXHALES SHARPLY ] 133 00:04:40,553 --> 00:04:41,954 FELICIA FROM H.R. 134 00:04:41,987 --> 00:04:43,088 WOULD YOU EXCUSE ME? 135 00:04:43,121 --> 00:04:44,923 -COULD WE...? -SURE. NO. YEAH. 136 00:04:44,957 --> 00:04:46,124 IT'S A SOLID COPIER, MR. MEEKER. 137 00:04:46,158 --> 00:04:48,026 YOU SHOULD HAVE TOLD ME ABOUT HAVING AN EFFICIENCY TEAM 138 00:04:48,060 --> 00:04:49,094 -YEAH. -HERE THIS WEEK. 139 00:04:49,127 --> 00:04:51,029 I MEAN, YOU ASKED ME TO SET UP A SHARED CALENDAR. 140 00:04:51,063 --> 00:04:53,732 WHAT A WEEK FOR YOU TO DECIDE NOT TO CHECK IT. 141 00:04:53,766 --> 00:04:55,501 FELICIA, DO YOU HAVE ANY OF THOSE BROWNIES? 142 00:04:55,534 --> 00:04:56,969 [ SIGHS ] 143 00:04:57,002 --> 00:04:59,004 LOOK, I JUST -- I JUST WANT TO PUT 144 00:04:59,037 --> 00:05:01,039 OUR BEST TEAM ON THE FIELD FOR THE HEARTFELT MEETING. 145 00:05:01,073 --> 00:05:03,108 I-I'M NOT SURE WHAT THE PROBLEM IS WITH THAT. 146 00:05:03,141 --> 00:05:05,411 [ SIGHS ] 147 00:05:05,444 --> 00:05:08,414 THE DOCUMENTARY-FILM CREW IS HERE THIS WEEK. 148 00:05:09,948 --> 00:05:13,852 [ German accent ] I LOVE THIS VISUAL METAPHOR. 149 00:05:13,886 --> 00:05:15,521 WATER LEECHES OUT... 150 00:05:15,554 --> 00:05:17,590 SPIRALING DOWN. 151 00:05:17,623 --> 00:05:18,891 IT'S A DREAM. 152 00:05:18,924 --> 00:05:20,393 LIKE DREAMS. 153 00:05:20,426 --> 00:05:21,360 HEY, THERE. JOE MEEKER. 154 00:05:21,394 --> 00:05:23,429 MEEKER EFFICIENCY CONSULTING. WHO ARE YOU? 155 00:05:23,462 --> 00:05:27,700 NOTED GERMAN DOCUMENTARY FILMMAKER GUNTER HANZIG. 156 00:05:27,733 --> 00:05:29,368 YOU HAVE SEEN MY FILMS. 157 00:05:29,402 --> 00:05:30,503 WHO HASN'T? 158 00:05:30,536 --> 00:05:31,970 "CHRISTMAS, INCORPORATED"... 159 00:05:32,004 --> 00:05:33,906 "DAIRY OF A SNOW LEOPARD." MM-HA. 160 00:05:33,939 --> 00:05:35,808 MAYBE THAT'S "DIARY." "DIARY OF A SNOW LEOPARD." 161 00:05:35,841 --> 00:05:39,044 AHHHHHH. YOU LIKE IT? 162 00:05:39,077 --> 00:05:40,379 [ CHUCKLES ] 163 00:05:40,413 --> 00:05:41,847 WELL, HONOR TO MEET YOU. 164 00:05:41,880 --> 00:05:43,416 -AH, THIS LATEST... -OOH. 165 00:05:43,449 --> 00:05:45,384 ...MASTERPIECE OF MINE 166 00:05:45,418 --> 00:05:48,954 IS A DOCUMENTARY ABOUT AMERICAN SMALL BUSINESSES -- 167 00:05:48,987 --> 00:05:51,457 YOU KNOW, THE OIL THAT LUBRICATES 168 00:05:51,490 --> 00:05:53,992 THE CAPITALIST ENGINE. 169 00:05:54,026 --> 00:05:56,829 YOU'RE DOING A DOCUMENTARY ABOUT GOOD CHEER? 170 00:05:56,862 --> 00:05:59,732 WHAT BETTER METAPHOR FOR THE MODERN SOCIETY 171 00:05:59,765 --> 00:06:05,170 THAN A COMPANY THAT SELLS JOY STRUGGLING TO SURVIVE? 172 00:06:05,203 --> 00:06:08,140 IT'S JUST LIKE THE WATER... 173 00:06:08,173 --> 00:06:10,576 IN THE COO-LER. 174 00:06:10,609 --> 00:06:12,077 I'M NOWHERE, I'M EVERYWHERE. 175 00:06:12,110 --> 00:06:15,581 I'M JUST A TOURIST IN THE HARSH REALITY OF... 176 00:06:15,614 --> 00:06:16,715 GOOD CHEER. 177 00:06:16,749 --> 00:06:17,883 [ TELEPHONE RINGS IN DISTANCE ] 178 00:06:17,916 --> 00:06:19,552 [ CHUCKLES ] 179 00:06:19,585 --> 00:06:21,153 [ SPEAKING GERMAN, CLICKING TONGUE ] 180 00:06:23,489 --> 00:06:26,759 OKAY, GUYS, SLIGHT COMPLICATION. 181 00:06:29,928 --> 00:06:32,130 YOU THINK? 182 00:06:35,033 --> 00:06:37,169 WE HAVE TO DELAY, WAIT TILL THE CAMERAS HAVE GONE. 183 00:06:37,202 --> 00:06:39,137 No, no. We do not delay. 184 00:06:39,171 --> 00:06:41,139 GOOD CHEER GREETING CARD COMPANY. 185 00:06:41,173 --> 00:06:43,408 THIS IS AMY. HOW MAY I HELP YOU? 186 00:06:45,177 --> 00:06:47,112 GUYS, HEARTFELT GETS HERE IN LESS THAN THREE DAYS. 187 00:06:47,145 --> 00:06:48,981 LOOK, IF BARTLEY'S EMBEZZLEMENT COMES TO LIGHT 188 00:06:49,014 --> 00:06:50,749 ONCE THEY'VE ALREADY BOUGHT THIS PLACE UP -- 189 00:06:50,783 --> 00:06:52,485 They'll drop Good Cheer in a flash. 190 00:06:52,518 --> 00:06:54,019 NO, NO, WE CAN'T, UH, DELAY. 191 00:06:54,052 --> 00:06:56,522 IF THE COMPANY GOES DOWN, THEN THE TOWN IS GONNA GO DOWN. 192 00:06:56,555 --> 00:06:57,389 WE HAVE NO TIME TO DELAY. 193 00:06:57,422 --> 00:06:59,592 NO, THERE'S ONLY ONE THING WE CAN DO. 194 00:06:59,625 --> 00:07:01,594 ONLY ONE THING. 195 00:07:01,627 --> 00:07:03,596 [ SIGHS ] 196 00:07:03,629 --> 00:07:05,631 [ CLEARS THROAT ] 197 00:07:05,664 --> 00:07:08,033 -OKAY. -MM. 198 00:07:08,066 --> 00:07:10,503 WHAT IS THAT, UH, EXPRESSION YOU GUYS SAY? 199 00:07:10,536 --> 00:07:13,205 UH, "ROLL CAMERA"? HMM? 200 00:07:13,238 --> 00:07:15,908 DON'T ADDRESS ME DIRECTLY. 201 00:07:21,680 --> 00:07:24,249 NOW, I'M HERE TO INTRODUCE YOU 202 00:07:24,282 --> 00:07:26,619 TO SOME NEW FRIENDS OF THE PROGRAM. 203 00:07:26,652 --> 00:07:29,488 FIRST AND FOREMOST, WE HAVE MR. JOSEPH MEEKER 204 00:07:29,522 --> 00:07:33,792 OF MEEKER EFFICIENCY... 205 00:07:33,826 --> 00:07:34,960 -CONSULTING. -...CONSULTING. 206 00:07:34,993 --> 00:07:39,064 AND HE AND HIS GUYS ARE HERE TO PREPARE US FOR VICTORY. 207 00:07:39,097 --> 00:07:40,766 TIME TO DETERMINE WHICH OF YOU 208 00:07:40,799 --> 00:07:42,668 IS HERE TO SCORE THE WINNING TOUCHDOWN... 209 00:07:42,701 --> 00:07:44,703 -[ YAWNS ] -...AND TAKE THE BALL -- 210 00:07:44,737 --> 00:07:45,838 OKAY, YEAH. THANKS. 211 00:07:45,871 --> 00:07:49,074 WHO HERE WANTS TO TAKE GOOD CHEER TO THE NEXT LEVEL, 212 00:07:49,107 --> 00:07:52,010 RESTORE IT TO ITS FORMER GLORY, HUH? 213 00:07:52,044 --> 00:07:53,946 -YES! YES! -ALL RIGHT, LET'S DO IT. 214 00:07:53,979 --> 00:07:55,848 CLAP IT UP. WELL DONE, "MEEKS." 215 00:07:55,881 --> 00:07:59,718 I, UM, I JUST THOUGHT THAT I'D MAKE THE INTRODUCTIONS MYSELF. 216 00:07:59,752 --> 00:08:03,722 UH, MS. CRYSTAL, SHE, UH, SHE'S OUR EMOTIONEER. 217 00:08:03,756 --> 00:08:05,991 YEAH, AND WHAT SHE'LL BE DOING IS SHE'LL BE LEADING THE TEAM 218 00:08:06,024 --> 00:08:09,261 THROUGH SOME, UH, SOME CREATIVE EXERCISES. 219 00:08:09,294 --> 00:08:11,597 NOW, EVERYBODY TAKE A FINGER. 220 00:08:11,630 --> 00:08:13,566 UM, THE INDEX WORKS WELL. 221 00:08:13,599 --> 00:08:16,101 BUT THE PINKY'S GOOD FOR SMALLER CAVITIES. 222 00:08:16,134 --> 00:08:18,937 AND JUST -- JUST STICK IT INTO YOUR PARTNER'S EAR. 223 00:08:18,971 --> 00:08:20,939 JUST -- NOW, DON'T BE SHY. DON'T BE AFRAID. 224 00:08:20,973 --> 00:08:23,075 WE'RE GONNA BREAK THROUGH BARRIERS TODAY. 225 00:08:23,108 --> 00:08:26,779 JUST STICK YOUR FINGER IN YOUR PARTNER'S EAR. 226 00:08:26,812 --> 00:08:29,014 THAT'S IT. LOVELY. 227 00:08:29,047 --> 00:08:31,083 SHE'S OBVIOUSLY BRILLIANT. 228 00:08:32,685 --> 00:08:34,587 NEXT UP, WE GOT, UH, MINDY HOFFMAN, 229 00:08:34,620 --> 00:08:37,089 AND SHE, UH, SHE'S GONNA BE OBSERVING THE CARD WRITERS. 230 00:08:37,122 --> 00:08:38,891 "HAPPY ANNIVERSARY," "HAPPY HANUKKAH," 231 00:08:38,924 --> 00:08:39,858 "HAPPY GRADUATION." 232 00:08:39,892 --> 00:08:41,994 YOU KNOW, I'M SEEING A LOT OF "HAPPY" HERE. 233 00:08:42,027 --> 00:08:43,862 AREN'T PEOPLE TIRED OF THE SAME CARD, 234 00:08:43,896 --> 00:08:46,832 THE SAME POSITIVE MESSAGE OVER AND OVER AGAIN? 235 00:08:46,865 --> 00:08:48,000 [ GROANS ] 236 00:08:48,033 --> 00:08:50,836 YEAH. JENNIFER NOT TOO HAPPY, HUH? 237 00:08:50,869 --> 00:08:52,237 NOT TOO HAPPY. 238 00:08:52,270 --> 00:08:55,608 AND NEXT UP IS MR. GATES, OUR I.T. GUY -- NO RELATION. 239 00:08:55,641 --> 00:08:56,975 AND, THEN, UH, MR. DENNIS -- 240 00:08:57,009 --> 00:09:00,212 HE'S OUR, UH, INFRASTRUCTURE GUY. 241 00:09:00,245 --> 00:09:03,015 EFFICIENCY IS KNOWING WHAT EVERYONE'S PLACE IS ON THE TEAM. 242 00:09:03,048 --> 00:09:06,151 EFFICIENCY JUST MEANS MORE OF US ARE GETTING FIRED. 243 00:09:06,184 --> 00:09:07,653 [ SIGHS ] 244 00:09:10,188 --> 00:09:13,025 THIS IS WHAT WE IN THE BUSINESS CALL THE CIRCLE OF TRUST. 245 00:09:13,058 --> 00:09:15,293 NOW, WHICH OF YOU IS THE HEAD WRITER? 246 00:09:15,327 --> 00:09:17,162 -[ GRUNTS ] -OH. WHOOPSY DAISY. 247 00:09:17,195 --> 00:09:19,297 SHE -- SHE -- SHE WAS A BIT TOO TRUSTING. 248 00:09:19,331 --> 00:09:21,166 NOW, YOU -- YOU'VE LOST THE POWER OF... 249 00:09:21,199 --> 00:09:22,668 -HEY. YEAH. -HEY. 250 00:09:22,701 --> 00:09:24,770 UH, A LITTLE TOUCHY-FEELY, HUH? 251 00:09:24,803 --> 00:09:26,672 WELL, I MEAN, YOU KNOW, YOU WOULDN'T SEND A PLAYER IN 252 00:09:26,705 --> 00:09:28,173 TO DO SOMETHING A COACH WOULDN'T DO HIMSELF, WOULD YOU? 253 00:09:28,206 --> 00:09:29,007 SO GO, YEAH. 254 00:09:29,041 --> 00:09:30,976 BLINDFOLDS, LADIES AND GENTLEMEN. 255 00:09:31,009 --> 00:09:33,912 IMAGINE A WORLD WHERE YOU CANNOT SEE, YOU CAN ONLY FEEL. 256 00:09:33,946 --> 00:09:34,913 OH, MR. BARTLEY! 257 00:09:34,947 --> 00:09:35,914 -WHAT A SURPRISE! -HEY. YEAH. 258 00:09:35,948 --> 00:09:37,082 YOU CAN HAVE A BLINDFOLD. 259 00:09:37,115 --> 00:09:38,250 COULD YOU HAND THESE AROUND, PLEASE? 260 00:09:38,283 --> 00:09:40,285 NOW, LOOK. WE'RE GOING TO TAP INTO OUR PRIMAL EMOTIONS. 261 00:09:40,318 --> 00:09:41,219 WE'RE GONNA ACT LIKE MONKEYS. 262 00:09:41,253 --> 00:09:43,188 HERE'S AN INTERESTING FACT ABOUT MONKEYS. 263 00:09:43,221 --> 00:09:45,390 EACH MEMBER CONTRIBUTES TO THE PACK. 264 00:09:45,423 --> 00:09:47,259 THAT'S WHAT WE ARE TODAY -- A PACK. 265 00:09:47,292 --> 00:09:49,127 NOW, EVERYBODY DOWN ON ALL FOURS. 266 00:09:49,161 --> 00:09:51,163 COME ON. DON'T BE SHY. DOWN ON ALL FOURS. 267 00:09:51,196 --> 00:09:52,931 AND I WANT YOU TO HOP LIKE A MONKEY. 268 00:09:52,965 --> 00:09:56,268 DO MONKEYS HOP? OR IS THAT A BUNNY? 269 00:09:56,301 --> 00:09:57,235 Okay, guys, we're clear. 270 00:09:57,269 --> 00:09:59,638 See what you can find in Bartley's office. 271 00:09:59,672 --> 00:10:01,173 [ THUD ] 272 00:10:01,206 --> 00:10:02,741 SORRY. 273 00:10:02,775 --> 00:10:06,645 YEAH, I'M JUST SEARCHING FOR EVIDENCE OF EMBARRASSMENT 274 00:10:06,679 --> 00:10:08,847 OR, YOU KNOW, SOMETHING LIKE THAT. 275 00:10:08,881 --> 00:10:13,085 MR. DENNIS HERE IS GONNA GO SEARCH FOR ANY FRAGILE ACTIVITY. 276 00:10:13,118 --> 00:10:15,253 MM-HMM. MM-HMM. 277 00:10:17,389 --> 00:10:20,092 WHAT AM I CHECKING FOR? 278 00:10:20,125 --> 00:10:23,228 ANYTHING FRAGILE..."ENT." 279 00:10:23,261 --> 00:10:24,730 OH. 280 00:10:24,763 --> 00:10:26,164 ALL RIGHT. A BUNNY-MONKEY. 281 00:10:26,198 --> 00:10:27,332 NOW, EVERYBODY, COME ON. 282 00:10:27,365 --> 00:10:29,768 WE'RE GONNA -- WE'RE GONNA SWITCH IT UP. TAKE MY HAND. 283 00:10:29,802 --> 00:10:33,005 WE'RE GONNA LEAVE THIS CORPORATE PRISON BEHIND US. 284 00:10:33,038 --> 00:10:35,941 YOU'RE GONNA TRAVEL WITH ME TO THE CORNERS OF THE WORLD. 285 00:10:35,974 --> 00:10:36,975 YOU MIGHT WANT TO EASE OFF A BIT. 286 00:10:37,009 --> 00:10:38,777 IT SEEMS LIKE ONE OF YOUR CRAZY ACTING CLASSES. 287 00:10:38,811 --> 00:10:40,312 JUST -- 288 00:10:40,345 --> 00:10:44,249 * LA LA LA LA LA, OOH! LA LA LA LA LA, OOH * 289 00:10:44,282 --> 00:10:47,152 HE GAVE YOU THAT RUBBISH ABOUT EVERYBODY HAVING A PLACE? 290 00:10:47,185 --> 00:10:49,354 I -- YOU KN-- 291 00:10:49,387 --> 00:10:52,157 HE LIKES TO PUT EVERYBODY IN THEIR PLACE. THAT'S -- 292 00:10:52,190 --> 00:10:53,191 YOU KNOW, JUST LAST WEEK, 293 00:10:53,225 --> 00:10:55,994 I STARTED KEEPING A RECORD -- YEAH, A RECORD -- 294 00:10:56,028 --> 00:10:58,196 OF EVERY TIME... 295 00:10:58,230 --> 00:11:01,900 HE BLATANTLY DISRESPECTS MY CONTRIBUTIONS. 296 00:11:01,934 --> 00:11:04,169 -I MEAN, THIS IS A WEEK. -WELL DONE, TEAM. 297 00:11:04,202 --> 00:11:06,138 EVERYBODY BUNNY-HOP. HERE WE GO. 298 00:11:06,171 --> 00:11:08,040 -HOP. HOP. HOPPING. -OHH! 299 00:11:08,073 --> 00:11:09,074 OH, THIS IS THE TIME HE TOLD ME 300 00:11:09,107 --> 00:11:12,811 THAT MY ENGLISH ACCENT WASN'T CONVINCING. I -- 301 00:11:12,845 --> 00:11:14,813 THIS ONE -- YEAH. 302 00:11:14,847 --> 00:11:17,215 HE SENT ME OUT FOR A PINT OF MILK. UH-HUH. 303 00:11:17,249 --> 00:11:19,151 I TAKE OFFENSE TO THAT. 304 00:11:19,184 --> 00:11:20,452 -HEY. -WHAT? 305 00:11:20,485 --> 00:11:22,454 DID YOU FIND ANYTHING? 306 00:11:22,487 --> 00:11:24,389 GOT A HALF PACK OF CIGARETTES. 307 00:11:24,422 --> 00:11:27,392 AH, THAT'S GREAT. ANYTHING USEFUL? 308 00:11:27,425 --> 00:11:30,162 NOPE. NOTHING FRAGILE. 309 00:11:30,195 --> 00:11:32,164 NO CHEESY LITTLE ACCOUNTS WITH THE HOLES IN THEM. 310 00:11:32,197 --> 00:11:36,368 AND THE ONLY EMBARRASSMENT AROUND HERE IS YOU. 311 00:11:38,070 --> 00:11:40,272 THIS JOB IS ALL ABOUT TRUST. 312 00:11:40,305 --> 00:11:43,341 THE JOB IS ALL ABOUT RESPECT. 313 00:11:44,777 --> 00:11:46,211 GO, BABY. 314 00:11:46,244 --> 00:11:49,782 DID YOU PUT THAT IN THERE? DID YOU PUT THAT IN THE FRIDGE? 315 00:11:49,815 --> 00:11:51,449 NO, I-I JUST LIKE IT WHEN THE CHOCOLATE'S ALL COLD. 316 00:11:51,483 --> 00:11:52,785 ALL RIGHT. PUT IT BACK IN THERE. 317 00:11:52,818 --> 00:11:54,019 -IT'S NOT YOURS. -WHO YOU THINK -- 318 00:11:54,052 --> 00:11:55,320 PUT IT BACK IN THERE. IT'S NOT YOURS. 319 00:11:55,353 --> 00:11:57,289 SOMEBODY LEFT THAT SO THEY CAN EAT IT LATER. 320 00:11:57,322 --> 00:12:00,859 GET -- GET ON -- BRING IT -- BRING IT OVER. 321 00:12:00,893 --> 00:12:03,161 [ CLEARS THROAT ] 322 00:12:03,195 --> 00:12:04,997 THIS ABOUT THE SANDWICH? 323 00:12:05,030 --> 00:12:06,464 IN HERE? A GUY MAKES A SANDWICH. 324 00:12:06,498 --> 00:12:08,867 H-HE MAKES IT THAT DAY, HE WANTS TO EAT IT LATER ON THAT DAY, 325 00:12:08,901 --> 00:12:11,937 HE PUTS IT IN THE FRIDGE, HE'S GOT TO BE ABLE TO TRUST 326 00:12:11,970 --> 00:12:14,139 THAT WHEN HE COMES BACK, IT'S GONNA BE THERE FOR HIM. 327 00:12:14,172 --> 00:12:15,808 HE'S GOT TO RESPECT ME ENOUGH 328 00:12:15,841 --> 00:12:17,943 TO KNOW I DIDN'T TAKE THE DAMN SANDWICH. 329 00:12:17,976 --> 00:12:18,911 HE LIKES SANDWICHES. 330 00:12:18,944 --> 00:12:21,213 I THINK IT HAD TURKEY ON IT OR SOMETHING. 331 00:12:21,246 --> 00:12:25,317 I'M AL-- I'M ALLERGIC TO TRYPTOPHAN IN THE TURKEY. 332 00:12:25,350 --> 00:12:28,386 TWO DINOSAURS FALLING IN LOVE? 333 00:12:28,420 --> 00:12:30,122 MAKES NO SENSE! 334 00:12:30,155 --> 00:12:33,792 HOW ABOUT A DINOSAUR... 335 00:12:35,527 --> 00:12:37,329 ...RIPPING THE HEAD OFF A LION, HMM? 336 00:12:37,362 --> 00:12:39,464 OHH, YEAH. NOW WE'RE TALKING. 337 00:12:39,497 --> 00:12:41,099 [ GROWLS ] OH! 338 00:12:41,133 --> 00:12:43,101 LITTLE LION WANTS TO LEAVE THE PACK EARLY. 339 00:12:43,135 --> 00:12:45,503 A LITTLE BEAR CUB WANTS TO GO OUT AND SEE THE WORLD, HUH? 340 00:12:45,537 --> 00:12:46,839 OH, YEAH? 341 00:12:46,872 --> 00:12:50,042 RAAAAAAAAAH! 342 00:12:50,075 --> 00:12:53,278 [ SNARLING, GAGGING ] 343 00:12:55,914 --> 00:12:58,817 NOW, THAT'S A HIGH-SCHOOL-GRADUATION CARD. 344 00:13:01,219 --> 00:13:03,555 HERE SHE COMES. GET HER. 345 00:13:03,588 --> 00:13:05,924 YES, HER. 346 00:13:05,958 --> 00:13:08,193 KEEP FILMING HER. 347 00:13:08,226 --> 00:13:10,028 YEAH. GOOD, GOOD. FOLLOW HER. 348 00:13:11,163 --> 00:13:13,999 SORRY, MINDY. THE COPIER IS BROKEN. 349 00:13:14,032 --> 00:13:17,169 OH. SWEET. 350 00:13:18,303 --> 00:13:21,173 VAAAH! I HATE CAMERAS. 351 00:13:21,206 --> 00:13:23,608 YOU KNOW WHAT? I WILL BREAK IT! 352 00:13:23,641 --> 00:13:26,111 -OKAY. OKAY, OKAY, OKAY. -I WILL BREAK -- 353 00:13:26,144 --> 00:13:28,046 ACHTUNG! 354 00:13:28,080 --> 00:13:30,182 OKAY. AFTER HER. 355 00:13:32,050 --> 00:13:34,920 I DON'T REALLY HAVE ANYTHING TO SAY. 356 00:13:39,124 --> 00:13:40,893 WHY ARE YOU STILL ROLLING THE CAMERA? 357 00:13:40,926 --> 00:13:43,996 WHAT A MAGNIFICENT CREATURE. 358 00:13:47,532 --> 00:13:49,001 OH, HEY. OKAY. 359 00:13:49,034 --> 00:13:51,236 WE ARE GOING TO -- 360 00:13:51,269 --> 00:13:52,570 WE'RE GONNA CALL TO ORDER 361 00:13:52,604 --> 00:13:55,107 THE EFFICIENCY COUNCIL MEETING RIGHT NOW. 362 00:13:55,140 --> 00:13:56,875 THERE'S NOTHING ON HIS COMPUTER. 363 00:13:56,909 --> 00:13:57,775 WHAT DO YOU MEAN? 364 00:13:57,809 --> 00:13:59,211 COULDN'T FIND ANYTHING IN THE OFFICES. 365 00:13:59,244 --> 00:14:00,578 THERE'S... 366 00:14:00,612 --> 00:14:03,648 NO CHEESE ACCOUNTS, NO CRITICAL ACTIVITY. 367 00:14:03,681 --> 00:14:06,018 THERE'S NOTHING THAT SAYS HE'S... 368 00:14:06,051 --> 00:14:07,986 DE-FRAGILE-ING GOOD CHEER AT ALL. 369 00:14:08,020 --> 00:14:11,056 LOOK. ALL THE DELIVERY NOTIFICATIONS FOR THE INK. 370 00:14:11,089 --> 00:14:13,258 HE PAID FOR THAT SPECIAL HOLOGRAPHIC PRINTER. 371 00:14:13,291 --> 00:14:15,393 HE -- IT'S ALL LEGIT. 372 00:14:15,427 --> 00:14:16,528 MM-HMM. 373 00:14:16,561 --> 00:14:18,596 HE'S NOT...EMBARRASSING. 374 00:14:18,630 --> 00:14:20,232 NO, THERE'S SOMETHING ELSE HERE. 375 00:14:20,265 --> 00:14:23,235 IT'S COLOR-SHIFTING INK... 376 00:14:23,268 --> 00:14:25,503 100% COTTON PAPER. 377 00:14:26,972 --> 00:14:30,142 HE'S, UH, HE'S PRINTING, UH... 378 00:14:30,175 --> 00:14:32,277 FAKE CARDS, FAKE CARDS. 379 00:14:32,310 --> 00:14:34,346 YEAH, YOU KNOW HOW SOME GREETING CARDS HAVE... 380 00:14:34,379 --> 00:14:36,915 PEOPLE'S FACES ON THEM? UM -- 381 00:14:36,949 --> 00:14:42,020 IMPORTANT PEOPLE'S FACES ON THEM? 382 00:14:42,054 --> 00:14:45,323 OKAY, WELL, HE'S COPYING... 383 00:14:45,357 --> 00:14:47,159 THOSE DESIGNS. 384 00:14:47,192 --> 00:14:50,062 OHH! SOUNDS PRETTY EMBARRASSING TO ME. [ SCOFFS ] 385 00:14:50,095 --> 00:14:51,596 EH, NO, NO. 386 00:14:51,629 --> 00:14:54,166 HIS CARDS AREN'T REAL. 387 00:14:54,199 --> 00:14:55,367 -THEY JUST LOOK REAL. -THEY LOOK REAL, YEAH. 388 00:14:55,400 --> 00:14:56,935 -BUT THE EMOTION -- -THE EMOTION -- 389 00:14:56,969 --> 00:14:58,103 -THE EMOTION... -THE EMOTION -- 390 00:14:58,136 --> 00:14:59,371 -...IS FALSE. -IT'S FALSE. 391 00:14:59,404 --> 00:15:00,605 AND THEY SHOULDN'T BE CIRCULATED. 392 00:15:00,638 --> 00:15:02,340 AND THEY SHOULDN'T BE CIRCULATED. 393 00:15:02,374 --> 00:15:05,043 OH, THE CARDS ARE MADE FOR PASSING MONEY. 394 00:15:05,077 --> 00:15:06,511 OHH! BARTLEY'S COUNTERFEITING MO-- 395 00:15:06,544 --> 00:15:08,080 -C-CARDS! CARDS! -YEAH. 396 00:15:08,113 --> 00:15:09,314 YEAH, HE'S COUNTERFEITING CARDS. 397 00:15:09,347 --> 00:15:11,016 CARDS. 398 00:15:11,049 --> 00:15:12,350 SO W-W-WE'VE LEARNED A LOT HERE T-- OKAY, WE'RE GOOD. 399 00:15:12,384 --> 00:15:13,585 -THANK YOU. -YOU GET ENOUGH? 400 00:15:13,618 --> 00:15:15,420 THAT'S GOOD. THANK YOU. 401 00:15:17,589 --> 00:15:19,091 NO, THAT'S NOT WHAT I SAID. 402 00:15:19,124 --> 00:15:20,425 LOOK, ALL I WANT TO KNOW IS HOW DO WE NAIL 403 00:15:20,458 --> 00:15:21,626 THIS BARTLEY GUY FOR COUNTERFEITING? 404 00:15:21,659 --> 00:15:24,429 -CARDS! -PARKER, WE'RE ALONE. 405 00:15:24,462 --> 00:15:26,531 YEAH, WELL, THAT GUY GUNTER'S BEEN ON ME LIKE A CHEAP SUIT! 406 00:15:26,564 --> 00:15:28,566 THE U.S. DOLLAR IS PART LINEN. 407 00:15:28,600 --> 00:15:31,503 OUR GUY'S BEEN, UH, USING GREEN AND PURPLE INK. 408 00:15:31,536 --> 00:15:33,305 I THINK HE'S CLONING THE EURO. 409 00:15:33,338 --> 00:15:35,173 WE NEED TO FIND EVERY PIECE OF EQUIPMENT HE'S USING. 410 00:15:35,207 --> 00:15:37,642 HEY, PARKER, THE PAPER -- YOU GOT TO FIND THAT. 411 00:15:37,675 --> 00:15:40,412 ELIOT, HARDISON, GET THE INK AND ESPECIALLY THAT PRINTER. 412 00:15:40,445 --> 00:15:42,414 WE'VE GOT LESS THAN 24 HOURS TO DO IT 413 00:15:42,447 --> 00:15:44,449 -BEFORE HEARTFELT GETS HERE. -THAT'S ENOUGH. 414 00:15:49,554 --> 00:15:52,290 [ TELEPHONE RINGING, INDISTINCT CONVERSATIONS ] 415 00:16:03,068 --> 00:16:05,270 AAH! HEY, GUNTER. 416 00:16:05,303 --> 00:16:06,604 I AM NOWHERE. 417 00:16:06,638 --> 00:16:08,073 AND EVERYWHERE. I'M STARTING TO GET IT. 418 00:16:08,106 --> 00:16:09,507 MR. MEEKERS! MS. CRYSTAL! 419 00:16:09,541 --> 00:16:13,345 WE HAVEN'T HAD A CHANCE TO TALK YET. 420 00:16:13,378 --> 00:16:16,448 LISTEN, YOU KNOW, IT'S ONLY NATURAL, 421 00:16:16,481 --> 00:16:18,416 YOU KNOW, FOR YOU, AN EXECUTIVE, 422 00:16:18,450 --> 00:16:20,318 YOU KNOW, TO FEEL, YOU KNOW, THREATENED 423 00:16:20,352 --> 00:16:21,586 IN A SITUATION LIKE THIS, 424 00:16:21,619 --> 00:16:22,620 YOU KNOW, WHERE A CONSULTANT COMES IN. 425 00:16:22,654 --> 00:16:24,556 I JUST WANT TO MAKE SURE THE ROMANTIC RELATIONSHIP 426 00:16:24,589 --> 00:16:27,325 YOU'RE PURSUING WITH MS. CRYSTAL IS A HEALTHY ONE. 427 00:16:27,359 --> 00:16:28,526 FOR THE BOTH OF YOU. 428 00:16:28,560 --> 00:16:32,664 SHE MENTIONED SOMETHING CALLED, UM, REVERSE FAVORITISM, 429 00:16:32,697 --> 00:16:35,200 AND APPARENTLY I-IT'S A VERY COMMON BYPRODUCT 430 00:16:35,233 --> 00:16:37,269 IN WORKPLACE RELATIONSHIPS. 431 00:16:37,302 --> 00:16:40,572 AND SHE -- SHE OFFERED TO SPEAK TO MR. MEEKER, 432 00:16:40,605 --> 00:16:44,742 WHICH, UM, I THOUGHT WAS... 433 00:16:44,776 --> 00:16:47,579 A SPLENDID IDEA. 434 00:16:49,781 --> 00:16:52,284 -OH. [ COFFEE POT THUDS ] 435 00:16:52,317 --> 00:16:53,485 WAIT. HO-- I'M SORRY. A-ARE YOU ACTUALLY 436 00:16:53,518 --> 00:16:55,420 TRYING TO THREATEN ME INTO ADMITTING I ATE YOUR SANDWICH? 437 00:16:55,453 --> 00:16:57,289 I'M NOT THREATENING YOU. I AIN'T PLAYING WITH YOU EITHER. 438 00:16:57,322 --> 00:16:59,391 NOBODY THREATENS ANYBODY WITH A MOLDAVIAN SAWHORSE. 439 00:16:59,424 --> 00:17:01,726 YOU KNOW WHAT, MAN? CAN WE JUST FINISH FINDING 440 00:17:01,759 --> 00:17:03,495 THIS DAMN INEFFICIENT PRINTER AND DO OUR JOBS? 441 00:17:03,528 --> 00:17:04,829 WE CHECKED THE WAREHOUSE, THE OFFICE, 442 00:17:04,862 --> 00:17:06,498 THE PRINTER FARM TOP TO BOTTOM -- NOTHING. 443 00:17:06,531 --> 00:17:08,733 OKAY? MAYBE THIS GUY BARTLEY ISN'T AS DUMB AS YOU THINK. 444 00:17:08,766 --> 00:17:10,568 Shh. WHAT'S UP? 445 00:17:10,602 --> 00:17:11,569 HELP YOU GUYS? 446 00:17:11,603 --> 00:17:12,770 YEAH, WE'RE JUST, UH, LOOKING FOR THE, UH... 447 00:17:12,804 --> 00:17:15,507 TRYING TO FIND -- THIS PLACE IS LIKE A MAZE IN HERE, MAN. 448 00:17:15,540 --> 00:17:17,342 JUST TRYING TO FIGURE OUT A WAY OUT OF HERE. 449 00:17:17,375 --> 00:17:19,444 -THREE CRATES DOWN TO THE RIGHT. -THREE. 450 00:17:19,477 --> 00:17:20,478 THEN GO FOUR CRATES TO THE LEFT. 451 00:17:20,512 --> 00:17:22,647 AND THEN FOUR TO THE LEFT. TOLD YOU. I GOT IT. 452 00:17:22,680 --> 00:17:24,116 APPRECIATE IT, MAN. 453 00:17:24,149 --> 00:17:25,783 HEY, APPRECIATE IT. BLACK. YEAH! 454 00:17:25,817 --> 00:17:27,152 WALK. 455 00:17:27,185 --> 00:17:28,586 HE LOOK MAD. JUST MAD. 456 00:17:28,620 --> 00:17:29,821 WHAT THE HELL WAS THAT? 457 00:17:29,854 --> 00:17:30,855 WHAT DO YOU MEAN, "WHAT WAS THAT?" 458 00:17:30,888 --> 00:17:33,091 MAN, IF I WAS DUMMYING UP SOME CARDS LIKE BARTLEY, 459 00:17:33,125 --> 00:17:34,759 I'D DEFINITELY HAVE SOME MUSCLE IN ON THE OPERATION. 460 00:17:34,792 --> 00:17:35,693 -I'M JUST SAYING. -ARE YOU SER-- 461 00:17:35,727 --> 00:17:38,663 YOU MUST HAVE TAKEN TWO HITS TO THE HEAD. 462 00:17:38,696 --> 00:17:40,698 JUMBO BLACK BACK THERE? COME ON, MAN. 463 00:17:40,732 --> 00:17:42,267 YOU PROBABLY ATE THE DAMN SANDWICH YOURSELF 464 00:17:42,300 --> 00:17:43,301 AND FORGOT ABOUT IT. 465 00:17:46,238 --> 00:17:48,173 SO, MY SANDWICH IS FORGETTABLE? 466 00:17:48,206 --> 00:17:50,408 LISTEN, I TAKE THINLY SLICED TURKEY, ALL RIGHT? 467 00:17:50,442 --> 00:17:53,145 I PAN-SEAR IT WITH SOME SWEET MAUI ONIONS, ALL RIGHT? 468 00:17:53,178 --> 00:17:55,280 THEN I PUT A SLICE OF DILL HAVARTI CHEESE 469 00:17:55,313 --> 00:17:57,149 AND ANOTHER SLICE OF AN HEIRLOOM TOMATO. 470 00:17:57,182 --> 00:17:58,683 ALL THAT GOES ON AN EVERYTHING BAGEL, 471 00:17:58,716 --> 00:18:00,552 AND I MAKE MY OWN GARLIC-AND-GREEN-ONION 472 00:18:00,585 --> 00:18:02,287 CREAM-CHEESE SPREAD. 473 00:18:02,320 --> 00:18:04,189 THAT'S FORGETTABLE? 474 00:18:05,257 --> 00:18:06,658 I DON'T THINK SO. 475 00:18:06,691 --> 00:18:07,625 NO. MORE FORWARD. 476 00:18:07,659 --> 00:18:09,327 -FORWARD. FORWARD. -[ TAPE FAST-FORWARDING ] 477 00:18:09,361 --> 00:18:11,163 THERE. THERE. STOP. STOP. 478 00:18:11,196 --> 00:18:13,131 AHHH. 479 00:18:13,165 --> 00:18:16,368 THIS MYSTERIOUS WONDER. [ CHUCKLES ] 480 00:18:16,401 --> 00:18:21,273 SHE HAS THE NUCLEAR WINTER INSIDE HER. 481 00:18:21,306 --> 00:18:24,176 YES? [ CHUCKLES ] 482 00:18:24,209 --> 00:18:26,278 AHHHH. 483 00:18:26,311 --> 00:18:28,546 [ TELEPHONE RINGING, INDISTINCT CONVERSATIONS ] 484 00:18:28,580 --> 00:18:30,748 THERE'S BARTLEY. YOU'RE UP. 485 00:18:35,220 --> 00:18:36,788 THIS GUY IS ABOUT FIVE HOURS AWAY 486 00:18:36,821 --> 00:18:38,490 FROM GETTING AWAY WITH A SCAM. 487 00:18:38,523 --> 00:18:39,624 IT'S EMBARRASSING. 488 00:18:39,657 --> 00:18:42,727 I THOUGHT WE WERE USING FALSE EMOTION. 489 00:18:42,760 --> 00:18:45,330 YEAH. NO, WAIT. WHAT? 490 00:18:45,363 --> 00:18:48,233 NO. OH, I KNOW HE'S NOT EMBARRASSING. 491 00:18:48,266 --> 00:18:50,202 HEY. LOOK, I -- WELL, WHATEVER. 492 00:18:50,235 --> 00:18:51,803 I GOT MOST OF THIS DOWN -- 493 00:18:51,836 --> 00:18:54,539 DE-FRAGILE-ING, CHEESE-ACCOUNTS THING. 494 00:18:54,572 --> 00:18:56,174 JUST DON'T KNOW WHAT "SANDWICH" 495 00:18:56,208 --> 00:18:57,609 -HAS TO DO WITH IT. -HMM? 496 00:18:57,642 --> 00:18:59,744 SANDWICH. "SANDWICH." 497 00:18:59,777 --> 00:19:01,479 WHAT DOES THAT HAVE TO DO WITH IT? 498 00:19:01,513 --> 00:19:03,615 -IT'S JUST -- -WHAT? IT'S WHAT? 499 00:19:03,648 --> 00:19:06,351 "SANDWICH" IS AN ACTUAL SANDWICH. 500 00:19:06,384 --> 00:19:08,220 IT'S A REAL SANDWICH. IT'S A REAL SANDWICH. 501 00:19:08,253 --> 00:19:09,687 -MM-HMM. -WAS A REAL SANDWICH. 502 00:19:09,721 --> 00:19:11,789 MAN. 503 00:19:12,890 --> 00:19:14,392 ABSOLUTELY NOT. 504 00:19:14,426 --> 00:19:15,693 IT WAS IN THE FRIDGE FOR LESS THAN 24 HOURS, MAN. 505 00:19:15,727 --> 00:19:16,561 THE ONLY REASON WHY I KNOW ABOUT THE SANDWICH IN THE FIRST PLACE 506 00:19:16,594 --> 00:19:17,462 IS BECAUSE YOU WON'T SHUT UP ABOUT IT. 507 00:19:17,495 --> 00:19:18,095 HOW DO YOU EAT ANOTHER MAN'S SANDWICH? 508 00:19:18,129 --> 00:19:20,232 THAT'S A CODE OF THE WEST! 509 00:19:20,265 --> 00:19:21,299 THE -- THE -- THE 3-D PRINTER'S GOT TO BE SOMEWHERE. 510 00:19:21,333 --> 00:19:22,166 DID YOU CHECK BEHIND THE PAPER IN THE STOCK ROOM? 511 00:19:22,200 --> 00:19:23,535 I MEAN, MAYBE HE'S BUILT AN ARTIFICIAL -- 512 00:19:23,568 --> 00:19:25,603 AND SEE IF THEY BUILT AN ARTIFICIAL WALL WITH THE PAPER BOXES? 513 00:19:25,637 --> 00:19:26,604 YEAH, WE THOUGHT OF THAT. 514 00:19:26,638 --> 00:19:27,605 WHAT ABOUT THE JANITORS' CLOSET? 515 00:19:27,639 --> 00:19:29,207 NO, MAN, I'M TELLING YOU, THERE'S NO PRINTER. 516 00:19:29,241 --> 00:19:30,375 OKAY. UH, THE LOADING DOCK? 517 00:19:30,408 --> 00:19:33,245 HOW COME WE KEEP MEETING IN HERE? THE COPIER'S BROKEN. 518 00:19:33,278 --> 00:19:34,812 -[ SNIFFS ] -NO. 519 00:19:34,846 --> 00:19:36,113 -THE COPIER. -[ SNIFFS ] 520 00:19:36,147 --> 00:19:39,917 HEY, DOES ANYBODY ACTUALLY KNOW WHAT'S WRONG WITH THE COPIER? 521 00:19:39,951 --> 00:19:41,919 -IT'S NOT WORKING! -IT'S NOT WORKING! 522 00:19:41,953 --> 00:19:43,655 APPRECIATE IT. 523 00:19:43,688 --> 00:19:46,958 DOESN'T REALLY TELL YOU WHAT'S WRONG WITH IT, DOES IT? 524 00:19:51,796 --> 00:19:54,266 I KNEW IT. 525 00:19:54,299 --> 00:19:55,633 [ COPIER WHIRS ] 526 00:19:55,667 --> 00:19:57,702 OHH. 527 00:20:01,306 --> 00:20:03,641 ALL RIGHT, ALL RIGHT. WE GOT HIM. WE GOT HIM. 528 00:20:03,675 --> 00:20:04,709 YEAH, WE GOT HIM. 529 00:20:04,742 --> 00:20:05,977 -NO. -WHAT? 530 00:20:06,010 --> 00:20:07,379 WE MAY HAVE SOMEBODY, BUT IT'S NOT HIM. 531 00:20:07,412 --> 00:20:08,813 -IT'S NOT BARTLEY? -UNH-UNH. NO. 532 00:20:08,846 --> 00:20:10,548 I JUST THREW EVERY TRICK IN THE BOOK AT HIM -- 533 00:20:10,582 --> 00:20:12,049 WORD ASSOCIATION, NLP -- NOTHING, NADA. 534 00:20:12,083 --> 00:20:14,319 THE GUY DOESN'T HAVE THE FOGGIEST IDEA WHAT'S GOING ON AT HIS OWN COMPANY. 535 00:20:14,352 --> 00:20:16,621 SO BARTLEY ISN'T OUR BAD GUY, THEN. 536 00:20:16,654 --> 00:20:17,855 NO, NO, NO. HE'S JUST A FOOL. 537 00:20:17,889 --> 00:20:19,591 NO, WE HAVE AN AIRTIGHT CASE AGAINST SOMEBODY. 538 00:20:19,624 --> 00:20:20,525 WE JUST DON'T KNOW WHO. 539 00:20:20,558 --> 00:20:21,826 WELL, I THINK WE'RE RUNNING OUT OF TIME. 540 00:20:21,859 --> 00:20:23,027 HEARTFELT'S COMING THIS AFTERNOON. 541 00:20:23,060 --> 00:20:24,128 ALL RIGHT, HERE'S WHAT WE'RE GONNA DO. 542 00:20:24,161 --> 00:20:26,431 WE'RE JUST GONNA LOOK AT ALL THE SECURITY FOOTAGE 543 00:20:26,464 --> 00:20:28,966 OVER THE LAST COUPLE OF DAYS, SEE WHO'S BEEN FIDDLING WITH THE COPIER. 544 00:20:29,000 --> 00:20:31,002 NO, WE WON'T. LOOK, MAN, SECURITY HARD DRIVES ARE CRAP. 545 00:20:31,035 --> 00:20:32,236 THEY ERASE EVERY 12 HOURS. 546 00:20:32,270 --> 00:20:35,840 WELL, I MEAN, THERE'S GOT TO BE SOME WAY WE CAN FIGURE OUT 547 00:20:35,873 --> 00:20:38,443 AND KNOW WHAT'S GOING ON THE LAST COUPLE OF DAYS IN THIS OFFICE. 548 00:20:38,476 --> 00:20:40,845 THERE'S GOT...TO BE... 549 00:20:40,878 --> 00:20:42,647 YEAH, YEAH. ZOOM IN. 550 00:20:42,680 --> 00:20:44,549 ...A WAY. 551 00:20:44,582 --> 00:20:45,950 ZOOM OUT. 552 00:20:51,022 --> 00:20:52,890 UGH! 553 00:20:52,924 --> 00:20:55,727 THIS IS EXCRUCIATING! 554 00:20:55,760 --> 00:20:57,395 WHY CAN'T HARDISON DO THIS, 555 00:20:57,429 --> 00:20:59,597 RUN SOME KIND OF ALGORITHM OR WHATEVER IT IS HE DOES? 556 00:20:59,631 --> 00:21:01,032 NO. [ CLEARS THROAT ] NO, I THINK -- 557 00:21:01,065 --> 00:21:02,600 I REALLY THINK THAT YOU SHOULD -- 558 00:21:02,634 --> 00:21:03,835 YOU SHOULD BE DOING IT. 559 00:21:03,868 --> 00:21:05,737 [ SIGHS ] 560 00:21:05,770 --> 00:21:07,004 SO, YOUR COUNTERFEITERS, 561 00:21:07,038 --> 00:21:09,607 THEY SIMPLY PRINT NEW MONEY ON THE COPIER? 562 00:21:09,641 --> 00:21:12,577 NO. MODERN PRINTERS AND IMAGE-MANIPULATION SOFTWARE 563 00:21:12,610 --> 00:21:13,678 ARE VERY POWERFUL, 564 00:21:13,711 --> 00:21:15,547 AND THEY BOTH HAVE SAFEGUARDS 565 00:21:15,580 --> 00:21:18,383 TO PREVENT PEOPLE FROM PRINTING MONEY, 566 00:21:18,416 --> 00:21:19,884 YOU KNOW, BUT THEY'RE NOT TOO HARD TO GET AROUND, 567 00:21:19,917 --> 00:21:22,554 UH, YOU KNOW, IF YOU KNOW WHAT YOU'RE DOING. 568 00:21:22,587 --> 00:21:23,821 AND Y KNOW WHAT YOU ARE DOING? 569 00:21:23,855 --> 00:21:25,390 -MORE OR LESS. -[ CHUCKLES ] 570 00:21:25,423 --> 00:21:27,892 UGH. THIS IS GETTING US NOWHERE. 571 00:21:27,925 --> 00:21:29,494 WELL, I MEAN, YOU CAN'T TAKE YOUR EYES OFF IT. 572 00:21:29,527 --> 00:21:30,595 YOU KNOW, YOU MIGHT MISS SOMETHING. 573 00:21:30,628 --> 00:21:31,363 HUH? WHAT? 574 00:21:31,396 --> 00:21:32,263 YOU CAN'T TAKE YOUR EYES OFF IT, 575 00:21:32,296 --> 00:21:33,865 BECAUSE THEN YOU MIGHT MISS SOMETHING. 576 00:21:33,898 --> 00:21:36,100 AND FOR FUTURE REFERENCE [CHUCKLES] 577 00:21:36,133 --> 00:21:37,369 UH, MS. CRYSTAL, 578 00:21:37,402 --> 00:21:38,636 THIS IS REVERSE FAVORITISM. 579 00:21:38,670 --> 00:21:41,072 GET -- GET THAT. GET THAT. 580 00:21:42,139 --> 00:21:43,775 OHH. 581 00:21:43,808 --> 00:21:45,677 [ GROANS ] 582 00:21:45,710 --> 00:21:48,513 OH, IT IS ON. 583 00:21:48,546 --> 00:21:49,447 WOULD YOU DESCRIBE YOURSELF 584 00:21:49,481 --> 00:21:51,783 AS HAVING ANY KIND OF LIFE OUTSIDE OF WORK? 585 00:21:51,816 --> 00:21:52,984 UH, EXCUSE ME? 586 00:21:53,017 --> 00:21:55,353 DO YOU HAVE ANY OUTSIDE INTERESTS? 587 00:21:55,387 --> 00:21:57,555 DO YOU EVER DO ANYTHING BUT THIS? 588 00:21:57,589 --> 00:22:00,792 OF COURSE I DO. I... 589 00:22:00,825 --> 00:22:03,361 W-WHY DOES THIS EVEN MATTER? [ CHUCKLES ] 590 00:22:03,395 --> 00:22:05,397 THIS IS -- IT'S JUST SO... 591 00:22:05,430 --> 00:22:09,767 WELL, YOUR CO-WORKER SUGGESTED I ASK. 592 00:22:09,801 --> 00:22:12,770 SHE DID. REALLY? 593 00:22:12,804 --> 00:22:14,138 YOU KNOW WHAT YOU SHOULD ASK HER? 594 00:22:14,171 --> 00:22:17,409 I'M SO-- COULD YOU -- COULD YOU REPEAT -- 595 00:22:17,442 --> 00:22:19,444 "CAREER." [ CHUCKLES ] 596 00:22:19,477 --> 00:22:23,080 NO. I WOULDN'T SAY THAT MY ACTING CAREER FIZZLED. 597 00:22:23,114 --> 00:22:24,482 I JUST -- I-I -- 598 00:22:24,516 --> 00:22:25,517 PBHT! 599 00:22:25,550 --> 00:22:30,455 I JUST PUT IT ON HOLD TO PURSUE OTHER THINGS. 600 00:22:30,488 --> 00:22:32,089 BUT HE IMPLIED 601 00:22:32,123 --> 00:22:36,628 IT MIGHT HAVE SOMETHING TO DO WITH "AGEISM"? 602 00:22:37,929 --> 00:22:40,665 FUNCTIONING ALCOHOLIC. FUNCTIONING. 603 00:22:40,698 --> 00:22:42,700 SHE ALWAYS LEAVES THAT PART OUT. 604 00:22:42,734 --> 00:22:44,469 AND SPEAKING OF LEAVING -- 605 00:22:44,502 --> 00:22:47,672 NO, I DIDN'T ABANDON THEM TO GAD ABOUT. 606 00:22:47,705 --> 00:22:50,475 I JUST... 607 00:22:50,508 --> 00:22:51,709 I JUST FAKED MY OWN DEATH 608 00:22:51,743 --> 00:22:54,145 AND WENT ON A VOYAGE OF SELF-DISCOVERY. 609 00:22:54,178 --> 00:22:57,415 [ CHUCKLES ] GOD COMPLEX? 610 00:22:57,449 --> 00:22:59,451 WHAT DOES THAT EVEN MEAN? 611 00:22:59,484 --> 00:23:00,585 SHREW?! 612 00:23:00,618 --> 00:23:02,119 SHREW?! 613 00:23:02,153 --> 00:23:03,187 SHREW?! 614 00:23:03,220 --> 00:23:05,523 NO, NO, THAT -- THAT RIGHT THERE, THAT'S A LIE! 615 00:23:05,557 --> 00:23:08,593 I-I LOVE FOREPLAY. 616 00:23:08,626 --> 00:23:11,162 [ EXHALES SLOWLY ] 617 00:23:19,103 --> 00:23:20,905 [ TAPE FAST-FORWARDING ] -OOH. 618 00:23:20,938 --> 00:23:22,874 THERE. THERE. THERE. LOOK AT THAT. 619 00:23:24,609 --> 00:23:28,846 YEAH, THEY'RE PUTTING TONER IN THE PRINTER, NOT THE COPIER. 620 00:23:28,880 --> 00:23:30,047 THESE ARE OUR GUYS. 621 00:23:30,081 --> 00:23:31,949 WHAT DO YOU DO NEXT? 622 00:23:31,983 --> 00:23:33,551 WELL, WE SEE WHAT WE CAN GET OUT OF THEM 623 00:23:33,585 --> 00:23:35,753 IN A SUBTLE, KIND OF QUIET WAY. 624 00:23:35,787 --> 00:23:37,188 ON FILM? 625 00:23:38,823 --> 00:23:41,058 UM... 626 00:23:41,092 --> 00:23:43,194 MM. 627 00:23:46,130 --> 00:23:48,099 IS THAT A CAMERA? 628 00:23:48,132 --> 00:23:50,502 YEAH. YEAH, MAN. MAKE 'EM MYSELF. 629 00:23:50,535 --> 00:23:52,937 IT'S GOT AN HD-QUALITY 3-CCD CHIP 630 00:23:52,970 --> 00:23:56,508 WITH IMAGE STABILIZATION AND OMNIDIRECTIONAL SOUND. 631 00:23:56,541 --> 00:23:57,809 -WHA-- -IT'S FITTED WITH A TRANSMITTER, 632 00:23:57,842 --> 00:23:58,776 A MICRO-TRANSMITTER, 633 00:23:58,810 --> 00:24:01,045 THAT SENDS THE IMAGE ANYWHERE THAT I WANT. 634 00:24:01,078 --> 00:24:04,048 PLEASE DON'T TOUCH. IT'S VERY DELICATE. THANK YOU. 635 00:24:04,081 --> 00:24:06,050 YOU HAVE MORE OF THESE? 636 00:24:06,083 --> 00:24:07,652 WHY? 637 00:24:07,685 --> 00:24:10,555 [ TELEPHONE RINGING, INDISTINCT CONVERSATIONS ] 638 00:24:12,089 --> 00:24:14,091 MS. HOFFMAN, WHAT ARE YOU WORKING ON? 639 00:24:16,093 --> 00:24:18,796 PLEASE. DESCRIBE IT TO ME. 640 00:24:18,830 --> 00:24:22,534 WELL, AS LONG AS THERE'S NO CAMERAS WATCHING US. 641 00:24:22,567 --> 00:24:23,668 'CAUSE I HATE THEM. 642 00:24:23,701 --> 00:24:25,770 ALL RIGHT. NO CAMERA. 643 00:24:25,803 --> 00:24:27,204 -[ CHUCKLES ] -FINE. 644 00:24:27,238 --> 00:24:29,841 HERE. TAKE A LOOK. 645 00:24:32,076 --> 00:24:33,711 AH. 646 00:24:33,745 --> 00:24:36,681 OH, POOR CREATURE! [ CHUCKLES ] GOOD. 647 00:24:36,714 --> 00:24:39,617 MS. HOFFMAN... 648 00:24:39,651 --> 00:24:41,152 SOMETIMES WHEN I'M HUNGRY, 649 00:24:41,185 --> 00:24:45,757 I GO TO A HOSPITAL CAFETERIA TO EAT. 650 00:24:45,790 --> 00:24:48,826 THIS REMINDER OF, UH, MORTALITY, 651 00:24:48,860 --> 00:24:50,595 THE FLEETINGNESS OF LIFE, 652 00:24:50,628 --> 00:24:55,967 COMBINED WITH THE INSTITUTIONAL MASS-PRODUCED FLAVOR OF FOOD... 653 00:24:57,635 --> 00:25:00,004 ...IT IS INTOXICATING. 654 00:25:00,037 --> 00:25:02,273 OKAY. 655 00:25:02,306 --> 00:25:04,842 SOMETIMES I'LL DRESS UP LIKE A DOCTOR 656 00:25:04,876 --> 00:25:08,746 [CHUCKLES] JUST TO SEE IF SOMEONE WILL STOP ME. 657 00:25:08,780 --> 00:25:11,749 WHOA. UM, IS SOMETHING WRONG WITH YOUR BACK? 658 00:25:11,783 --> 00:25:13,017 UH... 659 00:25:13,050 --> 00:25:15,286 -SCIATICA. -HEY. 660 00:25:15,319 --> 00:25:17,188 WHAT IS THAT? IS THAT A -- IS THAT -- 661 00:25:17,221 --> 00:25:18,289 -WHAT? -IS THAT A CAMERA?! 662 00:25:18,322 --> 00:25:19,891 DON'T. OH, IT'S OFF. 663 00:25:19,924 --> 00:25:22,159 -HEY! -WHAT? STOP IT! 664 00:25:22,193 --> 00:25:24,161 AAH! 665 00:25:26,798 --> 00:25:28,900 -SUCH NICE HAIR. -NO. 666 00:25:29,867 --> 00:25:32,904 I'M NOT SAYING ANYTHING UNTIL I GET A LAWYER. 667 00:25:35,172 --> 00:25:36,874 WHAT'S UP, GUYS? 668 00:25:36,908 --> 00:25:38,976 NOW, WE CAN DO THIS THE HARD WAY -- 669 00:25:39,010 --> 00:25:40,978 -LET'S GO! -HEY! 670 00:25:49,053 --> 00:25:51,723 HE COPPED TO STEALING OFFICE SUPPLIES. 671 00:25:51,756 --> 00:25:53,958 THREE CASES OF STICKY NOTES. 672 00:25:53,991 --> 00:25:56,060 -[ GAGGING ] -ANSWER ME! ANSWER ME! 673 00:25:56,093 --> 00:25:57,895 -COPIERS? WHAT COPIERS? -THE COPIERS! 674 00:25:57,929 --> 00:26:00,264 WE SAW YOU ON CAMERA, CHANGING THE TONER IN THE BROKEN COPIER! 675 00:26:00,297 --> 00:26:01,799 -BOB DID THAT! -WHO -- 676 00:26:01,833 --> 00:26:04,035 I SWEAR IT WASN'T ME! AAH! 677 00:26:04,068 --> 00:26:05,737 WHO'S BOB? THE OTHER GUY? 678 00:26:05,770 --> 00:26:07,038 YEAH! 679 00:26:07,071 --> 00:26:08,873 H-HE SAID BARTLEY WANTED IT DONE. 680 00:26:08,906 --> 00:26:10,808 THAT'S ALL I KNOW! 681 00:26:13,878 --> 00:26:15,246 GET THE HELL OUT OF HERE. 682 00:26:15,279 --> 00:26:20,718 DON'T TELL ANYBODY I GOT BEAT UP BY AN EFFICIENCY EXPERT. 683 00:26:20,752 --> 00:26:23,320 SOUNDS LIKE THIS OTHER GUY PUT HIM UP TO IT. 684 00:26:23,354 --> 00:26:24,588 NO, IT'S A SET-UP. WHOEVER'S DOING THIS 685 00:26:24,622 --> 00:26:27,158 IS BUILDING AN EVIDENCE TRAIL STRAIGHT BACK TO FRED BARTLEY. 686 00:26:27,191 --> 00:26:29,827 WELL, BARTLEY "TOLD" THEM TO FIX THE COPIER. 687 00:26:29,861 --> 00:26:31,829 AND BARTLEY'S THE ONE WHO BOUGHT THE PAPER AND THE INK. 688 00:26:31,863 --> 00:26:34,331 IF THE AUTHORITIES COME SNIFFING AROUND, 689 00:26:34,365 --> 00:26:36,768 THEN BARTLEY'S GONNA TAKE THE FALL, HUH? 690 00:26:36,801 --> 00:26:38,102 NO, IT'S NOT JUST COUNTERFEITING. 691 00:26:38,135 --> 00:26:39,203 IT'S A FRAME JOB. COULD Y-- 692 00:26:39,236 --> 00:26:41,205 NO, NO, NO. IT'S MORE THAN THAT. 693 00:26:41,238 --> 00:26:43,274 SEE, THE COPIER'S SET FOR REMOTE PRINTING. 694 00:26:43,307 --> 00:26:45,109 I FIGURED IF I CAN GET INTO THE PRINT QUEUE, 695 00:26:45,142 --> 00:26:46,844 I COULD FIGURE OUT WHO -- 696 00:26:46,878 --> 00:26:48,680 I COULD FIGURE OUT WHO'S COPYING THE MONEY. 697 00:26:48,713 --> 00:26:51,949 NOW, THEY COVERED THEIR TRACKS. IT'S PRETTY TANGLED. 698 00:26:51,983 --> 00:26:55,352 BUT LOOK WHERE I-I TRACED IT BACK TO. 699 00:26:55,386 --> 00:26:57,621 [ BEEPING ] 700 00:27:00,758 --> 00:27:02,827 FELICIA FROM H.R. 701 00:27:02,860 --> 00:27:04,228 -YEAH. -MM. 702 00:27:04,261 --> 00:27:06,664 AND CHECKED THE -- SHE'S NOT JUST PRINTING FUNNY MONEY. 703 00:27:06,698 --> 00:27:08,432 THERE'S ANOTHER DOCUMENT IN THE QUEUE, ON HOLD, 704 00:27:08,465 --> 00:27:11,769 THAT'S SET TO PRINT IN TWO HOURS. 705 00:27:11,803 --> 00:27:14,005 IN TWO HOURS? BUT THAT'S -- THAT'S -- 706 00:27:14,038 --> 00:27:15,907 THAT'S RIGHT IN THE MIDDLE OF THE, UM, 707 00:27:15,940 --> 00:27:18,109 THE, UM, HEARTFELT MEETING. 708 00:27:18,142 --> 00:27:20,244 WHAT'S THE DOCUMENT? 709 00:27:20,277 --> 00:27:21,378 [ BEEPING ] 710 00:27:21,412 --> 00:27:23,314 SUICIDE NOTE. FROM BARTLEY. 711 00:27:23,347 --> 00:27:25,382 I'M GONNA CRACK YOUR FOREHEAD. I SWEAR. 712 00:27:25,416 --> 00:27:29,386 WHAT -- WHAT IS THIS? I-I DON'T UNDERSTAND. 713 00:27:29,420 --> 00:27:32,389 I-IT MEANS I-I-IT'S NOT JUST A FRAME JOB. 714 00:27:32,423 --> 00:27:34,992 IT'S ABOUT TO BE A MURDER. 715 00:27:43,200 --> 00:27:45,269 LET'S GO. 716 00:27:45,302 --> 00:27:46,804 SHE'S SMARTER THAN YOU ARE. 717 00:27:46,838 --> 00:27:48,372 -WE GOT A PROBLEM. -WHAT? 718 00:27:48,405 --> 00:27:50,908 HEARTFELT'S HERE, AND I CAN'T FIND BARTLEY. 719 00:27:50,942 --> 00:27:52,877 FELICIA'S GONNA KILL BARTLEY. 720 00:27:52,910 --> 00:27:54,712 [ INDISTINCT CONVERSATIONS ] 721 00:27:54,746 --> 00:27:56,013 [ BREATHING HEAVILY ] 722 00:27:56,047 --> 00:27:59,316 I-I AM NOT READY TO PRESENT. I NEED MORE TIME. 723 00:27:59,350 --> 00:28:02,153 MR. BARTLEY ISN'T HERE. HE'S SUPPOSED TO RUN THE MEETING! 724 00:28:02,186 --> 00:28:04,255 -WHAT DO WE DO?! WHAT DO WE DO?! -CALM DOWN! 725 00:28:04,288 --> 00:28:06,390 OKAY! OKAY! CALM DOWN! OKAY! 726 00:28:06,423 --> 00:28:07,624 NOW, WHAT WE'RE GONNA DO NOW 727 00:28:07,658 --> 00:28:09,393 IS YOU'RE GONNA FINISH YOUR PRESENTATION, OKAY? AND, UH... 728 00:28:09,426 --> 00:28:13,164 WELL, THAT'S THE THING ABOUT HIM. 729 00:28:13,197 --> 00:28:14,431 HE'S... 730 00:28:14,465 --> 00:28:16,901 HE'S BROKEN. BADLY. 731 00:28:16,934 --> 00:28:18,736 HE GETS THE JOB DONE... 732 00:28:18,770 --> 00:28:20,171 AND DOESN'T LET ANYTHING GET IN THE WAY -- 733 00:28:20,204 --> 00:28:23,908 NOT PEOPLE, NOT FEELINGS, NOT RELATIONSHIPS. 734 00:28:25,176 --> 00:28:27,144 WE'RE ALL SECOND TO THE JOB. 735 00:28:27,178 --> 00:28:29,246 -WHAT ABOUT US? -OKAY, SOPHIE, YOU AND I, 736 00:28:29,280 --> 00:28:31,015 WE'RE GOING TO, UH, STALL HEARTFELT. 737 00:28:31,048 --> 00:28:33,785 ELIOT, HARDISON, GO FIND, UH, FRED BARTLEY. 738 00:28:33,818 --> 00:28:35,252 PARKER -- PARKER, YOU'RE GONNA STAY HERE 739 00:28:35,286 --> 00:28:37,188 AND KIND OF TAKE CARE OF THINGS. 740 00:28:37,221 --> 00:28:38,455 YOU. YOU'RE COMING WITH US. LET'S GO. 741 00:28:38,489 --> 00:28:40,291 -YOU'RE IN THE GAME, PAL. -WHO'S GOING WITH HER? 742 00:28:40,324 --> 00:28:41,292 NOT YOU! YOU'RE COMING WITH US! 743 00:28:41,325 --> 00:28:43,795 -HEY! BRING YOUR ASS! -HEY! BRING YOUR ASS! 744 00:28:43,828 --> 00:28:45,496 OKAY. 745 00:28:45,529 --> 00:28:47,164 [ SNICKERS ] 746 00:28:49,867 --> 00:28:53,204 HELLO! HI! HI. HELLO. HI. HOW ARE YOU? JOE MEEKER. 747 00:28:53,237 --> 00:28:54,939 -MEEKER EFFICIENCY CONSULTING. -OH. UH -- 748 00:28:54,972 --> 00:28:56,340 YOU MUST BE FROM HEARTFELT. 749 00:28:56,373 --> 00:28:58,943 -YES. -YEAH, WELCOME TO GOOD CHEER. 750 00:28:58,976 --> 00:29:00,177 WE'RE VERY, VERY EXCITED TO HAVE YOU WITH US. 751 00:29:00,211 --> 00:29:01,178 VERY EXCITED TO HAVE YOU HERE. 752 00:29:01,212 --> 00:29:02,947 WE'D LOVE TO GIVE -- GIVE YOU A LITTLE TOUR. 753 00:29:02,980 --> 00:29:04,415 LITTLE TOUR. SO, LIKE, FOR -- 754 00:29:04,448 --> 00:29:06,017 -HERE'S THE ELEVATOR THAT, UH... -YEAH. 755 00:29:06,050 --> 00:29:07,819 ...THE FINE EMPLOYEES OF GOOD CHEER, 756 00:29:07,852 --> 00:29:09,821 THEY LIKE TO RIDE IT ALL THE WAY DOWN. 757 00:29:09,854 --> 00:29:13,090 YEAH, THE ELEVATOR CAR, YEAH, NOT THE COMPANY. 758 00:29:13,124 --> 00:29:15,827 NO, NO, NO. YOU KNOW. 759 00:29:15,860 --> 00:29:17,528 EXACTLY. 760 00:29:17,561 --> 00:29:19,363 I'M GONNA CHECK HIS SCHEDULE, 761 00:29:19,396 --> 00:29:21,833 SEE EXACTLY WHERE HE'S SUPPOSED TO BE. 762 00:29:21,866 --> 00:29:24,902 HIS CAR'S STILL HERE. 763 00:29:24,936 --> 00:29:27,038 MEANS HE COULDN'T HAVE GONE FAR. 764 00:29:31,275 --> 00:29:32,543 YEAH, YEAH? 765 00:29:32,576 --> 00:29:35,779 WHAT IS THIS? HUH? 766 00:29:39,483 --> 00:29:42,987 YEAH, YEAH, CIGARETTES. [ CHUCKLES ] 767 00:29:43,020 --> 00:29:46,290 BARTLEY HAS CIGARETTES! 768 00:29:46,323 --> 00:29:47,992 AND? 769 00:29:48,025 --> 00:29:49,961 HE TOLD ME HE QUIT TWO MONTHS AGO. 770 00:29:49,994 --> 00:29:53,865 WELL, I-I QUIT SMOKING TWO MONTHS AGO. 771 00:29:53,898 --> 00:29:55,132 MM-HMM. 772 00:29:55,166 --> 00:29:58,002 IT WAS EASY. 773 00:29:58,035 --> 00:30:00,104 I'M, UH, DISCIPLINED. 774 00:30:00,137 --> 00:30:01,538 HE FELL OFF THE WAGON. 775 00:30:01,572 --> 00:30:03,875 PROBABLY BE SMOKING OUT OF THE WAY, 776 00:30:03,908 --> 00:30:05,509 WHERE NOBODY WOULD NOTICE. 777 00:30:05,542 --> 00:30:08,012 [ TELEPHONE RINGING, INDISTINCT CONVERSATIONS ] 778 00:30:12,449 --> 00:30:14,585 -THE ROOF. -THE ROOF. 779 00:30:14,618 --> 00:30:15,887 THE ROOF?! 780 00:30:15,920 --> 00:30:18,222 [ GRUNTING ] 781 00:30:21,125 --> 00:30:23,127 COME, COME. 782 00:30:29,200 --> 00:30:31,302 BOYS. 783 00:30:37,608 --> 00:30:41,112 NOT THE CAMERA! OOOH! 784 00:30:48,219 --> 00:30:50,321 -THIS IS THE, UH, THE COPY ROOM. -OH, YES. 785 00:30:50,354 --> 00:30:53,424 -YEAH. THE COPIER DOESN'T WORK. -IT'S A FUNNY STORY. 786 00:30:53,457 --> 00:30:55,492 MR. MEEKER, TELL THEM T-THE FUNNY STORY ABOUT... 787 00:30:55,526 --> 00:30:57,962 -WELL, WHAT HAPPENED... -DID WE WANT TO START THIS -- 788 00:30:57,995 --> 00:30:59,196 ...IS NORMALLY IT'S A GREEN BUTTON, 789 00:30:59,230 --> 00:31:00,497 AND WHEN IT FIRST ARRIVED, IT WASN'T GREEN. 790 00:31:00,531 --> 00:31:02,199 IT WAS RED. 791 00:31:04,368 --> 00:31:05,369 AAH! 792 00:31:05,402 --> 00:31:07,071 UM... 793 00:31:07,104 --> 00:31:08,605 YEAH, NO, IT WAS COOL, YOU KNOW, 794 00:31:08,639 --> 00:31:10,674 UH, HANGING OFF THE SIDE OF THE BUILDING, 795 00:31:10,707 --> 00:31:13,144 'CAUSE I-I GOT STRONG FINGERS FROM DOING MY THING, 796 00:31:13,177 --> 00:31:14,345 SO I WAS GOOD. 797 00:31:14,378 --> 00:31:16,480 ELIOT. 798 00:31:16,513 --> 00:31:17,982 ELIOT. 799 00:31:18,015 --> 00:31:20,484 THIS IS AMERICA. THIS IS BRUTALITY. 800 00:31:21,652 --> 00:31:24,121 I KNOW YOU'RE HERE! ELIOT! 801 00:31:25,256 --> 00:31:26,657 YEAH, GET THAT. 802 00:31:26,690 --> 00:31:28,225 ELIOT, I'M NOT PLAYIN'! 803 00:31:28,259 --> 00:31:31,062 -THERE'S A CAMERA! -ELIOT! 804 00:31:31,095 --> 00:31:33,497 ELIOT! ELIOT! 805 00:31:33,530 --> 00:31:34,665 OVER HERE. 806 00:31:34,698 --> 00:31:35,566 COME ON, MAN. 807 00:31:35,599 --> 00:31:37,969 YOU OKAY, MAN? YOU ALL RIGHT? COME ON. 808 00:31:38,002 --> 00:31:41,172 NOBODY THROWS HARDISON OFF A ROOF. 809 00:31:43,274 --> 00:31:46,410 EXCEPT MAYBE ME. [ CHUCKLES ] NO. 810 00:31:47,544 --> 00:31:49,413 [ TWINKLING ] 811 00:31:49,446 --> 00:31:52,416 AND IT WILL CREATE MAXIMUM SENTIMENTALITY 812 00:31:52,449 --> 00:31:53,985 FOR OUR CUSTOMERS. 813 00:31:54,018 --> 00:31:58,422 OR, AS WE LIKE TO SAY, "MAXI-MENTALITY." 814 00:31:58,455 --> 00:31:59,957 [ CHUCKLES ] 815 00:32:03,294 --> 00:32:04,628 MM. "MAXI-MENTALITY." 816 00:32:04,661 --> 00:32:07,398 [ BOTH APPLAUD ] 817 00:32:07,431 --> 00:32:11,035 SO, UH, DO YOU HAVE ANYTHING ELSE? 818 00:32:11,068 --> 00:32:13,137 UH... 819 00:32:13,170 --> 00:32:15,406 [ WORKERS MURMUR ] 820 00:32:19,410 --> 00:32:20,677 UH, UH -- 821 00:32:20,711 --> 00:32:23,414 WE COULD SEND PARKER UP. SHE'S GOT SOME IDEAS. 822 00:32:23,447 --> 00:32:24,681 YEAH. 823 00:32:24,715 --> 00:32:26,550 [ CHUCKLES ] I'VE BEEN WORKING WITH MINDY A LOT 824 00:32:26,583 --> 00:32:29,020 ON, UM, ON RELATING TO PEOPLE. 825 00:32:29,053 --> 00:32:32,756 WELL, PUBLIC SPEAKING IN PARTICULAR, 'CAUSE SHE'S... 826 00:32:32,789 --> 00:32:34,591 ANYWAY, SHE'S GOT IT DOWN. 827 00:32:34,625 --> 00:32:39,063 IT'S ALL ABOUT EYE CONTACT AND ENUNCIATION. 828 00:32:40,364 --> 00:32:42,433 YEAH, OKAY, I'LL GO. I DO. 829 00:32:42,466 --> 00:32:44,268 THANK YOU... 830 00:32:44,301 --> 00:32:46,303 "MAXI-MENTALITY." 831 00:32:46,337 --> 00:32:48,072 HELLO! 832 00:32:49,606 --> 00:32:54,311 MY CARD LINE IS CALLED "ESKIMO KISSES." 833 00:32:54,345 --> 00:32:58,315 ESKIMO KISSES COVERS ANY OCCASION, 834 00:32:58,349 --> 00:32:59,583 SUCH AS... 835 00:32:59,616 --> 00:33:00,717 [ TWINKLING ] 836 00:33:00,751 --> 00:33:03,354 ...WEDDINGS... 837 00:33:05,356 --> 00:33:06,457 [ TWINKLING ] 838 00:33:06,490 --> 00:33:07,691 ...BIRTHDAYS... 839 00:33:07,724 --> 00:33:09,060 [ WORKERS GROAN ] 840 00:33:11,262 --> 00:33:13,330 [ WORKERS MURMUR ] 841 00:33:13,364 --> 00:33:15,332 -...AND... -OHH! 842 00:33:15,366 --> 00:33:17,034 ...THANK YOU. 843 00:33:17,068 --> 00:33:20,204 ARIGATO! 844 00:33:20,237 --> 00:33:21,772 THAT WAS EXQUISITE! 845 00:33:21,805 --> 00:33:24,475 -[ CHUCKLES ] YEAH. -GOOD! 846 00:33:26,543 --> 00:33:28,345 -WE GOT TO GET YOU DOWNSTAIRS. -WHAT'S GOING ON? 847 00:33:28,379 --> 00:33:30,114 HEARTFELT IS HERE. YOU WANT TO SAVE YOUR COMPANY, 848 00:33:30,147 --> 00:33:32,783 YOU NEED TO GET INTO THAT MEETING RIGHT NOW. 849 00:33:32,816 --> 00:33:35,252 G-- 850 00:33:35,286 --> 00:33:37,354 COME ON, MAN. GO! 851 00:33:37,388 --> 00:33:39,490 AND ACT NATURAL WHEN YOU -- 852 00:33:39,523 --> 00:33:47,631 WHICH IS WHY ESKIMO KISSES SAYS EXACTLY WHAT YOU'RE THINKING. 853 00:33:47,664 --> 00:33:49,766 OKAY, WELL, THANK YOU VERY MUCH FOR YOUR TIME. 854 00:33:49,800 --> 00:33:51,602 WE WILL LET YOU KNOW IF WE ARE STILL INTERESTED. 855 00:33:51,635 --> 00:33:52,603 HI! 856 00:33:52,636 --> 00:33:54,605 YOU MIGHT THINK TWICE ABOUT DRINKING ON THE -- 857 00:33:54,638 --> 00:33:56,373 HI. OH, WAIT. 858 00:33:56,407 --> 00:33:59,210 I-I'M FRED BARTLEY... 859 00:33:59,243 --> 00:34:00,777 C.E.O. OF GOOD CHEER CARDS. 860 00:34:00,811 --> 00:34:03,347 -AND I WANT TO TELL YOU... [ BEEPING ] 861 00:34:03,380 --> 00:34:07,218 ...THAT GOOD CHEER CARDS IS GOOD... 862 00:34:07,251 --> 00:34:08,319 WITH CHEER. 863 00:34:08,352 --> 00:34:10,354 -YES. -OH, YEAH. 864 00:34:10,387 --> 00:34:12,523 -[ APPLAUSE ] -AWESOME. 865 00:34:12,556 --> 00:34:14,658 [ COPIER WHIRRING ] 866 00:34:29,173 --> 00:34:30,774 SO, UM, HEARTFELT FRIENDS, 867 00:34:30,807 --> 00:34:34,411 IF YOU COULD, UM, MAYBE STICK -- STICK AROUND. 868 00:34:34,445 --> 00:34:37,548 THANKS FOR STAYING. I'M NOT BIG ON EMOTION. 869 00:34:37,581 --> 00:34:39,116 I THINK -- I THINK MEN SHOULD KEEP IT ALL IN HERE, 870 00:34:39,150 --> 00:34:41,418 NOT OUT THERE WHERE PEOPLE SEE IT. 871 00:34:41,452 --> 00:34:43,787 THE COPIER'S PRINTING SOME KIND OF MONEY! 872 00:34:43,820 --> 00:34:45,189 WE'RE ALL GONNA BE RICH! 873 00:34:45,222 --> 00:34:47,358 WHAT?! 874 00:34:49,760 --> 00:34:52,129 THE COPIER'S PRINTING SOME KIND OF MONEY. 875 00:34:52,163 --> 00:34:54,565 -WE'RE ALL GONNA BE RICH! -MONEY? 876 00:34:54,598 --> 00:34:57,534 NO, IT'S COUNTERFEIT MONEY. BARTLEY'S BEEN COUNTERFEITING! 877 00:34:57,568 --> 00:34:59,603 HE'S BEEN DOING IT ALL ALONG! 878 00:34:59,636 --> 00:35:01,838 [ SCOFFS ] 879 00:35:01,872 --> 00:35:03,540 WHAT, YOU THINK -- I CAN'T EVEN -- 880 00:35:03,574 --> 00:35:04,375 I CAN'T EVEN MAKE GREETING CARDS. 881 00:35:04,408 --> 00:35:05,509 YOU THINK I CAN COUNTERFEIT MONEY? 882 00:35:05,542 --> 00:35:07,811 WE ALL WANTED TO REPLACE THAT BROKEN COPIER YEARS AGO, 883 00:35:07,844 --> 00:35:09,180 BUT YOU SAID WE HAD TO KEEP IT. 884 00:35:09,213 --> 00:35:10,714 WE COULDN'T AFFORD TO FIX THE COPIER. 885 00:35:10,747 --> 00:35:14,318 THERE'S ALL THAT WEIRD INK AND PAPER ORDERED IN YOUR NAME. 886 00:35:14,351 --> 00:35:15,552 I DON'T REMEMBER ORDERING WEIRD INK. 887 00:35:15,586 --> 00:35:16,720 AND HAL -- YOU MADE ME FIRE HAL. 888 00:35:16,753 --> 00:35:18,255 YOU SAID HE TRIED TO GRAB YOUR -- 889 00:35:18,289 --> 00:35:20,524 WAS HE ONTO YOU? IS THAT WHY YOU HAD ME FIRE HIM? 890 00:35:20,557 --> 00:35:22,726 IS THIS WHY YOU'VE DRIVEN THE COMPANY INTO THE GROUND? 891 00:35:22,759 --> 00:35:24,161 MR. BARTLEY, IF THIS IS TRUE, 892 00:35:24,195 --> 00:35:25,696 THEN HEARTFELT WITHDRAWS ANY OFFER OF -- 893 00:35:25,729 --> 00:35:27,831 WELL, NO, EXCUSE ME. I-IT'S NOT TRUE. 894 00:35:27,864 --> 00:35:29,700 HE'S NOT DOING ANY COUNTERFEITING. 895 00:35:29,733 --> 00:35:31,635 -SHE IS. -WHAT? 896 00:35:31,668 --> 00:35:33,437 THE EVIDENCE ALL POINTS TO HIM. 897 00:35:33,470 --> 00:35:35,339 YES, EVIDENCE THAT YOU PLANTED. 898 00:35:35,372 --> 00:35:37,308 THAT. HOLD ON HER. 899 00:35:37,341 --> 00:35:39,876 OH, SURE -- THE EFFICIENCY EXPERTS THAT HE HIRED 900 00:35:39,910 --> 00:35:41,512 -ARE DEFENDING HIM. -[ CHUCKLES ] WELL... 901 00:35:41,545 --> 00:35:42,913 ARE YOU IN ON IT? 902 00:35:42,946 --> 00:35:45,549 ARE YOU WITH THE MOB? 903 00:35:45,582 --> 00:35:47,884 IT WOULDN'T SURPRISE ME IF YOU WERE WITH THE MOB. 904 00:35:47,918 --> 00:35:49,653 THAT'S NICE. V-VERY N-NICE TOUCH. 905 00:35:49,686 --> 00:35:51,855 THERE'S ONLY ONE PROBLEM, THOUGH. 906 00:35:51,888 --> 00:35:53,624 -WE HAVE IT ON TAPE. [ BEEPING ] 907 00:35:53,657 --> 00:35:56,693 YEAH. THERE YOU GO. 908 00:35:56,727 --> 00:35:58,795 I DIDN'T -- THAT'S NOT -- 909 00:35:58,829 --> 00:36:01,865 [ CHUCKLES ] TIME STAMP ON THE PHONE, 910 00:36:01,898 --> 00:36:04,768 UH, WILL SHOW THAT'S EXACTLY WHEN THE PRINT ORDER WAS SENT 911 00:36:04,801 --> 00:36:06,670 FOR THOSE BILLS. 912 00:36:10,774 --> 00:36:13,377 YOU MIGHT WANT TO GET RIGHT IN THERE. 913 00:36:13,410 --> 00:36:16,213 HOW DID YOU FILM THAT? 914 00:36:16,247 --> 00:36:19,916 WHAT DO WE HAVE HERE? OH, "HAPPY EASTER." 915 00:36:19,950 --> 00:36:21,785 NOW, MY GRANDMA USED TO MAKE ME LITTLE EASTER EGGS, 916 00:36:21,818 --> 00:36:24,688 AND SHE USED TO PUT LITTLE DAISIES ON THEM. 917 00:36:24,721 --> 00:36:26,290 YEAH. 918 00:36:26,323 --> 00:36:28,392 IS THAT A CAMERA? 919 00:36:28,425 --> 00:36:29,926 IT'S FITTED WITH A MICRO-TRANSMITTER 920 00:36:29,960 --> 00:36:33,697 THAT CAN SEND THE IMAGE TO BASICALLY ANYWHERE THAT I WANT. 921 00:36:37,934 --> 00:36:39,570 F'LEESH... 922 00:36:39,603 --> 00:36:40,804 WHAT A SOAP OPERA. 923 00:36:40,837 --> 00:36:42,273 I DON'T UNDERSTAND. 924 00:36:46,710 --> 00:36:48,712 OH. 925 00:36:48,745 --> 00:36:49,913 F'LEESH! 926 00:36:49,946 --> 00:36:51,415 YOU BETRAYED US?! 927 00:36:51,448 --> 00:36:54,518 "US"? WHAT "US"? WE'RE NOT A TEAM! 928 00:36:54,551 --> 00:36:56,487 BARTLEY'S NOT A COACH. HE'S A FOOL! 929 00:36:56,520 --> 00:36:57,688 AND YOU'RE THE FOOLS WHO FOLLOW HIM! 930 00:36:57,721 --> 00:36:58,989 STOP. 931 00:36:59,022 --> 00:37:01,492 YOU THINK I'M JUST THE LADY WHO BRINGS IN BROWNIES TWICE A WEEK, 932 00:37:01,525 --> 00:37:02,793 WHO NEVER GETS TIRED OF LISTENING 933 00:37:02,826 --> 00:37:04,261 TO YOUR PATHETIC WORK-RELATED COMPLAINTS. 934 00:37:04,295 --> 00:37:05,462 STOP. STOP. 935 00:37:05,496 --> 00:37:07,798 BUT I'M SMARTER THAN ALL OF YOU! 936 00:37:07,831 --> 00:37:09,333 -I'M -- WHAT ARE YOU DOING? -IN YOU GO. 937 00:37:09,366 --> 00:37:10,701 LOCK IT. 938 00:37:10,734 --> 00:37:12,669 WELL, THAT'LL HOLD HER TILL THE POLICE COME. 939 00:37:12,703 --> 00:37:14,871 I-I STILL DON'T UNDERSTAND, MR. MEEKER. 940 00:37:14,905 --> 00:37:17,708 LOOK, FELICIA WAS MISAPPROPRIATING EQUIPMENT 941 00:37:17,741 --> 00:37:19,676 AND COVERING IT UP IN THE COMPANY'S EXPENSES. 942 00:37:19,710 --> 00:37:22,779 RATHER THAN RISK EXPOSURE AND A POTENTIAL AUDIT, 943 00:37:22,813 --> 00:37:25,782 SHE SET YOU UP AS A SCAPEGOAT. 944 00:37:27,784 --> 00:37:29,753 FELICIA WAS SHAVING POINTS, 945 00:37:29,786 --> 00:37:31,722 YOU KNOW, FIGURING NO ONE WOULD NOTICE, 946 00:37:31,755 --> 00:37:33,557 'CAUSE YOU WERE CALLING BAD PLAYS, 947 00:37:33,590 --> 00:37:36,660 BUT JUST IN CASE, SHE DOCTORED THE PLAYBOOK. 948 00:37:36,693 --> 00:37:37,961 SO -- SO THE COACH WOULD TAKE THE BLAME 949 00:37:37,994 --> 00:37:39,363 -IF SOMEBODY WENT LOOKING. -THERE YOU GO. 950 00:37:39,396 --> 00:37:41,498 -YEAH, YEAH, YEAH. -OH, MY GOD. 951 00:37:41,532 --> 00:37:43,634 OH, MY G-- I LET THIS HAPPEN. 952 00:37:43,667 --> 00:37:47,338 I'M LIKE T-THE JOE PISARCIK OF GREETING-CARD EXECS, 953 00:37:47,371 --> 00:37:48,339 DROPPING THE BALL 954 00:37:48,372 --> 00:37:50,341 SO HERM EDWARDS CAN RUN IT BACK FOR THE WIN. 955 00:37:50,374 --> 00:37:52,309 "MIRACLE AT THE MEADOWLANDS." 956 00:37:52,343 --> 00:37:55,078 GIANTS AND EAGLES IN, UH, '78 -- 957 00:37:55,111 --> 00:37:56,613 RALLIED THE EAGLES TO THE PLAYOFFS. 958 00:37:56,647 --> 00:37:57,848 HELL OF A PLAY. 959 00:37:57,881 --> 00:37:59,616 -ARE YOU A GRIDIRON MAN? -LIFELONG. 960 00:37:59,650 --> 00:38:02,419 BEEN WATCHING GAMES WITH MY POP SINCE I WAS 2. 961 00:38:02,453 --> 00:38:04,788 AH, WELL, IF THAT'S THE CASE, YOU'RE GONNA REALLY LIKE 962 00:38:04,821 --> 00:38:07,858 THE, UH, THE NEW CARD LINE HE'S WORKING ON. 963 00:38:07,891 --> 00:38:10,894 That's a Hail Mary. [ Imitates whip cracking ] 964 00:38:10,927 --> 00:38:14,598 "REMEMBER, WHEN IT'S CRUNCH TIME... 965 00:38:16,099 --> 00:38:18,969 ...YOU CAN ALWAYS CALL MY NUMBER, DAD." 966 00:38:19,002 --> 00:38:23,507 NOW, THAT'S HOW MEN, REAL MEN, EMOTE. 967 00:38:23,540 --> 00:38:26,076 AND THIS CARD... 968 00:38:26,109 --> 00:38:30,647 IS THE PLAY THAT GOOD CHEER RAN TO WIN THE GAME. 969 00:38:31,815 --> 00:38:34,785 NO, THE CHAMPIONSHIP. 970 00:38:42,926 --> 00:38:44,127 OKAY? 971 00:38:44,160 --> 00:38:46,663 SO, WHAT DO YOU THINK? 972 00:38:46,697 --> 00:38:49,366 I THINK IT'S TERRIFIC. 973 00:38:49,400 --> 00:38:50,834 ABSOLUTELY UPLIFTING. 974 00:38:50,867 --> 00:38:52,669 HEARTWARMING, EVEN. DON'T YOU THINK? 975 00:38:52,703 --> 00:38:54,771 YEAH, IT WAS A STORY OF TRIUMPH. I CRIED. 976 00:38:54,805 --> 00:38:55,906 TRIUMPH. LITTLE GUY BEATS THE WORLD. 977 00:38:55,939 --> 00:38:57,541 EXACTLY. 978 00:38:57,574 --> 00:38:58,642 I JUST LOVE THE ENDING. 979 00:38:58,675 --> 00:38:59,710 -IT'S SO HOPEFUL. -HOPEFUL. 980 00:38:59,743 --> 00:39:02,045 YEAH. YOU KNOW, YOU COULD SELL THIS TO HOLLYWOOD. 981 00:39:02,078 --> 00:39:03,680 HOLLYWOOD? NEIN! 982 00:39:03,714 --> 00:39:05,582 THAT IS NOT THE POINT! 983 00:39:05,616 --> 00:39:09,085 THE POINT IS TO EXPOSE THE FUTILITY OF LIFE... 984 00:39:09,119 --> 00:39:10,554 OH, IT DOESN'T DO THAT. 985 00:39:10,587 --> 00:39:12,823 ...THE EVER-PRESENCE OF DECAY, 986 00:39:12,856 --> 00:39:17,928 NOT TO PEDDLE SIMPLISTIC, NARRATIVE PABLUM! 987 00:39:17,961 --> 00:39:18,929 IT IS NOT. 988 00:39:18,962 --> 00:39:20,897 WELL, THAT'S KIND OF WHAT I GOT. 989 00:39:21,998 --> 00:39:24,801 YOU HAVE THE SOUL OF A GERMAN. HMM? 990 00:39:24,835 --> 00:39:26,603 WHAT DID YOU THINK? 991 00:39:26,637 --> 00:39:28,739 I DIDN'T REALLY GET IT. 992 00:39:28,772 --> 00:39:29,973 [ SPEAKS GERMAN ] 993 00:39:30,006 --> 00:39:31,408 [ GROANS ] 994 00:39:31,442 --> 00:39:33,910 SHE DIDN'T GET IT? 995 00:39:36,580 --> 00:39:38,982 [ MUTTERING ] ALL RIGHT. 996 00:39:39,015 --> 00:39:41,652 IT IS DISGRACEFUL. 997 00:39:42,786 --> 00:39:44,988 THIS HEARTWARMING... 998 00:39:45,021 --> 00:39:46,189 [ DISC CRACKING ] 999 00:39:46,222 --> 00:39:49,125 ...SOULFUL BEAST... 1000 00:39:49,159 --> 00:39:50,561 [ DISC PIECES CLATTER ] 1001 00:39:50,594 --> 00:39:52,128 ...WILL NEVER SEE... 1002 00:39:52,162 --> 00:39:55,499 THE LIGHT OF DAY. 1003 00:39:55,532 --> 00:39:58,134 I THANK YOU FROM THE BOTTOM OF MY HEART... 1004 00:39:58,168 --> 00:39:59,636 FRIENDS. 1005 00:39:59,670 --> 00:40:00,804 [ CHUCKLES ] 1006 00:40:00,837 --> 00:40:02,005 [ SMOOCHES ] 1007 00:40:03,774 --> 00:40:06,577 THE HELL'S WRONG WITH HIM? 1008 00:40:06,610 --> 00:40:08,612 YOU ERASED THE FILM OFF OF HIS... 1009 00:40:08,645 --> 00:40:09,880 -OH, YEAH. -YEAH. 1010 00:40:09,913 --> 00:40:11,748 YEAH, MAN, I UPLOADED A NASTY VIRUS 1011 00:40:11,782 --> 00:40:13,984 INTO GUNTER'S DIGITAL-EDITING BAY. 1012 00:40:14,017 --> 00:40:17,020 IT ZAPPED EVERY GIGABYTE OF FILM HE SHOT OF US, EXCEPT THAT. 1013 00:40:17,053 --> 00:40:18,522 THAT WAS THE LAST BIT OF IT. 1014 00:40:18,555 --> 00:40:21,458 I L-LIKE THIS GUY. I DO. I FEEL SORRY FOR HIM. 1015 00:40:21,492 --> 00:40:22,593 HE CUT HIS FINGER. 1016 00:40:22,626 --> 00:40:24,961 HEY, MAN, DO YOU FINALLY BELIEVE ME ABOUT THE SANDWICH? 1017 00:40:24,995 --> 00:40:26,897 SERIOUSLY. ALL RIGHT, YOU KNOW WHAT, MAN? 1018 00:40:26,930 --> 00:40:29,500 I WAS GONNA BUY YOU DINNER, 'CAUSE I FELT SORRY FOR YOU. 1019 00:40:29,533 --> 00:40:31,234 -OOH, YOU'RE BUYING DINNER? -YOU'RE BUYING DINNER? 1020 00:40:31,267 --> 00:40:32,669 -THOUGHT YOU WAS HUNGRY. -ARE YOU BUYING? 1021 00:40:32,703 --> 00:40:34,771 -MAYBE. DO YOU BELIEVE ME? -I'M IN. 1022 00:40:34,805 --> 00:40:37,674 I BELIEVE THAT YOU'RE BUYING DINNER NOW. 1023 00:40:37,708 --> 00:40:40,043 [ DISHES CLATTERING ] 1024 00:40:40,076 --> 00:40:41,978 OH, UH, NATE? 1025 00:40:42,012 --> 00:40:43,213 -UM... -YEAH? 1026 00:40:43,246 --> 00:40:47,050 OH, I-I JUST -- I WANTED TO SAY THE THINGS I SAID ON THERE 1027 00:40:47,083 --> 00:40:49,786 ABOUT, YOU KNOW, YOU, RELATIONSHIPS, 1028 00:40:49,820 --> 00:40:51,655 YOU KNOW, IT'S NOT -- I DON'T -- 1029 00:40:51,688 --> 00:40:53,123 YOU AND I -- WE'RE -- WE -- 1030 00:41:27,257 --> 00:41:29,225 MM-HMM. MM-HMM. 1031 00:41:29,259 --> 00:41:30,861 I ATE THE DAMN SANDWICH. 1032 00:41:30,894 --> 00:41:33,830 I ATE THE DAMN SANDWICH FOR SURE. 1033 00:41:33,864 --> 00:41:36,633 THE BOY CAN COOK. HE CAN THROW DOWN. 1034 00:41:36,667 --> 00:41:39,636 IF HE WASN'T GONNA BEAT MY ASS, I'D GO THANK HIM. 70642

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