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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,809 --> 00:00:07,012 [ INDISTINCT ARGUING ] 2 00:00:08,681 --> 00:00:12,485 I'M SORRY. THERE WAS NO WAY THAT EITHER OF YOU 3 00:00:12,518 --> 00:00:14,287 WERE WITHIN 100 MILES OF THAT PLACE! 4 00:00:14,320 --> 00:00:16,322 YOU WERE, LIKE, TAPPING AWAY ON A COMPUTER SOMEWHERE. 5 00:00:16,355 --> 00:00:19,258 YOU WERE IN A CAVE IN AFGHANISTAN, PROBABLY. 6 00:00:19,292 --> 00:00:21,360 YOU GUYS CAME UP WITH THIS IDEA TOGETHER? 7 00:00:21,394 --> 00:00:22,495 HEY, HEY, HEY, HEY! 8 00:00:22,528 --> 00:00:24,563 WHAT -- WHAT -- WHAT'S GOING ON? 9 00:00:24,597 --> 00:00:25,698 ...BEEN TO BOSTON, MAN. 10 00:00:25,731 --> 00:00:27,400 WE'LL CLOSE. 11 00:00:27,433 --> 00:00:28,567 WHAT IS THIS? 12 00:00:28,601 --> 00:00:30,769 I THOUGHT WE WERE SUPPOSED TO BE, UH, FINDING MOREAU. 13 00:00:30,803 --> 00:00:32,538 THIS IS MORE IMPORTANT. 14 00:00:32,571 --> 00:00:33,739 MORE IMPORTANT? 15 00:00:33,772 --> 00:00:36,075 WE DON'T FIND MOREAU, I MIGHT GO BACK TO PRISON FOREVER. 16 00:00:36,109 --> 00:00:38,211 OH, SHUSH. YOU DID FINE IN PRISON THE FIRST TIME. 17 00:00:38,244 --> 00:00:40,146 -YOU GOT INTO SHAPE. -YEAH, YOU LOOK GOOD IN A JUMPSUIT. 18 00:00:40,179 --> 00:00:41,747 LEARNED HOW TO HYPNOTIZE PEOPLE. 19 00:00:41,780 --> 00:00:44,683 WE'RE TALKING ABOUT THE DAGGER OF AQU'ABI. 20 00:00:44,717 --> 00:00:46,152 OH. 21 00:00:46,185 --> 00:00:48,387 THE DAGGER OF AQU'ABI -- 22 00:00:48,421 --> 00:00:51,190 10th CENTURY, FOUR PERFECT EMERALDS, 23 00:00:51,224 --> 00:00:53,192 SIX RUBIES, GOLD FILIGREE. 24 00:00:53,226 --> 00:00:55,628 IT WAS A GIFT FROM A SHAH OF PERSIA TO A SULTAN. 25 00:00:55,661 --> 00:00:57,396 TWO DEAD GUYS. WHATEVER. 26 00:00:57,430 --> 00:00:59,432 -AND WHY ARE WE -- -Shh, shh, shh, shh! 27 00:00:59,465 --> 00:01:00,499 THAT'S WHY. 28 00:01:00,533 --> 00:01:02,535 THE DAGGER OF AQU'ABI IS ON DISPLAY 29 00:01:02,568 --> 00:01:04,803 HERE AT THE BOSTON MUSEUM OF ART AND ANTIQUITIES 30 00:01:04,837 --> 00:01:08,474 FOR THE FIRST TIME SINCE IT WAS STOLEN FROM THIS VERY GALLERY 31 00:01:08,507 --> 00:01:10,143 FIVE YEARS AGO. 32 00:01:10,176 --> 00:01:13,279 THAT. STOLEN. FIVE YEARS AGO. 33 00:01:13,312 --> 00:01:15,248 -I STOLE IT! -I STOLE IT! -I STOLE IT! 34 00:01:18,417 --> 00:01:21,220 THE RICH AND POWERFUL TAKE WHAT THEY WANT. 35 00:01:21,254 --> 00:01:23,256 WE STEAL IT BACK FOR YOU. 36 00:01:29,928 --> 00:01:34,233 SOMETIMES, BAD GUYS MAKE THE BEST GOOD GUYS. 37 00:01:35,768 --> 00:01:38,371 WE PROVIDE LEVERAGE. 38 00:01:38,404 --> 00:01:39,672 O-OKAY, OKAY, OKAY, OKAY. 39 00:01:39,705 --> 00:01:42,375 THE DAGGER OF AQU'ABI? 40 00:01:42,408 --> 00:01:45,578 ON DISPLAY AT THE BOSTON MUSEUM OF ART AND ANTIQUITIES? 41 00:01:45,611 --> 00:01:48,481 STOLEN FIVE YEARS AGO? YOU WERE ALL THERE THAT NIGHT? 42 00:01:48,514 --> 00:01:50,916 DIDN'T REALIZE IT TILL JUST NOW WHEN THE SHOW CAME ON. 43 00:01:50,949 --> 00:01:52,418 AND WHEN I STARTED TELLING THEM 44 00:01:52,451 --> 00:01:55,788 ABOUT ONE OF MY FINEST JOBS EVER... 45 00:01:55,821 --> 00:01:57,290 YEAH, BUT I KNOW SHE'S LYING. 46 00:01:57,323 --> 00:01:58,791 SHE'S A GRIFTER. IT'S HER JOB. 47 00:01:58,824 --> 00:02:01,294 WAIT, I'M CONFUSED. NOW SHE'S LYING ABOUT LYING? 48 00:02:01,327 --> 00:02:02,628 NO, NO, NO. WAIT, I'VE GOT AN IDEA. 49 00:02:02,661 --> 00:02:03,496 WE LET NATE DECIDE. 50 00:02:03,529 --> 00:02:04,830 WE TELL HIM WHAT HAPPENED THAT NIGHT, 51 00:02:04,863 --> 00:02:06,499 AND HE DECIDES WHO THE REAL CRIMINAL IS. 52 00:02:06,532 --> 00:02:07,366 FINE BY ME. 53 00:02:07,400 --> 00:02:09,535 WELL, I MEAN, YOU'RE ALL CRIMINALS. 54 00:02:10,603 --> 00:02:12,471 ME, I GOT NO CHOICE. 55 00:02:12,505 --> 00:02:16,175 YOU UNDERSTAND -- IT WAS THE PERFECT PLAN. 56 00:02:16,209 --> 00:02:21,580 I RAN A LONG CON FOR THE ENTIRE FOUR MONTHS OF THE EXHIBIT. 57 00:02:21,614 --> 00:02:23,549 TWO -- NOT ONE -- 58 00:02:23,582 --> 00:02:27,586 BUT TWO SEPARATE IDENTITIES. 59 00:02:37,463 --> 00:02:40,766 FIRST, THE DUCHESS OF BARRINGTON-HIGHSWORTH. 60 00:02:40,799 --> 00:02:44,303 AS THE DUCHESS, I DONATED ART TO THE EXHIBIT 61 00:02:44,337 --> 00:02:47,673 SO MY PIECES WOULD BE MIXED IN WITH THE DAGGER. 62 00:02:47,706 --> 00:02:49,308 WHERE'D YOU GET THE ART? 63 00:02:49,342 --> 00:02:51,944 OH, BITS AND BOBS I NICKED OVER THE YEARS. 64 00:02:51,977 --> 00:02:56,849 I MADE QUITE AN ENTRANCE, I HAVE TO SAY. 65 00:02:56,882 --> 00:02:58,617 YOU'RE HERE! 66 00:02:58,651 --> 00:02:59,985 SHE'S HERE! 67 00:03:00,018 --> 00:03:02,521 LADIES AND GENTLEMEN, 68 00:03:02,555 --> 00:03:05,958 THE DUCHESS ALEXIA OF BARRINGTON-HIGHSWORTH. 69 00:03:05,991 --> 00:03:08,827 [ APPLAUSE ] 70 00:03:08,861 --> 00:03:11,630 THANK YOU FOR DONATING SUCH WONDERFUL PIECES 71 00:03:11,664 --> 00:03:12,898 FROM YOUR COLLECTION. 72 00:03:12,931 --> 00:03:15,334 OH, YOU'RE TOO KIND, MR. GLADSTONE. 73 00:03:15,368 --> 00:03:16,769 BUT, REALLY, IT'S NOTHING 74 00:03:16,802 --> 00:03:19,838 COMPARED TO THE MAGNIFICENT BEAUTY OF YOUR DAGGER. 75 00:03:19,872 --> 00:03:21,006 NOW, WHO'S THIS? 76 00:03:21,039 --> 00:03:23,876 EDGAR GLADSTONE. FINANCIER. FILTHY RICH. 77 00:03:23,909 --> 00:03:24,843 OWNS THE DAGGER. 78 00:03:24,877 --> 00:03:27,546 -BIT OF A CRUSH ON ME, OF COURSE. -YEAH. 79 00:03:27,580 --> 00:03:31,650 PROBLEM IS, THAT'S WHEN COSWELL DECIDED TO SHOW UP. 80 00:03:31,684 --> 00:03:33,319 COSWELL? 81 00:03:33,352 --> 00:03:35,020 MUSEUM HEAD OF SECURITY. VERY CLEVER. 82 00:03:35,053 --> 00:03:37,790 HAVE TO DODGE HIM. YOU'LL SEE WHY IN A BIT. 83 00:03:37,823 --> 00:03:38,857 NOW, SHOO. 84 00:03:38,891 --> 00:03:42,361 DUCHESS, DO YOU MIND IF I SPEAK WITH MR. COSWELL? 85 00:03:42,395 --> 00:03:45,398 I WANT TO MAKE SURE SECURITY IS LOCKED DOWN TIGHT. 86 00:03:45,431 --> 00:03:46,899 IS THERE CAUSE FOR ALARM? 87 00:03:46,932 --> 00:03:50,703 -I'VE HAD THREE PIECES OF ART STOLEN FROM ME IN THE PAST YEAR. -[ GASPS ] 88 00:03:50,736 --> 00:03:52,371 IT'S THE LAST NIGHT OF THE EXHIBIT. 89 00:03:52,405 --> 00:03:54,307 I WANT TO MAKE SURE THEY DON'T CUT ANY CORNERS. 90 00:03:54,340 --> 00:03:55,808 OF COURSE. 91 00:03:58,076 --> 00:04:01,480 GLADSTONE'S LITTLE CHAT WITH COSWELL GAVE ME A CHANCE -- 92 00:04:01,514 --> 00:04:03,015 OOH. THANK YOU -- 93 00:04:03,048 --> 00:04:04,950 TO LOOK FOR SOMEONE. 94 00:04:08,020 --> 00:04:10,623 MISS? EXCUSE ME. 95 00:04:10,656 --> 00:04:13,025 PLEASE, COULD YOU SEND THIS OVER TO MINISTER BIOKO 96 00:04:13,058 --> 00:04:16,829 WITH MY COMPLIMENTS? 97 00:04:16,862 --> 00:04:19,498 ROBERT BIOKO. 98 00:04:19,532 --> 00:04:21,834 ZIMBABWE ART MINISTER. YES, I'VE DEALT WITH HIM. QUITE NASTY. 99 00:04:21,867 --> 00:04:24,637 BY REPUTATION, A BLOOD-DIAMOND DEALER, 100 00:04:24,670 --> 00:04:29,742 EMBEZZLER, AND MORE IMPORTANTLY, VERY ALLERGIC TO SHRIMP. 101 00:04:29,775 --> 00:04:31,977 IF YOU DON'T MIND, I'LL HAVE ANOTHER ONE. [ GASPS ] 102 00:04:32,878 --> 00:04:33,812 OH! 103 00:04:33,846 --> 00:04:36,682 OH! PARDON ME, MA'AM. 104 00:04:36,715 --> 00:04:38,617 GOSH. DID -- DID I GET SOME ON YOUR DRESS? 105 00:04:38,651 --> 00:04:40,819 UH, NOT AT ALL. NO. 106 00:04:40,853 --> 00:04:42,555 DR. WES ABERNATHY. 107 00:04:42,588 --> 00:04:43,556 DOCTOR. 108 00:04:43,589 --> 00:04:45,591 WHAT'S YOUR PhD IN? 109 00:04:45,624 --> 00:04:47,926 I'M A SURGEON, ACTUALLY. 110 00:04:47,960 --> 00:04:50,529 I, UH, I FUNDRAISE FOR THE MUSEUM. 111 00:04:50,563 --> 00:04:52,998 AFTER A LONG DAY OF SAVING LIVES, I LIKE TO... 112 00:04:53,031 --> 00:04:54,533 [ INHALES SHARPLY ] 113 00:04:54,567 --> 00:04:56,669 I LIKE TO APPRECIATE BEAUTY. 114 00:04:56,702 --> 00:04:59,638 YOU'RE VERY FORWARD, DR. ABERNATHY. 115 00:04:59,672 --> 00:05:01,474 [ CHUCKLES LIGHTLY ] 116 00:05:01,507 --> 00:05:03,376 [ ELECTRICITY CRACKLES ] 117 00:05:03,409 --> 00:05:04,577 WHAT WAS THAT? 118 00:05:04,610 --> 00:05:07,746 JUST A LITTLE POWER SURGE. 119 00:05:07,780 --> 00:05:10,749 HELP! HE'S CHOKING! HEY! SOMEBODY HELP! 120 00:05:10,783 --> 00:05:13,085 [ CHOKING ] 121 00:05:13,118 --> 00:05:14,119 OH, DEAR. 122 00:05:14,152 --> 00:05:15,253 [ GASPS, SNIFFS ] 123 00:05:15,287 --> 00:05:18,123 THERE'S SHRIMP IN THIS. ARE YOU ALLERGIC TO SHRIMP? 124 00:05:18,156 --> 00:05:19,858 [ Zimbabwean accent ] I AM ALLERGIC TO SHRIMP! 125 00:05:19,892 --> 00:05:21,727 OKAY, EVERYBODY STAND BACK! I'M A DOCTOR! 126 00:05:21,760 --> 00:05:23,462 HIS THROAT'S CLOSING UP! 127 00:05:23,496 --> 00:05:24,963 I NEED A KNIFE! SOMEBODY GIVE ME A KNIFE! 128 00:05:24,997 --> 00:05:26,131 [ BIOKO CHOKING ] 129 00:05:26,164 --> 00:05:28,467 THANK YOU. 130 00:05:28,501 --> 00:05:29,568 DON'T WORRY, MY FRIEND. 131 00:05:29,602 --> 00:05:31,370 DEATH WILL NOT CLAIM YOU THIS DAY. 132 00:05:31,404 --> 00:05:32,538 [ BIOKO GRUNTING ] 133 00:05:32,571 --> 00:05:34,407 COME ON! LIVE! 134 00:05:34,440 --> 00:05:36,942 COME ON! LIVE! 135 00:05:36,975 --> 00:05:38,377 [ BREATHING HEAVILY ] 136 00:05:51,890 --> 00:05:54,493 I NEEDED GLADSTONE'S KEY CARD 137 00:05:54,527 --> 00:05:57,563 TO GET ACCESS TO THE SHIPPING AND STORAGE AREA. 138 00:05:57,596 --> 00:06:00,733 GLADSTONE HAS 24-HOUR ACCESS. 139 00:06:00,766 --> 00:06:03,402 MY OTHER IDENTITY... 140 00:06:04,470 --> 00:06:05,638 ...DOES NOT. 141 00:06:05,671 --> 00:06:06,672 SHOO. 142 00:06:22,555 --> 00:06:24,790 [ American accent ] DR. KAREN IPCRESS 143 00:06:24,823 --> 00:06:27,125 FROM THE RESTORATION DEPARTMENT. 144 00:06:27,159 --> 00:06:29,728 HEY, I'VE BEEN BRINGING YOU COFFEE AND DOUGHNUTS 145 00:06:29,762 --> 00:06:30,796 FOR FOUR MONTHS NOW. 146 00:06:30,829 --> 00:06:32,197 YOU STILL HAVE TO DO THAT? 147 00:06:32,230 --> 00:06:34,600 SORRY, DOC. GOT TO CHECK EVERYONE TONIGHT. 148 00:06:34,633 --> 00:06:36,101 YOU DON'T USUALLY WORK NIGHTS. 149 00:06:36,134 --> 00:06:39,805 OH, WHEN THE EXHIBIT CLOSES, 150 00:06:39,838 --> 00:06:43,208 WE HAVE TO PROCESS 200 ITEMS TO BE SHIPPED OUT 151 00:06:43,241 --> 00:06:47,580 TO 63 MUSEUMS AND PRIVATE OWNERS. 152 00:06:47,613 --> 00:06:49,748 THEY ASKED ME TO HELP OUT. 153 00:06:49,782 --> 00:06:51,784 DR. IPCRESS. 154 00:06:53,586 --> 00:06:56,088 YOU DON'T WORK NIGHTS. 155 00:06:56,121 --> 00:06:57,690 OH, HI, MR. COSWELL. 156 00:06:57,723 --> 00:07:00,526 I DIDN'T EXPECT YOU DOWN HERE SO EARLY. 157 00:07:00,559 --> 00:07:03,729 THE GALLERY'S CLOSED BECAUSE OF A MEDICAL EMERGENCY. 158 00:07:03,762 --> 00:07:06,699 SO, WE HAVE TO PROCESS THE EXHIBITS RIGHT NOW. 159 00:07:06,732 --> 00:07:08,967 MY MEN WILL SCAN THE ARTIFACTS, TAG THEM -- 160 00:07:09,001 --> 00:07:10,703 GREEN TO BE RETURNED TO THEIR OWNERS, 161 00:07:10,736 --> 00:07:12,638 RED TO STAY HERE IN THE VAULT UNTIL COLLECTED. 162 00:07:12,671 --> 00:07:15,841 GREEN ITEMS WILL THEN BE PACKED ACCORDING TO THEIR LOT NUMBERS, 163 00:07:15,874 --> 00:07:18,544 SHIPPED OUT TO THE PROPER OWNERS BY ARMORED CAR. 164 00:07:18,577 --> 00:07:22,715 NO UNAUTHORIZED PERSONNEL IN... 165 00:07:22,748 --> 00:07:25,150 OR OUT. 166 00:07:26,752 --> 00:07:28,854 I WANTED TO TALK TO YOU. 167 00:07:28,887 --> 00:07:31,824 HOW LONG HAVE YOU BEEN WORKING HERE? 168 00:07:31,857 --> 00:07:33,125 UH, FOUR MONTHS. 169 00:07:33,158 --> 00:07:35,794 I SAW MY FIRST DUCHESS UPSTAIRS. 170 00:07:35,828 --> 00:07:38,063 SHE... 171 00:07:38,096 --> 00:07:40,899 YOU LOOK... 172 00:07:40,933 --> 00:07:43,001 I'LL BE RIGHT BACK. 173 00:07:59,652 --> 00:08:01,119 [ GUN COCKS ] 174 00:08:07,626 --> 00:08:09,862 -DID SHE SAY WHERE SHE WAS GOING? -NO, SIR. 175 00:08:09,895 --> 00:08:11,096 TODAY IS TOO IMPORTANT. 176 00:08:11,129 --> 00:08:14,066 WE ARE NOT LETTING HER SLIP THROUGH OUR FINGERS! 177 00:08:14,099 --> 00:08:15,233 YOU! 178 00:08:15,267 --> 00:08:16,569 YES, MR. COSWELL. 179 00:08:16,602 --> 00:08:18,036 -HAVE YOU SEEN DR. IPCRESS? -NO, SIR. 180 00:08:18,070 --> 00:08:19,137 CALL ME AS SOON AS YOU FIND HER! 181 00:08:19,171 --> 00:08:20,606 YES, SIR. 182 00:08:25,678 --> 00:08:27,279 BRILLIANT, ISN'T IT? 183 00:08:27,312 --> 00:08:28,213 AHH... 184 00:08:28,246 --> 00:08:30,215 WELL, YOU -- YOU DIDN'T STEAL THE DAGGER. 185 00:08:30,248 --> 00:08:33,285 THE MUSEUM STOLE THE DAGGER FOR ME. 186 00:08:33,318 --> 00:08:36,689 YOU SEE, FIRST, EVERY ITEM IS CATALOGUED. 187 00:08:36,722 --> 00:08:38,724 [ BEEPING ] 188 00:08:42,795 --> 00:08:47,600 AND GLADSTONE'S DAGGER IS PLACED INTO ONE OF THE CRATES 189 00:08:47,633 --> 00:08:49,968 CONTAINING MY PERSONAL COLLECTION. 190 00:08:54,740 --> 00:08:57,810 THEN THE CRATE IS SHIPPED DIRECTLY TO THE SAFE HOUSE 191 00:08:57,843 --> 00:08:59,311 IN LONDON... 192 00:08:59,344 --> 00:09:02,114 LOT 21 TO LONDON ON BRITISH AIR, LEAVING IN AN HOUR. 193 00:09:05,250 --> 00:09:10,155 ...ALL UNDER ARMED GUARD PROVIDED BY... 194 00:09:10,188 --> 00:09:11,824 THE MUSEUM. 195 00:09:11,857 --> 00:09:14,126 [ GRUNTS LIGHTLY ] 196 00:09:16,995 --> 00:09:18,731 YEAH, THAT'S A GOOD PLAN. 197 00:09:18,764 --> 00:09:20,733 YES. IT WAS THE PERFECT PLAN. 198 00:09:22,367 --> 00:09:24,302 EXCEPT... 199 00:09:31,276 --> 00:09:35,180 [ METAL CLATTERING ] 200 00:09:35,213 --> 00:09:37,049 NO! 201 00:09:37,082 --> 00:09:38,851 ...THE DAGGER WASN'T IN THE SHIPMENT. 202 00:09:38,884 --> 00:09:39,918 [ GASPS ] 203 00:09:39,952 --> 00:09:42,955 SO, YES, WAIT -- I DID STEAL THE DAGGER. 204 00:09:42,988 --> 00:09:46,124 I JUST DIDN'T GET TO KEEP IT. 205 00:09:46,158 --> 00:09:48,827 I THINK I CAN EXPLAIN IT. 206 00:09:48,861 --> 00:09:51,864 [ SIGHS ] 207 00:09:53,131 --> 00:09:54,166 PARDON ME, MA'AM. 208 00:09:54,199 --> 00:09:56,068 DID I GET THAT ON YOUR DRESS? 209 00:09:56,101 --> 00:09:57,002 NO. 210 00:09:57,035 --> 00:09:57,970 YEP. 211 00:09:58,003 --> 00:09:59,037 NO! 212 00:09:59,071 --> 00:10:01,006 OH! PARDON ME, MA'AM. 213 00:10:01,039 --> 00:10:03,776 DID I GET ANY ON YOUR DRESS? 214 00:10:03,809 --> 00:10:05,644 -NOT AT ALL. -ALL RIGHT. 215 00:10:05,678 --> 00:10:08,046 I'M DR. WES ABERNATHY. 216 00:10:08,080 --> 00:10:09,414 -HMM. -PLEASED TO MEET YOU. 217 00:10:09,447 --> 00:10:15,721 NOW, I'M GONNA TELL YOU HOW I STOLE THE AQU'ABI DAGGER. 218 00:10:15,754 --> 00:10:16,989 [ GASPS ] 219 00:10:24,797 --> 00:10:26,665 A DAGGER DOESN'T REALLY SEEM YOUR STYLE. 220 00:10:26,699 --> 00:10:27,532 YEAH. 221 00:10:27,565 --> 00:10:31,069 WELL, IT WAS ACTUALLY MORE OF A FAVOR. 222 00:10:34,807 --> 00:10:37,776 [ PUNCHES LANDING ] 223 00:10:37,810 --> 00:10:38,877 COME ON. 224 00:10:38,911 --> 00:10:40,212 YEAH. 225 00:10:40,245 --> 00:10:41,179 COME ON. 226 00:10:48,954 --> 00:10:50,222 [ GROANS ] 227 00:10:52,825 --> 00:10:53,859 [ GROANS ] 228 00:11:00,032 --> 00:11:03,702 [ GROANS ] 229 00:11:03,736 --> 00:11:05,370 [ CELLPHONE RINGS ] 230 00:11:09,041 --> 00:11:10,475 HELLO, GUTMAN. 231 00:11:10,508 --> 00:11:12,077 Spencer. 232 00:11:12,110 --> 00:11:14,146 I FIGURED YOU'D BE THE ONE TO PICK UP. 233 00:11:14,179 --> 00:11:16,749 WHY ARE YOU SENDING SECOND-RATE THUGS TO TRY AND KILL ME? 234 00:11:16,782 --> 00:11:18,050 [ MOANS ] 235 00:11:18,083 --> 00:11:20,719 IF I'M NOT HONEST WITH YOU, YOU CAN'T IMPROVE. 236 00:11:20,753 --> 00:11:21,820 [ GRUNTS ] 237 00:11:21,854 --> 00:11:23,088 YOU LET ME DOWN. 238 00:11:23,121 --> 00:11:26,224 YOU DIDN'T DELIVER THE SAPPHIRE MONKEY. 239 00:11:26,258 --> 00:11:28,026 YOU DIDN'T TELL ME IT WAS IN NORTH KOREA. 240 00:11:28,060 --> 00:11:31,263 -Tell you what -- I'll make it up in trade. -Shh. 241 00:11:31,296 --> 00:11:34,432 A CLIENT OF MINE, FOR WHOM I MOVE RARE MERCHANDISE, 242 00:11:34,466 --> 00:11:37,002 has asked me to arrange a retrieval. 243 00:11:37,035 --> 00:11:38,737 A DAGGER. 244 00:11:38,771 --> 00:11:40,238 WHERE? 245 00:11:40,272 --> 00:11:42,507 It's in Boston. Tonight. 246 00:11:42,540 --> 00:11:44,376 THAT'S WHY I'M ASKING. 247 00:11:44,409 --> 00:11:46,444 I'LL TEXT YOU THE DETAILS. 248 00:11:46,478 --> 00:11:49,047 Get me the dagger and we're even. 249 00:11:49,081 --> 00:11:52,050 SAY NO... 250 00:11:52,084 --> 00:11:55,453 I'LL KEEP SENDING MEN UNTIL ONE GETS LUCKY. 251 00:12:00,959 --> 00:12:02,895 YOU KNOW WHAT I GOT TO DO? 252 00:12:02,928 --> 00:12:04,429 [ GRUNTS LIGHTLY ] 253 00:12:07,900 --> 00:12:10,735 [ INDISTINCT CONVERSATIONS ] 254 00:12:19,978 --> 00:12:21,513 [ ENGINE SHUTS OFF ] DON'T TALK. 255 00:12:21,546 --> 00:12:22,647 -WHAT? -DON'T TALK. 256 00:12:22,680 --> 00:12:25,317 I KNOW IT'S YOUR FIRST INSTINCT TO TALK, BUT DON'T. 257 00:12:25,350 --> 00:12:27,552 YOUR BEST COURSE OF ACTION IS TO NOD. 258 00:12:27,585 --> 00:12:28,987 WH-- 259 00:12:29,021 --> 00:12:29,988 NOD. 260 00:12:30,022 --> 00:12:31,957 GOOD. 261 00:12:31,990 --> 00:12:34,059 I'M GONNA NEED A COUPLE THINGS FROM YOU. 262 00:12:34,092 --> 00:12:35,060 I NEED YOUR CLOTHES, 263 00:12:35,093 --> 00:12:37,429 AND I NEED YOUR LITTLE INVITE TO THIS PARTY. 264 00:12:37,462 --> 00:12:39,865 THIS CAN GO TWO WAYS -- YOU CAN GIVE THEM TO ME, 265 00:12:39,898 --> 00:12:42,000 AND I CAN STUFF YOU IN THE TRUNK OF THIS CAR, 266 00:12:42,034 --> 00:12:44,102 WHICH, BY THE WAY, LOOKS PRETTY COMFORTABLE. 267 00:12:44,136 --> 00:12:45,337 NOT A BAD NIGHT. 268 00:12:45,370 --> 00:12:50,108 OR YOU CAN NOT GIVE THEM TO ME... 269 00:12:50,142 --> 00:12:51,910 AND I CAN DO EXACTLY 270 00:12:51,944 --> 00:12:55,948 WHAT YOU'D EXPECT A CRAZY GUY IN YOUR BACK SEAT TO DO TO YOU. 271 00:12:55,981 --> 00:12:58,050 [ KEYS RATTLE ] 272 00:12:58,083 --> 00:13:01,453 THAT'S THE RIGHT CHOICE. 273 00:13:01,486 --> 00:13:04,322 I'M GONNA NEED YOUR GLASSES. 274 00:13:04,356 --> 00:13:06,091 SO WHAT WAS YOUR WAY IN? 275 00:13:06,124 --> 00:13:07,826 THE EXHIBIT'S CLOSING. 276 00:13:07,860 --> 00:13:10,896 THAT MEANS ALL THIS IS BEING SHIPPED OUT. 277 00:13:10,929 --> 00:13:12,297 WEAKEST SPOT OF ANY TRANSPORT 278 00:13:12,330 --> 00:13:14,499 IS WHEN THE OBJECT'S TRANSFERRED TO THE VEHICLE. 279 00:13:14,532 --> 00:13:17,335 I NEED TO GET DOWNSTAIRS. 280 00:13:17,369 --> 00:13:18,937 EXCUSE ME. 281 00:13:18,971 --> 00:13:20,572 THANK YOU. 282 00:13:23,876 --> 00:13:25,210 -OH! -SORRY. 283 00:13:25,243 --> 00:13:27,145 [ Cockney accent ] 'ALLO, 'ALLO. WHAT'S ALL THIS, THEN? 284 00:13:27,179 --> 00:13:29,114 DR. ABERNATHY. 285 00:13:29,147 --> 00:13:30,182 COR BLIMEY. 286 00:13:30,215 --> 00:13:33,018 YOU'RE A BIT OF ALL RIGHT, AIN'T YA? 287 00:13:33,051 --> 00:13:35,187 -BUY US A DRINK, WILL YA? -DRINKS ARE FREE. 288 00:13:35,220 --> 00:13:38,290 WAIT, WAIT. WHAT'S THAT VOICE? 289 00:13:38,323 --> 00:13:39,992 THAT'S HORRIB-- WHAT IS THAT? 290 00:13:40,025 --> 00:13:41,393 IT'S YOUR ACCENT. 291 00:13:41,426 --> 00:13:43,161 THAT'S WHAT I SOUND LIKE TO YOU? 292 00:13:43,195 --> 00:13:44,897 -[ CHUCKLES ] -RIGHT. OKAY, FINE. 293 00:13:44,930 --> 00:13:46,899 I WANT TO GO BACK AND CHANGE MY STORY. 294 00:13:49,001 --> 00:13:51,436 [ Southern accent ] OH! PARDON ME, THERE, MISSY! 295 00:13:51,469 --> 00:13:54,639 AIN'T YOU AS PRETTY AS A LITTLE FILLY IN THE MOONLIGHT? 296 00:13:54,672 --> 00:13:56,641 DOC ABERNATHY HERE. 297 00:13:56,674 --> 00:13:58,143 WAIT, WAIT, WAIT. WHAT -- WAIT. 298 00:13:58,176 --> 00:13:59,277 WHAT WAS THAT? 299 00:13:59,311 --> 00:14:00,512 THAT'S RIDICULOUS. SHUT UP. 300 00:14:00,545 --> 00:14:03,115 SOPHIE, YOU TOLD YOUR STORY. 301 00:14:03,148 --> 00:14:04,649 IT'S MY TURN TO TELL MINE, OKAY? 302 00:14:04,682 --> 00:14:06,384 WELL, IT'S NOT FAIR. 303 00:14:06,418 --> 00:14:09,021 DRINKS IS FREE? 304 00:14:09,054 --> 00:14:12,624 BLEEDIN' HELL, THAT MAKES ME A CHEAP DATE, DIDN'T IT? 305 00:14:12,657 --> 00:14:14,559 [ ELECTRICITY CRACKLES ] WHAT WAS THAT? 306 00:14:14,592 --> 00:14:17,295 YOU SAW THAT, TOO? THAT'S LUCKY. 307 00:14:17,329 --> 00:14:19,932 I THOUGHT I WAS PASSING OUT. 308 00:14:19,965 --> 00:14:21,466 [ BIOKO COUGHING ] 309 00:14:21,499 --> 00:14:23,969 I-I DO NOT FEEL WELL. 310 00:14:24,002 --> 00:14:26,038 HE'S CHOKING! HEY! SOMEBODY HELP! 311 00:14:26,071 --> 00:14:27,005 [ SNIFFS ] OOH. 312 00:14:27,039 --> 00:14:28,140 COR BLIMEY, GOV'NOR! 313 00:14:28,173 --> 00:14:30,242 THAT THERE'S LOADED WITH SEA ROACHES! 314 00:14:30,275 --> 00:14:31,509 THAT'S BRITISH FOR "SHRIMP." 315 00:14:31,543 --> 00:14:33,645 WE HAVE A DIFFERENT WORD FOR A LOT OF THINGS. 316 00:14:33,678 --> 00:14:35,080 IT'S A BIT STUPID, INNIT? 317 00:14:35,113 --> 00:14:36,548 [ Strained ] I AM ALLERGIC TO SHRIMP. 318 00:14:36,581 --> 00:14:38,283 OH, DEAR. THAT'S ALL RIGHT. 319 00:14:38,316 --> 00:14:39,517 HE'S A BLEEDIN' DOCTOR. 320 00:14:39,551 --> 00:14:41,586 -OH, I -- I'M NOT... -MY THROAT! 321 00:14:41,619 --> 00:14:43,121 UH...OKAY. 322 00:14:43,155 --> 00:14:44,522 HERE. COME HERE. 323 00:14:44,556 --> 00:14:46,591 DO YOU HAVE A CORKSCREW? AND PULL THE BLADE OUT. 324 00:14:46,624 --> 00:14:48,326 PULL THE BLADE OUT OF THE CORKSCREW. 325 00:14:48,360 --> 00:14:50,428 -I'M GONNA NEED YOU TO CALM DOWN, SIR. -WAIT, WAIT, WAIT! 326 00:14:50,462 --> 00:14:51,529 I'M GONNA HAVE TO DO THIS REAL QUICK. 327 00:14:51,563 --> 00:14:52,430 JUST CALM DOWN, OKAY? 328 00:14:52,464 --> 00:14:54,366 -ALL RIGHT, DUCHESS, I NEED -- -PILLS. 329 00:14:56,601 --> 00:14:58,136 PILLS. 330 00:14:58,170 --> 00:14:59,972 OH. YEAH. 331 00:15:00,005 --> 00:15:01,239 THAT'S BETTER, BUDDY. PUT THAT IN YOUR MOUTH. 332 00:15:01,273 --> 00:15:03,041 I NEED TO GET THIS MAN TO A COMFORTABLE PLACE. 333 00:15:03,075 --> 00:15:04,109 DO YOU HAVE AN OFFICE I CAN USE? 334 00:15:04,142 --> 00:15:06,211 WE HAVE A FIRST-AID STATION RIGHT ON THIS FLOOR. 335 00:15:06,244 --> 00:15:08,180 PERFECT. COME WITH ME, SIR. GET UP. 336 00:15:08,213 --> 00:15:09,381 [ COUGHING ] 337 00:15:11,016 --> 00:15:13,451 WHERE THE DEVIL DID I... 338 00:15:13,485 --> 00:15:15,553 -WHAT'S GOING ON? -MEDICAL EMERGENCY. 339 00:15:15,587 --> 00:15:18,423 LISTEN, PERHAPS WE SHOULD CLOSE DOWN THE EXHIBIT. [ THUD ] 340 00:15:18,456 --> 00:15:19,691 EVERYONE'S VERY UPSET. 341 00:15:19,724 --> 00:15:23,195 YOU JUST STAY HERE. I'M A DOCTOR. 342 00:15:23,228 --> 00:15:24,963 THAT DOESN'T MAKE SENSE. 343 00:15:28,466 --> 00:15:29,968 BACK, BACK. THERE YOU GO. 344 00:15:30,002 --> 00:15:31,703 ALL RIGHT? OKAY. 345 00:15:31,736 --> 00:15:33,005 THANK YOU. YOU ARE A LIFESAVER. 346 00:15:33,038 --> 00:15:34,206 YEAH. YOU GOT IT, MAN. NO PROBLEM. 347 00:15:34,239 --> 00:15:35,373 -I AM IN YOUR DEBT. -ALL RIGHT. 348 00:15:35,407 --> 00:15:37,209 -I AM -- I AM IN YOUR DEBT. -STAY THERE. 349 00:15:37,242 --> 00:15:39,311 -I AM IN YOUR DEBT! -YOU GOT IT. 350 00:15:41,379 --> 00:15:43,381 I WANTED TO TALK TO YOU. 351 00:15:43,415 --> 00:15:45,283 [ As Dr. Ipcress ] OH. 352 00:15:45,317 --> 00:15:47,185 HOW LONG HAVE YOU BEEN WORKING HERE? 353 00:15:47,219 --> 00:15:48,253 FOUR MONTHS. 354 00:15:48,286 --> 00:15:50,188 I SAW MY FIRST DUCHESS UPSTAIRS. 355 00:15:50,222 --> 00:15:53,325 SHE... YOU LOOK... 356 00:15:53,358 --> 00:15:55,427 I'LL BE RIGHT BACK. 357 00:16:28,626 --> 00:16:30,428 DID SHE SAY WHERE SHE WAS GOING? 358 00:16:30,462 --> 00:16:32,464 -NO, SIR. -TODAY IS TOO IMPORTANT. 359 00:16:32,497 --> 00:16:34,699 WE ARE NOT LETTING HER SLIP THROUGH OUR FINGERS! 360 00:16:34,732 --> 00:16:37,335 YOU! HAVE YOU SEEN DR. IPCRESS? 361 00:16:37,369 --> 00:16:39,404 -WHO? -IPCRESS! 362 00:16:39,437 --> 00:16:41,806 WEIRD EYES, FUNNY HAIR. HMM? 363 00:16:41,839 --> 00:16:43,308 -YOU SURE YOU HAVEN'T SEEN HER? -NO. 364 00:16:43,341 --> 00:16:46,411 GO! CALL ME AS SOON AS YOU FIND HER. 365 00:16:48,413 --> 00:16:52,050 LOT 21 TO LONDON ON BRITISH AIR, LEAVING IN AN HOUR. 366 00:16:53,585 --> 00:16:56,388 THIS ONE GOES ON MY TRUCK. 367 00:17:10,235 --> 00:17:12,104 [ VASE SHATTERS ] 368 00:17:20,478 --> 00:17:22,280 YOU STOLE IT! 369 00:17:22,314 --> 00:17:24,516 -YOU STOLE IT FROM ME! -YES, I DID. 370 00:17:24,549 --> 00:17:27,285 WELL, TECHNICALLY, YOU DIDN'T HAVE IT. 371 00:17:27,319 --> 00:17:28,286 IT WAS EN ROUTE. 372 00:17:28,320 --> 00:17:30,155 THAT'S LIKE STEALING MY MAIL. 373 00:17:30,188 --> 00:17:31,723 WHAT, IS STEALING MAIL A CRIME? 374 00:17:33,158 --> 00:17:34,792 OOP. 375 00:17:34,826 --> 00:17:38,663 YOUR LITTLE SMASH-AND-GRAB RUINED MY PERFECT PLAN. 376 00:17:38,696 --> 00:17:41,699 WELL, WHATEVER IT TAKES TO GET THE JOB DONE, BABE. 377 00:17:41,733 --> 00:17:44,569 WELL, YOU DIDN'T EXACTLY GET THE JOB "DONE," DID YOU? 378 00:17:51,876 --> 00:17:53,878 SO, YOU DIDN'T GET IT? 379 00:17:53,911 --> 00:17:56,714 WELL, WHAT HAPPENED TO THE GUYS WHO YOU OWED MONEY TO? 380 00:17:56,748 --> 00:17:58,616 WELL, GUTMAN HAD A LOT OF ENEMIES. 381 00:17:58,650 --> 00:18:01,353 THEY ROLLED HIM ON SOME KIND OF RACKETEERING THING 382 00:18:01,386 --> 00:18:03,821 A COUPLE OF WEEKS LATER AND TOOK THE HEAT OFF ME. 383 00:18:03,855 --> 00:18:06,624 PRETTY MUCH FORGOT ABOUT THAT TILL TONIGHT. 384 00:18:06,658 --> 00:18:08,893 SO, I-I STEAL THE DAGGER FROM THE MUSEUM, 385 00:18:08,926 --> 00:18:11,163 YOU STEAL THE DAGGER FROM MY TRUCK. 386 00:18:11,196 --> 00:18:12,897 WELL, THEN WHO... 387 00:18:12,930 --> 00:18:15,433 [ LAUGHING ] 388 00:18:16,801 --> 00:18:20,672 [ CONTINUES LAUGHING ] 389 00:18:22,407 --> 00:18:23,475 UH, HARDISON, 390 00:18:23,508 --> 00:18:25,343 IS THERE SOMETHING YOU WANT TO SHARE WITH THE CLASS? 391 00:18:37,422 --> 00:18:40,625 OKAY, SOPHIE HAS IT FIRST. 392 00:18:40,658 --> 00:18:42,660 THEN ELIOT HAS IT. 393 00:18:42,694 --> 00:18:44,362 OR DOES ELIOT HAVE IT? 394 00:18:44,396 --> 00:18:45,797 SOPHIE NEVER HAD IT. 395 00:18:45,830 --> 00:18:48,132 AND THEN WE HAVE HARDISON. 396 00:18:49,934 --> 00:18:52,237 I DON'T BUY IT. 397 00:18:52,270 --> 00:18:53,471 DOESN'T SEEM LIKE YOUR KIND OF CRIME. 398 00:18:53,505 --> 00:18:54,272 NO, NOT TYPICALLY. 399 00:18:54,306 --> 00:18:56,341 BUT THE MUSEUM HAD JUST INSTALLED 400 00:18:56,374 --> 00:18:58,643 A TANUKI SECURITY SYSTEM STRAIGHT FROM JAPAN. 401 00:18:58,676 --> 00:19:00,478 TANUKI. NOT BAD. TOUGH SYSTEM. 402 00:19:00,512 --> 00:19:02,580 YEAH. IT'S GOT A SICK ENCRYPTION SYSTEM 403 00:19:02,614 --> 00:19:04,949 THAT PROTECTS BOTH THE DATABASE AND THE ALARM. 404 00:19:04,982 --> 00:19:07,552 NOW, FIVE YEARS AGO, WHOEVER CRACKED THAT FIRST 405 00:19:07,585 --> 00:19:09,854 WAS GONNA BE LIKE A HACKER LEGEND, MAN. 406 00:19:09,887 --> 00:19:13,858 BUT TO PROVE I DID IT, I WAS GONNA NEED A TROPHY FIRST. 407 00:19:20,898 --> 00:19:23,335 [ INDISTINCT CONVERSATIONS ] 408 00:19:23,368 --> 00:19:24,336 NOW, REMEMBER, 409 00:19:24,369 --> 00:19:27,905 WI-FI NETWORKS WEREN'T AS COMMON BACK IN THE DAY. 410 00:19:27,939 --> 00:19:30,575 SO I HAD TO GET IN THE BUILDING SOMEHOW. 411 00:19:30,608 --> 00:19:32,477 SO I JUST HACKED THE MUSEUM'S E-MAIL 412 00:19:32,510 --> 00:19:33,911 AND GRABBED THE INVITE OF SOME RANDOM DIGNITARY. 413 00:19:33,945 --> 00:19:35,046 NAME, SIR? 414 00:19:35,079 --> 00:19:37,915 [ Zimbabwean accent ] YES, I AM MINISTER ROBERT BIOKO. 415 00:19:37,949 --> 00:19:40,318 THANK YOU. 416 00:19:43,020 --> 00:19:44,989 OKAY. NOW WHAT? W-WHAT'S THIS? 417 00:19:45,022 --> 00:19:45,957 OH, THIS? 418 00:19:45,990 --> 00:19:48,360 I'M TELLING MY COMPUTER AT MY NANA'S HOU-- 419 00:19:48,393 --> 00:19:49,627 -MY -- MY -- MY -- MY HOUSE. -YOUR -- YOUR WHAT? 420 00:19:49,661 --> 00:19:51,596 -YOUR HOUSE. MM-HMM. -MY HOUSE -- 421 00:19:51,629 --> 00:19:53,665 TO, UH, EXECUTE A BRUTE-FORCE ATTACK 422 00:19:53,698 --> 00:19:55,533 AGAINST THE TANUKI'S FIREWALL. 423 00:19:55,567 --> 00:19:56,534 SEE, THAT'LL SOFTEN IT UP 424 00:19:56,568 --> 00:19:58,936 SO WHEN I GET PHYSICAL ACCESS, NOT SO TOUGH. 425 00:19:58,970 --> 00:20:01,506 BUT UNTIL THEN, I DOES WHAT I DO. 426 00:20:01,539 --> 00:20:02,907 HEY, COME HERE, GIRL. 427 00:20:02,940 --> 00:20:04,208 UH, UH, YOU WANT TO COME TO MY -- 428 00:20:04,242 --> 00:20:06,911 WELL, I LIVE WITH MY NANA, BUT WE CAN GO TO YOUR SPOT, THOUGH. 429 00:20:08,680 --> 00:20:10,515 UNH. 430 00:20:10,548 --> 00:20:12,784 SHAKE IT ONE TIME, BABY. 431 00:20:13,818 --> 00:20:15,820 HOW YOU DOING, GIRL? WATCH OUT NOW! 432 00:20:15,853 --> 00:20:17,889 MY DEAR, TO YOU. 433 00:20:17,922 --> 00:20:18,890 TO YOU. 434 00:20:18,923 --> 00:20:20,425 -THANK YOU. -THANK YOU. 435 00:20:27,965 --> 00:20:29,301 [ CAMERA SHUTTER CLICKS ] 436 00:20:29,334 --> 00:20:31,669 [ ELECTRICITY CRACKLES ] 437 00:20:31,703 --> 00:20:32,770 [ SCOFFS ] 438 00:20:32,804 --> 00:20:34,038 POWER SURGE. 439 00:20:34,071 --> 00:20:36,508 THAT'S THE TANUKI SYSTEM RESETTING. 440 00:20:36,541 --> 00:20:38,710 IT MEANS MY BACKDOOR'S IN PLACE. 441 00:20:38,743 --> 00:20:40,978 BUT YOU STILL HAVE TO GET ACCESS TO THE MAINFRAME. 442 00:20:41,012 --> 00:20:42,714 YOU CAN'T DO THAT FROM OUT HERE. 443 00:20:46,484 --> 00:20:48,353 [ COUGHING ] 444 00:20:48,386 --> 00:20:50,655 MINISTER, ARE YOU ALL RIGHT? 445 00:20:50,688 --> 00:20:51,523 [ COUGHS ] 446 00:20:51,556 --> 00:20:54,058 [ Zimbabwean accent ] I FEEL FAINT. 447 00:20:54,091 --> 00:20:57,662 OH, DO YOU HAVE A-A FIRST-AID ROOM OR A BACK OFFICE? 448 00:20:57,695 --> 00:20:59,397 Y-YES, YES, YES. THROUGH THAT DOOR. 449 00:20:59,431 --> 00:21:02,400 OH, I DO NOT FEEL WELL. 450 00:21:02,434 --> 00:21:04,035 [ GASPS, SNIFFS ] 451 00:21:04,068 --> 00:21:06,371 [ Scottish accent ] ACH! THERE'S SHRIMP IN THIS! 452 00:21:06,404 --> 00:21:08,373 [ RECORD SCRATCHES ] YOU REALLY CAN'T TELL? 453 00:21:08,406 --> 00:21:10,842 AMERICANS! EVERY ACCENT SOUNDS THE SAME TO YOU. 454 00:21:10,875 --> 00:21:12,577 I-I JUST... 455 00:21:12,610 --> 00:21:13,845 I'M SORRY. GO ON. 456 00:21:13,878 --> 00:21:16,481 I -- I SOUND LIKE ONE OF THE DWARVES IN "LORD OF THE RINGS," 457 00:21:16,514 --> 00:21:17,849 BUT PLEASE CONTINUE. 458 00:21:17,882 --> 00:21:20,318 ACH! THERE'S SHRIMP IN THIS. 459 00:21:20,352 --> 00:21:22,487 YOU'RE ALLERGIC TO SHRIMP! 460 00:21:22,520 --> 00:21:24,556 I'M ALLERGIC TO SHRIMP? I... 461 00:21:24,589 --> 00:21:26,090 I GOT IT. COME HERE, BUDDY. 462 00:21:26,123 --> 00:21:27,725 HEY, HAND ME THAT KNIFE. 463 00:21:29,361 --> 00:21:30,428 I'M GONNA HAVE TO CUT YOU, MAN. 464 00:21:30,462 --> 00:21:31,763 WHAT THE HELL? 465 00:21:31,796 --> 00:21:32,897 -NO, NO, MY PILLS! -I'M A DOCTOR, MAN. DON'T WORRY ABOUT IT. 466 00:21:32,930 --> 00:21:34,966 -MY PILLS, MY PILLS, MY PILLS. -DON'T WORRY. I GOT YOU. 467 00:21:34,999 --> 00:21:37,635 -OH. -I'M GOOD. I CAN BREATHE. 468 00:21:37,669 --> 00:21:40,071 LET'S GET YOU SOMEWHERE QUIET, MAN, WHERE THERE'S NO WITNESSES. 469 00:21:40,104 --> 00:21:41,673 WAIT A MINUTE. THOSE WEREN'T PILLS? 470 00:21:41,706 --> 00:21:43,475 NO, MAN, THEY WERE BREATH MINTS. 471 00:21:43,508 --> 00:21:44,809 YOU WERE ABOUT TO SLICE A HOLE IN MY THROAT. 472 00:21:44,842 --> 00:21:45,843 I HAD TO THINK OF SOMETHING. 473 00:21:45,877 --> 00:21:48,012 THAT EXPLAINS IT. 474 00:21:48,045 --> 00:21:50,114 -JUST TAKE IT EASY. JUST LAY DOWN THERE. -THANK YOU. 475 00:21:50,147 --> 00:21:52,584 [ SNIFFS ] 476 00:21:52,617 --> 00:21:53,918 YOU SMELL PEPPERMINT? 477 00:21:53,951 --> 00:21:56,488 I SMELL PEPPERMINT. 478 00:21:56,521 --> 00:21:57,722 ARE YOU SURE? 479 00:21:57,755 --> 00:21:58,956 YEAH. 480 00:21:58,990 --> 00:22:01,759 IT'S A VERY DISTINCTIVE SMELL. 481 00:22:01,793 --> 00:22:03,961 I'M GONNA GO SHARPEN THIS KNIFE, 482 00:22:03,995 --> 00:22:07,532 MAYBE WALK AROUND THE HALLS IN THE DARK. 483 00:22:07,565 --> 00:22:09,601 DON'T LEAVE. 484 00:22:09,634 --> 00:22:10,835 OKAY. 485 00:22:10,868 --> 00:22:11,769 OKAY. 486 00:22:19,644 --> 00:22:21,879 [ SIGHS ] 487 00:22:21,913 --> 00:22:23,415 [ BEEPING ] 488 00:22:23,448 --> 00:22:24,882 [ Normal voice ] OKAY. SEE, RIGHT NOW, 489 00:22:24,916 --> 00:22:26,651 I'M PUNCHING A HOLE IN THE MUSEUM DATABASE. 490 00:22:26,684 --> 00:22:28,786 AND NOW INTO THE SHIPPING INFORMATION. 491 00:22:28,820 --> 00:22:30,755 SEE, THERE. THERE. RIGHT THERE. 492 00:22:30,788 --> 00:22:32,657 THERE'S THE DAGGER OF AQU'ABI. 493 00:22:32,690 --> 00:22:35,393 SO YOU'RE GONNA CHANGE THE SHIPPING ADDRESS, LIKE SOPHIE. 494 00:22:35,427 --> 00:22:38,062 NO. I'M GONNA MAKE SURE IT NEVER LEAVES THE MUSEUM. 495 00:22:43,435 --> 00:22:46,370 [ ELECTRONIC SCANNING ] 496 00:22:47,605 --> 00:22:50,575 [ BEEPING ] 497 00:22:50,608 --> 00:22:52,410 VAULT. 498 00:22:52,444 --> 00:22:53,978 [ BEEPING ] 499 00:23:01,886 --> 00:23:03,921 GOOD. NOW I JUST HAVE TO WAIT FOR THEM 500 00:23:03,955 --> 00:23:06,824 TO GET DONE WITH THE INVENTORY AND GO PICK UP MY DAGGER. 501 00:23:08,460 --> 00:23:09,861 IMPRESSIVE. 502 00:23:12,497 --> 00:23:14,065 [ BEEP ] 503 00:23:21,739 --> 00:23:23,107 [ BEEPING ] 504 00:23:23,140 --> 00:23:24,709 COME ON. TOO SLOW. 505 00:23:24,742 --> 00:23:27,144 TOO SLOW. 506 00:23:27,178 --> 00:23:29,681 WHAT ARE YOU DOING THERE? 507 00:23:29,714 --> 00:23:31,949 I-I-I'M PATROLLING, SIR. 508 00:23:33,985 --> 00:23:35,687 YOU RECOGNIZE HER? 509 00:23:35,720 --> 00:23:38,022 UH, NO. NO, I DO NOT, SIR. 510 00:23:38,055 --> 00:23:39,857 THIS WAS A SCREWUP. 511 00:23:39,891 --> 00:23:41,859 THIS IS WHY I AM WHO I AM. 512 00:23:41,893 --> 00:23:42,994 I LIVE THIS JOB. 513 00:23:43,027 --> 00:23:45,497 IT IS THE ONLY THING I CARE ABOUT. 514 00:23:45,530 --> 00:23:46,931 WE ARE GONNA FIX THIS. 515 00:23:46,964 --> 00:23:49,133 "ABSOTIVELY, POSILUTELY," SIR. 516 00:23:49,166 --> 00:23:51,002 WHAT WAS THAT? 517 00:23:51,035 --> 00:23:52,069 [ GROANS ] 518 00:23:52,103 --> 00:23:53,538 HOLY -- CALL FOR BACKUP! 519 00:23:53,571 --> 00:23:56,107 HEY, HEY! YOU ALL RIGHT? YOU OKAY? 520 00:23:56,140 --> 00:23:57,642 HEY! HEY! HEY! 521 00:23:57,675 --> 00:23:58,876 [ CLATTER ] 522 00:23:58,910 --> 00:24:00,945 HEY! HEY! LET ME OUT! LET ME OUT OF HERE! 523 00:24:00,978 --> 00:24:01,913 HEY! 524 00:24:01,946 --> 00:24:03,114 [ POUNDING ON DOOR ] 525 00:24:03,147 --> 00:24:05,249 WHAT ARE YOU DOING?! 526 00:24:05,282 --> 00:24:07,218 WHERE ARE YOU GOING?! 527 00:24:07,251 --> 00:24:08,185 HEY! 528 00:24:08,219 --> 00:24:10,121 LET ME OUT! 529 00:24:15,527 --> 00:24:17,094 [ BEEPING ] 530 00:24:20,665 --> 00:24:23,467 [ KEYS RATTLE ] 531 00:24:32,109 --> 00:24:33,010 [ SCOFFS ] 532 00:24:33,044 --> 00:24:34,646 I DON'T BELIEVE IT. 533 00:24:34,679 --> 00:24:36,180 I BEAT YOU. 534 00:24:36,213 --> 00:24:38,683 AND I BEAT YOU, TOO. 535 00:24:38,716 --> 00:24:40,518 AND NOTHING ELSE MATTERS. 536 00:24:40,552 --> 00:24:42,119 WHY DOES NOTHING ELSE MATTER? 537 00:24:43,655 --> 00:24:45,857 IT DOESN'T. IT JUST -- IT JUST DOESN'T -- 538 00:24:45,890 --> 00:24:48,893 "NOTHING ELSE MATTERS." 539 00:24:48,926 --> 00:24:50,962 WHAT ELSE DOESN'T MATTER? 540 00:24:50,995 --> 00:24:52,697 YOU'RE JUST REAL INQUISITIVE, AREN'T YOU? 541 00:24:52,730 --> 00:24:54,532 JUST ASKING QUESTIONS... 542 00:24:54,566 --> 00:24:56,267 BUNCH OF QUESTIONS. 543 00:24:56,300 --> 00:24:57,969 [ KEYS RATTLE ] ALL RIGHT. 544 00:25:05,910 --> 00:25:08,045 -HA! -I KNEW IT. 545 00:25:08,079 --> 00:25:10,882 -HEY! STILL BEAT YOU! -[ LAUGHS ] 546 00:25:10,915 --> 00:25:12,784 NOTHING ELSE MATTERS! 547 00:25:12,817 --> 00:25:16,654 AND YOU TWO, Y'ALL -- Y'ALL WERE NASTY. I REMEMBER THAT. 548 00:25:16,688 --> 00:25:20,024 UH, WHAT ARE YOU -- THIS -- HE'S LYING, MAN, 549 00:25:20,057 --> 00:25:22,293 BECAUSE -- LOOK, SOMEBODY TOOK THE DAGGER 550 00:25:22,326 --> 00:25:23,828 OUT OF THE MUSEUM THAT NIGHT. 551 00:25:23,861 --> 00:25:26,130 ALL RIGHT. 552 00:25:26,163 --> 00:25:28,232 [ GLASSES SLIDE ] 553 00:25:28,265 --> 00:25:32,904 NOW, SOPHIE DIDN'T HAVE THE DAGGER. 554 00:25:32,937 --> 00:25:35,640 ELIOT DIDN'T HAVE THE DAGGER. 555 00:25:35,673 --> 00:25:37,909 HARDISON DIDN'T HAVE THE DAGGER. 556 00:25:37,942 --> 00:25:39,076 Still beat you. 557 00:25:52,890 --> 00:25:55,226 YEAH. 558 00:26:02,266 --> 00:26:04,636 WHAT?! I'M A THIEF! 559 00:26:09,173 --> 00:26:12,977 [ UP-TEMPO POP MUSIC PLAYS ] 560 00:26:13,010 --> 00:26:14,879 -OKAY, SO WHAT'S YOUR WAY IN? -Shh! 561 00:26:14,912 --> 00:26:17,348 THIS IS MY FAVORITE BIT -- THE FIRST FEW SECONDS. 562 00:26:18,716 --> 00:26:20,852 MY GEAR'S UNDER THE REFRESHMENTS TABLE 563 00:26:20,885 --> 00:26:22,787 NEXT TO THE VENTILATION SHAFT. 564 00:26:22,820 --> 00:26:24,822 I WAIT UNTIL THERE'S A DISTRACTION. 565 00:26:24,856 --> 00:26:26,691 THEN I GET DOWNSTAIRS. 566 00:26:26,724 --> 00:26:31,095 THEN I WAIT FOR THE DAGGER TO BE EXPOSED AND MAKE MY MOVE. 567 00:26:31,128 --> 00:26:34,932 [ GLASSES CLINK ] 568 00:26:34,966 --> 00:26:37,001 EXCUSE ME, ARE THESE FREE? 569 00:26:43,140 --> 00:26:45,743 YOU WANT ONE OF THEM SQUISHY THINGS? 570 00:26:45,777 --> 00:26:47,244 ALL RIGHT. SUIT YOURSELF. 571 00:26:47,278 --> 00:26:48,880 MM. 572 00:26:52,884 --> 00:26:56,287 [ SPEAKING GIBBERISH ] 573 00:26:56,320 --> 00:26:57,621 ...MY DINGALING. 574 00:27:01,959 --> 00:27:03,360 [ INHALES SHARPLY ] 575 00:27:03,394 --> 00:27:04,829 I HATE YOU ALL. 576 00:27:04,862 --> 00:27:06,731 HERE YOU GO. FREE BOOZE. 577 00:27:06,764 --> 00:27:08,365 THANKS. 578 00:27:08,399 --> 00:27:10,267 MISS? 579 00:27:10,301 --> 00:27:12,970 MISS? 580 00:27:15,807 --> 00:27:18,209 AREN'T YOU SUPPOSED TO HAVE DRINKS ON A TRAY? 581 00:27:18,242 --> 00:27:21,445 WHAT IF I WANTED, OH, SAY A DRINK. 582 00:27:21,478 --> 00:27:24,348 THIS IS A VERY IMPORTANT DAY. 583 00:27:24,381 --> 00:27:27,051 I-I... 584 00:27:27,084 --> 00:27:29,053 YOU SHOULD PROBABLY GO BACK AND GET SOME MORE REFRESHMENTS 585 00:27:29,086 --> 00:27:31,422 FOR THE GUESTS, MISS, UH... 586 00:27:33,257 --> 00:27:34,959 I'M SORRY. WHERE'S YOUR NAME TAG? 587 00:27:34,992 --> 00:27:37,461 ON THE REFRESHMENT TABLE BY THE REFRESHMENTS, 588 00:27:37,494 --> 00:27:38,863 WHERE I'M GOING NOW. 589 00:27:40,231 --> 00:27:43,000 [ ELECTRICITY CRACKLES ] 590 00:27:43,034 --> 00:27:46,337 HUH. SOMEBODY JUST PUNCHED A HOLE IN THE SECURITY SYSTEM. 591 00:27:47,772 --> 00:27:51,943 [ COUGHING ] 592 00:27:51,976 --> 00:27:54,011 [ SOPHIE GASPS ] 593 00:27:54,045 --> 00:27:55,747 [ SNIFFS ] UH! 594 00:27:55,780 --> 00:27:57,248 [ SPEAKING GIBBERISH ] 595 00:27:57,281 --> 00:27:59,183 [ GIBBERISH CONTINUES ] 596 00:27:59,216 --> 00:28:01,485 YES, I'M -- YES, I'M ALLERGIC TO SHRIMP. 597 00:28:01,518 --> 00:28:03,454 OH, YOU SAID "SHRIMP." 598 00:28:03,487 --> 00:28:06,123 THAT DIDN'T SOUND LIKE "SHRIMP." 599 00:28:07,792 --> 00:28:08,960 I THINK HIS THROAT'S CLOSING UP! 600 00:28:10,094 --> 00:28:11,796 YOU'RE GONNA HAVE TO OPEN HIS AIRWAY! 601 00:28:11,829 --> 00:28:13,731 WHAT? NO, NO, NO! 602 00:28:13,765 --> 00:28:15,800 -MNH-MNH. NO, NO, NO! -I GOT TO OPEN THE AIRWAY. 603 00:28:15,833 --> 00:28:18,002 MNH-MNH. I CAN BREATHE! I CAN BREATHE! IT'S A MIRACLE! 604 00:28:18,035 --> 00:28:19,470 I CAN BREATHE! I GOT THIS. 605 00:28:19,503 --> 00:28:20,704 I GOT THIS. I GOT THIS. 606 00:28:31,015 --> 00:28:34,185 ARE YOU KIDDING ME?! 607 00:28:37,889 --> 00:28:39,723 OKAY, PLAN "B." 608 00:28:43,360 --> 00:28:45,763 HAVE YOU SEEN DR. IPCRESS? 609 00:28:45,797 --> 00:28:47,899 I DON'T KNOW, MR. COSWELL. 610 00:28:47,932 --> 00:28:49,834 SHE JUST TOOK OFF. 611 00:28:49,867 --> 00:28:52,169 WHAT DO YOU MEAN, "SHE JUST TOOK OFF"? 612 00:28:52,203 --> 00:28:54,105 DID SHE SAY WHERE SHE WAS GOING? 613 00:28:54,138 --> 00:28:55,106 NO, SIR. 614 00:28:55,139 --> 00:28:56,340 TODAY IS TOO IMPORTANT. 615 00:28:56,373 --> 00:28:58,109 WE ARE NOT LETTING HER SLIP THROUGH OUR FINGERS. 616 00:29:00,177 --> 00:29:02,246 [ GUN COCKS ] 617 00:29:02,279 --> 00:29:03,514 [ ELECTRONIC SCANNING ] 618 00:29:07,952 --> 00:29:10,287 VAULT. 619 00:29:44,455 --> 00:29:46,924 [ DOOR CLOSES ] 620 00:29:50,995 --> 00:29:53,297 [ SIGHS ] 621 00:29:56,500 --> 00:29:58,970 HYAH! 622 00:30:03,875 --> 00:30:05,409 [ BEEPING ] 623 00:30:08,112 --> 00:30:10,047 CALL FOR BACKUP! 624 00:30:10,081 --> 00:30:11,916 HEY, HEY, HEY, HEY! [ CLATTER ] 625 00:30:17,254 --> 00:30:19,891 ROOF, HERE I COME. 626 00:30:26,964 --> 00:30:28,565 WHAT THE WHAT? 627 00:30:38,209 --> 00:30:39,576 NICE TRY. 628 00:30:39,610 --> 00:30:42,079 OW! 629 00:30:42,113 --> 00:30:43,347 AH! 630 00:30:44,381 --> 00:30:46,450 [ DAGGER CLATTERS ] [ GASPS ] 631 00:30:47,484 --> 00:30:49,586 OHH! 632 00:30:49,620 --> 00:30:50,554 -NO. -THAT'S WHAT HAPPENED. 633 00:30:50,587 --> 00:30:53,557 I TOLD YOU. THAT COSWELL GUY, HE'S SMART. 634 00:30:53,590 --> 00:30:55,960 HE COULD BE EVEN SMARTER THAN NATE. 635 00:30:55,993 --> 00:30:59,363 NO, NO, BECAUSE, SEE, THE DAGGER WAS STILL REPORTED STOLEN. 636 00:30:59,396 --> 00:31:02,233 SOMEBODY GOT UP OUT OF THERE WITH AQU'ABI. 637 00:31:02,266 --> 00:31:05,669 WELL, THAT MEANS THAT ONE OF US IS LYING. 638 00:31:05,702 --> 00:31:06,803 -SO SAYS THE LIAR. -YOU. 639 00:31:06,837 --> 00:31:09,073 -EXCUSE ME? -WHERE THERE'S SMOKE, THERE'S FIRE. 640 00:31:09,106 --> 00:31:10,374 I COULDN'T EVEN UNDERSTAND WHAT YOU WERE SAYING. 641 00:31:10,407 --> 00:31:12,643 [ ALL ARGUING AT ONCE ] 642 00:31:12,676 --> 00:31:14,011 NATE? 643 00:31:18,282 --> 00:31:20,484 I THINK YOU'RE ALL FORGETTING TO ASK YOURSELF 644 00:31:20,517 --> 00:31:22,219 THE ONE CENTRAL, CRUCIAL QUESTION. 645 00:31:29,326 --> 00:31:31,062 WHAT? 646 00:31:31,095 --> 00:31:33,130 WELL, THE QUESTION IS, WHO WAS THE INSURANCE COMPANY 647 00:31:33,164 --> 00:31:35,532 FOR THE DAGGER OF AQU'ABI? 648 00:31:35,566 --> 00:31:37,134 NO. 649 00:31:37,168 --> 00:31:38,535 -YOU GOT TO BE KIDDING. -COME ON, MAN. 650 00:31:38,569 --> 00:31:40,204 WHY DON'T YOU COME OVER 651 00:31:40,237 --> 00:31:43,174 AND LET ME TELL YOU WHAT REALLY HAPPENED? 652 00:31:47,144 --> 00:31:49,213 I'LL ADMIT IT -- YOU KNOW, I DIDN'T QUITE HAVE ALL OF IT. 653 00:31:49,246 --> 00:31:51,482 I MEAN, NOT TILL THIS VERY SECOND. 654 00:31:51,515 --> 00:31:54,118 BUT NOW I CAN FINALLY TELL YOU WHAT EXACTLY HAPPENED 655 00:31:54,151 --> 00:31:56,253 THE NIGHT THE DAGGER OF AQU'ABI WAS STOLEN. 656 00:31:59,223 --> 00:32:01,959 I HAVE TO SAY, OUR SECURITY IS PRETTY GREAT. 657 00:32:01,993 --> 00:32:03,995 YEAH. I DON'T DOUBT THAT, MR. COSWELL, 658 00:32:04,028 --> 00:32:06,297 BUT EDGAR GLADSTONE HAS HAD THREE ITEMS STOLEN 659 00:32:06,330 --> 00:32:07,298 JUST IN THE LAST YEAR. 660 00:32:07,331 --> 00:32:10,134 NOW, I.Y.S. IS NOT GONNA PAY ON THAT DAGGER. 661 00:32:10,167 --> 00:32:12,369 GLADSTONE'S INSIDE. YOU WANT ME TO INTRODUCE YOU? 662 00:32:12,403 --> 00:32:13,337 NO, NO. 663 00:32:13,370 --> 00:32:14,972 I'M GONNA BE GOING TO THE SECURITY OFFICE. 664 00:32:15,006 --> 00:32:16,140 OKAY, MEET YOU THERE. 665 00:32:16,173 --> 00:32:19,710 SWELL, UH...MEETING YOU THERE, MR. [CLEARS THROAT] FORD. 666 00:32:19,743 --> 00:32:20,811 AH. 667 00:32:24,681 --> 00:32:27,451 OH, MISS. EXCUSE ME. 668 00:32:27,484 --> 00:32:30,054 PLEASE, COULD YOU SEND THIS OVER TO MINISTER BIOKO 669 00:32:30,087 --> 00:32:31,155 WITH MY COMPLIMENTS? 670 00:32:31,188 --> 00:32:32,189 WHATEVER. 671 00:32:32,223 --> 00:32:34,225 THAT DUCHESS SURE IS PRETTY. 672 00:32:36,260 --> 00:32:40,331 COULD WE FOCUS ON BUSINESS, PLEASE, COSWELL? 673 00:32:40,364 --> 00:32:41,698 SORRY. 674 00:32:41,732 --> 00:32:44,068 OH. THANK YOU VERY MUCH. 675 00:32:44,101 --> 00:32:45,302 [ CHUCKLES ] 676 00:32:45,336 --> 00:32:47,304 -OH! -I'M SORRY. EXCUSE ME. 677 00:32:47,338 --> 00:32:48,572 ARE YOU ALL RIGHT? 678 00:32:48,605 --> 00:32:50,474 IT JUST TASTES FUNNY. 679 00:32:50,507 --> 00:32:51,475 I'M DOC ABERNATHY. 680 00:32:51,508 --> 00:32:52,709 OH. 681 00:32:52,743 --> 00:32:55,279 MISS. MISS, MISS! 682 00:32:55,312 --> 00:32:57,648 DO YOU HAVE ANY, UH, DRINKS? [ LAUGHS ] 683 00:32:57,681 --> 00:32:59,683 SHOULD I HAVE A DRINK? I AM ON DUTY. 684 00:32:59,716 --> 00:33:01,685 AH, WHAT'S WRONG WITH WANTING A DRINK? 685 00:33:01,718 --> 00:33:02,653 [ LAUGHS ] 686 00:33:02,686 --> 00:33:04,155 VERY SPECIAL DAY OR, UH, NIGHT. 687 00:33:04,188 --> 00:33:05,122 I... 688 00:33:05,156 --> 00:33:07,558 WOULD YOU MIND JUST GIVING ME A EHHH GLASS 689 00:33:07,591 --> 00:33:10,361 JUST TO GET MY COURAGE UP, MISS, UH... 690 00:33:10,394 --> 00:33:11,595 OH, NO, I'M SORRY! 691 00:33:11,628 --> 00:33:13,797 I-I -- WHERE'S YOUR NAME TAG? 692 00:33:13,830 --> 00:33:16,567 ON THE REFRESHMENT TABLE BY THE REFRESHMENTS, 693 00:33:16,600 --> 00:33:18,001 WHERE I'M GOING NOW. 694 00:33:21,305 --> 00:33:22,673 YOU'RE ALLERGIC TO SHRIMP? 695 00:33:22,706 --> 00:33:24,475 YEAH, YEAH. I'M ALLERGIC TO SHRIMP. 696 00:33:24,508 --> 00:33:26,310 HIS THROAT CLOSES, HE'S GONNA DIE. 697 00:33:32,083 --> 00:33:33,417 HEY, HEY. 698 00:33:33,450 --> 00:33:35,186 I'M GONNA HAVE TO CUT YOU. 699 00:33:35,219 --> 00:33:36,253 HEY, HEY. 700 00:33:38,122 --> 00:33:40,391 [ SIGHS ] 701 00:33:40,424 --> 00:33:42,426 HEY, DR. IPCRESS! 702 00:33:42,459 --> 00:33:43,560 [ LAUGHS ] 703 00:33:43,594 --> 00:33:44,628 WHAT A PLEASANT SURPRISE! 704 00:33:44,661 --> 00:33:46,063 YOU DON'T, UH, WORK NIGHTS. 705 00:33:46,097 --> 00:33:47,298 ALTHOUGH, YOU'RE SO DILIGENT. 706 00:33:47,331 --> 00:33:48,799 OF COURSE I EXPECTED YOU TO BE HERE. 707 00:33:48,832 --> 00:33:50,667 OH, HI, MR. COSWELL. 708 00:33:50,701 --> 00:33:53,270 I DIDN'T EXPECT TO SEE YOU DOWN HERE SO EARLY. 709 00:33:53,304 --> 00:33:55,472 EH, GALLERY'S CLOSED 'CAUSE OF A MEDICAL EMERGENCY. 710 00:33:55,506 --> 00:33:56,607 OH, DEAR. 711 00:33:56,640 --> 00:33:57,641 UM...[CLEARS THROAT] 712 00:33:57,674 --> 00:34:00,377 SO WE HAVE TO PROCESS THE EXHIBITS RIGHT NOW. 713 00:34:00,411 --> 00:34:01,178 [ INHALES SHARPLY ] 714 00:34:01,212 --> 00:34:03,180 UH...[CLEARS THROAT] DR. IPCRESS, 715 00:34:03,214 --> 00:34:05,382 I WAS WONDERING IF WE COULD TALK. 716 00:34:05,416 --> 00:34:07,084 HMM? OH, OF COURSE. 717 00:34:07,118 --> 00:34:09,820 UM, WHILE WE'VE BEEN WORKING TOGETHER -- 718 00:34:09,853 --> 00:34:11,722 HOW LONG HAVE YOU BEEN WORKING HERE? 719 00:34:11,755 --> 00:34:12,723 OH, UH, FOUR MONTHS. 720 00:34:12,756 --> 00:34:15,359 UH, W-WHAT I MEAN TO SAY I-- 721 00:34:15,392 --> 00:34:16,760 [ CLEARS THROAT ] 722 00:34:16,793 --> 00:34:18,629 THERE'S ALL THESE FANCY PEOPLE UPSTAIRS. 723 00:34:18,662 --> 00:34:20,864 I JUST SAW A DUCHESS, AND SHE -- YOU LOOK WAY BETTER. 724 00:34:20,897 --> 00:34:23,167 [ LAUGHS ] 725 00:34:23,200 --> 00:34:24,868 I'LL BE RIGHT BACK. 726 00:34:24,901 --> 00:34:26,537 STUPID! STUPID! 727 00:34:31,175 --> 00:34:34,445 STUPID, STUPID, STUPID, STUPID, STUPID! 728 00:34:50,661 --> 00:34:52,429 OKAY, PLAN "B." 729 00:34:55,866 --> 00:34:57,768 [ COSWELL CLEARS THROAT ] 730 00:35:01,538 --> 00:35:02,839 I DON'T KNOW, MR. COSWELL. 731 00:35:02,873 --> 00:35:04,641 SHE JUST TOOK OFF. 732 00:35:04,675 --> 00:35:06,443 WHAT DO YOU MEAN, "SHE JUST TOOK OFF"? 733 00:35:06,477 --> 00:35:07,878 DID SHE SAY WHERE SHE WAS GOING? 734 00:35:07,911 --> 00:35:10,247 NO, SIR. 735 00:35:10,281 --> 00:35:11,315 TODAY IS TOO IMPORTANT! 736 00:35:11,348 --> 00:35:13,784 THIS IS THE LAST DAY SHE'S GONNA BE WORKING HERE. 737 00:35:13,817 --> 00:35:14,885 IT'S NOT YOUR FAULT. 738 00:35:14,918 --> 00:35:17,754 I AM NOT GONNA LET THIS GIRL SLIP THROUGH MY FINGERS! 739 00:35:27,564 --> 00:35:29,633 OH, HI...YOU. 740 00:35:29,666 --> 00:35:31,668 -HAVE YOU SEEN DR. IPCRESS? -WHO? 741 00:35:31,702 --> 00:35:32,869 IPCRESS? 742 00:35:32,903 --> 00:35:35,206 PRETTY EYES [Laughing] FUNNY LITTLE PONYTAIL IN HER HAIR? 743 00:35:35,239 --> 00:35:36,473 NO. 744 00:35:36,507 --> 00:35:38,775 YOU SURE YOU HAVEN'T SEEN HER? 745 00:35:38,809 --> 00:35:41,612 OKAY, GO. UH, CALL ME AS SOON AS YOU FIND HER! 746 00:35:41,645 --> 00:35:43,214 OKAY. 747 00:35:49,720 --> 00:35:52,656 COSWELL, WHAT WAS THAT, UH, FOOD POISONING? 748 00:35:52,689 --> 00:35:56,793 KIND OF A WEIRD COINCIDENCE -- LAST NIGHT OF THE EXHIBIT. 749 00:35:56,827 --> 00:35:59,296 HUH. UH... 750 00:35:59,330 --> 00:36:01,565 OKAY, WELL, I'LL GO CHECK THAT OUT. 751 00:36:01,598 --> 00:36:02,699 [ SIGHS HEAVILY ] 752 00:36:02,733 --> 00:36:06,337 MR. FORD, DO YOU HAVE A WIFE? 753 00:36:06,370 --> 00:36:08,205 YEAH. 754 00:36:09,640 --> 00:36:13,210 SEEMS A SHAME TO LET THESE GO TO WASTE. 755 00:36:18,315 --> 00:36:20,317 [ BEEPING ] 756 00:36:20,351 --> 00:36:21,151 OH, HI. 757 00:36:21,184 --> 00:36:24,321 WHAT ARE YOU DOING, WORKING LATE? 758 00:36:24,355 --> 00:36:26,723 I'M -- I'M JUST PATROLLING, SIR. 759 00:36:26,757 --> 00:36:28,359 RECOGNIZE HER? 760 00:36:28,392 --> 00:36:30,461 NO, SIR, I DON'T. NO. 761 00:36:30,494 --> 00:36:32,296 I SCREWED UP. 762 00:36:32,329 --> 00:36:34,698 I LET HER GET AWAY. 763 00:36:34,731 --> 00:36:36,433 THIS IS WHY I AM WHO I AM. 764 00:36:36,467 --> 00:36:38,335 I LIVE FOR THIS JOB! 765 00:36:38,369 --> 00:36:40,537 IT'S THE ONLY THING I HAVE IN MY LIFE TO CARE ABOUT, 766 00:36:40,571 --> 00:36:43,340 AND I THOUGHT, "YOU KNOW, BOY, IT'S TIME TO FIX THIS!" 767 00:36:43,374 --> 00:36:46,310 RIGHT, RIGHT. YOU NEED A TISSUE? 768 00:36:46,343 --> 00:36:48,645 WHAT WAS THAT? 769 00:36:48,679 --> 00:36:50,347 -[ GROANS ] -HOLY... 770 00:36:50,381 --> 00:36:52,283 UH, UH, CALL FOR BACKUP! 771 00:36:52,316 --> 00:36:53,684 HEY. YOU OKAY, BUDDY? YOU ALL RIGHT? 772 00:36:53,717 --> 00:36:55,619 HEY! UH, UH, HEY! HEY! 773 00:36:55,652 --> 00:36:57,488 [ CLATTER ] 774 00:36:57,521 --> 00:36:58,989 [ POUNDING ON DOOR ] 775 00:36:59,022 --> 00:37:00,757 HEY! HEY! 776 00:37:00,791 --> 00:37:03,260 [ POUNDING CONTINUES ] 777 00:37:06,730 --> 00:37:07,931 [ VAULT DOOR CLOSES ] 778 00:37:07,964 --> 00:37:10,801 [ GROANS ] 779 00:37:10,834 --> 00:37:13,504 HEY, DON'T WORRY, BUDDY. I'LL GET US OUT OF HERE. 780 00:37:13,537 --> 00:37:15,806 THIS YOURS? 781 00:37:20,311 --> 00:37:23,580 [ LAUGHS ] 782 00:37:23,614 --> 00:37:24,815 WOW. 783 00:37:24,848 --> 00:37:27,784 WE HAVE SOME REALLY WELL-STOCKED SUPPLY CLOSETS HERE. 784 00:37:27,818 --> 00:37:29,886 I'M GONNA HAVE TO WRITE A NICE NOTE TO THE JANITORIAL STAFF. 785 00:37:29,920 --> 00:37:31,021 UH... 786 00:37:31,054 --> 00:37:32,789 OKAY, I'M, UH... 787 00:37:32,823 --> 00:37:35,492 [ Groaning ] OH, BOY. 788 00:37:41,031 --> 00:37:42,499 COSWELL, ARE YOU THERE? 789 00:37:42,533 --> 00:37:45,001 THERE'S A BUNCH OF UNSECURED DOORS DOWN HERE. 790 00:37:47,438 --> 00:37:49,406 -[ Laughing ] OH. HI. -[ Laughing ] OH, HEY. 791 00:37:49,440 --> 00:37:50,507 OH! 792 00:37:52,409 --> 00:37:53,777 OH! 793 00:37:53,810 --> 00:37:55,879 YOU OKAY? 794 00:37:55,912 --> 00:37:57,013 [ DAGGER CLATTERS ] [ GASPS ] 795 00:37:58,849 --> 00:38:01,051 [ MUFFLED CLATTERING ] 796 00:38:09,560 --> 00:38:11,328 -OH, BUTTERFINGERS! -IT WAS MY PERFECT PLAN! 797 00:38:11,362 --> 00:38:13,063 [ ALL TALKING AT ONCE ] 798 00:38:13,096 --> 00:38:14,698 WAIT, WAIT, WAIT, WAIT. WAIT, WAIT. 799 00:38:14,731 --> 00:38:16,933 ASSUMING WE BUY THIS... 800 00:38:16,967 --> 00:38:18,435 POOR COSWELL. 801 00:38:18,469 --> 00:38:19,836 ...THERE'S ONE PROBLEM WITH YOUR STORY. 802 00:38:19,870 --> 00:38:21,572 THE DAGGER WAS STILL REPORTED STOLEN. 803 00:38:21,605 --> 00:38:23,507 BECAUSE IT WAS STOLEN. 804 00:38:23,540 --> 00:38:26,577 WAIT, WAIT. HERE HE IS NOW. GOODBYE. 805 00:38:26,610 --> 00:38:28,812 I'VE JUST REPORTED THE DAGGER STOLEN TO THE POLICE. 806 00:38:28,845 --> 00:38:30,080 THEY'LL BE HERE ANY SECOND. 807 00:38:30,113 --> 00:38:31,815 I'M REALLY SORRY ABOUT THIS, MR. GLADSTONE. 808 00:38:31,848 --> 00:38:32,849 SORRY! 809 00:38:32,883 --> 00:38:35,919 YOU HAD THE GIRL IN YOUR HANDS! 810 00:38:35,952 --> 00:38:40,857 THIS ROBBERY IS THE WORST LOSS I HAVE EVER EX-- 811 00:38:40,891 --> 00:38:42,993 [ Laughing ] HEY! 812 00:38:49,800 --> 00:38:51,034 [ METAL CRACKS ] 813 00:38:51,067 --> 00:38:53,537 OH! 814 00:38:53,570 --> 00:38:56,139 I DON'T KNOW MUCH ABOUT GOLD. IT'S NOT SUPPOSED TO DO THAT! 815 00:38:56,172 --> 00:38:59,576 WORST LOSS, MR. GLADSTONE? 816 00:38:59,610 --> 00:39:02,746 IS IT WORSE THAN THE FIRST THREE PIECES OF ART 817 00:39:02,779 --> 00:39:04,047 YOU'VE HAD STOLEN? 818 00:39:04,080 --> 00:39:06,149 YOU DON'T UNDERSTAND. 819 00:39:06,182 --> 00:39:08,485 WHY DO YOU THINK I'M HERE? 820 00:39:08,519 --> 00:39:10,754 I'M HERE TO FIGURE OUT WHY IT IS 821 00:39:10,787 --> 00:39:14,057 YOU'VE HAD SO MANY EXPENSIVE PIECES OF ART STOLEN 822 00:39:14,090 --> 00:39:17,494 THAT I.Y.S. HAS HAD TO PAY FOR. 823 00:39:17,528 --> 00:39:19,129 WELL, NOW WE KNOW. 824 00:39:19,162 --> 00:39:23,033 WHAT YOU DO IS YOU SELL THE ORIGINALS ON THE BLACK MARKET, 825 00:39:23,066 --> 00:39:26,136 AND THEN YOU STAGE A VERY PUBLIC THEFT OF THE FAKES 826 00:39:26,169 --> 00:39:28,872 SO THAT YOU CAN COLLECT THE INSURANCE. 827 00:39:28,905 --> 00:39:30,641 YOU'RE DOUBLE DIPPING. 828 00:39:30,674 --> 00:39:32,976 THAT'S, UH -- THAT'S A BAD BOY. 829 00:39:33,009 --> 00:39:34,545 PLEASE. 830 00:39:34,578 --> 00:39:35,779 [ INHALES SHAKILY ] 831 00:39:35,812 --> 00:39:37,113 PLEASE, I'LL BE RUINED. 832 00:39:37,147 --> 00:39:38,715 I'LL...I'LL DO ANYTHING. 833 00:39:38,749 --> 00:39:40,183 ANYTHING? 834 00:39:40,216 --> 00:39:41,585 ANYTHING. 835 00:39:41,618 --> 00:39:44,755 WELL, YOU'LL -- YOU'LL DEFINITELY PAY BACK 836 00:39:44,788 --> 00:39:47,724 THE SETTLEMENTS OF THE PREVIOUS ITEMS. 837 00:39:47,758 --> 00:39:49,926 -HAVE YOU SOLD THE DAGGER YET? -NO. 838 00:39:49,960 --> 00:39:53,464 OKAY. THEN, UH, I.Y.S. WILL TAKE THE DAGGER AS AN ASSET. 839 00:39:53,497 --> 00:39:54,765 AND I'D LIKE THE DEALER. 840 00:39:54,798 --> 00:39:58,001 YEAH. OH, YOU'RE SMALL POTATOES, GLADSTONE. 841 00:39:58,034 --> 00:40:00,737 YES. NO, I WANT THE MAN YOU'VE BEEN HIRING 842 00:40:00,771 --> 00:40:03,139 TO MOVE YOUR ART AND FAKE THESE THEFTS. 843 00:40:03,173 --> 00:40:06,543 AS SOON AS HE FINDS OUT THE DAGGER WASN'T STOLEN, HE'LL RUN. 844 00:40:06,577 --> 00:40:08,044 THAT'S A GOOD POINT, COSWELL. 845 00:40:08,078 --> 00:40:10,814 WE'LL KEEP THE STORY OF THE THEFT. 846 00:40:10,847 --> 00:40:13,650 I.Y.S. JUST WON'T PURSUE THE CASE. 847 00:40:13,684 --> 00:40:16,086 SO, AS OF RIGHT NOW, 848 00:40:16,119 --> 00:40:20,056 THE DAGGER OF AQU'ABI HAS BEEN STOLEN. 849 00:40:22,726 --> 00:40:24,094 SO NONE OF US GOT IT. 850 00:40:24,127 --> 00:40:25,061 NONE OF US GOT IT. 851 00:40:25,095 --> 00:40:27,063 WAIT. DID IT WORK? DID YOU GET THE DEALER? 852 00:40:27,097 --> 00:40:30,567 [ CLEARS THROAT ] 853 00:40:30,601 --> 00:40:34,037 A CLIENT OF MINE, FOR WHOM I MOVE RARE MERCHANDISE, 854 00:40:34,070 --> 00:40:36,573 has asked me to arrange a retrieval. 855 00:40:36,607 --> 00:40:38,108 A DAGGER. 856 00:40:38,141 --> 00:40:39,109 WHERE? 857 00:40:39,142 --> 00:40:42,112 It's in Boston. Tonight. 858 00:40:42,145 --> 00:40:43,780 YOU TOOK OUT GUTMAN? 859 00:40:43,814 --> 00:40:44,981 YOU'RE WELCOME. 860 00:40:45,015 --> 00:40:47,784 SO WE JUST DID ALL THAT WORK FOR NOTHING. 861 00:40:47,818 --> 00:40:50,954 NOT FOR NOTHING. NO. 862 00:40:50,987 --> 00:40:53,189 YOU KNOW, YOU GUYS, SOMETIMES IT'S EASY TO FORGET 863 00:40:53,223 --> 00:40:55,992 WHY IT IS YOU STOPPED WORKING ALONE 864 00:40:56,026 --> 00:40:57,961 AND BECAME A TEAM. 865 00:40:57,994 --> 00:41:00,731 HERE'S WHY. 866 00:41:00,764 --> 00:41:02,999 THE DAGGER IS NOW OWNED BY NIGEL HAYTON, 867 00:41:03,033 --> 00:41:05,001 C.E.O. OF BARON OIL. 868 00:41:05,035 --> 00:41:06,402 BARON OIL IS, OF COURSE, 869 00:41:06,436 --> 00:41:09,105 RESPONSIBLE FOR THE LATEST OIL SPILL IN AMERICAN WATERS. 870 00:41:09,139 --> 00:41:11,742 AND NOW THIS DISPLAY HAS SPARKED PROTESTS. 871 00:41:11,775 --> 00:41:14,277 MR. HAYTON, DO YOU THINK IT IS APPROPRIATE, 872 00:41:14,310 --> 00:41:16,012 AS THOUSANDS LOSE THEIR JOBS 873 00:41:16,046 --> 00:41:18,281 BECAUSE OF YOUR COMPANY'S NEGLIGENCE, 874 00:41:18,314 --> 00:41:21,618 TO BE SHOWCASING THE PROFITS OF THAT COMPANY? 875 00:41:21,652 --> 00:41:22,786 ON THE CONTRARY. 876 00:41:22,819 --> 00:41:25,956 I THINK SHARING MY ART COLLECTION WITH THE PEOPLE, 877 00:41:25,989 --> 00:41:27,357 THE LITTLE PEOPLE, 878 00:41:27,390 --> 00:41:31,728 IS A WONDERFUL WAY OF SHOWING HOW MUCH BARON OIL CARES. 879 00:41:31,762 --> 00:41:34,164 BARON OIL CARES. 880 00:41:34,197 --> 00:41:36,032 I CARE. 881 00:41:41,337 --> 00:41:43,173 [ EXHALES SHARPLY ] 882 00:41:43,206 --> 00:41:44,274 DIBS. 883 00:41:44,307 --> 00:41:45,576 UNH-UNH. I BAGSY IT. 884 00:41:45,609 --> 00:41:47,578 NOT IF I GET THERE FIRST. 885 00:41:56,286 --> 00:41:57,854 AH, WHAT THE HELL? 886 00:41:57,888 --> 00:42:00,090 [ GRUNTS ] 57142

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