All language subtitles for WKRP in Cincinnati S01E03 Les on a Ledge.DVDRip.NonHI.cc.en

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These are the user uploaded subtitles that are being translated: 1 00:00:02,236 --> 00:00:04,213 WEATHER TODAY IN THE GREATER CINCINNATI AREA... 2 00:00:04,237 --> 00:00:07,372 ♪ I LOVE YOU SO BADLY I COULD... ♪ 3 00:00:07,441 --> 00:00:10,242 THEY'RE SOLID PLASTIC, SO DON'T SETTLE FOR IMITATION... 4 00:00:13,314 --> 00:00:15,859 BUT THE SENATOR, WHILE INSISTING HE WAS NOT INTOXICATED, 5 00:00:15,883 --> 00:00:17,549 COULD NOT EXPLAIN HIS NUDITY. 6 00:00:17,618 --> 00:00:19,818 ♪♪ 7 00:00:19,886 --> 00:00:21,820 ♪♪ 8 00:00:21,889 --> 00:00:25,924 ♪ BABY IF YOU'VE EVER WONDERED ♪ 9 00:00:25,992 --> 00:00:30,328 ♪ WONDERED WHATEVER BECAME OF ME ♪ 10 00:00:30,397 --> 00:00:33,365 ♪ I'M LIVING ON THE AIR IN CINCINNATI ♪ 11 00:00:34,801 --> 00:00:39,003 ♪ CINCINNATI, WKRP ♪ 12 00:00:39,072 --> 00:00:42,674 ♪ GOT KIND OF TIRED OF PACKING AND UNPACKING ♪ 13 00:00:42,743 --> 00:00:46,177 ♪ TOWN TO TOWN UP AND DOWN THE DIAL ♪ 14 00:00:48,082 --> 00:00:51,183 ♪ MAYBE YOU AND ME WERE NEVER MEANT TO BE ♪ 15 00:00:51,251 --> 00:00:55,353 ♪ JUST MAYBE THINK OF ME ONCE IN A WHILE ♪ 16 00:00:55,422 --> 00:00:58,056 ♪ I'M AT WKRP ♪ 17 00:00:58,125 --> 00:01:01,926 ♪ IN CINCINNATI ♪♪ 18 00:01:02,929 --> 00:01:06,498 ♪♪ 19 00:01:10,704 --> 00:01:14,872 ALL RIGHT, BABIES. IT'S TIME FOR THE DOCTOR TO LIE DOWN FOR A LITTLE WHILE, 20 00:01:14,941 --> 00:01:16,941 JUST TILL THIS DIZZY SPELL PASSES, 21 00:01:17,010 --> 00:01:19,589 AND THAT MEANS I'LL BE BACK TOMORROW MORNING COME 6:00 A.M... 22 00:01:19,613 --> 00:01:21,779 RIGHT HERE HOVERING OVER THE OPERATING TABLES. 23 00:01:21,848 --> 00:01:24,860 SO, IN THE MEANTIME, YOU REMEMBER TO DO WHAT THE DOCTOR SAYS... 24 00:01:24,884 --> 00:01:26,818 DON'T BE CRUEL. 25 00:01:26,887 --> 00:01:31,790 AND RIGHT NOW IT'S TIME FOR MR. LES NESSMAN WITH A WHOLE MESS OF NEWS. 26 00:01:31,859 --> 00:01:33,792 ♪ WKRP ♪ GOOD MORNING, LES. 27 00:01:33,861 --> 00:01:36,761 GOOD MORNING, JOHNNY. ♪ CINCINNATI ♪ 28 00:01:36,831 --> 00:01:38,764 IT'S ALL YOURS. ♪♪ 29 00:01:40,701 --> 00:01:44,135 LONDON, MADRID, BANGKOK, MOSCOW, 30 00:01:44,204 --> 00:01:46,137 CINCINNATI. 31 00:01:46,206 --> 00:01:48,239 FROM THE FOUR CORNERS OF THE WORLD. 32 00:01:48,309 --> 00:01:51,109 FROM THE NEWS CAPITALS AT HOME AND ABROAD. 33 00:01:51,178 --> 00:01:54,112 THE DAY'S HEADLINES BROUGHT INTO FOCUS. 34 00:01:54,181 --> 00:01:56,614 THE ISSUES AND EVENTS THAT SHAPE OUR TIME. 35 00:01:56,684 --> 00:02:00,852 WKRP, INFORMATION BEACON OF THE OHIO VALLEY, PRESENTS... 36 00:02:01,922 --> 00:02:04,355 LES NESSMAN AND THE NEWS. 37 00:02:09,530 --> 00:02:13,899 AN UP-TO-THE-MINUTE COMMENTARY FROM ONE OF JOURNALISM'S MOST TRUSTED VOICES. 38 00:02:13,967 --> 00:02:18,170 FIVE-TIME WINNER OF THE BUCKEYE NEWSHAWK AWARD. 39 00:02:18,239 --> 00:02:20,639 - IS THAT NEW? - I JUST HAD IT MADE. 40 00:02:20,708 --> 00:02:23,041 - VERY NICE. - I LIKE IT. 41 00:02:23,110 --> 00:02:27,445 NOW HERE'S LES NESSMAN AND THE NEWS. 42 00:02:27,514 --> 00:02:30,515 GOOD MORNING. THIS IS LES NESSMAN REPORTING. 43 00:02:31,585 --> 00:02:33,518 IN THE TOP STORY OF THE DAY, 44 00:02:33,587 --> 00:02:36,888 GENERAL WALLACE NASAMI, HEAD OF THE EMERGING NATION OF NIBIA, 45 00:02:36,957 --> 00:02:40,892 DENIED HIS NEW GOVERNMENT WAS A DICTATORSHIP AND PROMISED FREE ELECTIONS... 46 00:02:40,961 --> 00:02:43,194 AS SOON AS EACH CITIZEN OF THE SMALL COUNTRY... 47 00:02:43,263 --> 00:02:45,343 LEARNED TO PLAY A MUSICAL INSTRUMENT. 48 00:02:46,567 --> 00:02:49,801 NASAMI SAID THIS WAS PART OF A NEW CULTURAL PROGRAM. 49 00:02:49,869 --> 00:02:53,038 TURNING TO SPORTS... 50 00:02:55,142 --> 00:02:58,310 WINNER OF THIS WEEK'S GULF COAST GOLF CLASSIC WAS... 51 00:02:58,378 --> 00:03:01,112 "CHAI CHAI RODRIGUEEZ." 52 00:03:01,181 --> 00:03:04,582 "CHAI CHAI" FINISHED WITH A NINE-UNDER PAR SCORE. 53 00:03:05,685 --> 00:03:07,618 IT'S CHI CHI RODRIGUEZ. 54 00:03:10,424 --> 00:03:16,394 HOPEFULLY, MR. "RODRIGUEEZ" WILL PLAY UP TO PAR IN HIS NEXT COMPETITION. 55 00:03:16,463 --> 00:03:18,496 TURNING TO THE COMMODITIES... 56 00:03:18,565 --> 00:03:21,666 SOY BEANS SAGGED, WHILE CORN POPPED TO AN ALL-TIME HIGH. 57 00:03:33,013 --> 00:03:36,014 HI. HI. 58 00:03:36,082 --> 00:03:39,217 SO, HOW'S IT GOING? OH, SAME OLD THING. ANSWERING THE PHONE... 59 00:03:39,286 --> 00:03:41,219 AND FIGHTING OFF HERB. 60 00:03:41,288 --> 00:03:43,522 HERB OUGHT TO BE ASHAMED OF HIMSELF. 61 00:03:43,591 --> 00:03:46,257 I'M REALLY GETTING TIRED OF IT. HE WANTS TO TAKE ME TO LUNCH. 62 00:03:46,326 --> 00:03:48,961 HE WANTS TO TAKE ME TO DINNER. HE WANTS TO TAKE ME DANCING. 63 00:03:49,029 --> 00:03:53,298 AND EVERY TIME I SAY NO, HE SAYS THERE'S "YES" IN MY EYES. 64 00:03:53,367 --> 00:03:55,801 DO YOU SEE "YES" IN THERE ANYWHERE? 65 00:03:59,105 --> 00:04:01,039 NO. UH... 66 00:04:01,107 --> 00:04:03,286 LISTEN, DO YOU WANT ME TO TALK TO HIM? 67 00:04:03,310 --> 00:04:05,521 IT WOULDN'T DO ANY GOOD. WHERE IS HE? 68 00:04:05,545 --> 00:04:08,357 OH, IN THERE, PROBABLY GOING THROUGH MR. CARLSON'S DESK. 69 00:04:08,381 --> 00:04:11,215 I'LL SPEAK TO HIM. 70 00:04:11,285 --> 00:04:14,853 I'D DO ANYTHING IF YOU COULD GET HIM OFF MY BACK. 71 00:04:25,132 --> 00:04:27,452 - FIND ANYTHING INTERESTING? - NO. 72 00:04:29,469 --> 00:04:31,469 DON'T YOU EVER KNOCK? 73 00:04:31,538 --> 00:04:34,772 LISTEN, I'M, UH, PUTTING TOGETHER THE KRP SOFTBALL TEAM. 74 00:04:34,841 --> 00:04:37,409 YOU WANNA PLAY? NO. 75 00:04:37,477 --> 00:04:41,980 OKAY, I GUESS I'LL JUST HAVE TO FIND SOMEBODY ELSE TO BAT BEHIND JENNIFER. 76 00:04:42,049 --> 00:04:45,049 NO. WAIT A MINUTE. SHE'S ON THE TEAM? 77 00:04:45,118 --> 00:04:47,185 - YEAH. - I'LL PLAY. 78 00:04:47,254 --> 00:04:49,587 WHAT THE HECK? IT'S GOOD FOR THE STATION. 79 00:04:49,656 --> 00:04:51,957 YOU KNOW, HERB, YOU'RE AN ALL RIGHT GUY. YEAH. 80 00:04:52,025 --> 00:04:55,360 WELL, WHAT IS IT, MIXED LEAGUE? GUYS AND GIRLS TOGETHER? 81 00:04:55,429 --> 00:04:57,795 NO, JENNIFER'S THE ONLY WOMAN I KNOW ABOUT. 82 00:04:57,864 --> 00:05:00,276 - SHE'S OUR SHORTSTOP. SHE BATS CLEANUP. - SHE DOES? 83 00:05:00,300 --> 00:05:02,800 - WHY NOT? SHE'S OUR BEST PLAYER. - SHE IS? 84 00:05:02,869 --> 00:05:06,305 - YOU DIDN'T KNOW THAT? - I DIDN'T EVEN KNOW WE HAD A SOFTBALL TEAM. 85 00:05:07,474 --> 00:05:09,407 YOU PROBABLY DON'T KNOW... 86 00:05:10,510 --> 00:05:13,611 WELL, I GUESS MOST PEOPLE DON'T. 87 00:05:13,680 --> 00:05:17,182 KNOW, KNOW... KNOW WHAT? 88 00:05:17,250 --> 00:05:21,886 WELL, IT'S SORT OF A SECRET. I'M SORRY, HERB. 89 00:05:21,955 --> 00:05:23,933 WAIT A MINUTE. IS IT ABOUT JENNIFER? YEAH. 90 00:05:23,957 --> 00:05:26,117 WELL, COME ON, TELL ME. I NEED TO KNOW. 91 00:05:26,160 --> 00:05:29,794 OH, SURE, SO YOU CAN BLAB IT TO EVERYBODY ELSE. NO, NO, NO. 92 00:05:29,863 --> 00:05:33,531 NO, NO, I... I SWEAR I WON'T. I... I WON'T. YOU... YOU HAVE MY WORD. 93 00:05:33,600 --> 00:05:37,035 YOU PROMISE? PROMISE. 94 00:05:37,103 --> 00:05:41,139 NAH, YOU'D NEVER BELIEVE IT. OH, PLEASE! HUH? 95 00:05:41,208 --> 00:05:43,808 OKAY, BUT THIS BETTER NOT GET AROUND. 96 00:05:43,877 --> 00:05:45,811 TRUST ME. 97 00:05:47,748 --> 00:05:49,681 HERB... 98 00:05:52,219 --> 00:05:54,152 OUR RECEPTIONIST, 99 00:05:54,221 --> 00:05:56,455 THE BEAUTIFUL JENNIFER MARLOWE, 100 00:05:57,991 --> 00:06:00,158 IS A RESULT OF THE MOST CUNNINGLY SUCCESSFUL... 101 00:06:00,226 --> 00:06:03,895 SEX CHANGE OPERATION IN MEDICAL HISTORY. 102 00:06:25,685 --> 00:06:28,319 - GET OUTTA HERE. - OKAY. 103 00:06:28,388 --> 00:06:31,022 OH, WAIT A MINUTE. 104 00:06:31,091 --> 00:06:34,092 YOU MEAN TO TELL ME THAT JENNIFER... 105 00:06:34,161 --> 00:06:36,361 THAT... THAT SHE'S A... 106 00:06:36,429 --> 00:06:39,030 A GUY... OR AT LEAST SHE USED TO BE. 107 00:06:41,101 --> 00:06:42,867 GET OUTTA HERE. OKAY. 108 00:06:42,936 --> 00:06:44,869 OH, WAIT A MINUTE. 109 00:06:46,540 --> 00:06:48,907 NOW, WHAT YOU'RE SAYING... 110 00:06:48,975 --> 00:06:51,895 I... I MEAN YOU'RE TELLING ME THAT SHE... 111 00:06:55,682 --> 00:06:57,615 GET OUT OF HERE. ALL RIGHT. 112 00:06:57,684 --> 00:07:00,685 WAIT A MINUTE. I DON'T BELIEVE IT. 113 00:07:00,753 --> 00:07:02,687 YOU DON'T HAVE TO, MAN. 114 00:07:02,756 --> 00:07:06,024 ALL I'M SAYING IS JUST DON'T TELL ANYBODY ELSE. THAT'S ALL I ASK. 115 00:07:19,539 --> 00:07:23,808 THAT'S... THAT'S THE MOST RIDICULOUS THING I'VE EVER HEARD. 116 00:07:50,003 --> 00:07:53,538 LISTEN, ANDY, LES NEVER WAS VERY GOOD AT SPORTS ANYWAY. WELL, THAT DOESN'T MATTER. 117 00:07:53,607 --> 00:07:56,207 MAYBE HE'D BE GLAD JUST TO DO NEWS AND THE FARM REPORT. 118 00:07:56,275 --> 00:07:58,476 THIS IS NOT LES'S FAULT. IT'S A TOTAL MISUNDERSTANDING. 119 00:07:58,545 --> 00:08:02,280 WHO'S GONNA EXPLAIN THAT TO LES? WE'RE BOTH GONNA HAVE TO EXPLAIN IT TO LES. 120 00:08:02,349 --> 00:08:05,360 THIS IS THE ONLY WAY IT'LL WORK, IF WE BOTH TALK WITH HIM. 121 00:08:05,384 --> 00:08:08,119 YOU TALK TO HIM. I DON'T LIKE TALKING ABOUT THINGS LIKE THAT. 122 00:08:08,188 --> 00:08:10,228 THIS IS A RIDICULOUS SITUATION. WE BOTH HAVE 123 00:08:10,252 --> 00:08:12,457 TO TALK WITH LES AND STRAIGHTEN THIS THING OUT. 124 00:08:12,525 --> 00:08:15,794 - MORNING, BIG GUY. - HI, HERB. TAKE A WALK, WILL YA, HERB? 125 00:08:15,862 --> 00:08:18,062 REALLY? OH, UM... 126 00:08:19,132 --> 00:08:22,333 - I DON'T BELIEVE IT. - NEITHER DO WE. 127 00:08:22,401 --> 00:08:24,869 WAIT A MINUTE. YOU KNOW ABOUT THIS? 128 00:08:24,937 --> 00:08:29,241 WELL, I'M NOT SUPPOSED TO TELL, BUT, UH, YEAH, I KNOW. 129 00:08:29,309 --> 00:08:31,954 WELL, THAT'S JUST GREAT. THIS IS GONNA GET ALL OVER TOWN. 130 00:08:31,978 --> 00:08:34,078 - WHO TOLD YOU? - I CAN'T SAY. 131 00:08:34,147 --> 00:08:37,427 - YEAH, WELL, WE UNDERSTAND. - JOHNNY TOLD ME. 132 00:08:38,317 --> 00:08:40,251 DOES LES KNOW YET? 133 00:08:40,320 --> 00:08:42,420 I DON'T KNOW. 134 00:08:42,489 --> 00:08:44,656 - DO YOU WANT ME TO TELL HIM? - YEAH, COULD YOU? 135 00:08:44,724 --> 00:08:46,702 WE SHOULD BOTH TELL HIM. HERB IS LES'S BEST FRIEND. 136 00:08:46,726 --> 00:08:49,438 - WHY CAN'T HERB BE THE ONE THAT TELLS HIM? - I GET TO TELL HIM. 137 00:08:49,462 --> 00:08:51,640 YOU GET TO TELL HIM? YOU SOUND LIKE YOU'RE ENJOYING THIS. 138 00:08:51,664 --> 00:08:53,832 LOOK, I'M AS SHOCKED AS EVERYONE ELSE. 139 00:08:53,900 --> 00:08:56,334 WOULD YOU SEND LES IN, PLEASE? YEAH. 140 00:08:56,403 --> 00:08:58,603 AND I'LL TELL YOU SOMETHING ELSE. 141 00:08:58,672 --> 00:09:02,006 I DON'T BELIEVE IT, NOT FOR A MINUTE. WELL, NEITHER DO WE. 142 00:09:02,075 --> 00:09:04,554 IT IS JUST A MISTAKE. IT'S GOT TO BE. 143 00:09:04,578 --> 00:09:06,745 LET ME ASK YOU THIS. 144 00:09:06,813 --> 00:09:09,425 IF THIS IS TRUE, CAN YOU DEAL WITH SOMETHING LIKE THIS? 145 00:09:09,449 --> 00:09:12,650 SURELY. YEAH? 146 00:09:12,718 --> 00:09:15,085 I GUESS. I MEAN, WHAT'S DONE IS DONE. 147 00:09:15,154 --> 00:09:18,123 HERB, YOU'RE AN ALL RIGHT GUY. HMM? 148 00:09:18,191 --> 00:09:20,425 EVERYBODY KEEPS TELLING ME THAT. 149 00:09:20,493 --> 00:09:23,328 - YOU WANTED TO SEE ME? - OH, YES, OF COURSE WE DO, LES. 150 00:09:23,397 --> 00:09:25,575 WOULD YOU JUST SIT DOWN RIGHT OVER HERE, PLEASE? 151 00:09:25,599 --> 00:09:28,844 RIGHT HERE IN THE CHAIR, 'CAUSE HERB HAS SOMETHING THAT HE WANTS TO TELL YOU. 152 00:09:28,868 --> 00:09:32,870 COME ON, ANDY. LET'S YOU AND I LEAVE. NO, YOU AND I SHOULD BOTH STAY. 153 00:09:32,939 --> 00:09:36,507 OKAY, UH... HERB, YOU... YOU TELL HIM. 154 00:09:47,954 --> 00:09:50,188 LES, JENNIFER'S A GUY. 155 00:09:50,257 --> 00:09:52,156 WHAT? 156 00:09:53,626 --> 00:09:55,605 THAT'S WHAT I SAID. OH, YEAH. 157 00:09:55,629 --> 00:09:59,431 HERB, THANK YOU VERY MUCH FOR TELLING LES THAT. NOW GO TO YOUR OFFICE, WILL YA? 158 00:09:59,499 --> 00:10:02,733 SURELY. LOOK, IF YOU GUYS NEED ANY MORE HELP, JUST LET ME KNOW. 159 00:10:02,802 --> 00:10:05,770 - YEAH, RIGHT. - NOW WHAT'S GOING ON? 160 00:10:05,838 --> 00:10:07,672 I SHOULD KNOW. I'M THE NEWS DIRECTOR. 161 00:10:07,741 --> 00:10:11,176 LISTEN, LES... HMM? HMM? 162 00:10:13,613 --> 00:10:15,547 UH, LES, UH... 163 00:10:18,785 --> 00:10:21,619 UH, LES, UH... 164 00:10:21,688 --> 00:10:24,989 LES, ANDY HAS SOMETHING HE WANTS TO TELL YOU. TELL HIM, TRAVIS. 165 00:10:25,058 --> 00:10:27,659 OH, LISTEN. LES... 166 00:10:32,232 --> 00:10:35,333 LES, YOU'VE BEEN BARRED FROM THE LOCKER ROOMS AT THE STADIUM. 167 00:10:36,703 --> 00:10:38,636 I DON'T UNDERSTAND. 168 00:10:38,705 --> 00:10:41,385 WELL, WE GOT A PROBLEM HERE. UH... 169 00:10:42,608 --> 00:10:46,744 LES, HOW THESE THINGS GET STARTED I-I-I REALLY DON'T KNOW. 170 00:10:46,813 --> 00:10:49,014 WHAT IS IT, ANDY? 171 00:10:49,082 --> 00:10:52,494 ONE OF THE PLAYERS HAS GONE TO THE COACH INSISTING THAT YOU NOT BE ALLOWED... 172 00:10:52,518 --> 00:10:55,832 TO CONDUCT POSTGAME INTERVIEWS IN THE LOCKER ROOM. 173 00:10:55,856 --> 00:10:58,823 WHY? 174 00:10:58,891 --> 00:11:00,825 BECAUSE... 175 00:11:02,495 --> 00:11:04,735 THE GUY THINKS YOU'RE HOMOSEXUAL. 176 00:11:06,233 --> 00:11:09,701 THAT'S WHAT HE SAYS, AND THE ORGANIZATION'S GONE ALONG WITH HIM ON THAT ONE. 177 00:11:13,907 --> 00:11:18,142 LES, DON'T WORRY ABOUT THIS THING. THOSE GUYS OVER THERE ARE CRAZY. 178 00:11:18,211 --> 00:11:20,445 TO HECK WITH THEM. WE JUST WON'T REPORT THEIR GAMES. 179 00:11:20,514 --> 00:11:22,647 NOW THAT'LL SHOW 'EM. HUH? HUH? 180 00:11:22,716 --> 00:11:25,183 DO MY FELLOW JOURNALISTS KNOW ABOUT THIS? 181 00:11:25,251 --> 00:11:28,586 NO, IT'S NONE OF THEIR BUSINESS. BUT THEY'LL FIND OUT. THEY'RE REPORTERS. 182 00:11:28,655 --> 00:11:30,999 LES, WAIT A MINUTE. WE'RE GONNA GET THIS STRAIGHTENED OUT. 183 00:11:31,023 --> 00:11:32,957 YOU BET WE WILL, BECAUSE YOU'RE NOT A... 184 00:11:33,026 --> 00:11:36,194 A... A... UH, WHAT THEY SAY YOU ARE. 185 00:11:36,262 --> 00:11:39,942 UNLESS, OF COURSE, YOU ARE, WHICH WE... WE KNOW YOU'RE NOT. 186 00:11:40,867 --> 00:11:43,968 ARE YOU? 187 00:11:44,036 --> 00:11:46,482 DOES THAT EVEN MATTER? PEOPLE THINK WHAT THEY WANT TO THINK. 188 00:11:46,506 --> 00:11:48,851 WHEN THIS GETS AROUND, THE TRUTH WON'T MAKE ANY DIFFERENCE. 189 00:11:48,875 --> 00:11:51,809 NOW, LES, LISTEN. 190 00:11:51,878 --> 00:11:54,918 WE ARE YOUR FRIENDS, AND WE'RE GONNA STAND BEHIND YOU. 191 00:11:54,947 --> 00:11:58,360 WE'RE GONNA GET TO THE BOTTOM OF THIS THING. 192 00:11:58,384 --> 00:12:00,852 THANK YOU, ANDY. 193 00:12:00,920 --> 00:12:03,988 I THINK I NEED TO BE ALONE FOR A MOMENT TO COLLECT MYSELF. 194 00:12:05,492 --> 00:12:07,625 SURE. 195 00:12:07,693 --> 00:12:10,973 IF YOU WOULDN'T MIND. UH, NO. DON'T WORRY ABOUT THIS THING, LES. 196 00:12:11,031 --> 00:12:13,009 HAVE A SEAT. SIT DOWN HERE. 197 00:12:13,033 --> 00:12:17,868 LOOK, LES, UH, MY OFFICE IS YOUR OFFICE FOR AS LONG AS YOU NEED IT. 198 00:12:17,937 --> 00:12:20,071 OKAY? HUH? 199 00:12:20,140 --> 00:12:22,421 UH, DON'T WORRY ABOUT THIS THING NOW, LES. 200 00:12:24,277 --> 00:12:26,744 COME ON. 201 00:12:45,131 --> 00:12:47,676 POOR GUY. OH, YEAH. 202 00:12:47,700 --> 00:12:50,201 MAN, OH, MAN. 203 00:12:58,411 --> 00:13:01,045 POOR, POOR GUY. IT'S... IT'S TOUGH. 204 00:13:01,114 --> 00:13:03,681 - WHAT IS GOING ON? - NOTHING. 205 00:13:06,119 --> 00:13:08,252 HELLO? WKRP. MAY I HELP YOU? 206 00:13:08,321 --> 00:13:11,956 HOW'S HE TAKING IT? WELL, NOT WELL, I CAN TELL YOU THAT. 207 00:13:12,025 --> 00:13:14,892 SOMEHOW I THOUGHT I'D BE THE ONE MOST UPSET. 208 00:13:14,960 --> 00:13:17,561 I'VE GOT TO TALK WITH THAT PLAYER AT THE STADIUM... 209 00:13:17,630 --> 00:13:19,608 AND SEE WHAT HE SAYS ABOUT THIS. HEY. 210 00:13:19,632 --> 00:13:22,578 ARE YOU TALKING ABOUT THAT LADY TENNIS PLAYER WHO USED TO BE A GUY? 211 00:13:22,602 --> 00:13:25,522 WHAT IS IT WITH YOU AND ALL THIS SEX CHANGE STUFF? SHH. 212 00:13:30,043 --> 00:13:33,745 THAT WAS A MR. NEESE IN THE NEGMAN BUILDING ACROSS THE STREET. 213 00:13:33,813 --> 00:13:36,814 HE WANTED TO KNOW IF THAT WAS YOU OUT ON THE LEDGE. 214 00:13:45,591 --> 00:13:48,860 - WHAT IS GOING ON? - I DON'T KNOW. YOU WANNA GO BOWLING? 215 00:13:56,937 --> 00:14:00,605 HI, MR. CARLSON. 216 00:14:02,676 --> 00:14:06,411 HI, LES. HOW'S IT GOIN'? 217 00:14:07,481 --> 00:14:10,081 - HI, ANDY. - YEAH, HOW YOU DOIN', LES? 218 00:14:10,150 --> 00:14:12,395 COME ON IN, AND LET'S TALK. OKAY? 219 00:14:12,419 --> 00:14:16,755 THERE'S NO POINT IN TALKING, ANDY. OH, OF COURSE THERE IS. 220 00:14:16,823 --> 00:14:20,925 I'VE ALWAYS CONSIDERED MYSELF A FAIRLY MACHO KIND OF GUY. 221 00:14:22,696 --> 00:14:25,062 NOW MY REPUTATION IS RUINED, 222 00:14:25,131 --> 00:14:27,365 AND MY REPUTATION IS ALL THAT I AM. 223 00:14:27,434 --> 00:14:30,068 WE'LL GO DOWN TO THE STADIUM. WE'LL TALK WITH THOSE GUYS. 224 00:14:30,137 --> 00:14:32,504 EVEN IF WE DID, THERE'D ALWAYS BE... 225 00:14:32,573 --> 00:14:37,275 A BLACK MARK BESIDE MY NAME WHICH TIME CANNOT ERASE. 226 00:14:39,078 --> 00:14:41,379 HE'S STARTING TO GET POETIC. IS THAT A GOOD SIGN? 227 00:14:41,448 --> 00:14:44,127 I DON'T KNOW. KEEP HIM TALKING. I'M GONNA CALL THE POLICE. ME? 228 00:14:44,151 --> 00:14:47,752 "TO BE, OR NOT TO BE"... 229 00:14:47,821 --> 00:14:50,688 I... I'M SORRY, LES. I MISSED THAT, UH... 230 00:14:52,492 --> 00:14:57,028 I SAID, "TO BE, OR NOT TO BE: 231 00:14:57,097 --> 00:14:59,030 THAT IS THE QUESTION." 232 00:14:59,099 --> 00:15:02,211 YEAH. YEAH, IT... IT CERTAINLY IS. 233 00:15:02,235 --> 00:15:04,602 YES. THAT'S RIGHT. THE NINTH FLOOR OF THE FLEM BUILDING. 234 00:15:04,671 --> 00:15:07,972 PLEASE HURRY, SERGEANT. OKAY, THE, UH, POLICE ARE ON THEIR WAY. 235 00:15:08,041 --> 00:15:09,894 THAT'S THE STADIUM NUMBER. IS THERE ANYTHING 236 00:15:09,918 --> 00:15:11,709 ELSE I CAN DO? I DON'T THINK SO RIGHT NOW. 237 00:15:11,778 --> 00:15:15,046 - WHAT'S ALL THE EXCITEMENT ABOUT? - LES IS OUT ON THE LEDGE. 238 00:15:15,115 --> 00:15:18,716 WHAT? SOME JERK ACCUSED LES OF BEING A HOMOSEXUAL. 239 00:15:18,785 --> 00:15:22,754 A HOMO SEXUAL? THAT'S RIGHT. AND YOU KNOW... YOU KNOW LES. 240 00:15:22,822 --> 00:15:25,590 APPARENTLY NOT. I MEAN... 241 00:15:25,659 --> 00:15:28,292 AT LEAST I DIDN'T KNOW HE WAS, YOU KNOW, FUNNY. 242 00:15:28,361 --> 00:15:31,696 THE WORD IS "GAY," NOT "FUNNY." AND SO WHAT IF HE IS? 243 00:15:31,764 --> 00:15:34,565 HE COMES TO WORK. HE DOES HIS JOB. HE'S A FINE PERSON. 244 00:15:34,634 --> 00:15:36,668 HIS SEX LIFE IS HIS OWN BUSINESS. 245 00:15:36,736 --> 00:15:39,237 SURE. YOU'D SAY THAT. 246 00:15:39,305 --> 00:15:41,239 WHAT? 247 00:15:41,307 --> 00:15:44,008 I NEED A DICTIONARY. ALL RIGHT, I'LL HOLD! 248 00:15:44,077 --> 00:15:46,389 DO WE HAVE A DICTIONARY? YOU HAVE TO KEEP HIM TALKING. 249 00:15:46,413 --> 00:15:49,180 I AM KEEPING HIM TALKING, BUT HE WANTS TO KNOW WHAT FARDELS ARE. 250 00:15:49,249 --> 00:15:53,518 WHAT? "FARDEL"... IT'S... IT'S A WORD. IT'S HERE IN HAMLET'S SOLILOQUY. 251 00:15:53,587 --> 00:15:57,989 "WHEN HE HIMSELF MIGHT HIS QUIETUS MAKE WITH A BARE BODKIN, 252 00:15:58,057 --> 00:16:00,525 WHO WOULD FARDELS BEAR"? 253 00:16:04,964 --> 00:16:08,144 THERE'S A DICTIONARY IN MY DESK. OH, OKAY. 254 00:16:08,168 --> 00:16:10,035 LOOK UP "BODKIN" WHILE YOU'RE AT IT. 255 00:16:10,103 --> 00:16:12,169 OH. HI, JOHNNY. HI. 256 00:16:12,238 --> 00:16:17,008 HEY, LISTEN, WILL YOU TALK TO LES FOR A MINUTE. SURE. UH, WHERE IS HE? 257 00:16:17,077 --> 00:16:20,878 HE'S ON THE LEDGE. INTERESTING. 258 00:16:20,947 --> 00:16:23,993 THIS IS AN EMERGENCY. HAVE HIM CALL ME AS SOON AS YOU CAN. 259 00:16:24,017 --> 00:16:25,951 I'LL BE RIGHT BY THE PHONE. 260 00:16:26,019 --> 00:16:30,688 LES WOULDN'T BE OUT THERE RIGHT NOW IF IT WEREN'T FOR PEOPLE LIKE YOU. 261 00:16:30,757 --> 00:16:34,892 ME? WHAT'D I DO? IT'S YOUR ATTITUDE, HERB... YOUR PREJUDICES. 262 00:16:34,961 --> 00:16:37,829 PREJUDICE? I DON'T HAVE A PREJUDICE BONE IN MY BODY. 263 00:16:37,898 --> 00:16:40,732 PROVE IT SOMETIME, HERB. PROVE IT TO LES. 264 00:16:44,571 --> 00:16:49,273 AND THEN THERE WAS THIS GUY THAT DOVE OFF THE GOLDEN GATE BRIDGE, 265 00:16:49,342 --> 00:16:51,275 AND HE HIT A BARGE. 266 00:16:51,344 --> 00:16:54,712 PANCAKE! I DON'T WANNA TALK ABOUT THAT, JOHNNY. 267 00:16:54,781 --> 00:16:56,715 LES, I... 268 00:16:56,783 --> 00:16:59,951 I JUST THINK YOU OUGHTA KNOW WHAT YOU'RE GETTING YOURSELF INTO, PAL. 269 00:17:00,020 --> 00:17:03,488 - MAYBE I SHOULD COME IN. - THAT'S A REAL GOOD IDEA, LES. 270 00:17:03,557 --> 00:17:06,502 WHY DON'T YOU START BY JUST TURNING AROUND SO YOU CAN SEE ME? 271 00:17:06,526 --> 00:17:08,571 REAL SLOW. REAL SLOW. 272 00:17:08,595 --> 00:17:11,795 PUT YOUR LEFT HAND ON THIS WALL OVER HERE. I'M RIGHT HERE. 273 00:17:11,831 --> 00:17:15,066 JUST COME AROUND. COME TO ME REAL SLOW. OKAY? 274 00:17:19,539 --> 00:17:22,273 PERHAPS A LITTLE MORE SLOWLY NOW. 275 00:17:22,342 --> 00:17:24,954 TRY STEPPING OVER HERE. WHY DON'T YOU GIVE ME YOUR RIGHT HAND? 276 00:17:24,978 --> 00:17:28,079 YOU DON'T HAVE TO. OKAY, JUST LOOK AT ME, AND I'LL WATCH DOWN HERE. 277 00:17:28,148 --> 00:17:30,960 JUST STEP RIGHT ACROSS HERE, OKAY? TAKE IT EASY. 278 00:17:30,984 --> 00:17:33,963 THAT'S GOOD. MOVING YOUR LEG IS A GOOD WAY TO STEP. 279 00:17:33,987 --> 00:17:36,521 THAT'S GOOD. COME ON. YEAH. COME ON. 280 00:17:36,589 --> 00:17:39,602 HEY, LES, I'VE THOUGHT ABOUT IT, AND IT'S OKAY IF YOU'RE A GAY! 281 00:17:43,063 --> 00:17:47,499 A FARDEL, LES... 282 00:17:47,567 --> 00:17:50,013 LOOK AT THOSE GUYS MOVIN' AROUND DOWN THERE! 283 00:17:50,037 --> 00:17:53,470 THE FIRE DEPARTMENT IS STRINGING UP NETS. I HOPE WE DON'T HAVE TO USE THEM. 284 00:17:53,539 --> 00:17:55,240 IT'S MY FAULT HE'S STILL OUT THERE. 285 00:17:55,309 --> 00:17:58,543 HE'LL COME IN. JUST GIVE HIM TIME. IF ANYTHING HAPPENS TO LES... 286 00:17:58,612 --> 00:18:01,324 TAKE IT EASY. I SHOULDN'T HAVE PICKED ON YOU LIKE THAT. 287 00:18:01,348 --> 00:18:04,816 IT'S OKAY. YOU'RE PROBABLY NOT YOURSELF SINCE THE OPERATION. 288 00:18:17,730 --> 00:18:20,509 HE WANTS... HE WANTS TO TALK WITH YOU AGAIN. OH, SURE. 289 00:18:20,533 --> 00:18:23,868 I DON'T KNOW WHAT ELSE TO DO. I EXPLAINED HOW THIS MESS GOT STARTED, 290 00:18:23,937 --> 00:18:26,615 AND IT DOESN'T SEEM TO MAKE A DIFFERENCE. WHAT DID HAPPEN? 291 00:18:26,639 --> 00:18:28,132 LES AND A COUPLE REPORTERS WERE 292 00:18:28,156 --> 00:18:30,308 INTERVIEWING THIS BALLPLAYER AFTER THE GAME. 293 00:18:30,376 --> 00:18:32,977 NOW, LES DOESN'T KNOW THAT MUCH ABOUT SPORTS. 294 00:18:33,046 --> 00:18:35,312 SO HE ASKS A COUPLE OF CRAZY QUESTIONS. 295 00:18:35,382 --> 00:18:38,115 WHEN HE SPLITS, ONE REPORTER TURNS TO THE OTHER AND SAYS, 296 00:18:38,184 --> 00:18:40,117 "QUEER LITTLE FELLOW, ISN'T HE?" 297 00:18:40,186 --> 00:18:42,226 AND THE BALLPLAYER MISUNDERSTOOD THE REMARK. 298 00:18:42,288 --> 00:18:45,857 - THEN IT'S ALL JUST A SILLY MISUNDERSTANDING. - RIGHT, BUT TELL LES THAT. 299 00:18:45,925 --> 00:18:49,093 I'LL TELL LES THAT. LES IS MY BEST FRIEND. 300 00:18:49,162 --> 00:18:51,896 I'LL GET HIM BACK IN HERE. YOU KNOW WHAT HAPPENED LAST TIME. 301 00:18:51,965 --> 00:18:54,176 THIS TIME IT'LL BE DIFFERENT. NO, I DON'T THINK SO. 302 00:18:54,200 --> 00:18:56,211 BUT I KNOW I COULD DO IT. 303 00:18:56,235 --> 00:19:00,705 "FAREWELL, A LONG FAREWELL TO ALL MY GREATNESS! 304 00:19:00,773 --> 00:19:03,674 "THIS IS THE STATE OF MAN: 305 00:19:03,744 --> 00:19:07,044 "TODAY HE PUTS FORTH THE TENDER LEAVES OF HOPES, 306 00:19:07,113 --> 00:19:11,149 "TOMORROW BLOSSOMS AND BEARS HIS BLUSHING HONORS THICK UPON HIM. 307 00:19:11,218 --> 00:19:14,719 "THE THIRD DAY COMES A FROST, A KILLING FROST. 308 00:19:14,787 --> 00:19:17,555 "AND WHEN HE THINKS, GOOD EASY MAN, 309 00:19:17,624 --> 00:19:22,227 "FULL SURELY HIS GREATNESS IS A-RIPENING, NIPS HIS ROOT, 310 00:19:22,295 --> 00:19:24,562 AND THEN HE FALLS, AS I DO!" 311 00:19:24,631 --> 00:19:26,564 NO! NO! 312 00:19:26,633 --> 00:19:30,835 LOOK, LES, COULDN'T WE QUOTE SOMETHING FROM HELLO, DOLLY? 313 00:19:33,039 --> 00:19:36,107 LES, THIS IS HERB SPEAKING. I JUST WANT YOU TO KNOW THAT... 314 00:19:36,175 --> 00:19:37,987 IF YOU JUMP, I'LL JUMP TOO. 315 00:19:38,011 --> 00:19:40,278 THANKS, HERB. 316 00:19:42,848 --> 00:19:45,016 MR. CARLSON? WHAT IS IT, LES? 317 00:19:45,085 --> 00:19:48,386 I LOVE SPORTS. I KNOW YOU DO, LES. 318 00:19:48,454 --> 00:19:50,554 I JUST DON'T SEEM TO UNDERSTAND THEM VERY WELL. 319 00:19:50,623 --> 00:19:53,891 LOOK, LES. I'LL TELL YOU SOMETHING. 320 00:19:53,960 --> 00:19:55,938 YOU COME BACK INSIDE THIS BUILDING, 321 00:19:55,962 --> 00:19:58,541 AND YOU CAN DO ANYTHING YOU WANT ON THIS RADIO STATION. 322 00:19:58,565 --> 00:20:02,133 THAT'S VERY NICE OF YOU, MR. CARLSON, 323 00:20:02,201 --> 00:20:06,804 BUT MY REPUTATION IS STILL BESMIRCHED AND SULLIED. 324 00:20:08,708 --> 00:20:11,442 DICTIONARY! 325 00:20:11,511 --> 00:20:13,611 LES! I SAID, A "DICTIONARY"! 326 00:20:13,680 --> 00:20:17,648 - NO, NO, NO! IT'S A PHONE CALL FOR LES. - COULD YOU TAKE A MESSAGE? 327 00:20:17,717 --> 00:20:19,599 IT'S THE PLAYER AT THE STADIUM. IT'S THE 328 00:20:19,623 --> 00:20:21,719 ONE WHO HAD YOU BANNED FROM THE LOCKER ROOM. 329 00:20:21,788 --> 00:20:24,956 - I THINK HE WANTS TO APOLOGIZE. - OKAY, ANDY. 330 00:20:31,297 --> 00:20:34,699 HELLO? LES NESSMAN SPEAKING. 331 00:20:36,836 --> 00:20:38,770 NOT MUCH. 332 00:20:41,574 --> 00:20:44,509 UH-HUH. YEAH. 333 00:20:44,577 --> 00:20:46,744 WELL, THAT'S ALL RIGHT. 334 00:20:46,813 --> 00:20:50,214 LISTEN, WE... WE ALL MAKE MISTAKES SOMETIMES. 335 00:20:51,384 --> 00:20:54,251 I-I DON'T WANT YOU TO WORRY ABOUT IT ANYMORE. 336 00:20:55,322 --> 00:20:57,254 IT'S ALL RIGHT. 337 00:20:58,558 --> 00:21:00,958 YES, THEY DO LOOK LIKE LITTLE ANTS. 338 00:21:05,064 --> 00:21:06,997 SO, TELL ME. 339 00:21:07,067 --> 00:21:10,168 WHAT ARE THE TEAM'S CHANCES OF GOING ALL THE WAY THIS YEAR? 340 00:21:10,236 --> 00:21:15,205 REALLY? OH, THAT'S TERRIFIC. CAN I QUOTE YOU ON THAT? 341 00:21:16,809 --> 00:21:19,644 REALLY? WELL, THAT'S JUST GREAT. 342 00:21:20,647 --> 00:21:23,748 WELL, ARE YOU OUTTA YOUR SLUMP? 343 00:21:23,816 --> 00:21:25,750 OH, GREAT. 344 00:21:25,818 --> 00:21:28,986 WELL, SURE, I'LL SEE YOU OUT AT THE STADIUM FOR THE NEXT TOURNAMENT. 345 00:21:29,055 --> 00:21:31,055 WHAT? 346 00:21:31,124 --> 00:21:34,124 GAME! 347 00:21:34,193 --> 00:21:38,396 WELL, GOOD-BYE. GOOD LUCK TO YOU TOO, BRUCE. 348 00:21:41,400 --> 00:21:44,440 THANK YOU, ANDY. HEY, LES, NO PROBLEM. 349 00:21:44,504 --> 00:21:47,872 THANK YOU, MR. CARLSON. THAT'S OKAY, LES. HERE, TAKE THIS. 350 00:21:47,941 --> 00:21:50,519 WHY DON'T YOU COME ON IN NOW, LES? HUH? HUH? 351 00:21:50,543 --> 00:21:52,643 I CAN'T. - WHAT? 352 00:21:52,712 --> 00:21:56,547 SURE YOU CAN. IT'S OVER NOW. EVERYTHING IS FINE. YEAH. 353 00:21:56,616 --> 00:22:00,851 I'M AFRAID TO MOVE. AS A MATTER OF FACT, I FEEL LIKE I'M GONNA FALL! 354 00:22:00,920 --> 00:22:04,355 NO, LES! DON'T DO THAT! NO, NO, NO! 355 00:22:04,424 --> 00:22:06,402 JUST RELAX! DON'T LOOK DOWN, LES! 356 00:22:06,426 --> 00:22:08,404 SOMEBODY SAY SOMETHING, WILL YA? UH, LES? 357 00:22:08,428 --> 00:22:11,429 NOW, IF YOU FALL, ALL YOUR NEWSPAPER BUDDIES WILL THINK... 358 00:22:11,498 --> 00:22:13,431 YOU JUMPED BECAUSE THAT PLAYER WAS RIGHT! 359 00:22:13,500 --> 00:22:15,478 HERB! I KNOW WHAT I'M DOING. 360 00:22:15,502 --> 00:22:17,802 SINCE WHEN? DO YOU HEAR ME, LES? 361 00:22:17,871 --> 00:22:20,872 - I HEAR YOU, HERB. - YOU BETTER GET YOUR TAIL BACK IN HERE... 362 00:22:20,940 --> 00:22:25,109 OR ELSE IT'S GONNA, WELL, LOOK, YOU KNOW, FUNNY. ALL RIGHT, HERB. 363 00:22:26,947 --> 00:22:28,924 I'M COMING TO GET YOU, LES! OH, NO, YOU'RE NOT. 364 00:22:28,948 --> 00:22:30,748 GIVE HIM ROOM. GIVE HIM ROOM. 365 00:22:32,719 --> 00:22:34,685 HURRY, HERB! ALL RIGHT. 366 00:22:34,753 --> 00:22:37,821 WHAT ARE YOU DOING, HERB? IF YOU'RE GAY... 367 00:22:37,890 --> 00:22:40,391 YOU'RE GAY. 368 00:22:40,460 --> 00:22:44,061 IT DOESN'T MATTER. TAKE IT EASY. HANG ON, FOR PETE'S SAKE. 369 00:22:44,130 --> 00:22:48,098 BUT, IF YOU'RE NOT GAY, THEN... OOH. OH! 370 00:22:48,167 --> 00:22:50,501 THEN PEOPLE SHOULDN'T GO AROUND SAYING YOU ARE! 371 00:22:50,570 --> 00:22:54,405 SO GIVE ME YOUR HAND. JUST REACH RIGHT OUT AND TAKE THAT HAND. 372 00:22:54,473 --> 00:22:56,619 LES, ON THREE. CLOSE YOUR EYES AND JUST GRAB. 373 00:22:56,643 --> 00:22:59,476 ONE, TWO, THREE! 374 00:22:59,546 --> 00:23:01,323 DO IT, LES! 375 00:23:01,347 --> 00:23:03,792 STEP ACROSS! WE GOT HIM! WE GOT HIM! 376 00:23:03,816 --> 00:23:06,095 ATTABOY, LES! ALL RIGHT. COME ON IN HERE, LES, 377 00:23:06,119 --> 00:23:08,686 AND SHOW ME WHAT KIND OF MAN YOU REALLY ARE! 378 00:23:08,755 --> 00:23:11,823 REALLY? OH! 379 00:23:27,607 --> 00:23:30,942 HI, JOHNNY. HI. 380 00:23:31,010 --> 00:23:33,644 I SAW HERB THIS MORNING. HOW IS HE? 381 00:23:33,713 --> 00:23:37,148 HE'S A LITTLE DOPED UP, BUT HE'LL BE FINE. SAME HERE. 382 00:23:38,417 --> 00:23:40,384 WHAT? IT'S JUST A JOKE. 383 00:23:41,454 --> 00:23:43,921 UH, SPEAKING OF JOKES, 384 00:23:43,989 --> 00:23:46,257 WHAT DID YOU TELL HERB ABOUT ME? 385 00:23:46,325 --> 00:23:48,259 NOTHING MUCH. 386 00:23:48,328 --> 00:23:50,595 - MORNING, EVERYONE. - OH, HI, LES. 387 00:23:50,664 --> 00:23:54,632 I WAS JUST AT THE HOSPITAL. THE DOCTOR SAYS THAT HERB CAN GO HOME IN A WEEK. 388 00:23:54,701 --> 00:23:57,421 - I KNOW. I SAW HIM TOO. - DID HE SEEM ALL RIGHT TO YOU? 389 00:23:57,470 --> 00:23:59,470 AS WELL AS CAN BE EXPECTED. 390 00:23:59,539 --> 00:24:02,051 WELL, I THINK HE MUST HAVE HIT THAT NET HEADFIRST. 391 00:24:02,075 --> 00:24:05,476 HE KEPT ASKING ME THE SAME QUESTION OVER AND OVER AGAIN. 392 00:24:05,545 --> 00:24:07,723 THIS IS PRETTY COMPLICATED, BUT HE WANTED TO KNOW... 393 00:24:07,747 --> 00:24:12,250 IF A GUY DATES A GIRL WHO USED TO BE A GUY BUT ISN'T ANYMORE, 394 00:24:12,318 --> 00:24:15,819 WHAT DOES THAT MAKE THE GUY WHO DATES THE GIRL WHO USED TO BE A GUY? 395 00:24:19,091 --> 00:24:21,024 IT'S A TOUGHIE. 396 00:24:25,031 --> 00:24:26,831 ♪♪ 397 00:24:30,402 --> 00:24:34,572 ♪♪ 398 00:24:42,849 --> 00:24:45,516 ♪♪ 399 00:24:59,999 --> 00:25:01,932 ♪♪ 30768

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