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1
00:00:02,236 --> 00:00:04,213
WEATHER TODAY IN THE
GREATER CINCINNATI AREA...
2
00:00:04,237 --> 00:00:07,372
♪ I LOVE YOU SO
BADLY I COULD... ♪
3
00:00:07,441 --> 00:00:10,242
THEY'RE SOLID PLASTIC, SO
DON'T SETTLE FOR IMITATION...
4
00:00:13,314 --> 00:00:15,859
BUT THE SENATOR, WHILE
INSISTING HE WAS NOT INTOXICATED,
5
00:00:15,883 --> 00:00:17,549
COULD NOT EXPLAIN HIS NUDITY.
6
00:00:17,618 --> 00:00:19,818
♪♪
7
00:00:19,886 --> 00:00:21,820
♪♪
8
00:00:21,889 --> 00:00:25,924
♪ BABY IF YOU'VE EVER WONDERED ♪
9
00:00:25,992 --> 00:00:30,328
♪ WONDERED WHATEVER
BECAME OF ME ♪
10
00:00:30,397 --> 00:00:33,365
♪ I'M LIVING ON THE
AIR IN CINCINNATI ♪
11
00:00:34,801 --> 00:00:39,003
♪ CINCINNATI, WKRP ♪
12
00:00:39,072 --> 00:00:42,674
♪ GOT KIND OF TIRED OF
PACKING AND UNPACKING ♪
13
00:00:42,743 --> 00:00:46,177
♪ TOWN TO TOWN UP
AND DOWN THE DIAL ♪
14
00:00:48,115 --> 00:00:51,183
♪ MAYBE YOU AND ME
WERE NEVER MEANT TO BE ♪
15
00:00:51,251 --> 00:00:55,353
♪ JUST MAYBE THINK
OF ME ONCE IN A WHILE ♪
16
00:00:55,422 --> 00:00:58,056
♪ I'M AT WKRP ♪
17
00:00:58,125 --> 00:01:01,926
♪ IN CINCINNATI ♪♪
18
00:01:03,764 --> 00:01:06,998
SO, YOU SEE, I FEEL INDEBTED TO
A LOT OF PEOPLE FOR MY CAREER.
19
00:01:07,067 --> 00:01:11,703
I HAVE A WONDERFUL MANAGER AND, I THINK,
THE BEST RECORD PRODUCER IN THE INDUSTRY.
20
00:01:11,772 --> 00:01:15,106
- AND I'D ALSO LIKE TO THANK...
- I DIDN'T KNOW YOUR LITTLE STATION...
21
00:01:15,175 --> 00:01:17,742
WAS INTERESTED IN
THIS SORT OF THING, LES.
22
00:01:17,811 --> 00:01:20,412
WKRP IS INTERESTED
IN EVERYTHING.
23
00:01:20,480 --> 00:01:22,447
THIS IS NEWS, STERNWORTHY.
24
00:01:22,516 --> 00:01:26,084
WHICH MAKES IT EVEN MORE
PUZZLING THAT YOU'RE HERE.
25
00:01:26,153 --> 00:01:31,289
- ANY MORE QUESTIONS?
- LES NESSMAN, WKRP NEWS.
26
00:01:33,627 --> 00:01:36,961
MISS, UM, TAYLOR,
27
00:01:37,031 --> 00:01:39,964
WHAT INSTRUMENT DO YOU PLAY?
28
00:01:42,102 --> 00:01:44,669
SHE'S A SINGER, LES.
29
00:01:44,738 --> 00:01:48,873
I'M A SINGER, BUT I PLAY
THE GUITAR FOR RELAXATION.
30
00:01:48,943 --> 00:01:53,245
AHA! PLAYS GUITAR
FOR RELAXATION.
31
00:01:53,313 --> 00:01:56,314
HOWARD R.
STERNWORTHY, WPIG NEWS,
32
00:01:56,383 --> 00:02:00,385
CINCINNATI'S NUMBER
ONE RADIO STATION.
33
00:02:00,454 --> 00:02:04,489
SINCE YOU'RE ON THE ROAD, AS WE
SAY IN THE TRADE, MOST OF THE YEAR,
34
00:02:04,558 --> 00:02:06,703
DOESN'T THAT PUT A
CRIMP IN YOUR LOVE LIFE?
35
00:02:06,727 --> 00:02:12,230
YES, IT DOES. BUT WE'RE
ALL LIKE ONE BIG FAMILY,
36
00:02:12,299 --> 00:02:16,901
SO WE REALLY DON'T HAVE VERY
MUCH TIME FOR OUTSIDE INTERESTS.
37
00:02:16,970 --> 00:02:20,638
SO THEN WE CAN SAFELY SAY... I
HAVE A QUESTION, BUT I'LL ASK LATER.
38
00:02:20,707 --> 00:02:23,753
THAT THERE IS NO TRUTH TO THE RUMOR
THAT YOU ARE ROMANTICALLY LINKED...
39
00:02:23,777 --> 00:02:27,212
WITH THE JUNIOR SENATOR FROM
A MAJOR MIDWESTERN STATE?
40
00:02:27,281 --> 00:02:29,982
YES, YOU CAN SAFELY SAY THAT.
41
00:02:30,050 --> 00:02:32,117
SAYS YOU.
42
00:02:32,186 --> 00:02:36,488
LES NESSMAN! LES NESSMAN, WINNER
OF THE BUCKEYE NEWSHAWK AWARD.
43
00:02:37,925 --> 00:02:40,726
MISS TAYLOR, UH,
ONE MOMENT, PLEASE.
44
00:02:40,794 --> 00:02:43,328
I SEEM TO HAVE
MISPLACED MY QUESTION.
45
00:02:43,396 --> 00:02:47,265
UM, IT'S A VERY IMPORTANT QUESTION,
AND I'M SURE YOUR RESPONSE WILL BE...
46
00:02:47,334 --> 00:02:50,335
OF GREAT BENEFIT TO ALL
MY JOURNALISTIC COLLEAGUES.
47
00:02:50,404 --> 00:02:53,104
UH, HERE IT IS. MISS TAYLOR,
48
00:02:53,173 --> 00:02:57,776
DID YOU KNOW THE
LATE ELVIS PRESLEY?
49
00:03:01,247 --> 00:03:04,349
WHAT? OH, NO, I...
50
00:03:04,418 --> 00:03:06,684
MMM. DIDN'T KNOW PRESLEY.
51
00:03:06,753 --> 00:03:08,932
THANKS FOR
CLEARING THAT UP, LES.
52
00:03:08,956 --> 00:03:13,091
HOWARD R.
STERNWORTHY, WPIG AGAIN.
53
00:03:13,159 --> 00:03:17,529
MISS TAYLOR, THE RECORD INDUSTRY HAS
COME INCREASINGLY UNDER SURVEILLANCE...
54
00:03:17,598 --> 00:03:19,731
OF LAW ENFORCEMENT AGENCIES,
55
00:03:19,800 --> 00:03:22,901
AND NOT A FEW HAVE SUGGESTED
THAT THE ENTIRE INDUSTRY...
56
00:03:22,969 --> 00:03:26,938
IS UNDER DIRECT CONTROL
OF THE MAFIA OR WORSE.
57
00:03:27,007 --> 00:03:29,374
WHAT DO YOU THINK
ABOUT THAT, MISS TAYLOR?
58
00:03:31,045 --> 00:03:34,612
MISS TAYLOR? OH, I'M SORRY.
59
00:03:34,681 --> 00:03:38,383
I DIDN'T QUITE GET THE
QUESTION, MR., UH... PIG, WAS IT?
60
00:03:38,452 --> 00:03:42,220
IT WAS STERNWORTHY, WPIG.
61
00:03:42,289 --> 00:03:44,789
SORRY, FOLKS. THAT'S ALL
THE TIME WE HAVE HERE TODAY.
62
00:03:44,858 --> 00:03:47,626
MISS TAYLOR HAS THREE SHOWS TO
DO IN CINCINNATI. THANK YOU VERY MUCH.
63
00:03:47,695 --> 00:03:49,828
PLEASE, PLEASE...
64
00:03:49,897 --> 00:03:52,108
WHAT ARE YOU DOING
HERE? I WORK HERE.
65
00:03:52,132 --> 00:03:55,400
I DIDN'T KNOW THAT. I WOULD'VE
CALLED OR WRITTEN OR...
66
00:03:55,469 --> 00:03:57,769
IT'S BEEN A LONG
TIME. YEAH, IT HAS.
67
00:03:57,837 --> 00:03:59,883
COULD WE GET TOGETHER FOR COFFEE
OR SOMETHING WHILE YOU'RE HERE?
68
00:03:59,907 --> 00:04:02,707
- ARE YOU KIDDING? OF COURSE.
- COME ON, LINDA. LET'S GO.
69
00:04:02,776 --> 00:04:05,443
MISS TAYLOR, WHAT
ABOUT SNOOKY LANSON?
70
00:04:05,512 --> 00:04:08,579
I NEVER MET HIM. COME ON.
71
00:04:08,649 --> 00:04:11,182
DOESN'T KNOW SNOOKY LANSON?
72
00:04:14,154 --> 00:04:17,133
MR. CARLSON, THAT DOLT
STERNWORTHY TOLD ME THIS MORNING...
73
00:04:17,157 --> 00:04:20,258
THAT WPIG IS GETTING
A TRAFFIC HELICOPTER.
74
00:04:20,327 --> 00:04:22,839
SO WHAT? IT'S HIGH
TIME WE GOT ONE TOO.
75
00:04:22,863 --> 00:04:26,064
WE CAN'T ALLOW THEM TO GAIN
SUPERIORITY IN THE AIR, SIR. LOOK,
76
00:04:26,132 --> 00:04:28,200
I'M NOT CONCERNED
ABOUT SUPERIORITY.
77
00:04:28,268 --> 00:04:30,902
HEY, UH, LET'S JUST
FORGET THIS CONTEST, OKAY?
78
00:04:30,970 --> 00:04:34,573
- WHAT CONTEST?
- THIS "WIN A DATE
WITH A DEEJAY."
79
00:04:34,641 --> 00:04:39,444
- I AM A DEEJAY. I'M NOT A PRIZE.
- WE'RE IN A MEETING HERE, FEVER.
80
00:04:39,513 --> 00:04:42,046
OKAY. HURRY IT UP,
WILL YOU? I'M ON THE AIR.
81
00:04:42,116 --> 00:04:46,217
YOU ARE? YOU'RE LOOKING RIGHT
INTO THE JAWS OF A HELICOPTER GAP.
82
00:04:46,287 --> 00:04:50,622
GREAT, LES. EXCUSE ME, WILL YOU? I
SUPPOSE YOU'VE GOT A RECORD ON?
83
00:04:50,691 --> 00:04:55,660
AND, OF COURSE, I COULD FLY THE
HELICOPTER. THAT WOULD SHOW STERNWORTHY.
84
00:04:55,729 --> 00:04:58,797
- WHAT?
- I COULD BE MY OWN PILOT.
85
00:04:58,865 --> 00:05:02,033
LES, HOW MANY AUTOMOBILE
ACCIDENTS HAVE YOU HAD?
86
00:05:02,101 --> 00:05:04,213
JUST, SAY, IN THE LAST
TWO OR THREE MONTHS?
87
00:05:04,237 --> 00:05:06,738
I DON'T KNOW. A FEW.
88
00:05:06,807 --> 00:05:10,375
NOT MANY. AND YOU
WANNA FLY A HELICOPTER?
89
00:05:10,444 --> 00:05:13,912
THERE AREN'T AS MANY
THINGS TO HIT UP THERE.
90
00:05:13,981 --> 00:05:17,182
GEE. NOW, ABOUT
THIS CONTEST. YEAH.
91
00:05:17,251 --> 00:05:20,552
IF IT CONTINUES, I
GO OUT ON STRIKE.
92
00:05:20,620 --> 00:05:25,590
NO, YOU DON'T. OH, NO.
WE'RE NOT UNIONIZED. ARE WE?
93
00:05:25,658 --> 00:05:28,593
HAVEN'T YOU HEARD ABOUT
THE U.B.A.M.D.T.D.J. OF A.?
94
00:05:28,662 --> 00:05:31,796
THE... WHAT?
95
00:05:31,865 --> 00:05:36,468
THE UNITED BROTHERHOOD OF AM
DRIVE TIME DISC JOCKEYS OF AMERICA.
96
00:05:38,138 --> 00:05:41,106
NO. WELL, YOU WILL.
97
00:05:41,175 --> 00:05:44,642
OKAY. LOOK, UH, NO-NO
CONTEST. THANKS.
98
00:05:44,711 --> 00:05:47,278
KEEP ON FLYING, LES.
99
00:05:47,348 --> 00:05:51,550
MR. CARLSON, IF I DON'T GET MY
HELICOPTER, I'M GOING ON STRIKE TOO.
100
00:05:51,618 --> 00:05:56,587
YEAH. GREAT, LES. HAVEN'T YOU HEARD
OF THE NATIONAL NEWSMEN'S GUILD?
101
00:05:56,657 --> 00:05:59,524
MM-HMM. NASTY BUNCH.
102
00:05:59,592 --> 00:06:02,593
YES. I'M IN IT. FINE.
103
00:06:02,663 --> 00:06:05,241
I'M GOING TO STICK IT OUT FOR AS
LONG AS IT TAKES. GOOD FOR YOU.
104
00:06:05,265 --> 00:06:07,243
I'LL SEE YOU ON THE PICKET LINE.
105
00:06:07,267 --> 00:06:09,467
I'M NOT KIDDING. I
KNOW YOU'RE NOT, LES.
106
00:06:09,536 --> 00:06:11,903
DRESS WARMLY. YES, SIR.
107
00:06:11,972 --> 00:06:13,972
THIS PLACE IS A ZOO.
108
00:06:33,526 --> 00:06:36,995
♪♪
109
00:06:37,064 --> 00:06:40,164
HAVE YOU SEEN THE CAT
FROM OUTER SPACE YET?
110
00:06:40,233 --> 00:06:43,702
NO, HERB, I HAVEN'T.
WELL, LES SAW IT.
111
00:06:43,770 --> 00:06:47,172
HE SAID IT WAS REAL GOOD, AND I
THOUGHT MAYBE YOU AND I COULD...
112
00:06:47,240 --> 00:06:49,741
HERB, I'M NOT GOING
TO THE MOVIES WITH YOU.
113
00:06:49,810 --> 00:06:53,478
COME ON. IT'LL BE JUST
US AND A BUNCH OF KIDS.
114
00:06:53,547 --> 00:06:57,616
GET IT? WE WON'T SEE
ANYBODY WE KNOW.
115
00:06:57,684 --> 00:06:59,784
NO. NO.
116
00:06:59,853 --> 00:07:02,253
HERB, I HAVE TO
DISTRIBUTE THIS MAIL.
117
00:07:02,322 --> 00:07:04,789
WILL YOU WATCH THE PHONE
FOR ME FOR A COUPLE OF MINUTES?
118
00:07:06,994 --> 00:07:09,528
PLEASE? SURELY.
119
00:07:13,967 --> 00:07:17,335
IT'S NOT THE BIGGEST STATION IN THE
WORLD, BUT I CALL IT HOME FOR NOW.
120
00:07:17,404 --> 00:07:20,905
IT LOOKS FINE TO ME. HI,
HERB. WHERE'S JENNIFER?
121
00:07:20,974 --> 00:07:23,507
WAIT A MINUTE.
IT'S LINDA TAYLOR.
122
00:07:23,576 --> 00:07:25,943
THAT'S RIGHT. LINDA,
THIS IS HERB TARLEK.
123
00:07:26,013 --> 00:07:28,747
YOU'RE THE SINGER.
IT'S LINDA TAYLOR!
124
00:07:28,816 --> 00:07:30,848
NICE TO MEET YOU.
125
00:07:30,917 --> 00:07:33,218
HERB IS IN CHARGE OF
SALES AROUND HERE.
126
00:07:33,287 --> 00:07:36,321
HEY, BIG GUY, IT'S LINDA TAYLOR!
127
00:07:36,389 --> 00:07:39,190
IT'S LINDA TAYLOR! WHAT
IS ALL THE YELLING ABOUT?
128
00:07:39,259 --> 00:07:42,894
JENNIFER, IT'S LINDA TAYLOR STANDING
OVER THERE WITH WHAT'S-HIS-NAME. SEE HER?
129
00:07:42,963 --> 00:07:45,063
THIS IS JENNIFER MARLOWE,
OUR RECEPTIONIST.
130
00:07:45,132 --> 00:07:47,365
HI.
131
00:07:47,434 --> 00:07:49,434
I WANNA SHOW YOU THE
REST OF THE OPERATION.
132
00:07:49,502 --> 00:07:53,705
NICE TO MEET YOU,
HERB. OH, NICE... TAYLOR...
133
00:07:53,774 --> 00:07:56,875
WELL, DON'T YOU HAVE
ANY IDEA WHO THAT WAS?
134
00:07:56,944 --> 00:08:01,145
WELL, HERB, GET
AHOLD OF YOURSELF.
135
00:08:01,214 --> 00:08:03,881
IT'S LINDA TAYLOR!
136
00:08:03,951 --> 00:08:07,385
LOOK AT ALL THIS MAIL.
YOU CAN'T BACK OUT NOW.
137
00:08:07,453 --> 00:08:09,499
VENUS, YOU TALK TO HIM. SURE.
138
00:08:09,523 --> 00:08:11,823
HEY, JOHNNY MAN,
IT'S NO BIG DEAL.
139
00:08:11,891 --> 00:08:13,903
ALL YOU HAVE TO DO
IS PICK OUT A LADY,
140
00:08:13,927 --> 00:08:16,294
AND THE STATION PICKS UP
THE TAB FOR THE WHOLE NIGHT.
141
00:08:16,363 --> 00:08:18,641
FORGET IT. COME ON.
I'VE DONE IT BEFORE,
142
00:08:18,665 --> 00:08:21,199
AND I'VE ALWAYS
COME OUT WITH A FOX.
143
00:08:21,268 --> 00:08:24,969
YEAH, I'VE DONE IT BEFORE TOO. I
ALWAYS WIND UP WITH A WARTHOG.
144
00:08:26,272 --> 00:08:29,040
YOU JUST GOT TO KNOW
HOW TO PICK 'EM, BROTHER.
145
00:08:29,109 --> 00:08:31,609
LET ME SEE SOME OF
THOSE CARDS, BAILEY. YEAH.
146
00:08:33,379 --> 00:08:36,447
NOW, LISTEN TO THIS. "I'D
LIKE A DATE WITH A DEEJAY...
147
00:08:36,516 --> 00:08:40,652
BECAUSE MY MOTHER ALWAYS SAID I WAS
CLEVER AND A GOOD CONVERSATIONALIST."
148
00:08:40,720 --> 00:08:43,120
NOT GOOD. WAIT A
MINUTE. I KIND OF LIKE THE...
149
00:08:43,189 --> 00:08:45,690
TRUST ME. OH.
150
00:08:45,759 --> 00:08:49,694
"I'VE ALWAYS WANTED TO FIND OUT WHAT'S
BEHIND THAT SEXY VOICE I HEAR EVERY NIGHT."
151
00:08:49,763 --> 00:08:53,464
THIS IS WHAT WE'LL
CALL THE "A" PILE.
152
00:08:55,902 --> 00:08:58,636
"NOW, I DON'T KNOW IF IT'S
AGAINST THE LAW IN OHIO,
153
00:08:58,705 --> 00:09:00,972
BUT WHAT I'D REALLY
LIKE TO DO IS"...
154
00:09:03,009 --> 00:09:05,242
NO, THAT'S THE "B" PILE.
155
00:09:06,813 --> 00:09:09,847
THIS IS THE "A" PILE.
156
00:09:09,916 --> 00:09:13,618
UH, MAYBE I COULD JUST SHUFFLE
THROUGH YOUR LEFTOVERS.
157
00:09:13,687 --> 00:09:17,188
- OH, NOW YOU WANNA SEE, HUH?
- HI. I WANT YOU ALL TO MEET...
158
00:09:17,256 --> 00:09:19,256
IT'S LINDA TAYLOR!
159
00:09:20,694 --> 00:09:22,627
AN OLD FRIEND OF
MINE, LINDA TAYLOR.
160
00:09:22,695 --> 00:09:26,664
LINDA, THIS IS VENUS FLYTRAP, DR. JOHNNY
FEVER AND MISS BAILEY QUARTERS.
161
00:09:26,733 --> 00:09:29,311
HI. HI.
162
00:09:29,335 --> 00:09:32,370
I REALLY ENJOY YOUR
RECORDS. THANK YOU.
163
00:09:32,438 --> 00:09:35,039
YOU'RE WELCOME.
164
00:09:35,108 --> 00:09:37,342
WELL, I GUESS THAT'S IT.
165
00:09:37,411 --> 00:09:40,077
HEY, HOW COME A BIG STAR
LIKE YOU KNOWS THIS TURKEY?
166
00:09:40,147 --> 00:09:42,346
LINDA AND I MET IN SANTA
FE A FEW YEARS BACK.
167
00:09:42,415 --> 00:09:44,515
OF COURSE, THAT WAS BEFORE
ALL THE FAME AND FORTUNE.
168
00:09:44,585 --> 00:09:48,553
I SEE. WELL. OKAY.
169
00:09:48,622 --> 00:09:52,023
YOU KNOW, WE'RE GONNA BE AT
THE CONCERT FRIDAY NIGHT. GOOD.
170
00:09:52,091 --> 00:09:56,293
WE GOT THIS LITTLE CONTEST GOING.
IT'S ACTUALLY A VERY GOOD IDEA.
171
00:09:56,362 --> 00:09:58,630
SEE, THE TOP PRIZE IS TWO
TICKETS TO YOUR SHOW,
172
00:09:58,698 --> 00:10:04,168
IN THE COMPANY OF TWO OF THE MIDWEST'S
MOST CHARMING RADIO PERSONALITIES.
173
00:10:04,237 --> 00:10:07,071
THEN I'LL SEE YOU THERE.
COME ON. LET'S GET OUTTA HERE.
174
00:10:07,140 --> 00:10:09,185
- NICE MEETING Y'ALL.
- YEAH. KEEP SINGING.
175
00:10:09,209 --> 00:10:11,776
- BYE.
- TOODLE-OO.
- TOODLE-OO.
176
00:10:11,845 --> 00:10:15,180
WELL, WELL.
177
00:10:15,248 --> 00:10:18,049
SHE'S AS PRETTY IN PERSON
AS SHE IS ON HER ALBUM COVERS.
178
00:10:18,118 --> 00:10:20,485
YEAH, I GUESS SO.
179
00:10:21,754 --> 00:10:24,622
WELL, WE BETTER GET BACK
TO THESE CARDS AND LETTERS.
180
00:10:24,691 --> 00:10:27,292
ALL RIGHT. NOW,
THE WAY I SEE IT,
181
00:10:27,360 --> 00:10:32,497
WHAT I'M LOOKING FOR IS SOMETHING
WELL WRITTEN AND SINCERE...
182
00:10:32,566 --> 00:10:35,099
AND, HOPEFULLY, OBSCENE.
183
00:10:47,780 --> 00:10:50,781
SO, THIS IS HOW THE
OTHER HALF LIVES.
184
00:10:50,850 --> 00:10:53,217
OH, ANDY, I LOVE IT!
185
00:10:53,286 --> 00:10:55,453
THIS WHOLE LITTLE
NEIGHBORHOOD IS GREAT.
186
00:10:55,522 --> 00:10:58,189
MMM. REMINDS ME OF
SAN FRANCISCO. YEAH?
187
00:10:58,258 --> 00:11:00,224
IT'S GONNA BE OKAY, I THINK.
188
00:11:00,293 --> 00:11:05,396
I'M AT THE STATION SO MUCH OF THE
TIME, I'M STILL LIVING OUT OF BOXES.
189
00:11:07,434 --> 00:11:10,200
HEY, BILL! OH, NO! THIS CAN'T...
190
00:11:10,269 --> 00:11:12,203
IS THIS PECOS BILL?
191
00:11:12,272 --> 00:11:15,339
THAT'S HIM. OH, HE
MUST BE ANCIENT.
192
00:11:15,409 --> 00:11:18,843
- HOW ABOUT A LITTLE WINE, HUH?
- SURE.
193
00:11:18,911 --> 00:11:22,580
I'LL BE RIGHT BACK.
MAKE YOURSELF AT HOME.
194
00:11:47,274 --> 00:11:50,775
THE CORK BROKE. I HAD TO
PUSH IT DOWN IN THE BOTTLE.
195
00:11:50,843 --> 00:11:55,346
HAPPENS TO ME ALL THE
TIME. I'M... I'M SORRY. IT'S OKAY.
196
00:11:56,817 --> 00:11:58,749
IS THAT ME? WHAT?
197
00:11:59,952 --> 00:12:01,986
OH, YEAH. DON'T
YOU REMEMBER THAT?
198
00:12:02,054 --> 00:12:05,456
IT WAS OUT NEXT TO MY UNCLE'S
FARM, RIGHT AROUND GLORIETA.
199
00:12:05,525 --> 00:12:07,658
OH, I CAN'T BELIEVE IT.
200
00:12:07,727 --> 00:12:10,628
LOOK AT MY HAIR.
WAS A LONG TIME AGO.
201
00:12:10,697 --> 00:12:12,696
YEAH.
202
00:12:28,081 --> 00:12:32,750
SO, I SING. WHAT DO YOU DO?
203
00:12:33,820 --> 00:12:35,820
I LISTEN.
204
00:12:37,457 --> 00:12:40,325
HOW ABOUT A FIRE? I THINK
THE FIREPLACE WORKS.
205
00:12:40,393 --> 00:12:42,393
SURE.
206
00:12:46,099 --> 00:12:48,899
YES.
207
00:12:48,968 --> 00:12:51,903
YOU KNOW, I REMEMBER THE
DAY THAT WE FOUND OLD BILL HERE.
208
00:12:51,971 --> 00:12:55,073
IT WAS UP ON, UH,
MOUNT BALDY, WASN'T IT?
209
00:12:55,142 --> 00:12:58,242
YEAH. I THINK HE WAS
HAPPY TO BE FOUND TOO.
210
00:13:00,780 --> 00:13:03,280
COME WITH ME.
211
00:13:04,951 --> 00:13:06,951
WHAT?
212
00:13:07,020 --> 00:13:09,420
COME WITH ME.
213
00:13:09,489 --> 00:13:13,457
YOU CAN BE PART OF THE CREW. NO...
HEY, YOU CAN BE THE ROAD MANAGER.
214
00:13:13,527 --> 00:13:15,960
OH, COME ON. YOU
GOT A ROAD MANAGER.
215
00:13:16,029 --> 00:13:20,331
WELL, THEN, YOU CAN BE THE
EXECUTIVE ROAD MANAGER.
216
00:13:20,399 --> 00:13:23,267
WHAT DOES IT MATTER?
I CAN AFFORD IT.
217
00:13:23,336 --> 00:13:26,971
AND I NEED YOU. I'VE MISSED YOU.
218
00:13:27,040 --> 00:13:30,240
I MISSED YOU TOO.
219
00:13:30,309 --> 00:13:32,343
I THOUGHT A LOT ABOUT YOU.
220
00:13:33,613 --> 00:13:36,313
WE HAD SOMETHING
VERY SPECIAL TOGETHER.
221
00:13:36,382 --> 00:13:39,250
I THINK WE CAN STILL HAVE IT.
222
00:13:39,318 --> 00:13:41,318
I KNOW I WANT IT.
223
00:13:47,861 --> 00:13:49,960
OH, NOW, LOOK.
224
00:13:50,029 --> 00:13:52,463
I KNOW THAT YOUR WORK
IS IMPORTANT TO YOU.
225
00:13:52,532 --> 00:13:56,100
AND THOSE PEOPLE AT
THE STATION, THEY'RE NICE,
226
00:13:56,168 --> 00:13:59,370
BUT, UH, THEY DON'T REALLY SEEM
TO KNOW WHAT THEY'RE DOING.
227
00:13:59,439 --> 00:14:03,907
MAYBE THAT'S WHY THEY NEED ME.
228
00:14:03,976 --> 00:14:05,976
WELL, I NEED YOU TOO.
229
00:14:18,957 --> 00:14:22,477
WELL, I THINK BROTHER RAY PUT HIS FINGER
RIGHT ON IT THAT TIME, FELLOW BABIES.
230
00:14:22,528 --> 00:14:24,628
AND, AGAINST THE
DOCTOR'S BETTER JUDGMENT,
231
00:14:24,697 --> 00:14:26,797
IT'S TIME TO
ANNOUNCE MY WINNER...
232
00:14:26,866 --> 00:14:31,167
ON THE BIG KRP DATE
WITH A DEEJAY CONTEST.
233
00:14:31,236 --> 00:14:33,871
AND IF I COULD HAVE
THE ENVELOPE, PLEASE.
234
00:14:33,939 --> 00:14:36,673
I CAN FEEL THE TENSION MOUNTING.
235
00:14:40,346 --> 00:14:45,048
WELL, JOHNNY FINALLY WENT
ALONG WITH THE CONTEST.
236
00:14:45,117 --> 00:14:47,050
HE JUST ANNOUNCED HIS WINNER.
237
00:14:47,119 --> 00:14:50,721
- SOME GIRL NAMED KIM NORTHROP.
- THAT'S GREAT.
238
00:14:50,790 --> 00:14:53,924
- VENUS ANNOUNCED HIS LAST NIGHT.
- THAT'S NICE.
239
00:14:56,328 --> 00:14:59,997
WELL, I JUST WANTED TO
TELL YOU ABOUT THE CONTEST.
240
00:15:00,066 --> 00:15:02,066
WELL, THANK YOU.
241
00:15:02,135 --> 00:15:05,135
I GUESS I'LL GO NOW. OKAY.
242
00:15:07,373 --> 00:15:12,343
UH, HAVE YOU GOTTEN A
CHANCE TO SEE LINDA AGAIN?
243
00:15:12,412 --> 00:15:14,544
EVERY NIGHT.
244
00:15:15,748 --> 00:15:17,748
WELL, GOOD.
245
00:15:20,186 --> 00:15:24,154
MR. CARLSON, AT LEAST BUY ME A
SIREN FOR MY MOBILE NEWS UNIT.
246
00:15:26,124 --> 00:15:28,858
WHY DO YOU WANT A SIREN
FOR A MOTOR SCOOTER?
247
00:15:30,229 --> 00:15:33,497
WHY? SO I CAN DRIVE
AROUND WITH THE THING ON.
248
00:15:33,566 --> 00:15:35,766
WE CAN'T AFFORD THAT, LES.
249
00:15:35,835 --> 00:15:39,770
WELL, HOW ABOUT ONE OF
THOSE FLASHING RED LIGHTS?
250
00:15:39,838 --> 00:15:43,240
PLEASE, GET ME ONE
OF THOSE, MR. CARLSON.
251
00:15:44,243 --> 00:15:46,376
MAYBE. FOR CHRISTMAS.
252
00:15:46,446 --> 00:15:50,814
OH, I'M SORRY, LES. UH, MAY I HAVE A
MOMENT ALONE WITH MR. CARLSON, PLEASE?
253
00:15:50,883 --> 00:15:53,521
YES, OF COURSE, ANDY. I'LL
GO DO SOME COMPARISON
254
00:15:53,545 --> 00:15:55,653
SHOPPING ON THOSE
FLASHING RED LIGHTS.
255
00:15:55,721 --> 00:15:58,088
GOOD. YOU DO THAT,
LES. MAKE A STUDY OF IT.
256
00:15:58,157 --> 00:16:01,926
TAKE A SABBATICAL, IF NECESSARY.
THANK YOU, MR. CARLSON.
257
00:16:01,994 --> 00:16:06,397
WHEW! I SWEAR THAT LES AND
HERB ARE ABOUT 10 CENTS SHORT.
258
00:16:07,967 --> 00:16:10,834
THOSE DEEJAYS AREN'T
WORKING WITH A FULL DECK EITHER.
259
00:16:10,903 --> 00:16:15,172
I'M SURE GLAD YOU'RE AROUND HERE,
TRAVIS, TO SORT OF HELP OUT WITH THINGS.
260
00:16:15,241 --> 00:16:17,541
OH, THANK YOU.
261
00:16:17,609 --> 00:16:20,611
LOOK, MR. CARLSON, I NEED
TO TALK WITH SOMEONE.
262
00:16:20,680 --> 00:16:23,146
WELL, OF COURSE, ANDY.
WHAT CAN I DO TO HELP YOU?
263
00:16:23,216 --> 00:16:28,418
WELL, I'VE BEEN THINKING
ABOUT, UH... ABOUT, UH...
264
00:16:28,487 --> 00:16:30,621
WELL, WHAT? COME ON.
265
00:16:30,689 --> 00:16:33,056
MAKING A-A DECISION.
266
00:16:33,125 --> 00:16:37,227
OH, I SEE. YEAH, THAT'S GOOD TO, YOU
KNOW, THINK ABOUT MAKING A DECISION.
267
00:16:37,296 --> 00:16:39,629
UH, WHAT KIND OF DECISION?
268
00:16:39,699 --> 00:16:41,632
YOU KNOW, SOMETIMES
I THINK, MR. CARLSON,
269
00:16:41,700 --> 00:16:45,335
THIS STATION WOULD GET ALONG JUST
FINE WHETHER I WAS AROUND HERE OR NOT.
270
00:16:45,404 --> 00:16:49,840
THAT'S NONSENSE, TRAVIS. WE'D COME APART
AT THE SEAMS... COMPLETELY AND TOTALLY.
271
00:16:49,908 --> 00:16:53,076
NOW, WHAT KIND OF A DECISION
ARE YOU TRYING TO MAKE?
272
00:16:54,380 --> 00:16:58,148
THERE IS THIS GIRL.
273
00:16:58,217 --> 00:17:01,985
OH. THE, UH, SINGER, HUH? YEAH.
274
00:17:02,054 --> 00:17:05,288
WE'VE KNOWN EACH OTHER FOR SOME
TIME, AND I GUESS WE NEVER GOT OVER IT.
275
00:17:05,358 --> 00:17:07,291
WELL, ARE YOU, UH...
276
00:17:07,359 --> 00:17:09,479
YOU KNOW, THAT IS TO SAY, UH...
277
00:17:11,963 --> 00:17:14,197
IN LOVE WITH HER? YEAH.
278
00:17:15,334 --> 00:17:19,102
I THINK SO. WELL, IS
SHE IN LOVE WITH YOU?
279
00:17:19,171 --> 00:17:21,171
I THINK SO.
280
00:17:21,240 --> 00:17:24,875
THAT'S MARVELOUS. THAT'S
WONDERFUL. WHAT'S THE PROBLEM, LAD?
281
00:17:24,944 --> 00:17:27,978
SIR, IT'S JUST A LITTLE MORE
COMPLICATED THAN THAT.
282
00:17:28,047 --> 00:17:30,381
LOOK, YOU JUST FORGET ALL
ABOUT THE COMPLICATIONS.
283
00:17:30,449 --> 00:17:34,318
LISTEN TO ME. THERE'S NOTHING MORE
IMPORTANT IN THE WORLD THAN TRUE LOVE.
284
00:17:35,454 --> 00:17:37,454
CARMEN AND I...
285
00:17:40,159 --> 00:17:42,793
WE'VE BEEN MARRIED FOR 27 YEARS.
286
00:17:42,861 --> 00:17:46,563
THE DAY I MARRIED THAT WOMAN WAS
THE BEST THING THAT EVER HAPPENED TO ME.
287
00:17:47,566 --> 00:17:50,567
WELL, THANK YOU, MR. CARLSON.
288
00:17:50,636 --> 00:17:53,315
I APPRECIATE THAT. YOU'VE
BEEN A GREAT DEAL OF HELP TO ME.
289
00:17:53,339 --> 00:17:56,973
THANK YOU. MY PLEASURE.
OH, ONE OTHER THING.
290
00:17:57,043 --> 00:18:00,143
YOU KNOW, IF THIS DOES WORK OUT,
291
00:18:00,212 --> 00:18:03,847
I'M SURE LINDA'S GONNA
LIKE LIVING IN CINCINNATI.
292
00:18:14,927 --> 00:18:18,128
TWENTY-SEVEN YEARS! OH, MY...
293
00:18:22,335 --> 00:18:25,135
- COFFEE HOT?
- YES.
294
00:18:25,204 --> 00:18:27,837
BUT IT WON'T CURE
WHAT'S WRONG WITH YOU.
295
00:18:27,906 --> 00:18:30,841
OH, YEAH? WHAT'S WRONG WITH ME?
296
00:18:30,910 --> 00:18:33,444
WELL, THE ONLY THING
THAT'D MAKE IT MORE OBVIOUS...
297
00:18:33,512 --> 00:18:35,612
MIGHT BE A SIGN AROUND
YOUR NECK THAT READS,
298
00:18:35,681 --> 00:18:38,649
"I'M HOPELESSLY IN
LOVE. PLEASE FEED ME."
299
00:18:38,717 --> 00:18:42,619
IT'S THAT BAD, HUH? MM-HMM.
300
00:18:42,688 --> 00:18:46,589
OH, JENNIFER, WHAT
AM I GONNA DO?
301
00:18:46,659 --> 00:18:48,859
WHAT DO YOU WANNA DO?
302
00:18:48,928 --> 00:18:50,861
THAT'S SIMPLE
ENOUGH. EVERYTHING.
303
00:18:50,929 --> 00:18:54,297
I MEAN, I WANNA GO WITH
HER, AND I WANNA STAY HERE.
304
00:18:54,367 --> 00:18:57,234
WELL, YOU'RE GOING TO
HAVE TO MAKE THE CHOICE.
305
00:18:57,302 --> 00:19:02,239
JUST BE SURE THAT YOU CHOOSE WHAT'S
RIGHT FOR ANDY TRAVIS IN THE LONG RUN.
306
00:19:04,009 --> 00:19:06,509
THANK YOU. THANK YOU VERY MUCH.
307
00:19:06,578 --> 00:19:08,578
I-I NEEDED THAT.
308
00:19:19,391 --> 00:19:21,391
WHAT WAS THAT?
309
00:19:23,028 --> 00:19:25,062
THAT YOU GAVE TO TRAVIS?
310
00:19:25,130 --> 00:19:27,597
THAT HE, UH, NEEDED?
311
00:19:31,503 --> 00:19:33,503
I HAVE NEEDS TOO, YOU KNOW.
312
00:19:37,342 --> 00:19:40,477
NOW, YOU CAN, UH, JUST
FORGET ABOUT THE MOVIES.
313
00:19:42,448 --> 00:19:46,182
STOP JUST FOR A MINUTE.
YOU'RE MAKING ME NERVOUS. RAY?
314
00:19:46,251 --> 00:19:49,720
YEAH? YOU GOTTA DO SOMETHING
ABOUT THOSE ONSTAGE MONITORS.
315
00:19:49,789 --> 00:19:52,455
LAST NIGHT I COULDN'T HEAR A THING,
AND THE MIX WAS ROTTEN. GOTCHA.
316
00:19:52,524 --> 00:19:54,408
TELL THE SOUNDMAN THAT
EITHER HE GETS IT RIGHT,
317
00:19:54,432 --> 00:19:56,259
OR WE'RE GONNA HAVE TO
FIND SOMEBODY WHO CAN.
318
00:19:56,328 --> 00:19:58,461
OKAY. IS THERE ANY SPARKLING
WATER AROUND HERE?
319
00:19:58,530 --> 00:20:01,475
IT'S COMING. IT'S COMING.
ANDY, HOW YOU DOING?
320
00:20:01,499 --> 00:20:01,932
FINE.
321
00:20:02,000 --> 00:20:04,545
I HEAR YOU'RE COMING WITH
US. THAT'S GREAT. WELL, UH...
322
00:20:04,569 --> 00:20:08,605
COME ON, FRANK. ALL THE
RESERVATIONS ARE MADE.
323
00:20:08,673 --> 00:20:11,474
HOTEL ROOMS, LIMOUSINES.
324
00:20:11,544 --> 00:20:16,212
OH, ANDY!
325
00:20:16,281 --> 00:20:18,214
OH, WATCH THE MAKEUP.
326
00:20:19,785 --> 00:20:22,285
OKAY, EVERYBODY,
CLEAR OUT, PLEASE.
327
00:20:27,226 --> 00:20:29,226
HANGERS-ON, MOST OF
THEM. YOU KNOW THE TYPE.
328
00:20:29,295 --> 00:20:31,628
YEAH. LOOK, LINDA... OOH!
329
00:20:31,697 --> 00:20:34,498
DID YOU TELL 'EM AT THE STATION?
I TALKED WITH CARLSON, AND...
330
00:20:34,566 --> 00:20:36,699
ANDY, IT'S GONNA BE SO FINE!
331
00:20:36,768 --> 00:20:39,135
LISTEN, I'M REALLY
SORRY ABOUT YOUR WORK,
332
00:20:39,205 --> 00:20:41,705
BUT YOU GOTTA DO WHAT'S
GONNA MAKE YOU HAPPY.
333
00:20:41,774 --> 00:20:44,507
AND TOGETHER, WE
ARE GONNA BE SO HAPPY.
334
00:20:44,576 --> 00:20:47,177
THERE'S JUST NO LIMIT
TO WHAT WE CAN DO.
335
00:20:51,650 --> 00:20:55,152
I LOVE YOU, LINDA. GOOD,
'CAUSE I LOVE YOU TOO.
336
00:20:55,221 --> 00:20:58,255
ANDY, WHAT'S HAPPENING?
337
00:21:00,259 --> 00:21:04,027
HEY, VENUS, GLAD YOU'RE HERE.
338
00:21:09,501 --> 00:21:11,501
UH, JOHNNY.
339
00:21:13,272 --> 00:21:19,076
LOOK, LINDA, HAVE YOU MET OUR
LUCKY CONTEST WINNERS OVER HERE?
340
00:21:19,144 --> 00:21:22,979
- MR. VENUS FLYTRAP IS WITH...
- RHONDA HEMMING.
341
00:21:23,048 --> 00:21:26,716
OH, IT'S NICE TO MEET
YOU. AND, UH, JOHNNY, UH...
342
00:21:26,785 --> 00:21:28,785
KIM.
343
00:21:31,223 --> 00:21:33,756
WELL, ARE YOU
HAVING A GOOD TIME?
344
00:21:33,826 --> 00:21:37,261
YEAH. YEAH, WE'RE
HAVING A WONDERFUL TIME.
345
00:21:37,329 --> 00:21:40,397
WE MAY GO DANCING LATER.
346
00:21:40,466 --> 00:21:43,933
THE SHOW'S GONNA START RIGHT NOW,
SO WHY DON'T YOU TAKE YOUR SEATS?
347
00:21:47,105 --> 00:21:49,606
I'M GONNA KILL VENUS.
348
00:21:49,675 --> 00:21:52,876
HAVE I MENTIONED THAT TO
YOU? OH, YEAH. A THOUSAND TIMES.
349
00:21:54,346 --> 00:21:58,348
LOOK, I GOTTA RUN, HONEY. WILL
YOU BE HERE WHEN I GET THROUGH?
350
00:21:58,417 --> 00:22:00,497
NO, I'M TAKING OVER FOR
VENUS AT THE STATION TONIGHT.
351
00:22:00,553 --> 00:22:03,186
WELL, YOU WON'T HAVE
TO DO THAT MUCH LONGER.
352
00:22:03,254 --> 00:22:05,922
I'LL SEE YOU LATER.
353
00:22:08,693 --> 00:22:11,161
THANK GOD THIS STUFF GOT HERE.
354
00:22:11,230 --> 00:22:13,263
SHE GO OUT?
355
00:22:17,536 --> 00:22:20,537
♪♪
356
00:22:23,608 --> 00:22:25,909
HELLO, CINCINNATI!
357
00:22:34,420 --> 00:22:36,353
I LOVE YOU!
358
00:22:41,760 --> 00:22:45,161
I'D LIKE TO DEDICATE THE FIRST
SONG TO SOMEONE VERY SPECIAL.
359
00:22:50,602 --> 00:22:53,870
♪♪
360
00:22:58,677 --> 00:23:02,546
♪ I LOOK AT YOU ONE MORE TIME ♪
361
00:23:02,614 --> 00:23:06,149
♪ AND I DON'T KNOW
THAT I KNOW YOU ♪
362
00:23:06,218 --> 00:23:09,552
♪ TIME AND SPACE
SEEM SO OUT OF PLACE ♪
363
00:23:09,621 --> 00:23:13,623
♪ BUT YOUR FACE
SEEMS LIKE YESTERDAY ♪
364
00:23:13,692 --> 00:23:17,494
♪ WHAT DO YOU SAY
LET'S GO RUN AWAY ♪
365
00:23:17,563 --> 00:23:21,064
♪ COME ON THE FUN'S ON ME ♪
366
00:23:21,133 --> 00:23:24,534
♪ BUT, BABY, IF IT DON'T
WORK OUT THIS TIME ♪
367
00:23:24,603 --> 00:23:27,537
♪ YOU AND ME WERE
NEVER MEANT TO BE ♪
368
00:23:29,241 --> 00:23:33,943
♪ SO I'LL JUST KISS OUR
LAST HELLO GOOD-BYE ♪
369
00:23:34,012 --> 00:23:37,947
♪ WON'T LOOK BACK
KEEP MOVIN' ON ♪
370
00:23:38,016 --> 00:23:41,351
♪ KISS OUR LAST HELLO GOOD-BYE ♪
371
00:23:41,420 --> 00:23:45,088
♪ YOU WERE RIGHT FOR
ME BUT I WAS WRONG ♪
372
00:23:45,157 --> 00:23:49,626
♪ YOU WERE RIGHT FOR
ME BUT I WAS WRONG ♪♪
373
00:23:51,497 --> 00:23:54,598
♪♪
374
00:24:03,108 --> 00:24:05,041
♪♪
375
00:24:05,110 --> 00:24:06,776
♪♪
376
00:24:10,482 --> 00:24:14,650
♪♪
377
00:24:22,928 --> 00:24:25,595
♪♪
378
00:24:39,278 --> 00:24:41,011
♪♪
28736
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