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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,009 --> 00:00:06,045 [ THUNDER CRASHES ] 2 00:00:17,790 --> 00:00:20,326 [ CLATTER ] 3 00:00:20,359 --> 00:00:21,527 OUT SO I CAN SEE YA. 4 00:00:21,560 --> 00:00:23,296 OKAY, OKAY. I-IT'S NOT WHAT IT LOOKS LIKE. 5 00:00:23,329 --> 00:00:25,164 LOOKS LIKE MORRIS BECK'S BEEN MURDERED. 6 00:00:25,198 --> 00:00:27,066 YOU'RE LEFT HOLDING THE BAG FOR IT. 7 00:00:27,100 --> 00:00:29,802 MAYBE IT IS WHAT IT LOOKS LIKE. 8 00:00:31,637 --> 00:00:34,440 THE RICH AND POWERFUL TAKE WHAT THEY WANT. 9 00:00:34,473 --> 00:00:36,475 WE STEAL IT BACK FOR YOU. 10 00:00:43,316 --> 00:00:47,420 SOMETIMES, BAD GUYS MAKE THE BEST GOOD GUYS. 11 00:00:49,155 --> 00:00:50,389 WE PROVIDE... 12 00:00:51,590 --> 00:00:55,461 MORRIS BECK SHOULD BE SHOT FOR THIS. 13 00:00:55,494 --> 00:00:56,595 IN THE LAST 10 YEARS, 14 00:00:56,629 --> 00:00:59,332 THREE OF THE BUILDINGS HE CONSTRUCTED HAVE COLLAPSED. 15 00:00:59,365 --> 00:01:01,867 SUPPORTING WALL FELL IN KANSAS. 16 00:01:01,900 --> 00:01:04,170 FOUNDATION GAVE WAY IN ATLANTA. 17 00:01:04,203 --> 00:01:06,472 CRANE COLLAPSED IN MILWAUKEE. 18 00:01:06,505 --> 00:01:10,243 TWO COMAS, SIX PARAPLEGICS, SEVERAL IN TRACTION... 19 00:01:10,276 --> 00:01:11,744 FOUR FATALITIES. 20 00:01:11,777 --> 00:01:13,746 OH, THAT'S JUST AWFUL. ALL THOSE PEOPLE. 21 00:01:13,779 --> 00:01:15,848 YEAH, YEAH, IT'S AN OLD SCAM. 22 00:01:15,881 --> 00:01:17,516 YEAH, HE UNDERBIDS THE CONTRACT, 23 00:01:17,550 --> 00:01:19,818 HE USES CHEAP MATERIALS, 24 00:01:19,852 --> 00:01:21,487 UNSKILLED LABOR TO PUT UP THE BUILDING. 25 00:01:21,520 --> 00:01:23,456 AND THEN WHEN THINGS GO TO HELL, HE'S TWO JOBS DOWN THE ROAD. 26 00:01:23,489 --> 00:01:25,458 THERE MUST BE SOME CHAIN OF RESPONSIBILITY. 27 00:01:25,491 --> 00:01:26,425 NO, NO, LISTEN. 28 00:01:26,459 --> 00:01:27,693 THESE GUYS, THEY NEVER GO TO JAIL -- NEVER. 29 00:01:27,726 --> 00:01:30,263 BECK DESIGNS THE BUILDINGS HIMSELF. 30 00:01:30,296 --> 00:01:32,598 HE PERSONALLY SUPERVISES EVERY JOB. 31 00:01:32,631 --> 00:01:35,401 SOMEWHERE HE HAS THE ORIGINAL BLUEPRINTS. 32 00:01:35,434 --> 00:01:37,603 HE NEEDS THEM FOR CERTIFICATION. 33 00:01:37,636 --> 00:01:39,672 WELL, YEAH, AND SO HE KNOWS HOW TO CUT CORNERS. 34 00:01:39,705 --> 00:01:41,840 WHAT'S THE STATUS OF YOUR LAWSUIT? 35 00:01:41,874 --> 00:01:44,343 WHEN I WORKED AT McGANN, McCOY AND BAKER, 36 00:01:44,377 --> 00:01:45,344 I HAD AN ARMY. 37 00:01:45,378 --> 00:01:47,680 I HAD ASSISTANTS, PARALEGALS, OTHER ATTORNEYS. 38 00:01:47,713 --> 00:01:48,714 BECK GOT ME FIRED. 39 00:01:48,747 --> 00:01:50,883 HE IS BURYING ME IN MOTIONS, 40 00:01:50,916 --> 00:01:52,651 FIGHTING DISCOVERY. 41 00:01:52,685 --> 00:01:54,787 YEAH, HE'S RUNNING OUT THE CLOCK, BASICALLY. 42 00:01:54,820 --> 00:01:55,888 I AM DESPERATE. 43 00:01:55,921 --> 00:01:59,558 I NEED THE ORIGINAL PLANS AND SCHEMATICS FOR MY CASE 44 00:01:59,592 --> 00:02:01,627 BY NEXT WEEK, OR THE SUIT GETS DISMISSED. 45 00:02:01,660 --> 00:02:04,597 I NEED A MIRACLE. 46 00:02:06,465 --> 00:02:08,501 YMA SUMAC... 47 00:02:08,534 --> 00:02:11,237 AND, UH, D-DEXTER GORDON. 48 00:02:11,270 --> 00:02:13,672 MASAARI GLOBAL? 49 00:02:13,706 --> 00:02:16,442 [ Egyptian accent ] WE HAVE A 10:30 WITH MR. MORRIS BECK. 50 00:02:16,475 --> 00:02:18,611 OH, YES, HERE IT IS. UH, RIGHT THIS WAY. 51 00:02:24,550 --> 00:02:26,452 OH, COME ON, TOMMY. BE NICE. 52 00:02:26,485 --> 00:02:27,820 I JUST NEED TWO MINUTES. 53 00:02:27,853 --> 00:02:29,822 "NEED" IS A RELATIVE TERM, MISS BECK. 54 00:02:29,855 --> 00:02:31,557 THIS IS ANOTHER ISSUE WITH YOUR CAR? 55 00:02:31,590 --> 00:02:32,458 IT'S TOTALED, OKAY? 56 00:02:32,491 --> 00:02:34,260 AND THE COPS ARE BEING TOTALLY FROSTY, 57 00:02:34,293 --> 00:02:35,328 AND I TOTALLY WASN'T DRUNK OR ANYTHING. 58 00:02:35,361 --> 00:02:36,629 DADDY NEEDS TO FIX. 59 00:02:36,662 --> 00:02:39,698 WELL, I SUGGEST YOU TRY TO GET A MOMENT WITH HIM AT THE PARTY. 60 00:02:39,732 --> 00:02:41,467 [ SCOFFS ] YOU MEAN THE ONE WHERE HE'S DRUNK 61 00:02:41,500 --> 00:02:43,336 AND GIVING OUT STUPID SPEECHES EVERY 10 SECONDS? 62 00:02:43,369 --> 00:02:44,370 FAIL. 63 00:02:45,371 --> 00:02:47,206 [ CLEARS THROAT ] 64 00:02:47,240 --> 00:02:48,741 OH, LOOK -- IMPORTANT PEOPLE. 65 00:02:48,774 --> 00:02:49,875 DULL. 66 00:02:49,908 --> 00:02:52,478 TELL DADDY I'M TAKING THE ASTON. 67 00:02:55,748 --> 00:02:58,884 SUMAC AND GORDON? MASAARI GLOBAL? 68 00:02:58,917 --> 00:02:59,718 TOM CASE. 69 00:02:59,752 --> 00:03:01,620 I'M MR. BECK'S V.P. OF DEVELOPMENT. 70 00:03:01,654 --> 00:03:02,888 -MR. BECK -- -I DON'T MAKE THREATS -- 71 00:03:02,921 --> 00:03:05,424 I MAKE PROMISES! 72 00:03:08,694 --> 00:03:10,296 YOU WANT TO BE ON MY GOOD SIDE, BUDDY. 73 00:03:10,329 --> 00:03:12,398 I PROMISE YOU -- ANYBODY CAN GET GOT. 74 00:03:15,634 --> 00:03:16,835 APOLOGIES. 75 00:03:16,869 --> 00:03:21,307 MR. CAPRIOTTI STILL THINKS UNIONS MATTER. 76 00:03:21,340 --> 00:03:22,875 PLEASE. POTTER! 77 00:03:22,908 --> 00:03:24,477 I WENT OVER THOSE MURDER-MYSTERY PLANS. 78 00:03:24,510 --> 00:03:26,579 IT'S TOO EASY. TRY IT AGAIN. 79 00:03:26,612 --> 00:03:28,314 AGAIN? SIR, THAT TOOK ME SIX MONTHS! 80 00:03:28,347 --> 00:03:29,948 LOCK IT UP BY TOMORROW NIGHT, POTTER. 81 00:03:29,982 --> 00:03:33,552 DON'T DISAPPOINT ME. 82 00:03:33,586 --> 00:03:35,588 I'LL HAVE IT FOR YOU IN THE MORNING, SIR. 83 00:03:35,621 --> 00:03:37,623 [ SIGHS ] 84 00:03:37,656 --> 00:03:40,559 MR. BECK, IF I MAY, MASAARI GLOBAL -- 85 00:03:40,593 --> 00:03:42,595 HAS FINGERS IN PIES ACROSS THE NEAR EAST, 86 00:03:42,628 --> 00:03:45,764 SOLID D.O.D. TIES, AND, AS FAR AS I CAN TELL, 87 00:03:45,798 --> 00:03:48,301 EXCLUSIVE SECURITY AND CONSTRUCTION CONTRACTS 88 00:03:48,334 --> 00:03:50,869 WITH GUYS WHO LIVE IN PALACES. 89 00:03:50,903 --> 00:03:52,438 [ CHUCKLES ] 90 00:03:52,471 --> 00:03:54,307 YOU GUYS TRY VERY HARD TO REMAIN INVISIBLE, 91 00:03:54,340 --> 00:03:55,574 BUT I'M MORRIS BECK -- 92 00:03:55,608 --> 00:03:57,543 I WANT TO KNOW SOMETHING, I KNOW IT. 93 00:03:57,576 --> 00:04:01,780 AND I KNOW THIS IS AN AREA THAT BECKWORX CAN BENEFIT. 94 00:04:01,814 --> 00:04:02,915 LET ME ASK YOU -- 95 00:04:02,948 --> 00:04:04,383 CAN YOUR FIRM HANDLE CONSTRUCTION 96 00:04:04,417 --> 00:04:06,652 IN A REMOTE DESERT LOCALE? 97 00:04:06,685 --> 00:04:09,655 WE'RE TALKING ROADS, PALACES, BUNKERS. 98 00:04:09,688 --> 00:04:11,557 SOMEONE WHO CAN BE DISCREET. 99 00:04:11,590 --> 00:04:14,059 AS YOU KNOW, THERE HAS BEEN A LOT OF UNREST. 100 00:04:14,092 --> 00:04:17,863 TRUST ME -- NOBODY GETS OVER OR THROUGH A BECKWORX WALL. 101 00:04:17,896 --> 00:04:20,032 -HERE. [ COMPUTER BEEPS ] 102 00:04:20,065 --> 00:04:21,900 PRELIMINARY FIGURES -- I TOOK THE LIBERTY. 103 00:04:21,934 --> 00:04:25,037 WE CAN BEGIN PLANNING AN EXCAVATION INSIDE OF TWO WEEKS 104 00:04:25,070 --> 00:04:28,441 AND COMPLETE OUR FIRST MILESTONE WITHIN A YEAR. 105 00:04:28,474 --> 00:04:30,709 MAY I E-MAIL THESE QUOTES TO MY PEOPLE FOR REVIEW? 106 00:04:30,743 --> 00:04:32,411 OF COURSE. WHAT'S THE ADDRESS? 107 00:04:32,445 --> 00:04:35,614 OH. IT'S FASTER IF I TYPE IT. 108 00:04:41,019 --> 00:04:45,458 * I FEEL LIKE STEALIN', FEEL LIKE CONNIN' * 109 00:04:45,491 --> 00:04:47,760 * FEEL LIKE TAKING SOME STUFF TODAY * 110 00:04:47,793 --> 00:04:48,761 [ COMPUTER BEEPS ] 111 00:04:48,794 --> 00:04:50,763 HA HA. 112 00:04:52,565 --> 00:04:53,966 AND WE'RE IN. 113 00:04:53,999 --> 00:04:56,301 SKELETON KEY ON THE WAY. 114 00:05:13,786 --> 00:05:15,421 [ LID THUDS ] 115 00:05:24,663 --> 00:05:26,064 [ BEEPING ] 116 00:05:33,972 --> 00:05:35,774 [ BEEPING STEADILY ] 117 00:05:37,910 --> 00:05:41,046 WE HAVE THE BLUEPRINTS. 118 00:05:41,079 --> 00:05:43,816 WE DO NOT HAVE THE BLUEPRINTS. 119 00:05:43,849 --> 00:05:45,618 WE GOT...SOMETHING. 120 00:05:45,651 --> 00:05:48,787 A WHOLE LOT OF SOMETHING, BUT NO PRINTS. 121 00:05:48,821 --> 00:05:51,156 OKAY, LAST 10 DIGITS... FILE NUMBERS? 122 00:05:51,189 --> 00:05:52,591 DOCUMENTS. 123 00:05:52,625 --> 00:05:54,393 NEED A 10-DIGIT CODE FOR GOVERNMENT WORK, 124 00:05:54,427 --> 00:05:55,728 BUT I'M HUNG UP ON THE LAST 6. 125 00:05:55,761 --> 00:05:58,964 GPS. GPS COORDINATES. TRY THAT. 126 00:06:05,137 --> 00:06:07,005 THERE YOU GO. 127 00:06:07,039 --> 00:06:09,542 [ Normal voice ] IT'S MORRIS BECK'S MANSION. 128 00:06:09,575 --> 00:06:11,477 HE BOUGHT ONE OF THOSE LITTLE ISLANDS 129 00:06:11,510 --> 00:06:13,145 OFF THE COAST OF MASSACHUSETTS. 130 00:06:13,178 --> 00:06:14,847 SO YOU THINK THE PRINTS ARE IN THERE. 131 00:06:14,880 --> 00:06:15,948 IT MAKES SENSE. 132 00:06:15,981 --> 00:06:18,150 HE KEEPS THE NUMBERS ON FILE AT THE CORPORATE OFFICE, 133 00:06:18,183 --> 00:06:21,420 AND THE ACTUAL BLUEPRINTS, HE KEEPS AT THIS HOUSE. 134 00:06:21,454 --> 00:06:23,822 IT'S LIMITED ACCESS, MILES OUT TO SEA. 135 00:06:23,856 --> 00:06:26,492 ZERO COVER ON THE ENTRANCE AND THE EXITS. 136 00:06:26,525 --> 00:06:27,560 GONNA TAKE A WEEK TO PREP. 137 00:06:27,593 --> 00:06:29,762 WHAT WAS THAT -- THERE WAS THE ASSISTANT, POTTER -- 138 00:06:29,795 --> 00:06:30,829 HE WAS TALKING ABOUT 139 00:06:30,863 --> 00:06:32,731 SOMETHING HE HAD TO PREPARE FOR TOMORROW NIGHT. 140 00:06:32,765 --> 00:06:33,966 ANYTHING COME UP ABOUT THAT? 141 00:06:36,535 --> 00:06:37,736 IT'S A GALA. 142 00:06:37,770 --> 00:06:39,137 THAT'S GREAT. 143 00:06:39,171 --> 00:06:40,739 THE PLACE IS GONNA BE SWARMING WITH GUESTS. 144 00:06:40,773 --> 00:06:41,974 OKAY, THAT'S FINE FOR YOU TWO, 145 00:06:42,007 --> 00:06:43,742 BUT WHAT ABOUT THE THREE OF US? HOW DO WE GET IN? 146 00:06:43,776 --> 00:06:45,444 UH, EXCUSE YOU. 147 00:06:45,478 --> 00:06:46,845 DO YOU NOT KNOW MY NAME? 148 00:06:46,879 --> 00:06:48,981 IT'S NOTHING TO GET ON THAT LIST. 149 00:06:49,014 --> 00:06:51,950 I'VE BEEN TO THE OSCARS EVERY YEAR SINCE I WAS 15. 150 00:06:51,984 --> 00:06:53,986 AND THE OSCAR GOES TO... 151 00:06:54,019 --> 00:06:55,621 HALLE BERRY! 152 00:06:55,654 --> 00:06:58,757 [ CHEERS AND APPLAUSE, FANFARE PLAYS ] 153 00:06:58,791 --> 00:06:59,892 GO AHEAD, GIRL. 154 00:06:59,925 --> 00:07:01,560 GO AHEAD, GIRL. 155 00:07:01,594 --> 00:07:03,529 I TOLD YOU THIS WAS YOUR NIGHT, BABY. 156 00:07:03,562 --> 00:07:04,563 YEAH. UNH. 157 00:07:04,597 --> 00:07:06,965 OKAY. SAY WE GET IN. SAY WE GET THE BLUEPRINTS. 158 00:07:06,999 --> 00:07:08,701 HOW WE GET HOME, HUH? BACKSTROKE? 159 00:07:08,734 --> 00:07:11,537 NO, NO, NO. WE'RE GONNA USE THE GUESTS AS COVER. OKAY. 160 00:07:11,570 --> 00:07:13,506 TELL ME ABOUT THIS PARTY. 161 00:07:13,539 --> 00:07:16,241 BECK THROWS THIS LITTLE SHINDIG EVERY YEAR. 162 00:07:16,274 --> 00:07:18,110 HE ALWAYS INVITES HIS COMPETITORS 163 00:07:18,143 --> 00:07:20,913 WHO HE SPENT THE YEAR CRUSHING JUST TO RUB THEIR NOSES IN IT. 164 00:07:20,946 --> 00:07:24,016 THERE'S ALWAYS SOME KIND OF COMPETITION INVOLVED. 165 00:07:24,049 --> 00:07:27,252 LAST YEAR, IT WAS... WHAT THE HELL IS HUMAN CHESS? 166 00:07:27,285 --> 00:07:29,822 THIS YEAR HE'S STAGING A MURDER MYSTERY. 167 00:07:29,855 --> 00:07:31,557 ALL THE GUESTS HAVE TO COME AS A DETECTIVE 168 00:07:31,590 --> 00:07:33,025 FROM LITERATURE -- FUN! 169 00:07:33,058 --> 00:07:35,828 YES, YES. NOW, OKAY, SO, WE ARE GONNA MOVE THE HEIST 170 00:07:35,861 --> 00:07:37,029 TO THE MANSION. 171 00:07:37,062 --> 00:07:39,231 WE'RE GONNA FIND THE SAFE, HARDISON'S GONNA SPOOF A KEY, 172 00:07:39,264 --> 00:07:41,099 AND PARKER'S GONNA LIFT THE BLUEPRINTS. 173 00:07:41,133 --> 00:07:42,801 I'VE NEVER BEEN TO A COSTUME PARTY. 174 00:07:42,835 --> 00:07:43,869 [ SCOFFS ] 175 00:07:43,902 --> 00:07:46,772 NOW, THAT IS JUST HEARTBREAKING. 176 00:07:49,775 --> 00:07:51,944 [ INDISTINCT CONVERSATIONS ] 177 00:07:58,216 --> 00:08:00,719 MISS SUMAC, SO GLAD YOU DECIDED TO COME. 178 00:08:00,753 --> 00:08:02,721 [ Egyptian accent ] I WOULD NOT HAVE MISSED IT. 179 00:08:02,755 --> 00:08:04,523 I LOVE THE DETECTIVE STORIES! 180 00:08:04,557 --> 00:08:07,092 BUT YOU [CLICKS TONGUE] YOU HAVE NO COSTUME. 181 00:08:07,125 --> 00:08:09,728 OH, NO, I'M, UH, MANNIX. 182 00:08:09,762 --> 00:08:11,129 I DECIDED, IF I HAVE TO RUN THE PARTY, 183 00:08:11,163 --> 00:08:12,665 AT LEAST I GET TO DRESS UP, RIGHT? 184 00:08:12,698 --> 00:08:13,832 OH. 185 00:08:13,866 --> 00:08:17,536 POTTER, YOU'RE SUPPOSED TO BE WRANGLING HIS DAUGHTER, 186 00:08:17,570 --> 00:08:19,772 NOT BENDING MISS SUMAC'S EAR. GO. 187 00:08:19,805 --> 00:08:20,906 GO, GO, GO, GO. 188 00:08:20,939 --> 00:08:24,810 MY EAR WAS NOT BENT, MR. CASE. 189 00:08:24,843 --> 00:08:27,245 BUT, TELL ME -- WHO ARE YOU SUPPOSED TO BE? 190 00:08:27,279 --> 00:08:28,547 WHAT? 191 00:08:28,581 --> 00:08:30,015 OH. UH, BUCKET. 192 00:08:30,048 --> 00:08:31,950 -[ GASPS ] -INSPECTOR BUCKET. 193 00:08:31,984 --> 00:08:33,619 -DICKENS. -OH, YES. 194 00:08:33,652 --> 00:08:35,554 UH, WOULD YOU EXCUSE ME, MISS SUMAC? 195 00:08:35,588 --> 00:08:37,990 I HAVE A SECURITY ISSUE. 196 00:08:41,694 --> 00:08:43,161 Hey, Sophie, why did you -- 197 00:08:43,195 --> 00:08:45,330 HEY. 198 00:08:45,363 --> 00:08:46,398 [ CANE TAPS ] 199 00:08:46,431 --> 00:08:48,634 WHY'D YOU HAVE TO DRESS ME UP LIKE HOWDY DOODY?! 200 00:08:48,667 --> 00:08:51,236 ACTUALLY, CHARLIE SIRINGO WAS A REAL-LIFE COWBOY 201 00:08:51,269 --> 00:08:52,537 AND A PINKERTON DETECTIVE. 202 00:08:52,571 --> 00:08:55,040 WHY COULDN'T YOU HAVE PICKED ME SOMETHING NORMAL, LIKE HARDISON? 203 00:08:55,073 --> 00:08:56,174 EXCUSE YOU? 204 00:08:56,208 --> 00:08:58,844 NO WAY IN THE WORLD I'D HAVE PICKED ENCYCLOPEDIA BROWN 205 00:08:58,877 --> 00:09:00,713 AS MY CO-- THESE UGLY-ASS PENNY LOAFERS. YOU SEE -- 206 00:09:00,746 --> 00:09:01,714 Hardy Boys. 207 00:09:01,747 --> 00:09:04,717 You're the Hardy Boys, and Parker's Nancy Drew. 208 00:09:04,750 --> 00:09:07,019 YEAH, WELL, WHY DID NATE GET TO PICK HIS OWN GEAR? 209 00:09:07,052 --> 00:09:09,021 BECAUSE HE'S JUST A BIT MORE 210 00:09:09,054 --> 00:09:11,657 OF A WHINY BABY THAN THE REST OF YOU. 211 00:09:11,690 --> 00:09:13,859 THIS HOUSE IS A BLOODY MAZE. 212 00:09:13,892 --> 00:09:14,960 WHERE IS NATE? 213 00:09:14,993 --> 00:09:16,695 I'M RIGHT HERE. 214 00:09:16,729 --> 00:09:17,996 YOU PROMISED ME YOU'D TAKE THIS SERIOUSLY. 215 00:09:18,030 --> 00:09:19,832 I DID. I AM. 216 00:09:19,865 --> 00:09:21,634 LOOK AT THIS. THIS IS A PROPER COSTUME. 217 00:09:21,667 --> 00:09:24,637 IRENE ADLER, ONLY WOMAN SMARTER THAN SHERLOCK HOLMES. 218 00:09:24,670 --> 00:09:25,638 THAT? 219 00:09:25,671 --> 00:09:28,073 ELLERY QUEEN, WORLD'S GREATEST DETECTIVE. HMM? 220 00:09:28,106 --> 00:09:29,742 OKAY, PEOPLE, WHAT ARE WE LOOKING AT? 221 00:09:29,775 --> 00:09:32,310 WELL, BECK'S DAUGHTER'S HAVING FUN. 222 00:09:32,344 --> 00:09:37,315 AND THERE'S THAT UNION GUY CAPRIOTTI. 223 00:09:37,349 --> 00:09:38,183 OH. 224 00:09:38,216 --> 00:09:40,152 AND THE ISLAND'S TOTALLY OFF THE GRID. 225 00:09:40,185 --> 00:09:41,920 IT HAS ITS OWN POWER PLANT. 226 00:09:41,954 --> 00:09:43,856 [ ELECTRICITY CRACKLES ] 227 00:09:43,889 --> 00:09:46,358 THAT'S WHY THE BLACKOUTS. 228 00:09:48,426 --> 00:09:50,228 SECURITY'S TOP-SHELF. 229 00:09:50,262 --> 00:09:52,631 ALL THE UPPER FLOORS ARE LOCKED UP FOR THE NIGHT. 230 00:09:52,665 --> 00:09:54,266 OKAY, WHAT'S OUR GETAWAY? 231 00:09:54,299 --> 00:09:56,101 I'M STILL WORKING ON IT. 232 00:09:56,134 --> 00:09:58,737 ALL RIGHT. LET'S GO STEAL A MURDER. 233 00:10:07,279 --> 00:10:10,615 [ MID-TEMPO MUSIC PLAYS ] 234 00:10:12,284 --> 00:10:15,187 YOU'VE BEEN A BIT EDGY SINCE WE TOOK THIS JOB. 235 00:10:15,220 --> 00:10:17,289 NO, I'M FINE. I'M GOOD. 236 00:10:17,322 --> 00:10:18,924 YOU'RE WORRIED ABOUT THE JOB. 237 00:10:18,957 --> 00:10:20,659 THERE'S NOTHING SPECIAL ABOUT BECK. 238 00:10:20,693 --> 00:10:22,661 WELL, NO, THERE IS NOTHING SPECIAL ABOUT BECK. 239 00:10:22,695 --> 00:10:25,063 HE'S JUST ANOTHER IN A LONG LINE OF CORRUPT SON-OF-A-BITCHES 240 00:10:25,097 --> 00:10:26,799 THAT, UH, YOU KNOW, WE TAKE HIM OUT, 241 00:10:26,832 --> 00:10:28,801 ANOTHER ONE POPS UP, JUST OVER AND OVER AGAIN. 242 00:10:28,834 --> 00:10:30,135 MAYBE, I DON'T KNOW, MAYBE -- 243 00:10:30,168 --> 00:10:31,670 WHAT, MAYBE? 244 00:10:31,704 --> 00:10:32,938 I DON'T KNOW, MAYBE... 245 00:10:36,108 --> 00:10:39,211 [ Slurring ] GREETINGS, EVERYONE! 246 00:10:39,244 --> 00:10:41,346 GREETINGS AND BIENVENUE. 247 00:10:41,379 --> 00:10:43,882 WILKOMMEN. WELCOME... 248 00:10:43,916 --> 00:10:46,084 TO THIS YEAR'S GALA. 249 00:10:46,118 --> 00:10:50,455 OR, AS I LIKE TO REFER TO IT, "HUMILIATION 101." 250 00:10:50,488 --> 00:10:51,957 [ LAUGHS ] 251 00:10:51,990 --> 00:10:54,960 OH, HELLO, THERE, WILLIAM. 252 00:10:54,993 --> 00:10:56,762 I'M AMAZED YOU'D SHOW YOUR FACE HERE 253 00:10:56,795 --> 00:10:58,296 AFTER LAST YEAR'S UNPLEASANTNESS. 254 00:10:58,330 --> 00:11:00,833 YOU RIGGED THAT GAME, BECK. 255 00:11:00,866 --> 00:11:02,267 YOU KNOW IT, AND SO DO I. 256 00:11:02,300 --> 00:11:04,737 WELL, AWKWARD. 257 00:11:06,839 --> 00:11:09,341 MISS SUMAC. MR. GORDON. 258 00:11:09,374 --> 00:11:11,309 WHAT A FANTASTIC SURPRISE. 259 00:11:11,343 --> 00:11:14,112 AND EXCELLENT JOB ON THE COSTUMES. 260 00:11:14,146 --> 00:11:17,816 I BET YOU'RE THE ONLY IRENE ADLER IN THE PLACE. 261 00:11:17,850 --> 00:11:19,284 LOOK AT THEM. 262 00:11:19,317 --> 00:11:21,453 NOT ONE OF THEM WORTH THE COST OF THEIR COSTUME. 263 00:11:21,486 --> 00:11:23,789 UH, L-LADIES AND GENTLEMEN, LADIES AND GENTLEMEN, 264 00:11:23,822 --> 00:11:26,358 IT'S NEARLY TIME FOR THE FESTIVITIES TO START. 265 00:11:26,391 --> 00:11:30,896 MR. BECK ASKS THAT ALL CELLS BE HANDED TO THE SECURITY STAFF 266 00:11:30,929 --> 00:11:32,965 FOR THE DURATION OF THE CHALLENGE. THANK YOU. 267 00:11:32,998 --> 00:11:35,267 SEEMS A BIT MUCH FOR A PARTY GAME. 268 00:11:35,300 --> 00:11:36,969 CELLPHONES HAVE THE INTERNET, 269 00:11:37,002 --> 00:11:38,203 SEARCH ENGINES. 270 00:11:38,236 --> 00:11:40,272 THESE SIMPLETONS WILL CHEAT. 271 00:11:40,305 --> 00:11:43,742 THEY'LL USE ANY TRICK TO GET THE EDGE, MR. GORDON. 272 00:11:43,776 --> 00:11:45,778 THEY ALL HATE ME, YOU KNOW. 273 00:11:45,811 --> 00:11:48,814 A GREAT MAN IS KNOWN BY HIS ENEMIES. 274 00:11:48,847 --> 00:11:50,916 PRECISELY, MISS SUMAC. 275 00:11:50,949 --> 00:11:53,952 ONLY TWO KINDS IN THE WORLD -- ONLY TWO -- 276 00:11:53,986 --> 00:11:55,287 THE CATTLE 277 00:11:55,320 --> 00:12:00,392 AND THE PEOPLE WHO LIKE A REALLY GOOD STEAK. 278 00:12:00,425 --> 00:12:03,996 I'M GONNA GO MAKE A FEW PHONE CALLS... 279 00:12:04,029 --> 00:12:06,398 IF I HAVE TO TURN OVER MY LIFELINE. [ CHUCKLES ] 280 00:12:06,431 --> 00:12:08,834 OH, AND I'VE GOT TO GET INTO MY COSTUME. 281 00:12:08,867 --> 00:12:11,269 I'M AFRAID WE'RE ABANDONING YOU, MISS SUMAC. 282 00:12:11,303 --> 00:12:14,539 I WILL SURVIVE, MR. BECK, BUT WILL YOU? 283 00:12:14,572 --> 00:12:18,977 SOME OF YOUR GUESTS SEEM VERY DETERMINED. 284 00:12:19,011 --> 00:12:20,112 THESE PLODDERS -- 285 00:12:20,145 --> 00:12:22,781 I'M SURPRISED IF THEY CAN EVEN SPELL THEIR OWN NAME. 286 00:12:22,815 --> 00:12:23,916 [ CHUCKLES ] 287 00:12:23,949 --> 00:12:25,150 POTTER! WHERE ARE YOU? 288 00:12:25,183 --> 00:12:28,353 -RIGHT HERE, SIR. -AH! STAY CLOSE. 289 00:12:31,423 --> 00:12:35,027 I KNOW YOU. 290 00:12:35,060 --> 00:12:36,094 I'M SURE YOU DON'T. 291 00:12:36,128 --> 00:12:37,996 YEAH, YOU WAS IN BECK'S OFFICE. 292 00:12:38,030 --> 00:12:39,932 FOREIGN, AIN'T YOU? 293 00:12:39,965 --> 00:12:42,234 DOING SOME KIND OF OFFSHORE DEAL? 294 00:12:42,267 --> 00:12:46,204 STEALING GOOD UNION WORK AWAY FROM REGULAR FOLKS? 295 00:12:46,238 --> 00:12:48,841 TAKE YOUR HAND OFF ME. 296 00:12:48,874 --> 00:12:51,543 I'M JUST PASSING ON SOME FRIENDLY ADVICE. 297 00:12:51,576 --> 00:12:54,312 YOU DON'T WANT TO BE IN BED WITH BECK. 298 00:12:54,346 --> 00:12:56,949 GUY LIKE THAT MAKES A LOT OF ENEMIES. 299 00:12:56,982 --> 00:12:59,251 SOMEBODY'S BOUND TO GET HURT. 300 00:12:59,284 --> 00:13:02,020 YOU MIGHT WANT TO TAKE A WALK ABOUT NOW, MARCO. 301 00:13:02,054 --> 00:13:04,122 [ THUNDER RUMBLES, ELECTRICITY BUZZES ] 302 00:13:05,390 --> 00:13:06,959 YEAH. 303 00:13:06,992 --> 00:13:08,526 YEAH, SURE. 304 00:13:08,560 --> 00:13:10,362 COME ON, BOYS. 305 00:13:12,998 --> 00:13:14,099 SORRY ABOUT THAT. 306 00:13:14,132 --> 00:13:15,868 AND YOU ARE? 307 00:13:15,901 --> 00:13:17,602 I'M RAY HAMMETT, SALEM P.D. 308 00:13:17,635 --> 00:13:19,972 I'M SORRY. I-I-I'M NOT FAMILIAR 309 00:13:20,005 --> 00:13:21,306 WITH THAT CHARACTER. 310 00:13:21,339 --> 00:13:23,375 OH, UH [Chuckling] NO. NO, MA'AM. 311 00:13:23,408 --> 00:13:25,110 UH, I'M THE REAL DEAL. 312 00:13:25,143 --> 00:13:26,611 MORRIS BECK PULLS A LOT OF WATER 313 00:13:26,644 --> 00:13:28,380 WITH THE CITY FATHERS IN THIS TOWN, 314 00:13:28,413 --> 00:13:30,282 SO HIS EVENTS MERIT A POLICE PRESENCE. 315 00:13:30,315 --> 00:13:32,450 SECOND YEAR IN A ROW I PULLED THE SHORT STRAW. 316 00:13:32,484 --> 00:13:36,922 AND SO YOU -- YOU, WHAT -- YOU STAND IN A CORNER WATCHING 317 00:13:36,955 --> 00:13:38,891 LIKE A REFEREE? 318 00:13:38,924 --> 00:13:41,059 YEAH, SOMETHING LIKE THAT. 319 00:13:41,093 --> 00:13:43,128 ONLY, UM... 320 00:13:43,161 --> 00:13:47,032 I DON'T HAVE TO STAND IN THE CORNER. 321 00:13:54,306 --> 00:13:56,308 [ SOFT MUSIC PLAYING ] 322 00:13:56,341 --> 00:13:58,410 PARKER, HARDISON, WE'RE UP. 323 00:13:58,443 --> 00:14:00,478 ELIOT, I NEED THAT UPDATE. 324 00:14:02,147 --> 00:14:03,315 NEXT FERRY DOESN'T LEAVE TILL THE A.M. 325 00:14:03,348 --> 00:14:04,316 THEY GOT ONE MOTOR BOAT. 326 00:14:04,349 --> 00:14:05,450 THIS THING'S AN ANTIQUE. 327 00:14:05,483 --> 00:14:07,152 IT'S NEVER GONNA MAKE THE TRIP. 328 00:14:07,185 --> 00:14:08,921 Well, that's not acceptable. 329 00:14:08,954 --> 00:14:10,889 WELL, I TOLD YOU I NEEDED A WEEK TO PREP, DIDN'T I? 330 00:14:10,923 --> 00:14:12,190 Nate, we got a problem. 331 00:14:12,224 --> 00:14:14,426 THIS PLACE ISN'T JUST OFF THE GRID, 332 00:14:14,459 --> 00:14:16,461 IT'S IN A WHOLE DAMN TIME WARP. 333 00:14:19,031 --> 00:14:20,365 DEFINITELY 1850s. 334 00:14:20,398 --> 00:14:21,666 BEFORE THE CIVIL WAR. 335 00:14:21,699 --> 00:14:23,401 IT'S OLD? THAT'S THE PROBLEM? 336 00:14:23,435 --> 00:14:24,903 It's prehistoric. 337 00:14:24,937 --> 00:14:26,905 IT'S TOTALLY ANALOG, ALL MANUAL. 338 00:14:26,939 --> 00:14:29,341 THERE'S A JUNCTION BOX ON EVERY DAMN FLOOR. 339 00:14:29,374 --> 00:14:31,309 THERE'S NO COMPUTERS, NOTHING TO CRACK, 340 00:14:31,343 --> 00:14:32,377 NOTHING TO HACK. 341 00:14:32,410 --> 00:14:33,645 [ ELECTRICITY BUZZING ] 342 00:14:33,678 --> 00:14:36,481 AND THAT IS ON MY LAST NERVE. 343 00:14:36,514 --> 00:14:38,150 HARDISON, WHAT'S THE RULE? 344 00:14:38,183 --> 00:14:41,453 DON'T BRING UP A PROBLEM UNLESS YOU GOT A FIX. 345 00:14:41,486 --> 00:14:42,921 OKAY, FINE. WHATEVER. 346 00:14:42,955 --> 00:14:46,258 UM, OH. YOU KNOW WHAT? UH, MAYBE... 347 00:14:46,291 --> 00:14:49,661 WITH WHAT I GOT HERE, I CAN MAKE A PULSE MAP. 348 00:14:49,694 --> 00:14:51,596 -I'M SORRY -- A WHAT? -A pulse map. 349 00:14:51,629 --> 00:14:53,631 I TAKE MY GEAR, ATTACH IT TO THE WIRING, 350 00:14:53,665 --> 00:14:56,434 SEE WHAT DRAWS THE MOST POWER BY SENDING OUT SOME PULSES. 351 00:14:56,468 --> 00:14:58,703 MAYBE WE CAN FIND THE MAIN CONTROL ROOM. 352 00:14:58,736 --> 00:15:00,305 Yeah, or anything big, 353 00:15:00,338 --> 00:15:03,041 like a state-of-the-art safe filled with blueprints. 354 00:15:03,075 --> 00:15:05,643 EITHER WAY PUTS US BACK IN BUSINESS. 355 00:15:05,677 --> 00:15:07,479 Well, see? Problem, solution. 356 00:15:07,512 --> 00:15:09,514 THIS PLACE IS FRIGGIN' GINORMOUS. 357 00:15:09,547 --> 00:15:11,116 IT'S GONNA TAKE ME A WHILE. 358 00:15:11,149 --> 00:15:13,151 THEN I SUGGEST YOU GET ON IT. 359 00:15:13,185 --> 00:15:15,153 HE'S GOT TO BE TELLING SOMEBODY WHAT TO DO -- 360 00:15:15,187 --> 00:15:16,254 "GET TO IT." 361 00:15:16,288 --> 00:15:18,556 OH, THAT'S FUNNY. 362 00:15:18,590 --> 00:15:21,359 HE DOESN'T EVEN KNOW WHAT A PULSE MAP IS. 363 00:15:21,393 --> 00:15:23,561 OKAY, OKAY, TWO FLOORS DOWN, EAST CORNER. 364 00:15:23,595 --> 00:15:25,197 PARKER, YOU'RE ON. GO, GO, GO! 365 00:15:25,230 --> 00:15:27,265 [ INDISTINCT CONVERSATIONS ] 366 00:15:33,271 --> 00:15:35,440 [ GASPS ] 367 00:15:35,473 --> 00:15:37,209 HEY, GET OUT! 368 00:15:37,242 --> 00:15:41,146 OR JOIN IN. [ GIGGLES ] 369 00:15:44,549 --> 00:15:47,419 NO SAFE -- JUST A GIANT PANTRY WITH THE MASTER SWITCH BOX 370 00:15:47,452 --> 00:15:49,254 AND BECK'S SWEATY DAUGHTER IN IT. 371 00:15:49,287 --> 00:15:50,655 NEXT. 372 00:15:50,688 --> 00:15:54,226 OKAY, HOLD ON. HOLD ON, HOLD ON. 373 00:15:54,259 --> 00:15:55,193 [ BEEPING ] 374 00:15:55,227 --> 00:15:57,462 GOT YOU. REAR OF THE HOUSE. SECOND FLOOR. 375 00:15:57,495 --> 00:15:58,596 I'LL TAKE THAT ONE. 376 00:15:58,630 --> 00:16:01,333 NO, W-WAIT. YOU PUT ME AND PARKER ON THE SAFE SEARCH. 377 00:16:01,366 --> 00:16:03,401 I'M CLOSER. I'LL TAKE IT. 378 00:16:03,435 --> 00:16:06,671 HEY, ATTENTION. UP HERE. HEY! 379 00:16:06,704 --> 00:16:08,306 [ WHISTLES ] 380 00:16:08,340 --> 00:16:10,242 THANK YOU. 381 00:16:10,275 --> 00:16:14,446 AFTER LAST YEAR'S [SIGHS] HUMAN CHESS FIASCO, 382 00:16:14,479 --> 00:16:16,314 THERE WERE A LOT OF SORE LOSERS. 383 00:16:16,348 --> 00:16:17,682 WELL, THERE ALWAYS ARE. 384 00:16:17,715 --> 00:16:20,318 BUT I DON'T WANT YOU DIMWITS TO THINK 385 00:16:20,352 --> 00:16:22,687 THAT I DON'T GIVE YOU A FAIR SHAKE. 386 00:16:22,720 --> 00:16:24,222 TONIGHT'S CHALLENGE 387 00:16:24,256 --> 00:16:27,225 IS A MURDER MYSTERY. 388 00:16:27,259 --> 00:16:29,394 AT THE STROKE OF MIDNIGHT, 389 00:16:29,427 --> 00:16:32,164 SOMEONE WILL DIE. 390 00:16:32,197 --> 00:16:33,698 AND ONE OF YOU IS THE KILLER. 391 00:16:33,731 --> 00:16:35,333 WHOEVER SOLVES THE MURDER 392 00:16:35,367 --> 00:16:38,403 BY DAWN WILL RECEIVE A CHECK 393 00:16:38,436 --> 00:16:40,638 FOR $100,000. 394 00:16:40,672 --> 00:16:42,307 HEY. COME BACK HERE! 395 00:16:42,340 --> 00:16:44,242 [ CROWD MURMURING ] 396 00:16:44,276 --> 00:16:47,179 JUST MAKE IT INTERESTING... 397 00:16:47,212 --> 00:16:48,546 FOR ONCE. 398 00:16:48,580 --> 00:16:50,148 [ THUNDER CRASHES ] -PLEASE. 399 00:16:50,182 --> 00:16:52,184 [ GRUNTING ] 400 00:16:54,352 --> 00:16:56,321 [ THUD ] 401 00:16:57,355 --> 00:16:58,423 [ SCREAMS ] 402 00:16:58,456 --> 00:17:00,058 [ PEOPLE MURMURING ] 403 00:17:00,092 --> 00:17:03,461 OH, MY GOD! 404 00:17:03,495 --> 00:17:04,596 HE KILLED DADDY! 405 00:17:12,704 --> 00:17:14,739 [ HAYLEY SCREAMS ] 406 00:17:14,772 --> 00:17:16,441 OH, MY GOD! 407 00:17:16,474 --> 00:17:17,509 HE KILLED DADDY! 408 00:17:18,776 --> 00:17:20,445 [ Normal voice ] NO, EVERYBODY -- 409 00:17:20,478 --> 00:17:21,379 EVERYBODY STAY WHERE YOU ARE. 410 00:17:21,413 --> 00:17:24,216 EVERYBODY JUST -- JUST -- JUST STAY CALM. 411 00:17:24,249 --> 00:17:25,350 STAY CALM?! 412 00:17:25,383 --> 00:17:26,418 HE JUST MURDERED MY FATHER! 413 00:17:26,451 --> 00:17:27,352 POTTER, CALL SECURITY! 414 00:17:27,385 --> 00:17:29,621 NO, NO, NO. NO, THAT WON'T BE NECESSARY. 415 00:17:29,654 --> 00:17:30,588 NO. 416 00:17:30,622 --> 00:17:33,658 THAT'S NOT NECESSARY, BECAUSE... 417 00:17:33,691 --> 00:17:36,761 BECAUSE... 418 00:17:36,794 --> 00:17:40,532 THIS IS THE CHALLENGE! 419 00:17:40,565 --> 00:17:42,800 THE MYSTERY HAS BEGUN. 420 00:17:42,834 --> 00:17:44,136 NO, IT HASN'T. 421 00:17:44,169 --> 00:17:45,570 THE VICTIM IS STILL ALIVE. 422 00:17:45,603 --> 00:17:48,173 UH, W-WELL, YEAH. I MEAN, I WAS HIRED TO -- 423 00:17:48,206 --> 00:17:50,308 OH, SILLY. [ GIGGLES ] 424 00:17:50,342 --> 00:17:53,611 THIS IS NOT MORRIS BECK. NO! 425 00:17:53,645 --> 00:17:55,247 THIS IS A DUMMY! 426 00:17:55,280 --> 00:17:56,581 MORRIS BECK 427 00:17:56,614 --> 00:18:01,519 IS SOMEWHERE IN THE HOUSE, WATCHING ALL OF YOU. 428 00:18:01,553 --> 00:18:03,388 BUT I SPENT HOURS HIDING THE CLUES. 429 00:18:03,421 --> 00:18:06,124 DO YOU KNOW HOW LONG IT TOOK ME TO HIDE THAT PIPE WRENCH 430 00:18:06,158 --> 00:18:07,125 IN THE LIBRARY? 431 00:18:07,159 --> 00:18:09,127 ALL PART OF THE SMOKE SCREEN. 432 00:18:09,161 --> 00:18:10,828 MR. BECK KNEW THAT YOU'D ALL THINK 433 00:18:10,862 --> 00:18:13,331 A SIMPLE MURDER-MYSTERY PARTY WOULD BE OLD HAT. 434 00:18:13,365 --> 00:18:16,201 HE WANTED SOMETHING FRESH, SOMETHING EXCITING. 435 00:18:16,234 --> 00:18:17,735 MARK MY WORDS! 436 00:18:17,769 --> 00:18:21,406 SOMEBODY HERE...IS THE KILLER. 437 00:18:21,439 --> 00:18:26,711 NO ONE IS LEAVING UNTIL WE FIND OUT WHO. 438 00:18:26,744 --> 00:18:28,446 BUT WE ALL JUST SAW THAT MAN. 439 00:18:29,481 --> 00:18:32,484 [ LAUGHS, SIGHS ] 440 00:18:32,517 --> 00:18:33,551 I'M A DOCTOR. 441 00:18:33,585 --> 00:18:35,253 AT LEAST LET ME EXAMINE THE BODY! 442 00:18:35,287 --> 00:18:37,222 NO, NO, NO! NOBODY TOUCH THE BODY! 443 00:18:37,255 --> 00:18:39,724 NO, NO. BACK UP. BACK UP. INSTANT DISQUALIFICATION. 444 00:18:39,757 --> 00:18:42,760 EVERYBODY, MY PARTNER, MR. GORDON, 445 00:18:42,794 --> 00:18:45,463 OF MYSTERY, INC. 446 00:18:45,497 --> 00:18:47,232 HELLO. HELLO. [ CHUCKLES ] 447 00:18:47,265 --> 00:18:48,733 OH, SO LIFELIKE. 448 00:18:48,766 --> 00:18:51,203 YES. IT COST US A FORTUNE. 449 00:18:51,236 --> 00:18:53,471 WAIT, WAIT, WAIT, WAIT, WAIT. 450 00:18:53,505 --> 00:18:55,573 THIS IS PREPOSTEROUS. 451 00:18:55,607 --> 00:18:57,775 MR. BECK WOULD HAVE INFORMED ME OF ANY CHANGES IN THE EVENING -- 452 00:18:57,809 --> 00:19:00,512 AH! AND CHEAT YOU OF YOUR CHANCE AT THE PRIZE? 453 00:19:00,545 --> 00:19:03,581 YOU'RE A CONTESTANT, TOO. 454 00:19:03,615 --> 00:19:04,682 I-I AM? 455 00:19:04,716 --> 00:19:05,583 YES! 456 00:19:05,617 --> 00:19:06,784 YOU ALL ARE. 457 00:19:06,818 --> 00:19:07,919 REMEMBER -- 458 00:19:07,952 --> 00:19:11,256 SOMEBODY HERE COMMITTED THIS CRIME, 459 00:19:11,289 --> 00:19:13,458 AND SOMEBODY HERE 460 00:19:13,491 --> 00:19:15,627 CAN SOLVE THIS MURDER 461 00:19:15,660 --> 00:19:18,530 FOR $100,000! 462 00:19:18,563 --> 00:19:22,334 AH! A COLLEAGUE! THE CRIME DOCTOR. 463 00:19:22,367 --> 00:19:23,735 [ Chuckling ] YES. 464 00:19:23,768 --> 00:19:24,802 YES, TAKE A BOW. 465 00:19:24,836 --> 00:19:28,706 NOW, WHAT HE'S GONNA DO NOW IS HE IS GOING TO... 466 00:19:28,740 --> 00:19:31,309 EXAMINE THE BODY... 467 00:19:31,343 --> 00:19:34,712 AND THEN RETURN WITH MORE CLUES. 468 00:19:36,013 --> 00:19:38,550 YEAH. 469 00:19:41,653 --> 00:19:42,854 GENTLEMEN... 470 00:19:42,887 --> 00:19:44,689 [ SIGHS ] 471 00:19:44,722 --> 00:19:46,791 Good luck. 472 00:19:50,595 --> 00:19:52,230 GOOD, EXCELLENT. 473 00:19:52,264 --> 00:19:54,699 WHILST MR. GORDON AND THE CRIME DOCTOR 474 00:19:54,732 --> 00:19:56,568 EXAMINE THE BODY, 475 00:19:56,601 --> 00:19:59,371 I SHALL MOVE AMONGST YOU AND SEE WHO REMEMBERS WHAT. 476 00:19:59,404 --> 00:20:02,907 REMEMBER -- ANYONE HERE COULD BE THE KILLER. 477 00:20:02,940 --> 00:20:03,975 EVEN YOU? 478 00:20:05,543 --> 00:20:07,512 [ LAUGHS ] 479 00:20:07,545 --> 00:20:11,483 ANYONE, DETECTIVE RAY HAMMETT. 480 00:20:11,516 --> 00:20:13,017 HE'S A REAL-LIFE DETECTIVE 481 00:20:13,050 --> 00:20:15,019 FROM THE SALEM POLICE DEPARTMENT. 482 00:20:15,052 --> 00:20:17,489 MIND IF I CONSIDER YOU A RESOURCE, RAY? 483 00:20:17,522 --> 00:20:19,457 WHY NOT? NICE ACCENT, BY THE WAY. 484 00:20:19,491 --> 00:20:21,826 ISN'T IT? AND THIS ONE'S REAL. 485 00:20:21,859 --> 00:20:24,429 HELP ME LOOK AFTER THIS LOT, 486 00:20:24,462 --> 00:20:26,298 AND THERE'S ANOTHER DANCE IN IT FOR YOU. 487 00:20:26,331 --> 00:20:28,032 WELL, HOW COULD I SAY NO TO THAT? 488 00:20:28,065 --> 00:20:29,801 MYSTERY, INC., HUH? 489 00:20:29,834 --> 00:20:32,270 I'M AN ACTRESS. IT'S A LIVING. 490 00:20:32,304 --> 00:20:33,371 LET'S MINGLE. 491 00:20:33,405 --> 00:20:36,308 WORK, WORK, WORK. 492 00:20:45,717 --> 00:20:47,685 [ SNIFFS ] 493 00:20:47,719 --> 00:20:49,854 YEAH. 494 00:20:51,856 --> 00:20:53,791 -WORK... [ CAMERA SHUTTER CLICKING ] 495 00:20:53,825 --> 00:20:56,594 WORK, WORK. 496 00:21:00,097 --> 00:21:02,967 OKAY, HERE, HERE. 497 00:21:03,000 --> 00:21:04,502 [ CLATTER ] 498 00:21:07,739 --> 00:21:09,807 Wait, wait. What the hell's going on down there? 499 00:21:09,841 --> 00:21:11,008 NATE KILLED SOMEBODY? 500 00:21:11,042 --> 00:21:13,711 NO, NATE DIDN'T KILL SOMEBODY. 501 00:21:13,745 --> 00:21:15,447 -YOU DIDN'T, DID YOU? -OF COURSE NOT. 502 00:21:15,480 --> 00:21:17,882 YOU'D TELL US, THOUGH. 503 00:21:17,915 --> 00:21:19,050 Wouldn't you? 504 00:21:19,083 --> 00:21:21,486 YES, PARKER, I WOULD TELL YOU IF I MURDERED THE MARK. 505 00:21:23,488 --> 00:21:26,023 BUT HE IS DEAD, THOUGH, RIGHT? I MEAN, BECK IS DEAD? 506 00:21:26,057 --> 00:21:27,091 YEAH, HE'S DEAD. 507 00:21:27,124 --> 00:21:28,760 SOMEBODY SNAPPED HIS NECK. 508 00:21:28,793 --> 00:21:30,662 -SO IT WASN'T THE FALL? -UNH-UNH. 509 00:21:30,695 --> 00:21:32,029 THAT WOULDN'T HAPPEN ON IMPACT. IT'S RADIAL. 510 00:21:32,063 --> 00:21:34,332 IT'S ALL TORQUE. 511 00:21:34,366 --> 00:21:35,933 HE WAS DEAD BEFORE HE HIT THE GROUND. 512 00:21:35,967 --> 00:21:38,836 WHY? 513 00:21:38,870 --> 00:21:41,038 I MEAN, WHAT POSSIBLE GAIN WOULD HE HAVE 514 00:21:41,072 --> 00:21:42,740 BY DOING IT NOW, IN FRONT OF ALL THOSE WITNESSES? 515 00:21:42,774 --> 00:21:44,376 I MEAN, WHAT'S THAT ABOUT? 516 00:21:44,409 --> 00:21:46,578 YOU'RE CLAIMING SOMEONE ELSE WAS ON THE BALCONY? 517 00:21:46,611 --> 00:21:49,681 YEAH, 'CAUSE I -- WHAT DO YOU MEAN "CLAIMING"? 518 00:21:49,714 --> 00:21:52,049 GUYS, HERE'S HOW WE'RE GONNA PLAY THIS. 519 00:21:52,083 --> 00:21:55,520 HARDISON, PARKER, I WANT YOU TO KEEP SEARCHING FOR THE SAFE. 520 00:21:55,553 --> 00:21:57,489 SOPHIE, YOU'RE ON CROWD CONTROL. 521 00:21:57,522 --> 00:21:59,824 NO ONE LEAVES THE BALLROOM UNTIL WE SECURE THE BLUEPRINTS. 522 00:21:59,857 --> 00:22:01,125 ELIOT WILL -- 523 00:22:01,158 --> 00:22:03,895 ELIOT'S, WHAT, ELIOT GONNA BUST YOUR ASS OUT OF JAIL -- AGAIN? 524 00:22:03,928 --> 00:22:06,864 LISTEN, NOTHING'S CHANGED. WE STILL HAVE A JOB TO DO. 525 00:22:06,898 --> 00:22:08,065 SCREW THE JOB, NATE! 526 00:22:08,099 --> 00:22:09,901 THIS GUY'S DEAD. SOMEBODY KILLED HIM. 527 00:22:09,934 --> 00:22:12,370 PRETTY SOON, FOLKS ARE GONNA START ASKING QUESTIONS. 528 00:22:12,404 --> 00:22:14,439 THERE WAS OVER A HUNDRED PEOPLE AT THAT PARTY, 529 00:22:14,472 --> 00:22:16,508 INCLUDING A COP, WHO, BY THE WAY, SAW YOU. 530 00:22:16,541 --> 00:22:18,109 YOUR FINGERPRINTS ARE ALL OVER THIS. 531 00:22:18,142 --> 00:22:19,444 AND YOUR POINT IS? 532 00:22:19,477 --> 00:22:21,546 THE POINT IS... 533 00:22:21,579 --> 00:22:25,783 IF WE DON'T SOLVE THIS MURDER, YOU'RE COOKED. 534 00:22:25,817 --> 00:22:27,452 YOU GET THAT? 535 00:22:27,485 --> 00:22:29,954 YEAH. I GET THAT. 536 00:22:29,987 --> 00:22:31,856 OKAY. THEN FORGET THE JOB. 537 00:22:31,889 --> 00:22:32,924 FORGET THE BLUEPRINTS. 538 00:22:32,957 --> 00:22:34,659 IF YOU DIDN'T KILL THIS GUY -- 539 00:22:34,692 --> 00:22:35,793 "IF"? 540 00:22:35,827 --> 00:22:37,395 IF YOU DIDN'T KILL THIS GUY, 541 00:22:37,429 --> 00:22:39,096 THEN YOU'RE THE ONLY WITNESS. 542 00:22:39,130 --> 00:22:42,033 YOU BETTER SOLVE THIS MURDER, NATE. 543 00:22:42,066 --> 00:22:43,701 OR? 544 00:22:43,735 --> 00:22:47,672 OR YOU'RE GONNA TAKE THE FALL. 545 00:22:54,446 --> 00:22:57,782 [ THUNDER RUMBLES ] 546 00:22:57,815 --> 00:22:58,950 [ KNOCK ON DOOR ] 547 00:22:58,983 --> 00:23:01,419 OPEN UP! SALEM P.D. 548 00:23:04,856 --> 00:23:06,157 [ EXHALES SHARPLY ] 549 00:23:08,159 --> 00:23:09,160 -YEAH? [ DOOR CLOSES ] 550 00:23:09,193 --> 00:23:11,095 HAMMETT. DETECTIVE HAMMETT? 551 00:23:11,128 --> 00:23:12,697 I NEED TO SEE MR. BECK. 552 00:23:12,730 --> 00:23:14,466 SORRY. NO CAN DO. 553 00:23:14,499 --> 00:23:16,834 WHAT PART OF "DETECTIVE HAMMETT" AREN'T YOU GETTING, PAL? 554 00:23:16,868 --> 00:23:18,102 WELL, HE'S NOT HERE. 555 00:23:18,135 --> 00:23:20,772 AND HE TOLD US NOT TO TELL ANYBODY WHERE HE WAS. 556 00:23:20,805 --> 00:23:22,006 AND HE PAYS THE BILLS. 557 00:23:22,039 --> 00:23:23,941 [ GASPS ] THERE YOU ARE. 558 00:23:23,975 --> 00:23:25,142 [ EXHALES SHARPLY ] 559 00:23:25,176 --> 00:23:26,511 I NEED YOU TO COME TO THE BALLROOM WITH ME, 560 00:23:26,544 --> 00:23:27,512 IF YOU DON'T MIND. 561 00:23:27,545 --> 00:23:28,713 -LISTEN, MISS SUMAC -- -YMA. 562 00:23:28,746 --> 00:23:29,614 -YMA. 563 00:23:29,647 --> 00:23:31,616 I NEED YOU TO COME WITH ME, DETECTIVE. 564 00:23:31,649 --> 00:23:35,019 ONE OF THE "GUESTS" HAS SOME INFORMATION FOR YOU. 565 00:23:38,890 --> 00:23:40,191 Good work, Sophie. 566 00:23:40,224 --> 00:23:43,761 KEEP HIM BUSY TILL WE GET THROUGH THIS. 567 00:23:44,896 --> 00:23:46,130 ALL RIGHT, ONE GOOD THING. 568 00:23:46,163 --> 00:23:47,465 [ LOCK CLICKS ] 569 00:23:47,499 --> 00:23:49,100 KILLER'S GOT THE SAME PROBLEM WE DO -- 570 00:23:49,133 --> 00:23:51,002 NO WAY OFF THE ISLAND TILL THE MORNING. 571 00:23:51,035 --> 00:23:53,971 NATE? 572 00:23:54,005 --> 00:23:55,707 CAN YOU HEAR ME? 573 00:23:58,109 --> 00:23:59,844 [ THUNDER RUMBLES ] 574 00:23:59,877 --> 00:24:01,779 [ GRUNTING ] 575 00:24:05,049 --> 00:24:05,983 [ GROANING ] 576 00:24:06,017 --> 00:24:09,721 ELIOT, I NEED YOU TO HELP ME FIND THE KILLER. 577 00:24:09,754 --> 00:24:12,524 AND HOW DO I DO THAT, EXACTLY? 578 00:24:14,726 --> 00:24:15,993 THIS IS A BAD IDEA. 579 00:24:16,027 --> 00:24:18,496 THE WAY I GET INFORMATION OUT OF GUYS IS USUALLY LOUD AND MESSY. 580 00:24:18,530 --> 00:24:21,032 TONIGHT YOU'RE A GRIFTER. ADAPT. 581 00:24:21,065 --> 00:24:21,933 YEAH, WHEN THIS IS OVER, 582 00:24:21,966 --> 00:24:23,935 ME AND YOU ARE GONNA HAVE A LITTLE TALK. 583 00:24:23,968 --> 00:24:25,537 JUST TELL ME WHAT HE LOOKS LIKE. 584 00:24:25,570 --> 00:24:28,506 Medium build, dark jacket, short hair. 585 00:24:30,274 --> 00:24:31,709 BINGO. 586 00:24:34,646 --> 00:24:37,481 [ GRUNTING ] 587 00:24:38,950 --> 00:24:42,920 NOW, I WANT YOU TO CHECK HIS INSIDE JACKET POCKET 588 00:24:42,954 --> 00:24:44,822 FOR SOMETHING SHINY. 589 00:24:44,856 --> 00:24:46,624 EXCUSE ME. 590 00:24:46,658 --> 00:24:48,793 YEAH. 591 00:24:48,826 --> 00:24:50,528 YOU'RE CAPRIOTTI, RIGHT? 592 00:24:50,562 --> 00:24:52,930 WHAT'S IT TO YOU? 593 00:24:52,964 --> 00:24:55,833 YOU MET MISS SUMAC. CORRECT? 594 00:24:55,867 --> 00:24:57,835 THE FOREIGN CHICK? 595 00:24:57,869 --> 00:24:58,903 NICE RACK. 596 00:24:58,936 --> 00:25:02,674 THE WAY YOU PUT YOUR HANDS ON HER, 597 00:25:02,707 --> 00:25:04,942 THAT DOESN'T HAPPEN IF I'M IN HERE. 598 00:25:04,976 --> 00:25:07,311 THAT A FACT? 599 00:25:07,344 --> 00:25:08,613 ELIOT, WHAT ARE YOU DOING? 600 00:25:08,646 --> 00:25:09,781 THAT'S FUNNY. 601 00:25:09,814 --> 00:25:11,783 'CAUSE I WAS THINKING 602 00:25:11,816 --> 00:25:14,652 ABOUT PUTTING MY HANDS ON HER AGAIN. 603 00:25:14,686 --> 00:25:15,953 REAL FRIENDLY LIKE. 604 00:25:15,987 --> 00:25:19,857 GOT SOMETHING TO SAY ABOUT IT... 605 00:25:19,891 --> 00:25:21,258 COWGIRL? 606 00:25:21,292 --> 00:25:22,994 YEAH. 607 00:25:24,596 --> 00:25:27,131 [ GROANS ] 608 00:25:29,333 --> 00:25:31,168 IT'S A FLASK. 609 00:25:31,202 --> 00:25:33,104 IT'S ALL -- IT'S ALL PART OF THE SHOW. 610 00:25:33,137 --> 00:25:34,305 [ CHUCKLES ] 611 00:25:34,338 --> 00:25:36,140 HOW YOU DOING? GOOD SPORT, THERE. 612 00:25:36,173 --> 00:25:38,209 THANK YOU. IS THAT THE GUY? 613 00:25:38,242 --> 00:25:39,276 I DON'T KNOW. 614 00:25:39,310 --> 00:25:42,614 CAPRIOTTI -- HE HATED BECK FOR CHEATING THE UNIONS. 615 00:25:42,647 --> 00:25:43,915 HE THREATENED HIM... 616 00:25:43,948 --> 00:25:44,916 I DON'T KNOW. 617 00:25:44,949 --> 00:25:46,718 I DON'T KNOW. IT'S NOT ENOUGH. 618 00:25:46,751 --> 00:25:48,119 [ SIGHS ] 619 00:25:48,152 --> 00:25:49,854 WE CAN'T ELIMINATE HIM, 620 00:25:49,887 --> 00:25:53,224 BUT I WOULD BET ON SOMEONE WHO KNEW BECK BETTER, 621 00:25:53,257 --> 00:25:56,227 SOMEONE WHO HAD A PERSONAL BEEF WITH HIM. 622 00:25:56,260 --> 00:25:58,830 LIKE A CO-WORKER? 623 00:25:58,863 --> 00:26:00,765 Try not to assault this one, Eliot. 624 00:26:00,798 --> 00:26:04,168 MESSY AND LOUD, NATE. I TOLD YOU -- ADAPT. 625 00:26:06,003 --> 00:26:07,004 DAMN BLACKOUT. 626 00:26:07,038 --> 00:26:08,840 PREHISTORIC WIRE MONSTERS. 627 00:26:08,873 --> 00:26:09,974 NATE'S KILLING FOLKS. 628 00:26:10,007 --> 00:26:11,208 I DID NOT SIGN UP FOR THIS. 629 00:26:11,242 --> 00:26:13,745 NATE DIDN'T KILL ANYONE. HE SAID. 630 00:26:13,778 --> 00:26:15,813 STILL, WELL... 631 00:26:15,847 --> 00:26:17,882 I HATE THIS HOUSE. 632 00:26:17,915 --> 00:26:19,884 THIS PLACE REMINDS ME OF MY FIRST GRAB. 633 00:26:19,917 --> 00:26:21,853 SOME LADY'S HOUSE IN THE PHILIPPINES -- 634 00:26:21,886 --> 00:26:22,920 IT WAS LIKE A PALACE. 635 00:26:22,954 --> 00:26:26,157 SHE HAD ALL THESE SHOES. 636 00:26:26,190 --> 00:26:27,859 THESE ARE THE LAST TWO BOXES, MAN. 637 00:26:27,892 --> 00:26:29,326 THEY DON'T HIT, WE OUT OF OPTIONS. 638 00:26:29,360 --> 00:26:31,028 THERE'S SOMETHING WEIRD ABOUT THESE HALLWAYS. 639 00:26:31,062 --> 00:26:32,396 WEIRD? WHAT? WAIT -- WEIRD, HOW? 640 00:26:32,429 --> 00:26:34,065 IT'S LIKE THE DIMENSIONS ARE OFF. 641 00:26:34,098 --> 00:26:36,868 WHAT YOU MEAN, THE DIMENSIONS? WHAT? 642 00:26:36,901 --> 00:26:38,369 YEAH, DO YOU GET THAT THING, 643 00:26:38,402 --> 00:26:41,005 YOU KNOW, WHEN PEOPLE FREAK OUT IN TIGHT SPACES? 644 00:26:41,038 --> 00:26:42,173 -CLAUSTROPHOBIA? -MM. 645 00:26:42,206 --> 00:26:44,208 NO. [ CHUCKLES ] 646 00:26:44,241 --> 00:26:46,010 BABY GIRL, IF THERE'S ANYBODY 647 00:26:46,043 --> 00:26:48,946 WHO DOESN'T NEED TO WORRY ABOUT CLAUSTROPHOBIA, IT'S Y-- 648 00:26:49,981 --> 00:26:52,183 UH...HELLO? 649 00:26:54,051 --> 00:26:55,887 PAR-- 650 00:26:55,920 --> 00:26:58,923 WOMAN? 651 00:26:58,956 --> 00:27:02,760 PEOPLE, I LOST PARKER. 652 00:27:06,698 --> 00:27:09,233 DAMN IT, NATE, SHE'S NOT ON COMMS. PARKER? 653 00:27:09,266 --> 00:27:11,002 ELIOT WILL FIND HER. THAT'S HIS JOB. 654 00:27:11,035 --> 00:27:13,170 Your job is finding the safe. 655 00:27:13,204 --> 00:27:15,707 PARKER! COME ON, GIRL! 656 00:27:15,740 --> 00:27:16,808 SOMEBODY BETTER DO SOMETHING. 657 00:27:16,841 --> 00:27:18,375 IF THIS DOESN'T GO WELL, WE COULD ALL LOSE OUR JOBS, 658 00:27:18,409 --> 00:27:20,678 AND MR. BECK, HE WAS VERY EXPLICIT -- 659 00:27:20,712 --> 00:27:21,813 LISTEN, MISS SUMAC -- 660 00:27:21,846 --> 00:27:23,114 NO -- OH, PLEASE. "YMA." 661 00:27:23,147 --> 00:27:25,382 YMA. 662 00:27:25,416 --> 00:27:28,152 ALL RIGHT, I'M GOING TO LEVEL WITH YOU. 663 00:27:28,185 --> 00:27:29,721 I THINK BECK IS DEAD. 664 00:27:29,754 --> 00:27:32,256 NO, NO, NO. THIS IS ALL JUST PART OF THE GAME. 665 00:27:32,289 --> 00:27:34,391 THEN EXPLAIN TO ME WHY I FOUND BLOOD -- 666 00:27:34,425 --> 00:27:37,962 REAL BLOOD -- ON THE FLOOR WHERE HE FELL. 667 00:27:37,995 --> 00:27:40,364 [ THUNDER CRASHES ] -[ GASPS ] 668 00:27:40,397 --> 00:27:42,233 OH, MY GOD. 669 00:27:42,266 --> 00:27:44,335 YOU ACTUALLY THINK HE MIGHT BE DEAD. 670 00:27:44,368 --> 00:27:46,704 I DON'T KNOW. I KNOW SOMETHING'S WRONG. 671 00:27:46,738 --> 00:27:48,372 I'M GONNA FIGURE OUT WHAT IT IS. 672 00:27:48,405 --> 00:27:51,075 LOOK, I NEED YOU TO STAY CLOSE. 673 00:27:51,108 --> 00:27:54,111 BECAUSE IF THIS THING GOES BAD... 674 00:27:54,145 --> 00:27:56,247 I WANT YOU OUT OF HARM'S WAY. 675 00:27:56,280 --> 00:27:59,683 OKAY, RAY. WHATEVER YOU SAY. 676 00:28:01,886 --> 00:28:03,054 HEAR THAT, NATE? 677 00:28:03,087 --> 00:28:05,056 Case fits the description. 678 00:28:05,089 --> 00:28:07,391 Go check his pocket. 679 00:28:07,424 --> 00:28:09,727 [ SIGHS ] 680 00:28:09,761 --> 00:28:11,195 BOY, THAT BECK. 681 00:28:11,228 --> 00:28:12,930 HE LIKES TO MAKE PEOPLE SWEAT, DOESN'T HE? 682 00:28:12,964 --> 00:28:16,267 SWITCHING THE EVENING'S EVENTS WITHOUT NOTIFYING ME? 683 00:28:16,300 --> 00:28:17,735 [ SCOFFS ] 684 00:28:17,769 --> 00:28:19,103 THE MAN'S A TOTAL ASS. 685 00:28:19,136 --> 00:28:21,338 [ BOTH LAUGH ] 686 00:28:21,372 --> 00:28:22,339 I NEED A DRINK. 687 00:28:22,373 --> 00:28:23,340 SO DO I. 688 00:28:23,374 --> 00:28:24,742 WANT TO JOIN ME? 689 00:28:24,776 --> 00:28:25,743 YES, PLEASE. 690 00:28:25,777 --> 00:28:26,778 ALL RIGHT. 691 00:28:28,946 --> 00:28:30,848 SORRY. 692 00:28:30,882 --> 00:28:33,017 I GOT IT. SMARTPHONE? 693 00:28:33,050 --> 00:28:35,519 NO. 694 00:28:35,552 --> 00:28:36,988 I MEAN, MAYBE. 695 00:28:37,021 --> 00:28:38,990 CASE WAS ON THE FLOOR ASKING QUESTIONS. 696 00:28:39,023 --> 00:28:41,225 HE COULD HAVE BEATEN ME DOWN THE STAIRS, I SUPPOSE. 697 00:28:41,258 --> 00:28:42,193 Stay with him. 698 00:28:42,226 --> 00:28:45,129 WHAT ARE YOU DOING, MAN? THERE'S CHICKS HERE. 699 00:28:45,162 --> 00:28:45,930 COME ON, NOW, GIRL. 700 00:28:45,963 --> 00:28:48,065 I'M ABOUT TIRED OF LOOKING FOR -- 701 00:28:50,134 --> 00:28:52,036 HA! WHAT'S HAPPENING? THAT'S NICE. 702 00:28:52,069 --> 00:28:53,805 I LIKE THE CUT ON THAT. YOU -- 703 00:28:53,838 --> 00:28:56,207 NO. OKAY. 704 00:28:56,240 --> 00:28:57,474 I'M NOT SUPPOSED TO BE HERE, HUH? 705 00:28:57,508 --> 00:28:58,309 MNH-MNH. 706 00:28:58,342 --> 00:29:01,846 RIGHT. YOU'RE NOT GONNA LET ME GO. 707 00:29:01,879 --> 00:29:03,915 MNH-MNH. 708 00:29:03,948 --> 00:29:06,317 THAT'S COOL. THAT'S COOL. I GOT AN INVITATION RIGHT HERE. 709 00:29:06,350 --> 00:29:09,020 MAN, THAT SUIT IS GQ SMOOTH. I LIKE THAT. YOU SHOULD DO THAT. 710 00:29:09,053 --> 00:29:10,287 IT'S... 711 00:29:10,321 --> 00:29:13,424 WHOO! DOWN! [ LAUGHS ] 712 00:29:15,827 --> 00:29:19,296 COME ON! I HATE THIS HOUSE! 713 00:29:25,002 --> 00:29:26,370 PARKER, WHERE ARE WE? 714 00:29:26,403 --> 00:29:28,505 SEE? I TOLD YOU THERE WAS SOMETHING WEIRD 715 00:29:28,539 --> 00:29:29,506 ABOUT THESE WALLS. 716 00:29:29,540 --> 00:29:30,474 WAIT, PAR-- 717 00:29:30,507 --> 00:29:31,408 [ KNOCKING, PARTY MUSIC PLAYING FAINTLY ] 718 00:29:31,442 --> 00:29:33,945 PARKER, THE COMMS CAN'T GET THROUGH HERE, 719 00:29:33,978 --> 00:29:36,948 AND -- AND SECRET PASSAGE -- WHAT, IS THAT MUSIC? 720 00:29:36,981 --> 00:29:38,816 OH, YOU HEAR THAT, TOO? OH. 721 00:29:38,850 --> 00:29:40,551 WE MUST BE UNDERNEATH THE PARTY. 722 00:29:40,584 --> 00:29:41,585 HEY, LOOK. 723 00:29:41,618 --> 00:29:44,221 OBVIOUSLY, I'M REAL HAPPY THAT YOU'RE OKAY, RIGHT? 724 00:29:44,255 --> 00:29:46,290 BUT YOU COULDN'T AT LEAST POP OUT, LET A BROTHER KNOW? 725 00:29:46,323 --> 00:29:48,025 I MEAN, WHAT WAS UP? WHAT WERE YOU DOING? 726 00:29:48,059 --> 00:29:49,260 [ MUSIC CONTINUES ] 727 00:29:49,293 --> 00:29:51,528 MORRIS BECK IS A VAMPIRE. 728 00:29:51,562 --> 00:29:52,997 SOMETIMES I WISH SOMEONE 729 00:29:53,030 --> 00:29:55,032 WOULD PUT A STAKE THROUGH HIS HEART. 730 00:29:55,066 --> 00:29:57,034 I'M NOT KIDDING. 731 00:29:57,068 --> 00:29:58,602 A REAL STAKE. 732 00:29:58,635 --> 00:30:00,537 [ CHUCKLES ] 733 00:30:00,571 --> 00:30:02,406 HEAR ENOUGH? 734 00:30:05,476 --> 00:30:08,612 [ THUNDER CRASHES ] 735 00:30:08,645 --> 00:30:10,147 [ FABRIC RIPS ] 736 00:30:10,181 --> 00:30:13,184 ELIOT, CHECK HIS JACKET FOR RIPS. 737 00:30:13,217 --> 00:30:15,386 I'M NOT GONNA LIE TO YOU, MAN. 738 00:30:15,419 --> 00:30:17,889 THIS IS GONNA HURT FOR A SECOND. 739 00:30:17,922 --> 00:30:19,356 WHAT IS? 740 00:30:21,258 --> 00:30:24,028 SORRY. I'M ADAPTING. 741 00:30:29,600 --> 00:30:31,502 THERE'S NO RIPS, NATE. 742 00:30:31,535 --> 00:30:33,237 NO RIPS. 743 00:30:33,270 --> 00:30:36,140 [ DOOR HINGES CREAK ] 744 00:30:36,173 --> 00:30:38,075 I FOUND PARKER, Y'ALL. 745 00:30:38,109 --> 00:30:39,476 AND WE GOT NEWS. 746 00:30:39,510 --> 00:30:43,147 YEAH. THIS HOUSE IS FULL OF SECRET PASSAGES. 747 00:30:43,180 --> 00:30:44,916 YOU JUST HAVE TO PULL ON A WALL LAMP. 748 00:30:44,949 --> 00:30:47,084 OH. AND WE FOUND THE SAFE AND THE BLUEPRINTS. 749 00:30:47,118 --> 00:30:48,619 SO WE ARE OFFICIALLY DONE. 750 00:30:48,652 --> 00:30:49,954 YEAH, I'M AFRAID NOT. 751 00:30:49,987 --> 00:30:51,188 BUT, YAY, PARKER'S BACK. 752 00:30:51,222 --> 00:30:52,589 THAT'S NOT EXACTLY GOOD NEWS. 753 00:30:52,623 --> 00:30:53,624 WHAT? WHY? 754 00:30:53,657 --> 00:30:56,160 THIS PROVES ANYBODY HERE COULD HAVE KILLED BECK. 755 00:30:56,193 --> 00:30:57,594 YEAH, THAT'S RIGHT, INCLUDING NATE. 756 00:30:57,628 --> 00:30:59,296 OKAY, QUIET, QUIET! 757 00:30:59,330 --> 00:31:00,932 Quiet, everybody. Quiet. 758 00:31:00,965 --> 00:31:02,599 Just...just... 759 00:31:02,633 --> 00:31:04,135 BE QUIET. 760 00:31:07,338 --> 00:31:09,173 GOODBYE, MY LITTLE FRIENDS. 761 00:31:09,206 --> 00:31:10,942 [ THUNDER CRASHES ] 762 00:31:16,547 --> 00:31:17,648 DAMN IT. 763 00:31:17,681 --> 00:31:19,450 WHAT IS IT? NO SIGNAL? 764 00:31:19,483 --> 00:31:21,218 NO. UM... 765 00:31:27,992 --> 00:31:30,327 I JUST WANTED TO GET YOU ALONE. 766 00:31:30,361 --> 00:31:32,029 [ CHUCKLES ] NICE THOUGHT. 767 00:31:32,063 --> 00:31:34,198 THOUGH TECHNICALLY, I'M STILL WORKING. 768 00:31:34,231 --> 00:31:36,267 BUT MAYBE I COULD MAKE AN EXCEPTION. 769 00:31:36,300 --> 00:31:38,535 DO YOU REALLY THINK I'M THIS STUPID? 770 00:31:38,569 --> 00:31:40,304 -I DON'T KNOW WHAT YOU MEAN. -NOTHING. 771 00:31:40,337 --> 00:31:41,205 JUST THAT PRETTY SURE 772 00:31:41,238 --> 00:31:43,340 YOU'VE BEEN LYING TO ME THIS WHOLE TIME. 773 00:31:43,374 --> 00:31:45,376 WHICH MEANS YOU'RE NOT AN ACTRESS TRYING TO KEEP HER GIG. 774 00:31:45,409 --> 00:31:47,711 WHICH MEANS YOU'RE IN ON IT. 775 00:31:47,744 --> 00:31:51,015 IN ON WHAT? RAY, I REALLY DON'T KNOW -- 776 00:31:51,048 --> 00:31:52,583 YMA SUMAC WAS A SINGER IN THE '50s. 777 00:31:52,616 --> 00:31:54,952 "YMA" -- MIGHT WANT TO LEARN HOW TO PRONOUNCE IT. 778 00:31:54,986 --> 00:31:56,187 I LOOKED IT UP. 779 00:31:56,220 --> 00:31:58,222 ALONG WITH A COUPLE OF OTHER NAMES I THINK YOU MIGHT KNOW. 780 00:31:58,255 --> 00:32:00,524 WELL, YES, I... 781 00:32:00,557 --> 00:32:02,359 MY MUM WAS A REALLY BIG FAN. 782 00:32:02,393 --> 00:32:03,427 SAVE IT. 783 00:32:03,460 --> 00:32:06,263 I ALSO TOOK A PICTURE OF MR GORDON... 784 00:32:06,297 --> 00:32:07,598 AND I SENT IT TO INTERPOL. 785 00:32:07,631 --> 00:32:09,500 THEY SAY HE'S A GUY NAMED NATHAN FORD. 786 00:32:09,533 --> 00:32:12,636 GRIFTER, THIEF, EX-CON... 787 00:32:12,669 --> 00:32:13,704 BAD GUY. 788 00:32:13,737 --> 00:32:16,107 YOU'VE GOT THIS ALL WRONG. 789 00:32:16,140 --> 00:32:21,112 I'VE NEVER HEARD OF THIS FORD PERSON IN MY ENTIRE LIFE. 790 00:32:21,145 --> 00:32:23,380 [ LAUGHS ] 791 00:32:23,414 --> 00:32:27,384 WOW, YOU'RE REALLY GOOD. 792 00:32:27,418 --> 00:32:30,287 NOW EXPLAIN TO ME WHY THERE WAS REAL BLOOD ON THE FLOOR... 793 00:32:30,321 --> 00:32:33,024 OR WHY YOU'RE TRYING TO STOP ME FROM SEEING BECK'S BODY. 794 00:32:35,192 --> 00:32:37,194 I NEVER SAW ANY BLOOD, RAY. 795 00:32:37,228 --> 00:32:40,164 MY MOTHER NAMED ME YMA AFTER HER FAVORITE SINGER. 796 00:32:40,197 --> 00:32:41,632 I'VE WORKED FOR MYSTERY INCORPORATED 797 00:32:41,665 --> 00:32:43,134 FOR ALL OF THREE WEEKS, 798 00:32:43,167 --> 00:32:47,238 AND I CAN'T BELIEVE YOU THINK I'M A KILLER. 799 00:32:48,539 --> 00:32:49,573 UGH. 800 00:32:49,606 --> 00:32:52,443 IT'S LIKE YOU REALLY BELIEVE WHAT YOU'RE SAYING. 801 00:32:56,813 --> 00:32:58,749 NOW, YOU'RE GONNA SIT HERE, 802 00:32:58,782 --> 00:33:01,485 YOU'RE GONNA BE QUIET... 803 00:33:01,518 --> 00:33:03,620 AND I'M GONNA GO DEAL WITH YOUR PARTNERS. 804 00:33:03,654 --> 00:33:05,622 [ SIGHS ] 805 00:33:05,656 --> 00:33:07,224 -NATE. [ DOOR CLOSES ] 806 00:33:07,258 --> 00:33:09,093 HAMMETT'S ON HIS WAY BACK TO YOU. 807 00:33:09,126 --> 00:33:11,228 Nate. Nate?! 808 00:33:11,262 --> 00:33:13,230 BUGGER! 809 00:33:27,144 --> 00:33:29,513 [ THUNDER CRASHES ] 810 00:33:39,223 --> 00:33:43,227 OKAY, GUYS. I GOT IT. I KNOW WHO KILLED MORRIS BECK. 811 00:33:43,260 --> 00:33:45,729 [ CLATTER ] 812 00:33:45,762 --> 00:33:46,663 OUT SO I CAN SEE YA. 813 00:33:46,697 --> 00:33:48,399 OKAY, OKAY. IT'S NOT WHAT IT LOOKS LIKE. 814 00:33:48,432 --> 00:33:50,334 IT LOOKS LIKE MORRIS BECK'S BEEN MURDERED. 815 00:33:50,367 --> 00:33:52,236 YOU'RE LEFT HOLDING THE BAG FOR IT. 816 00:33:52,269 --> 00:33:54,571 MAYBE IT IS WHAT IT LOOKS LIKE. 817 00:33:54,605 --> 00:33:56,240 YOU KNOW YOUR RIGHTS, DON'T YOU? 818 00:33:56,273 --> 00:33:58,475 YEAH. YEAH. I-I DO. ABSOLUTELY I DO. 819 00:33:58,509 --> 00:34:01,278 BUT I DID NOT KILL HIM. 820 00:34:01,312 --> 00:34:02,279 I-I THINK I CAN TELL YOU WHO DID. 821 00:34:02,313 --> 00:34:04,548 GO AHEAD. I GOT NOTHING BUT TIME TILL MORNING. 822 00:34:04,581 --> 00:34:05,616 OKAY. 823 00:34:05,649 --> 00:34:07,451 WHO KILLED MORRIS BECK? 824 00:34:07,484 --> 00:34:10,354 WELL, BECK ARRIVES AT THE PARTY DRUNK. 825 00:34:10,387 --> 00:34:12,089 HE DOES THIS EVERY YEAR. 826 00:34:12,123 --> 00:34:14,658 GREETINGS, EVERYONE! 827 00:34:14,691 --> 00:34:15,692 YOU DON'T WANT TO BE IN BED WITH BECK. 828 00:34:15,726 --> 00:34:18,862 GUY LIKE THAT MAKES A LOT OF ENEMIES. 829 00:34:18,895 --> 00:34:20,764 YOU RIGGED THAT GAME, BECK. 830 00:34:20,797 --> 00:34:22,833 YOU KNOW IT, AND SO DO I. 831 00:34:22,866 --> 00:34:24,435 SOMETIMES I WISH SOMEBODY 832 00:34:24,468 --> 00:34:26,403 WOULD PUT A STAKE THROUGH HIS HEART. 833 00:34:26,437 --> 00:34:28,339 SO NOBODY LIKED THE GUY. SO WHAT? 834 00:34:28,372 --> 00:34:29,506 YEAH, SO, MOTIVE. 835 00:34:29,540 --> 00:34:31,508 I MEAN, EVERYONE IN THE HOUSE WAS AN ENEMY OF BECK'S. 836 00:34:31,542 --> 00:34:33,844 AND YOU'RE ENEMY NUMBER ONE, NATHAN FORD. 837 00:34:33,877 --> 00:34:35,479 EX-CONVICT. 838 00:34:35,512 --> 00:34:36,413 ARRESTED FIVE YEARS AGO 839 00:34:36,447 --> 00:34:38,515 FOR MAKING THREATS AGAINST HIS EMPLOYER, 840 00:34:38,549 --> 00:34:39,850 I.Y.S. INSURANCE. 841 00:34:39,883 --> 00:34:42,253 SOUNDS TO ME LIKE SOMEBODY'S GOT AN AX TO GRIND 842 00:34:42,286 --> 00:34:43,254 AGAINST A C.E.O. 843 00:34:43,287 --> 00:34:44,321 YOU KILLED HIM. 844 00:34:44,355 --> 00:34:45,522 BELIEVE ME, THERE ARE MOMENTS 845 00:34:45,556 --> 00:34:47,158 WHERE I DEFINITELY COULD SEE HIM DEAD. 846 00:34:47,191 --> 00:34:48,459 I WOULDN'T DO IT. SOMEONE WOULD. 847 00:34:48,492 --> 00:34:50,127 SOMEONE DID. SOMEONE DID IT IN THE DARK 848 00:34:50,161 --> 00:34:51,395 AND GOT AWAY FAST. 849 00:34:51,428 --> 00:34:54,631 ALL RIGHT, JUST FOR LAUGHS, WHERE DID THEY GO? 850 00:34:54,665 --> 00:34:56,867 SECRET PASSAGES. 851 00:34:59,736 --> 00:35:04,308 THEY RUN THROUGHOUT THE HOUSE. 852 00:35:06,177 --> 00:35:08,145 SEE, THE THING IS... 853 00:35:08,179 --> 00:35:12,416 WHOEVER DID THIS KNEW -- KNEW THAT BECK WOULD BE DRUNK. 854 00:35:12,449 --> 00:35:15,352 AND HE GIVES HIS SPEECH ON THAT BALCONY EVERY YEAR. 855 00:35:15,386 --> 00:35:20,324 AT THE STROKE OF MIDNIGHT, SOMEONE WILL DIE. 856 00:35:20,357 --> 00:35:22,759 AND ONE OF YOU IS THE KILLER. 857 00:35:22,793 --> 00:35:24,228 ONLY THIS YEAR, 858 00:35:24,261 --> 00:35:25,362 DURING A BLACKOUT, 859 00:35:25,396 --> 00:35:27,364 HE LOSES HIS BALANCE, HE FALLS. 860 00:35:27,398 --> 00:35:28,532 HE BREAKS HIS NECK. 861 00:35:28,565 --> 00:35:30,434 [ ELECTRICITY BUZZES ] 862 00:35:30,467 --> 00:35:31,802 TONIGHT WAS A MISTAKE. 863 00:35:31,835 --> 00:35:33,570 I'M NOT THERE, THIS THING PLAYS LIKE AN ACCIDENT. 864 00:35:33,604 --> 00:35:35,639 BUT YOU WERE THERE. EVERYBODY SAW YOU THERE. 865 00:35:35,672 --> 00:35:38,609 BUT THE STORM WASN'T. 866 00:35:38,642 --> 00:35:40,577 SEE, THE BLACKOUTS -- 867 00:35:40,611 --> 00:35:41,745 THEY ALWAYS FOLLOW THE LIGHTNING 868 00:35:41,778 --> 00:35:45,182 WHEN THE LIGHTNING STRIKES THE ISLAND'S POWER STATION. 869 00:35:45,216 --> 00:35:47,651 LIGHTNING, BLACKOUT, LIGHTNING... 870 00:35:47,684 --> 00:35:49,220 BLACKOUT. 871 00:35:49,253 --> 00:35:52,256 THIS TIME, IT WAS BLACKOUT... 872 00:35:52,289 --> 00:35:55,392 AND LIGHTNING AFTER. 873 00:35:55,426 --> 00:35:57,861 DID YOU KNOW THAT THERE'S A MASTER JUNCTION BOX 874 00:35:57,894 --> 00:35:59,463 IN THE PANTRY? THE KILLERS DID. 875 00:35:59,496 --> 00:36:00,831 THE KILLERS. 876 00:36:00,864 --> 00:36:02,566 THE KILLER YES. THAT'S RIGHT -- THE KILLERS. 877 00:36:02,599 --> 00:36:03,400 THERE WERE TWO OF THEM. 878 00:36:03,434 --> 00:36:04,768 ONE WAS TO PULL THE MASTER SWITCH, 879 00:36:04,801 --> 00:36:06,270 THE OTHER WAS TO DO THE DEED. 880 00:36:06,303 --> 00:36:07,704 HEY, GET OUT! 881 00:36:07,738 --> 00:36:09,640 TWO KILLERS -- A TEAM. 882 00:36:09,673 --> 00:36:11,542 AND WHO ELSE KNEW ABOUT THESE PASSAGES? 883 00:36:11,575 --> 00:36:12,976 I DON'T THINK BECK WAS EXACTLY 884 00:36:13,009 --> 00:36:14,845 PRINTING THAT STUFF ON BUSINESS CARDS. 885 00:36:14,878 --> 00:36:15,712 WELL, I'LL TELL YA -- 886 00:36:15,746 --> 00:36:18,449 BECK DEFINITELY, HIS ASSISTANT, MAYBE, 887 00:36:18,482 --> 00:36:21,685 SOME OF THE SECURITY STAFF, MR. CASE. 888 00:36:21,718 --> 00:36:23,687 OH, AND, UH, HIS DAUGHTER. 889 00:36:23,720 --> 00:36:25,356 YEAH. HIS DAUGHTER. 890 00:36:25,389 --> 00:36:27,224 YOU KNOW, SHE'S SPOILED. SHE'S RICH. 891 00:36:27,258 --> 00:36:28,124 IT'S TOTALED, OKAY? 892 00:36:28,158 --> 00:36:29,760 AND THE COPS ARE BEING TOTALLY FROSTY. 893 00:36:29,793 --> 00:36:31,362 AND I TOTALLY WASN'T DRUNK OR ANYTHING. 894 00:36:31,395 --> 00:36:32,363 DADDY NEEDS TO FIX. 895 00:36:32,396 --> 00:36:35,799 SHE'S A LOT SMARTER THAN MOST PEOPLE THINK. 896 00:36:35,832 --> 00:36:37,601 AND, YOU KNOW, SHE'S USED TO GETTING HER WAY, 897 00:36:37,634 --> 00:36:39,770 AND HER DAD IS IN THIS FINANCIAL BIND, 898 00:36:39,803 --> 00:36:40,737 YOU KNOW, WHAT WITH THE LAWSUITS 899 00:36:40,771 --> 00:36:42,706 AND THE UNION PROBLEMS AND ALL THAT STUFF. 900 00:36:42,739 --> 00:36:44,875 SO SHE'S TRYING TO GET HER HANDS ON THE FORTUNE 901 00:36:44,908 --> 00:36:46,877 BEFORE HE, DADDY, BLOWS THROUGH IT. 902 00:36:46,910 --> 00:36:50,314 SO SHE FINDS HERSELF A LUG. SHE SEDUCES THE LUG. 903 00:36:50,347 --> 00:36:51,582 SHE CONVINCES HIM THAT IT'D BE GREAT 904 00:36:51,615 --> 00:36:53,284 TO COME UP WITH THIS PLAN AND EVERYTHING 905 00:36:53,317 --> 00:36:54,518 AGAINST DEAR OLD DAD. 906 00:36:54,551 --> 00:36:55,619 THE LUG GOES FOR IT. 907 00:36:55,652 --> 00:36:58,389 SHE EVEN TELLS HIM THAT MAYBE EVEN AFTER ALL THIS, 908 00:36:58,422 --> 00:36:59,523 THEY COULD BE TOGETHER. 909 00:36:59,556 --> 00:37:02,659 SO, SHE SHOWS THE LUG THE SECRET PASSAGES AND EVERYTHING. 910 00:37:02,693 --> 00:37:05,362 SHE GOES TO THE KITCHEN, SHE PULLS THIS SWITCH, 911 00:37:05,396 --> 00:37:06,430 CREATES A BLACKOUT. 912 00:37:06,463 --> 00:37:07,931 THE LUG KILLS MORRIS BECK. 913 00:37:07,964 --> 00:37:10,401 I MEAN, THE WHOLE THING WAS JUST PERFECT. 914 00:37:10,434 --> 00:37:13,003 EXCEPT YOU'RE THERE. 915 00:37:13,036 --> 00:37:14,438 I... 916 00:37:16,707 --> 00:37:21,612 I WAS THERE, BUT I KNOW I DIDN'T DO IT. 917 00:37:21,645 --> 00:37:26,483 AND THE KILLERS -- THEY KNOW I DIDN'T DO IT. 918 00:37:26,517 --> 00:37:30,287 DETECTIVE, CAN I ASK YOU A QUESTION? 919 00:37:30,321 --> 00:37:33,857 MAY I PLEASE SEE YOUR BADGE? 920 00:37:38,795 --> 00:37:42,299 YOU SEE, I WAS THERE. 921 00:37:42,333 --> 00:37:45,969 AND I SAW THAT THE KILLER HAD INSIDE HIS JACKET 922 00:37:46,002 --> 00:37:48,939 A SHINY METAL OBJECT. 923 00:37:48,972 --> 00:37:52,008 IT WAS YOUR BADGE. 924 00:37:52,042 --> 00:37:53,977 YEAH. WELL... 925 00:37:54,010 --> 00:37:55,846 [ CHUCKLING ] 926 00:37:58,349 --> 00:38:01,585 I GOT TO HAND IT TO YOU. YOU REALLY GOT ME NAILED. 927 00:38:01,618 --> 00:38:03,454 WELL, I'M GLAD YOU AGREE. 928 00:38:03,487 --> 00:38:05,956 WHAT'S TO STOP ME FROM PLUGGING YOU RIGHT NOW? 929 00:38:05,989 --> 00:38:08,325 EVERYBODY SAW YOU THERE. 930 00:38:08,359 --> 00:38:09,993 ONCE THEY FIND OUT BECK'S CROAKED, 931 00:38:10,026 --> 00:38:12,028 WHO DO YOU THINK THEY'RE GONNA BELIEVE? 932 00:38:12,062 --> 00:38:13,864 YOU KNOW, YOU'RE RIGHT. 933 00:38:13,897 --> 00:38:17,067 IT'S -- IT'S A SAFE PLAY. 934 00:38:17,100 --> 00:38:19,670 JUST ONE PROBLEM. 935 00:38:19,703 --> 00:38:21,505 [ THUNDER CRASHES ] 936 00:38:21,538 --> 00:38:23,574 [ THUDDING ] 937 00:38:27,644 --> 00:38:29,112 LET'S GO! 938 00:38:29,145 --> 00:38:31,748 ELIOT, WE NEED THE GETAWAY NOW! 939 00:38:36,653 --> 00:38:38,989 [ GUNSHOTS ] 940 00:38:39,990 --> 00:38:42,493 RAY! WHAT THE HELL IS WITH THE SHOOTING? 941 00:38:42,526 --> 00:38:44,495 I SWEAR TO GOD, IF YOU MESS THIS UP -- 942 00:38:44,528 --> 00:38:45,629 OH, DEAR. 943 00:38:45,662 --> 00:38:47,931 SOMEONE'S BEEN A VERY NAUGHTY GIRL. 944 00:38:51,167 --> 00:38:52,369 MISS SUMAC... 945 00:38:52,403 --> 00:38:56,907 PLEASE DON'T TELL ME THIS IS MORE OF YOUR "MYSTERY NIGHT." 946 00:38:56,940 --> 00:38:59,810 [ BREATHING DEEPLY ] 947 00:39:03,079 --> 00:39:04,347 [ FOOTSTEPS APPROACH ] 948 00:39:08,419 --> 00:39:10,621 ALL RIGHT, FORD. 949 00:39:10,654 --> 00:39:13,123 I GOT ONE BULLET LEFT. 950 00:39:13,156 --> 00:39:15,158 IT'S GOT YOUR NAME ON IT. 951 00:39:15,191 --> 00:39:16,560 [ THUD ] -[ GRUNTS ] 952 00:39:20,897 --> 00:39:23,133 DO YOU KNOW HOW LONG IT TOOK ME TO HIDE THAT PIPE WRENCH 953 00:39:23,166 --> 00:39:24,367 IN THE LIBRARY? 954 00:39:26,069 --> 00:39:27,037 [ SIGHS ] 955 00:39:27,070 --> 00:39:29,540 [ DIALING ] 956 00:39:32,943 --> 00:39:35,412 DETECTIVE BONANNO? 957 00:39:35,446 --> 00:39:37,848 NATE FORD. YEAH. 958 00:39:37,881 --> 00:39:40,016 HAVE I GOT A STORY FOR YOU. 959 00:39:40,050 --> 00:39:41,685 [ THUNDER RUMBLING ] 960 00:39:41,718 --> 00:39:44,688 MORRIS BECK WAS A GREAT BUSINESSMAN 961 00:39:44,721 --> 00:39:47,524 AND A GREAT HUMANITARIAN. 962 00:39:47,558 --> 00:39:50,026 THAT HIS OWN DAUGHTER IS RESPONSIBLE FOR HIS MURDER 963 00:39:50,060 --> 00:39:54,197 IS...WELL, "HORRIBLE" IS THE WORD. 964 00:39:54,230 --> 00:39:56,633 WHAT HAPPENS TO BECKWORX, MR. CASE? 965 00:39:56,667 --> 00:39:57,834 I'LL TELL YOU WHAT. 966 00:39:57,868 --> 00:40:00,103 YOU PAY OUT $60 MILLION TO MY CLIENTS 967 00:40:00,136 --> 00:40:02,573 AND THEN STRAIGHT INTO RECEIVERSHIP. 968 00:40:02,606 --> 00:40:03,974 CASE IS PLAYING HIS PART WELL 969 00:40:04,007 --> 00:40:05,942 CONSIDERING HOW MUCH HE HATED THE MAN. 970 00:40:05,976 --> 00:40:07,611 YEAH, WELL, HE GOT A HUNDRED GRAND FOR SOLVING THE MURDER 971 00:40:07,644 --> 00:40:08,411 OF MORRIS BECK. 972 00:40:08,445 --> 00:40:09,746 I'D SAY HE'S FEELING PRETTY GOOD. 973 00:40:09,780 --> 00:40:12,916 $100,000 IS A PRETTY GOOD INCENTIVE. 974 00:40:12,949 --> 00:40:16,653 I DON'T KNOW WHAT TO SAY. 975 00:40:16,687 --> 00:40:17,854 THANK YOU. 976 00:40:17,888 --> 00:40:19,122 YOU'RE WELCOME. 977 00:40:19,155 --> 00:40:20,891 BYE. 978 00:40:29,032 --> 00:40:32,068 NOT NECESSARILY THE BEST WAY TO CELEBRATE A WIN. 979 00:40:32,102 --> 00:40:35,105 THERE'S GOOD WINS, AND THERE'S NOT SO GOOD. 980 00:40:35,138 --> 00:40:36,873 NOT HAVING TO STAND TRIAL FOR MURDER 981 00:40:36,907 --> 00:40:38,509 SEEMS LIKE A GOOD ONE, THOUGH. 982 00:40:38,542 --> 00:40:40,511 MAYBE. IT'S A GOOD THING THEY CAN'T NAIL YOU 983 00:40:40,544 --> 00:40:41,411 FOR WHAT'S IN YOUR MIND. 984 00:40:41,444 --> 00:40:43,514 WELL, PEOPLE THINK ALL KINDS OF THINGS. 985 00:40:43,547 --> 00:40:44,581 FOR EXAMPLE, 986 00:40:44,615 --> 00:40:47,918 I THINK I'M VERY RELIEVED THAT YOU'RE NOT A KILLER. 987 00:40:47,951 --> 00:40:49,853 REALLY? OH, YOU SAY THAT NOW, HUH? 988 00:40:49,886 --> 00:40:52,589 I MEAN, THERE WAS A SECOND WHERE EACH OF YOU THOUGHT 989 00:40:52,623 --> 00:40:54,491 THAT MAYBE I MIGHT HAVE DONE IT, YOU KNOW? 990 00:40:54,525 --> 00:40:56,560 EVEN YOU. 991 00:40:56,593 --> 00:40:58,495 AND YOU THINK WHAT? THAT SOMEHOW MEANS WE DON'T TRUST -- 992 00:40:58,529 --> 00:41:00,263 NO, NO, NO. IT'S JUST -- IT'S, YOU KNOW, 993 00:41:00,296 --> 00:41:03,133 JUST KIND OF HARD TO MISS THAT. 994 00:41:03,166 --> 00:41:04,768 WELL, IT JUST -- IT WAS ONE MOMENT. 995 00:41:04,801 --> 00:41:06,770 IT WAS JUST A CRAZY MOMENT. 996 00:41:06,803 --> 00:41:08,138 NONE OF US THINKS YOU'RE A KILLER. 997 00:41:10,140 --> 00:41:11,908 ALL RIGHT. 998 00:41:11,942 --> 00:41:15,045 IT'S YOUR BAR. THINK. 999 00:41:15,078 --> 00:41:17,548 IT'S WHAT YOU DO. 1000 00:41:17,581 --> 00:41:20,083 YEAH. THANKS. YEAH, YEAH. 1001 00:41:21,117 --> 00:41:24,054 BUT WHILE YOU'RE THINKING, THINK ABOUT THIS. 1002 00:41:24,087 --> 00:41:25,756 ARE YOU CLIMBING INTO THAT BOTTLE 1003 00:41:25,789 --> 00:41:28,124 BECAUSE OF WHAT YOU THINK WE SEE WHEN WE LOOK AT YOU 1004 00:41:28,158 --> 00:41:31,628 OR BECAUSE OF WHAT YOU SEE IN THE MIRROR? 65733

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