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1
00:00:19,392 --> 00:00:21,594
[ BEEPING ]
2
00:00:24,730 --> 00:00:28,201
ANY TROUBLE PLANTING
THE EVIDENCE, MR. KREESE?
3
00:00:28,234 --> 00:00:31,670
SHOULD TURN UP IN HIS OFFICE
WITHIN 36 HOURS.
4
00:00:31,704 --> 00:00:34,573
I DON'T THINK
THIS ONE'S GOING TO WORK.
5
00:00:34,607 --> 00:00:36,175
THE GUY'S CLEAN.
6
00:00:36,209 --> 00:00:37,210
NOW.
7
00:00:37,243 --> 00:00:39,112
OUR FRIEND THE STATE'S ATTORNEY
IS CLEAN NOW,
8
00:00:39,145 --> 00:00:41,214
BUT HE DID A STINT
IN JUVENILE DETENTION,
9
00:00:41,247 --> 00:00:42,548
ANOTHER IN DRUG REHAB.
10
00:00:42,581 --> 00:00:45,151
ALL WE HAVE TO DO IS ADD A WHIFF
OF SCANDAL,
11
00:00:45,184 --> 00:00:47,186
LET THE MEDIA
FOLLOW THE TRAIL
12
00:00:47,220 --> 00:00:49,222
ALL THE WAY BACK
TO THOSE OLD SINS.
13
00:00:49,255 --> 00:00:50,856
BUT WHO CARES?
14
00:00:50,889 --> 00:00:52,391
THE PUBLIC LOVES HIM.
15
00:00:52,425 --> 00:00:54,660
THE PUBLIC HAS BEEN LIED TO,
MR. KREESE.
16
00:00:54,693 --> 00:00:56,395
TOLD ALL THEIR LIVES
THEY CAN HAVE THE GOOD LIFE,
17
00:00:56,429 --> 00:00:57,696
BUT NO ONE EVER GETS IT.
18
00:00:57,730 --> 00:01:00,099
EVERY YEAR,
THEY WORK A LITTLE LONGER,
19
00:01:00,133 --> 00:01:02,535
AND THEIR HOUSE
IS WORTH A LITTLE LESS,
20
00:01:02,568 --> 00:01:05,371
THEIR RETIREMENT FUND
GETS A LITTLE SMALLER.
21
00:01:05,404 --> 00:01:06,739
AND WHEN THE PEOPLE
GET UPSET,
22
00:01:06,772 --> 00:01:09,875
THEY START LOOKING
FOR SOMEONE TO BLAME,
23
00:01:09,908 --> 00:01:13,212
SOMEONE THEY CAN TAKE DOWN.
24
00:01:13,246 --> 00:01:14,647
THE PUBLIC HAS TO LOVE HIM,
25
00:01:14,680 --> 00:01:17,383
OTHERWISE, NONE OF THIS WORKS.
26
00:01:17,416 --> 00:01:20,353
ONLY OUR HEROES FALL,
MR. KREESE.
27
00:01:20,386 --> 00:01:22,555
[ CHUCKLES ]
28
00:01:22,588 --> 00:01:25,424
THE RICH AND POWERFUL
TAKE WHAT THEY WANT.
29
00:01:25,458 --> 00:01:27,460
WE STEAL IT BACK FOR YOU.
30
00:01:34,300 --> 00:01:38,404
SOMETIMES, BAD GUYS
MAKE THE BEST GOOD GUYS.
31
00:01:39,938 --> 00:01:41,374
WE PROVIDE...
32
00:01:42,675 --> 00:01:45,444
SO -- SO, THIS 13-YEAR-OLD
FUTURE STATE'S ATTORNEY
33
00:01:45,478 --> 00:01:46,879
STEALS A CONCESSION WORKER'S
UNIFORM,
34
00:01:46,912 --> 00:01:48,714
WE GO FROM FOOD STAND
TO FOOD STAND
35
00:01:48,747 --> 00:01:50,516
TELLING THEM THAT
WE'VE RUN OUT OF FRANKS
36
00:01:50,549 --> 00:01:51,884
-IN THE RIGHT-FIELD BLEACHERS --
IT WORKS.
-[ CHUCKLES ]
37
00:01:51,917 --> 00:01:53,252
-AND THEY NEVER CAUGHT ON?
-NO.
38
00:01:53,286 --> 00:01:54,787
ONLY AFTER WE HAD SCAMMED
MORE FREE FOOD
39
00:01:54,820 --> 00:01:56,355
THAN WE'D EAT IN A SEASON.
40
00:01:56,389 --> 00:01:58,357
I REMEMBER THEY ASKED US
FOR OUR TICKET STUBS.
41
00:01:58,391 --> 00:01:59,825
WHICH -- WHICH, BY THE WAY,
WE DIDN'T HAVE
42
00:01:59,858 --> 00:02:01,494
BECAUSE WE HOPPED
THE TURNSTILES.
43
00:02:01,527 --> 00:02:03,429
AND THEN THEY ASKED TO SPEAK
TO OUR FATHERS.
44
00:02:03,462 --> 00:02:05,664
AND NATE SAYS --
I'LL NEVER FORGET THIS --
45
00:02:05,698 --> 00:02:07,166
HE SAYS, "WHO DO YOU THINK
TAUGHT US TO HOP THE STILES
IN THE FIRST PLACE?"
46
00:02:07,200 --> 00:02:09,868
[ ALL CHUCKLING ]
47
00:02:12,538 --> 00:02:15,541
I'VE NEVER TRIED TO HIDE
HOW BAD THINGS GOT FOR ME
48
00:02:15,574 --> 00:02:17,610
WHEN I WAS A KID.
49
00:02:17,643 --> 00:02:19,712
BUT I PUT THE DRUGS BEHIND ME,
50
00:02:19,745 --> 00:02:22,348
WALKED A STRAIGHT LINE EVER
SINCE -- SWEAR ON MY MOTHER.
51
00:02:22,381 --> 00:02:23,882
OKAY.
52
00:02:26,852 --> 00:02:28,587
SO...
53
00:02:28,621 --> 00:02:29,288
SO, THIS GUY, REED ROCKWELL --
54
00:02:29,322 --> 00:02:31,190
PROFESSIONAL CAREER ASSASSIN.
55
00:02:31,224 --> 00:02:33,592
HE REPRESENTS YOUR OPPONENT
IN THE NEXT ELECTION.
56
00:02:33,626 --> 00:02:35,894
HE -- HE SENDS YOU THESE
PHOTOGRAPHS ALONG WITH A NOTE.
57
00:02:35,928 --> 00:02:37,463
THEN THE NEXT DAY,
58
00:02:37,496 --> 00:02:39,298
AN AIDE FINDS A BOTTLE
OF VICODIN IN YOUR OFFICE.
59
00:02:39,332 --> 00:02:40,466
IT WASN'T MINE.
60
00:02:40,499 --> 00:02:41,734
OKAY.
61
00:02:41,767 --> 00:02:45,504
I BROKE AN ANKLE PLAYING BALL
WITH MY KIDS A FEW YEARS BACK.
62
00:02:45,538 --> 00:02:48,741
I WOULDN'T EVEN TAKE
THE PAINKILLERS
THE DOCTOR PRESCRIBED.
63
00:02:48,774 --> 00:02:51,244
BUT NOW ALL THIS CHARACTER
ROCKWELL HAS TO DO
64
00:02:51,277 --> 00:02:52,911
IS FILE A LAWSUIT AGAINST YOU --
65
00:02:52,945 --> 00:02:54,647
ANYTHING -- A FENDER-BENDER...
66
00:02:54,680 --> 00:02:56,882
AND THEN THE AIDE HAS TO
COME FORWARD ABOUT THE VICODIN,
67
00:02:56,915 --> 00:02:59,652
AND THESE PHOTOGRAPHS --
REAL OR FAKE --
68
00:02:59,685 --> 00:03:00,786
COME OUT IN DISCOVERY.
69
00:03:00,819 --> 00:03:02,821
LEGAL BLACKMAIL. IT'S ELEGANT.
70
00:03:02,855 --> 00:03:04,857
IT'S, UH, IT'S WRONG,
IS WHAT IT IS.
71
00:03:04,890 --> 00:03:06,459
YES. CAN I HAVE ANOTHER...
72
00:03:06,492 --> 00:03:07,693
-COMING RIGHT UP, SIR.
-THANKS. DO YOU WANT SOME?
73
00:03:09,928 --> 00:03:11,664
THERE YOU GO.
74
00:03:16,001 --> 00:03:18,304
SOMETIMES I DON'T KNOW
WHO'S DONE MORE
75
00:03:18,337 --> 00:03:20,339
FOR THE PEOPLE
AROUND HERE, NATE --
76
00:03:20,373 --> 00:03:21,407
YOU OR ME.
77
00:03:21,440 --> 00:03:23,542
WELL...
78
00:03:24,943 --> 00:03:26,845
[ GLASS THUDS ]
79
00:03:26,879 --> 00:03:29,648
I NEED YOU NOW.
80
00:03:29,682 --> 00:03:31,650
I DON'T KNOW WHAT TO DO.
81
00:03:31,684 --> 00:03:35,488
GO HOME, ED. I GOT THIS.
82
00:03:35,521 --> 00:03:38,857
I'M GOING TO GET MY TEAM TO BURY
THIS GUY ROCKWELL.
83
00:03:38,891 --> 00:03:40,293
YOU GOT MY WORD.
84
00:03:41,794 --> 00:03:43,262
[ HARDISON SIGHS ]
85
00:03:43,296 --> 00:03:44,930
ROCKWELL IS BULLETPROOF.
86
00:03:44,963 --> 00:03:47,266
OF COURSE.
THE MAN IS ALL ABOUT C.G.
87
00:03:47,300 --> 00:03:49,368
I MEAN, MAYBE -- MAYBE --
88
00:03:49,402 --> 00:03:50,936
YOU CAN GET SOME QUALITY C.G.
IN A STILL-FRAME,
89
00:03:50,969 --> 00:03:52,838
BUT WHEN I LAY DOWN MY TEN-FIFTY
OLD-SCHOOL PRACTICAL --
90
00:03:52,871 --> 00:03:55,908
STOP -- STOP WITH
THE "STAR TREK" STUFF AGAIN!
91
00:03:55,941 --> 00:03:58,511
"WARS"!
DAMN IT, IT'S "STAR WARS."
92
00:03:58,544 --> 00:04:01,547
AND -- AND THAT C.G.I. YODA
THEY USED IN THE PREQUELS
93
00:04:01,580 --> 00:04:03,749
IS AN INSULT
TO THE PUPPET THEY --
94
00:04:03,782 --> 00:04:05,751
YOU KNOW WHAT, MAN?
IT'S NOT EVEN WORTH DISCUSSING.
95
00:04:05,784 --> 00:04:07,320
YOU'RE THE ONLY ONE
DISCUSSING IT.
96
00:04:07,353 --> 00:04:08,821
I KIND OF LIKE C.G.I. YODA.
97
00:04:08,854 --> 00:04:10,656
[ GASPS ]
98
00:04:10,689 --> 00:04:12,491
HEY, HARDISON, WHAT DO WE GOT
ON THIS GUY ROCKWELL?
99
00:04:12,525 --> 00:04:14,660
LOOK, PARKER, JUST TELL HIM
WHAT HE WANTS TO HEAR.
100
00:04:14,693 --> 00:04:15,761
[ CLEARS THROAT ]
101
00:04:15,794 --> 00:04:17,296
DID MY EARS...
102
00:04:17,330 --> 00:04:18,964
[ BEEPS ]
103
00:04:18,997 --> 00:04:21,767
ALL RIGHT, NATE.
WE'RE SCRAPING ROCK BOTTOM HERE.
104
00:04:21,800 --> 00:04:23,336
THIS GUY DOES CRISIS P.R.,
105
00:04:23,369 --> 00:04:24,169
AND THE WHOLE THING'S DONE
ON THE WHISPER.
106
00:04:24,202 --> 00:04:25,304
HE DOESN'T JUST DEFEND
HIS CLIENTS,
107
00:04:25,338 --> 00:04:27,906
HE ATTACKS THEIR ENEMIES --
BY ANY MEANS NECESSARY.
108
00:04:27,940 --> 00:04:30,309
CREATING DIRT
WHERE HE CAN'T FIND ANY.
109
00:04:30,343 --> 00:04:32,378
OKAY, BUT, GUYS, I MEAN, WE'VE
DONE THIS KIND OF THING BEFORE.
110
00:04:32,411 --> 00:04:33,446
VIDEO, PHOTO FRAME-UPS...
111
00:04:33,479 --> 00:04:35,314
NOT LIKE THIS, NATE.
112
00:04:35,348 --> 00:04:37,316
THIS MAN IS LIKE
A NINJA ASSASSIN.
113
00:04:37,350 --> 00:04:39,084
HE'S TURNED IT
INTO AN ART FORM.
114
00:04:39,117 --> 00:04:41,053
WE'RE TALKING POLITICIANS,
HOLLYWOOD STARLETS,
115
00:04:41,086 --> 00:04:42,588
EVEN CHEATING SPOUSES.
116
00:04:42,621 --> 00:04:43,889
YOU KNOW, WORD IS,
117
00:04:43,922 --> 00:04:45,558
ROCKWELL MADE HIS BONES
A FEW YEARS BACK
118
00:04:45,591 --> 00:04:47,393
BY TAKING DOWN A CONGRESSMAN.
119
00:04:47,426 --> 00:04:49,061
YOU SEE, THE REP RECEIVED
SOME SERIOUS PRAISE
120
00:04:49,094 --> 00:04:50,563
FOR THE SPEECH THAT HE GAVE
121
00:04:50,596 --> 00:04:52,931
THAT INTRODUCED A BILL
IN D.C., RIGHT?
122
00:04:52,965 --> 00:04:54,700
ROCKWELL,
THE GENIUS THAT HE IS,
123
00:04:54,733 --> 00:04:56,702
GOES AND WRITES
A FAKE POLITICAL ESSAY,
124
00:04:56,735 --> 00:04:57,936
BACK-DATES IT,
125
00:04:57,970 --> 00:04:59,372
AND THEN BRIBES A CLERK
TO FILE IT
126
00:04:59,405 --> 00:05:00,639
IN THE LIBRARY OF CONGRESS.
127
00:05:00,673 --> 00:05:01,907
ROCKWELL LEAKS THE NEWS
128
00:05:01,940 --> 00:05:04,009
THAT THE REP PLAGIARIZED
THE ESSAY,
129
00:05:04,042 --> 00:05:06,945
THE BILL DIES, AND SO DOES
THE CONGRESSMAN'S CAREER.
130
00:05:06,979 --> 00:05:08,947
WELL, HE KNEW THAT NO ONE
IN D.C. WAS GONNA ADMIT
131
00:05:08,981 --> 00:05:09,848
TO NOT HAVING READ THAT ESSAY,
132
00:05:09,882 --> 00:05:11,784
AND HOW THE PUBLIC
WERE GONNA RESPOND.
133
00:05:11,817 --> 00:05:14,687
-YEAH, AND HOW TO MANIPULATE
THE MEDIA.
-Oh, yeah.
134
00:05:14,720 --> 00:05:17,523
ROCKWELL'S BRILLIANT.
HE'S RUTHLESS.
135
00:05:17,556 --> 00:05:19,091
STONE-COLD SOLID.
136
00:05:19,124 --> 00:05:21,494
IT'S A SHAME
WE GOT TO TAKE THE MAN DOWN.
137
00:05:21,527 --> 00:05:23,996
I'D ALMOST CONSIDER MAKING HIM
A PART OF THE TEAM.
138
00:05:24,029 --> 00:05:27,032
YEAH, UH, ROCKWELL HAS HIS BOOT
ON MY FRIEND'S THROAT, HARDISON.
139
00:05:27,065 --> 00:05:28,601
I SAID, "ALMOST."
140
00:05:28,634 --> 00:05:30,836
LISTEN, WHAT DO WE KNOW
ABOUT HIM PERSONALLY?
141
00:05:30,869 --> 00:05:32,405
NOTHING.
142
00:05:32,438 --> 00:05:34,840
HIS ONLINE FOOTPRINT
IS SCRUBBED CLEAN.
143
00:05:34,873 --> 00:05:36,709
WEBSITE HAS AN E-MAIL BOX,
144
00:05:36,742 --> 00:05:38,911
THE CORPORATE WEBSITE --
THAT'S IT -- NO PHONE.
145
00:05:38,944 --> 00:05:40,746
ONLY WAY I FOUND
THE OFFICE ADDRESS
146
00:05:40,779 --> 00:05:41,980
WAS BY TRACING BACK
147
00:05:42,014 --> 00:05:43,649
SOME OLD BUSINESS-LICENSE
APPLICATION.
148
00:05:43,682 --> 00:05:45,918
YEAH, WE CAN TELL YOU WHERE
HE GETS HIS MORNING COFFEE.
149
00:05:45,951 --> 00:05:47,085
THAT'S ABOUT IT.
150
00:05:47,119 --> 00:05:48,721
THIS IS NO GOOD.
151
00:05:48,754 --> 00:05:50,523
WELL, THE USUAL PLAY
ON A GUY LIKE THIS
152
00:05:50,556 --> 00:05:51,724
IS TO RUIN HIS REPUTATION,
153
00:05:51,757 --> 00:05:52,925
YOU KNOW, UNDERMINE
HIS CREDIBILITY.
154
00:05:52,958 --> 00:05:55,494
YEAH, BUT HE HAS
NO REPUTATION, SO...
155
00:05:55,528 --> 00:05:56,462
THIS GUY'S A GHOST, NATE.
156
00:05:56,495 --> 00:05:58,063
HE OPERATES LIKE WE DO.
157
00:05:58,096 --> 00:05:59,865
HIS CLIENTS ARE BY REFERRAL,
AND HE STAYS IN THE SHADOWS.
158
00:05:59,898 --> 00:06:01,834
HOW WE SUPPOSED
TO TAKE THIS GUY DOWN?
159
00:06:03,602 --> 00:06:04,770
[ INHALES SHARPLY ]
160
00:06:04,803 --> 00:06:07,039
THE SAME WAY
WE WOULD DESTROY ME.
161
00:06:07,072 --> 00:06:09,107
I MEAN, WHAT WE'RE
REALLY ASKING HERE IS,
162
00:06:09,141 --> 00:06:11,710
HOW WOULD I DESTROY MYSELF?
163
00:06:11,744 --> 00:06:13,646
YEAH, AND YOU CAN'T SAY
"BOOZE." HMM.
164
00:06:13,679 --> 00:06:15,648
[ Nate clears throat ]
165
00:06:15,681 --> 00:06:17,683
IF SOMEBODY LIVES
IN THE SHADOWS,
166
00:06:17,716 --> 00:06:19,618
YOU WANT TO BRING THEM
INTO THE LIGHT.
167
00:06:19,652 --> 00:06:22,455
I MEAN, WHAT IF WE MADE
THIS GUY...FAMOUS?
168
00:06:22,488 --> 00:06:23,722
-NO. BAD IDEA.
-WE SHOULDN'T DO THAT.
169
00:06:23,756 --> 00:06:24,757
-THAT IS HORRIBLE.
-ABSOLUTELY NOT.
170
00:06:24,790 --> 00:06:25,758
Nate's right.
171
00:06:25,791 --> 00:06:27,593
IT'S A SIREN SONG.
172
00:06:27,626 --> 00:06:30,162
WHO DO WE KNOW THAT CAN RESIST
THE WARMTH OF THE SPOTLIGHT?
173
00:06:30,195 --> 00:06:32,865
WE GIVE HIM
JUST ONE LITTLE TASTE.
174
00:06:32,898 --> 00:06:35,434
FIRST OF ALL, WE DON'T
EVEN KNOW HOW THIS GUY'S
GONNA REACT, OKAY?
175
00:06:35,468 --> 00:06:36,802
AND SAY, WHAT IF
IT DOES BLOW UP, HUH?
176
00:06:36,835 --> 00:06:38,537
WHAT IF WE GET TOO CLOSE
TO THE SPOTLIGHT?
177
00:06:38,571 --> 00:06:40,773
LOOK, NATE, WE ALREADY GOT
ENOUGH UNWANTED ATTENTION,
178
00:06:40,806 --> 00:06:42,808
A LA SOMEBODY LISTENING IN
ON THE APARTMENT.
179
00:06:42,841 --> 00:06:43,942
Okay, here's the plan.
180
00:06:43,976 --> 00:06:45,844
WE ARE NOT GONNA TAKE
ROCKWELL DOWN.
181
00:06:45,878 --> 00:06:47,012
WE ARE GONNA BUILD HIM UP.
182
00:06:47,045 --> 00:06:48,847
WE'RE GONNA TURN HIM
INTO A HERO.
183
00:06:48,881 --> 00:06:51,016
WE'LL THEN FIND ALL THE GRIMY
LITTLE SECRETS THAT HE HAS,
184
00:06:51,049 --> 00:06:52,818
AND THEN WE ARE GOING
TO DISCREDIT HIM,
185
00:06:52,851 --> 00:06:53,986
AND NO ONE WILL EVER TRUST
186
00:06:54,019 --> 00:06:55,588
WHAT HE HAS TO SAY
ABOUT ED KELLEY.
187
00:07:01,527 --> 00:07:03,195
AND, PARKER!
188
00:07:03,228 --> 00:07:06,164
I'M NOT GONNA BE ABLE TO UNHEAR
THAT "C.G.I. YODA" THING.
189
00:07:06,198 --> 00:07:08,701
CUT ME DEEP, WOMAN.
THAT CUT ME DEEP.
190
00:07:10,869 --> 00:07:12,237
[ SIGHS ]
191
00:07:12,270 --> 00:07:14,673
I CAN RESIST THE SPOTLIGHT,
BY THE WAY.
192
00:07:14,707 --> 00:07:16,108
OF COURSE YOU CAN.
193
00:07:16,141 --> 00:07:18,511
NEVER SEE YOU TAKING
ANY KIND OF VICTORY LAP
194
00:07:18,544 --> 00:07:20,546
AFTER YOU'VE PUSHED US ALL
TO THE EDGE,
195
00:07:20,579 --> 00:07:21,914
OR STICKING AROUND TO GLOAT
196
00:07:21,947 --> 00:07:23,816
OVER THE BAD GUY
BEING DRAGGED AWAY.
197
00:07:23,849 --> 00:07:25,718
HMM. IS THAT SARCASM?
198
00:07:25,751 --> 00:07:27,085
A MILD AMOUNT.
199
00:07:33,926 --> 00:07:35,628
-HEY! HEY!
-GIVE ME THE PURSE.
200
00:07:35,661 --> 00:07:36,895
GIVE ME THE PURSE, LADY,
AND NOBODY GETS HURT.
201
00:07:36,929 --> 00:07:38,196
HEY!
THAT'S MY PAYCHECK!
202
00:07:38,230 --> 00:07:39,565
GIVE ME THE PURSE.
GIVE ME THE PURSE.
203
00:07:39,598 --> 00:07:40,833
AND MY MOTHER'S MEDICINE!
HELP!
204
00:07:40,866 --> 00:07:42,134
HEY, LEAVE HER ALONE!
205
00:07:48,807 --> 00:07:49,842
REALLY?
206
00:07:49,875 --> 00:07:51,677
STOP.
207
00:07:53,145 --> 00:07:54,112
Good job.
208
00:07:54,146 --> 00:07:57,583
[ WHEELS SQUEAKING ]
209
00:07:57,616 --> 00:08:00,185
MY BABY!
MY BABY!
210
00:08:00,218 --> 00:08:01,754
HELP! HELP!
211
00:08:01,787 --> 00:08:02,788
HUH?
212
00:08:02,821 --> 00:08:04,256
[ TIRES SCREECH, CRASH ]
213
00:08:04,289 --> 00:08:06,659
[ SIGHS ] OOH.
214
00:08:06,692 --> 00:08:08,727
WONDER IF THAT COMES
IN A HIGHER HEEL.
215
00:08:08,761 --> 00:08:10,663
I CHOKED ON A HOT DOG.
216
00:08:10,696 --> 00:08:12,164
ON...PURPOSE.
217
00:08:12,197 --> 00:08:13,999
AND ROCKWELL WAS CHECKING
HIS E-MAIL,
218
00:08:14,032 --> 00:08:16,602
AND SOME HUGE DUDE
CAME OVER AND...
219
00:08:16,635 --> 00:08:17,936
I-I GOT HEIMLICH'ed.
220
00:08:17,970 --> 00:08:19,304
YEAH, ALL RIGHT.
ALL RIGHT, LISTEN, GUYS.
221
00:08:19,337 --> 00:08:20,806
THIS IS GONNA BE HARDER
THAN WE THOUGHT.
222
00:08:20,839 --> 00:08:22,841
[ SIGHS ]
223
00:08:28,013 --> 00:08:29,582
[ BELL JINGLES ]
224
00:08:33,085 --> 00:08:34,920
WHO THE HELL SHOPS HERE?
225
00:08:34,953 --> 00:08:37,590
IT'S $3 A BANANA.
226
00:08:37,623 --> 00:08:38,791
COFFEE, SIR?
227
00:08:38,824 --> 00:08:40,225
-I DON'T THINK SO.
-OH.
228
00:08:40,258 --> 00:08:41,259
HEY, NATE.
229
00:08:41,293 --> 00:08:42,828
CAN I JUST REITERATE THAT I HAVE
230
00:08:42,861 --> 00:08:44,162
ALMOST NO FRAME OF REFERENCE
231
00:08:44,196 --> 00:08:46,131
FOR WHAT I'M BEING ASKED
TO DO HERE?
232
00:08:46,164 --> 00:08:48,801
OKAY, BOTH FEEDS ARE UP.
HARDISON, YOU'RE GONNA BE FINE.
233
00:08:50,102 --> 00:08:53,672
AND...HERE HE COMES...
234
00:08:53,706 --> 00:08:54,973
RIGHT ON SCHEDULE.
235
00:08:55,007 --> 00:08:56,709
[ BELL JINGLES ]
236
00:08:59,044 --> 00:09:00,679
20 SECONDS, HARDISON.
237
00:09:00,713 --> 00:09:02,781
UH, MEDIUM HALF-CAF
INDONESIAN CIVET,
238
00:09:02,815 --> 00:09:03,982
WITH SOY MILK.
239
00:09:04,016 --> 00:09:06,151
-THANKS.
-GREAT. JUST ONE MOMENT.
240
00:09:06,184 --> 00:09:08,754
OKAY, HARDISON, YOU'RE UP.
241
00:09:08,787 --> 00:09:11,356
ALL RIGHT, EVERYBODY CHILL OUT.
JUST RELAX.
242
00:09:11,389 --> 00:09:13,626
-AAH!
-EVERYBODY CALM DOWN.
HEY, HEY!
243
00:09:13,659 --> 00:09:14,827
SHUT UP.
CHILL. RELAX.
244
00:09:14,860 --> 00:09:16,094
SIR, GO BACK TO EATING
YOUR SCONE.
245
00:09:16,128 --> 00:09:17,830
EVERYBODY JUST COOL OUT.
246
00:09:17,863 --> 00:09:19,231
EVERYBODY CALM DOWN.
247
00:09:19,264 --> 00:09:20,365
BE COOL.
248
00:09:20,398 --> 00:09:23,035
YOU CAN GO HOME WITH A STORY
TO TELL YOUR GRANDKIDS.
249
00:09:23,068 --> 00:09:25,103
SIR, PLEASE GET BACK.
BACK UP. I'M NOT PLAYING.
250
00:09:25,137 --> 00:09:27,005
NOW, LOOK HERE.
IT'S GONNA GO LIKE THIS. A'IGHT?
251
00:09:27,039 --> 00:09:28,106
MONEY IN THE BAG.
YOU KNOW HOW IT GOES.
252
00:09:28,140 --> 00:09:30,575
Or I'm gonna start cappin'
fools. I'm not playing.
253
00:09:31,744 --> 00:09:33,846
NATE, I TOLD YOU
YOU SHOULD HAVE LET ME DO THIS.
254
00:09:33,879 --> 00:09:35,848
COME ON, NOW. FASTER.
255
00:09:35,881 --> 00:09:37,182
-YOU TAKING YOUR TIME?
-YOU'RE GONNA GET US ALL KILLED!
256
00:09:37,215 --> 00:09:40,052
-WHOA, WHOA, WHOA, WHOA, WHOA!
WHAT'S UP, CAT?
[ GUN COCKS ]
257
00:09:40,085 --> 00:09:41,453
OKAY, HARDISON, YOU'VE GOT
TO GET HIM AWAY FROM THE DOOR.
258
00:09:41,486 --> 00:09:44,222
-WHERE YOU GOING?
-JUST LET ME GET OUT
OF HERE WITH MY COFFEE, MAN.
259
00:09:44,256 --> 00:09:46,224
I'M SORRY, I THOUGHT I'M THE ONE
THAT HAD THE GUN UP IN HERE.
260
00:09:46,258 --> 00:09:49,127
W-WHAT IS THIS?
WHAT IS -- MMM.
261
00:09:49,161 --> 00:09:50,929
MOVING INTO POSITION.
262
00:09:50,963 --> 00:09:52,765
THIS IS DISGUSTING.
SIR, GET YOUR ASS ON.
263
00:09:52,798 --> 00:09:55,167
GET YOUR ASS.
264
00:09:55,200 --> 00:09:58,136
SHOULD SHOOT YOU
FOR YOUR BAD TASTE. COME ON.
265
00:09:58,170 --> 00:10:00,138
LOOKS LIKE I GOT ME A LITTLE
HOSTAGE FOR WHEN THE POPO COME.
266
00:10:00,172 --> 00:10:01,740
HOW YOU WANT IT, MAN --
EAST COAST, WEST COAST?
267
00:10:01,774 --> 00:10:03,942
HARDISON, DON'T HURT HIM.
268
00:10:03,976 --> 00:10:05,143
YOU DON'T --
YOU DON'T WANT ME.
269
00:10:05,177 --> 00:10:06,779
I WANT YOU.
270
00:10:06,812 --> 00:10:08,647
NO, NO, NO. YOU DON'T WANT ME.
WHEN THE COPS GET HERE,
271
00:10:08,681 --> 00:10:10,783
THEY SEE YOU GOT A MALE
HOSTAGE -- NO ONE'S GONNA CARE.
272
00:10:10,816 --> 00:10:12,885
WHO'S GONNA WATCH THAT
ON THE EVENING NEWS, MAN?
YOU -- YOU WANT HER.
273
00:10:12,918 --> 00:10:14,419
HUH?
274
00:10:14,452 --> 00:10:16,889
I'M TELLING YOU -- SHE'D MAKE
A MUCH BETTER HOSTAGE THAN ME.
275
00:10:16,922 --> 00:10:18,791
THEY'LL BE FALLING ALL
OVER THEMSELVES GIVING
YOU WHATEVER YOU WANT.
276
00:10:18,824 --> 00:10:20,793
You want her as a hostage.
277
00:10:20,826 --> 00:10:22,360
-SHE'D MAKE A MUCH
BETTER HOSTAGE --
-WHAT?! NO!
278
00:10:22,394 --> 00:10:24,029
[ GASPING ]
279
00:10:24,062 --> 00:10:26,765
OKAY, HARDISON.
HURT HIM AS MUCH AS YOU LIKE.
280
00:10:26,799 --> 00:10:27,866
Eliot, now!
281
00:10:31,704 --> 00:10:33,171
[ GRUNTS ]
282
00:10:33,205 --> 00:10:34,807
OKAY, WE GOT IT.
283
00:10:34,840 --> 00:10:36,208
HARDISON,
WHEN YOU FINISH YOUR JOG,
284
00:10:36,241 --> 00:10:38,010
I WANT YOU TO SCRUB THE FOOTAGE.
285
00:10:38,043 --> 00:10:39,845
I WANT TO SEE HIS FACE
CLEAR AS A BELL.
286
00:10:39,878 --> 00:10:41,914
SOPHIE, YOU STAY WITH HIM.
STAY IN HIS POCKET.
287
00:10:41,947 --> 00:10:43,682
WE GOT TO GET HIM TO STICK
AROUND AND SIGN SOME AUTOGRAPHS.
288
00:10:43,716 --> 00:10:44,850
UH, NATE?
289
00:10:44,883 --> 00:10:46,685
-WHAT?
-HE'S TAKING OFF.
290
00:10:46,719 --> 00:10:49,021
THIS GUY'S NOT A HERO.
291
00:10:52,825 --> 00:10:54,793
NO.
292
00:10:54,827 --> 00:10:56,962
HE'S THE ONLY THING
BETTER THAN A HERO.
293
00:10:58,764 --> 00:11:00,999
HE'S A MYSTERY.
294
00:11:01,033 --> 00:11:03,201
UNH!
295
00:11:03,235 --> 00:11:05,470
NOW, THAT IS A PRACTICAL
SPECIAL EFFECT.
296
00:11:05,503 --> 00:11:07,205
NO COMPUTER-GENERATED CHEAT.
297
00:11:07,239 --> 00:11:09,875
THAT'S SOMETHING THE AUDIENCE
CAN REALLY INVEST IN.
298
00:11:09,908 --> 00:11:10,876
OH, YOU SEE THAT?
299
00:11:10,909 --> 00:11:12,110
BOSS MOVE, AIN'T IT?
300
00:11:12,144 --> 00:11:13,979
-LOOK AT THAT.
-WHAT DO WE GOT ON THE WEB?
301
00:11:16,081 --> 00:11:17,783
WHOA! 320,000 HITS?
302
00:11:17,816 --> 00:11:18,951
MM-HMM.
303
00:11:18,984 --> 00:11:21,253
AND THAT'S JUST IN A FEW HOURS,
LADIES AND GENTLEMEN.
304
00:11:21,286 --> 00:11:23,355
I'M FIXING TO ADD ANOTHER ZERO
TO THAT BY TONIGHT!
305
00:11:23,388 --> 00:11:24,823
HOW?
306
00:11:24,857 --> 00:11:26,058
WELL, YOU SEE,
307
00:11:26,091 --> 00:11:28,060
IN ORDER TO SHARE OUR VIDEO
308
00:11:28,093 --> 00:11:29,762
WITH PEOPLE ALL OVER
THE VIRTUAL WORLD,
309
00:11:29,795 --> 00:11:31,930
YOU FIRST HAVE TO BE CONFIRMED
AS SOMEBODY'S FRIEND
310
00:11:31,964 --> 00:11:32,965
OR CONTACT...
311
00:11:32,998 --> 00:11:34,332
UNLESS YOU'RE ME.
312
00:11:34,366 --> 00:11:36,101
SECURITY WAS A HOLY TERROR,
313
00:11:36,134 --> 00:11:38,070
BUT I MANAGED TO UPLOAD A WORM
THAT WILL BACKDOOR THIS
314
00:11:38,103 --> 00:11:40,172
DUMMY PROFILE
INTO USERS' FRIEND LISTS
315
00:11:40,205 --> 00:11:42,507
AND EXPAND THIS NETWORK
AT A GEOMETRIC RATE.
316
00:11:42,540 --> 00:11:45,043
MM.
317
00:11:45,077 --> 00:11:47,312
SO, "Underhill24601"...
318
00:11:47,345 --> 00:11:50,816
JUST MADE
11 MILLION FRIENDS TODAY.
319
00:11:50,849 --> 00:11:54,352
[ Panting ] YEAH.
I'M -- I'M STILL...
320
00:11:54,386 --> 00:11:56,354
THIS MAN SAVED MY LIFE.
321
00:11:56,388 --> 00:11:59,257
REPORTS ARE IN ABOUT
A RARE INSTANCE OF TRUE HEROISM,
322
00:11:59,291 --> 00:12:01,093
WHERE A MAN FOILED
AN ARMED ROBBERY
323
00:12:01,126 --> 00:12:03,528
IN A LOCAL COFFEE SHOP.
[ DOOR CLOSES ]
324
00:12:03,561 --> 00:12:05,463
MR. ROCKWELL, SIR,
YOU'RE ON THE NEWS.
325
00:12:05,497 --> 00:12:08,466
...WHO IS THIS
AS OF YET UNIDENTIFIED HERO?
326
00:12:08,500 --> 00:12:11,436
THIS "VENTI VIGILANTE,"
AS HE'S BEING CALLED...
327
00:12:11,469 --> 00:12:14,172
-IT'S A MISTAKE.
-...HAS STILL NOT BEEN
OFFICIALLY IDENTIFIED.
328
00:12:14,206 --> 00:12:15,774
TURN IT OFF.
GET BACK TO WORK.
329
00:12:15,808 --> 00:12:17,342
THOUGH OUR SOURCES HERE AT WODC
330
00:12:17,375 --> 00:12:19,211
ARE STILL SEARCHING HIGH
AND LOW TO TRACK HIM DOWN.
331
00:12:25,517 --> 00:12:27,152
HEY, HEY. THAT'S HIM.
332
00:12:27,185 --> 00:12:29,087
-OH, HEY, MAN.
-THAT'S THE GUY.
333
00:12:29,121 --> 00:12:30,322
COME ON.
334
00:12:30,355 --> 00:12:31,990
GO AHEAD.
335
00:12:32,024 --> 00:12:33,892
GO ON, YEAH.
336
00:12:33,926 --> 00:12:36,194
A MEDIUM HALF-CAF
INDONESIAN CIVET,
337
00:12:36,228 --> 00:12:37,229
WITH SOY MILK --
338
00:12:37,262 --> 00:12:38,797
ON THE HOUSE.
339
00:12:40,265 --> 00:12:41,233
Thank you.
340
00:12:41,266 --> 00:12:42,868
THANK YOU.
341
00:12:45,237 --> 00:12:47,205
HEY. HEY! YOU.
342
00:12:48,941 --> 00:12:50,909
I KNOW YOU.
343
00:12:50,943 --> 00:12:52,811
YEAH, MAN, I KNOW THIS GUY.
344
00:12:52,845 --> 00:12:53,979
YOU'RE -- YOU'RE A HERO.
345
00:13:01,119 --> 00:13:03,388
HA HA HA!
346
00:13:03,421 --> 00:13:04,556
[ BOTH LAUGH ]
347
00:13:04,589 --> 00:13:06,424
REALLY? THE SLOW CLAP?
YEAH. YEAH, MAN.
348
00:13:06,458 --> 00:13:07,893
-THAT'S STUPID.
-I GOT THEM ALL THE TIME
IN HIGH SCHOOL.
349
00:13:07,926 --> 00:13:09,027
-YOU DIDN'T GET ONE OF THOSE
IN HIGH SCHOOL?
-FOR JACKASS OF THE YEAR?
350
00:13:09,061 --> 00:13:11,363
...THE MAN WHO,
AT GREAT RISK TO HIMSELF,
351
00:13:11,396 --> 00:13:14,499
DISARMED AND CHASED OFF
A MASKED GUNMAN...
352
00:13:14,532 --> 00:13:16,068
MY FRIENDS OVER THERE
SAID YOU'RE FAMOUS.
353
00:13:16,101 --> 00:13:17,069
IS THAT TRUE?
354
00:13:17,102 --> 00:13:18,270
[ LAUGHS ]
355
00:13:18,303 --> 00:13:19,938
[ LAUGHS ]
356
00:13:19,972 --> 00:13:21,139
ARE YOU A DRUMMER OR SOMETHING?
357
00:13:21,173 --> 00:13:24,176
-NO.
-OR ARE YOU ONE OF THOSE
BIG INTERNET-COMPANY GUYS,
358
00:13:24,209 --> 00:13:26,144
LIKE THE KIDS IN THAT MOVIE?
359
00:13:26,178 --> 00:13:30,048
UM, YOU MIGHT HAVE SEEN ME
ON THE...TV.
360
00:13:30,082 --> 00:13:31,416
OH, TV STAR.
361
00:13:31,449 --> 00:13:33,886
[ INHALES SHARPLY ] SQUEE.
362
00:13:33,919 --> 00:13:35,453
[ LAUGHS ]
363
00:13:35,487 --> 00:13:38,023
MY FRIENDS ARE THROWING A PARTY
THIS WEEKEND.
364
00:13:40,525 --> 00:13:41,860
CALL ME.
365
00:13:41,894 --> 00:13:43,295
OKAY.
366
00:13:43,328 --> 00:13:45,430
-CHEERS.
-MM.
367
00:13:45,463 --> 00:13:47,199
[ GLASSES CLINK ]
368
00:13:48,600 --> 00:13:50,102
NOW. CALL ME NOW --
369
00:13:50,135 --> 00:13:52,370
SO I HAVE YOUR PHONE NUMBER
IN MY PHONE.
370
00:13:52,404 --> 00:13:53,972
-YOU'RE NOT DIALING.
-OOH.
371
00:13:54,006 --> 00:13:55,273
[ BOTH LAUGH ]
372
00:13:55,307 --> 00:13:57,275
[ DIALING ]
373
00:14:00,012 --> 00:14:00,979
[ CELLPHONE RINGS ]
374
00:14:01,013 --> 00:14:02,915
OH. GOT IT.
375
00:14:05,583 --> 00:14:08,353
I think I'm getting better
at this.
376
00:14:08,386 --> 00:14:10,989
I'M CLONING ROCKWELL'S CELL
RIGHT NOW.
377
00:14:11,023 --> 00:14:12,157
GOOD WORK, GIRL.
378
00:14:12,190 --> 00:14:13,992
I DIDN'T EVEN STAB HIM.
379
00:14:14,026 --> 00:14:17,229
YEAH. [ STAMMERS ]
WE ARE SO PROUD OF YOU.
380
00:14:17,262 --> 00:14:20,365
UH...NO-STABBING WEDNESDAYS --
NEW TRADITION.
381
00:14:23,001 --> 00:14:24,402
THANK GOD FOR AN APPOINTMENT.
382
00:14:24,436 --> 00:14:26,404
MAYBE WE CAN GET BACK TO LIFE
AROUND HERE.
383
00:14:26,438 --> 00:14:28,040
WHAT BUSINESS IS HE IN?
384
00:14:28,073 --> 00:14:29,975
I'M IN THE HOUSEHOLD-NAME
BUSINESS, MR. ROCKWELL.
385
00:14:30,008 --> 00:14:30,976
JUST A SEC.
386
00:14:31,009 --> 00:14:32,577
YEAH, UH, CANCEL IT.
387
00:14:32,610 --> 00:14:34,980
CONGRESSWOMAN ENDS UP ON
MY SCHEDULE ONE MORE TIME,
I'M GONNA HAVE TO FIRE YOU.
388
00:14:35,013 --> 00:14:36,448
GOTTA GO.
389
00:14:36,481 --> 00:14:39,617
GILLIS. HENRY K. GILLIS.
HOW DO YOU DO?
390
00:14:42,154 --> 00:14:43,555
ALL RIGHT.
391
00:14:43,588 --> 00:14:44,689
NOTHING TO WORRY ABOUT.
392
00:14:44,722 --> 00:14:46,224
A LITTLE ROUGH AROUND THE EDGES.
393
00:14:46,258 --> 00:14:47,392
WE CAN WORK WITH THAT.
394
00:14:47,425 --> 00:14:49,261
YOU'RE A MEDIA CONSULTANT.
395
00:14:49,294 --> 00:14:50,562
SAME LINE OF WORK AS YOU ARE,
396
00:14:50,595 --> 00:14:51,663
EXCEPT I BUILD PEOPLE UP.
397
00:14:51,696 --> 00:14:54,066
Nobody better at it than me.
398
00:14:54,099 --> 00:14:56,935
THEN WHY HAVE I
NEVER HEARD OF YOU?
399
00:14:56,969 --> 00:14:58,470
WELL, THE SAME REASON
I'VE NEVER HEARD OF YOU
400
00:14:58,503 --> 00:14:59,637
UNTIL I TURNED ON MY TV
LAST NIGHT --
401
00:14:59,671 --> 00:15:01,039
CAREFUL DESIGN.
402
00:15:01,073 --> 00:15:01,940
LAWS, SAUSAGES,
AND CELEBRITIES, KID.
403
00:15:01,974 --> 00:15:03,441
A LOT EASIER TO CONTROL
THE SPOTLIGHT
404
00:15:03,475 --> 00:15:05,077
WHEN YOU'RE NOT
STANDING IN IT.
405
00:15:05,110 --> 00:15:08,981
WELL, THEN, WITH ALL
DUE RESPECT, MR. GILLIS...
406
00:15:09,014 --> 00:15:10,949
OH!
407
00:15:10,983 --> 00:15:12,617
...WHY WOULD I WANT TO BE
STANDING IN IT?
408
00:15:12,650 --> 00:15:13,718
MR. ROCKWELL, ONE QUESTION!
409
00:15:13,751 --> 00:15:14,652
[ INDISTINCT SHOUTING ]
410
00:15:14,686 --> 00:15:17,289
THANK YOU. THANK YOU.
YOU GOT NO CHOICE.
411
00:15:17,322 --> 00:15:19,357
WHAT ARE YOU UP TO NOW,
2 MILLION YouTube HITS?
412
00:15:19,391 --> 00:15:21,626
I MEAN, THIS THING --
IT'S NOT GONNA GO AWAY.
413
00:15:21,659 --> 00:15:24,229
NOW, THE MEDIA, THEY'RE GONNA
HOUND YOU DAY AND NIGHT --
414
00:15:24,262 --> 00:15:26,031
YOU KNOW THAT,
WE BOTH KNOW THAT --
415
00:15:26,064 --> 00:15:27,499
UNTIL YOU GIVE THEM SOMETHING,
416
00:15:27,532 --> 00:15:29,534
OR THEY'LL MAKE SOMETHING UP
ON THEIR OWN.
417
00:15:29,567 --> 00:15:30,735
NOW, LISTEN.
418
00:15:30,768 --> 00:15:32,204
I KNOW YOU, ROCKWELL.
419
00:15:32,237 --> 00:15:34,139
YOU CAN'T BE SATISFIED
JUST STANDING
420
00:15:34,172 --> 00:15:35,707
JUST OUTSIDE
THE SPOTLIGHT FOREVER.
421
00:15:35,740 --> 00:15:37,142
NOBODY EVER IS.
422
00:15:37,175 --> 00:15:39,544
THESE PEOPLE THAT YOU TAKE DOWN,
423
00:15:39,577 --> 00:15:42,480
THEY DON'T DESERVE
THEIR WEALTH, THEIR FAME --
424
00:15:42,514 --> 00:15:43,648
YOU DO.
425
00:15:43,681 --> 00:15:45,350
YOU'RE BETTER THAN THEY ARE.
426
00:15:45,383 --> 00:15:47,485
Don't abandon
this opportunity --
427
00:15:47,519 --> 00:15:50,255
THIS OPPORTUNITY TO STEP
OUT OF THE SHADOWS
428
00:15:50,288 --> 00:15:51,489
AND ONTO THE STAGE.
429
00:15:53,725 --> 00:15:56,494
TRYING TO CONVINCE A MAN
TO STEP ONTO THE THIRD RAIL.
430
00:15:56,528 --> 00:15:59,297
WITHOUT GETTING TOO CLOSE
TO IT HIMSELF.
431
00:16:05,803 --> 00:16:08,106
YOUR PUBLIC WANTS TO MEET YOU.
432
00:16:08,140 --> 00:16:09,641
THAT'S BECAUSE
YOU'RE GONNA TELL THEM
433
00:16:09,674 --> 00:16:11,176
I'M SOMEONE THEY WANT TO MEET.
434
00:16:11,209 --> 00:16:13,078
THE PUBLIC WILL BUY ANY LIE
WE PUSH ON THEM.
435
00:16:13,111 --> 00:16:15,013
THEY STILL BELIEVE THE GOOD LIFE
IS OUT THERE.
436
00:16:15,047 --> 00:16:17,449
LOOK, I'LL TELL YOU WHAT.
WHY DON'T YOU GIVE ME A WEEK?
437
00:16:17,482 --> 00:16:19,251
LET ME --
LET ME SHOW YOU WHAT I CAN DO.
438
00:16:19,284 --> 00:16:20,552
YOU KNOW, I ALREADY GOT YOU
BOOKED ON "WASHINGTON WEEK."
439
00:16:20,585 --> 00:16:22,054
THAT'S NOT EVEN
THE HIGHEST-RATED
440
00:16:22,087 --> 00:16:23,555
POLITICAL SHOW IN ITS SLOT.
441
00:16:23,588 --> 00:16:26,024
THREE STAGES, MY FRIEND --
PUNDIT, SAGE, AND GURU.
442
00:16:26,058 --> 00:16:27,525
"WASHINGTON WEEK"
IS FERTILE GROUND.
443
00:16:27,559 --> 00:16:29,027
YOU MAKE A SPLASH,
444
00:16:29,061 --> 00:16:30,462
YOU DROP SOME
CONTROVERSIAL COMMENTS.
445
00:16:30,495 --> 00:16:32,597
I MEAN, YOU DO THAT
ON THE HIGHEST-RATED SHOW,
446
00:16:32,630 --> 00:16:34,199
YOU KNOW, THE HAIR-DOs,
447
00:16:34,232 --> 00:16:35,467
THEY'LL BE COMING AFTER YOU
GUNS A-BLAZIN'.
448
00:16:35,500 --> 00:16:36,768
THIS WAY, I GAIN SOME TRACTION.
449
00:16:36,801 --> 00:16:38,403
You gain some traction.
Exactly.
450
00:16:38,436 --> 00:16:39,504
Now, you play this right,
451
00:16:39,537 --> 00:16:41,206
PICK EVERY PUNCH,
452
00:16:41,239 --> 00:16:42,674
WE'RE GONNA RIDE THIS WAVE
ALL THE WAY TO THE TOP.
453
00:16:42,707 --> 00:16:45,043
YOU ARE GONNA BE SWIMMING
IN A RIVER OF MONEY.
454
00:16:45,077 --> 00:16:47,412
JUST DON'T GIVE THEM
YOUR BEST STUFF
455
00:16:47,445 --> 00:16:49,447
UNTIL WE --
WE GET THE 7-FIGURE BOOK DEAL.
456
00:16:49,481 --> 00:16:50,782
ARE YOU WITH ME SO FAR?
457
00:16:50,815 --> 00:16:52,750
BECAUSE...I WOULD LIKE
458
00:16:52,784 --> 00:16:55,053
TO START THIS OFF WITH A BANG.
459
00:16:55,087 --> 00:16:57,422
NOW, MY TEAM HAS ALREADY
SECURED AN AUDITORIUM --
460
00:16:57,455 --> 00:16:59,391
STANDING ROOM ONLY,
PLACE IS PACKED --
461
00:16:59,424 --> 00:17:00,825
TO LISTEN TO YOU TONIGHT
462
00:17:00,858 --> 00:17:03,061
GIVE A MOTIVATIONAL SPEECH
ON ORDINARY HEROISM.
463
00:17:05,697 --> 00:17:06,664
WE DO?
464
00:17:06,698 --> 00:17:08,433
Oh, yeah, just as soon
465
00:17:08,466 --> 00:17:10,502
AS YOU GET A PLACE
AND CLEAR IT OUT.
466
00:17:10,535 --> 00:17:12,837
RUN A BACKGROUND CHECK
ON GILLIS HERE.
467
00:17:12,870 --> 00:17:14,539
I WANT TO KNOW EVERYTHING.
468
00:17:17,875 --> 00:17:20,078
HE'S IN.
469
00:17:20,112 --> 00:17:21,846
BACKGROUND CHECK -- GOT IT.
NATE, WE'RE ON IT.
470
00:17:21,879 --> 00:17:24,582
ALL RIGHT. DO THIS RIGHT, GUYS,
WE GOT HIM.
471
00:17:24,616 --> 00:17:26,184
WE'RE RIGHT ON THE VERGE.
472
00:17:26,218 --> 00:17:28,753
YEP.
WE MOST CERTAINLY ARE.
473
00:17:34,592 --> 00:17:36,461
HEY, I MEAN,
HE -- HE TOOK THE BAIT.
474
00:17:36,494 --> 00:17:38,496
I MEAN, IT'S THE ONLY WAY
TO FIX ED KELLEY'S WHOLE --
475
00:17:38,530 --> 00:17:40,232
WAIT. YOU'RE NOT DOING THIS
FOR ED KELLEY.
476
00:17:40,265 --> 00:17:41,566
YOU'RE PUSHING THIS HARD
'CAUSE OF ROCKWELL.
477
00:17:41,599 --> 00:17:43,735
YOU KNOW, YOU WANT TO DO
A CONFIDENTIAL CLIENT LIST,
478
00:17:43,768 --> 00:17:44,802
PHONE RECORDS, AND FINANCIALS.
479
00:17:44,836 --> 00:17:45,903
NATE, I GOT IT.
480
00:17:45,937 --> 00:17:48,806
HE WORKS FROM THE SHADOWS
DECIDING WHO TO TAKE DOWN,
481
00:17:48,840 --> 00:17:51,109
CONVINCED HE'S MAKING THE WORLD
A BETTER PLACE,
482
00:17:51,143 --> 00:17:53,345
IMPLYING A CERTAIN
MORAL SUPERIORITY
483
00:17:53,378 --> 00:17:55,247
OVER HIS VICTIMS.
484
00:17:55,280 --> 00:17:57,115
-ANY OF THIS SOUND LIKE
SOMEONE WE KNOW?
-THAT'S GOOD!
485
00:17:57,149 --> 00:17:58,483
BUT, NO, YOU GOT ALL THAT RIGHT,
486
00:17:58,516 --> 00:17:59,351
BUT I THINK
YOU WANT TO BE CAREFUL
487
00:17:59,384 --> 00:18:00,785
YOU DON'T MAKE ME
A LITTLE BIT TOO --
488
00:18:00,818 --> 00:18:03,788
NATE, LOOK, IF THERE'S
NOTHING EMBARRASSING
FOR HIM TO FIND ON YOU,
489
00:18:03,821 --> 00:18:05,257
IT MAKES YOU LOOK LIKE
YOU'RE NOT FOR REAL.
490
00:18:05,290 --> 00:18:06,758
I KNOW, BUT HERE'S THE THING.
491
00:18:06,791 --> 00:18:09,427
YOU ARE SAYING THAT I HELPED
THE DICTATOR OF MOGUTU
492
00:18:09,461 --> 00:18:10,295
RISE TO POWER.
493
00:18:10,328 --> 00:18:12,397
HE COMMITTED GENOCIDE, HARDISON.
494
00:18:12,430 --> 00:18:13,465
PROBLEM?
495
00:18:13,498 --> 00:18:14,466
APPARENTLY NOT.
496
00:18:14,499 --> 00:18:16,501
DON'T GET SO FOCUSED ON HIM,
497
00:18:16,534 --> 00:18:18,470
YOU FORGET THE BIGGER GAME.
498
00:18:18,503 --> 00:18:20,772
WE ALL KNOW
THAT FAME'S A MONSTER,
499
00:18:20,805 --> 00:18:22,474
AND HERE YOU ARE POKING AT IT
WITH A STICK.
500
00:18:22,507 --> 00:18:24,276
UH, ELIOT, PARKER,
HOW WE DOING ON THE SEMINAR?
501
00:18:24,309 --> 00:18:26,144
WELL, IT TAKES TIME, NATE.
502
00:18:26,178 --> 00:18:29,347
THERE'S OVER 100 MOTIVATIONAL
SPEECHES IN BOSTON EVERY DAY.
503
00:18:29,381 --> 00:18:30,882
LIKE "EMOTION IS YOUR FRIEND."
504
00:18:30,915 --> 00:18:32,317
OOH! THAT'S GOOD.
505
00:18:32,350 --> 00:18:35,520
"ASPIRE OR EXPIRE."
506
00:18:35,553 --> 00:18:36,588
THIS WOMAN RIGHT HERE --
507
00:18:36,621 --> 00:18:37,922
SHE TALKS FOR TWO HOURS
508
00:18:37,955 --> 00:18:39,557
ABOUT ALL THE THINGS
SHE MISSES DOING WITH HER KIDS
509
00:18:39,591 --> 00:18:40,658
ON AN AVERAGE DAY.
LOOK.
510
00:18:40,692 --> 00:18:41,626
WHY, DID THEY DIE?
511
00:18:41,659 --> 00:18:45,397
NO. NO. THEY JUST...
THEY WENT TO COLLEGE.
512
00:18:45,430 --> 00:18:46,664
ALL RIGHT, STOP. STOP.
513
00:18:46,698 --> 00:18:48,400
BACK AWAY FROM THE BROCHURES.
514
00:18:48,433 --> 00:18:50,302
BACK AWAY FROM THE BROCHURES!
515
00:18:50,335 --> 00:18:51,936
GUYS, GUYS, GUYS.
CAN WE PLEASE SPEED THIS UP?
516
00:18:51,969 --> 00:18:53,405
TIME IS A FACTOR HERE.
517
00:18:53,438 --> 00:18:55,173
Well, what do you
want me to do, Nate? Huh?
518
00:18:55,207 --> 00:18:57,542
HOW'S THIS GUY GONNA PLAY
TO A CROWD THAT SHOWS UP FOR...
519
00:18:57,575 --> 00:18:59,411
"YOU CAN'T LOVE HIM
UNTIL YOU LOVE YOU"?
520
00:18:59,444 --> 00:19:01,279
WE SHOULD GO
TO THAT ONE, ANYWAY.
521
00:19:06,218 --> 00:19:07,752
WELL, THE GUY WE'RE CLEARING OUT
522
00:19:07,785 --> 00:19:09,321
WAS A FIREMAN FOR 43 YEARS
523
00:19:09,354 --> 00:19:11,556
AND JUST DONATED A KIDNEY
TO HIS BEST FRIEND.
524
00:19:11,589 --> 00:19:13,725
[ CHUCKLES ]
WE'RE NOT GONNA HURT HIM.
525
00:19:13,758 --> 00:19:15,960
I'M JUST SAYING, IT'S LUCKY
WE DON'T BELIEVE IN HELL.
526
00:19:15,993 --> 00:19:17,895
NATE BELIEVES IN HELL.
SHOOT, I BELIEVE IN HELL.
527
00:19:17,929 --> 00:19:19,497
OH, YEAH. [ GASPS ]
528
00:19:19,531 --> 00:19:21,599
MR. JAMISON!
529
00:19:21,633 --> 00:19:23,235
-WHAT AN HONOR! AH.
-HELLO.
530
00:19:23,268 --> 00:19:24,769
80 YEARS OLD
531
00:19:24,802 --> 00:19:26,638
AND STILL SAVING LIVES.
532
00:19:26,671 --> 00:19:28,440
-THIS WAY, PLEASE.
-OH.
533
00:19:28,473 --> 00:19:30,642
AH, JUST RIGHT THROUGH HERE.
534
00:19:30,675 --> 00:19:32,277
COME ON, LET'S GO.
535
00:19:33,245 --> 00:19:34,212
WHERE'S MY SPEECH?
536
00:19:34,246 --> 00:19:36,348
THE AUDITORIUM
IS THROUGH HERE, MR. JAMISON.
537
00:19:36,381 --> 00:19:37,715
I HAVE TO WARN YOU --
538
00:19:37,749 --> 00:19:39,851
THE LIGHTS ARE GONNA BE
VERY, VERY BRIGHT.
539
00:19:39,884 --> 00:19:42,354
YOU'RE NOT GONNA BE ABLE
TO MAKE OUT ANY OF THE FACES
540
00:19:42,387 --> 00:19:44,822
IN THE AUDITORIUM, BUT JUST
PICK A SPOT ON THE BACK -- OOH.
541
00:19:44,856 --> 00:19:46,324
[ APPLAUSE ]
ON THE BACK OF THE WALL,
542
00:19:46,358 --> 00:19:47,659
AND JUST LET IT RIP.
543
00:19:47,692 --> 00:19:49,527
[ APPLAUSE ]
OOH.
544
00:19:49,561 --> 00:19:51,929
LADIES AND GENTLEMEN --
545
00:19:51,963 --> 00:19:53,665
WOW, WHAT A FANTASTIC TURNOUT.
546
00:19:53,698 --> 00:19:55,767
THANK YOU SO MUCH FOR COMING.
547
00:19:55,800 --> 00:19:58,470
I GIVE YOU THE MAN WHO...
548
00:19:58,503 --> 00:20:00,705
DID SOMETHING THAT...
549
00:20:00,738 --> 00:20:01,773
MADE A DIFFERENCE!
550
00:20:01,806 --> 00:20:04,642
[ APPLAUSE ]
551
00:20:04,676 --> 00:20:05,943
HELLO.
552
00:20:05,977 --> 00:20:07,712
OH, MY.
553
00:20:07,745 --> 00:20:10,315
IT'S TERRIBLY BRIGHT.
I CAN'T SEE ANY OF YOU.
554
00:20:10,348 --> 00:20:12,684
ALL RIGHT, HARDISON,
HOW'D THAT SPEECH COME OUT?
555
00:20:12,717 --> 00:20:14,952
OH, IT'S SOME OF MY FINEST WORK.
556
00:20:14,986 --> 00:20:15,953
HOW IS HE?
557
00:20:15,987 --> 00:20:18,856
WELL, BUILDING PEOPLE UP
ISN'T EXACTLY HIS THING.
558
00:20:22,760 --> 00:20:24,729
ALL RIGHT, ROCKWELL. HEY.
559
00:20:24,762 --> 00:20:26,364
LISTEN.
560
00:20:26,398 --> 00:20:28,032
NOW, THIS IS NOT SOME
CORPORATE SNOOZER
561
00:20:28,065 --> 00:20:29,767
WITH A BUNCH OF
BORED-TO-TEARS EXECUTIVES.
562
00:20:29,801 --> 00:20:32,570
THESE PEOPLE PAID GOOD MONEY
TO BE INSPIRED.
563
00:20:32,604 --> 00:20:34,339
THEN WHAT AM I SUPPOSED TO DO
WITH THIS?
564
00:20:34,372 --> 00:20:36,274
"YOU CAN BE A HERO, TOO."
WHO THE HELL WROTE THIS CRAP?
565
00:20:36,308 --> 00:20:37,709
Excuse you?
566
00:20:37,742 --> 00:20:40,011
LET'S SEE YOU DO BETTER
ON SUCH SHORT NOTICE.
567
00:20:40,044 --> 00:20:42,380
PEOPLE ARE JUST UNGRATEFUL.
568
00:20:42,414 --> 00:20:45,383
Listen. Do you have any idea
why these people are here?
569
00:20:45,417 --> 00:20:48,286
Do you have any idea why
everybody wants a piece of you?
570
00:20:48,320 --> 00:20:50,822
Because everything you ever
wanted in your life
571
00:20:50,855 --> 00:20:52,790
is at your fingertips right now!
572
00:20:52,824 --> 00:20:54,892
The good life.
573
00:20:54,926 --> 00:20:57,962
This is crap. This is how
you get what you want.
574
00:20:57,995 --> 00:21:00,565
Now, everything you want
is in front of this audience...
575
00:21:00,598 --> 00:21:02,667
-...REED ROCKWELL.
-...right now.
576
00:21:02,700 --> 00:21:04,336
Recognition,
577
00:21:04,369 --> 00:21:05,937
validation --
578
00:21:05,970 --> 00:21:08,005
Those are the things
that are gonna fill that hole
579
00:21:08,039 --> 00:21:10,041
that is somewhere deep
inside you,
580
00:21:10,074 --> 00:21:12,510
take away the pain.
581
00:21:12,544 --> 00:21:15,547
Now, you go out there
and take it!
582
00:21:15,580 --> 00:21:16,814
...I GIVE YOU
THE VENTI VIGILANTE.
583
00:21:16,848 --> 00:21:19,751
[ APPLAUSE ]
584
00:21:24,356 --> 00:21:26,324
[ CLEARS THROAT ] I...
585
00:21:26,358 --> 00:21:30,061
I...I-I DON'T EVEN KNOW
WHAT I'M DOING UP HERE.
586
00:21:30,094 --> 00:21:31,729
I JUST...
587
00:21:31,763 --> 00:21:34,899
I-I DIDN'T HAVE MY CAFFEINE YET
ONE MORNING, AND...
588
00:21:34,932 --> 00:21:36,834
[ LAUGHTER ]
589
00:21:36,868 --> 00:21:38,470
[ CHUCKLES ]
590
00:21:40,372 --> 00:21:42,840
WELL...
591
00:21:42,874 --> 00:21:45,343
YOU CAN BE A HERO, TOO.
592
00:21:45,377 --> 00:21:47,078
[ APPLAUSE ]
593
00:21:58,055 --> 00:22:01,359
WE -- WE ALL LIKE TO THINK
THAT WHEN WE FIND OURSELVES
594
00:22:01,393 --> 00:22:04,028
IN THE HEAT OF DANGER --
THE MOMENT OF TRUTH --
595
00:22:04,061 --> 00:22:06,398
WHEN WE HAVE TO MAKE A DECISION
AND ACT,
596
00:22:06,431 --> 00:22:08,065
THAT WE WILL RISE
TO THE OCCASION,
597
00:22:08,099 --> 00:22:10,768
BUT I'LL LET YOU IN
ON A LITTLE SECRET.
598
00:22:10,802 --> 00:22:12,537
I WASN'T SURE THAT I COULD.
599
00:22:12,570 --> 00:22:16,441
WE ALL HAVE PHENOMENAL
CAPACITIES TO DO GOOD,
600
00:22:16,474 --> 00:22:17,942
TO MAKE THE WORLD
A BETTER PLACE --
601
00:22:17,975 --> 00:22:20,077
MORE THAN WE GIVE OURSELVES
CREDIT FOR.
602
00:22:20,111 --> 00:22:23,681
I'M THE ONE WITH THE CAMERAS
POINTED AT ME, BUT...
603
00:22:23,715 --> 00:22:25,683
THERE'S HEROISM EVERYWHERE,
604
00:22:25,717 --> 00:22:29,821
IN EACH AND EVERY ONE OF YOU.
605
00:22:29,854 --> 00:22:32,724
WE CAN ALL BE HEROES.
606
00:22:32,757 --> 00:22:33,958
THANK YOU.
607
00:22:42,567 --> 00:22:45,703
WOW. THEY LOVE HIM.
608
00:22:45,737 --> 00:22:47,104
EVEN BETTER THAN THAT, NATE --
609
00:22:47,138 --> 00:22:48,740
THE AMOUNT OF TWEETS
AND STATUS UPDATES
610
00:22:48,773 --> 00:22:50,875
THAT HAVE COME IN
SINCE THE SPEECH --
611
00:22:50,908 --> 00:22:52,410
THEY'RE TALKING ABOUT HIM.
612
00:22:52,444 --> 00:22:54,779
[ APPLAUSE ]
613
00:22:54,812 --> 00:22:56,648
-HOW'D I DO?
-MASTERFUL!
614
00:22:56,681 --> 00:22:58,115
BETTER --
BETTER THAN I EVER DREAMED.
615
00:22:58,149 --> 00:22:59,584
I'M TELLING YOU,
616
00:22:59,617 --> 00:23:01,419
WE'RE GONNA GO ON
TO THE NEXT STEP NOW.
617
00:23:01,453 --> 00:23:02,754
NEWS INTERVIEWS,
UM, EVERYTHING --
618
00:23:02,787 --> 00:23:04,422
BUT NO TIME TO WASTE.
619
00:23:04,456 --> 00:23:05,457
-NOW, I'M GONNA SET UP
MEETINGS --
-Nate.
620
00:23:05,490 --> 00:23:08,025
OH. YEAH. I'M TALKING
TO MY CLIENT RIGHT NOW.
621
00:23:08,059 --> 00:23:10,528
HEY, TELL HIM THAT
"WASHINGTON WEEK" CALLED.
622
00:23:10,562 --> 00:23:11,663
YEAH.
623
00:23:11,696 --> 00:23:13,498
LISTEN, SOMETHING HUGE
IS GOING ON.
624
00:23:13,531 --> 00:23:15,199
I'M WORKING
ON SOMETHING REALLY BIG.
625
00:23:15,232 --> 00:23:17,068
SO I'M GONNA WORK THE PHONES
FOR ABOUT AN HOUR.
626
00:23:17,101 --> 00:23:19,170
WHY DON'T YOU GO TO THE OFFICE?
627
00:23:19,203 --> 00:23:21,439
AND I'LL MEET YOU THERE
IN ABOUT AN HOUR.
628
00:23:21,473 --> 00:23:23,040
OKAY, WHAT CAN I DO?
629
00:23:23,074 --> 00:23:24,141
WHAT YOU CAN DO IS START JOTTING
DOWN THINGS FOR YOUR MEMOIR.
630
00:23:24,175 --> 00:23:25,677
[ CHUCKLES ]
631
00:23:25,710 --> 00:23:27,979
THE VENTI VIGILANTE
632
00:23:28,012 --> 00:23:30,047
HAS BEEN IDENTIFIED
AS REED ROCKWELL...
633
00:23:30,081 --> 00:23:32,016
HEY. PHONES ARE RINGING
OFF THE HOOK.
634
00:23:32,049 --> 00:23:34,452
THE GLOBE WANTS TO DO
AN INTERVIEW WITH YOU.
635
00:23:34,486 --> 00:23:36,454
CORPORATE SPEAKING GIGS
ARE LINING UP.
636
00:23:36,488 --> 00:23:38,623
AND CNN WOULD LIKE
TO DO A STORY.
637
00:23:38,656 --> 00:23:40,458
THEY WANT TO BRING YOU IN
END OF THE WEEK.
638
00:23:40,492 --> 00:23:42,494
YOU KNOW, WE CAN JUST DO
A BACKGROUND CHECK
639
00:23:42,527 --> 00:23:45,062
AND KIND OF, YOU KNOW, WAIT FOR
THE YouTube HITS TO PILE UP.
640
00:23:45,096 --> 00:23:46,998
BACKGROUND CHECK?
641
00:23:47,031 --> 00:23:48,766
OH, YEAH,
NOTHING TO WORRY ABOUT.
642
00:23:48,800 --> 00:23:49,967
THEY JUST WANT TO BRING YOU IN,
SEE IF THEY LIKE YOU,
643
00:23:50,001 --> 00:23:50,768
PUT YOU ON TAPE,
THAT KIND OF THING.
644
00:23:53,270 --> 00:23:54,305
GOOD DAY'S WORK.
645
00:23:54,338 --> 00:23:55,807
...ROCKWELL'S MANAGER,
HENRY K. GILLIS,
646
00:23:55,840 --> 00:23:57,174
RELEASED A STATEMENT
647
00:23:57,208 --> 00:23:58,676
PRAISING HIS CLIENT'S
HEROIC DEED.
648
00:24:01,178 --> 00:24:03,080
[ SIGHS ]
649
00:24:03,114 --> 00:24:05,583
MORNING, HARDISON.
650
00:24:05,617 --> 00:24:06,718
AH.
651
00:24:06,751 --> 00:24:08,219
WE'RE IN THE HOMESTRETCH.
652
00:24:08,252 --> 00:24:10,722
WE'RE GOING TO TAKE THIS GUY
TO THE NATIONAL LEVEL,
653
00:24:10,755 --> 00:24:12,490
CREATE AND LEAK
654
00:24:12,524 --> 00:24:13,925
FALSIFIED EVIDENCE AGAINST HIM.
655
00:24:13,958 --> 00:24:15,059
AND WE'LL TAKE HIM DOWN HARD.
656
00:24:15,092 --> 00:24:16,561
NATE...
657
00:24:16,594 --> 00:24:18,930
ROCKWELL JUST WITHDREW 25 GRAND
658
00:24:18,963 --> 00:24:21,032
FROM HIS ACCOUNT IN SMALL BILLS.
659
00:24:21,065 --> 00:24:22,767
WHY WOULD HE NEED
SO MUCH HARD CASH?
660
00:24:22,800 --> 00:24:24,068
DON'T KNOW.
661
00:24:24,101 --> 00:24:26,037
IT DOESN'T SOUND LIKE
A POSITIVE DEVELOPMENT.
662
00:24:26,070 --> 00:24:27,539
WHAT DO YOU WANT US TO DO?
663
00:24:28,706 --> 00:24:29,774
FOLLOW THE MONEY.
664
00:24:35,312 --> 00:24:37,081
WHY WOULDN'T YOU LET ME DRIVE?
665
00:24:37,114 --> 00:24:38,583
THIS IS MY CAR.
666
00:24:38,616 --> 00:24:40,117
ALL RIGHT, NATE.
WE JUST GOT OFF AT LOWELL,
667
00:24:40,151 --> 00:24:42,153
ABOUT 20 MINUTES OUT.
668
00:24:42,186 --> 00:24:45,857
TAILING ROCKWELL'S FRIEND
WITH THE SUITCASE FULL OF MONEY.
669
00:24:45,890 --> 00:24:48,092
HOMETOWN?
670
00:24:48,125 --> 00:24:50,695
ROCKWELL'S NOT FROM LOWELL.
HE'S FROM METHUEN.
671
00:24:50,728 --> 00:24:52,096
WENT TO TENNEY.
672
00:24:52,129 --> 00:24:53,297
ILLEGITIMATE KID.
673
00:24:53,330 --> 00:24:55,967
OR REED USED TO BE RITA.
674
00:24:56,000 --> 00:24:57,969
WHAT?
WE WERE ALL THINKING IT.
675
00:24:58,002 --> 00:25:00,538
REALLY? THAT'S LIKE
THE LINE RIGHT THERE,
AND YOU JUST CARTWHEEL --
676
00:25:00,572 --> 00:25:02,740
-COULD HAVE BEEN A WOMAN.
-ALL RIGHT, GUYS,
GUYS, GUYS, GUYS.
677
00:25:02,774 --> 00:25:04,308
SO WE HAVE NO IDEA
WHAT ROCKWELL'S UP TO HERE.
678
00:25:04,341 --> 00:25:06,578
HEY, I WONDER
IF NATE STILL THINKS
679
00:25:06,611 --> 00:25:08,746
HE'S GOT ALL THE ANGLES
OF THIS FAME THING COVERED.
680
00:25:08,780 --> 00:25:10,748
You know, Sophie,
I can hear you.
681
00:25:10,782 --> 00:25:12,249
REALLY?
682
00:25:12,283 --> 00:25:14,251
-GO AWAY.
I'M GOING TO CALL THE COPS.
-MR. ROCKWELL --
683
00:25:14,285 --> 00:25:15,587
OKAY.
684
00:25:15,620 --> 00:25:16,988
THERE'S A WOMAN IN A TRAILER
685
00:25:17,021 --> 00:25:19,156
WHO'S ARGUING
WITH ROCKWELL'S THUG.
686
00:25:19,190 --> 00:25:21,659
I THINK THIS IS GONNA GET
PHYSICAL IN ABOUT 30 SECONDS.
687
00:25:21,693 --> 00:25:22,994
OPEN THE DOOR -- NOW!
688
00:25:33,771 --> 00:25:35,907
GET OUT OF MY HOUSE!
689
00:25:38,175 --> 00:25:39,977
WHO THE HELL ARE YOU?
690
00:25:41,813 --> 00:25:43,014
NEIGHBORHOOD WATCH.
691
00:25:43,047 --> 00:25:44,548
[ GRUNTING ]
692
00:25:59,063 --> 00:26:01,666
[ GRUNTING ]
693
00:26:16,113 --> 00:26:19,050
Eliot, let him go.
694
00:26:19,083 --> 00:26:20,217
[ ENGINE TURNS OVER ]
695
00:26:25,690 --> 00:26:28,660
[ TIRES SCREECH ]
696
00:26:30,127 --> 00:26:33,030
UNTIL THAT GUY SHOWED UP
ON MY FRONT STEPS,
697
00:26:33,064 --> 00:26:36,100
I HADN'T HEARD FROM
REED ROCKWELL IN FOREVER.
698
00:26:36,133 --> 00:26:37,669
HOW DID YOU KNOW HIM?
699
00:26:37,702 --> 00:26:39,737
HE GREW UP A COUPLE TOWNS OVER.
700
00:26:39,771 --> 00:26:41,706
HE DATED A GIRL FROM MY CLASS.
701
00:26:41,739 --> 00:26:44,876
NIGHT OF THE PROM,
ME AND MY BOYFRIEND, P.J.,
702
00:26:44,909 --> 00:26:47,979
WERE IN A CAR
WITH REED AND THIS GIRL MISSY,
703
00:26:48,012 --> 00:26:50,782
ALL BLITZED OUT OF OUR MIND.
704
00:26:50,815 --> 00:26:52,850
AND WE GOT INTO AN ACCIDENT...
705
00:26:52,884 --> 00:26:54,652
AND MISSY WAS KILLED.
706
00:26:56,053 --> 00:26:58,322
I WONDER WHY HE'S TRYING
TO BUY HER SILENCE.
707
00:27:00,758 --> 00:27:03,327
THIS IS ALL THAT COMES UP
ABOUT THE ACCIDENT.
708
00:27:03,360 --> 00:27:07,064
WASN'T EVEN MENTIONED
IN THE GLOBE, ONLY LOCAL PAPERS.
709
00:27:07,098 --> 00:27:09,901
ROCKWELL'S WORRIED
ABOUT A BACKGROUND CHECK.
710
00:27:09,934 --> 00:27:13,270
ROCKWELL -- HE KNOWS HOW TO PREY
ON PEOPLE'S DARK SECRETS,
711
00:27:13,304 --> 00:27:15,072
'CAUSE HE HAS ONE HIMSELF.
712
00:27:15,106 --> 00:27:16,674
I THINK THAT ROCKWELL
WAS DRIVING THE CAR
713
00:27:16,708 --> 00:27:18,109
AND AFTERWARDS,
MADE IT LOOK LIKE HE WASN'T.
714
00:27:19,911 --> 00:27:21,813
ROCKWELL THE ONE DRIVING?
715
00:27:21,846 --> 00:27:24,448
I SWEAR.
I EVEN TOOK A PICTURE...
716
00:27:24,481 --> 00:27:26,317
OF EVERYBODY FROM THE BACKSEAT
717
00:27:26,350 --> 00:27:27,985
AFTER WE LEFT THE PARTY.
718
00:27:28,019 --> 00:27:30,387
BUT HE WAS NEVER ARRESTED.
719
00:27:30,421 --> 00:27:31,823
NO.
720
00:27:31,856 --> 00:27:35,092
I DON'T UNDERSTAND
WHAT HAPPENED.
721
00:27:35,126 --> 00:27:36,460
[ SIGHS ]
722
00:27:36,493 --> 00:27:38,462
WHEN I TOOK THE CAMERA
TO THE POLICE
723
00:27:38,495 --> 00:27:40,031
A COUPLE OF DAYS LATER,
724
00:27:40,064 --> 00:27:44,802
THE NEGATIVE SHOWED P.J.
IN THE DRIVER'S SEAT.
725
00:27:46,403 --> 00:27:47,805
[ SIGHS ]
726
00:27:47,839 --> 00:27:50,374
WHAT? IT WORKS.
727
00:27:52,376 --> 00:27:56,013
P.J. WENT TO JAIL
FOR VEHICULAR MANSLAUGHTER.
728
00:27:56,047 --> 00:27:59,416
[ Voice breaking ]
AND REED ROCKWELL WENT FREE.
729
00:27:59,450 --> 00:28:01,218
[ CRYING ]
730
00:28:01,252 --> 00:28:03,921
P.J. WOULD HAVE NEVER
BEEN DRIVING THAT CAR
731
00:28:03,955 --> 00:28:05,122
IF HE HAD BEEN DRINKING.
732
00:28:05,156 --> 00:28:06,290
YOU HAVE TO BE--
733
00:28:06,323 --> 00:28:09,961
HE HAD A WRESTLING SCHOLARSHIP
WAITING FOR HIM AT B.C.
734
00:28:09,994 --> 00:28:12,830
HE WAS TALKING ABOUT PROPOSING.
735
00:28:12,864 --> 00:28:15,299
I'VE BEEN TRYING TO TELL
THE COPS THIS
736
00:28:15,332 --> 00:28:17,935
FOR LIKE THE LAST 14 YEARS.
737
00:28:17,969 --> 00:28:19,236
[ BREATHES DEEPLY ]
738
00:28:19,270 --> 00:28:21,405
OKAY, WE GOT IT.
739
00:28:21,438 --> 00:28:24,075
NOW, HERE, ROCKWELL
IS IN THE PASSENGER'S SEAT,
740
00:28:24,108 --> 00:28:25,176
AND HE'S SMILING.
741
00:28:25,209 --> 00:28:27,078
HARDISON, IS THERE ANY WAY
742
00:28:27,111 --> 00:28:29,180
THAT ROCKWELL COULD HAVE
DOCTORED THE FILM NEGATIVE?
743
00:28:29,213 --> 00:28:31,048
WE'RE TALKING
PREHISTORIC TECHNOLOGY.
744
00:28:31,082 --> 00:28:32,984
HE'D HAVE TO SWITCH OUT
THE ENTIRE ROLL,
745
00:28:33,017 --> 00:28:34,752
PUT IN A NEW ONE
WITH THE SAME PICTURES,
746
00:28:34,786 --> 00:28:36,287
EXCEPT THE ONE HE CHANGED.
747
00:28:36,320 --> 00:28:40,491
IT'S EPIC BUT NOT IMPOSSIBLE.
748
00:28:40,524 --> 00:28:42,860
NATE, THIS GIRL'S
GOT ALMOST NOTHING.
749
00:28:42,894 --> 00:28:44,829
YOU DIDN'T TAKE THE MONEY, EMMA.
750
00:28:44,862 --> 00:28:47,832
[ SCOFFS ] I DON'T WANT ANYTHING
FROM REED ROCKWELL.
751
00:28:47,865 --> 00:28:50,334
HE SENDS A GUY HERE WITH 25K...
752
00:28:50,367 --> 00:28:52,303
[ SCOFFS ]
753
00:28:52,336 --> 00:28:55,306
...TRYING TO GET ME TO STAY
QUIET ABOUT THE ACCIDENT.
754
00:28:55,339 --> 00:28:58,042
I TOLD HIM TO GET LOST.
755
00:28:58,075 --> 00:29:01,412
LOOK, THANKS FOR...
TALKING TO US.
756
00:29:01,445 --> 00:29:02,847
YEAH.
757
00:29:02,880 --> 00:29:04,882
YOU GUYS KNOW ROCKWELL?
758
00:29:04,916 --> 00:29:07,384
IS HE FAMOUS OR SOMETHING?
759
00:29:07,418 --> 00:29:09,821
WE'RE GONNA MAKE SURE OF IT.
760
00:29:13,057 --> 00:29:16,093
OKAY, I WANT YOU TWO TO GO GET
THE DOCTORED FILM NEGATIVE
761
00:29:16,127 --> 00:29:17,328
FROM THE POLICE
EVIDENCE ARCHIVE.
762
00:29:17,361 --> 00:29:19,864
DO WHATEVER YOU HAVE TO DO.
JUST GET IT.
763
00:29:26,437 --> 00:29:27,471
OH, MAN.
764
00:29:27,504 --> 00:29:30,241
CAN YOU FIND THE ARK
OF THE COVENANT BACK THERE?
765
00:29:30,274 --> 00:29:31,909
HOW AM I SUPPOSED
TO FIND ANYTHING?
766
00:29:31,943 --> 00:29:33,510
I DON'T KNOW.
767
00:29:36,914 --> 00:29:39,350
AFTERNOON, MA'AM.
HOW YOU DOING?
768
00:29:39,383 --> 00:29:40,818
I'M WRITING A PIECE
769
00:29:40,852 --> 00:29:42,153
FOR THE POLICE GAZETTE, RIGHT?
770
00:29:42,186 --> 00:29:45,422
ON THE UNSUNG HEROES
OF THE JUSTICE SYSTEM.
771
00:29:45,456 --> 00:29:47,458
THE CIVILIANS LIKE YOURSELF
772
00:29:47,491 --> 00:29:51,295
WHO KEEP THE ARCHIVES
FROM...CATCHING FIRE.
773
00:29:51,328 --> 00:29:52,964
WILL YOU BE NEEDING
ANY PHOTOGRAPHS
774
00:29:52,997 --> 00:29:54,265
FOR YOUR PIECE, MISTER...
775
00:29:54,298 --> 00:29:57,869
PAR...DISON --
"PARDISON" IS MY NAME.
776
00:29:57,902 --> 00:29:59,336
THAT'S PARDISON --
IT'S SWAHILI. UM...
777
00:29:59,370 --> 00:30:01,072
I'VE NOTICED
778
00:30:01,105 --> 00:30:03,875
THAT YOU HAVE
A VERY UNCONVENTIONAL
779
00:30:03,908 --> 00:30:05,476
FILING SYSTEM FOR YOUR ARCHIVE.
780
00:30:05,509 --> 00:30:09,113
SO, WHERE WOULD ONE
SUCH AS MYSELF
781
00:30:09,146 --> 00:30:12,049
FIND, LIKE, A-A PROSECUTOR
782
00:30:12,083 --> 00:30:13,450
FROM THE LATE '90s, LIKE A...
783
00:30:13,484 --> 00:30:14,919
-'90s...
-...TOM RANDALL?
784
00:30:14,952 --> 00:30:16,988
OH, HIM!
785
00:30:17,021 --> 00:30:19,957
I KEEP HIM RIGHT BACK THERE.
786
00:30:19,991 --> 00:30:22,960
BACK -- BACK -- HIM --
HE'S IN THE SOUTHEAST CORNER?
787
00:30:22,994 --> 00:30:24,395
IN...
788
00:30:24,428 --> 00:30:25,863
WHAT WAS THAT, MR. PARDISON?
789
00:30:25,897 --> 00:30:28,099
I DIDN'T SA-- I SAID --
I SAID WHAT YOU SAID.
790
00:30:28,132 --> 00:30:31,502
HIM -- HE'S IN
THE SOUTHEAST CORNER?
791
00:30:31,535 --> 00:30:34,005
[ RATTLING ]
792
00:30:34,038 --> 00:30:35,006
[ COUGHING ]
793
00:30:35,039 --> 00:30:37,174
OH, DEAR.
794
00:30:37,208 --> 00:30:39,410
HA! IT'S DUSTY.
795
00:30:39,443 --> 00:30:41,012
CAUGHT THE BACK OF MY THROAT,
796
00:30:41,045 --> 00:30:43,280
RIGHT UP IN THERE,
RIGHT UP IN THERE.
797
00:30:43,314 --> 00:30:44,648
YOU KNOW WHAT?
798
00:30:44,681 --> 00:30:48,152
I-I THINK I'M GONNA
ACTUALLY GO AHEAD
799
00:30:48,185 --> 00:30:50,054
AND GET SOME PICTURES,
800
00:30:50,087 --> 00:30:51,188
TO -- YEAH.
801
00:30:51,222 --> 00:30:53,991
SO, ALL RIGHT. YOU TAKE CARE.
802
00:30:54,025 --> 00:30:54,992
A-ALL RIGHT.
803
00:30:55,026 --> 00:30:56,160
ALL RIGHT.
ALL RIGHT. BYE-BYE.
804
00:30:56,193 --> 00:30:57,494
ALL RIGHT.
805
00:30:57,528 --> 00:30:59,230
WE CAN STILL MAKE THIS WORK.
806
00:30:59,263 --> 00:31:01,532
I DON'T KNOW WHY I'M SITTING
HERE LISTENING TO A NEW PLAN.
807
00:31:01,565 --> 00:31:03,367
WELL, THE FIRST ONE'S
NOT GOING ALL THAT WELL.
808
00:31:03,400 --> 00:31:05,502
THIS PLAYING-WITH-FAME THING --
IT'S RECKLESS.
809
00:31:05,536 --> 00:31:07,038
YOU'RE NOT CONTROLLING THE MARK.
810
00:31:07,071 --> 00:31:08,005
ALL RIGHT,
WE'RE OPERATING WITHOUT A NET.
811
00:31:08,039 --> 00:31:09,440
SOMEBODY'S GONNA GET HURT.
812
00:31:09,473 --> 00:31:11,909
ELIOT, WHY DON'T YOU JUST
TAKE THE REST OF THE JOB OFF?
813
00:31:20,317 --> 00:31:21,652
CONSCIOUSLY OR NOT,
814
00:31:21,685 --> 00:31:23,420
I THINK YOU LOOK
AT REED ROCKWELL
815
00:31:23,454 --> 00:31:25,256
AND SEE EVERYTHING
YOU HATE ABOUT NATHAN --
816
00:31:25,289 --> 00:31:28,059
ANY WAY I CAN GET YOU
TO NOT FINISH THAT THOUGHT?
817
00:31:28,092 --> 00:31:30,394
EVERY TIME SOMETHING GOES WRONG,
YOU PUSH HARDER,
818
00:31:30,427 --> 00:31:32,930
AND NOW YOU'RE PUSHING
TO RUIN ROCKWELL SO HARD,
819
00:31:32,964 --> 00:31:34,698
YOU'RE GOING TO END UP
RUINING YOURSELF.
820
00:31:34,731 --> 00:31:36,667
MAYBE THAT'S WHAT
YOU'RE TRYING TO DO.
821
00:31:36,700 --> 00:31:37,969
NATE...
822
00:31:38,002 --> 00:31:39,470
I THINK HE DEVELOPED
823
00:31:39,503 --> 00:31:41,705
AND THEN TOOK A NEW SHOT
OF EVERY PICTURE ON THE ROLL.
824
00:31:41,738 --> 00:31:44,408
THE ONE HE ALTERS RIGHT HERE
IN THE MIDDLE, MAN --
825
00:31:44,441 --> 00:31:46,277
I MEAN, THE TECH AT THE TIME
WAS PRIMITIVE AT BEST,
826
00:31:46,310 --> 00:31:47,544
BUT IT'S REALLY A SEAMLESS JOB.
827
00:31:47,578 --> 00:31:50,247
JUST SKIP TO THE LAST PAGE,
PLEASE.
828
00:31:50,281 --> 00:31:52,383
WE'RE NOT GONNA BE ABLE
TO NAIL ROCKWELL
829
00:31:52,416 --> 00:31:54,618
FOR THE CAR ACCIDENT.
830
00:32:02,726 --> 00:32:04,228
WHAT DO YOU MEAN
IT DIDN'T WORK?!
831
00:32:04,261 --> 00:32:05,662
HOW THE HELL DID YOU
SCREW THIS UP?!
832
00:32:05,696 --> 00:32:07,331
THERE WAS SOMEBODY WITH HER.
833
00:32:07,364 --> 00:32:08,365
SOMEBODY?
834
00:32:08,399 --> 00:32:10,434
HE -- HE BEAT ME UP
835
00:32:10,467 --> 00:32:12,169
WITH THE SCREEN DOOR.
836
00:32:12,203 --> 00:32:13,504
[ TELEPHONE RINGS ]
837
00:32:15,039 --> 00:32:16,440
WHAT?!
838
00:32:16,473 --> 00:32:20,311
IS THAT GIRL'S LIFE REALLY
ONLY WORTH $25,000, REED?
839
00:32:20,344 --> 00:32:23,014
HOW'S ABOUT 14 YEARS OF PRISON
FOR MY MAN?
840
00:32:23,047 --> 00:32:24,982
That part of the payoff?
841
00:32:25,016 --> 00:32:26,550
SEE, AFTER YOUR FRIEND LEFT,
842
00:32:26,583 --> 00:32:29,053
I STARTED LOOKING THROUGH
SOME THINGS FROM BACK THEN,
843
00:32:29,086 --> 00:32:31,455
AND I FOUND A PICTURE
YOU MAY HAVE MISSED.
844
00:32:31,488 --> 00:32:34,025
PRETTY SURE IT'S WORTH MORE
THAN 25K.
845
00:32:34,058 --> 00:32:37,728
TELL ME WHAT FIGURE
YOU HAD IN MIND.
846
00:32:37,761 --> 00:32:40,731
HOW'S ABOUT 250?
847
00:32:42,366 --> 00:32:43,734
OR WHAT?
848
00:32:43,767 --> 00:32:47,738
Or you go to the local news.
849
00:32:47,771 --> 00:32:50,741
OR I TALK TO THE FIRST REPORTER
WHO WILL TAKE MY CALL.
850
00:32:50,774 --> 00:32:52,376
Do you have any idea
851
00:32:52,409 --> 00:32:54,345
WHO YOU'RE SCREWING WITH?
852
00:32:54,378 --> 00:32:57,081
I'll be in an old Buick.
853
00:32:57,114 --> 00:32:59,083
YOU WAIT FOR ME
UNDER THE BRIDGE.
854
00:32:59,116 --> 00:33:01,152
YOU GOT ONE HOUR.
855
00:33:01,185 --> 00:33:02,753
AND IT BETTER BE YOU
PERSONALLY, REED.
856
00:33:02,786 --> 00:33:04,621
CLIMB INTO THE BACK OF THE CAR,
857
00:33:04,655 --> 00:33:06,523
HAND OVER THE MONEY --
858
00:33:06,557 --> 00:33:08,759
I HAND YOU THE EVIDENCE,
YOU GET OUT OF THE CAR.
859
00:33:08,792 --> 00:33:09,993
SIMPLE AS THAT.
860
00:33:12,529 --> 00:33:13,497
-VERY GOOD.
-[ EXHALES SHARPLY ]
861
00:33:13,530 --> 00:33:14,665
YOU DID GREAT.
862
00:33:14,698 --> 00:33:16,500
[ CHUCKLES ]
863
00:33:16,533 --> 00:33:19,136
HE'S ALL YOURS, NATE.
864
00:33:22,673 --> 00:33:24,275
LOOKS LIKE
I MISSED SOMETHING.
865
00:33:25,109 --> 00:33:26,177
[ GLASS SHATTERS ]
866
00:33:26,210 --> 00:33:27,544
CALM DOWN, ROCKWELL.
USE YOUR WORDS.
867
00:33:27,578 --> 00:33:28,512
IF THERE'S A PROBLEM,
WE'LL FIX IT.
868
00:33:28,545 --> 00:33:29,780
I'M BEING BLACKMAILED!
869
00:33:29,813 --> 00:33:31,815
THIS BITCH I KNEW
HALF A LIFETIME AGO --
870
00:33:31,848 --> 00:33:33,417
14 YEARS -- SHE JUST...
871
00:33:33,450 --> 00:33:37,788
I-I-I WAS IN A CAR ACCIDENT
IN HIGH SCHOOL.
872
00:33:37,821 --> 00:33:40,591
THIS GIRL I KNOW GOT KILLED.
WE WERE ALL DRUNK.
873
00:33:40,624 --> 00:33:43,227
I WAS NOT THE ONE DRIVING.
I SWEAR TO GOD.
874
00:33:43,260 --> 00:33:45,329
BUT THE COPS CAME.
875
00:33:45,362 --> 00:33:46,697
I WAS STILL ON THE SCENE.
876
00:33:46,730 --> 00:33:48,665
AND NOW -- NOW --
877
00:33:48,699 --> 00:33:52,669
THIS GIRL WHO WAS IN THE CAR
WITH US WANTS 250 GRAND...
878
00:33:52,703 --> 00:33:54,205
[ CELLPHONE BEEPS ]
...OR SHE'S GONNA GO PUBLIC
879
00:33:54,238 --> 00:33:55,272
AND SAY THAT I WAS THE ONE
AT THE WHEEL.
880
00:33:55,306 --> 00:33:56,640
UH-HUH. WOW.
881
00:33:56,673 --> 00:33:58,842
THAT'S REALLY SOMETHING.
882
00:33:58,875 --> 00:34:00,711
[ BREATHING HEAVILY ] LOOK.
883
00:34:00,744 --> 00:34:04,515
LOOK, I-I ALREADY
TRIED TO MAKE THIS GO AWAY.
884
00:34:04,548 --> 00:34:07,351
NOT HARD ENOUGH. SIT DOWN.
885
00:34:09,186 --> 00:34:11,555
WE ARE AT THE GOAL LINE HERE,
ROCKWELL.
886
00:34:11,588 --> 00:34:14,558
NOW, YOU CAN'T AFFORD TO HAVE
A SCANDAL LIKE THIS.
887
00:34:14,591 --> 00:34:16,760
WE BOTH KNOW
THAT IT DOESN'T MATTER
888
00:34:16,793 --> 00:34:18,662
IF IT'S TRUMPED UP OR REAL.
889
00:34:18,695 --> 00:34:22,533
LOOK. THIS REQUEST...
890
00:34:22,566 --> 00:34:25,536
FOR THE $250,000...
891
00:34:25,569 --> 00:34:28,105
-MAYBE IT'S NOT SUCH A BAD
THING.
-WHAT?
892
00:34:28,139 --> 00:34:31,142
W-WHAT ARE YOU TALKING ABOUT?
893
00:34:31,175 --> 00:34:32,776
COMPARATIVELY,
IT IS A LOT OF MONEY,
894
00:34:32,809 --> 00:34:34,445
BUT IT MEANS THAT THE GIRL
DOESN'T WANT TO STRING THIS OUT
895
00:34:34,478 --> 00:34:36,113
OVER A BUNCH OF PAYMENTS.
896
00:34:36,147 --> 00:34:38,215
SHE WANTS TO TAKE THE MONEY NOW
AND DISAPPEAR.
897
00:34:38,249 --> 00:34:39,250
OKAY? YOU BOTH WIN.
898
00:34:39,283 --> 00:34:40,351
NO, GILLIS...
899
00:34:40,384 --> 00:34:41,718
SHE WINS.
900
00:34:41,752 --> 00:34:43,387
I'M OUT $250,000!
901
00:34:43,420 --> 00:34:45,556
I WOULDN'T WORRY ABOUT THAT.
902
00:34:45,589 --> 00:34:47,358
I MEAN, LOOK,
YOU'LL MAKE THAT MONEY BACK
903
00:34:47,391 --> 00:34:49,293
IN A MONTH OF
SPEAKING ENGAGEMENTS, YOU KNOW,
904
00:34:49,326 --> 00:34:50,694
ONE WEEK OF BOOK SIGNINGS.
905
00:34:50,727 --> 00:34:52,163
DON'T WORRY ABOUT THAT.
THE THING IS THIS --
906
00:34:52,196 --> 00:34:54,465
YOU ARE NOW [SIGHS]
907
00:34:54,498 --> 00:34:57,634
YOU'RE NOT IN THE SHADOWS
ANYMORE, ROCKWELL.
908
00:34:57,668 --> 00:34:59,536
OKAY?
909
00:34:59,570 --> 00:35:02,506
YOU ARE -- YOU ARE
AT THE WHIM OF THE MEDIA.
910
00:35:02,539 --> 00:35:06,277
AND WE BOTH KNOW WHAT THEY'LL DO
WITH A STORY LIKE THIS.
911
00:35:10,381 --> 00:35:13,250
NO WAY I'M LETTING THAT BITCH
GET AWAY WITH THIS.
912
00:35:13,284 --> 00:35:17,254
SHE GIVES ME HER EVIDENCE,
I GET OUT OF HER CAR...
913
00:35:19,323 --> 00:35:20,691
...YOU MAKE SURE THIS IS OVER.
914
00:35:20,724 --> 00:35:23,260
-TAKE THE LAND ROVER.
-YOU GOT IT.
915
00:35:39,943 --> 00:35:42,813
LONG TIME, EMMA.
916
00:35:42,846 --> 00:35:44,515
JUST HAND OVER THE PHOTO.
917
00:35:44,548 --> 00:35:46,217
[ TIRES SCREECH ]
918
00:35:47,918 --> 00:35:49,286
HEY. HEY!
WHAT ARE YOU DOING?
919
00:35:49,320 --> 00:35:51,688
WHAT THE...
WHERE THE HELL ARE WE GOING?!
920
00:35:51,722 --> 00:35:53,257
TO GET THE EVIDENCE.
921
00:35:53,290 --> 00:35:54,825
I WASN'T STUPID ENOUGH
TO BRING IT WITH ME!
922
00:35:54,858 --> 00:35:56,660
JUST PULL THE DAMN CAR OVER!
923
00:35:56,693 --> 00:35:58,362
THIS IS AMATEUR CRAP.
924
00:35:58,395 --> 00:36:00,497
WAIT. WAIT,
I KNOW YOU FROM THE --
925
00:36:00,531 --> 00:36:01,865
I'VE SEEN YOU BEFORE.
926
00:36:01,898 --> 00:36:04,568
I -- WHAT THE HELL
IS GOING ON HERE?!
927
00:36:07,671 --> 00:36:09,273
[ TIRES SCREECH ]
928
00:36:09,306 --> 00:36:10,774
[ HORN BLARES ]
929
00:36:22,619 --> 00:36:25,656
[ GROANING ]
930
00:36:25,689 --> 00:36:28,659
OH, MY GOD.
931
00:36:28,692 --> 00:36:30,394
OH, NOT AGAIN.
932
00:36:30,427 --> 00:36:31,928
NOT AGAIN.
933
00:36:31,962 --> 00:36:33,397
NOT AGAIN.
934
00:36:41,472 --> 00:36:43,240
WHERE THE HELL ARE YOU, KREESE?
935
00:36:43,274 --> 00:36:44,541
I'M BACK AT THE OFFICE.
936
00:36:44,575 --> 00:36:46,610
GIVE ME A CALL
THE SECOND YOU...
937
00:36:49,880 --> 00:36:51,615
EVENING, MR. ROCKWELL.
938
00:36:52,549 --> 00:36:55,519
WHY ARE YOU TRYING
TO DENY THIS, MR. ROCKWELL?
939
00:36:55,552 --> 00:36:57,688
BECAUSE I DIDN'T CAUSE
ANY ACCIDENT.
940
00:36:57,721 --> 00:36:59,756
I WAS THE VICTIM.
941
00:36:59,790 --> 00:37:01,625
I JUST GOT FINISHED
TELLING YOU.
942
00:37:01,658 --> 00:37:03,927
WHAT, DID YOU PULL THAT BADGE
OUT OF A CEREAL BOX?
943
00:37:22,646 --> 00:37:24,815
GIVE ME THE KEYS.
944
00:37:24,848 --> 00:37:26,350
[ GRUNTS ]
[ BONES CRUNCH ]
945
00:37:26,383 --> 00:37:27,384
[ GROANS ]
946
00:37:31,688 --> 00:37:34,291
[ ENGINE REVS ]
947
00:37:43,434 --> 00:37:44,901
[ GASPS ]
948
00:37:44,935 --> 00:37:45,969
[ BONES CRACK ]
[ SIGHS ]
949
00:37:51,608 --> 00:37:52,976
[ BEEPING ]
950
00:37:59,750 --> 00:38:02,553
ANY INTEREST IN CHANGING YOUR
STATEMENT THERE, FROOT LOOPS?
951
00:38:02,586 --> 00:38:04,955
-WHAT IS THIS?
-OH, THOSE ARE YOUR
PHONE RECORDS, ROCKWELL.
952
00:38:04,988 --> 00:38:06,557
WHICH SHOW DOZENS
OF CALLS AND TEXTS
953
00:38:06,590 --> 00:38:07,891
TO THE NUMBER OF THAT GIRL
954
00:38:07,924 --> 00:38:09,393
WHO WAS IN THAT CAR
YOU JUST SMACKED UP.
955
00:38:09,426 --> 00:38:11,094
CALL ME NOW --
SO I HAVE YOUR PHONE...
956
00:38:11,127 --> 00:38:13,497
[ CELLPHONE RINGS ]
OH. GOT IT.
957
00:38:13,530 --> 00:38:15,566
I'M CLONING ROCKWELL'S CELL
RIGHT NOW.
958
00:38:15,599 --> 00:38:16,967
CUTE LITTLE BLOND GIRL
LIKE THAT --
959
00:38:17,000 --> 00:38:18,369
WHAT, WERE YOU STALKING HER?
960
00:38:18,402 --> 00:38:19,570
SEE, WHAT WE'RE
GETTING AT HERE
961
00:38:19,603 --> 00:38:21,004
IS CALLED INTENT.
962
00:38:21,037 --> 00:38:22,739
I WAS -- I WAS NOT
STALKING THAT GIRL.
963
00:38:22,773 --> 00:38:23,940
I-I HARDLY KNEW HER.
964
00:38:23,974 --> 00:38:25,809
THE ONLY REASON
I WAS IN HER CAR
965
00:38:25,842 --> 00:38:27,844
IS 'CAUSE SHE WAS TRYING TO
BLACKMAIL ME. I SWEAR TO GOD!
966
00:38:27,878 --> 00:38:29,446
-BLACKMAILING YOU?
-YES.
967
00:38:29,480 --> 00:38:32,516
FOR THIS DRUNK-DRIVING ACCIDENT
14 YEARS AGO.
968
00:38:33,817 --> 00:38:35,652
NO, I WASN'T AT FAULT!
969
00:38:35,686 --> 00:38:37,654
-FOR WHICH ACCIDENT?!
-NEITHER!
970
00:38:37,688 --> 00:38:39,656
YOU GUYS HAVE -- MY BRIEFCASE.
971
00:38:39,690 --> 00:38:42,459
GET MY BRIEFCASE.
THERE'S 250 GRAND IN THERE.
972
00:38:42,493 --> 00:38:43,794
IT'S THE PAYOFF MONEY.
973
00:38:43,827 --> 00:38:46,497
IT'LL PROVE
THAT SHE WAS TRYING TO EXTORT --
974
00:38:46,530 --> 00:38:48,799
WOULD THAT BE
THIS BRIEFCASE?
975
00:38:48,832 --> 00:38:51,502
WAIT. HOW...
976
00:39:02,045 --> 00:39:03,614
SLEEP TIGHT, MY MAN.
977
00:39:05,516 --> 00:39:06,950
I-I...
978
00:39:08,919 --> 00:39:09,820
NO. NO, NO, NO.
979
00:39:09,853 --> 00:39:11,688
THIS EVIDENCE HAS BEEN
DIGITALLY ALTERED!
980
00:39:11,722 --> 00:39:13,824
THIS IS NOT
THE REAL PHOTOGRAPH.
981
00:39:13,857 --> 00:39:15,058
I-I...
982
00:39:18,795 --> 00:39:20,531
TELL ME ABOUT IT.
983
00:39:27,938 --> 00:39:30,774
STATE'S ATTORNEY KELLEY
PERSONALLY OVERSAW
984
00:39:30,807 --> 00:39:32,543
THE LOWELL NATIVE'S RELEASE
985
00:39:32,576 --> 00:39:34,978
AFTER SPENDING
THE LAST 14 YEARS
986
00:39:35,011 --> 00:39:36,847
BEHIND BARS
FOR A CRIME HE DIDN'T COMMIT.
987
00:39:36,880 --> 00:39:38,148
THINK THEY'RE HAPPY NOW --
988
00:39:38,181 --> 00:39:39,683
WAIT TILL THEY SEE
WHAT'S IN THAT BRIEFCASE
989
00:39:39,716 --> 00:39:40,817
WAITING AT HOME FOR THEM.
990
00:39:40,851 --> 00:39:43,520
ENOUGH TO FIX THEIR SCREEN DOOR.
991
00:39:43,554 --> 00:39:45,689
COUPLE HUNDRED THOUSAND
OF THEM.
992
00:39:45,722 --> 00:39:48,058
...YET SADNESS OVER THE DEATH
OF AN INNOCENT GIRL
993
00:39:48,091 --> 00:39:49,660
-IN THE CAR ACCIDENT...
-ALL RIGHT.
994
00:39:49,693 --> 00:39:52,062
-...THAT LED TO HIS
INCARCERATION 14 YEARS AGO.
-IT WAS RECKLESS.
995
00:39:52,095 --> 00:39:55,699
[ CHUCKLES SOFTLY ]
IT WAS WORTH IT.
996
00:39:55,732 --> 00:39:56,967
YEAH, THIS TIME.
997
00:39:57,000 --> 00:40:00,604
BET YOU'RE STARTING TO LIKE THAT
C.G.I. YODA A LITTLE BIT NOW?
998
00:40:00,637 --> 00:40:02,539
YEAH, WHEN HE GIVES BACK
THE CHILDHOOD HE STOLE FROM ME.
999
00:40:02,573 --> 00:40:05,476
WHY DON'T YOU JUST ASK ME TO
JOIN THE DARK SIDE? GO AHEAD.
1000
00:40:05,509 --> 00:40:07,210
"WELL, NATE,
WINNING ISN'T EVERYTHING."
1001
00:40:07,243 --> 00:40:10,847
YOU KNOW, FOR A WHILE THERE,
YOU WERE AN HONEST MAN.
1002
00:40:10,881 --> 00:40:13,684
AND THEN FOR A WHILE,
YOU WERE A THIEF.
1003
00:40:13,717 --> 00:40:15,085
YEAH, MAYBE I'M BOTH.
1004
00:40:15,118 --> 00:40:17,153
YOU CAN'T BE BOTH.
1005
00:40:19,690 --> 00:40:21,692
I'M JUST NOT SURE AT THIS POINT
1006
00:40:21,725 --> 00:40:23,126
WHICH ONE I WANT TO WIN.
1007
00:40:27,263 --> 00:40:30,000
NOW TO RETURN TO ONE
OF THE TOP STORIES TONIGHT,
1008
00:40:30,033 --> 00:40:31,502
THE SHOCKINGLY BRIEF
RISE AND FALL
1009
00:40:31,535 --> 00:40:33,103
OF REED ROCKWELL,
1010
00:40:33,136 --> 00:40:36,139
WHOSE FOILING OF A COFFEEHOUSE
ROBBERY ON TUESDAY
1011
00:40:36,172 --> 00:40:39,976
WAS OVERSHADOWED BY HIS ARREST
AND SUBSEQUENT CONFESSION.
1012
00:40:40,010 --> 00:40:42,178
NEW EVIDENCE SUGGESTS
THAT ROCKWELL WAS THE DRIVER
1013
00:40:42,212 --> 00:40:44,715
WHO CAUSED THE ACCIDENT...
[ CELLPHONE RINGS ]
1014
00:40:44,748 --> 00:40:47,050
...THAT RESULTED IN
P.J. TIERNAN'S INCARCERATION
1015
00:40:47,083 --> 00:40:48,084
14 YEARS AGO.
1016
00:40:48,118 --> 00:40:49,085
YEAH.
1017
00:40:49,119 --> 00:40:52,689
MR. FORD, THAT WAS A HELL
OF A PIECE OF WORK.
1018
00:40:52,723 --> 00:40:55,626
THE GENTLEMAN THAT WAS LISTENING
IN ON MY APARTMENT, I PRESUME.
1019
00:40:55,659 --> 00:40:58,729
WIRETAPS WITHOUT WARRANTS
ARE A FELONY.
1020
00:40:58,762 --> 00:41:00,531
LISTEN, HERE'S THE THING.
1021
00:41:00,564 --> 00:41:03,099
WE HAD SOME OUTSTANDING
CONTRACTS WITH MR. ROCKWELL.
1022
00:41:03,133 --> 00:41:05,035
I don't suppose you'd consider
taking them on...
1023
00:41:05,068 --> 00:41:06,703
for a substantial fee.
1024
00:41:06,737 --> 00:41:08,138
I DON'T WORK THAT WAY.
1025
00:41:08,171 --> 00:41:10,774
[ LAUGHS ]
YOU HONESTLY DON'T, DO YOU?
1026
00:41:10,807 --> 00:41:13,577
YOU ACTUALLY THINK
YOU'RE ONE OF THE GOOD GUYS.
1027
00:41:13,610 --> 00:41:16,079
YOU CARE TO TALK THIS OVER
FACE-TO-FACE?
1028
00:41:16,112 --> 00:41:17,614
Congratulations again.
1029
00:41:17,648 --> 00:41:20,016
GETTING RID OF SCUM
LIKE ROCKWELL --
1030
00:41:20,050 --> 00:41:22,553
YOU MADE THE WORLD
A BETTER PLACE.
1031
00:41:22,586 --> 00:41:25,722
AND INFORMATION FROM
THE ORIGINAL ACCIDENT SCENE
1032
00:41:25,756 --> 00:41:28,859
STATES THAT ROCKWELL
WAS UNDER THE INFLUENCE
1033
00:41:28,892 --> 00:41:30,561
OF ALCOHOL AT THE TIME.
1034
00:41:30,594 --> 00:41:32,896
AND IN A BIZARRE TWIST,
1035
00:41:32,929 --> 00:41:36,032
ROCKWELL WAS CAUGHT ON
A LOCAL TRAFFIC CAMERA TONIGHT
1036
00:41:36,066 --> 00:41:38,769
CAUSING YET ANOTHER
CAR ACCIDENT.
70568
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