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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,973 --> 00:00:03,409 [ GUITAR PLAYING SOFTLY ] 2 00:00:13,686 --> 00:00:17,290 * WELL, I KNOW THEY SAY ALL GOOD THINGS * 3 00:00:17,323 --> 00:00:20,293 * MUST COME TO SOME KIND OF ENDING * 4 00:00:20,326 --> 00:00:21,760 * WE WERE SO DAMN GOOD 5 00:00:21,794 --> 00:00:26,165 * I GUESS WE NEVER STOOD A CHANCE * 6 00:00:26,199 --> 00:00:29,435 * GO ON AND FIND WHAT YOU'VE BEEN MISSING * 7 00:00:29,468 --> 00:00:32,438 * WHEN THAT HIGHWAY'S TIRED OF LISTENING -- * 8 00:00:32,471 --> 00:00:34,273 [ THUD ] 9 00:00:35,474 --> 00:00:37,110 YOU CAN'T JUST BARGE IN HERE LIKE -- 10 00:00:37,143 --> 00:00:38,177 OH! 11 00:00:38,211 --> 00:00:41,514 WHAT DID I TELL YOU TWO ABOUT TALKING TO LAWYERS? 12 00:00:41,547 --> 00:00:43,849 I-I -- NO, WE DIDN'T! WE DIDN'T! 13 00:00:43,882 --> 00:00:45,718 YOU DON'T THINK I KNOW WHAT GOES ON IN MY TOWN? 14 00:00:45,751 --> 00:00:47,753 WHEN I TELL YOU NOT TO DO SOMETHING -- 15 00:00:47,786 --> 00:00:48,721 AAH! 16 00:00:48,754 --> 00:00:50,356 [ SCREAMING ] 17 00:00:50,389 --> 00:00:53,259 NO! NO! 18 00:00:53,292 --> 00:00:54,360 SIT DOWN! 19 00:00:56,329 --> 00:00:58,297 DON'T DO IT. 20 00:01:00,166 --> 00:01:02,268 -NOW, GET ME THE OTHER HAND. -NO. 21 00:01:02,301 --> 00:01:05,238 NO. NO. NO. PLEASE DON'T. PLEASE. 22 00:01:05,271 --> 00:01:07,340 I SWEAR, WE DIDN'T DO ANYTHING. PLEASE! 23 00:01:07,373 --> 00:01:08,507 WE DIDN'T DO NOTHING. 24 00:01:08,541 --> 00:01:11,544 [ BONES CRACKING, MAN SCREAMING ] 25 00:01:12,845 --> 00:01:15,648 THE RICH AND POWERFUL TAKE WHAT THEY WANT. 26 00:01:15,681 --> 00:01:17,650 WE STEAL IT BACK FOR YOU. 27 00:01:24,190 --> 00:01:28,694 SOMETIMES, BAD GUYS MAKE THE BEST GOOD GUYS. 28 00:01:30,429 --> 00:01:31,664 WE PROVIDE... 29 00:01:36,635 --> 00:01:38,371 [ SIGHS ] 30 00:01:38,404 --> 00:01:40,506 I'M SORRY. I'M STILL A BIT SHOOK UP. 31 00:01:40,539 --> 00:01:41,607 THAT'S ALL RIGHT. 32 00:01:41,640 --> 00:01:43,142 I GOT IT. 33 00:01:43,176 --> 00:01:44,143 THAT'S ALL RIGHT. 34 00:01:44,177 --> 00:01:46,379 THANK YOU. 35 00:01:46,412 --> 00:01:50,149 SO, UH, YOUR BROTHER -- NOW, WILL HE EVER PLAY AGAIN? 36 00:01:50,183 --> 00:01:52,885 DOCTORS SAY HE'LL BE LUCKY TO MOVE HIS FINGERS AGAIN. 37 00:01:52,918 --> 00:01:54,253 MUSIC WAS HIS LIFE. 38 00:01:54,287 --> 00:01:56,322 WHAT KIRKWOOD DID WAS MORE THAN WRONG. 39 00:01:56,355 --> 00:01:57,390 IT WAS... 40 00:01:57,423 --> 00:01:58,591 IT WAS CRUEL. 41 00:02:01,294 --> 00:02:03,629 NOW, THIS GUY KIRKWOOD -- YOU SAID HE HAS A REPUTATION 42 00:02:03,662 --> 00:02:04,797 FOR DOING THESE KINDS OF THINGS. 43 00:02:04,830 --> 00:02:06,399 SO WHY WOULD YOU WORK FOR HIM? 44 00:02:06,432 --> 00:02:08,534 WELL, HE OWNS A RECORD LABEL, MR. FORD. 45 00:02:08,567 --> 00:02:09,535 SO? 46 00:02:09,568 --> 00:02:12,305 PUT IT LIKE THIS. 47 00:02:12,338 --> 00:02:15,508 THE DAY I WAS BORN, MY MAMA SAID I LOOKED AT HER, SMILED, 48 00:02:15,541 --> 00:02:17,610 AND ASKED, "WHICH WAY TO MUSIC CITY?" 49 00:02:17,643 --> 00:02:20,179 -HE WAS YOUR SHOT AT STARDOM. -RIGHT. 50 00:02:20,213 --> 00:02:22,781 HE HIRED US TO WRITE SONGS FOR OTHER ARTISTS -- 51 00:02:22,815 --> 00:02:24,350 HIS MORE ESTABLISHED ARTISTS. 52 00:02:24,383 --> 00:02:26,552 IT WAS GOOD MONEY, PLUS ROYALTIES. 53 00:02:26,585 --> 00:02:28,587 AND WE THOUGHT WE'D HIT THE JACKPOT. 54 00:02:28,621 --> 00:02:29,888 BUT WHEN IT CAME TIME TO PAY -- 55 00:02:29,922 --> 00:02:32,658 -HE SHOWED YOU THE FINE PRINT. -EXACTLY. 56 00:02:32,691 --> 00:02:33,859 HE CHARGED US RENT TO PARK IN HIS LOT. 57 00:02:33,892 --> 00:02:36,195 HE CHARGED US FOR THE PENS WE USED. 58 00:02:36,229 --> 00:02:37,596 HE -- HE OWNS OUR PUBLISHING. 59 00:02:37,630 --> 00:02:39,965 SO THE ONLY DIFFERENCE BETWEEN KIRKWOOD AND THE MAJORS 60 00:02:39,998 --> 00:02:42,701 IS THAT THE MAJORS USE LAWYERS TO DO THEIR DIRTY WORK. 61 00:02:42,735 --> 00:02:45,238 AND OUR SONGS WERE GOOD. AND THEY DID WELL. 62 00:02:45,271 --> 00:02:46,272 AND BEFORE YOU KNEW IT, 63 00:02:46,305 --> 00:02:48,807 HE OWED US HUNDREDS OF THOUSANDS IN ROYALTIES. 64 00:02:48,841 --> 00:02:50,309 YOU EVER CONFRONT HIM? 65 00:02:50,343 --> 00:02:51,410 INSTEAD OF PAYING US, 66 00:02:51,444 --> 00:02:53,646 HE OFFERED TO RECORD OUR OWN ALBUM IN HIS STUDIO -- 67 00:02:53,679 --> 00:02:54,913 NO CHARGE. 68 00:02:54,947 --> 00:02:56,949 AND HE SAID HE WAS GONNA GET US A SPOT ON "SADDLES & SPURS." 69 00:02:56,982 --> 00:02:58,551 "SADDLES & SPU--" WHAT'S THAT? 70 00:02:58,584 --> 00:03:00,619 A BIG MUSIC FESTIVAL IN MEMPHIS. 71 00:03:00,653 --> 00:03:01,854 ALL RIGHT. SO, WHAT HAPPENED? 72 00:03:01,887 --> 00:03:05,391 WHEN HE HEARD THE ALBUM, HE DECIDED IT WAS TOO GOOD TO WASTE 73 00:03:05,424 --> 00:03:07,360 ON A COUPLE OF UNKNOWNS. 74 00:03:07,393 --> 00:03:08,461 SO HE STOLE IT! 75 00:03:08,494 --> 00:03:11,497 THE DEVIL MAY HAVE GONE DOWN TO GEORGIA, MR. FORD, 76 00:03:11,530 --> 00:03:13,766 BUT HE LIVES IN MEMPHIS. 77 00:03:13,799 --> 00:03:15,501 MITCHELL KIRKWOOD. 78 00:03:15,534 --> 00:03:17,236 RECORD PRODUCER AND C.E.O. OF KIRKWOOD RECORDS. 79 00:03:17,270 --> 00:03:18,937 NOW, HERE'S A FUN FACT. 80 00:03:18,971 --> 00:03:20,906 HE STARTED OFF HIS CAREER AS AN ARTIST. 81 00:03:20,939 --> 00:03:22,475 DOES ANYBODY REMEMBER THIS? 82 00:03:22,508 --> 00:03:24,510 * ...SHOULD HAVE BEEN * 83 00:03:24,543 --> 00:03:30,916 * IT TOOK A SINGLE SPARK TO SET THE SKY AFLAME * 84 00:03:30,949 --> 00:03:33,452 * WHEN YOU WERE IN MY ARMS * 85 00:03:33,486 --> 00:03:36,589 * THE STARS SPELLED OUT YOUR NAME * 86 00:03:36,622 --> 00:03:39,024 I SAY WE TAKE HIM DOWN FOR THAT ALONE. 87 00:03:39,057 --> 00:03:40,626 CRITICS AGREED. 88 00:03:40,659 --> 00:03:43,262 IT'S PROBABLY WHY HE NEVER RELEASED ANOTHER SINGLE. 89 00:03:43,296 --> 00:03:45,331 HE TOOK ALL THE MONEY HE MADE AND FUNNELED IT 90 00:03:45,364 --> 00:03:46,265 INTO HIS RECORD COMPANY. 91 00:03:46,299 --> 00:03:48,634 AND JUDGING BY THE NUMBER OF LAWSUITS FILED 92 00:03:48,667 --> 00:03:50,869 AND DROPPED WITHIN DAYS, I'D SAY IT'S NOT HIS FIRST TIME 93 00:03:50,903 --> 00:03:52,505 FORCING SOMEBODY TO SETTLE OUT OF COURT. 94 00:03:52,538 --> 00:03:54,407 -DOES HE HAVE A CRIMINAL RECORD? -NONE. 95 00:03:54,440 --> 00:03:55,874 HE CARVED OUT A NICE LITTLE KINGDOM 96 00:03:55,908 --> 00:03:57,009 IN THE COUNTRY-MUSIC WORLD. 97 00:03:57,042 --> 00:03:59,044 YEAH. WELL, HE STOLE KAYE LYNN'S MUSIC. 98 00:03:59,077 --> 00:04:01,714 HE STOLE HER MONEY, HE TOOK OVER THEIR PUBLISHING. 99 00:04:01,747 --> 00:04:04,283 YEAH, BUT WE'RE GONNA GET IT BACK. 100 00:04:04,317 --> 00:04:08,621 I UNDERSTAND HOW TO STEAL MONEY, BUT HOW DO YOU STEAL MUSIC? 101 00:04:08,654 --> 00:04:10,055 OH, IT'S CALLED A DIGITAL MASTER. 102 00:04:10,088 --> 00:04:12,391 IT'S HIGH-QUALITY, MULTICHANNEL, 103 00:04:12,425 --> 00:04:14,327 STUDIO-RECORDED, MIXED, AND ENGINEERED. 104 00:04:14,360 --> 00:04:16,462 PRICE TO PRODUCE -- HUNDREDS OF THOUSANDS, 105 00:04:16,495 --> 00:04:17,730 SOMETIMES MILLIONS. 106 00:04:17,763 --> 00:04:18,797 [ BEEP ] 107 00:04:18,831 --> 00:04:20,065 NOW, THIS BUILDING RIGHT HERE -- 108 00:04:20,098 --> 00:04:21,934 THIS IS KIRKWOOD RECORDS, MEMPHIS, TENNESSEE. 109 00:04:21,967 --> 00:04:24,069 NOW, INSIDE THIS BUILDING IS A HIDDEN SAFE 110 00:04:24,102 --> 00:04:26,004 THAT CONTAINS THESE DIGITAL MASTERS, 111 00:04:26,038 --> 00:04:27,973 ONE OF WHICH HAS KAYE LYNN'S MUSIC ON IT. 112 00:04:28,006 --> 00:04:29,675 SO IT'S A SMASH-AND-GRAB. 113 00:04:29,708 --> 00:04:31,444 WELL, NO, NO. NOT EXACTLY. NO. 114 00:04:31,477 --> 00:04:33,546 'CAUSE WE HAVE TO MAKE SURE SHE GETS BACK THE MONEY. 115 00:04:33,579 --> 00:04:34,980 AND A LITTLE EXTRA FOR HOSPITAL BILLS. 116 00:04:35,013 --> 00:04:36,782 MAKING SURE THAT HE CAN'T COME AFTER THEM -- 117 00:04:36,815 --> 00:04:38,684 WELL, THAT WOULDN'T HURT. 118 00:04:38,717 --> 00:04:40,719 -A FIDDLE GAME. -A FIDDLE GAME. 119 00:04:42,988 --> 00:04:44,457 UH, PARKER. 120 00:04:44,490 --> 00:04:45,658 I DON'T KNOW HOW TO PLAY THE FIDDLE. 121 00:04:45,691 --> 00:04:48,394 WELL, ACTUALLY, WE'RE NOT GONNA PLAY A FIDDLE. 122 00:04:48,427 --> 00:04:50,363 NO. WE'RE GONNA SELL ONE. 123 00:04:50,396 --> 00:04:52,965 FOR A HELL OF A LOT MORE THAN IT'S WORTH. 124 00:04:59,772 --> 00:05:01,840 [ TIRES SCREECH ] 125 00:05:10,916 --> 00:05:13,051 -Y'ALL HAVE A GOOD NIGHT. -THANK YOU VERY MUCH. 126 00:05:16,021 --> 00:05:18,391 UH, MR. KIRKWOOD! 127 00:05:18,424 --> 00:05:20,559 HELLO, KELLY. 128 00:05:26,799 --> 00:05:28,601 WHO IS AT MY TABLE? 129 00:05:28,634 --> 00:05:31,470 UH...WELL, THE COMPUTER SAID YOU CANCELED! 130 00:05:31,504 --> 00:05:33,739 DOES IT LOOK LIKE I CANCELED? 131 00:05:33,772 --> 00:05:35,374 -BUT THE COMPUTER... -GO AHEAD. 132 00:05:35,408 --> 00:05:37,443 SAY IT AGAIN. 133 00:05:37,476 --> 00:05:40,112 SAY SOMETHING ELSE ABOUT THE COMPUTER. 134 00:05:41,113 --> 00:05:43,482 I'LL PUT A TABLE TOGETHER RIGHT AWAY. 135 00:05:45,784 --> 00:05:48,487 [ INDISTINCT CONVERSATIONS ] 136 00:05:48,521 --> 00:05:50,088 KIRKWOOD'S ON HIS WAY OVER. 137 00:05:52,157 --> 00:05:54,059 HEY. HEY. 138 00:05:54,092 --> 00:05:57,062 OLIVER, POUR FROM MY BOTTLE. MAKE IT A DOUBLE. 139 00:05:57,095 --> 00:05:59,398 OH, NO, NO, NO, NO, NO. 140 00:06:02,501 --> 00:06:05,170 [ Southern accent ] WHY DON'T YOU PUT THAT ON MY TAB THERE? 141 00:06:05,203 --> 00:06:08,073 YOU'RE, UH, MITCH KIRKWOOD, AREN'T YOU? 142 00:06:08,106 --> 00:06:10,042 YES. 143 00:06:11,910 --> 00:06:14,647 Parker, I'm on my way to the sound booth. 144 00:06:14,680 --> 00:06:15,981 [ BONES CRACK ] 145 00:06:29,227 --> 00:06:30,963 [ DOOR CLOSES ] 146 00:06:32,565 --> 00:06:35,468 LET'S SEE WHAT OUR FRIEND LIKES TO LISTEN TO. 147 00:06:37,002 --> 00:06:39,805 MOST PLAYED -- BROOKS & DUNN. 148 00:06:44,943 --> 00:06:46,912 I NEED TICKETS FOR BROOKS & DUNN. 149 00:06:46,945 --> 00:06:48,113 YOU GOT THAT, PARKER? 150 00:06:48,146 --> 00:06:50,583 [ COUNTRY MUSIC PLAYS ] 151 00:07:08,867 --> 00:07:10,969 UH, YOU'RE NOT SUPPOSED TO BE IN HERE. 152 00:07:11,003 --> 00:07:12,705 [ Southern accent ] TELL ME ABOUT IT, BUDDY. 153 00:07:12,738 --> 00:07:15,774 -WHY ARE YOU HERE? -I WORK HERE. 154 00:07:15,808 --> 00:07:17,009 FLIPPIN' FANTASTICAL. 155 00:07:17,042 --> 00:07:20,813 THEY CALL ME ON MY NIGHT OFF AND GO ON AND DOUBLE-BOOK IT. 156 00:07:20,846 --> 00:07:23,582 BETTER CALL THE MAIN OFFICE, FIND OUT WHAT'S GOING ON HERE. 157 00:07:23,616 --> 00:07:24,817 PLEASE DO, SKIPPER. 158 00:07:24,850 --> 00:07:27,620 'CAUSE IF I GOT TO WORK TONIGHT, THEN I NEED TO FIND SOMEBODY 159 00:07:27,653 --> 00:07:30,255 TO TAKE THIS BROOKS & DUNN TICKET OFF MY HANDS. 160 00:07:30,288 --> 00:07:31,123 YOU KNOW WHAT? 161 00:07:31,156 --> 00:07:32,858 I AM STARTING TO REMEMBER SOMETHING 162 00:07:32,891 --> 00:07:34,092 ABOUT HAVING THE NIGHT OFF. 163 00:07:34,126 --> 00:07:35,494 DON'T YOU THINK YOU SHOULD GO ON 164 00:07:35,528 --> 00:07:37,195 AND DOUBLE-CHECK THAT, BUTTER BRITCHES? 165 00:07:37,229 --> 00:07:39,231 NAW. I DEFINITELY REMEMBER NOW. 166 00:07:39,264 --> 00:07:41,099 REALLY? ALL RIGHT, NOW. 167 00:07:41,133 --> 00:07:43,502 THINK YOU CAN FIND SOMEBODY TO TAKE THIS TICKET OFF MY HANDS? 168 00:07:43,536 --> 00:07:45,237 I THINK I CAN FIND SOMEBODY. 169 00:07:45,270 --> 00:07:46,939 HOT DIGGITY DADGUM. 170 00:07:46,972 --> 00:07:48,707 LET ME... 171 00:07:48,741 --> 00:07:51,276 GET YOU THIS [CHUCKLES] BROOKS & DUNN... 172 00:07:51,309 --> 00:07:52,778 ticket, so... 173 00:08:00,018 --> 00:08:02,120 WELL, SPICK-AND-SPAN -- 174 00:08:02,154 --> 00:08:02,955 DAMN. LOOK. THERE IT GOES, RIGHT THERE. 175 00:08:02,988 --> 00:08:04,790 -YES, IT IS. -I MUST HAVE DROPPED IT. 176 00:08:04,823 --> 00:08:06,592 BEEN THERE THE WHOLE TIME. 177 00:08:06,625 --> 00:08:08,126 [ CHUCKLES ] WHOLE TIME. 178 00:08:08,160 --> 00:08:09,695 ALL RIGHT. WELL, THANKS. 179 00:08:09,728 --> 00:08:12,598 ALL RIGHT. YEAH. WELL, GET ME A T-SHIRT. 180 00:08:12,631 --> 00:08:14,032 I'M NOT GONNA LIE TO YOU. 181 00:08:14,066 --> 00:08:17,636 BEING RICH? THAT'LL GET YOU THE CHICKS. 182 00:08:17,670 --> 00:08:19,171 HERE YOU GO, MR. KIRKWOOD. 183 00:08:19,204 --> 00:08:21,740 BUT YOU ADD TO THAT... BEING FAMOUS? 184 00:08:21,774 --> 00:08:23,008 [ LAUGHS ] 185 00:08:23,041 --> 00:08:24,276 I TELL YOU... 186 00:08:24,309 --> 00:08:27,045 I HAVE THE OPPORTUNITY TO TURN DOWN GIRLS PRETTIER THAN THIS 187 00:08:27,079 --> 00:08:28,814 DAMN NEAR EVERY DAY. 188 00:08:28,847 --> 00:08:30,282 WHY, T-T-THAT'S REALLY -- THAT'S REALLY SOMETHIN'. 189 00:08:30,315 --> 00:08:31,550 YEAH. YEAH. 190 00:08:31,584 --> 00:08:33,318 WOW. 191 00:08:33,351 --> 00:08:36,321 NOW, WHY -- WHY WOULD YOU JUST, UH, STOP AT ONE SONG? 192 00:08:36,354 --> 00:08:37,155 OH. 193 00:08:37,189 --> 00:08:39,224 SAME REASON YOU MANAGE MUSICIANS. 194 00:08:39,257 --> 00:08:41,760 WHY BE THE COW WHEN YOU CAN BE THE FARMER? 195 00:08:41,794 --> 00:08:43,729 OH. WELL... 196 00:08:43,762 --> 00:08:45,798 TELL ME ABOUT THIS KID YOU GOT. 197 00:08:45,831 --> 00:08:47,099 YEAH. WELL, HIS NAME IS, UH, KENNETH CRANE. 198 00:08:47,132 --> 00:08:48,266 -RIGHT? -YEAH. 199 00:08:48,300 --> 00:08:50,102 NOW, A COUPLE OF YEARS AGO, UH, WE TOOK HIS BEST SONG, 200 00:08:50,135 --> 00:08:52,671 WE PUT IT ON A DEMO TAPE, AND WE SENT IT OUT EVERYWHERE. 201 00:08:52,705 --> 00:08:55,207 WELL, TWO DAYS AGO, THIS, UH, EUROPEAN LADY, 202 00:08:55,240 --> 00:08:59,077 SHE OFFERED $25,000 FOR THE RIGHTS TO THAT SONG. 203 00:08:59,111 --> 00:09:00,679 $25,000? 204 00:09:00,713 --> 00:09:01,714 YEAH. 205 00:09:01,747 --> 00:09:04,817 [ Chuckling ] WELL, WHAT DID YOU SAY TO THAT? 206 00:09:04,850 --> 00:09:05,851 WELL, THAT'S THE THING. 207 00:09:05,884 --> 00:09:07,953 I-I DIDN'T KNOW WHAT TO SAY TO HER, YOU KNOW? 208 00:09:07,986 --> 00:09:10,756 SHE'S SITTING RIGHT OVER THERE, WAITING ON AN ANSWER. 209 00:09:14,927 --> 00:09:17,696 -INTERESTING. -YEAH. YEAH. 210 00:09:17,730 --> 00:09:19,364 DO YOU KNOW -- DO YOU KNOW HER? 211 00:09:19,397 --> 00:09:22,234 NO. NO. NOT... 212 00:09:22,267 --> 00:09:24,036 NOT REALLY, BUT I TELL YOU WHAT I WILL DO. 213 00:09:24,069 --> 00:09:26,371 I WILL GO OVER THERE -- FOR YOU... 214 00:09:26,404 --> 00:09:29,274 TALK TO HER, SEE IF I CAN'T GET HER TO SHOW HER HAND. 215 00:09:29,307 --> 00:09:31,343 THAT -- THAT'S AMAZING. YOU WOULD DO THAT? 216 00:09:31,376 --> 00:09:33,879 HELL, YES, I WOULD DO THAT. 217 00:09:33,912 --> 00:09:34,947 [ THUD ] 218 00:09:34,980 --> 00:09:36,381 LOCAL BOYS GOT TO STICK TOGETHER. 219 00:09:36,414 --> 00:09:38,617 -[ Chuckling ] WELL... -[ CHUCKLES ] 220 00:09:43,221 --> 00:09:45,791 LET THE FIDDLE GAMES BEGIN? 221 00:09:45,824 --> 00:09:47,292 YEAH. UM, I'M STILL A LITTLE UNCLEAR. 222 00:09:47,325 --> 00:09:49,027 WHERE EXACTLY IS THIS FIDDLE? 223 00:09:49,061 --> 00:09:50,996 IT JUST WALKED THROUGH THE DOOR. 224 00:10:00,272 --> 00:10:03,275 [ INDISTINCT CONVERSATIONS, COUNTRY MUSIC PLAYING ] 225 00:10:08,747 --> 00:10:10,115 What are you looking at? 226 00:10:10,148 --> 00:10:11,249 Don't! 227 00:10:11,283 --> 00:10:12,417 -WHAT'S WRONG? -NOTHING'S WRONG. 228 00:10:12,450 --> 00:10:13,786 -SOMETHING'S WRONG. -I'M FINE. 229 00:10:13,819 --> 00:10:14,753 I STARTLED YOU. 230 00:10:14,787 --> 00:10:16,354 YOU'RE A CAT BURGLAR. THAT'S WHAT YOU DO. 231 00:10:16,388 --> 00:10:18,691 YEAH, I'VE BEEN A CAT BURGLAR SINCE I WAS 10 YEARS OLD. 232 00:10:18,724 --> 00:10:20,759 DON'T -- REALLY? 233 00:10:20,793 --> 00:10:24,162 WELL, MAYBE 9, BUT THIS IS THE FIRST TIME I'VE STARTLED YOU. 234 00:10:24,196 --> 00:10:25,931 -HE'S NERVOUS, PARKER. -I'm not nervous. 235 00:10:25,964 --> 00:10:27,332 I THOUGHT YOU SAID YOU COULD SING. 236 00:10:27,365 --> 00:10:28,366 I CAN SING. 237 00:10:28,400 --> 00:10:30,002 I JUST -- I DIDN'T... 238 00:10:30,035 --> 00:10:33,105 REALIZE THERE WAS GONNA BE THIS MANY PEOPLE. 239 00:10:33,138 --> 00:10:35,240 [ GASPS ] YOU A NERVOUS. 240 00:10:35,273 --> 00:10:36,775 [ SCOFFS ] 241 00:10:36,809 --> 00:10:39,244 RELAX, MAN. I TOLD YOU -- I GOT YOU. 242 00:10:39,277 --> 00:10:40,312 SAY SOMETHING. 243 00:10:40,345 --> 00:10:41,914 I DON'T SPEAK ON COMMAND, HARDISON. 244 00:10:41,947 --> 00:10:43,415 PERFECT. 245 00:10:43,448 --> 00:10:45,918 NOW, I RIGGED MY LAPTOP TO RECORD YOUR COMM. 246 00:10:45,951 --> 00:10:48,186 NOW, THIS MEANS THAT I CAN ALTER YOUR PITCH 247 00:10:48,220 --> 00:10:50,823 FROM ANYWHERE TO MAKE YOU SOUND LIKE DARTH ELIOT... 248 00:10:50,856 --> 00:10:53,325 [ Low-pitched ] I DON'T SPEAK ON COMMAND, HARDISON. 249 00:10:53,358 --> 00:10:54,693 ...TO SPENCER SMURF. 250 00:10:54,727 --> 00:10:56,194 [ High-pitched ] I DON'T SPEAK ON COMMAND, HARDISON. 251 00:10:56,228 --> 00:10:57,062 HARDISON? 252 00:10:57,095 --> 00:10:58,463 DON'T EVER DO THE SMURF THING AGAIN? 253 00:10:58,496 --> 00:10:59,564 RIGHT. 254 00:10:59,597 --> 00:11:03,468 SO, THE SOFTWARE TAKES THE FREQUENCY OF YOUR VOICE, 255 00:11:03,501 --> 00:11:05,838 AND IT MATCHES IT TO THE KEY OF THE SONG, 256 00:11:05,871 --> 00:11:07,472 THEN USES A FOURIER TRANSFORM TO CORRECT THE PITCH 257 00:11:07,505 --> 00:11:10,075 AND SENDS THE TUNED AUDIO OUT THROUGH THE BAR'S SPEAKERS. 258 00:11:10,108 --> 00:11:11,810 WHAT DOES THAT MEAN? 259 00:11:11,844 --> 00:11:13,979 THAT MEANS THAT, FOR TONIGHT, ELIOT HAS PERFECT PITCH. 260 00:11:14,012 --> 00:11:15,380 YOU EVER WONDER 261 00:11:15,413 --> 00:11:17,215 HOW BRITNEY SPEARS SOUNDS SO GOOD ON HER TRACKS? 262 00:11:17,249 --> 00:11:20,919 WELL, THIS IS IT -- EXCEPT MINE'S IS IN REAL TIME, BABY. 263 00:11:20,953 --> 00:11:23,055 UH, WHO, EXACTLY, DID YOU JUST REFER TO AS "BABY"? 264 00:11:23,088 --> 00:11:26,892 IT'S LIKE THE UNIVERSAL TERM OF "BABY." 265 00:11:26,925 --> 00:11:28,761 HOW O ARE YOU? 266 00:11:33,131 --> 00:11:34,867 AHH. 267 00:11:34,900 --> 00:11:37,502 ALL RIGHT. 268 00:11:37,535 --> 00:11:39,104 WHERE IS HE? 269 00:11:39,137 --> 00:11:40,505 I'M SORRY? 270 00:11:40,538 --> 00:11:42,841 BEAUTIFUL GIRL LIKE YOU COULDN'T POSSIBLY 271 00:11:42,875 --> 00:11:44,042 BE SITTING HERE ALL ALONE. 272 00:11:44,076 --> 00:11:45,210 WHERE IS HE? 273 00:11:45,243 --> 00:11:48,480 THIS MUST BE THAT SOUTHERN CHARM I'VE HEARD SO MUCH ABOUT. 274 00:11:48,513 --> 00:11:50,749 [ CHUCKLES ] 275 00:11:50,783 --> 00:11:52,484 -MITCHELL KIRKWOOD. -OH. 276 00:11:52,517 --> 00:11:55,988 I SEEM TO HAVE STOLEN YOUR TABLE. 277 00:11:56,021 --> 00:11:57,856 YOU MUST BE A VERY IMPORTANT MAN. 278 00:11:57,890 --> 00:11:58,757 SHOULD I KNOW YOU? 279 00:11:58,791 --> 00:12:00,425 TRUTH BE KNOWN, THEY GIVE ONE OF THESE 280 00:12:00,458 --> 00:12:02,494 TO JUST ABOUT ANYBODY WHO HAPPENS TO OWN THE PLACE. 281 00:12:02,527 --> 00:12:04,229 I WILL LET YOU MAKE IT UP TO ME -- 282 00:12:04,262 --> 00:12:06,298 BY ALLOWING ME TO GIVE YOU THE NICKEL TOUR. 283 00:12:06,331 --> 00:12:08,266 I WON'T EVEN CHARGE YOU THE NICKEL. 284 00:12:08,300 --> 00:12:10,068 COME ON. 285 00:12:11,303 --> 00:12:14,339 VIRGINIA. VIRGINIA ELLINGTON. 286 00:12:14,372 --> 00:12:16,041 MY THINGS GONNA BE SAFE HERE? 287 00:12:16,074 --> 00:12:17,976 AT THI TABLE, THEY WILL. 288 00:12:30,222 --> 00:12:31,456 [ BEEP ] 289 00:12:34,192 --> 00:12:36,028 [ BEEP, DIALING ] 290 00:12:36,061 --> 00:12:37,562 [ Ringing ] 291 00:12:37,595 --> 00:12:39,431 [ CELLPHONE RINGING ] 292 00:12:41,499 --> 00:12:43,902 [ British accent ] WORCESTER STUDIOS. 293 00:12:43,936 --> 00:12:45,303 How may I direct your call? 294 00:12:45,337 --> 00:12:46,504 [ BEEP ] 295 00:12:57,950 --> 00:13:00,252 [ STRUMMING ] 296 00:13:00,285 --> 00:13:02,554 AWW... 297 00:13:05,123 --> 00:13:06,959 WHAT, ARE YOU NERVOUS? 298 00:13:06,992 --> 00:13:08,593 THAT SONG YOU'RE GOING OUT THERE TO SING? 299 00:13:08,626 --> 00:13:11,296 THAT'S THE ONLY THING MY BROTHER AND I HAVE LEFT 300 00:13:11,329 --> 00:13:16,068 THAT KIRKWOOD HASN'T STOLEN OR DESTROYED, AND IF I LOSE IT... 301 00:13:16,101 --> 00:13:17,335 YOU'RE NOT GONNA LOSE IT. ALL RIGHT? 302 00:13:17,369 --> 00:13:18,937 WE'RE GONNA GET YOU YOUR MONEY, 303 00:13:18,971 --> 00:13:20,605 WE'RE GONNA GET YOU YOUR MUSIC BACK. 304 00:13:20,638 --> 00:13:21,907 I PROMISE YOU. 305 00:13:23,475 --> 00:13:26,845 HOW CAN YOU BE SO SURE? 306 00:13:26,879 --> 00:13:29,547 'CAUSE THIS IS WHAT WE DO. 307 00:13:31,416 --> 00:13:33,551 [ STRUMMING ] 308 00:13:36,889 --> 00:13:39,224 YOU STILL HAVING TROUBLE WITH THAT BRIDGE? 309 00:13:39,257 --> 00:13:41,459 NO. I-I THINK... 310 00:13:41,493 --> 00:13:43,128 LET ME -- LET ME SHOW YOU. 311 00:13:43,161 --> 00:13:45,197 LET ME -- OKAY. 312 00:13:45,230 --> 00:13:47,933 WHEN YOU STRUM... 313 00:13:47,966 --> 00:13:50,102 JUST DO THIS, ALL RIGHT? 314 00:13:50,135 --> 00:13:52,237 SO... 315 00:13:52,270 --> 00:13:53,638 "G." 316 00:13:53,671 --> 00:13:54,639 [ NOTE PLAYS ] 317 00:13:54,672 --> 00:13:56,108 RIGHT. 318 00:13:56,141 --> 00:13:58,410 -YOU ADD "D." -"D." 319 00:13:58,443 --> 00:13:59,544 [ NOTE PLAYS ] 320 00:13:59,577 --> 00:14:01,346 RIGHT. 321 00:14:01,379 --> 00:14:03,916 -YOU GOT -- YOU GOT "G" AGAIN. -"G." 322 00:14:03,949 --> 00:14:06,584 [ NOTE PLAYS ] 323 00:14:06,618 --> 00:14:07,986 "A" MINOR. 324 00:14:08,020 --> 00:14:09,221 NOW THE "G." 325 00:14:09,254 --> 00:14:11,589 "G." FROM THE TOP. 326 00:14:11,623 --> 00:14:13,291 [ STRUMMING SOFTLY ] 327 00:14:16,028 --> 00:14:17,262 GOOD. 328 00:14:17,295 --> 00:14:18,396 THAT'S RIGHT. 329 00:14:18,430 --> 00:14:19,597 THAT'S RIGHT. 330 00:14:21,934 --> 00:14:23,969 HOW DO YOU FEEL WHEN YOU PLAY? 331 00:14:25,670 --> 00:14:28,073 I'M -- I THINK... 332 00:14:28,106 --> 00:14:29,674 I THINK I GOT IT. 333 00:14:29,707 --> 00:14:32,177 SEE, THAT -- THAT'S YOUR PROBLEM. 334 00:14:34,546 --> 00:14:36,648 YOU'RE THINKING... 335 00:14:36,681 --> 00:14:40,118 ABOUT HOW TO PLAY THE SONG. 336 00:14:40,152 --> 00:14:44,656 AND I'M ASKING YOU, "HOW DO YOU FEEL WHEN YOU PLAY?" 337 00:14:46,191 --> 00:14:47,993 YOU EVER BEEN IN LOVE? 338 00:14:48,026 --> 00:14:50,195 ONCE. 339 00:14:50,228 --> 00:14:51,229 HOW'D IT END? 340 00:14:51,263 --> 00:14:53,498 I MADE HER A PROMISE THAT IF SHE EVER NEEDED ME 341 00:14:53,531 --> 00:14:54,699 THAT I'D BE THERE FOR HER. 342 00:14:54,732 --> 00:14:56,001 WHAT'S WRONG WITH THAT? 343 00:14:56,034 --> 00:14:59,671 BECAUSE I MADE THE SAME PROMISE TO THE UNITED STATES GOVERNMENT. 344 00:14:59,704 --> 00:15:01,439 AND I FOUND OUT... 345 00:15:01,473 --> 00:15:05,077 YOU CAN'T MAKE THAT PROMISE TO MORE THAN ONE PERSON. 346 00:15:05,110 --> 00:15:07,179 THAT FEELING? 347 00:15:07,212 --> 00:15:08,546 RIGHT THERE? 348 00:15:08,580 --> 00:15:12,985 HOLD ON TO THAT, AND YOU'LL DO JUST FINE. 349 00:15:15,620 --> 00:15:17,455 ALL RIGHT. HERE YOU GO. 350 00:15:17,489 --> 00:15:19,424 UGH. WHAT IS IT WITH THIS CITY AND RIBS? 351 00:15:19,457 --> 00:15:21,159 WHY DON'T YOU TRY ONE AND FIND OUT? 352 00:15:21,193 --> 00:15:23,061 OH, NO. I COULDN'T. I JUST -- 353 00:15:23,095 --> 00:15:24,662 MR. KIRKWOOD. 354 00:15:24,696 --> 00:15:26,664 EXCUSE ME. 355 00:15:26,698 --> 00:15:28,600 She's a record executive from England. 356 00:15:28,633 --> 00:15:30,435 OKAY, HARDISON. HOW ARE WE DOING? 357 00:15:31,636 --> 00:15:32,737 READY WHEN ELIOT IS. 358 00:15:32,770 --> 00:15:34,339 Tell me something. 359 00:15:34,372 --> 00:15:36,374 WHY WOULD A STAR LIKE K-GENT 360 00:15:36,408 --> 00:15:38,576 SEND YOU ALL THE WAY HERE FROM LONDON 361 00:15:38,610 --> 00:15:42,014 TO SIGN AN UNKNOWN, UNSIGNED COUNTRY SINGER 362 00:15:42,047 --> 00:15:45,450 AND GIVE HIM $25,000 FOR A SONG ON A DEMO TAPE? 363 00:15:45,483 --> 00:15:47,752 CONGRATULATIONS, MR. KIRKWOOD. YOU'VE IMPRESSED ME. 364 00:15:47,785 --> 00:15:50,488 -AND I'M NOT EASILY IMPRESSED. -I DIDN'T THINK YOU WERE. 365 00:15:50,522 --> 00:15:52,324 YOU GONNA TELL ME HOW YOU DID THAT? 366 00:15:52,357 --> 00:15:55,027 I WANT YOU TO TELL ME FIRST. RIGHT NOW. 367 00:15:55,060 --> 00:15:55,893 IT'S VERY SIMPLE. 368 00:15:55,927 --> 00:15:58,363 BOX OF DEMOS, LYING AROUND THE STUDIO, 369 00:15:58,396 --> 00:15:59,731 WAITING TO GO TO THE RUBBISH. 370 00:15:59,764 --> 00:16:02,467 K-GENT PICKS ONE UP -- WHO KNOWS WHY? 371 00:16:02,500 --> 00:16:05,037 NEXT THING WE KNOW, HE'S SAMPLED ONE OF THE TRACKS 372 00:16:05,070 --> 00:16:06,138 ON HIS NEW ALBUM. 373 00:16:06,171 --> 00:16:08,673 YOU CAME HERE TO OFFER THE KID $25,000 374 00:16:08,706 --> 00:16:11,443 BEFORE HE REALIZED HE HAD WON THE LOTTERY. 375 00:16:11,476 --> 00:16:14,079 SOMETHING LIKE THAT. 376 00:16:17,182 --> 00:16:18,616 [ FEEDBACK SQUEALS ] 377 00:16:18,650 --> 00:16:21,286 HI. I'M KENNETH CRANE. 378 00:16:21,319 --> 00:16:25,157 AND, UH, I'M GONNA SING A SONG -- 379 00:16:25,190 --> 00:16:27,492 I'M GONNA SING -- SING A SONG I WROTE ABOUT... 380 00:16:27,525 --> 00:16:29,627 THE ROAD NOT TRAVELED. 381 00:16:29,661 --> 00:16:32,264 [ CHEERS AND APPLAUSE ] 382 00:16:34,566 --> 00:16:36,668 [ PLAYING SLOW INTRODUCTION ] 383 00:16:47,479 --> 00:16:51,249 * WELL, I KNOW THEY SAY ALL GOOD THINGS * 384 00:16:51,283 --> 00:16:53,585 * MUST COME TO SOME KIND OF ENDING * 385 00:16:53,618 --> 00:16:55,487 * WE WERE SO DAMN GOOD * 386 00:16:55,520 --> 00:16:56,654 NATE, SOMETHING'S WRONG. 387 00:16:56,688 --> 00:16:58,123 * I GUESS WE NEVER STOOD A CHANCE * 388 00:16:58,156 --> 00:16:59,391 ALL RIGHT. WHAT IS IT? 389 00:16:59,424 --> 00:17:01,326 THE SYSTEM'S NOT WORKING. S-SOMETHING'S WRONG. 390 00:17:01,359 --> 00:17:03,461 NO, IT'S FINE. 391 00:17:03,495 --> 00:17:05,463 NO, IT'S NOT FINE. I'M LOOKING AT IT RIGHT NOW. 392 00:17:05,497 --> 00:17:06,698 IT IS NOT CORRECTING HIS VOICE. 393 00:17:06,731 --> 00:17:08,266 * ...LISTENIN' 394 00:17:08,300 --> 00:17:13,605 * YOU'LL SEE I'M NOT THAT EASY TO FORGET * 395 00:17:13,638 --> 00:17:17,509 * AND WHEN A NEW MOON SHINES THROUGH YOUR WINDOW * 396 00:17:17,542 --> 00:17:18,810 * OR YOU HEAR A SAD SONG ON THE RADIO * 397 00:17:18,843 --> 00:17:20,612 THAT'S BECAUSE IT DOESN'T NEED CORRECTING. 398 00:17:20,645 --> 00:17:22,747 * AND YOU DON'T KNOW WHY 399 00:17:22,780 --> 00:17:26,851 * BUT YOU JUST START TO CRY 400 00:17:26,884 --> 00:17:28,520 YOU KNOW WHO HE SOUNDS LIKE. 401 00:17:28,553 --> 00:17:31,489 * OR YOU'RE DRIVING 'ROUND ON A SUNNY DAY * 402 00:17:31,523 --> 00:17:33,091 * AND OUT OF NOWHERE COMES THE POURING RAIN * 403 00:17:33,125 --> 00:17:35,127 DON'T LET THE MANAGER LEAVE. 404 00:17:35,160 --> 00:17:40,532 * AND A MEMORY HITS YOU RIGHT OUT OF THE BLUE * 405 00:17:40,565 --> 00:17:43,701 * YEAH, THAT'S JUST ME 406 00:17:43,735 --> 00:17:46,104 * THINKING OF YOU 407 00:17:46,138 --> 00:17:49,241 * AND I'M THINKING ABOUT THE ROAD YOU'RE ON * 408 00:17:49,274 --> 00:17:52,810 * I'M THINKING ABOUT YOU COMING HOME * 409 00:17:52,844 --> 00:18:00,285 * I'M WONDERING IF YOU GOT YOUR RADIO ON * 410 00:18:11,696 --> 00:18:16,134 * YEAH, WHEN YOU FIND YOUR WAY TO ANOTHER TOWN * 411 00:18:16,168 --> 00:18:19,137 * AND SOMEONE TRIES TO LAY YOU DOWN * 412 00:18:19,171 --> 00:18:25,543 * AND A MEMORY HITS YOU RIGHT OUT OF THE BLUE * 413 00:18:25,577 --> 00:18:29,814 * IT'S ME THINKING OF YOU 414 00:18:29,847 --> 00:18:31,683 [ GUITAR PLAYING ] 415 00:18:31,716 --> 00:18:34,719 * YEAH, THAT'S JUST ME 416 00:18:34,752 --> 00:18:37,255 * THINKING OF YOU 417 00:18:46,864 --> 00:18:48,333 [ SONG ENDS ] 418 00:18:48,366 --> 00:18:49,667 WHOO! 419 00:18:49,701 --> 00:18:52,570 [ CHEERS AND APPLAUSE ] 420 00:18:57,509 --> 00:19:00,345 I THINK YOU AND I NEED TO TALK. 421 00:19:00,378 --> 00:19:01,679 [ CHEERS AND APPLAUSE ] 422 00:19:01,713 --> 00:19:04,882 -[ EXHALES DEEPLY ] -[ LAUGHS ] 423 00:19:07,385 --> 00:19:10,755 HOW'D I...HOW'D I DO? 424 00:19:10,788 --> 00:19:12,490 THAT WAS AMAZING! 425 00:19:12,524 --> 00:19:14,859 [ BOTH LAUGH ] 426 00:19:34,746 --> 00:19:36,881 HANG ON. 427 00:19:40,518 --> 00:19:42,754 [ INDISTINCT CONVERSATIONS ] 428 00:19:43,921 --> 00:19:46,424 MR. KIRKWOOD WANTS TO SEE YOU. 429 00:19:46,458 --> 00:19:48,192 HE KNOWS WHERE I AM. 430 00:19:49,794 --> 00:19:53,798 OR, UH, YOU KNOW... I COULD GO TO HIM. 431 00:19:53,831 --> 00:19:54,999 YEAH. 432 00:19:55,032 --> 00:19:56,501 ELIOT. 433 00:19:56,534 --> 00:19:58,002 ELIOT, HOW SOON CAN YOU GET HERE? 434 00:19:58,035 --> 00:19:59,003 ELIOT? 435 00:19:59,036 --> 00:20:00,505 Eliot! 436 00:20:00,538 --> 00:20:02,374 [ KAYE LYNN LAUGHING ] 437 00:20:04,442 --> 00:20:05,510 ON OUR WAY, NATE. 438 00:20:05,543 --> 00:20:06,511 YOU! 439 00:20:06,544 --> 00:20:08,846 YOU LIED TO ME. 440 00:20:10,348 --> 00:20:12,817 THIS IS FOR TOMORROW NIGHT. 441 00:20:14,386 --> 00:20:16,788 YOU OFFERED WHAT? $25,000? 442 00:20:16,821 --> 00:20:19,524 I HAPPEN TO KNOW THAT YOU WOULD PAY HALF A MILLION DOLLARS 443 00:20:19,557 --> 00:20:20,592 FOR THAT SONG. 444 00:20:20,625 --> 00:20:23,895 FORTUNATELY FOR ME, HE DOESN'T KNOW THAT. 445 00:20:23,928 --> 00:20:25,029 FORTUNATELY FOR YOU, 446 00:20:25,062 --> 00:20:26,998 HIS MANAGER AND I HAPPEN TO GO WAY BACK. 447 00:20:27,031 --> 00:20:28,566 WE DID 4H TOGETHER. 448 00:20:28,600 --> 00:20:31,403 IT'S A COWBOY THING. 449 00:20:31,436 --> 00:20:32,837 WHY DON'T YOU LET ME 450 00:20:32,870 --> 00:20:35,873 SEE IF I CAN'T NUDGE THE DEAL ALONG FOR YOU? 451 00:20:35,907 --> 00:20:38,943 AND WHAT WOULD YOU WANT EXACTLY? 452 00:20:38,976 --> 00:20:41,713 OH, I'LL THINK OF SOMETHING. 453 00:20:44,982 --> 00:20:47,285 [ KNUCKLES CRACK ] 454 00:20:50,455 --> 00:20:52,524 YOU TWO WORK OUT TOGETHER? 455 00:20:52,557 --> 00:20:54,392 OH, HEY. 456 00:20:54,426 --> 00:20:55,927 I'M JUST GONNA LEAVE MY CARD AND GET GOING HERE. 457 00:20:55,960 --> 00:20:58,896 Listen, I gotta go take care of my musician. 458 00:20:58,930 --> 00:21:00,565 You know how artists get. 459 00:21:00,598 --> 00:21:01,966 [ THUDDING ] -Sit down! 460 00:21:01,999 --> 00:21:03,835 [ GRUNTING ] 461 00:21:03,868 --> 00:21:05,803 [ COUGHING ] 462 00:21:05,837 --> 00:21:07,038 -Nate. -YEAH. 463 00:21:07,071 --> 00:21:08,039 NATE! 464 00:21:08,072 --> 00:21:09,907 NATE, I'M ON MY WAY! 465 00:21:12,844 --> 00:21:13,945 GET IN HERE! 466 00:21:13,978 --> 00:21:15,780 WHO DO YOU WORK FOR?! 467 00:21:15,813 --> 00:21:18,550 FOREVER 21. DON'T HIT ME. 468 00:21:18,583 --> 00:21:20,918 I'M NOT GONNA... 469 00:21:20,952 --> 00:21:22,654 WHAT ARE YOU DOING HERE? 470 00:21:22,687 --> 00:21:25,490 I JUST WANT YOUR AUTOGRAPH. 471 00:21:33,465 --> 00:21:36,668 HE TRIED TO LEAVE, SO I HAD TO GET A LITTLE ROUGH. 472 00:21:38,836 --> 00:21:41,473 OH, HEY, YEAH. THEY GOT INTO A FIGHT, THESE GUYS. 473 00:21:41,506 --> 00:21:43,675 YEAH, SOMETHING ABOUT REPS VERSUS SETS. 474 00:21:43,708 --> 00:21:47,512 TO BE HONEST, I WASN'T REALLY PAYING ATTENTION. [ CHUCKLES ] 475 00:21:57,121 --> 00:21:59,056 YEAH. 476 00:21:59,090 --> 00:22:01,993 NOW, THAT IS HOW YOU RUN A FIDDLE GAME. 477 00:22:02,026 --> 00:22:03,961 I DON'T EVEN KNOW HOW TO BEGIN TO THANK YOU. 478 00:22:03,995 --> 00:22:05,029 AND THAT'S JUST 10% OF IT. 479 00:22:05,062 --> 00:22:06,764 NOW, TOMORROW, HE'S TAKING ELIOT INTO THE STUDIO, 480 00:22:06,798 --> 00:22:08,733 AND WE'LL GET YOU THE OTHER 90%. 481 00:22:08,766 --> 00:22:09,867 AND WHILE ELIOT'S IN THE STUDIO, 482 00:22:09,901 --> 00:22:11,403 PARKER WILL GET INTO THE SAFE AND GRAB THE MASTERS. 483 00:22:11,436 --> 00:22:14,038 OH! 484 00:22:14,071 --> 00:22:15,807 ELIOT'S THE FIDDLE! [ LAUGHS ] 485 00:22:15,840 --> 00:22:17,041 WHAT'S SHE DOING BACK THERE? 486 00:22:17,074 --> 00:22:19,511 SHE'S TRYING ON HER COSTUME. 487 00:22:19,544 --> 00:22:22,380 WE SOLD ELIOT TO KIRKWOOD. I TOTALLY GET THIS. 488 00:22:23,781 --> 00:22:26,684 SUPPOSED TO BE SOME HOTSHOT PRODUCER. 489 00:22:26,718 --> 00:22:27,919 -WORKS FOR K-GENT. -OH. 490 00:22:27,952 --> 00:22:31,489 AND HE CAME ALL THIS WAY JUST TO PRODUCE ONE SONG? 491 00:22:31,523 --> 00:22:32,957 -I GUESS SO. -HMM. 492 00:22:32,990 --> 00:22:36,661 NOW, LISTEN. ANYTHING HE WANTS, YOU GET. 493 00:22:36,694 --> 00:22:37,695 UNDERSTAND? 494 00:22:37,729 --> 00:22:39,030 ANYTHING. 495 00:22:39,063 --> 00:22:40,932 OKAY. 496 00:22:44,436 --> 00:22:45,603 [ DOOR OPENS ] 497 00:22:45,637 --> 00:22:48,039 HI! WELCOME TO KIRKWOOD RECORDS. 498 00:22:48,072 --> 00:22:49,641 I'M JC. 499 00:22:49,674 --> 00:22:51,876 ANYTHING YOU NEED, YOU JUST LET ME KNOW. 500 00:22:51,909 --> 00:22:54,045 OKAY, FIRST OF ALL, MY MAN, REAL QUICK, LOSE THE ATTITUDE. 501 00:22:54,078 --> 00:22:56,147 SECOND OF ALL, YES, IT'S HER -- BREATHE. 502 00:22:56,180 --> 00:22:58,583 I'M OKAY. 503 00:22:58,616 --> 00:23:01,586 UM...IF I COULD GET YOU TO FILL OUT 504 00:23:01,619 --> 00:23:04,121 -THESE VISITOR BADGES. -[ SNAPS FINGERS ] 505 00:23:04,155 --> 00:23:05,923 [ WHISPERING INDISTINCTLY ] 506 00:23:05,957 --> 00:23:07,559 DID YOU JUST LOOK HER IN THE EYES? 507 00:23:07,592 --> 00:23:10,495 -OH. I-I DON'T THINK I WAS. -WHOA! 508 00:23:10,528 --> 00:23:12,530 CHILL WITH THE ATTITUDE! DON'T -- DON'T RAISE YOUR VOICE! 509 00:23:12,564 --> 00:23:13,931 DID THEY NOT TELL YOU NOTHING? 510 00:23:13,965 --> 00:23:16,067 YOU KNOW WHO YOU IN FRONT OF? THINK ABOUT IT. 511 00:23:16,100 --> 00:23:17,802 ICELAND. POP STAR. FIGURE IT OUT. 512 00:23:17,835 --> 00:23:19,671 CLICK IT TOGETHER. BELLS AND WHISTLES. 513 00:23:19,704 --> 00:23:20,805 GIVE ME SOMETHING! 514 00:23:20,838 --> 00:23:22,173 [ EXHALES ] BJOR... 515 00:23:22,206 --> 00:23:23,207 -[ SHRIEKS ] -MNH-MNH! 516 00:23:23,240 --> 00:23:24,776 -[ SCREAMING ] -OH. 517 00:23:24,809 --> 00:23:26,778 OH. I'M SO-- OH, I'M SO SORRY. 518 00:23:26,811 --> 00:23:27,779 -ARE YOU OKAY? -[ SQUEAKING ] 519 00:23:27,812 --> 00:23:28,813 ARE YOU OKAY? 520 00:23:28,846 --> 00:23:30,682 IS THE DUCK... GOOD. WOMAN... 521 00:23:30,715 --> 00:23:31,949 FOR REAL. GET UP IN HERE. 522 00:23:31,983 --> 00:23:33,651 -MAMI, MAMI, MAMI. REAL QUICK. -OKAY. 523 00:23:33,685 --> 00:23:36,688 I HOPE FOR YOUR SAKE THAT YOU WAS NOT ABOUT TO SAY 524 00:23:36,721 --> 00:23:38,823 WHAT I THINK YOU WAS ABOUT TO SAY. 525 00:23:38,856 --> 00:23:40,825 WELL, I DON'T THINK I WAS. 526 00:23:40,858 --> 00:23:43,561 WHAT I'M GONNA NEED YOU TO DO IS JUST ROLL UP OUT OF HERE, CUZ, 527 00:23:43,595 --> 00:23:45,196 'CAUSE YOU'RE MESSIN' UP THE AURA. 528 00:23:45,229 --> 00:23:46,898 -WE WAS COOL. WE WAS VIBIN'. -OKAY. 529 00:23:46,931 --> 00:23:48,866 UM...GREAT. 530 00:23:48,900 --> 00:23:51,636 WELL, I'M GONNA GET GOING ON THAT PAPERWORK. 531 00:23:51,669 --> 00:23:52,737 OKAY. 532 00:23:52,770 --> 00:23:53,905 -YEAH, YOU DO THAT. -OKAY. 533 00:23:53,938 --> 00:23:55,573 SO I CAN START RECORDING THIS HILLBILLY. 534 00:23:55,607 --> 00:23:58,476 I CROSSED AN OCEAN, A POND, AND A CREEK TO GET HERE. 535 00:23:58,510 --> 00:24:00,978 HEY, YO, ELIOT, YOU GOT AN E.T.A.? 536 00:24:01,012 --> 00:24:02,514 YEAH. I'M ALMOST THERE. 537 00:24:02,547 --> 00:24:04,115 BUT I THINK SOMEBODY'S FOLLOWING ME. 538 00:24:04,148 --> 00:24:06,618 DO SOME ELIOT-FU ON 'EM. WHAT HAPPENED TO... 539 00:24:06,651 --> 00:24:08,486 [ Imitating Eliot ] "THIS IS WHAT I DO"? 540 00:24:08,520 --> 00:24:10,655 YEAH, I DON'T THINK THAT'S GONNA WORK THIS TIME. 541 00:24:10,688 --> 00:24:13,124 [ WOMEN SCREAMING ] 542 00:24:16,928 --> 00:24:19,864 I BEEN MEANING TO TELL YOU, THIS, UH, KENNETH CRANE? 543 00:24:19,897 --> 00:24:21,699 HE IS BLOWING UP ON TWITTER. 544 00:24:21,733 --> 00:24:23,000 HE'S GOT A FAN PAGE AND EVERYTHING. 545 00:24:23,034 --> 00:24:24,135 IT'S A PRETTY GOOD PICTURE, TOO. 546 00:24:24,168 --> 00:24:25,136 That's the problem. 547 00:24:25,169 --> 00:24:26,838 I can't have my picture out there like that. 548 00:24:26,871 --> 00:24:28,773 WELL, CONTRARY TO WHAT Y'ALL MAY BELIEVE, 549 00:24:28,806 --> 00:24:31,743 I DO NOT CONTROL EVERYTHING THAT HAPPENS ON THE INTERNET. 550 00:24:31,776 --> 00:24:33,511 THERE'S A PRICE ON MY HEAD IN THREE DIFFERENT COUNTRIES, 551 00:24:33,545 --> 00:24:35,680 AND I'M FAIRLY CERTAIN A FATWA WAS ISSUED. 552 00:24:35,713 --> 00:24:37,281 You are so vain, man. 553 00:24:37,314 --> 00:24:38,916 [ WOMEN SCREAMING ] 554 00:24:38,950 --> 00:24:40,818 BOOM. THERE. FAN SITE -- NO. 555 00:24:40,852 --> 00:24:42,520 BUT YOU KNOW WHAT? WHEN YOU GET BACK, 556 00:24:42,554 --> 00:24:44,055 WE'RE GONNA HAVE US A SERIOUS CONVERSATION 557 00:24:44,088 --> 00:24:45,189 ABOUT THE DIFFERENCE 558 00:24:45,222 --> 00:24:46,558 between caution and paranoia. 559 00:24:46,591 --> 00:24:47,725 WHEN YOU'VE DONE THE THINGS I'VE DONE, 560 00:24:47,759 --> 00:24:49,026 THERE'S NO SUCH THING AS PARANOIA. 561 00:24:51,763 --> 00:24:53,531 MMM. 562 00:24:54,932 --> 00:24:56,901 SERIOUSLY? 563 00:24:56,934 --> 00:24:58,035 FOR BREAKFAST? 564 00:24:58,069 --> 00:24:59,203 MM. OH, YEAH. 565 00:25:02,574 --> 00:25:04,609 OH! GEEZ. 566 00:25:04,642 --> 00:25:07,044 WHAT, DID KIRKWOOD JUST WALK IN OR SOMETHING? 567 00:25:07,078 --> 00:25:08,345 HOW'D HE FIND US? 568 00:25:08,379 --> 00:25:11,683 WELL, THERE'S PROBABLY NOT A LOT OF FIVE-STAR HOTELS IN MEMPHIS. 569 00:25:11,716 --> 00:25:13,551 NOW, YOU SHOULD PROBABLY JUST, YOU KNOW, ACT THE PART, 570 00:25:13,585 --> 00:25:16,654 RIDE THIS OUT, BE IN CHARACTER, AND... 571 00:25:16,688 --> 00:25:19,056 YOU SHOULD PROBABLY STORM OFF ABOUT NOW. 572 00:25:19,090 --> 00:25:21,192 I THOUGHT I'D GIVE IT ANOTHER BEAT. 573 00:25:22,594 --> 00:25:23,828 OKAY, THEN. 574 00:25:25,096 --> 00:25:26,598 PERFECT. 575 00:25:26,631 --> 00:25:28,900 THE OTHER MAN IN MEMPHIS I'D LIKE TO SLAP. 576 00:25:28,933 --> 00:25:31,703 [ CHUCKLES ] JUST RELAX NOW, LITTLE FILLY. 577 00:25:31,736 --> 00:25:33,571 I AM PERFECTLY AWARE THAT YOU WENT BEHIND MY BACK 578 00:25:33,605 --> 00:25:34,806 TO GET THE RIGHTS TO THAT SONG. 579 00:25:34,839 --> 00:25:36,207 SO LET'S JUST CUT TO THE CHASE, HUH? 580 00:25:36,240 --> 00:25:37,809 WHAT DO YOU WANT? 581 00:25:37,842 --> 00:25:40,211 MR. CRANE ARRIVED JUST A MOMENT AGO. 582 00:25:40,244 --> 00:25:42,980 HE'S JUST SETTING UP IN HIS STUDIO NOW. 583 00:25:44,348 --> 00:25:45,750 ALL RIGHT. LET THE MAGIC BEGIN. 584 00:25:45,783 --> 00:25:47,118 YOU'RE NOT JOINING THEM. 585 00:25:47,151 --> 00:25:48,119 [ GASPS ] 586 00:25:48,152 --> 00:25:50,254 [ Icelandic accent ] AND RISK BEING TAINTED? 587 00:25:50,287 --> 00:25:51,723 BY WHAT? 588 00:25:51,756 --> 00:25:53,124 EXACTLY. 589 00:25:54,759 --> 00:25:57,161 WHICH WAY TO THE MEDITATION TEMPLE? HMM? 590 00:25:58,262 --> 00:25:59,363 OH. UM... 591 00:25:59,396 --> 00:26:01,232 YOU KNOW, WE DO HAVE A FEW ROOMS. 592 00:26:01,265 --> 00:26:03,234 JUST, UM, ACTUALLY, RIGHT THIS...WAY -- 593 00:26:03,267 --> 00:26:05,202 OKAY, THAT WAY IS GREAT, TOO. THAT'S PERFECT. OKAY. 594 00:26:05,236 --> 00:26:08,072 PARKER'S ON THE LOOSE, 595 00:26:08,105 --> 00:26:09,941 BUT THERE ARE A LOT OF UNFRIENDLIES. 596 00:26:09,974 --> 00:26:11,709 Yeah, which is exactly why we have cover stories. 597 00:26:11,743 --> 00:26:13,277 HOW'S ELIOT? 598 00:26:13,310 --> 00:26:14,378 HE'S GOOD. HE'S ABOUT TO RECORD. 599 00:26:14,411 --> 00:26:15,880 SO HE TOOK HIS COMM OUT. 600 00:26:17,782 --> 00:26:19,150 OH. MM? 601 00:26:19,183 --> 00:26:21,252 MM. TOO MUCH CLUTTER. 602 00:26:21,285 --> 00:26:23,087 YOU READY, MAN? 603 00:26:23,120 --> 00:26:24,989 WHEW. YEAH. 604 00:26:25,022 --> 00:26:27,124 ALL RIGHT. 605 00:26:27,158 --> 00:26:30,762 * WHEN A NEW MOON SHINES THROUGH YOUR WINDOW * 606 00:26:30,795 --> 00:26:33,831 * OR YOU HEAR A SAD SONG ON THE RADIO * 607 00:26:33,865 --> 00:26:35,700 HOLD UP, MAN. IT'S -- IT'S A LITTLE PITCHY. 608 00:26:35,733 --> 00:26:39,637 IT'S...JUST A SKOSH. A LITTLE PITCHY. 609 00:26:41,906 --> 00:26:42,974 [ SIGHS ] 610 00:26:43,007 --> 00:26:44,008 NOT ENOUGH CLUTTER. 611 00:26:45,877 --> 00:26:47,879 -* WHEN A NEW MOON SHINES -- -IT'S PITCHY. 612 00:26:47,912 --> 00:26:50,214 IN THAT VERY SAME SPOT, RIGHT? 613 00:26:50,247 --> 00:26:52,717 IT'S -- YEAH, IT'S A LITTLE PITCHY. 614 00:26:52,750 --> 00:26:54,285 -* AND WHEN A NEW -- -HOLD UP, MAN. 615 00:26:54,318 --> 00:26:56,287 HANG ON, MAN. LET ME GET INTO THE SONG. 616 00:26:56,320 --> 00:26:57,989 -DID YOU PRACTICE YOUR WOBBLES? -DAMN IT, HARDISON. 617 00:26:58,022 --> 00:27:00,191 JUST PUT A -- SMOOTH IT OUT. LIKE, YOU -- 618 00:27:00,224 --> 00:27:02,226 * WHEN A NEW MOON SHINES THROUGH YOUR... * 619 00:27:05,062 --> 00:27:07,999 * WHEN A NEW MOON SHINES THROUGH YOUR WINDOW * 620 00:27:10,067 --> 00:27:12,670 [ COUGHING ] 621 00:27:12,704 --> 00:27:13,905 [ GROANING ] 622 00:27:13,938 --> 00:27:15,172 -[ COUGHS ] -OH. 623 00:27:15,206 --> 00:27:16,240 -WATER! HURRY! -OKAY. 624 00:27:16,273 --> 00:27:17,341 [ BREATHES DEEPLY ] 625 00:27:19,476 --> 00:27:20,678 [ SIGHS ] 626 00:27:20,712 --> 00:27:21,679 [ BEEP ] 627 00:27:21,713 --> 00:27:23,681 HOW'S IT GOING, PARKER? 628 00:27:23,715 --> 00:27:26,083 [ Normal voice ] I DON'T THINK I'M BEING WEIRD ENOUGH. 629 00:27:26,117 --> 00:27:27,118 [ LAUGHS ] 630 00:27:27,151 --> 00:27:28,920 SOMEHOW I DOUBT THAT. 631 00:27:28,953 --> 00:27:32,289 OKAY, SUGAR, I GOT -- I GOT YOUR WATER. 632 00:27:33,490 --> 00:27:35,760 [ SNIFFS ] 633 00:27:40,865 --> 00:27:43,901 [ Icelandic accent ] THIS ISN'T FROM AN ICEBERG! 634 00:27:43,935 --> 00:27:46,037 OH... 635 00:27:46,070 --> 00:27:48,205 I DON'T THINK WE HAVE THAT HERE. 636 00:27:49,841 --> 00:27:51,375 FINE. 637 00:27:51,408 --> 00:27:52,944 JUST... 638 00:27:52,977 --> 00:27:54,378 BRING ME SOME CHAMPAGNE. 639 00:27:54,411 --> 00:27:56,714 OKAY. 640 00:28:01,986 --> 00:28:05,389 * AND WHEN A NEW MOON SHINES THROUGH YOUR WINDOW * 641 00:28:05,422 --> 00:28:08,793 * OR YOU HEAR A SAD SONG ON THE RADIO * 642 00:28:08,826 --> 00:28:11,295 * AND YOU DON'T KNOW WHY, BUT YOU JUST START TO... * 643 00:28:11,328 --> 00:28:12,930 NO. MA-- 644 00:28:12,964 --> 00:28:14,832 LISTEN TO ME, MAN. SAY "PITCHY" ONE MORE TIME. 645 00:28:14,866 --> 00:28:16,734 SAY "PITCHY" ONE MORE TIME AND SEE WHAT HAPPENS. 646 00:28:16,768 --> 00:28:18,836 I DON'T EVEN THINK THAT WORD MEANS WHAT YOU THINK IT MEANS. 647 00:28:18,870 --> 00:28:19,971 -IT MEANS "PITCHY." -DEFINE IT. 648 00:28:20,004 --> 00:28:22,073 -YOU DEFINE IT. -I DON'T HAVE TO DEFINE IT! 649 00:28:22,106 --> 00:28:23,507 I'M NOT SAYING IT EVERY FIVE SECONDS! 650 00:28:23,540 --> 00:28:25,242 I'M -- I'M SORRY. WELL, I CAN'T -- 651 00:28:25,276 --> 00:28:27,011 I LO-- I LOST YOU. I CAN'T HEAR YOU. 652 00:28:27,044 --> 00:28:29,246 I'M SORRY. I...I -- IT -- 653 00:28:29,280 --> 00:28:33,184 MAYBE THE SAFE IS OFF-SITE. I'VE LOOKED EVERYWHERE. 654 00:28:33,217 --> 00:28:36,754 [ GUITAR PLAYING ] 655 00:28:39,256 --> 00:28:41,993 ISN'T THE RECORDING STUDIO SUPPOSED TO BE SOUNDPROOF? 656 00:28:42,026 --> 00:28:44,128 UH, YEAH. COMPLETELY. 657 00:28:44,161 --> 00:28:45,930 [ MUSIC CONTINUES ] 658 00:28:50,101 --> 00:28:52,904 HERE'S THE MASTER FROM THE KENNETH CRANE SESSION. 659 00:29:09,586 --> 00:29:10,654 I DON'T UNDERSTAND. 660 00:29:10,687 --> 00:29:14,391 YOU JUST PAID $100,000 FOR THE RIGHTS TO THAT SONG, 661 00:29:14,425 --> 00:29:17,761 AND YOU'RE JUST GONNA GIVE THEM TO ME FOR FREE. 662 00:29:19,163 --> 00:29:22,033 THAT'S JUST ABOUT THE LAY OF THE LAND. 663 00:29:22,066 --> 00:29:24,068 YOU MUST WANT SOMETHING. 664 00:29:25,502 --> 00:29:28,105 I WOULD LIKE YOU TO FORGET THAT YOU EVER HEARD THE NAME 665 00:29:28,139 --> 00:29:29,240 KENNETH CRANE. 666 00:29:29,273 --> 00:29:30,374 WELL, WHY WOULD I DO THAT? 667 00:29:30,407 --> 00:29:32,977 I'M THINKING ABOUT GETTING BACK INTO THE SPOTLIGHT, 668 00:29:33,010 --> 00:29:34,245 AND I DON'T THINK THERE'S ANYTHING 669 00:29:34,278 --> 00:29:36,280 THAT WOULD, UH, JUMP-START A CAREER ANY MORE 670 00:29:36,313 --> 00:29:38,149 THAN HAVING A SONG OF YOURS SAMPLED 671 00:29:38,182 --> 00:29:39,917 BY A MAJOR RAP SUPERSTAR, HMM? 672 00:29:39,951 --> 00:29:42,353 YOU'RE GONNA STEAL CRANE'S SONG FOR YOURSELF? 673 00:29:42,386 --> 00:29:44,221 [ CELLPHONE PLAYS "DIXIE" ] 674 00:29:44,255 --> 00:29:46,858 HOW ARE YOU GONNA GET HIM TO GO ALONG WITH THAT? 675 00:29:46,891 --> 00:29:50,327 WELL, I WASN'T EXACTLY GONNA GIVE HIM A CHOICE IN THE MATTER. 676 00:29:50,361 --> 00:29:53,097 UH...YOU KNOW, I GUESS THERE IS ONE MORE THING 677 00:29:53,130 --> 00:29:54,966 THAT YOU CAN DO FOR ME. 678 00:29:56,100 --> 00:29:59,436 STOP ASKING QUESTIONS. 679 00:29:59,470 --> 00:30:02,139 HEY, HEY! 680 00:30:02,173 --> 00:30:04,041 TALK TO ME. 681 00:30:04,075 --> 00:30:05,843 OKAY, NATE. WE HAVE A LITTLE PROBLEM. 682 00:30:05,877 --> 00:30:07,211 Y-Yeah. What kind of problem? 683 00:30:07,244 --> 00:30:08,445 THE GUY WHO'S BUYING OUR FIDDLE? 684 00:30:08,479 --> 00:30:12,116 HE THINKS HE IS THE FIDDLE. 685 00:30:12,149 --> 00:30:15,819 YES, SIR. I'LL TAKE CARE OF THAT FIRST. 686 00:30:23,995 --> 00:30:25,396 YOU'RE NOT DONE YET? 687 00:30:25,429 --> 00:30:26,998 HE'S DOING ONE FOR HIM. 688 00:30:27,031 --> 00:30:29,033 WELL, I FOUND IT. 689 00:30:30,935 --> 00:30:33,604 UM...LET'S SEE. 690 00:30:33,637 --> 00:30:35,272 GOT IT. 691 00:30:36,507 --> 00:30:38,142 HEY. 692 00:30:38,175 --> 00:30:40,277 LOOK. THIS IS THAT SONG KIRKWOOD DID. 693 00:30:40,311 --> 00:30:42,146 THIS IS THE ORIGINAL MASTER. 694 00:30:42,179 --> 00:30:43,915 WHY IS THE ARTIST'S NAME BLACKED OUT? 695 00:30:51,555 --> 00:30:53,324 YOU NEED TO COME WITH ME. 696 00:31:05,602 --> 00:31:06,603 NO. 697 00:31:08,339 --> 00:31:10,507 [ GUN COCKS ] TRY TELLING THIS GUY THAT. 698 00:31:12,276 --> 00:31:13,544 OH! 699 00:31:13,577 --> 00:31:14,611 [ GRUNTS ] 700 00:31:18,615 --> 00:31:20,184 GET UP. 701 00:31:20,217 --> 00:31:22,686 [ KEYS CLACKING ] 702 00:31:22,719 --> 00:31:25,389 OKAY, SO THIS IS THE ORIGINAL RECORDING OF THE SONG 703 00:31:25,422 --> 00:31:27,224 THAT MADE KIRKWOOD FAMOUS. 704 00:31:27,258 --> 00:31:29,293 * IT TOOK A SINGLE SPARK * 705 00:31:29,326 --> 00:31:32,529 * TO SET THE SKY AFLAME * 706 00:31:34,131 --> 00:31:35,066 * WHEN... * 707 00:31:36,267 --> 00:31:40,171 AND TH IS THE RECORDING HE RELEASED TO THE VIDEO. 708 00:31:40,204 --> 00:31:43,340 * IT TOOK A SINGLE SPARK * 709 00:31:43,374 --> 00:31:47,044 * TO SET THE SKY AFLAME * 710 00:31:47,078 --> 00:31:49,213 IT'S NOT THE SAME. 711 00:31:49,246 --> 00:31:50,681 WHICH ONE IS KIRKWOOD? 712 00:31:50,714 --> 00:31:52,216 THAT'S JUST IT. NEITHER. 713 00:31:52,249 --> 00:31:54,351 IT'S THE SAME SONG, JUST WITH A PITCH ADJUSTMENT. 714 00:31:54,385 --> 00:31:56,253 WELL, THEN WHO'S SINGING THE SONG? 715 00:31:56,287 --> 00:31:58,255 * AND THE SKY IS FILLED WITH STARS * 716 00:31:58,289 --> 00:32:00,992 I AM MATCHING A VOICE PRINT RIGHT NOW. 717 00:32:01,025 --> 00:32:03,194 * ...ALL THAT'S LEFT FOR ME TO DO IS FACE * 718 00:32:03,227 --> 00:32:04,996 WHERE'S ELIOT? 719 00:32:05,029 --> 00:32:07,264 * THE LONG ROAD HOME * 720 00:32:12,469 --> 00:32:14,605 [ BEEPING ] GOT IT. BOOM. 721 00:32:14,638 --> 00:32:17,241 JESSE JENKINS. 722 00:32:17,274 --> 00:32:18,742 All right. That's -- That's why Kirkwood 723 00:32:18,775 --> 00:32:20,311 NEVER RECORDED A SECOND SONG. 724 00:32:20,344 --> 00:32:22,213 HE DIDN'T RECORD THE FIRST ONE. 725 00:32:22,246 --> 00:32:23,614 KIRKWOOD PAID HIM OFF? 726 00:32:23,647 --> 00:32:25,182 I DON'T THINK SO. 727 00:32:25,216 --> 00:32:26,517 JENKINS SUED HIM. 728 00:32:26,550 --> 00:32:29,020 COPYRIGHT INFRINGEMENT, HARASSMENT, FRAUD -- 729 00:32:29,053 --> 00:32:30,654 THE WHOLE NINE -- 730 00:32:30,687 --> 00:32:32,023 but those charges weren't formally dropped. 731 00:32:32,056 --> 00:32:33,324 THEY WENT TO COURT? 732 00:32:33,357 --> 00:32:34,425 Not exactly. 733 00:32:34,458 --> 00:32:36,160 ANY OTHER GUESSES? 734 00:32:36,793 --> 00:32:38,562 [ BONES CRACKING ] 735 00:32:41,465 --> 00:32:44,335 JENKINS WAS KILLED. CIRCUMSTANCES WERE SUSPICIOUS. 736 00:32:44,368 --> 00:32:46,570 KIRKWOOD WAS IMPLICATED BUT NEVER CHARGED. 737 00:32:46,603 --> 00:32:48,239 Yeah. Dead on. How'd you know? 738 00:32:48,272 --> 00:32:51,742 BECAUSE HE IS ABOUT TO DO THE EXACT SAME THING TO ELIOT. 739 00:32:51,775 --> 00:32:54,645 [ THUDDING ] 740 00:33:01,718 --> 00:33:03,487 LET'S GO! NOW! 741 00:33:03,520 --> 00:33:04,721 OH. 742 00:33:10,594 --> 00:33:11,528 ALL RIGHT. GOOD. 743 00:33:11,562 --> 00:33:15,032 AH, I DO LOVE IT WHEN A PLAN COMES TOGETHER. 744 00:33:15,066 --> 00:33:16,067 OKAY. 745 00:33:16,100 --> 00:33:17,734 UH... 746 00:33:19,836 --> 00:33:22,206 YEAH, BUT... W-WHERE'S THE TAPE? 747 00:33:24,108 --> 00:33:26,610 I THINK I MAY HAVE LEFT HER TAPE IN THE DECK. 748 00:33:26,643 --> 00:33:27,744 UNBELIEVABLE! 749 00:33:27,778 --> 00:33:29,246 WHERE ARE YOU GOING? 750 00:33:29,280 --> 00:33:30,581 WHEN THEY FIND KAYE LYNN'S TAPE, 751 00:33:30,614 --> 00:33:32,349 THEY'RE GONNA WANT TO ASK HER SOME QUESTIONS. 752 00:33:32,383 --> 00:33:34,751 AND WE KNOW THEY DON'T ASK QUESTIONS VERY NICELY, DO THEY? 753 00:33:34,785 --> 00:33:36,520 DAMN IT, HARDISON! 754 00:33:43,427 --> 00:33:45,229 YOU OKAY? 755 00:33:45,262 --> 00:33:48,665 [ Voice breaking ] THE FESTIVAL DIRECTOR JUST CALLED. 756 00:33:48,699 --> 00:33:51,402 KIRKWOOD TOOK MY SPOT IN THE SHOWCASE. 757 00:33:51,435 --> 00:33:53,704 HE'S GONNA SING MY BROTHER'S SONG. 758 00:33:53,737 --> 00:33:55,439 AND YOU TOLD ME YOU WERE GONNA GET OUR MONEY 759 00:33:55,472 --> 00:33:56,507 AND OUR SONGS BACK, 760 00:33:56,540 --> 00:34:00,177 BUT ALL YOU DID WAS LOSE THE ONLY THING I HAD LEFT. 761 00:34:08,785 --> 00:34:10,721 COME WITH ME. ALL RIGHT? TRUST ME. 762 00:34:10,754 --> 00:34:12,089 WHAT'S THE PLAN? 763 00:34:12,123 --> 00:34:13,557 ALL RIGHT. COME BACK TO THE HOTEL. 764 00:34:13,590 --> 00:34:15,292 WE'LL, UH, REWORK THE APPROACH. 765 00:34:15,326 --> 00:34:17,094 HIT HIM HARD IN A COUPLE OF DAYS. 766 00:34:17,128 --> 00:34:18,629 NO. KIRKWOOD'S GETTING READY TO SING THIS SONG 767 00:34:18,662 --> 00:34:20,331 IN FRONT OF THE WHO'S WHO OF COUNTRY MUSIC. 768 00:34:20,364 --> 00:34:21,765 LISTEN, UH, YOU KNOW, IT'S TOO LATE TO STOP HIM TONIGHT. 769 00:34:21,798 --> 00:34:23,867 NO, I HACKED INTO HIS TRUCK'S NAVIGATION SYSTEM. 770 00:34:23,900 --> 00:34:25,802 HE'S ON THE MOVE. IT'S GAME OVER. 771 00:34:25,836 --> 00:34:28,639 ELIOT, IF HE PLAYS THAT SONG IN FRONT OF THOSE A&Rs, 772 00:34:28,672 --> 00:34:29,873 I'LL LOSE IT FOREVER. 773 00:34:29,906 --> 00:34:31,608 Eliot, it's too late. 774 00:34:31,642 --> 00:34:34,345 ALL RIGHT. HELP OR DON'T HELP, BUT DON'T TELL ME IT'S TOO LATE! 775 00:34:34,378 --> 00:34:35,446 PUT THAT ON. 776 00:34:37,314 --> 00:34:39,316 [ ENGINE TURNS OVER, REVS ] 777 00:34:43,520 --> 00:34:46,323 SOMETIMES YOU -- YOU -- YOU DON'T GET A SECOND CHANCE 778 00:34:46,357 --> 00:34:48,325 TO GET IT RIGHT. 779 00:34:48,359 --> 00:34:50,127 WHY NOT? 780 00:34:50,161 --> 00:34:51,628 RULES OF LIFE. 781 00:34:51,662 --> 00:34:53,630 BUT THAT'S EXACTLY WHAT WE DO. 782 00:34:53,664 --> 00:34:56,267 WE CHANGE THE RULES. 783 00:34:56,300 --> 00:34:59,270 [ LAUGHTER ] 784 00:35:02,839 --> 00:35:06,243 UH, UH, W-WHERE'S KIRKWOOD RIGHT ABOUT NOW? 785 00:35:06,277 --> 00:35:09,446 * OR YOU'RE DRIVING 'ROUND ON A SUNNY DAY * 786 00:35:09,480 --> 00:35:12,916 * AND OUT OF NOWHERE COMES THE POURING RAIN * 787 00:35:12,949 --> 00:35:16,153 * AND A MEMORY HITS YOU RIGHT OUT... * 788 00:35:16,187 --> 00:35:17,321 [ WOMEN SCREAMING, HORN HONKING ] 789 00:35:17,354 --> 00:35:19,556 WE GOT THREE BLOCKS, JESSE. GO ON. 790 00:35:19,590 --> 00:35:20,657 GO! 791 00:35:20,691 --> 00:35:22,326 I CAN'T MOVE. [ HONKING ] 792 00:35:22,359 --> 00:35:24,228 GIVE ME THE CD. 793 00:35:25,629 --> 00:35:28,265 ALL RIGHT. COME ON, GIRLS! GET OUT OF MY... 794 00:35:28,299 --> 00:35:31,235 I'M TRYING TO GET SOMEWHERE! GET OUT OF HERE! 795 00:35:31,268 --> 00:35:32,836 [ SCREAMING CONTINUES ] 796 00:35:34,705 --> 00:35:36,940 Eliot, I used your fans to stall Kirkwood. 797 00:35:36,973 --> 00:35:38,942 I bought you like two minutes. 798 00:35:38,975 --> 00:35:42,179 [ HORN HONKS, TIRES SCREECH ] 799 00:35:44,848 --> 00:35:46,483 WE'RE HERE. 800 00:35:46,517 --> 00:35:47,851 Is Kirkwood there? 801 00:35:47,884 --> 00:35:49,920 I DON'T SEE HIM. 802 00:35:49,953 --> 00:35:51,188 WAIT. 803 00:35:53,624 --> 00:35:56,727 YEAH. HE JUST WALKED IN. 804 00:36:01,532 --> 00:36:02,566 GOT IT. 805 00:36:05,336 --> 00:36:06,903 ALL RIGHT. A FEW MORE MINUTES. 806 00:36:06,937 --> 00:36:08,639 Eliot, I'm sorry. 807 00:36:08,672 --> 00:36:10,907 WE DID EVERYTHING WE CAN. 808 00:36:10,941 --> 00:36:12,743 MAYBE NOT EVERYTHING. 809 00:36:19,483 --> 00:36:23,254 [ TRILLING ] 810 00:36:23,287 --> 00:36:24,588 [ VOCALIZING OFF-KEY ] 811 00:36:24,621 --> 00:36:25,922 [ LAUGHTER ] 812 00:36:25,956 --> 00:36:29,893 [ CHIRPING, SCREECHING ] 813 00:36:31,895 --> 00:36:33,497 [ QUACKING ] 814 00:36:33,530 --> 00:36:35,599 [ ENGINE REVS ] 815 00:36:35,632 --> 00:36:36,933 [ LAUGHTER, BOOING ] 816 00:36:36,967 --> 00:36:40,604 [ VOCALIZING OFF-KEY ] 817 00:36:51,782 --> 00:36:54,718 [ EXHALES DEEPLY ] 818 00:36:56,920 --> 00:36:58,922 HEY. 819 00:36:58,955 --> 00:37:00,624 SURPRISED TO SEE ME? 820 00:37:00,657 --> 00:37:02,926 WHY WOULD YOU SAY THAT? 821 00:37:02,959 --> 00:37:04,761 WELL, YOU TRIED TO KILL ME. 822 00:37:04,795 --> 00:37:07,764 SAME WAY YOU KILLED JESSE JENKINS. 823 00:37:09,800 --> 00:37:12,503 YOU'RE UNSTABLE, KENNETH. 824 00:37:12,536 --> 00:37:15,639 AND I'D REALLY LIKE TO HELP YOU... 825 00:37:15,672 --> 00:37:18,675 IF YOU'D LET ME. 826 00:37:19,976 --> 00:37:21,512 [ GROANS ] 827 00:37:22,846 --> 00:37:25,449 YOU THINK I'M GONNA CONFESS TO A MURDER 828 00:37:25,482 --> 00:37:28,519 IN A ROOMFUL OF MICROPHONES? 829 00:37:28,552 --> 00:37:29,820 IF I WAS THAT STUPID, 830 00:37:29,853 --> 00:37:32,323 I NEVER WOULD HAVE GOTTEN AWAY WITH IT. 831 00:37:32,356 --> 00:37:34,391 [ BOOING ] 832 00:37:34,425 --> 00:37:36,393 [ VOCALIZING OFF-KEY ] 833 00:37:36,427 --> 00:37:38,028 WELL, LET'S PUT AN END TO AMATEUR NIGHT 834 00:37:38,061 --> 00:37:41,598 AND GIVE A WARM WELCOME TO MITCHELL KIRKWOOD! 835 00:37:41,632 --> 00:37:44,034 [ CHEERS AND APPLAUSE ] 836 00:37:51,642 --> 00:37:54,578 [ PLAYING SLOW INTRODUCTION ] 837 00:38:04,655 --> 00:38:08,459 * WELL, I KNOW THEY SAY ALL GOOD THINGS * 838 00:38:08,492 --> 00:38:11,562 * MUST COME TO SOME KIND OF ENDING * 839 00:38:11,595 --> 00:38:13,497 * WE WERE SO DAMN GOOD 840 00:38:13,530 --> 00:38:17,534 * I GUESS WE NEVER STOOD A CHANCE * 841 00:38:18,369 --> 00:38:22,473 * GO ON AND FIND WHAT YOU'VE BEEN MISSIN' * 842 00:38:22,506 --> 00:38:25,442 * AND WHEN THAT HIGHWAY'S TIRED OF LISTENIN' * 843 00:38:25,476 --> 00:38:31,615 * YOU'LL SEE I'M NOT THAT EASY TO FORGET * 844 00:38:31,648 --> 00:38:35,852 * AND WHEN A NEW MOON SHINES THROUGH YOUR WINDOW * 845 00:38:35,886 --> 00:38:39,089 * OR YOU HEAR A SAD SONG ON THE RADIO * 846 00:38:39,122 --> 00:38:46,129 * AND YOU DON'T KNOW WHY, BUT YOU JUST START TO CRY * 847 00:38:46,162 --> 00:38:49,766 * OR YOU'RE DRIVING 'ROUND ON A SUNNY DAY * 848 00:38:49,800 --> 00:38:53,069 * AND OUT OF NOWHERE COMES THE POURING RAIN * 849 00:38:53,103 --> 00:38:59,042 * AND A MEMORY HITS YOU RIGHT OUT OF THE BLUE * 850 00:38:59,075 --> 00:39:02,379 * THAT'S JUST ME 851 00:39:02,413 --> 00:39:06,617 * THINKING OF YOU 852 00:39:06,650 --> 00:39:09,886 [ CHEERS AND APPLAUSE ] 853 00:39:09,920 --> 00:39:11,822 HOW ABOUT IT? 854 00:39:11,855 --> 00:39:13,857 OH! SHE'S WONDERFUL! ISN'T SHE? 855 00:39:13,890 --> 00:39:15,959 [ LAUGHS ] 856 00:39:15,992 --> 00:39:18,395 ...THE SAME WAY YOU KILLED JESSE JENKINS. 857 00:39:18,429 --> 00:39:20,497 YOU THINK I'M GONNA CONFESS TO A MURDER 858 00:39:20,531 --> 00:39:22,533 IN A ROOMFUL OF MICROPHONES? 859 00:39:22,566 --> 00:39:23,900 IF I WAS THAT STUPID, 860 00:39:23,934 --> 00:39:25,969 I WOULDN'T HAVE GOTTEN AWAY WITH IT. 861 00:39:27,070 --> 00:39:28,572 [ GROANING ] 862 00:39:28,605 --> 00:39:30,641 YOU THINK I'M GONNA CONFESS TO A MURDER 863 00:39:30,674 --> 00:39:32,443 IN A ROOMFUL OF MICROPHONES? 864 00:39:32,476 --> 00:39:34,778 -IF I WAS THAT STUPID... -AND YOU MAKE FUN OF EARBUDS. 865 00:39:34,811 --> 00:39:37,113 ...I WOULDN'T HAVE GOTTEN AWAY WITH IT. 866 00:39:37,147 --> 00:39:39,516 THAT WAS A, UH... 867 00:39:39,550 --> 00:39:41,184 THAT WAS A JOKE, LADIES AND GENTLEMEN. 868 00:39:41,217 --> 00:39:43,587 VERY FUNNY JOKE. I'LL BE RIGHT BACK. 869 00:39:43,620 --> 00:39:46,623 HOW ABOUT THAT, HUH? GIVE IT UP FOR HER. 870 00:39:49,125 --> 00:39:50,661 LET ME EXPLAIN SOMETHING TO YOU, KIRKWOOD. 871 00:39:50,694 --> 00:39:51,595 YEAH? 872 00:39:51,628 --> 00:39:52,796 NEXT TIME YOU HIT SOMEBODY IN THE STOMACH 873 00:39:52,829 --> 00:39:54,064 AND YOU WANT 'EM TO STAY DOWN... 874 00:39:54,097 --> 00:39:55,999 YOU GOTTA HIT HIM IN THE SOLAR PLEXUS! 875 00:39:56,032 --> 00:39:57,834 [ GRUNTS ] 876 00:39:59,035 --> 00:40:00,637 [ COUGHING ] 877 00:40:00,671 --> 00:40:02,706 SEE THE DIFFERENCE? 878 00:40:02,739 --> 00:40:05,476 [ BREATHES DEEPLY ] 879 00:40:07,143 --> 00:40:10,547 [ INDISTINCT CONVERSATIONS ] 880 00:40:10,581 --> 00:40:11,848 EASY, BUDDY. 881 00:40:11,882 --> 00:40:13,784 YES. 882 00:40:13,817 --> 00:40:15,619 THIS IS A NUMBER WHERE YOU CAN REACH ME AT. 883 00:40:15,652 --> 00:40:17,120 ALL RIGHT. TH-- UM, JUST -- JUST A SEC. 884 00:40:17,153 --> 00:40:19,690 [ CLICKS TONGUE ] 885 00:40:19,723 --> 00:40:23,226 THERE'S A LOT OF A&Rs WHO WANT TO MEET WITH ME. 886 00:40:23,259 --> 00:40:24,861 THANK YOU. FOR MY BROTHER, TOO. 887 00:40:24,895 --> 00:40:26,129 FOR WHAT? 888 00:40:26,162 --> 00:40:27,698 IT WAS ALL YOU. 889 00:40:27,731 --> 00:40:30,033 THANK YOU FOR KEEPING YOUR PROMISE. 890 00:40:30,066 --> 00:40:31,835 SPEAKING OF THAT. 891 00:40:33,269 --> 00:40:36,006 [ GASPS ] 892 00:40:36,039 --> 00:40:37,073 THAT'S YOURS. 893 00:40:37,107 --> 00:40:38,542 THAT'S FOR YOUR TRIP TO NASHVILLE. 894 00:40:40,611 --> 00:40:42,579 YOU CAN COME WITH ME, YOU KNOW. 895 00:40:42,613 --> 00:40:46,116 YOU'RE A NATURAL-BORN COUNTRY STAR IF I'VE EVER SEEN ONE. 896 00:40:46,149 --> 00:40:48,485 MAYBE THE NEXT JOHNNY AND JUNE? 897 00:40:54,024 --> 00:40:56,126 MM. 898 00:41:02,232 --> 00:41:04,601 SOME ROADS, YOU START GOING DOWN, 899 00:41:04,635 --> 00:41:06,870 WELL, YOU CAN'T TURN BACK, AND... 900 00:41:06,903 --> 00:41:09,873 I'M ABOUT 100 MILES DOWN ONE OF THOSE RIGHT NOW, SO... 901 00:41:09,906 --> 00:41:12,075 EXCUSE US. KAYE LYNN? 902 00:41:12,108 --> 00:41:14,277 I SOUND LIKE A BAD COUNTRY SONG. [ BOTH LAUGH ] 903 00:41:14,310 --> 00:41:16,246 OH. UM... 904 00:41:16,279 --> 00:41:17,480 I HAVE SOME FOLKS I'D LIKE FOR YOU TO MEET. 905 00:41:17,514 --> 00:41:21,084 WE HAVE SO MANY IDEAS FOR YOU. WE'RE DYING TO TALK TO YOU. 906 00:41:21,117 --> 00:41:23,554 [ INDISTINCT CONVERSATIONS ] 907 00:41:28,992 --> 00:41:30,527 READY? 908 00:41:30,561 --> 00:41:31,895 YEAH. 909 00:41:33,730 --> 00:41:34,698 TELL ME SOMETHING, MAN. 910 00:41:34,731 --> 00:41:36,633 HOW'D YOU TAKE THOSE TWO GUYS OUT BY YOURSELF? 911 00:41:36,667 --> 00:41:37,433 OH, THEY GOT INTO A FIGHT. 912 00:41:37,467 --> 00:41:38,468 YEAH, BUT, REALLY, HOW'D YOU DO IT? 913 00:41:38,501 --> 00:41:40,136 CAN'T SAY IT ANY PLAINER. THEY GOT INTO A FIGHT. 914 00:41:40,170 --> 00:41:41,304 YOU'RE NOT -- YOU'RE NOT GONNA TELL ME. 915 00:41:41,337 --> 00:41:43,206 AND WHERE WERE YOU WHEN ALL THIS WAS GOING ON, HUH? 916 00:41:43,239 --> 00:41:45,909 WHAT? I WAS GETTING NOTES FROM KAYE LYNN ON MY PERFORMANCE. 917 00:41:45,942 --> 00:41:47,243 OH. 918 00:41:47,277 --> 00:41:48,845 HOW WERE YOU? 919 00:41:48,879 --> 00:41:49,913 NO COMPLAINTS. 920 00:41:49,946 --> 00:41:51,314 -EXCUSE ME, SIR? -YEAH. 921 00:41:51,347 --> 00:41:53,183 OH. [ CHUCKLES ] 922 00:41:53,216 --> 00:41:56,653 MAN. ALL RIGHT. THIS IS THE LAST ONE, SWEETIE. 923 00:41:56,687 --> 00:41:58,321 I JUST WANTED TO KNOW WHAT TIME IT WAS. 924 00:41:58,354 --> 00:42:00,657 -[ CLEARS THROAT ] -YEAH. I KNOW. 925 00:42:00,691 --> 00:42:01,725 IT'S LATE. 926 00:42:01,758 --> 00:42:04,194 GO HOME. IT'S PAST YOUR BEDTIME. 61018

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