All language subtitles for Leverage.S04E06.1080p.WEBRip.x265-HiQVE

MORNING, JOHNNY.

MORNING.

[ EXHALES SHARPLY ]

I'LL TAKE THAT.

HEY, DON'T TAKE MY BAG.

READ YOUR CONTRACT, GEOFFREY.

ANYTHING YOU WORK ON
AT FLUID DYN

IS OWNED BY FLUID DYN.

I'M JUST DOING MY JOB.

THAT'S A HOBBY PROJECT, I SWEAR.

I ONLY WORK ON THAT AT HOME.

THIS IS SOME
PRETTY SOPHISTICATED STUFF.

DO YOU REALLY EXPECT
ANYONE TO BELIEVE

THAT YOU WORKED ON THIS OVER
THE WEEKEND IN YOUR UNDERWEAR?

I DIDN'T DO IT
IN A WEEKEND, JOHN.

I DID IT
IN 10 YEARS' WORTH OF WEEKENDS.

WHILE YOU WERE GETTING MARRIED
AND HAVING A KID,

I WAS ALONE IN MY GARAGE,
TRYING TO CHANGE THE WORLD.

YOU HAVE NO IDEA WHAT YOU HAVE
IN YOUR HANDS RIGHT NOW.

IF THAT WERE TRUE, DO
YOU REALLY THINK THIS
WOULD BE HAPPENING?

SON OF A BITCH!

OH, AND...YOU'RE FIRED.

WHY ARE YOU DOING THIS?
HEY, WHAT -- GET OFF ME.

HEY! GET YOUR HANDS OFF ME!

THE RICH AND POWERFUL
TAKE WHAT THEY WANT.

WE STEAL IT BACK FOR YOU.

SOMETIMES, BAD GUYS
MAKE THE BEST GOOD GUYS.

WE PROVIDE...

WHAT DOES THIS CHIP DO, EXACTLY?

IT'S NOT WHAT. IT'S HOW.

THE SIMPLE VERSION IS THAT

IT'S AN ENVIRONMENTALLY ADAPTIVE
DESIGN THAT MAXIMIZES TTF --

TIME TO FAILURE --
ON INTEGRATED CIRCUITS.

THAT'S THE SIMPLE VERSION?

I'M SORRY.

BASICALLY, IT --
IT CHANGES EVERYTHING.

WHAT ABOUT
MILITARY APPLICATIONS?

EVERYTHING
THAT A COMPUTER CAN DO,

MY DESIGN CAN DO IT
FASTER, BETTER, AND CHEAPER.

BUT HOW DO THEY PLAN
TO FABRICATE DESIGN HISTORY?

THAT'S WHAT NEVER MADE SENSE.

YOU CAN'T BRING A CHIP TO MARKET
WITHOUT AN R&D TRAIL, SO I SUED,

AND THAT'S WHEN CONNELL
DID SOMETHING

I WOULDN'T HAVE GUESSED
IN A MILLION YEARS.

WHAT'S THAT?

HE LIED. NO, HE LIED.

HIS STORY
IS THAT GEOFFREY ATTACKED HIM

AFTER BEING PASSED OVER
ON A PROMOTION.

NOW, IN HIS VERSION,
THERE IS NO CHIP.

HMM. WELL, IT MAKES SENSE.

WHY WOULD HE
ADMIT TO STEALING IT?

WELL, BECAUSE IT'S THE BASIS
FOR THE LEGAL CLAIM.

DENYING IT EVER HAPPENED

FORFEITS ANY RIGHTS FLUID DYN
WOULD HAVE ON THE DESIGN.

WHY WOULD HE DO THAT?

BECAUSE HE DIDN'T STEAL IT
FOR FLUID DYN.

-HE STOLE IT FOR HIMSELF.
-IT'S BLACK MARKET.

WELL, THAT EXPLAINS
CONNELL'S TRIPS TO RUSSIA

OVER THE LAST THREE MONTHS.

HARDISON?

THERE'S YOUR LIVE FEED
FROM CONNELL'S HOUSE,

brought to you by Lucille.

So now what she sees,
you all see.

OOH, NICE HOUSE
FOR A V.P. OF SALES.

YEAH, WELL, HE --
A COUPLE YEARS AGO,

HE SPENT A FORTUNE
IN RENOVATIONS.

THIS GUY IS
UP TO HIS HAIRLINE IN DEBT.

WHO'S THAT GUY?

HE'S A CONTRACTOR.

Hey, yo, yo, Hardison,
what's up with the audio?

-Let's get some audio in here.
-OKAY. HIT THAT BUTTON
RIGHT THERE.

BUT IT SAYS "AUDIO."

[ COMPUTER BEEPS ]

-All right, make it simple.
-Okay, explain it to me.
Make it simple.

You're already
2 feet above code.

How many times did I tell you
not to use that word around me?

That's easy for you to say,

but I'm the one who loses his
license if you get inspected.

Come on, man. It's never been
a problem before.

Well, it is a real --

-Hey, Dad.
-[ Sighs ] Yeah?

Can I use your computer
to finish

My George Washington report?

-THAT'S HIS DAUGHTER, MOLLY.
-I'm fine fudging a line
here and there,

but I'm not going to
flat-out lie.

Look, give me a couple weeks.

You know who else
refused to tell a lie?

Cherry tree, ax, chop-chop.

Anyway, so,
I can use your computer?

-[ Russian accent ] Molly!
-Daria. Daria, where
have you been?

-THAT'S THE NANNY.
-Never mind.

Come on. Get up here.

-[ Sighs ] Forget it.
-Where have you been?

I'll just be the only kid
in school who has to use books.

THAT'S ENOUGH.

WHERE'S THE MOTHER IN ALL THIS?

ACCORDING TO...

DEAD.

[ COMPUTER BEEPS ]

YEAH, UH, SHE DIED A YEAR AGO.

HOW DID YOU --

IT'S THE WAY HE LOOKS AT MOLLY.

HE LOVES HER, BUT ALSO,

SHE REMINDS HIM
OF SOMETHING THAT HE'S LOST.

WELL, THAT EXPLAINS
HIS FOCUS ON THE HOUSE.

HE'S COMPENSATING FOR HIS LOSS

BY EXERTING POWER
OVER HIS WORLD.

HARDISON, CAN YOU BRING UP
THE BLUEPRINT ON THE HOUSE?

SO, YOU'RE SAYING
THAT BEING $1 MILLION IN DEBT --

THAT'S A LOT OF CONTROL?

WELL, IT PROBABLY
DOESN'T EVEN REGISTER.

I MEAN, THAT'S NOT GREED
WE'RE LOOKING AT IT. IT'S GRIEF.

I THOUGHT WE WERE SUPPOSED TO
HATE THE GUYS THAT WE TAKE DOWN.

NOT A REQUIREMENT -- A PERK...

USUALLY.

[ COMPUTER BEEPS ]

OKAY, SO, WE ARE HERE
TO GET GEOFFREY'S CHIP BACK.

NOW, I HAVE NO DOUBT
IT'S IN THAT HOUSE SOMEWHERE.

I JUST -- I DON'T KNOW WHERE.

LOOK FOR A ROOM OR A DOOR

THAT DOESN'T GO
WITH THE REST OF THE HOUSE.

SO, HOW DO YOU
WANT TO GET INSIDE?

OH, I THOUGHT WE'D JUST, YOU
KNOW, WAIT FOR AN INVITATION.

[ CLICKING ]

[ NATE WHISTLING ]

[ HORN HONKING ]

LADY, COME ON.
I GOT TO GET TO MY HOUSE.

AH!

LET ME ASK YOU A QUESTION --

HOW DO YOU FEEL ABOUT LIVING
IN THE SHADE OF GREATNESS?

SHADOW -- SHE WANTS YOU
TO LIVE IN THE SHADOW.

SHADE, SHADOW,
"TOMAHTO," "TOMAHTO."
[ CAR DOOR CLOSES ]

-YOU'RE THE NEW OWNERS.
-OH, HEAVENS, NO.

WE'VE JUST BEEN HIRED
TO MAKE THE PLACE LIVEABLE, HUH?

BECKA JESSUP.

CONTRACTORS.

YOU KNOW WHAT I'M THINKING
THAT HOUSE NEEDS

-TO ACHIEVE ITS POTENTIAL
FOR GREATNESS?
-WHAT? YEAH?

-A SPIRE.
-SPIRE?

A SPIRE,
10, 20, 30 FEET IN THE AIR.

A SPIRE MADE OF GLASS AND STEEL
AND [GASPS] GREATNESS!

UH, ARE YOU SERIOUS?

I HOPE YOU LIKE ASPHALT, BUDDY.

YEAH.
I-I HOPE YOU LIKE ASPHALT.

DEAR, DEAR, DEAR. YOUR
LANDSCAPING'S GONNA HAVE TO GO.

NOT ENOUGH SUNLIGHT,
YOU UNDERSTAND.

LOOK -- I-I DON'T KNOW
IF YOU PEOPLE ARE CRAZY OR WHAT,

BUT YOU'RE NOT GONNA BUILD
A SPIRE IN THIS NEIGHBORHOOD.

-[ CHUCKLES ]
-THE ZONING BOARD
WON'T ALLOW IT.

[ Laughing ] OH, PLEASE.

ZONING LAWS WERE MADE FOR PEOPLE
WHO DON'T HAVE ENOUGH VISION.

BY "VISION," SHE MEANS "MONEY."

[ BOTH CHUCKLE ]
VISION.

-WAIT. IS THAT MY DIRT?
-VISION.

HE JUST TOOK MY DIRT.

PUT THAT BACK.

[ COMPUTER BEEPS ]

[ COMPUTER BEEPS ]

[ COMPUTER BEEPS ]

[ DEVICE BEEPS ]

[ DOOR CLOSES ]

I, UH, REALLY
SHOULDN'T BE DOING THIS.

THIS IS RIDICULOUS.
NOBODY NEEDS A HOUSE THAT BIG.

I THINK THAT'S THE GARAGE.

[ SIGHS DEEPLY ]

OKAY, HOW IN THE HELL DID THEY
GET THAT PAST THE ZONING BOARD?

HEY, THERE.

SO, I, UH, KNOW
ABOUT THE PAY-OFFS.

I'VE SEEN THE BLUEPRINTS.

NOW, EITHER YOU
AND WHOEVER YOU'RE WORKING FOR

CAN BE BURIED UNDER AN AVALANCHE
OF LAWSUITS, OR...

I'M LISTENING.

COME WORK FOR ME.

[ DOOR CLOSES ]

WELL, FOR A START,
THIS IS TOO CONFINED.

IT'S TOO NARROW.

NO, THIS SPACE -- THIS SPACE --
IT'S ALL WRONG.

[ GASPS ] THIS WALL.

THIS WALL -- THIS WALL'S
GONNA HAVE TO GO.

[ SIGHS ]

PANIC ROOM --
BEST SECURITY MONEY CAN BUY.

ONLY MOLLY OR MYSELF GOES
THROUGH THAT DOOR. UNDERSTOOD?

CAN WE TALK ABOUT
THE TILE IN THE KITCHEN?

I NEED TO INSTALL SOME.

UH, HARDISON,

YOU KNOW THAT ROOM
WITH THE SAFE?

IT IS A SAFE.

I DON'T WANT A MEDIA ROOM.

NO, NO,
CINEMATIC-IMMERSION ZONE.

WHATEVER.
IT'S JUST ME AND MOLLY NOW.

LOOK -- I DIDN'T BRING DAMON IN

JUST TO MAKE YOUR MULTIMEDIA
DREAMS COME TRUE.

HE'S GONNA TURN THIS PLACE
INTO A SMART HOUSE.

-SMART HOUSE?
-YEAH.

YOU SEE, WHAT HAPPENS IS,
SAY YOU FORGET TO LOCK A WINDOW,

CLOSE A DOOR,
OR SOMETHING LIKE THAT.

[ REMOTE BEEPS ]
BOO. RIGHT THERE, YOU SEE?

EVERYTHING IN THIS HOUSE,
EVERYTHING IN YOUR LIFE,

OPERATES OFF OF THIS GUY
RIGHT HERE.

YOU CAN -- I DON'T KNOW --
YOUR LOCKS, YOUR VIDEO CAMERAS,

OR I COULD WIRE IT
TO YOUR VEHICLE.

YOU CAN, LIKE, START YOUR CAR
OR PLAY A PARTICULAR CD,

LOCK, UNLOCK THE DOORS,
SOMETHING LIKE THAT.

IT'S PRETTY FREAKIN'
SWEET, SO...

LOVE IT.

EVERYTHING BUT THE PANIC ROOM.
ONLY MOLLY AND I ACCESS THAT.

BUT IF THERE'S ALREADY
A CCTV IN THERE, YOU KNOW,

IT'D BE EASY
FOR HIM TO WIRE THE --

NOBODY GOES IN.

[ DOORBELL RINGS ]
SECURITY.

Wait.

Can we get the combination
to the safe

from the panic room camera?

I tapped into it already.
The angle's no good.

Plus, we'd need a button cam,
but it's not gonna work

with the kind of shirts
that he wears.

Try his glasses.

All right.

[ DOORBELL RINGS ]

[ DOOR OPENS ]

[ ALARM CHIRPS ]

HI. ELIOT, WITH, UH,
HANCOCK SECURITY.
-UH, YEAH, YOU'RE LATE.
WHERE'S JACK?

JACK IS -- HE GOT SENT
TO ANOTHER GIG, SO THEY SENT ME.

[ WATCH BEEPING ]
OKAY, WELL, GO FIND MOLLY,
ALL RIGHT?

OKAY. WHO'S MOLLY?

MY DAUGHTER.

GEEZ, DON'T YOU GUYS EVER
READ YOUR FILES?

E-EXCUSE ME.

[ SIGHS ]
I AM SO SORRY.

I DON'T THINK MR. CONNELL
WANTS ANYONE BACK HERE.

OH, SORRY.

THANKS.

YEAH. OKAY.

LOOK -- I DON'T HAVE TIME
TO KEEP TABS ON HER.

[ DOOR OPENS ]

[ BEEPING ]

[ DOOR CLOSES ]

CAN'T WATCH HIS OWN DAUGHTER.

[ INDISTINCT SHOUTING, LAUGHTER
IN DISTANCE ]

HEY, MOLLY.

I'M ELIOT.

I'M SUPPOSED TO...

IT'S GOT TO BE PRETTY COOL
LIVING NEXT TO A CARNIVAL,
THOUGH, HUH?

[ SCOFFS ]

[ Mockingly ]
IT'S GOT TO BE PRETTY COOL
BEING THE SECURITY GUY.

WH--

M-MY J--

CLEARLY YOU'VE NEVER BEEN
TO ONE.

EVERY GAME IS RIGGED.

IS RIGGED.

IT'S A WASTE OF TIME
UNLESS YOU CHEAT.

WELL, IF YOU CHEAT, THERE'S
NO SATISFACTION IN WINNING.

CHEATING'S THE ONLY WAY
TO GET ANYTHING IN LIFE.

UH-HUH.

AREN'T YOU A LITTLE
BAG OF SUNSHINE?

[ SCOFFS ]
IT'S MY DAD'S PHILOSOPHY.

HE BELIEVES
THAT ALL OF LIFE IS RIGGED --

PROBABLY SOME TWISTED REACTION
TO MY MOM DYING.

TOO MUCH, TOO SOON? SORRY.

DON'T HAVE MANY PEOPLE
TO TALK TO THESE DAYS.

I WONDER WHY.

[ SCOFFS ]

OTHER THAN DARIA.

WHO'S THAT?

SHE'S OUR EASTERN-EUROPEAN
HOUSEKEEPER.

TALKING TO HER IS LIKE...

TALKING TO AN EASTERN-EUROPEAN
HOUSEKEEPER.

[ CHUCKLES SOFTLY ]

YOU DON'T HAVE ANY FRIENDS?

MY DAD'S BEEN ALL WONKY LATELY,

NOT LETTING ME GO ANYWHERE
OR HAVE ANYONE OVER.

[ SIGHS ]

HE'S ALL OBSESSED
WITH THIS RECONSTRUCTION THINGY.

MY MOM STARTED IT.

IT'S LIKE A SHRINE TO HER
OR SOMETHING.

ANYWAY, THE BLOGS SAY
HE'S GRIEVING.

WHAT DO YOU THINK?

I DON'T KNOW.

YOU KNOW, I KNOW A WAY

TO BEAT THESE, UH -- THESE GAMES
YOU THINK ARE RIGGED.

[ SCOFFS ] YEAH?

-YEAH.
-WHAT?

WHAT DO YOU THINK IT IS?

[ LAUGHS ]

HARD WORK.

[ LAUGHS ]
WAS "RUDY" ON CABLE LAST NIGHT?

YEAH.

NATE, WE'RE GOOD TO GO.

I HACKED HIS MED RECORDS AND
COPIED HIS PRESCRIPTION EXACTLY.

HE'LL NEVER KNOW.

PARKER...

TELL ME HOW YOU'RE FEELING
RIGHT NOW.

[ KEYPAD BEEPING ]

UM...

WAIT. HUH?

HMM? UH, NOTHING. NEVER MIND.

HE'S COMING TOWARD YOU.

OH!

-OHH, SORRY! OH.
-DAMN IT.

-DAMN IT. [ SIGHS ]
-SORRY.

I'M SORRY.

AH, THERE WE GO.

[ CHUCKLES ]

Yeah, yeah, just fine.
Whatever.

-Just don't let it
happen again, okay?
-Okay.

I'm sorry.

[ CELLPHONE RINGS ]

[ SIGHS ]

HELLO?

Okay, give me a second.

I've got to put you
on hold, okay?

Hold on.

[ Lock beeps, disengages ]

I...

[ Sighs ]
Yeah, we're still on, but...

YES, I KNOW.
YES, IT'S SECURE.

LOOK -- WHATEVER.

JUST HAVE
THE MONEY THERE TONIGHT.
[ CELLPHONE BEEPS ]

[ Sighs ]

NO. NO.
[ BEEPING ]

NO. NO!

[ Lock clicks ]

COME ON, MAN!

YOU SEE THIS?

YOU -- YOU SEE THIS?!

[ BEEPING ]

I'M SORRY, GEOFFREY.

[ Lock clicking ]

NO RETINA SCAN, VOICE, PRINT,
NO FACIAL RECOGNITION, NOTHING.

HE DOESN'T EVEN TOUCH
THE KEYPAD.

BRING UP THE AUDIO.

THERE'S NOTHING TO BRING UP.
HE DOESN'T SAY ANYTHING.

NO, NO, JUST -- JUST
BRING UP THE AUDIO ALL THE WAY.

[ BEEPING, KEYS CLACKING ]

HE'S --

Shh. Shh. Shh. Shh.

[ Connell exhales sharply,
lock beeps, disengages ]

BREATH LOCK.

WE'RE GONNA HAVE TO GET HIS DNA
FROM HIS BREATH.

WE'RE GONNA HAVE TO GET HIM
TO TAKE A BREATHALYZER.

HE SAID THAT ONLY HE AND MOLLY
HAVE ACCESS TO THAT ROOM.

ELIOT, I GOT SOMETHING FOR YOU.

ARE YOU KIDDING ME?

WHAT, YOU THINK
I WOULDN'T NOTICE?!

OH, HEY! HEY, GIRL,
THIS THING IS HYPERSENSITIVE.

I'M HYPER-SENSITIVE WHEN PEOPLE
ARE BUILDING ROBOTS
TO REPLACE ME!

-IT'S NOT A ROBOT.
-I'M NOT STUPID, HARDISON, OKAY?

I KNOW HOW SMART YOU ARE AND HOW
CAPABLE YOU ARE OF DOING THINGS.

-PARKER 2000?
-NO. WHAT --

NO, SEE, LIKE -- UM, OKAY.

YEAH, I USED YOUR NAME, RIGHT?

BUT IT'S NOT -- IT'S NOT
WHAT YOU THINK, AT ALL.

IT'S AN ASCD, AN AUTOMATED
SAFE-CRACKING DEVICE.

I'M A SAFE-CRACKING DEVICE.

[ DOOR SLAMS ]

TOLD YOU NOT TO CALL IT PARKER.

THE WHEEL?

ALL RIGHT, YOU'VE BLOWN UP
ENOUGH BALLOONS.

COME OVER HERE.
I WANT TO SHOW YOU SOMETHING.

NOW, LET ME SEE YOUR BALLOON.

CAN YOU TIE IT?

-HMM?
-ALL RIGHT.

NOW, THE MISTAKE
THAT MOST PEOPLE MAKE

IS THROWING AT THE BALLOON,
ALL RIGHT?

THE WAY THESE DARTS
ARE WEIGHTED,

THEY DON'T GENERATE
ENOUGH ENERGY AND MOMENTUM

TO GO THROUGH THE BALLOON.

-BOOM.
-RIGGED?

NO, NOT RIGGED, OKAY?
HOUSE ADVANTAGE.

BUT YOU THROW IN AN ARC...

GRAVITY --

THAT CREATES ENOUGH MOMENTUM.

YOU TRY.

[ SIGHS ]

YOU FORGOT TO MENTION
THE NEED FOR TALENT.

YOU GO -- NO, HARD WORK
BEATS TALENT EVERY TIME.
YOU'RE NOT PUTTING AN ARC ON IT.

DO YOU SUBSCRIBE TO SOME
MOTIVATIONAL WEBSITE
OR SOMETHING?

TRY AGAIN.

[ SCOFFS ]

AND THERE YOU HAVE IT.

SEE?

PRACTICE AND HARD WORK,
AND ONE OF THESE DAYS --

HOLD THIS RIGHT THERE...

...YOU'LL BE ABLE TO DO THIS.

[ Laughing ] OH, SWEET.

THAT'S RIGHT. GO OVER THERE
AND TRY IT YOURSELF.

USE THE MIRROR.

MIRRORS AND I AREN'T EXACTLY
ON SPEAKING TERMS.

WHAT'S THE PROBLEM?

I JUST DON'T LIKE WHAT I SEE.

MOLLY, COME!
TIME FOR CARNIVAL!

[ SCOFFS ] GOD.

NO, THANK YOU!

YOUR FATHER WANTS US OUT OF WAY.

THEN ELIOT CAN COME.

NO, NO, H-HE MUST STAY.

UH, NO, I GOT TO -- YEAH.

NOW COME ON.

IT WILL BE FUN. I PROMISE.
I'LL BUY YOU COTTON CANDY.

-LAST YEAR YOU LOVED
THE CARNIVAL SO MUCH.
-PROBLEM?

CAN ELIOT COME?

[ CELLPHONE BEEPING ]
OH, WAIT. WAIT.

YOUR FATHER'S CALLING.

HE SAY WE MUST GO NOW
OR WE'LL BE LATE.

IF I HAVE TO GO
TO SOME LAME CARNIVAL,

THEN WHY CAN'T ELIOT COME?

-[ CHUCKLES ]
-YEAH.

YEAH. WHY CAN'T ELIOT TAKE YOU?

IT'S FINE, REALLY.
I MEAN, IT'S GREAT.

I MEAN, FEWER VARIABLES
MEANS FEWER COMPLICATIONS --

IN RENOVATIONS.

OKAY, OKAY, THAT'S FINE.
LET'S GO.

CARNIVAL, YAY!

OKAY? [ CHUCKLES ]

-COME. COME. COME. COME.
-HAVE FUN.

YEAH.

CLOCK STARTS NOW, PEOPLE.

OKAY, PARKER, HARDISON,
STAND BY.

OKAY, NATE. HOW ARE YOU
GETTING HIM OUT OF THERE?

SOPHIE AND I ARE GONNA
RUN AN ABBREVIATED VERSION
OF ROMAN WEDDING.

-NOT SO HARD.
-HOLY CRAP.

I QUIT! HA!

WHAT WAS THAT ABOUT?

UH, WE BETTER GO GET HER.

[ Dialing, beep ]

[ BEEPING ]

-OH, COME ON, BECKY!

-COME ON! HEY!
-NO, THIS IS THE LAST STRAW.

-OH, WE GOT PLENTY OF STRAWS.
-THIS IS LIKE MUMBAI
ALL OVER AGAIN.

-WHAT DO YOU MEAN,
MUMBAI ALL OVER AGAIN?!
-WHAT'S -- WHAT IS SHE
SO MAD ABOUT?

[ AIR HISSES ]

[ LOCK BEEPS, DISENGAGES ]

I'M NOT WORKING WITH HER.

PARKER, IT'S NOT
GENDER-SPECIFIC.

PLUS, IT CAN OPEN A SAFE
6.5 TIMES FASTER THAN YOU.

Ha!

THERE'S NO WAY
I'M WORKING WITH HER.

I DON'T...

[ INDISTINCT SHOUTING ]

SEE? IT'S NOT WORKING.

THAT'S 'CAUSE YOU GOT TO FIND
THE TELL, ALL RIGHT?

SO, THE WAY
THESE GUNS ARE BUILT,

THE BARREL IS AIMED
DOWN AND TO THE LEFT.

SO YOU WANT TO AIM UP AND TO --

THE RIGHT.

TO THE RIGHT. RIGHT.

YOU GOT IT. YOU GOT IT.
YOU GOT IT.

[ BELL DINGS ]

[ CHUCKLES ]

THERE YOU GO, LITTLE LADY.

LET'S GO.

[ CARNIVAL MUSIC PLAYING ]

YOU DIDN'T EVEN TELL HIM.

WHAT?
WE DON'T HAVE TIME FOR THIS.

-TELL HIM WHAT?
-WELL, WE NEED TO MAKE TIME.

-TIME FOR WHAT?
-NOW, WHY IS SHE SO MAD?

WHY IS SHE SO MAD?
I'LL TELL YOU WHY.

WELL, BECAUSE SHE HAS TROUBLE
SEEING THE BIGGER PICTURE.
THAT'S WHY.

I SEE BIGGER PICTURES
THAN YOU'VE EVER DREAMT OF.

WHO IS IT THAT DESIGNED

DAVID AND VICTORIA'S
ECUADORIAN WATER FEATURE?

OR WHO CREATED
WOODY HARRELSON'S WALL OF HEMP?

NO, WAIT. WAIT. OKAY,
MR. CONNELL, JUST GIVE
THIS SOME PAUSE.

I JUST NEED ONE MINUTE
FOR YOU, ME, AND IDA LUPINO HERE

TO SORT THIS OUT, OKAY --
ONE MINUTE.

WOMAN, PLEASE JUST CONNECT IT
TO THE SAFE'S WALL.

THIS IS A GLEN REEDER
MODEL 88-11, LAST MADE IN 2009.

DID SHE KNOW THAT?

YES, PARKER,
BECAUSE I PROGRAMMED IT.

I KNEW YOU WERE TRYING
TO REPLACE ME.

WOMAN, PLEASE JUST
CONNECT IT TO THE SAFE'S WALL.

-Ain't nobody replacing you.
-[ EXHALES SHARPLY ]

[ BALLOON POPS ]
[ LAUGHS ] ELIOT, I DID IT!

-I'd already have it cracked
if you'd stop talking.
-THAT'S AWESOME.

COME ON, PARKER.
[ CELLPHONE RINGING ]

I'LL BE RIGHT BACK, OKAY?
YOUR FATHER IS CALLING.

SWEET.

SO, IS "PARKER" A CODE NAME?

I MEAN, EITHER
YOU'RE TALKING ON A SECRET RADIO

OR YOU'RE A SCHIZOPHRENIC.

I'M SECURITY.

CAN I TRY?

NO.

COME ON. JUST LET ME TRY.

I-I-I WON'T SAY ANYTHING.
I'LL JUST LISTEN.

DON'T PUT IT IN YOUR EAR.

PUT IT IN YOUR POCKET --
NOT UNTIL I TELL YOU.

I'LL BE BOTASKY,
AND YOU BE PERKY.

WHO?

DON'T YOU EVER READ?

Parker,
Connell's gonna catch you.

Shh!

[ LOCK CLICKING ]

Parker, please!

Are you talking to me
or the new Parker?

MOLLY, YOUR FATHER
WANTS US BACK SOON.

-LET'S GO GET COTTON CANDY.
-YOU WANT SOME?

Maybe I should talk to New
Parker. Give her the comm.

-ELIOT?
-Give her the comm, Parker.

-MOLLY! MOLLY!
-At least she listens.
Give her the comm.

GIRL, IF YOU DON'T ATTACH
THAT THING TO THE SAFE WALL --

JUST DO IT, PARKER!

[ CLEARS THROAT ]

[ SIGHS ] FINE.

[ DEVICE WHIRS ]

THERE'S NO WAY SHE CAN
CRACK THIS SAFE FASTER THAN ME.

[ DEVICE BEEPING ]

WHOA.

[ INDISTINCT CONVERSATIONS ]

-HARDWOOD FLOORS?
-YEAH, I'M TELLING YOU.

YOU KNOW, SHE WANTS TO USE THE
HARDWOOD FROM BURMA, THAT CRAP.

I MEAN, THE HARDWOOD FROM BRAZIL
IS THE BEST STUFF.

FINE.

WHATEVER.

I'LL BE UPSTAIRS IN MY OFFICE
IF YOU NEED ME.

OKAY, PARKER,
WE ARE RUNNING OUT OF TIME.

DONE.

[ Crying ] THEY TOOK HER!

THEY TOOK HER!

THEY TOOK MOLLY!

[ SOBBING ]

I-I TRIED, I TRIED. I TRIED.

[ Crying ] THEY TOOK MOLLY!

LISTEN TO ME. WHO TOOK HER?
WHAT DID YOU SEE?

I DON'T -- I DON'T KNOW --

-WHAT DID YOU SEE?!
-SHE -- GOD.

SHE WAS HERE, AND THEN MEN
WERE THERE, AND I TRIED
TO HOLD HER --

HOW MANY MEN? HOW MANY MEN
WERE THERE? REMEMBER.

IT'S VERY IMPORTANT
YOU REMEMBER HOW MANY MEN!

THREE.

ALL RIGHT, GO -- GO BACK
TO THE HOUSE, ALL RIGHT?

LISTEN -- YOU UNDERSTAND ME?

GO STRAIGHT BACK
TO THE HOUSE NOW. GO.

NATE.

NO, THIS CAN'T BE AN ABDUCTION.
THIS IS K&R.

THE RUSSIAN BUYERS --
THEY WANT THE CHIP.

WE ARE ON A RESET.

Our main objective is the girl.

We find her,
bring her back safe.

We lose the chip if we have to.
We burn Connell if we have to.

ANYONE HAVE A PROBLEM,
SPEAK NOW.

HARDISON, THE CARNIVAL
IS COVERED IN CAMERAS.

-I'll need a map.
-I'M ON IT.

ELIOT, WE'RE GONNA NEED TO KNOW
IF ANYONE HAS LEFT THE CARNIVAL.

40 SECONDS
FROM THE MAIN ENTRANCE.

NATE, IF I'M ENGAGED...

DO YOUR WORST.

THIS IS A GOODWILL GESTURE.

WHAT I WANT FOR IT IN RETURN

IS YOUR UNDIVIDED ATTENTION
AND THE BENEFIT OF THE DOUBT.

MY NAME IS NATE FORD.

IN JUST A FEW SECONDS,
THAT PHONE IS GOING TO RI--

[ CELLPHONE RINGING ]
I'LL MAKE THIS BRIEF.

THE RUSSIANS THAT YOU LINED UP
TO BUY THAT CHIP --

WELL, THEY'VE DECIDED THEY
DON'T LIKE YOUR PRICE ANYMORE.

NOW, YOU NEED TO LISTEN TO ME
VERY CAREFULLY.

THEY HAVE YOUR DAUGHTER.
THEY HAVE MOLLY.

NOW, DO YOU UNDERSTAND
WHAT I MEAN BY THAT?

IF YOU HURT MY CHILD,
I WILL END YOU.

WE ARE NOT THE RUSSIANS.

THORNE.

GEOFFREY?

THE GUY THAT YOU
STOLE THE CHIP FROM

HAS HIRED US TO STEAL IT BACK --
DO YOU UNDERSTAND?

IF YOU'RE NOT WORKING
WITH THEM, HOW DID YOU KNOW
THAT THEY'D CALL?

'CAUSE I'M VERY GOOD
AT WHAT I DO.

NOW, IF YOU WANT TO
GET YOUR DAUGHTER BACK,
YOU'LL LET ME DO THE TALKING.

YEAH?

[ Russian accent ]
CONNELL?

NO, UH, YOU'RE NOT GONNA BE
DEALING WITH CONNELL ANYMORE.

YOU'RE GONNA BE DEALING WITH ME.

[ Click ]
WHAT HAPPENED?

-THEY HUNG UP.
-I'M CALLING THE POLICE.

NO, NO, NO, NO, WAIT.

JUST GIVE IT A FEW MOMENTS.
THEY'LL CALL BACK.

I'VE GOT NO INTEL HERE, GUYS.
TELL ME YOU HAVE SOMETHING.

Eliot?

MOLLY?

WHERE ARE YOU?

I don't know.

IT'S DARK.
I CAN'T SEE ANYTHING.

[ BREATHING HEAVILY ]

ELIOT, I'M SCARED.

ALL RIGHT, LISTEN --
YOU'RE GONNA BE FINE, OKAY?

THIS IS --
THIS IS JUST A DRILL.

IT'S LIKE A --
LIKE A FIRE DRILL.

YOU HAVE THOSE
AT YOUR SCHOOL, RIGHT?

IF I PROMISE NOT TO CRY,
WILL YOU JUST TELL ME THE TRUTH?

ALL RIGHT, THIS IS NOT A DRILL.

THESE GUYS ARE VERY BAD GUYS,
THE GUYS THAT TOOK YOU, OKAY?

BUT I'M COMING FOR YOU -- ME --

AND I'M GONNA FIND YOU,
AND I'M GONNA BRING YOU HOME.

NOW, YOU TELL ME --

Does that sound like the truth?

YEAH.

Okay, good.

I'M GONNA NEED YOUR HELP.

WHAT DO I HAVE TO DO?

I NEED YOU TO USE YOUR EARS.
ALL RIGHT?

I NEED YOU TO LISTEN HARDER

THAN YOU'VE EVER LISTENED
IN YOUR ENTIRE LIFE,

AND I NEED YOU TO TELL ME
EXACTLY WHAT YOU HEAR.

[ CLICKING,
CARNIVAL MUSIC PLAYING ]

MUSIC...

AND THE SOUND
FROM THE SPIDER RIDE.

[ CELLPHONE RINGING ]

YEAH?

AT THE CARNIVAL, IN ONE HOUR.

IF YOU BRING THE CHIP,
YOU'LL GET THE GIRL.

-IF YOU DON'T BRING THE CHIP...
[ CELLPHONE BEEPS ]

-WHAT DID THEY SAY?
-DOESN'T MATTER.

WHAT DO YOU MEAN, "IT
DOESN'T MATTER"? WE'RE
NEGOTIATING FOR MY DAUGHTER.

NO, NO, NO. NO, WE'RE NOT.
THEY'RE TESTING US.

WAIT. I DON'T UNDERSTAND.
TESTING FOR WHAT?

TESTING US TO SEE
IF THEY EVEN NEED TO NEGOTIATE.

NOW JUST BE QUIET.

HARDISON, I NEED YOU TO CLEAR
OUT THE CARNIVAL, AND FAST.

OKAY, NOW, ELIOT, I NEED YOU
TO FIND THE JANITOR'S CLOSET,

WHERE THEY KEEP THE SUPPLIES.

I KNOW WHERE IT IS.

OKAY, GOOD.
HERE'S WHAT I NEED YOU TO GET.

BASED ON WHAT MOLLY HEARS
AND THE LOCATION OF THE SPIDER,

SHE IS HERE.

-ELIOT, NORTHEAST CORNER.
-Got it.

OKAY, THAT'S WHERE
THE MEET WILL BE.

NATE, I'M ONLY SAYING THIS
'CAUSE THEY'RE RUSSIAN --

FERRIS WHEEL.

MAYBE THEY GOT A BIRD'S-EYE VIEW
OF THE ENTIRE CARNIVAL.

-WHAT DOES THAT MEAN?
-IT MEANS THEY CAN POST
A SNIPER.

[ Russian accent ] I GO AGAIN.

ALL RIGHT, COME ON, DUDE. IT'S
LIKE YOUR 10th TIME IN A ROW.

I GO...

AGAIN.

ALL RIGHT.

[ TRAIN WHISTLE BLOWS ]

ALL RIGHT, I GOT IT, HARDISON.
NOW WHAT?

OKAY, ELIOT, FIND THE HOTTEST
LIQUID THAT'S NOT WATER,

MIX, AND RUN LIKE HELL.

[ LIQUID BUBBLING ]

[ EXPLOSION ]

DAMN IT, HARDISON.
A LITTLE WARNING NEXT TIME.

WELL, WHAT YOU THINK
"RUN LIKE HELL" MEANT?

PLEASE EXIT THE PARK
SAFELY AND QUICKLY.
[ PEOPLE COUGHING ]

EVERYTHING WILL BE FINE --
NOTHING TOO TOXIC.

-FOLKS, RIGHT THIS WAY.
-JUST GO HOME
AND COME BACK TOMORROW.

[ HORN HONKS ]

AFTER I MADE THE RECORDING,
I CALLED POLICE AND FIRE,

TOLD THEM IT WAS A FALSE ALARM.

NICE WORK.
[ HORN HONKING ]

REALLY NICE.

HEY!

NO, MR. CONNELL,
PLEASE STAY BACK HERE WITH ME.

SHE'S MY DAUGHTER. I'M GOING.

NO, NO, NO.
NO, NO, NO, YOU'RE NOT.

PLEASE.

SHE NEEDS ME.

I HAVEN'T BEEN THERE FOR HER.

WHEN -- WHEN --
WHEN I LOST MY WIFE,

I-I FORGOT THAT MOLLY
LOST HER MOTHER, TOO, SO...

WHEN SHE NEEDED ME THE M--

PLEASE.

SHE'S ALL THAT I HAVE.

NO, I'M -- I'M --
I'M ALL THAT SHE HAS,

AND I'VE LOST EVERYTHING.

NOT YET, YOU HAVEN'T, NO.

SHE NEEDS YOU
TO STAY RIGHT HERE.

NOW, WE'RE GONNA GO AND GET HER.

I'M COMING FOR YOU, MOLLY.

STAY SMALL AND QUIET,
AND IF I SAY "RUN," YOU RUN.

OKAY.

OKAY.

HEY, GUYS,
I GOT THE SECURITY SHED.

OKAY, ELIOT, HEADS-UP, MAN.
YOU GOT A LITTLE TROUBLE AHEAD.

YOU -- WHAT? DAMN.
WHAT THE HELL WAS THAT?

It was a little trouble.

WHERE IS SHE?

[ BUZZER ]

ELIOT?

YOU OKAY?

[ Russian accent ] OY!

DO YOU HAVE THE CHIP?

-WHAT ARE YOU LOOKING FOR?
-YOUR BOSS.

-I AM THE BOSS.
-[ SCOFFS ]

WHERE I COME FROM,
BOSS IS THE GUY WITH THE GUN.

YEAH, WELL, IN AMERICA, THE BOSS
IS THE GUY WHO DOESN'T NEED
A GUN.

YOU KNOW, HERE'S THE THING --

IF YOU HAD PERMISSION
TO PULL THAT THING,

I THINK YOU WOULD HAVE
DONE IT ALREADY.

LITTLE RESPECT!

THAT'S ALL I'M ASKING FOR --
COMMON COURTESY!

THERE IS NOBODY HERE BUT US.

LOOK, I HAVEN'T
MADE MYSELF CLEAR, HAVE I?

I'M GONNA SPEAK TO NO ONE
BUT HER.

HOW DID YOU KNOW?

OH! LOOK.

IT'S YOUR FATHER CALLING.

HE SAY WE MUST GO NOW
OR WE'LL BE LATE.

-NOT SO HARD.
-HOLY CRAP.

I QUIT! HA!

-WHAT WAS THAT ABOUT?
-[ SIGHS ]

BETTER GO GET HER.

[ CELLPHONE BEEPING ]

I DON'T THINK THAT MR. CONNELL
WANTS ANYONE BACK HERE.

THANKS.

LUCKY GUESS.

OKAY, PARKER.

PARKER, IT'S ON. GET THERE.

WHERE'S MOLLY?

SAFE.

THIS NEGOTIATION WON'T BEGIN
UNTIL YOU GIVE ME PROOF.

YOU SHOULD LOOK AT YOUR CHEST
BEFORE MAKING ANY MORE DEMANDS.

I'D LIKE TO SEE
PARKER 2000 TRY THAT.

Eliot?

ELIOT?

YOU OKAY?

Eliot?

Eliot?

MOLLY, MY NAME'S SOPHIE.

I'm looking out for you.

Everything's
gonna be fine, Molly.

MOLLY, CAN YOU HEAR --

SHE'S MY DAUGHTER.

MOLLY?

DAD?

-Dad?
-[ CLEARS THROAT ]

[ Voice breaking ] HONEY,
EVERYTHING'S GOING ACCORDING
TO PLAN, UM...

HEY, YOU KNOW THAT I ONLY
HIRE THE BEST, RIGHT?

YEAH.

WELL, THAT'S WHO'S
COMING TO GET YOU -- THE BEST.

AND THEY'RE GONNA BRING YOU BACK
SAFE AND SOUND,

AND I'LL BE RIGHT HERE, WAITING.

I'LL BE HERE FOR YOU, MOLLY.

FROM NOW ON, I PROMISE --
JUST YOU AND ME.

I WISH I WAS WITH YOU
RIGHT NOW, DAD.

ME TOO, HONEY.

YOU JUST HANG ON
A LITTLE BIT LONGER,

AND WE'LL BOTH SEE EACH OTHER
REAL SOON, OKAY?

MOLLY...

I LOVE YOU SO MUCH.

[ Voice breaking ]
I LOVE YOU, TOO, DADDY.

[ INHALES SHARPLY ]

YOU DID GOOD.

Eliot? Eliot?

Are you at the storage shed?

Eliot, did you find Molly?

Eliot?

IF YOU KILL ME,
HOW WILL YOU FIND THE GIRL?

ACTUALLY, I WAS GONNA DO IT
THE OTHER WAY AROUND.

OH, SO YOU KNOW
WHERE SHE IS, THEN?

[ BREATHING HEAVILY ]

SHE'S NOT -- SHE'S NOT HERE.

Nate, they moved her.

Best move for you
is just to hand her over.

ONCE I AM SAFE WITH CHIP,
YOU GET MOLLY.

FIRST WE NEED PROOF OF LIFE.

YOU THINK I HURT HER?

[ Chuckling ] I RAISED HER --
MORE THAN MR. CONNELL.

You're gonna be in big trouble
when they find me.

-I said shut up.
-MOLLY.

MOLLY?

YOU'RE GONNA REGRET THIS.

SHUT UP.

I'M HERE, BOTASKY.

Give me a clue.

I DON'T LIKE WHAT I SEE.

MIRRORS AND I AREN'T EXACTLY
ON SPEAKING TERMS.

WHAT'S THE PROBLEM?

I JUST DON'T LIKE WHAT I SEE.

[ SPEAKS RUSSIAN ]

NATE, I KNOW WHERE SHE'S AT.
I'M GONNA GO GET HER.

NO, ELIOT, DARIA'S GOT THE CHIP.

WE GOT TO JUST WAI--

I DON'T WAIT.

I'M COMING FOR YOU, MOLLY.

[ BREATHING HEAVILY ]

ROPER.

[ Echoing ] ELIOT!

[ ROPER LAUGHS ]

ELIOT, HELP ME. PLEASE!

ARE YOU STILL THERE?

ELIOT, I'M SCARED.

[ ROPER LAUGHS ]

[ ENGINE TURNS OVER ]

[ TIRES SCREECH ]

PLEASE HELP ME.

I'M SCARED.

PLEASE.

THE GREAT ELIOT SPENCER.

[ LAUGHS ]

IT'S DARK.
I CAN'T SEE ANYTHING.

ELIOT, I'M SCARED.

GET UP, SPENCER.

I DON'T LIKE WHAT I SEE.

I'M SCARED.

[ MUFFLED SCREAMING ]

[ SOBBING ]

MOLLY!

MOLLY!

MOLLY!

DADDY!

NICE WORK, PERKY.

YOU TOO, BOTASKY.

[ ALARM BEEPING ]

[ ENGINE SPUTTERING ]

[ Muffled ] SON OF A BITCH!

LET ME OUT OF THIS CAR
RIGHT NOW, YOU SON OF A BITCH!

-SORRY, WHAT? I CAN'T HEAR YOU.
-I WILL KILL YOU!

-DO YOU HEAR ME? I WILL --
-YOU'LL WHAT?

EVERYTHING IN YOUR LIFE OPERATES
OFF THIS GUY RIGHT HERE --

YOUR LOCKS, YOUR VIDEO CAMERAS,

OR I COULD WIRE IT
TO YOUR VEHICLE.

YOU CAN, LIKE, START YOUR CAR
OR PLAY A PARTICULAR CD,

LOCK, UNLOCK THE DOORS,
SOMETHING LIKE THAT.

IT'S PRETTY FREAKIN'
SWEET, SO...

[ ENGINE CLICKING ]

[ ENGINE STOPS ]

[ ENGINE SPUTTERS ]

-LET ME OUT!
-I'M SORRY. WHAT?

-LET ME OUT!
-CAN'T HEAR YOU.

I WILL KILL YOU!
I WILL KILL YOU!

NO, NO, NO, NO, NO!

NO, WAIT! WAIT!

THIS IS NOT OVER!

[ SIREN WAILS ]

STOP! STOP!

I CAN'T THANK YOU ENOUGH.
THIS IS MY LIFE.

AND IT SOUNDS LIKE CONNELL'S
TURNED OVER A NEW LEAF.

WELL, I WOULDN'T SAY
"TURNED OVER A NEW
LEAF" SO MUCH AS --

OH, YOU KNOW,
SOMETIMES, WHEN YOU LOSE

SOMETHING THAT'S IMPORTANT,
SOMETHING THAT CENTERS YOU,

SOMETHING THAT YOU FEEL
YOU CAN'T LIVE WITHOUT,

YOU LOSE HOW TO LIVE.

LIKE MY CHIP.

[ DOOR CLOSES ]

WELL, IT SOUNDS LIKE MOLLY
AND HER DAD ARE DOING OKAY.

THEY'RE MAKING UP FOR LOST TIME.

HEY, MAN, YOU REALLY SHOULD HAVE
LET US GET YOU TO A HOSPITAL.

-I HIRED A NURSE.
-AH, THATABOY.

A LITTLE CHICKEN NOODLE SOUP,
A LITTLE GRANDMOTHERLY LOVE.

STOP.

HEY. HOW ARE YOU?

THIS IS NURSE GAIL.

I DON'T THINK SHE'S REGISTERED.

YOU DOING OKAY?

ALWAYS.

HOW YOU TWO DOING
WITH YOUR LITTLE MINI-PARKER?

I CAN'T BELIEVE YOU
BROUGHT HER HERE, BY THE WAY.

OKAY, YOU KNOW WHAT, PARKER?
LOOK.

YOU WANT TO KNOW WHY
I MADE IT GREEN?

-MM-HMM.
-BECAUSE YOUR FAVORITE COLOR
IS GREEN.

YOU WANT TO KNOW
WHY I NAMED HER AFTER YOU?

IT'S BECAUSE
SHE'S BASED OFF OF YOU.

PARKER, THAT'S WHY
I WAS ALWAYS ASKING YOU,

"WHAT ARE YOU THINKING?

HOW ARE YOU FEELING?"

EVERYTHING SHE KNOWS,
SHE LEARNED OFF OF YOU.

I DIDN'T MAKE HER
TO REPLACE YOU.

I'D NEVER WANT TO REPLACE YOU.

SHE'S -- SHE'S FOR YOU.

[ CHUCKLES ] I LOVE IT.

REALLY?

YEAH.
I'M GONNA CALL HER "HARDY."

OKAY. NO.
UM, IT'S "PARKER 2000."

-IT SAYS SO RIGHT THERE
IN THE FINE PRINT.
-IT USED TO BE.

OKAY, NO. THAT'S --
THAT'S NOT GONNA WORK.

-THAT'S --
-HARDY IT IS.

BUT IT'S PARKER 2000.
IT'S LIKE --

YEAH, BUT YOU SAID IT'S MINE,
SO I CAN NAME IT
WHATEVER I WANT.

SHE SHALL BE CALLED HARDY.
YOU LIKE THAT NAME, DON'T YOU?

[ High-pitched voice ] YES.
[ Normal voice ] YES.

RIGHT, BUT WHEN I INVENTED IT,
I REGISTERED THE NAME
AS PARKER 2000.

-SHE LIKES IT. SHE LIKES IT.
-HARDY IS GOOD. I CAN MAKE
A HARDY.