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These are the user uploaded subtitles that are being translated: 1 00:00:02,610 --> 00:00:04,080 ♪[Rock Around The Clock by Bill Haley and His Comets playing] 2 00:00:04,080 --> 00:00:05,610 ♪ 1, 2, 3 o'clock, 4 o'clock, rock, ♪ 3 00:00:06,120 --> 00:00:07,680 ♪ 5, 6, 7 o'clock, 8 o'clock, rock ♪ 4 00:00:08,170 --> 00:00:10,170 ♪ 9, 10, 11 o'clock, 12 o'clock, rock, we're gonna rock ♪ 5 00:00:10,170 --> 00:00:12,090 ♪ Around the clock tonight ♪ 6 00:00:12,090 --> 00:00:15,170 ♪ Put your glad rags on and join me, hon ♪ 7 00:00:15,180 --> 00:00:17,470 ♪ We'll have some fun when the clock strikes one ♪ 8 00:00:17,460 --> 00:00:20,040 ♪ We're gonna rock around the clock tonight ♪ 9 00:00:20,050 --> 00:00:22,560 ♪ We're gonna rock, rock, rock, 'til broad daylight ♪ 10 00:00:22,550 --> 00:00:27,550 ♪ We're gonna rock, gonna rock, around the clock tonight ♪ 11 00:00:27,560 --> 00:00:30,570 ♪ When the clock strikes 2, 3 and 4 ♪ 12 00:00:30,560 --> 00:00:33,060 ♪ If the band slows down we'll yell for more ♪ 13 00:00:33,060 --> 00:00:35,480 ♪ We're gonna rock around the clock tonight ♪ 14 00:00:35,480 --> 00:00:38,060 ♪ We're gonna rock, rock, rock, 'til broad daylight ♪ 15 00:00:38,070 --> 00:00:42,080 ♪ We're gonna rock, gonna rock around the clock tonight ♪ 16 00:00:58,090 --> 00:01:01,010 ♪ When the chimes ring 5, 6 and 7 ♪ 17 00:01:01,010 --> 00:01:03,100 ♪ We'll be right in 7th heaven ♪ 18 00:01:03,090 --> 00:01:06,090 ♪ We're gonna rock around the clock tonight ♪ 19 00:01:06,090 --> 00:01:08,590 ♪ We're gonna rock, rock, rock, till broad daylight ♪ 20 00:01:08,600 --> 00:01:12,110 ♪ We're gonna rock, gonna rock, around the clock tonight ♪ 21 00:01:13,600 --> 00:01:16,600 ♪ When it's 8, 9, 10, 11, too ♪ 22 00:01:16,600 --> 00:01:19,100 ♪ I'll be goin' strong and so will you ♪ 23 00:01:19,110 --> 00:01:21,620 ♪ We're gonna rock around the clock tonight ♪ 24 00:01:21,610 --> 00:01:24,110 ♪ We're gonna rock, rock, rock, 'til broad daylight ♪ 25 00:01:24,610 --> 00:01:28,110 ♪ We're gonna rock, gonna rock, around the clock tonight ♪ 26 00:01:32,620 --> 00:01:34,120 27 00:01:37,040 --> 00:01:38,620 ♪ 28 00:02:16,830 --> 00:02:19,380 29 00:02:22,800 --> 00:02:23,800 Well, that's it, Georgie. 30 00:02:24,310 --> 00:02:26,310 The band's through here. We're canceled out. 31 00:02:26,310 --> 00:02:28,820 That's the 3rd time on this tour. 32 00:02:28,810 --> 00:02:30,810 What kind of a manager are you? 33 00:02:30,810 --> 00:02:33,810 How do you expect to draw crowds in a town of this size? 34 00:02:33,820 --> 00:02:36,910 This wouldn't have happened if you'd listened to me a long time ago. 35 00:02:36,900 --> 00:02:39,400 I tell you, all the big bands are breaking up. 36 00:02:39,400 --> 00:02:41,900 People aren't dancing anymore, they're listening. 37 00:02:41,910 --> 00:02:44,920 Oh, so I'm supposed to break up my band? 38 00:02:44,910 --> 00:02:46,910 The public's going in for sounds, Georgie. 39 00:02:46,910 --> 00:02:50,250 They want to hear small groups, vocalists, novelty combos. 40 00:02:50,530 --> 00:02:52,110 Sure. That's right, Steve. 41 00:02:52,120 --> 00:02:54,130 Put the blame on everyone but yourself. 42 00:02:54,120 --> 00:02:57,120 As the band's manager, you do a bad job of selling us-- 43 00:02:57,120 --> 00:02:58,620 A bad job of selling? 44 00:02:58,620 --> 00:03:00,620 You listen to me. The only thing that's stayed up to date 45 00:03:01,130 --> 00:03:02,970 In this band of yours is your watch. 46 00:03:02,960 --> 00:03:05,040 Why don't you get wise to yourself, Georgie? 47 00:03:05,050 --> 00:03:06,550 Take a look at the figures on record sales 48 00:03:06,550 --> 00:03:09,060 And then look at the size of the crowds you've been drawing. 49 00:03:09,050 --> 00:03:11,550 Maybe I should book you into a schoolhouse during fire drill. 50 00:03:11,550 --> 00:03:14,050 You might be able to clear 'em out fast with the kind of music-- 51 00:03:14,060 --> 00:03:16,060 You're fired. Good. 52 00:03:16,060 --> 00:03:18,700 I wouldn't want you to say I was disloyal by quitting. 53 00:03:18,690 --> 00:03:20,780 But take my advice, Georgie. 54 00:03:20,780 --> 00:03:23,780 You wait around long enough for a proof that the big band business is dead, 55 00:03:23,780 --> 00:03:26,730 You'll be paying the funeral expenses. Good luck to you. 56 00:03:27,290 --> 00:03:27,880 Steve. 57 00:03:29,450 --> 00:03:31,450 Steve's giving you the right hop, pop. 58 00:03:31,460 --> 00:03:33,970 I don't like funerals, either. 59 00:03:33,960 --> 00:03:35,960 See you around the cemetery. 60 00:03:39,460 --> 00:03:41,960 Corny, look, there's no reason for you to cut out on the band. 61 00:03:41,970 --> 00:03:43,980 Maybe hiller can still get some work. 62 00:03:43,970 --> 00:03:45,970 Stevie-boy, the handwriting's on the wall. 63 00:03:46,470 --> 00:03:49,970 So I either hock this thing or turn it into a ferryboat. 64 00:03:49,970 --> 00:03:50,970 Where we goin'? 65 00:03:50,980 --> 00:03:52,980 New York. 66 00:03:52,980 --> 00:03:54,990 I think I can get a job with one of the big booking offices. 67 00:03:54,980 --> 00:03:56,980 You thinkin' of Corinne Talbot? 68 00:03:56,980 --> 00:03:58,980 I wasn't thinkin' of anybody. 69 00:03:58,980 --> 00:04:00,480 Do we leave in the morning? 70 00:04:00,490 --> 00:04:01,990 Ready at 8:00. 71 00:04:01,990 --> 00:04:04,500 Soon as I put on my traveling clothes and lulubelle here 72 00:04:04,490 --> 00:04:05,490 73 00:04:05,490 --> 00:04:07,490 Puts on her g-string. 74 00:04:07,490 --> 00:04:08,490 All righty? 75 00:04:08,490 --> 00:04:09,990 All righty. 76 00:04:11,000 --> 00:04:12,500 ♪ 77 00:04:17,000 --> 00:04:18,500 Awful lonesome up here. 78 00:04:18,500 --> 00:04:21,500 You sure you know where you're goin'? 79 00:04:21,510 --> 00:04:24,520 According to the map, and it's been right the past 3 days, 80 00:04:24,510 --> 00:04:27,010 We should hit a little town called Strawberry Springs 81 00:04:27,010 --> 00:04:29,010 In time to stay over for the night. 82 00:04:29,010 --> 00:04:30,010 Sort of a shortcut. 83 00:04:30,010 --> 00:04:31,010 Hmm. 84 00:04:31,520 --> 00:04:32,520 Sounds good enough to eat. 85 00:04:33,520 --> 00:04:35,030 What does? 86 00:04:35,020 --> 00:04:37,020 Strawberry shortcut. 87 00:04:37,020 --> 00:04:40,520 Aw, Corny, go back to sleep, will you? 88 00:04:40,530 --> 00:04:41,530 89 00:04:48,030 --> 00:04:51,530 Hey, Corny, wake up. We made it. 90 00:04:52,040 --> 00:04:56,050 Strawberry Springs, population 1,472. 91 00:04:56,040 --> 00:04:58,040 This is a cute little town, wasn't it? 92 00:04:58,040 --> 00:04:59,540 93 00:04:59,540 --> 00:05:01,990 Now, if we can find a hotel or a motel. 94 00:05:02,000 --> 00:05:04,060 An old barn, anything. I'm beat. 95 00:05:04,050 --> 00:05:05,550 96 00:05:06,050 --> 00:05:07,550 97 00:05:07,550 --> 00:05:09,050 Hey, man, move the wheels. You're blockin' the road. 98 00:05:09,050 --> 00:05:11,050 Come on, daddy-o? We're in a hurry. 99 00:05:11,060 --> 00:05:12,560 Looks like we're holdin' up the works. 100 00:05:12,560 --> 00:05:15,070 We go for 150 miles without seeing a car. 101 00:05:15,060 --> 00:05:16,560 The minute we stop, road hog. 102 00:05:16,560 --> 00:05:17,810 103 00:05:17,810 --> 00:05:19,390 104 00:05:19,400 --> 00:05:20,990 Come on! 105 00:05:20,980 --> 00:05:22,510 Let's go, let's go, come on! 106 00:05:23,020 --> 00:05:25,530 107 00:05:30,440 --> 00:05:31,520 Steve, 108 00:05:31,530 --> 00:05:35,540 The whole 1,472 must be out at once. 109 00:05:35,530 --> 00:05:37,530 Yeah, look at 'em. 110 00:05:38,000 --> 00:05:39,530 Hey, there's a motel up ahead. 111 00:05:39,530 --> 00:05:41,530 Let's hope they have a room. Yeah. 112 00:05:41,540 --> 00:05:44,550 With hot and cold-- hot and cold running, I know the joke. 113 00:05:45,040 --> 00:05:47,040 114 00:05:58,520 --> 00:05:59,520 Evenin', neighbor. 115 00:05:59,520 --> 00:06:00,100 Evenin'. 116 00:06:00,690 --> 00:06:02,190 Your sign says you have a vacancy. 117 00:06:02,190 --> 00:06:03,190 Yep. 118 00:06:03,690 --> 00:06:05,690 We don't get many tourists in this neck of the woods. 119 00:06:05,690 --> 00:06:07,690 Stayin' long? 120 00:06:07,700 --> 00:06:09,650 Nah, just overnight. Probably pull out in the morning. 121 00:06:10,200 --> 00:06:11,710 Say, pop, where's everybody goin'? 122 00:06:11,700 --> 00:06:13,700 Uh, the young 'uns? 123 00:06:13,700 --> 00:06:15,700 This is saturday night, neighbor. 124 00:06:15,700 --> 00:06:19,200 The young 'uns wouldn't Miss their dance at the meetin' hall. 125 00:06:19,210 --> 00:06:21,580 You mean, they're all going to a dance? 126 00:06:21,580 --> 00:06:24,000 This is saturday night. 127 00:06:24,000 --> 00:06:27,000 Maybe nobody told them that dance band music was dead. 128 00:06:27,000 --> 00:06:29,510 It's probably a dance for squares. 129 00:06:29,500 --> 00:06:30,470 Square dance? 130 00:06:30,470 --> 00:06:32,500 That's what I said. 131 00:06:32,500 --> 00:06:36,000 They've probably been doin' that kind of stuff up here for the last 100 years. 132 00:06:36,010 --> 00:06:37,520 Got a match? 133 00:06:37,510 --> 00:06:41,510 Just the same, they dance, and i'd like to know why. 134 00:06:43,180 --> 00:06:45,180 You think anybody would mind if we went? 135 00:06:45,180 --> 00:06:47,680 I reckon your money's as good as anybody's. 136 00:06:47,690 --> 00:06:49,190 Good. show us to our cabin, will you? 137 00:06:49,190 --> 00:06:50,700 We'll get cleaned up a little bit. 138 00:06:50,690 --> 00:06:53,190 It's over there, 12. She's open. go right in. 139 00:06:53,190 --> 00:06:54,690 Ok, thank you. 140 00:06:59,830 --> 00:07:01,330 "Dance for squares." 141 00:07:02,330 --> 00:07:06,330 Man, them 2 cats don't dig the most at all. 142 00:07:06,340 --> 00:07:08,350 At all. 143 00:07:08,340 --> 00:07:10,340 ♪[see you later, alligator by Bill Haley and His Comets playing] 144 00:07:10,340 --> 00:07:14,340 145 00:07:14,350 --> 00:07:16,850 Hey, Steve, we must be out of our cotton-pickin' minds. 146 00:07:16,850 --> 00:07:19,360 We should be gettin' some sleep instead of comin' here. 147 00:07:19,350 --> 00:07:20,850 Maybe so. 148 00:07:20,850 --> 00:07:23,350 But something's getting these people out of their houses. 149 00:07:23,350 --> 00:07:25,350 I'm gonna find out what it is. 150 00:07:25,360 --> 00:07:27,370 Ah, what kind of Cornball music can they have 151 00:07:27,360 --> 00:07:28,860 In a burg like this? 152 00:07:28,860 --> 00:07:30,360 Probably Joe Grubnic 153 00:07:30,360 --> 00:07:33,360 And his "makes you want to sit this one out" orchestra. 154 00:07:33,360 --> 00:07:34,860 They're slaughtering cattle. 155 00:07:34,870 --> 00:07:36,370 Did you hear that? 156 00:07:36,370 --> 00:07:40,080 All I can say is square dancing has sure changed. 157 00:07:40,070 --> 00:07:43,150 ♪ See you later, alligator ♪ 158 00:07:43,160 --> 00:07:46,220 ♪ After 'while, crocodile ♪ 159 00:07:46,210 --> 00:07:48,740 ♪ See you later, alligator ♪ 160 00:07:49,160 --> 00:07:52,300 ♪ After 'while, crocodile ♪ 161 00:07:52,300 --> 00:07:55,170 ♪ Can't you see you're in my way now ♪ 162 00:07:55,170 --> 00:07:58,000 ♪ Don't you know you cramp my style ♪ 163 00:07:58,010 --> 00:08:01,520 I told you, slaughtering cattle. 164 00:08:01,510 --> 00:08:05,010 Corny, how long has it been since you've seen a dance hall jump like that? 165 00:08:05,010 --> 00:08:07,010 About 3 years ago at Roseland 166 00:08:07,010 --> 00:08:09,510 When that flea circus act got loose. 167 00:08:09,520 --> 00:08:12,030 What is that outfit playin' up there? 168 00:08:12,020 --> 00:08:13,520 I don't know. 169 00:08:13,520 --> 00:08:16,020 It isn't boogie, it isn't jive, and it isn't swing. 170 00:08:16,020 --> 00:08:19,020 It's kind of all of 'em. 171 00:08:19,030 --> 00:08:22,040 Hey, sister, what do you call that exercise you're gettin'? 172 00:08:22,030 --> 00:08:26,030 It's rock 'n' roll, brother, and we're rockin' tonight. 173 00:08:27,540 --> 00:08:29,040 It's rock 'n' roll. 174 00:08:29,040 --> 00:08:31,550 ♪ Can't you see you're in my way now ♪ 175 00:08:31,540 --> 00:08:34,590 ♪ Don't you know you cramp my style ♪ 176 00:08:34,590 --> 00:08:37,710 ♪ When I thought of what she told me ♪ 177 00:08:37,710 --> 00:08:40,290 ♪ Nearly made me lose my head ♪ 178 00:08:40,800 --> 00:08:42,300 Say, pardon me, friend, 179 00:08:42,300 --> 00:08:44,270 Would you tell me what the name of that band is? 180 00:08:44,270 --> 00:08:47,300 Later, man, later. I'm gone, now. I don't dig nothin'. 181 00:08:47,310 --> 00:08:49,810 ♪ But the next time that I saw her ♪ 182 00:08:49,810 --> 00:08:52,400 ♪ Reminded her of what she said ♪ 183 00:08:52,810 --> 00:08:54,890 ♪ See you later, alligator ♪ 184 00:08:54,900 --> 00:08:56,950 ♪ After 'while, crocodile ♪ 185 00:08:56,950 --> 00:08:59,410 Miss, pardon me, do you know the name of that orchestra that's playing? 186 00:08:59,950 --> 00:09:01,620 Crazy, man, crazy. 187 00:09:01,620 --> 00:09:04,870 ♪ After 'while, crocodile ♪ 188 00:09:04,870 --> 00:09:07,960 ♪ Can't you see you're in my way now ♪ 189 00:09:07,960 --> 00:09:10,630 ♪ Don't you know you cramp my style ♪ 190 00:09:28,930 --> 00:09:31,900 ♪ She said, I'm sorry, pretty daddy ♪ 191 00:09:31,900 --> 00:09:34,900 ♪ You know my love is just for you ♪ 192 00:09:34,900 --> 00:09:38,020 ♪ She said, I'm sorry, pretty daddy ♪ 193 00:09:38,020 --> 00:09:40,990 ♪ You know my love is just for you ♪ 194 00:09:40,990 --> 00:09:43,860 ♪ Won't you say that you'll forgive me ♪ 195 00:09:43,860 --> 00:09:47,360 ♪ And say your love for me is true ♪ 196 00:09:47,370 --> 00:09:50,370 ♪ I said, wait a minute, 'gator ♪ 197 00:09:50,370 --> 00:09:53,180 ♪ I know you mean it just for play ♪ 198 00:09:53,170 --> 00:09:56,250 ♪ I said, wait a minute, 'gator ♪ 199 00:09:56,260 --> 00:09:58,770 ♪ I know you mean it just for play ♪ 200 00:09:59,260 --> 00:10:02,380 ♪ Don't you know you really hurt me ♪ 201 00:10:02,380 --> 00:10:05,260 ♪ And this is what I have to say ♪ 202 00:10:05,270 --> 00:10:08,190 ♪ See you later, alligator ♪ 203 00:10:08,190 --> 00:10:10,190 ♪ After 'while, crocodile ♪ 204 00:10:11,190 --> 00:10:14,190 ♪ See you later, alligator ♪ 205 00:10:14,190 --> 00:10:17,190 ♪ After 'while, crocodile ♪ 206 00:10:17,200 --> 00:10:20,120 ♪ Can't you see you're in my way now ♪ 207 00:10:20,110 --> 00:10:23,110 ♪ Don't you know you cramp my style ♪ 208 00:10:23,120 --> 00:10:26,330 ♪ See you later, alligator ♪ 209 00:10:26,320 --> 00:10:28,320 ♪ After 'while, crocodile ♪ 210 00:10:29,370 --> 00:10:32,370 ♪ See you later, alligator ♪ 211 00:10:32,380 --> 00:10:35,340 ♪ So long that's all ♪ 212 00:10:35,330 --> 00:10:37,960 ♪ Goodbye ♪ 213 00:10:37,970 --> 00:10:39,560 All right! 214 00:10:39,550 --> 00:10:41,050 215 00:10:44,260 --> 00:10:45,260 Say, friend. 216 00:10:45,260 --> 00:10:46,260 Yeah? 217 00:10:46,260 --> 00:10:47,260 Nice guitar you've got there. 218 00:10:47,680 --> 00:10:49,270 Well, thank you very much. 219 00:10:49,260 --> 00:10:50,760 And we were just trying to find out the name of your band. 220 00:10:50,760 --> 00:10:52,560 The name? 221 00:10:53,060 --> 00:10:55,060 Hey, guys, we got a couple of foreigners from the flatlands with us. 222 00:10:55,070 --> 00:10:56,990 223 00:10:56,980 --> 00:10:59,430 Are you serious? You mean you've never heard of Bill Haley and The Comets? 224 00:10:59,440 --> 00:11:01,500 Well, i, uh, I've been kind of sick. 225 00:11:01,490 --> 00:11:03,490 I don't get out much. 226 00:11:03,490 --> 00:11:06,860 Well, stick around, alligator. Rockin' will cure anything you have. 227 00:11:06,860 --> 00:11:08,740 Ready, boys? yeah. 228 00:11:08,750 --> 00:11:11,840 ♪[rock-a-beatin' boogie by Bill Haley and His Comets playing] 229 00:11:14,200 --> 00:11:15,700 ♪ Rock, rock ♪ 230 00:11:15,700 --> 00:11:18,200 Say, friend, you back in this world yet? 231 00:11:18,210 --> 00:11:21,720 Descending, daddy-o. Comin' in on a cloud. 232 00:11:22,210 --> 00:11:24,710 How come nobody's dancing? 233 00:11:24,710 --> 00:11:27,260 ♪ Rock, rock, rock, everybody ♪ 234 00:11:27,270 --> 00:11:29,270 ♪ Rock-a-beatin' boogie beat ♪ 235 00:11:29,270 --> 00:11:31,780 ♪ You take a rock, you take a beat ♪ 236 00:11:32,270 --> 00:11:34,270 ♪ You take a boogie, you make it sweet ♪ 237 00:11:34,770 --> 00:11:36,270 ♪ You take a rock-a-beatin' boogie ♪ 238 00:11:36,270 --> 00:11:38,770 ♪ Rock-a-beatin' boogie beat ♪ 239 00:11:39,780 --> 00:11:41,290 ♪ Well, the rock-a-beatin' boogie ♪ 240 00:11:41,280 --> 00:11:44,200 ♪ B-o-o-g-i-e! ♪ 241 00:11:46,650 --> 00:11:48,150 Dig, man, 242 00:11:48,150 --> 00:11:50,650 When the most is on the floor, we give 'em room. 243 00:11:50,660 --> 00:11:53,250 ♪ Shakin' to the rhythm of the rock-a-beatin' boogie ♪ 244 00:11:53,240 --> 00:11:55,740 ♪ Jumpin' to the rhythm of the rock-a-beatin' boogie ♪ 245 00:11:56,240 --> 00:11:58,740 ♪ Rompin' to the rhythm of the rock-a-beatin' boogie ♪ 246 00:11:58,750 --> 00:12:00,750 ♪ B-o-o-g-i-e! ♪ 247 00:12:31,660 --> 00:12:34,750 ♪ You gotta jump, you gotta jive ♪ 248 00:12:34,750 --> 00:12:36,780 ♪ You gotta dance, to be alive ♪ 249 00:12:36,780 --> 00:12:39,280 Look at that crazy hop. 250 00:12:39,290 --> 00:12:41,300 Hey, those 2 are good. 251 00:12:43,290 --> 00:12:44,290 Square, huh? 252 00:12:44,790 --> 00:12:45,790 You mean, you didn't know? 253 00:12:47,930 --> 00:12:51,010 ♪ Well, you're rockin' to the rhythm of the rock-a-beatin' boogie ♪ 254 00:12:51,020 --> 00:12:53,520 ♪ Dancin' to the rhythm of the rock-a-beatin' boogie ♪ 255 00:12:53,520 --> 00:12:56,030 ♪ Shakin' to the rhythm of the rock-a-beatin' boogie ♪ 256 00:12:56,020 --> 00:12:58,970 ♪ Jumpin' to the rhythm of the rock-a-beatin' boogie ♪ 257 00:12:58,970 --> 00:13:01,470 ♪ Rompin' to the rhythm of the rock-a-beatin' boogie ♪ 258 00:13:01,480 --> 00:13:04,150 ♪ B-o-o-g-i-e! ♪ 259 00:13:04,150 --> 00:13:06,540 ♪ Rock, rock, rock, everybody ♪ 260 00:13:06,530 --> 00:13:09,610 ♪ Roll, roll, roll, everybody ♪ 261 00:13:09,620 --> 00:13:12,330 ♪ Rock, rock, rock, everybody ♪ 262 00:13:12,320 --> 00:13:14,900 ♪ Roll, roll, roll, everybody ♪ 263 00:13:14,910 --> 00:13:17,410 ♪ Rock, rock, rock, everybody ♪ 264 00:13:17,410 --> 00:13:19,920 ♪ Rock-a-beatin' boogie beat ♪ 265 00:13:28,000 --> 00:13:31,220 266 00:13:31,220 --> 00:13:34,810 Say, uh, that was real keen. Thank you. 267 00:13:34,810 --> 00:13:37,810 Would you mind telling me what you fellows were playing? 268 00:13:37,810 --> 00:13:39,310 Well, it's easy, alligator. 269 00:13:39,310 --> 00:13:41,310 All you do is play the music upside down. 270 00:13:41,320 --> 00:13:43,320 271 00:13:43,320 --> 00:13:45,830 I suppose for waltzes you play it sideways? 272 00:13:45,820 --> 00:13:48,820 Waltzes? Watch your language, man. There are ladies present. 273 00:13:48,820 --> 00:13:50,320 Haley. Mr. Haley. 274 00:13:50,320 --> 00:13:51,320 Mr. Haley? 275 00:13:51,330 --> 00:13:52,830 That's right, friend. 276 00:13:53,330 --> 00:13:55,340 And I can make them call you "mister" from coast to coast. 277 00:13:55,330 --> 00:13:56,330 How'd you like to make a fortune? 278 00:13:56,830 --> 00:13:59,330 In money? You kidding? 279 00:13:59,330 --> 00:14:01,830 Of course I ain't kiddin'. All depends on how the crops go. 280 00:14:01,840 --> 00:14:04,350 Sometimes we get paid off in turnips, sometimes in onions-- 281 00:14:04,840 --> 00:14:06,340 Ok, in money. 282 00:14:06,340 --> 00:14:07,840 What do we have to do? 283 00:14:07,840 --> 00:14:09,340 Well, you're musicians, aren't you? 284 00:14:09,340 --> 00:14:10,840 Just on saturday nights. 285 00:14:10,850 --> 00:14:13,850 The rest of the week I'm a tractor mechanic, Billy has a farm, 286 00:14:13,850 --> 00:14:15,860 Johnny sells seeds, al-- ok, listen. 287 00:14:16,350 --> 00:14:18,850 What if every night was saturday night? 288 00:14:18,850 --> 00:14:21,850 It'd be all right, I guess. It'd sure mess up the rest of the week. 289 00:14:21,860 --> 00:14:23,360 290 00:14:23,360 --> 00:14:26,370 What if you fellows were musicians all the time and never did anything else? 291 00:14:27,900 --> 00:14:29,400 Something wrong, bill? 292 00:14:29,400 --> 00:14:31,910 Oh, nothing's wrong, Miss. Incidentally, you were very good. 293 00:14:31,900 --> 00:14:32,900 Thank you. 294 00:14:32,900 --> 00:14:34,400 You work with the band? Yes. 295 00:14:34,900 --> 00:14:36,400 Then you're in on the deal, too. 296 00:14:36,400 --> 00:14:38,400 I beg your pardon? Who are you? 297 00:14:38,410 --> 00:14:41,420 Well, I'm Steve Hollis. I manage orchestras. 298 00:14:41,410 --> 00:14:44,290 You're also managing to be very vague. 299 00:14:44,300 --> 00:14:46,250 Well, maybe I should start from the beginning. 300 00:14:46,250 --> 00:14:49,510 Perhaps you can tell me when and where we can have a little talk? 301 00:14:49,500 --> 00:14:51,000 We can talk here, I guess. 302 00:14:51,000 --> 00:14:52,300 The dance ends at 12:00. 303 00:14:52,300 --> 00:14:53,880 All right, cinderella. 304 00:14:54,390 --> 00:14:56,670 This is one 12:00 When you won't turn into a pumpkin. 305 00:14:56,670 --> 00:14:59,760 We'll hang around. Come on, Corny. 306 00:14:59,760 --> 00:15:01,930 Hey, are these 2 guys for real? 307 00:15:01,930 --> 00:15:04,010 308 00:15:06,520 --> 00:15:10,030 ♪[A.B.C. Boogie by Bill Haley and His Comets playing] 309 00:15:10,020 --> 00:15:11,520 Goin' off your rocker, Steve? 310 00:15:11,520 --> 00:15:14,360 What do you expect to do with an outfit like that? 311 00:15:14,360 --> 00:15:17,360 Corny, we've been kiddin' ourselves too long. 312 00:15:17,360 --> 00:15:19,860 If there's no dance band business, we don't work, right? 313 00:15:19,860 --> 00:15:22,860 So let's find a high bridge and jump off. 314 00:15:22,870 --> 00:15:25,880 No, that's what we're gonna do if my idea doesn't pan out. 315 00:15:26,370 --> 00:15:27,920 You know what we're gonna do first? 316 00:15:28,920 --> 00:15:30,950 Jump off a low bridge? 317 00:15:30,960 --> 00:15:33,550 We're gonna try to get the people dancing again. 318 00:15:33,540 --> 00:15:36,540 I figure if Haley's combo can do this in Strawberry Springs, 319 00:15:36,550 --> 00:15:38,640 Maybe they can do it in the rest of the country. 320 00:15:38,630 --> 00:15:40,710 Buster, is that a long shot. 321 00:15:40,720 --> 00:15:42,230 What have we got to lose? 322 00:15:42,220 --> 00:15:44,220 Well, we got, uh... 323 00:15:46,220 --> 00:15:48,140 Nothing. 324 00:15:48,140 --> 00:15:49,720 I don't know, Mr. Hollis. 325 00:15:50,230 --> 00:15:52,740 What might be good for us here might not be the answer someplace else. 326 00:15:52,730 --> 00:15:55,730 But I'm not asking the boys to give up their jobs. Not yet. 327 00:15:56,230 --> 00:15:58,230 Not until I get them a concrete offer. 328 00:15:58,240 --> 00:15:59,740 But, of course, once we get started, 329 00:15:59,740 --> 00:16:02,750 They're gonna have to forget about tractors and seeds. 330 00:16:02,740 --> 00:16:04,740 It sure is a big step. 331 00:16:04,740 --> 00:16:07,740 Lisa usually does that kind of thinking for us. 332 00:16:07,750 --> 00:16:09,890 Well, they have security here, Mr. Hollis. 333 00:16:09,880 --> 00:16:13,460 Do you call it security, being perched up on a mountaintop? 334 00:16:13,470 --> 00:16:15,480 Why, you kids have talent. 335 00:16:15,470 --> 00:16:17,470 Talent's something you can sell for big money, 336 00:16:17,970 --> 00:16:19,840 Not just onions and turnips. 337 00:16:19,840 --> 00:16:22,720 I hadn't thought dancing the rock 'n' roll was talent. 338 00:16:22,730 --> 00:16:24,320 Take my word for it, honey. 339 00:16:24,310 --> 00:16:26,310 Any gal that can make a guy's eyes pop out 340 00:16:26,310 --> 00:16:28,650 The way you can has plenty of talent. 341 00:16:28,650 --> 00:16:30,730 And nobody can demonstrate this dance 342 00:16:30,730 --> 00:16:32,730 Better than you and your brother. 343 00:16:32,740 --> 00:16:35,250 What do you say? Do we ride the gravy train together? 344 00:16:35,240 --> 00:16:37,740 How much gravy do you expect for your trouble? 345 00:16:37,740 --> 00:16:41,020 Well, we'll--we'll split, 60-40. 346 00:16:41,030 --> 00:16:42,090 Corny and i'll take 40. 347 00:16:42,450 --> 00:16:43,540 40%? 348 00:16:43,530 --> 00:16:45,110 You shouldn't get more than 10. 349 00:16:45,120 --> 00:16:47,370 Now where did you get that kind of information? 350 00:16:47,370 --> 00:16:48,760 I've read variety. 351 00:16:48,750 --> 00:16:51,840 Then you should know, my dear young lady, that I'm not an agent. 352 00:16:51,840 --> 00:16:53,540 I'm a manager. 353 00:16:53,540 --> 00:16:56,540 It's a common thing for managers to get 40%, sometimes even 50. 354 00:16:57,540 --> 00:16:59,040 We'll have to think about it. 355 00:16:59,050 --> 00:17:00,140 All right. How long? 356 00:17:00,130 --> 00:17:03,100 Until you come down from that 40%. 357 00:17:03,100 --> 00:17:05,270 In that case, we'll both think about it. 358 00:17:05,270 --> 00:17:07,850 My name, incidentally, is Lisa Johns. This is my brother, Jimmy. 359 00:17:08,360 --> 00:17:09,360 Hi. 360 00:17:09,360 --> 00:17:10,360 My father owns the motel. 361 00:17:10,860 --> 00:17:13,320 That's where you can find us when you've made up your mind. 362 00:17:13,860 --> 00:17:14,860 Let's go, Jimmy. 363 00:17:18,370 --> 00:17:19,370 Don't look at me, Mr. Hollis. 364 00:17:19,370 --> 00:17:20,870 If Lisa won't go for the 60-40, 365 00:17:20,870 --> 00:17:22,880 There's nothin' I can do about it. 366 00:17:22,870 --> 00:17:24,370 Well, what does she want? 367 00:17:24,370 --> 00:17:25,870 You got me. 368 00:17:25,870 --> 00:17:28,370 All I know is we always get 100% of the onions and turnips. 369 00:17:31,880 --> 00:17:34,380 Leave it to a woman to make all the trouble. 370 00:17:34,380 --> 00:17:36,380 Look, why don't you forget the whole thing? 371 00:17:36,380 --> 00:17:38,380 How are you gonna get booking for a new outfit like that 372 00:17:38,890 --> 00:17:40,890 Without going to Corinne Talbot? 373 00:17:40,890 --> 00:17:42,400 Don't worry. I'll find a way. 374 00:17:42,390 --> 00:17:43,890 Sure. 375 00:17:43,890 --> 00:17:45,390 Corinne's agency has every top hotel 376 00:17:45,390 --> 00:17:46,890 And nightclub tied up for bands 377 00:17:46,890 --> 00:17:48,890 And acts from New York to California. 378 00:17:49,400 --> 00:17:53,410 You won't get anywhere selling The Comets into some broken-down dive. 379 00:17:53,400 --> 00:17:55,900 In that case, i'll just go to Corinne, that's all. 380 00:17:55,900 --> 00:17:57,400 Definitely. 381 00:17:57,400 --> 00:18:00,270 You know, she won't even let you in her office unless you agree to marry her. 382 00:18:00,270 --> 00:18:03,360 Oh, she's probably forgotten all about that by now. 383 00:18:03,360 --> 00:18:05,860 Besides, what's one thing got to do with the other? 384 00:18:06,360 --> 00:18:08,360 Business is business. 385 00:18:08,370 --> 00:18:11,880 Corny, I'm so sure about that Haley bunch and that girl. 386 00:18:11,870 --> 00:18:14,870 If I could just get 'em signed to a contract and promote 'em right, 387 00:18:14,870 --> 00:18:16,750 We got a sensation on our hands. 388 00:18:16,760 --> 00:18:18,850 You want to take it from old Cornball? 389 00:18:18,840 --> 00:18:21,340 With the face and the figure on that Lisa doll, 390 00:18:21,350 --> 00:18:24,390 She's probably been promoted by experts. 391 00:18:24,380 --> 00:18:27,380 Oh, I'm not talking about that kind of... 392 00:18:27,380 --> 00:18:30,300 Hey, maybe I am. Sure. 393 00:18:30,890 --> 00:18:32,900 Sure. romance, Corny. 394 00:18:32,890 --> 00:18:35,560 That way I may be able to soften her up into making the deal. 395 00:18:35,560 --> 00:18:37,140 Hey, now wait a minute. 396 00:18:37,140 --> 00:18:39,640 These farmers up here have shotguns. 397 00:18:39,650 --> 00:18:43,160 Ugh, get off of it. She's no farmer's daughter. 398 00:18:43,150 --> 00:18:46,650 You heard her say so yourself. Her father owns the motel. 399 00:18:46,650 --> 00:18:49,150 In that case, he probably has 2 shotguns. 400 00:18:49,160 --> 00:18:50,130 Eh? 401 00:18:50,660 --> 00:18:51,670 Eh. 402 00:18:51,660 --> 00:18:52,570 Oh, boy. 403 00:18:53,080 --> 00:18:54,670 404 00:18:55,660 --> 00:18:56,660 405 00:18:57,160 --> 00:18:58,160 Ah. 406 00:18:58,170 --> 00:18:59,670 407 00:19:00,170 --> 00:19:01,170 Get a load of that air. 408 00:19:01,670 --> 00:19:02,670 Take it easy, lad. 409 00:19:03,170 --> 00:19:05,670 What do you wanna do? Frighten your lungs to death? Ha. 410 00:19:05,670 --> 00:19:06,800 411 00:19:11,310 --> 00:19:12,760 There's your shotgun bait. 412 00:19:15,650 --> 00:19:16,650 Lisa. 413 00:19:18,150 --> 00:19:19,650 Good morning. Good morning. 414 00:19:19,650 --> 00:19:21,650 You're up and around kind of early, aren't you? 415 00:19:22,160 --> 00:19:24,110 It's 9:30. Most folks have been up since 5:00. 416 00:19:24,110 --> 00:19:25,170 5:00? 417 00:19:25,160 --> 00:19:27,660 I told you. It's the air. Nobody can sleep. 418 00:19:27,660 --> 00:19:30,160 Mr. Hollis, this is my friend Holly Jenkins. Hi. 419 00:19:30,660 --> 00:19:32,160 Corny Lasalle. Hello, Mr. Lasalle. 420 00:19:32,170 --> 00:19:34,170 How do you do? How about showing me the town? 421 00:19:34,170 --> 00:19:36,180 Oh, I'm sorry. I was just on my way for a swim. 422 00:19:36,670 --> 00:19:37,670 Oh, you have a swimming pool? 423 00:19:37,670 --> 00:19:39,170 You might call it that. 424 00:19:39,170 --> 00:19:40,670 I'd be glad to show you the town. 425 00:19:40,670 --> 00:19:41,670 I'll tell you what, Holly. 426 00:19:41,680 --> 00:19:43,180 You show Corny the town, 427 00:19:43,180 --> 00:19:45,190 And Lisa will show me the swimming pool. Uh... 428 00:19:45,680 --> 00:19:47,180 I'll get my trunks, huh? 429 00:19:47,180 --> 00:19:51,180 Does your friend always do things on the spur of the moment? 430 00:19:51,190 --> 00:19:53,690 Depends on who's wearin' the spurs. 431 00:19:54,690 --> 00:19:56,190 432 00:20:05,700 --> 00:20:08,200 That didn't take long, did it? 433 00:20:08,200 --> 00:20:11,200 No, just long enough. 434 00:20:11,710 --> 00:20:13,710 I was wondering how you'd look in a bathing suit. 435 00:20:14,210 --> 00:20:15,720 I bet you were. 436 00:20:16,790 --> 00:20:19,290 I must have my imagination overhauled. 437 00:20:19,300 --> 00:20:21,810 You, uh, even look better than what I had dreamed up. 438 00:20:21,800 --> 00:20:24,300 Thanks. 439 00:20:24,300 --> 00:20:27,300 Smell the strawberries? They grow wild around here. 440 00:20:27,300 --> 00:20:28,300 You come here often? 441 00:20:28,310 --> 00:20:30,310 Often as I can. 442 00:20:30,310 --> 00:20:32,820 That must be what makes them wild. 443 00:20:32,810 --> 00:20:35,260 You don't waste much time. 444 00:20:35,260 --> 00:20:38,810 It's my imagination. It's in a hurry. 445 00:20:38,820 --> 00:20:41,830 Men's imaginations are always faster than they are. 446 00:20:41,820 --> 00:20:44,320 Oh, what do you mean by that? 447 00:20:44,320 --> 00:20:47,320 You're leading up to the point when you think you can kiss me. 448 00:20:47,320 --> 00:20:49,320 Oh, well, I don't know about that. 449 00:20:49,330 --> 00:20:50,830 It's all right. 450 00:20:53,830 --> 00:20:55,330 There, it's finished. 451 00:20:55,330 --> 00:20:58,000 Now we can talk about other things. 452 00:20:58,000 --> 00:21:00,000 Who wants to talk about other things? 453 00:21:00,000 --> 00:21:01,620 You do. 454 00:21:01,620 --> 00:21:03,620 To you, I'm just a silly, romantic girl 455 00:21:04,120 --> 00:21:06,120 Who'll want to give you 40% when you should have 10. 456 00:21:06,130 --> 00:21:08,140 No, wait. I didn't say anything-- 457 00:21:11,130 --> 00:21:14,770 Perhaps you won't mind starting your argument at 30%? 458 00:21:14,770 --> 00:21:17,770 Oh, now, young lady, if you think you're gonna... 459 00:21:19,770 --> 00:21:21,270 20%? 460 00:21:21,280 --> 00:21:23,480 You're taking advantage. 461 00:21:23,480 --> 00:21:25,490 Isn't that what you wanted to do to me? 462 00:21:25,480 --> 00:21:27,480 And you're also too suspicious. 463 00:21:31,990 --> 00:21:33,830 10%. 464 00:21:33,820 --> 00:21:36,400 Now, look, if you think I'm a silly, romantic guy 465 00:21:36,410 --> 00:21:39,920 Who's gonna take 10% when he should have 40... 466 00:21:39,910 --> 00:21:42,410 Ok, you said it. That's where I heard it. 467 00:21:42,910 --> 00:21:44,910 Do you object to the way I do business? 468 00:21:45,920 --> 00:21:47,420 I don't know yet. 469 00:21:52,640 --> 00:21:53,640 20%? 470 00:21:55,640 --> 00:21:59,260 Let's be fair about this. 25. 471 00:22:04,350 --> 00:22:06,320 Then we have a deal? 472 00:22:06,820 --> 00:22:07,820 Mr. Hollis. 473 00:22:07,820 --> 00:22:08,820 Steve. 474 00:22:08,820 --> 00:22:10,320 Steve. 475 00:22:10,320 --> 00:22:12,160 You are leveling with us? 476 00:22:12,160 --> 00:22:14,240 Honey, managing bands is my business. 477 00:22:14,240 --> 00:22:16,740 If I don't get them work, I don't eat. 478 00:22:17,750 --> 00:22:19,260 All right, it's a deal. 479 00:22:19,250 --> 00:22:21,250 I'll leave for New York the first thing in the morning. 480 00:22:21,750 --> 00:22:24,750 Now, Corny will stay here and work out some more routines with you, hmm? 481 00:22:24,760 --> 00:22:26,710 I think I'm scared. 482 00:22:26,710 --> 00:22:29,770 There's a lot of world outside of Strawberry Springs. 483 00:22:29,760 --> 00:22:31,260 Ah, don't worry, honey. 484 00:22:31,260 --> 00:22:34,680 Why, the public will dig you the most. Is that the way you say it? 485 00:22:35,270 --> 00:22:36,270 Yeah. 486 00:22:36,270 --> 00:22:38,780 Remember what Christopher Columbus once said: 487 00:22:38,770 --> 00:22:40,770 "The world is no square." 488 00:22:40,770 --> 00:22:41,770 489 00:22:41,770 --> 00:22:43,270 Oh, I'm sorry. 490 00:23:03,240 --> 00:23:04,740 Why, Mr. Hollis. 491 00:23:05,210 --> 00:23:06,240 Hi, Lynn. 492 00:23:06,250 --> 00:23:07,750 It's good to see you again. 493 00:23:07,750 --> 00:23:08,760 Nice seeing you. 494 00:23:08,750 --> 00:23:10,750 I hope Miss Talbot feels the same way. 495 00:23:10,750 --> 00:23:12,250 Well, we can find out. 496 00:23:13,250 --> 00:23:14,750 Mr. Hollis to see you. 497 00:23:14,760 --> 00:23:16,730 Send him in. 498 00:23:16,720 --> 00:23:19,260 No earthquake. Go right in. 499 00:23:19,260 --> 00:23:21,760 Said the spider to the fly. Thank you. 500 00:23:25,480 --> 00:23:27,980 Hello, Stinker. 501 00:23:27,990 --> 00:23:31,500 You didn't throw it back out, so I guess it's all right to come in. 502 00:23:32,410 --> 00:23:33,500 Hi. Hi. 503 00:23:34,490 --> 00:23:35,990 I thought you'd be sore. 504 00:23:35,990 --> 00:23:37,490 What about? 505 00:23:37,490 --> 00:23:39,490 Men refuse to marry me every day. 506 00:23:40,000 --> 00:23:42,010 Only those in the home for old men. 507 00:23:42,000 --> 00:23:44,000 And you. 508 00:23:44,000 --> 00:23:46,000 Steve, something's been bothering me. 509 00:23:46,500 --> 00:23:48,500 Why did you lead me to believe you loved me? 510 00:23:48,510 --> 00:23:50,510 Well, let's put it this way. 511 00:23:50,510 --> 00:23:54,020 Why did you lead me to believe you loved all of this more than you could any man? 512 00:23:54,010 --> 00:23:56,510 What's wrong with it? It's made me rich. 513 00:23:56,510 --> 00:23:58,510 I offered you $20,000 a year 514 00:23:58,520 --> 00:24:01,220 And a chance, if you worked out right, to become a partner. 515 00:24:01,220 --> 00:24:02,810 Is that bad? 516 00:24:02,800 --> 00:24:04,800 No, it's good. 517 00:24:04,810 --> 00:24:07,310 Except that I had my own ideas on how to become a success. 518 00:24:07,310 --> 00:24:08,820 Or failure. 519 00:24:09,310 --> 00:24:10,310 Yes. 520 00:24:10,810 --> 00:24:13,310 Except that I at least had my choice. 521 00:24:13,310 --> 00:24:15,400 You're stubborn. 522 00:24:15,400 --> 00:24:18,400 You know, talbot enterprises is the biggest agency in show business. 523 00:24:18,400 --> 00:24:21,790 I don't go around offering a deal like that to every man I meet. 524 00:24:23,160 --> 00:24:25,170 Perhaps you should. 525 00:24:25,160 --> 00:24:28,990 You're a cinch to come up with something better than old Steve. 526 00:24:29,000 --> 00:24:30,090 Then why did you come here? 527 00:24:30,580 --> 00:24:31,580 Business. 528 00:24:31,580 --> 00:24:33,210 A favor? 529 00:24:33,220 --> 00:24:36,840 No, i--i think I can make some money for you. 530 00:24:36,840 --> 00:24:39,230 I never discuss business during business hours. 531 00:24:39,510 --> 00:24:40,600 532 00:24:40,590 --> 00:24:42,560 That's logical. 533 00:24:42,560 --> 00:24:44,560 How about over dinner? I have to go to the chez suzette tonight 534 00:24:44,560 --> 00:24:47,060 To talk to Tony Martinez about his new booking. 535 00:24:47,060 --> 00:24:49,560 Oh, don't worry about it. It's on me. 536 00:24:49,570 --> 00:24:51,580 A business expense. 537 00:24:52,570 --> 00:24:54,770 Ok, you've got a deal. 538 00:24:54,770 --> 00:24:58,270 I have a new gown that shows off my vanity in the right places. 539 00:24:58,280 --> 00:24:59,950 I know what you mean. 540 00:24:59,940 --> 00:25:01,940 Don't be too stubborn, Steve. 541 00:25:01,950 --> 00:25:04,620 I'd hate to see you in the home for old men. 542 00:25:11,620 --> 00:25:14,200 ♪[cueros by Tony Martinez and His Band playing] 543 00:25:16,510 --> 00:25:19,590 ♪ 544 00:27:50,660 --> 00:27:52,660 545 00:27:52,670 --> 00:27:55,180 Well, my pet, I hope you haven't forgotten your mambo. 546 00:27:55,670 --> 00:27:57,170 No, it's a little bit like swimming. 547 00:27:57,170 --> 00:27:59,170 You throw a man in the water, he'll swim. 548 00:27:59,170 --> 00:28:00,670 He doesn't want to drown, you know? 549 00:28:01,170 --> 00:28:03,670 I'm not sure I like the comparison. 550 00:28:03,680 --> 00:28:05,190 Steve, you're trying to be a crusader 551 00:28:05,680 --> 00:28:07,930 With an unknown band such as The Comets. 552 00:28:07,930 --> 00:28:10,930 Tony Martinez is going to be the top novelty outfit in the country. 553 00:28:10,930 --> 00:28:12,930 That's why he's doing business. 554 00:28:12,940 --> 00:28:16,450 After he finishes here he goes to the West River Club with The Platters vocal group. 555 00:28:16,940 --> 00:28:17,720 It's a hot group. 556 00:28:19,310 --> 00:28:21,310 Martinez gave the public something new. 557 00:28:21,310 --> 00:28:22,810 That's why they want him. 558 00:28:22,810 --> 00:28:25,310 Now Haley's got something new, too. 559 00:28:25,320 --> 00:28:27,320 Look, Corinne, i... 560 00:28:27,320 --> 00:28:28,320 I'm not an amateur in this business, you know? 561 00:28:28,320 --> 00:28:29,830 I didn't just get off of the bus. 562 00:28:29,820 --> 00:28:31,320 I've been around a little while. 563 00:28:31,320 --> 00:28:33,570 I think I can pick a winner as well as the next guy. 564 00:28:33,570 --> 00:28:36,320 You've picked a few in your day. 565 00:28:36,330 --> 00:28:37,800 Then why don't you do this? 566 00:28:37,790 --> 00:28:39,830 Book the Haley combo into the right place. 567 00:28:40,330 --> 00:28:41,830 Give 'em a showcase. 568 00:28:41,830 --> 00:28:45,330 And give Lisa Johns and her brother a chance to demonstrate the dance. 569 00:28:45,340 --> 00:28:47,340 This Lisa's a doll, you know? 570 00:28:47,340 --> 00:28:50,010 Looks great, young, fresh, sparkles. 571 00:28:50,010 --> 00:28:51,100 She can't Miss. 572 00:28:51,590 --> 00:28:54,090 Just how old is this doll? 573 00:28:54,590 --> 00:28:57,680 Well, she's 20, 21. What's the difference? 574 00:28:57,680 --> 00:28:59,680 I'm not sure I know. 575 00:29:00,180 --> 00:29:02,570 Suppose we forget about the dance act and talk about the band. 576 00:29:03,400 --> 00:29:05,350 But they work together. 577 00:29:05,360 --> 00:29:08,410 Look, it takes a great dance team to demonstrate rock 'n' roll. 578 00:29:08,410 --> 00:29:10,920 The young folks all over the country want to see how it's done, 579 00:29:10,910 --> 00:29:12,410 So they can do it, too. 580 00:29:12,410 --> 00:29:14,030 Now, if it's demonstrated right... 581 00:29:14,030 --> 00:29:16,530 And if I don't book the band and the act? 582 00:29:18,620 --> 00:29:20,000 Then there's other agents. 583 00:29:20,790 --> 00:29:22,100 You know better. 584 00:29:24,170 --> 00:29:26,010 We'll manage. 585 00:29:27,290 --> 00:29:28,790 Shall we leave now? 586 00:29:28,800 --> 00:29:30,300 Still stubborn. 587 00:29:30,300 --> 00:29:33,310 Let me think overnight about Mr. Haley and The Comets. 588 00:29:33,300 --> 00:29:34,930 We can decide in the morning, huh? 589 00:29:40,970 --> 00:29:42,470 They're playing our song. 590 00:29:43,480 --> 00:29:45,990 I never heard it before. 591 00:29:45,980 --> 00:29:48,480 Then from now on it'll be our song. 592 00:29:48,480 --> 00:29:49,980 Come on, darling. 593 00:30:13,510 --> 00:30:14,510 Mike? 594 00:30:14,510 --> 00:30:15,520 Yeah. 595 00:30:15,510 --> 00:30:17,010 Will you come in, please? 596 00:30:17,010 --> 00:30:18,010 Mm-hmm. 597 00:30:23,520 --> 00:30:25,530 598 00:30:25,520 --> 00:30:27,520 That booking for the Mansfield School for girls up in Hartford, 599 00:30:28,020 --> 00:30:29,020 2 weeks from today. 600 00:30:29,020 --> 00:30:30,520 A graduation prom. 601 00:30:30,520 --> 00:30:32,990 Tony Martinez plays the date before he goes to the West River Club. 602 00:30:32,990 --> 00:30:36,530 We still need an inexpensive band to alternate with Martinez. 603 00:30:36,530 --> 00:30:38,530 Yeah, something high-class. 604 00:30:38,530 --> 00:30:41,500 This Mansfield School is the most exclusive in the country. 605 00:30:41,500 --> 00:30:43,530 Calls for a real sweet combo. 606 00:30:43,540 --> 00:30:46,050 You know, heavy on the violins, light on the brass. 607 00:30:46,040 --> 00:30:47,540 The booking mean much to us? 608 00:30:47,540 --> 00:30:49,040 One shot. 609 00:30:49,040 --> 00:30:51,540 Some of these one-nighters are more nuisance than they're worth. 610 00:30:51,540 --> 00:30:53,040 That's what I was thinking. 611 00:30:53,050 --> 00:30:54,550 I have the alternate band. 612 00:30:55,010 --> 00:30:56,050 Who are they? 613 00:30:56,050 --> 00:30:59,050 A new combination. They're called Haley's Comets. 614 00:30:59,050 --> 00:31:01,550 Soft music, sweet, refined. 615 00:31:01,550 --> 00:31:04,550 Just the thing for the dear little girls of mansfield. 616 00:31:04,560 --> 00:31:06,070 Ok, boss, if you say so. 617 00:31:06,060 --> 00:31:08,060 You know how they'll be received as well as I do. 618 00:31:08,060 --> 00:31:11,110 I think I know just how they'll be received. 619 00:31:13,120 --> 00:31:16,630 You know, these, uh, these lily-white hands are working too hard. 620 00:31:16,620 --> 00:31:19,120 So you'd rather put them in dishwater? 621 00:31:19,120 --> 00:31:21,620 Maybe you'd like playing housewife. 622 00:31:21,620 --> 00:31:25,120 Look, boss, we're in the right business. 623 00:31:25,130 --> 00:31:27,140 We could write beautiful music together. 624 00:31:27,630 --> 00:31:30,830 We could book ourselves into heaven 52 weeks a year. 625 00:31:30,830 --> 00:31:31,910 Hmm. 626 00:31:32,920 --> 00:31:34,420 Such nice words. 627 00:31:34,420 --> 00:31:36,840 Steve could never think of something like that to say. 628 00:31:37,920 --> 00:31:38,920 Steve Hollis? 629 00:31:38,930 --> 00:31:39,930 He's in town. 630 00:31:42,930 --> 00:31:43,930 Well, I suppose I can wait for you 631 00:31:44,430 --> 00:31:46,060 As long as you can wait for him. 632 00:31:46,070 --> 00:31:48,160 I'm changing my campaign. 633 00:31:48,150 --> 00:31:49,650 I'm going to play rough. 634 00:31:49,650 --> 00:31:51,150 You think that'll get him? 635 00:31:51,150 --> 00:31:52,650 I don't know. 636 00:31:52,660 --> 00:31:54,660 But i'll know a lot more when we go to Hartford in 2 weeks 637 00:31:54,660 --> 00:31:56,670 To hear Haley's Comets. 638 00:32:10,790 --> 00:32:11,790 639 00:32:12,790 --> 00:32:13,790 Lisa. 640 00:32:14,790 --> 00:32:15,790 Steve. 641 00:32:15,800 --> 00:32:16,800 Hi, honey. 642 00:32:16,800 --> 00:32:18,300 Oh, Steve. 643 00:32:18,300 --> 00:32:19,810 644 00:32:24,300 --> 00:32:25,800 Hey, you did that like you meant it. 645 00:32:25,810 --> 00:32:27,810 We greet all our guests here like that. 646 00:32:27,810 --> 00:32:29,820 Stevie-boy. Hi, Corn. 647 00:32:29,810 --> 00:32:30,810 Hi, Steve. Hi, Jimmy. 648 00:32:30,810 --> 00:32:32,810 Well, are we big broadway stars, or aren't we? 649 00:32:33,310 --> 00:32:36,310 Well, let's just say that, uh, you'll be close to broadway. 650 00:32:36,320 --> 00:32:37,320 How close? 651 00:32:37,320 --> 00:32:39,330 Hartford, Connecticut. Hartford? 652 00:32:39,320 --> 00:32:41,820 Yeah, it's a one-night stand. It's a high school prom. 653 00:32:41,820 --> 00:32:44,320 Tony Martinez and the band will be there. No kidding. 654 00:32:44,320 --> 00:32:46,320 Steve, I found somethin' else while you were gone. 655 00:32:46,330 --> 00:32:48,840 Another outfit. with Lisa and Jimmy, The Comets, 656 00:32:48,830 --> 00:32:50,330 And this new bunch, we have our own unit. 657 00:32:50,330 --> 00:32:52,910 What's the name of the act? Freddie Bell and the Bellboys. 658 00:32:52,920 --> 00:32:54,420 When they don't work nights over at the mill, 659 00:32:54,420 --> 00:32:56,430 They come to our saturday night dances, too. 660 00:32:56,420 --> 00:32:57,920 Are they good? Oh, yeah. 661 00:32:57,920 --> 00:32:59,920 All right. now look, this is a solid chance. 662 00:32:59,920 --> 00:33:02,640 The top booking agent in the country will be at Hartford to see you. 663 00:33:02,640 --> 00:33:05,220 The top booking agent. Corinne Talbot. 664 00:33:05,230 --> 00:33:07,240 Yeah, Corinne Talbot. 665 00:33:07,230 --> 00:33:09,730 You sold your soul to the devil. 666 00:33:09,730 --> 00:33:11,730 You sold out for a mess of porridge. 667 00:33:11,730 --> 00:33:13,230 Who's Corinne Talbot? 668 00:33:13,240 --> 00:33:17,000 I told you, porridge. Only she's no mess. 669 00:33:16,990 --> 00:33:18,440 Uh, Corny's crazy. 670 00:33:18,440 --> 00:33:20,990 Look, this is a great opportunity. 671 00:33:20,990 --> 00:33:23,990 This can be the start of everything for you kids and the band. 672 00:33:24,000 --> 00:33:26,010 Steve, we're in no hurry. 673 00:33:26,000 --> 00:33:28,500 If you don't want to do business with this talbot woman, 674 00:33:28,500 --> 00:33:31,000 We can find other ways. 675 00:33:31,000 --> 00:33:33,670 That's what I told her. No, it's all set. 676 00:33:33,670 --> 00:33:36,760 Now, we're gonna rehearse every night until we leave. 677 00:33:36,760 --> 00:33:38,760 Corny, you tell Haley and the boys. Yeah. 678 00:33:38,760 --> 00:33:40,760 Come on, Corn. you can use the phone in the office. 679 00:33:40,760 --> 00:33:42,760 Bully. 680 00:33:42,770 --> 00:33:44,270 You know, when you get there, 681 00:33:44,770 --> 00:33:47,280 Hartford will be closer to broadway than ever before. 682 00:33:49,220 --> 00:33:51,720 ♪ 683 00:33:59,780 --> 00:34:01,730 684 00:34:27,840 --> 00:34:29,430 Steve, I'm worried. 685 00:34:29,430 --> 00:34:31,430 This doesn't look like a rock 'n' roll crowd to me. 686 00:34:31,430 --> 00:34:33,430 You're right. 687 00:34:33,430 --> 00:34:35,430 Still, the talbot agency should know what they're doing. 688 00:34:35,440 --> 00:34:40,450 I wouldn't trust that Corinne as far as I could throw lulubelle. 689 00:34:40,440 --> 00:34:42,940 Maybe they just want a contrast in the music, huh? 690 00:34:42,940 --> 00:34:45,440 Man, is it going to be a contrast. 691 00:34:45,450 --> 00:34:46,450 When do we go on? 692 00:34:46,950 --> 00:34:48,960 As soon as Martinez finishes this number. 693 00:34:49,450 --> 00:34:50,580 I'll go get the boys ready. 694 00:35:07,930 --> 00:35:11,380 Senor, if we keep on playing music like this all night, 695 00:35:11,390 --> 00:35:13,950 We'll have much trouble in staying awake. 696 00:35:13,940 --> 00:35:16,440 Just remember what we've been told. 697 00:35:16,440 --> 00:35:19,940 There is to be no exciting music. 698 00:35:19,950 --> 00:35:21,950 Just music. 699 00:35:21,950 --> 00:35:24,460 Si, senor. It's a living. 700 00:35:37,660 --> 00:35:39,660 Why did you wait until tonight, when we get to Hartford 701 00:35:40,130 --> 00:35:42,630 To tell me that Haley's Comets are a jive outfit? 702 00:35:42,640 --> 00:35:45,230 Those school people will throw them out bodily. 703 00:35:45,220 --> 00:35:47,800 I own talbot enterprises, Mike. 704 00:35:47,810 --> 00:35:51,320 I think I'm entitled to tell you what I please. 705 00:35:51,310 --> 00:35:52,810 This'll make fools out of us. 706 00:35:53,310 --> 00:35:55,810 Just out of Steve Hollis. 707 00:35:55,820 --> 00:35:59,330 You weren't kidding. You are playing rough. 708 00:35:59,320 --> 00:36:04,320 I want Steve broken, in pocketbook and in spirit. 709 00:36:04,320 --> 00:36:07,320 You think you'll want a man who has to crawl to you on his knees? 710 00:36:07,330 --> 00:36:09,840 I'll decide that when the time comes. 711 00:36:09,830 --> 00:36:11,830 I want that band to fail, and I want that girl 712 00:36:11,830 --> 00:36:14,330 To go back to wherever she came from. 713 00:36:14,830 --> 00:36:16,330 A girl you've never even seen. 714 00:36:16,340 --> 00:36:18,340 I heard Steve talk about her. 715 00:36:18,340 --> 00:36:21,350 It wasn't what he said. It was the way he said it. 716 00:36:23,760 --> 00:36:27,840 I wonder if you'd, uh, go to all of that trouble for me? 717 00:36:28,350 --> 00:36:30,770 You mean, you'd still want me after what I just said? 718 00:36:31,180 --> 00:36:32,770 Some people love murderers. 719 00:36:35,270 --> 00:36:36,770 There's the hotel. 720 00:37:01,960 --> 00:37:04,960 Well, that's it. The Comets go on next. 721 00:37:04,970 --> 00:37:05,980 Steve, I'm scared stiff. 722 00:37:06,470 --> 00:37:07,470 Ah, relax, honey. 723 00:37:07,470 --> 00:37:09,970 Just imagine you're still in Strawberry Springs, hmm? 724 00:37:09,970 --> 00:37:13,970 725 00:37:20,430 --> 00:37:21,430 the Bellboys set to go on? 726 00:37:21,430 --> 00:37:22,930 Soon as we call 'em. 727 00:37:23,440 --> 00:37:26,280 Ok, The Comets will warm 'em up first, huh? 728 00:37:26,270 --> 00:37:28,270 Well, everything looks normal. 729 00:37:28,270 --> 00:37:32,270 Our friend Mr. Haley is just about to cross over the bridge. 730 00:37:32,280 --> 00:37:33,790 ♪ On your mark ♪ ♪ On your mark ♪ 731 00:37:33,780 --> 00:37:35,110 ♪ Get set ♪ ♪ Get set ♪ 732 00:37:35,110 --> 00:37:36,450 ♪ Now ready ♪ ♪ Ready ♪ 733 00:37:36,950 --> 00:37:37,950 ♪ Go ♪ 734 00:37:37,950 --> 00:37:39,950 ♪ Everybody, razzle dazzle ♪ 735 00:37:40,450 --> 00:37:42,920 ♪ Everybody, razzle dazzle ♪ 736 00:37:42,920 --> 00:37:45,370 ♪ Everybody, razzle dazzle ♪ 737 00:37:45,370 --> 00:37:47,840 ♪ If it's all night long ♪ 738 00:37:47,840 --> 00:37:50,210 ♪ Now here's a dance ♪ ♪ Wack-a doo, wack-a-doo ♪ 739 00:37:50,210 --> 00:37:51,290 Infamous. 740 00:37:51,300 --> 00:37:53,270 Barbaric. 741 00:37:53,270 --> 00:37:55,860 ♪ It's the hipster's dance ♪ ♪ Wack-a doo, wack-a-doo ♪ 742 00:37:55,850 --> 00:37:57,350 We're dead. They're not dancing. 743 00:37:57,350 --> 00:37:59,350 Everybody's afraid to break the ice. 744 00:37:59,860 --> 00:38:01,360 Come on. 745 00:38:01,360 --> 00:38:02,870 But, Lisa, they'll crucify you. 746 00:38:02,860 --> 00:38:04,360 ♪ Wack-a doo, wack-a-doo ♪ 747 00:38:04,360 --> 00:38:07,280 ♪ You just take your baby ♪ 748 00:38:07,280 --> 00:38:10,280 ♪ Don't you leave that spot ♪ 749 00:38:10,280 --> 00:38:12,780 ♪ Then you dance like crazy ♪ 750 00:38:12,790 --> 00:38:15,800 ♪ Give it all you've got ♪ 751 00:38:15,790 --> 00:38:18,290 ♪ That's the razzle dazzle ♪ 752 00:38:18,790 --> 00:38:21,290 ♪ If you're ready or not ♪ 753 00:38:21,790 --> 00:38:23,290 ♪ On your mark ♪ ♪ On your mark ♪ 754 00:38:23,300 --> 00:38:24,300 ♪ Get set ♪ ♪ Get set ♪ 755 00:38:24,800 --> 00:38:26,310 ♪ Now ready ♪ ♪ Ready ♪ 756 00:38:26,300 --> 00:38:27,710 ♪ Go ♪ 757 00:38:27,720 --> 00:38:29,730 ♪ Everybody, razzle dazzle ♪ 758 00:38:30,220 --> 00:38:32,220 ♪ Everybody, razzle dazzle ♪ 759 00:38:32,720 --> 00:38:35,220 ♪ Everybody, razzle dazzle ♪ 760 00:38:35,220 --> 00:38:37,220 ♪ If it's all night long ♪ 761 00:38:37,230 --> 00:38:39,320 [audience clapping to the beat] 762 00:39:11,430 --> 00:39:14,940 ♪ Let's get together ♪ ♪ Get together ♪ 763 00:39:14,930 --> 00:39:17,430 ♪ 1, 2 and 3 ♪ ♪ 1, 2 and 3 ♪ 764 00:39:17,430 --> 00:39:20,430 ♪ Jumpin' to the center ♪ ♪ To the center ♪ 765 00:39:20,940 --> 00:39:22,950 ♪ Just you and me ♪ ♪ Just you and me ♪ 766 00:39:22,940 --> 00:39:25,940 ♪ Put your best foot forward ♪ ♪ Wack-a doo, wack-a-doo ♪ 767 00:39:26,230 --> 00:39:28,570 ♪ Baby can't you see ♪ ♪ Baby can't you see ♪ 768 00:39:28,560 --> 00:39:32,060 ♪ When you hear them holler ♪ 769 00:39:32,060 --> 00:39:34,060 ♪ And you ain't nowhere ♪ 770 00:39:34,570 --> 00:39:37,080 ♪ Honey, you just foller ♪ 771 00:39:37,070 --> 00:39:40,070 ♪ 'cause we're sure not square ♪ 772 00:39:40,070 --> 00:39:42,570 ♪ That's the razzle dazzle ♪ 773 00:39:42,580 --> 00:39:45,550 ♪ Well, it's everywhere ♪ 774 00:39:45,540 --> 00:39:48,130 Stop them. stop them. 775 00:39:48,130 --> 00:39:49,880 Mr. gilfillan, do something. 776 00:39:49,880 --> 00:39:51,960 Just a minute, Miss dunlop. 777 00:39:51,970 --> 00:39:54,480 My father's going to donate a new library to this school. 778 00:39:54,470 --> 00:39:56,970 You stop the dance, i'll stop the library. 779 00:39:56,970 --> 00:39:57,970 Oh! 780 00:39:57,970 --> 00:39:59,220 ♪ Everybody, razzle dazzle ♪ 781 00:39:59,230 --> 00:40:02,320 ♪ If it's all night long ♪ 782 00:40:02,310 --> 00:40:04,310 Shall we dance, Miss Mullen? 783 00:40:04,310 --> 00:40:05,310 Oh! 784 00:40:05,310 --> 00:40:08,310 ♪ Everybody, razzle dazzle ♪ 785 00:40:08,320 --> 00:40:10,830 ♪ Everybody, razzle dazzle ♪ 786 00:40:10,820 --> 00:40:13,070 ♪ If it's all night long ♪ 787 00:40:13,070 --> 00:40:15,650 So The Comets are going to be thrown out bodily, huh? 788 00:40:15,660 --> 00:40:17,170 ♪ That's the razzle dazzle ♪ 789 00:40:17,660 --> 00:40:19,660 Pardon the expression, boss, but you goofed. 790 00:40:20,110 --> 00:40:22,030 ♪ Razzle dazzle song ♪ 791 00:40:31,670 --> 00:40:32,620 Hi, Mike. 792 00:40:32,630 --> 00:40:33,680 Steve. 793 00:40:35,680 --> 00:40:37,690 Thanks for the big break, Corinne. 794 00:40:37,680 --> 00:40:39,680 Regardless of what's happening here tonight, 795 00:40:39,680 --> 00:40:42,680 The--the big hotels and clubs will never buy The Comets. 796 00:40:42,690 --> 00:40:45,690 Maybe if it was part of a revue with real talent. 797 00:40:46,690 --> 00:40:47,690 Are you kidding? 798 00:40:48,190 --> 00:40:50,690 You see what Lisa and her brother are doing out there. 799 00:40:50,690 --> 00:40:52,690 Besides, we have a revue. 800 00:40:53,200 --> 00:40:54,200 I'll get the Bellboys. 801 00:40:57,320 --> 00:40:59,910 802 00:41:01,400 --> 00:41:03,490 You kids were wonderful. 803 00:41:03,490 --> 00:41:05,960 Thanks, Steve. It was awful lonely on that floor for a while. 804 00:41:06,880 --> 00:41:08,380 Excellent. 805 00:41:08,380 --> 00:41:10,390 You succeeded in making a bunch of whirling dervishes 806 00:41:10,380 --> 00:41:12,490 Out of girls who were brought up to be ladies. 807 00:41:12,500 --> 00:41:13,890 Now wait a minute. 808 00:41:14,080 --> 00:41:15,660 You were fine. 809 00:41:15,670 --> 00:41:17,760 Miss Talbot didn't expect that sort of reaction. 810 00:41:17,750 --> 00:41:19,970 Would you mind telling me what she did expect? 811 00:41:19,970 --> 00:41:22,050 I'm sorry we pleased the audience, Miss Talbot. 812 00:41:22,060 --> 00:41:24,070 I thought that's what we were supposed to do. 813 00:41:24,060 --> 00:41:27,680 Hey, Lisa. uh, th-there's the Bellboys. 814 00:41:27,680 --> 00:41:29,180 Oh, let's watch. 815 00:41:29,180 --> 00:41:32,180 816 00:41:32,180 --> 00:41:35,100 ♪[I'm gonna teach you to rock by Freddie Bell and the Bellboys playing] 817 00:41:35,100 --> 00:41:36,100 ♪ Hello, everybody ♪ 818 00:41:36,610 --> 00:41:39,110 ♪ I mean, everybody ♪ 819 00:41:39,110 --> 00:41:41,120 ♪ We're gonna teach you to rock ♪ 820 00:41:41,110 --> 00:41:43,410 ♪ Yeah, we're gonna teach you to rock ♪ 821 00:41:43,410 --> 00:41:45,410 ♪ Yeah, we're gonna teach you to rock ♪ 822 00:41:45,410 --> 00:41:47,780 ♪ Yeah, so come on and rock with us ♪ 823 00:41:47,780 --> 00:41:49,370 ♪ We're gonna teach you to rock ♪ 824 00:41:49,370 --> 00:41:51,370 ♪ Yeah, we're gonna teach you to rock ♪ 825 00:41:51,370 --> 00:41:53,370 ♪ Yeah, we're gonna teach you to rock ♪ 826 00:41:53,370 --> 00:41:55,870 ♪ Yeah, so come on and rock with us ♪ 827 00:41:55,880 --> 00:41:57,970 ♪ If you can't swing, get out of the way ♪ 828 00:41:57,960 --> 00:41:59,460 ♪ Well, we don't want no squares ♪ 829 00:41:59,960 --> 00:42:01,960 ♪ Once you learn and you get in the groove ♪ 830 00:42:01,960 --> 00:42:04,260 ♪ You'll jump around and you won't have no cares ♪ 831 00:42:04,270 --> 00:42:06,060 ♪ We're gonna teach you to rock ♪ 832 00:42:06,050 --> 00:42:07,520 ♪ Yeah, we're gonna teach you to rock ♪ 833 00:42:07,520 --> 00:42:09,550 ♪ Yeah, we're gonna teach you to rock ♪ 834 00:42:10,060 --> 00:42:11,860 ♪ Yeah, so come on and rock with us ♪ 835 00:42:11,860 --> 00:42:14,200 ♪ I said 1, 2, 3, 4 ♪ 836 00:42:14,190 --> 00:42:16,190 ♪ 5, 6, 7, 8, 9, 10 ♪ 837 00:42:16,200 --> 00:42:18,200 ♪ Rock, rock, rock, rock ♪ 838 00:42:18,200 --> 00:42:20,710 ♪ We're gonna teach you to rock ♪ 839 00:42:51,760 --> 00:42:53,760 ♪ Well, we're gonna teach you to rock ♪ 840 00:42:53,770 --> 00:42:55,770 ♪ We're gonna teach you to rock ♪ 841 00:42:55,770 --> 00:42:58,280 ♪ We're gonna teach you to rock ♪ 842 00:42:59,770 --> 00:43:01,770 ♪ We're gonna teach you to rock ♪ 843 00:43:01,770 --> 00:43:03,770 ♪ We're gonna teach you to rock ♪ 844 00:43:03,780 --> 00:43:07,200 ♪ We're gonna teach you to rock ♪ 845 00:43:07,200 --> 00:43:09,670 ♪ I'm not Arthur Murray teach you in a hurry ♪ 846 00:43:09,670 --> 00:43:11,670 ♪ Teach you mighty slow ♪ 847 00:43:11,670 --> 00:43:13,680 ♪ Once you learn and you get in the groove ♪ 848 00:43:13,670 --> 00:43:15,670 ♪ You'll jump around and you'll stop the moon ♪ 849 00:43:16,120 --> 00:43:17,870 ♪ We're gonna teach you to rock ♪ 850 00:43:17,870 --> 00:43:19,870 ♪ We're gonna teach you to rock ♪ 851 00:43:19,880 --> 00:43:21,380 ♪ We're gonna teach you to rock ♪ 852 00:43:23,380 --> 00:43:25,960 ♪ I said 1, 2, 3, 4 ♪ 853 00:43:25,970 --> 00:43:27,970 ♪ 5, 6, 7, 8, 9, 10 ♪ 854 00:43:27,970 --> 00:43:32,480 ♪ Come on and rock with us ♪ 855 00:43:39,530 --> 00:43:41,390 Well, you heard the Bellboys, Miss Talbot. 856 00:43:41,400 --> 00:43:42,910 What do you have to say now? 857 00:43:42,900 --> 00:43:44,900 There it is, Corinne. That's our whole unit. 858 00:43:44,900 --> 00:43:46,900 The band, the kids, and the Bellboys. 859 00:43:46,900 --> 00:43:48,900 You can book all 3 acts together. 860 00:43:48,900 --> 00:43:51,400 Sorry, Steve. I don't think the agency can sell your people. 861 00:43:51,910 --> 00:43:53,420 These sort of acts aren't in our line. 862 00:43:54,910 --> 00:43:56,410 See you back in town. 863 00:43:57,910 --> 00:43:58,910 Good night, Miss Johns. 864 00:44:00,420 --> 00:44:02,420 I think she's dead wrong about all of you. 865 00:44:02,420 --> 00:44:03,930 I hope you make it on your own. 866 00:44:03,920 --> 00:44:04,920 Good luck, Steve. 867 00:44:05,420 --> 00:44:07,920 Thank you, Mike. 868 00:44:07,920 --> 00:44:11,010 If the Bill Haleys and the Bellhops can make like they make, 869 00:44:11,010 --> 00:44:13,010 Why can't we make like we make? 870 00:44:13,010 --> 00:44:17,010 Because the professors have taken the "cha" out of our cha chas. 871 00:44:17,020 --> 00:44:20,530 So we sneak back a couple of little cha chas, maybe? 872 00:44:21,520 --> 00:44:23,020 We sneak. 873 00:44:23,020 --> 00:44:24,520 874 00:44:26,530 --> 00:44:29,540 ♪[Mambo Capri by Tony Martinez and His Band playing] 875 00:44:31,250 --> 00:44:33,840 ♪ 876 00:44:41,340 --> 00:44:42,920 Steve, maybe it's my fault. 877 00:44:42,930 --> 00:44:44,930 I shouldn't have talked to her the way I did. 878 00:44:44,930 --> 00:44:46,440 Ah, no. Get one thing straight, honey. 879 00:44:46,430 --> 00:44:48,430 It's--it's really my fault. 880 00:44:48,430 --> 00:44:51,430 She's out after me, and all of you are gonna suffer for it. 881 00:44:51,430 --> 00:44:52,430 We're not licked yet. 882 00:44:52,940 --> 00:44:55,940 Maybe, maybe not. 883 00:44:55,940 --> 00:44:57,450 I just think you'd be better off 884 00:44:57,440 --> 00:44:58,440 Without me around, that's all. 885 00:44:58,940 --> 00:44:59,940 Steve, that's not fair. 886 00:45:00,440 --> 00:45:02,440 You got us this far, you can't pull out now. 887 00:45:02,440 --> 00:45:04,390 Sure, we made cats out of these squares tonight 888 00:45:04,400 --> 00:45:06,460 And you're the one that proved we could do it. 889 00:45:06,450 --> 00:45:10,450 You gonna admit that a dame like Corinne beat you? 890 00:45:10,450 --> 00:45:13,950 Well, look, I'm perfectly willing to keep trying if you want it that way. 891 00:45:13,960 --> 00:45:15,460 Crazy, man. 892 00:45:15,460 --> 00:45:17,470 He's stayin'. Give me some skin. 893 00:45:17,460 --> 00:45:18,960 Yeah. 894 00:45:18,960 --> 00:45:20,960 Yeah, but make no mistake about it now. 895 00:45:20,960 --> 00:45:22,960 There's gonna be a lot of tough sleddin' ahead. 896 00:45:23,470 --> 00:45:25,970 We're headin' for New York right after this shindig's over, ok? 897 00:45:26,890 --> 00:45:29,480 ♪ 898 00:45:29,970 --> 00:45:32,470 ♪ Rocking and rolling the cha cha cha ♪ 899 00:45:32,470 --> 00:45:35,760 ♪ Rocking and rolling, rocking and rolling the cha cha cha ♪ 900 00:45:48,860 --> 00:45:51,870 901 00:45:54,860 --> 00:45:57,360 I know that precious conscience of yours, Mike, 902 00:45:57,370 --> 00:45:59,840 So I'm not going to ask you to take care of this. 903 00:46:01,870 --> 00:46:04,840 Must be pretty bad if you don't entrust it to my conscience. 904 00:46:04,840 --> 00:46:05,870 905 00:46:05,870 --> 00:46:07,370 I shudder at myself sometimes 906 00:46:07,380 --> 00:46:09,890 When I think of the things I do. 907 00:46:09,880 --> 00:46:11,840 It's so nice to have power. 908 00:46:11,850 --> 00:46:13,890 Ok, ok. I'll be your straight man. 909 00:46:13,880 --> 00:46:15,380 What are you cookin' up this time? 910 00:46:15,380 --> 00:46:18,380 The agency has a lot of friends, Mike. 911 00:46:18,390 --> 00:46:21,400 And you're going to use them to keep The Comets from working. 912 00:46:21,390 --> 00:46:23,440 You're going to blackball Steve. 913 00:46:23,440 --> 00:46:27,030 In impolite circles it's known as "lowering the boom." 914 00:46:28,030 --> 00:46:30,030 Corinne, Confucius say: 915 00:46:30,030 --> 00:46:35,030 "Woman who want man thinks of 1,000 ways to make him love her 916 00:46:35,040 --> 00:46:37,050 And no ways to make him hate her." 917 00:46:37,040 --> 00:46:39,540 That's because Confucius was a man. 918 00:46:39,540 --> 00:46:43,040 When Steve hates me enough, he'll know that he can't live without me. 919 00:46:44,050 --> 00:46:45,300 920 00:46:46,080 --> 00:46:50,130 ♪ 921 00:46:50,140 --> 00:46:52,180 Well, so what's the score? 922 00:46:52,670 --> 00:46:54,670 We've been in New York about 2 weeks. 923 00:46:54,670 --> 00:46:56,670 We've had about 2 dozen turndowns 924 00:46:56,680 --> 00:46:58,680 And we got about 2 dozen bucks left to our name. 925 00:46:59,180 --> 00:47:01,190 You put 2 and 2 together, and what do you get? 926 00:47:01,680 --> 00:47:04,180 Too, too depressing. 927 00:47:04,180 --> 00:47:08,180 If I were old enough to believe in fate, i'd say it was against us. 928 00:47:08,690 --> 00:47:11,700 How do you like that? Even the radio's singin' the blues. 929 00:47:11,690 --> 00:47:13,160 They make a fortune singin' about trouble. 930 00:47:13,690 --> 00:47:15,190 We spend a fortune getting into it. 931 00:47:15,190 --> 00:47:18,190 In short, we spent our roll on rock 'n' roll. 932 00:47:18,200 --> 00:47:19,710 This is yours truly, Alan Freed, 933 00:47:19,700 --> 00:47:21,700 The old king of the rock 'n' rollers, 934 00:47:21,700 --> 00:47:23,780 Speaking to you directly from the West River Club. 935 00:47:23,790 --> 00:47:25,290 Alan Freed. Where we're broadcasting 936 00:47:25,290 --> 00:47:28,300 Our rock 'n' roll party. Steve, doesn't that ring a bell with you? 937 00:47:28,290 --> 00:47:30,790 And appearing here in person... If it does, I didn't hear it. 938 00:47:30,790 --> 00:47:32,710 I've been counted out, pal. No, no kidding, Steve. 939 00:47:33,300 --> 00:47:35,800 Alan Freed is emceeing the show at the West River Club. 940 00:47:35,800 --> 00:47:38,360 Remember when he was running the Alamo Theater down in texas? 941 00:47:38,350 --> 00:47:39,930 The Alamo Theater, yeah. 942 00:47:39,940 --> 00:47:42,440 Well, you loaned him $1,000 to put on a show. 943 00:47:43,940 --> 00:47:46,440 Corny, you don't think often, but when you do, 944 00:47:46,440 --> 00:47:48,520 You make up for lost time. 945 00:47:48,530 --> 00:47:51,620 Honey, run over to your place and put on something pretty, we're goin' steppin'. 946 00:47:51,610 --> 00:47:53,110 The West River Club? Yeah. 947 00:47:53,120 --> 00:47:55,620 There's just one thing I've got to say to Mr. Alan Freed. 948 00:47:55,620 --> 00:47:56,630 What's that? 949 00:47:56,620 --> 00:47:58,120 Remember Alamo. 950 00:47:58,120 --> 00:47:59,120 951 00:48:01,620 --> 00:48:02,620 Forget it. 952 00:48:03,630 --> 00:48:05,080 953 00:48:05,080 --> 00:48:06,590 Good evening, ladies and gentlemen, 954 00:48:06,580 --> 00:48:09,080 And welcome to the West River Club. 955 00:48:09,080 --> 00:48:11,630 We're very happy to have you with us tonight and we're really gonna rock 'n' roll. 956 00:48:11,630 --> 00:48:13,130 This is yours truly, Alan Freed, 957 00:48:13,140 --> 00:48:15,140 The old king of the rock 'n' rollers. 958 00:48:15,140 --> 00:48:19,150 And you're gonna meet 2 of the most exciting combinations you've ever met in your life. 959 00:48:19,140 --> 00:48:21,140 And here they are. The Ernie Freeman combo 960 00:48:21,140 --> 00:48:24,010 With the sensational recording group, The Platters. 961 00:48:24,010 --> 00:48:26,430 962 00:48:30,440 --> 00:48:33,410 ♪[Only You by The Platters playing] 963 00:48:34,440 --> 00:48:39,940 ♪ Only you ♪ 964 00:48:39,950 --> 00:48:41,450 ♪ Can make ♪ 965 00:48:41,950 --> 00:48:45,960 ♪ This world seem right ♪ 966 00:48:46,950 --> 00:48:51,950 ♪ Only you ♪ 967 00:48:51,960 --> 00:48:53,970 ♪ Can make ♪ 968 00:48:53,960 --> 00:48:57,460 ♪ The darkness bright ♪ 969 00:48:58,710 --> 00:49:01,800 ♪ Only you ♪ 970 00:49:01,800 --> 00:49:05,300 ♪ And you alone ♪ 971 00:49:05,300 --> 00:49:08,300 ♪ Can thrill me ♪ 972 00:49:08,310 --> 00:49:11,820 ♪ Like you do ♪ 973 00:49:11,810 --> 00:49:16,810 ♪ And fill my heart with love ♪ 974 00:49:16,820 --> 00:49:19,320 ♪ For only you ♪ 975 00:49:19,320 --> 00:49:22,290 ♪ Wa, wa, wa, wa ♪ 976 00:49:22,290 --> 00:49:26,880 ♪ Only you ♪ 977 00:49:28,380 --> 00:49:29,890 ♪ Can make ♪ 978 00:49:29,880 --> 00:49:33,380 ♪ This change in me ♪ 979 00:49:35,050 --> 00:49:40,050 ♪ For it's true ♪ 980 00:49:40,060 --> 00:49:45,070 ♪ You are my destiny ♪ 981 00:49:47,060 --> 00:49:50,560 ♪ When you hold my hand ♪ 982 00:49:51,070 --> 00:49:54,080 ♪ I understand ♪ 983 00:49:54,070 --> 00:49:59,020 ♪ The magic that you do ♪ 984 00:49:59,020 --> 00:50:02,990 ♪ You're my dream come true ♪ 985 00:50:03,000 --> 00:50:07,010 ♪ My one and only you ♪ 986 00:50:10,340 --> 00:50:14,930 ♪ Only you ♪ 987 00:50:15,920 --> 00:50:18,420 ♪ Can make ♪ 988 00:50:18,430 --> 00:50:21,440 ♪ This change in me ♪ 989 00:50:22,930 --> 00:50:26,930 ♪ For it's true ♪ 990 00:50:28,440 --> 00:50:32,950 ♪ You are my destiny ♪ 991 00:50:35,140 --> 00:50:39,140 ♪ When you hold my hand ♪ 992 00:50:39,150 --> 00:50:42,160 ♪ I understand ♪ 993 00:50:42,150 --> 00:50:46,950 ♪ The magic that you do ♪ 994 00:50:46,960 --> 00:50:51,050 ♪ You're my dream come true ♪ 995 00:50:51,040 --> 00:50:53,040 ♪ My one ♪ 996 00:50:53,050 --> 00:50:57,560 ♪ And only you ♪ 997 00:50:58,050 --> 00:51:02,550 ♪ One and only you ♪ 998 00:51:12,400 --> 00:51:14,410 So that's--that's about it, Alan. 999 00:51:14,900 --> 00:51:16,400 I don't know whether Corinne Talbot 1000 00:51:16,400 --> 00:51:17,850 Really blackballed our group or not. 1001 00:51:17,850 --> 00:51:19,900 I--i just don't know. 1002 00:51:19,910 --> 00:51:23,870 I do know that if you'll give our unit a chance here, you'll never regret it. 1003 00:51:23,860 --> 00:51:27,410 Well, Steve, you don't have to sell me on rock 'n' roll. 1004 00:51:27,410 --> 00:51:28,860 I'll tell you what we'll do. 1005 00:51:28,860 --> 00:51:30,410 Uh, Ernie Freeman and The Platters 1006 00:51:30,420 --> 00:51:32,370 Leave for Miami the end of this week. 1007 00:51:32,870 --> 00:51:34,430 There's another outfit coming in, 1008 00:51:34,420 --> 00:51:36,420 But I think we can push 'em back. 1009 00:51:37,420 --> 00:51:39,420 And I think we can get your guys in here, 1010 00:51:39,420 --> 00:51:41,420 And I know they're gonna do a great job. 1011 00:51:41,930 --> 00:51:45,940 You just remember one thing, that Alan Freed did remember the Alamo. 1012 00:51:46,430 --> 00:51:47,930 All right? It's a deal. 1013 00:51:47,930 --> 00:51:51,050 ♪ 1, 2, 3 o'clock, 4 o'clock, rock ♪ 1014 00:51:51,050 --> 00:51:53,550 ♪ 5, 6, 7 o'clock, 8 o'clock, rock ♪ 1015 00:51:53,560 --> 00:51:56,060 ♪ 9, 10, 11 o'clock, 12 o'clock, rock ♪ 1016 00:51:56,060 --> 00:51:58,400 ♪ We're gonna rock around the clock tonight ♪ 1017 00:51:58,690 --> 00:52:01,280 ♪ Put your glad rags on and join me, hon ♪ 1018 00:52:01,280 --> 00:52:04,030 ♪ We'll have some fun when the clock strikes one ♪ 1019 00:52:04,030 --> 00:52:06,530 ♪ We're gonna rock around the clock tonight ♪ 1020 00:52:06,540 --> 00:52:09,040 ♪ We're gonna rock, rock, rock, 'til broad daylight ♪ 1021 00:52:09,040 --> 00:52:13,050 ♪ We're gonna rock, gonna rock, around the clock tonight ♪ 1022 00:52:15,960 --> 00:52:18,040 1023 00:52:18,050 --> 00:52:19,550 More telegrams. 1024 00:52:19,550 --> 00:52:21,560 Boss, you can't go on ignoring this rock 'n' roll stuff anymore. 1025 00:52:21,550 --> 00:52:24,720 Every hotel and club in the country is wiring for information. 1026 00:52:24,720 --> 00:52:26,300 The only information you can give them 1027 00:52:26,300 --> 00:52:28,550 Is that we don't handle that kind of music. 1028 00:52:28,560 --> 00:52:30,150 Corinne, for Pete's sake. 1029 00:52:30,140 --> 00:52:32,140 How far are you gonna carry this feud with Steve? 1030 00:52:32,140 --> 00:52:35,640 An agency has to keep up with the times, or fall on its face. 1031 00:52:36,650 --> 00:52:38,100 Corinne, listen to me. 1032 00:52:38,100 --> 00:52:40,150 Steve's in love with Lisa Johns. 1033 00:52:40,150 --> 00:52:41,900 He's not even looking at other women. 1034 00:52:41,900 --> 00:52:44,070 So you think it's all decided. 1035 00:52:44,660 --> 00:52:46,160 Lisa wants a ring on her finger. 1036 00:52:46,160 --> 00:52:48,670 You want to put a ring through Steve's nose. 1037 00:52:48,660 --> 00:52:51,080 Which do you think he'd rather have? 1038 00:52:51,080 --> 00:52:55,080 The thing to do, dear Mike, is to see that Mr. Hollis doesn't have a choice. 1039 00:52:55,580 --> 00:52:58,030 Call Steve and ask him to come over this afternoon. 1040 00:52:58,040 --> 00:52:59,630 Tell him it's very important. 1041 00:52:59,620 --> 00:53:01,120 Still playing rough? 1042 00:53:01,620 --> 00:53:04,620 Dear, dear Mike, just leave those telegrams on your way out. 1043 00:53:12,130 --> 00:53:14,220 Boys, i'll tell you what. Let's try this. 1044 00:53:14,220 --> 00:53:15,220 1045 00:53:15,720 --> 00:53:17,720 ♪ 1046 00:53:18,220 --> 00:53:19,220 Ok? Ok. 1047 00:53:19,220 --> 00:53:20,720 All right. Let's try it. 1048 00:53:27,730 --> 00:53:29,730 All right, I think we've got it now. Let's do it, huh? 1049 00:53:31,570 --> 00:53:33,070 ♪[rock by Bill Haley and His Comets playing] 1050 00:53:33,070 --> 00:53:34,570 ♪ R ♪ 1051 00:53:34,570 --> 00:53:35,570 ♪ O ♪ 1052 00:53:37,080 --> 00:53:38,080 ♪ C ♪ 1053 00:53:39,910 --> 00:53:40,990 ♪ K ♪ 1054 00:53:43,000 --> 00:53:46,140 ♪ R-o-c-k rock ♪ 1055 00:53:47,640 --> 00:53:50,650 ♪ Take an "r" from an 8 To the bar 88 ♪ 1056 00:53:51,140 --> 00:53:53,640 ♪ "o" from the tone of the sax syncopated ♪ 1057 00:53:53,640 --> 00:53:56,140 ♪ "c" from the key of a 6-string guitar ♪ 1058 00:53:56,140 --> 00:53:58,640 ♪ "k" from the kick of a rim shot meter ♪ 1059 00:53:59,150 --> 00:54:01,660 ♪ That's how they made it that's how they played it ♪ 1060 00:54:01,650 --> 00:54:04,320 ♪ R-o-c-k rock ♪ 1061 00:54:04,320 --> 00:54:06,900 ♪ I know my a's and my b's, and my c'sies ♪ 1062 00:54:06,910 --> 00:54:09,410 ♪ P's and my q's and my x, y, z'sies ♪ 1063 00:54:09,910 --> 00:54:12,420 ♪ Know how to lose all the blue, blue, bluesies ♪ 1064 00:54:12,410 --> 00:54:14,910 ♪ Jump in a pair of my dancin' shoesies ♪ 1065 00:54:14,910 --> 00:54:17,910 ♪ Date with my baby, rock with my baby ♪ 1066 00:54:17,920 --> 00:54:20,430 ♪ R-o-c-k rock ♪ 1067 00:54:20,420 --> 00:54:22,920 ♪ Oh, Strauss discovered waltzes ♪ 1068 00:54:23,420 --> 00:54:25,920 ♪ The handy man found the blues ♪ 1069 00:54:25,920 --> 00:54:28,710 ♪ Then Haley came along with a rockin' song ♪ 1070 00:54:28,710 --> 00:54:31,380 ♪ Crazy, man, crazy crazy news ♪ 1071 00:54:31,380 --> 00:54:34,300 ♪ "r" you would hop, hear the band, it's a movin' ♪ 1072 00:54:34,300 --> 00:54:36,800 ♪ "o" more than that, it's a go, go, groovin' ♪ 1073 00:54:36,800 --> 00:54:39,300 ♪ "c" what I mean, it's a honky-tonk action ♪ 1074 00:54:39,800 --> 00:54:42,300 ♪ "k" like a kiss, it's a cool attraction ♪ 1075 00:54:42,310 --> 00:54:44,820 ♪ Who will getcha I'm gonna betcha ♪ 1076 00:54:45,140 --> 00:54:47,440 ♪ R-o-c-k rock ♪ 1077 00:55:04,250 --> 00:55:05,340 ♪ R ♪ 1078 00:55:07,080 --> 00:55:08,080 ♪ O ♪ 1079 00:55:09,420 --> 00:55:10,510 ♪ C ♪ 1080 00:55:12,390 --> 00:55:13,480 ♪ K ♪ 1081 00:55:14,810 --> 00:55:18,400 ♪ R-o-c-k rock ♪ 1082 00:55:20,400 --> 00:55:22,900 ♪ Oh, Strauss discovered waltzes ♪ 1083 00:55:22,900 --> 00:55:25,410 ♪ The handy man found the blues ♪ 1084 00:55:25,900 --> 00:55:28,400 ♪ Then Haley came along with a rockin' song ♪ 1085 00:55:28,400 --> 00:55:30,900 ♪ Crazy, man, crazy crazy news ♪ 1086 00:55:30,910 --> 00:55:33,920 ♪ "r," you would hop, hear the band, it's a movin' ♪ 1087 00:55:33,910 --> 00:55:36,410 ♪ "o" more than that, it's a go, go, groovin' ♪ 1088 00:55:36,410 --> 00:55:39,410 ♪ "c" what I mean, it's a honky-tonk action ♪ 1089 00:55:39,410 --> 00:55:41,910 ♪ "k" like a kiss, it's a cool attraction ♪ 1090 00:55:41,920 --> 00:55:44,430 ♪ Who will getcha I'm gonna betcha ♪ 1091 00:55:44,420 --> 00:55:49,420 ♪ R-o-c-k rock ♪ 1092 00:55:49,420 --> 00:55:51,920 Okay, fellows, that's it. Take 5, huh? 1093 00:55:57,380 --> 00:55:59,380 Hey, Steve, phone call for you. 1094 00:55:59,380 --> 00:56:00,880 Oh, thank you. You're welcome. 1095 00:56:01,390 --> 00:56:03,390 Hello. 1096 00:56:03,390 --> 00:56:06,900 Oh, Mike? hiya, Mike. It's Mike Dodd. 1097 00:56:06,890 --> 00:56:07,890 1098 00:56:07,890 --> 00:56:10,390 Yeah, boy, how are you? 1099 00:56:10,400 --> 00:56:11,900 Oh, yeah, it's goin' great. 1100 00:56:11,900 --> 00:56:14,410 Yeah, things are really lookin' up for the kids. 1101 00:56:15,400 --> 00:56:17,400 No, no, we haven't set any engagements 1102 00:56:17,400 --> 00:56:18,900 After the West River Club. No. 1103 00:56:18,900 --> 00:56:21,400 We've been holding out for the right spot. 1104 00:56:21,410 --> 00:56:22,410 Yeah. 1105 00:56:23,410 --> 00:56:24,420 Oh, Corinne? 1106 00:56:25,630 --> 00:56:27,720 Yeah, I could get in to see her this afternoon, 1107 00:56:29,210 --> 00:56:30,710 If it's strictly business. 1108 00:56:31,720 --> 00:56:34,230 All right, you tell her i'll be in this afternoon. 1109 00:56:34,720 --> 00:56:36,750 Ok, Mike. 1110 00:56:36,760 --> 00:56:38,760 How do you like that? Corinne's after us now. 1111 00:56:38,760 --> 00:56:39,760 1112 00:56:39,760 --> 00:56:41,520 What do we need her for? 1113 00:56:41,510 --> 00:56:43,090 For one thing, Jimmy. 1114 00:56:43,090 --> 00:56:44,590 She handles class bookings. 1115 00:56:44,600 --> 00:56:46,820 I don't want to see you kids working in dives. 1116 00:56:46,820 --> 00:56:48,520 Hey, wait a minute. 1117 00:56:48,520 --> 00:56:50,990 Oh, I don't mean here. 1118 00:56:50,990 --> 00:56:54,750 I suppose from now on we won't be able to afford you guys anymore. 1119 00:56:54,740 --> 00:56:57,820 Well, first of all, we don't even know what Corinne's deal is yet. 1120 00:56:57,830 --> 00:57:00,700 Whatever it is, we'd work for nothing if you'd ask us, Mr. Freed. 1121 00:57:00,700 --> 00:57:02,120 Thank you, honey. 1122 00:57:02,110 --> 00:57:03,610 You kids have all been just great. 1123 00:57:03,620 --> 00:57:05,620 And you made more money for this place 1124 00:57:05,620 --> 00:57:07,380 Than they've ever made in their history. 1125 00:57:07,370 --> 00:57:09,670 And don't forget to tell Corinne Talbot that. 1126 00:57:09,670 --> 00:57:12,170 She'll hear it so many times, she'll think it's a broken record. 1127 00:57:12,170 --> 00:57:14,170 Wonderful. Congratulations, everybody. 1128 00:57:14,180 --> 00:57:15,180 Thank you. 1129 00:57:16,180 --> 00:57:17,690 ♪ 1130 00:57:19,180 --> 00:57:20,680 All right, 1131 00:57:20,680 --> 00:57:23,680 So I was wrong about The Comets and your Lisa Johns. 1132 00:57:23,690 --> 00:57:26,690 I'll tell you what i'll do. I'll make you a deal. 1133 00:57:26,690 --> 00:57:29,150 Turn your contract with the unit over to the agency, 1134 00:57:29,140 --> 00:57:30,640 And you come in as a partner. 1135 00:57:30,640 --> 00:57:34,190 Split 50-50 with me on everything. 1136 00:57:34,200 --> 00:57:37,210 Sell my outfit to you, so you can sell them down the river? 1137 00:57:37,200 --> 00:57:39,200 You'll never get a deal like that anywhere else. 1138 00:57:39,700 --> 00:57:41,200 Maybe not. 1139 00:57:41,200 --> 00:57:43,700 No, Corinne, I think your idea of a partnership 1140 00:57:43,710 --> 00:57:45,710 Has too many strings attached. 1141 00:57:45,710 --> 00:57:47,220 Then it's no soap? 1142 00:57:47,210 --> 00:57:48,210 No soap. 1143 00:57:49,710 --> 00:57:50,710 What do you want? 1144 00:57:52,210 --> 00:57:55,210 Bookings. The best you've got. 1145 00:57:55,220 --> 00:57:58,730 What if we make a 3-year deal without a partnership 1146 00:57:58,720 --> 00:58:02,220 For The Comets, the dance team, and the Bellboys? 1147 00:58:02,220 --> 00:58:05,220 With a good chance that i'll get them on records. 1148 00:58:06,230 --> 00:58:08,240 You're startin' to make a little sense. 1149 00:58:08,230 --> 00:58:10,230 I'm prepared to make such a deal 1150 00:58:10,230 --> 00:58:13,730 With the unit opening in San Francisco. 1151 00:58:13,740 --> 00:58:16,740 Tell you what i'll do. I'll talk to the kids, and i'll get back to you. 1152 00:58:16,740 --> 00:58:18,250 If they're smart, they'll take it. 1153 00:58:18,690 --> 00:58:20,240 It'll guarantee their future. 1154 00:58:20,240 --> 00:58:21,740 Hmm. 1155 00:58:21,740 --> 00:58:24,240 It won't do your future any harm, either, hmm? 1156 00:58:25,250 --> 00:58:26,750 See you later, hon. Ok. 1157 00:58:33,760 --> 00:58:35,760 Get me Lisa Johns on the phone, please. 1158 00:58:37,260 --> 00:58:39,260 I'm sure you didn't ask me to have lunch 1159 00:58:39,260 --> 00:58:40,760 For social reasons, Miss Talbot. 1160 00:58:40,760 --> 00:58:42,680 Steve told you about the deal, of course. Yes. 1161 00:58:42,680 --> 00:58:45,760 You know what that 3-year contract could mean to you and the boys? 1162 00:58:45,770 --> 00:58:49,280 $100,000 the first year, $200,000 the 2nd, 1163 00:58:49,270 --> 00:58:50,720 And $300,000 the 3rd. 1164 00:58:50,720 --> 00:58:52,770 It seems almost too good to be true. 1165 00:58:52,770 --> 00:58:54,360 There's one thing, however. 1166 00:58:54,360 --> 00:58:56,270 You're an investment, Lisa. 1167 00:58:56,280 --> 00:58:59,370 You'll become an idol of the teenagers, you'll develop a big public, 1168 00:58:59,360 --> 00:59:00,860 Hundreds of fan clubs. 1169 00:59:01,370 --> 00:59:03,370 College boys will be voting you 1170 00:59:03,370 --> 00:59:06,380 The girl they'd most want to get caught in a compromising situation with. 1171 00:59:06,870 --> 00:59:08,870 My agency will be spending a fortune 1172 00:59:08,870 --> 00:59:10,870 On your publicity and exploitation. 1173 00:59:10,880 --> 00:59:12,880 The bigger you and the boys become, 1174 00:59:12,880 --> 00:59:14,390 The more money we'll all make. 1175 00:59:14,380 --> 00:59:16,380 But you're the only girl with the outfit. 1176 00:59:16,880 --> 00:59:19,380 The only one that means s-e-x. 1177 00:59:19,380 --> 00:59:21,380 Like a movie star. 1178 00:59:21,390 --> 00:59:22,890 I want my investment protected. 1179 00:59:22,890 --> 00:59:24,400 Of course, I can understand that. 1180 00:59:24,890 --> 00:59:26,890 All right, then. These are the facts. 1181 00:59:26,890 --> 00:59:31,390 If you get married, you won't be worth a dime to me or yourself. 1182 00:59:31,400 --> 00:59:33,350 The kind of public you're going to get 1183 00:59:33,350 --> 00:59:35,410 Won't want to think of you as a married woman. 1184 00:59:35,400 --> 00:59:38,400 In short, you will have to sign a clause 1185 00:59:38,400 --> 00:59:40,400 That for the life of the contract, 3 years, 1186 00:59:40,910 --> 00:59:42,410 You will not marry. 1187 00:59:42,410 --> 00:59:44,920 For the life of the contract, I'm not to get married. 1188 00:59:44,910 --> 00:59:47,410 That's what the contract will say? Exactly. 1189 00:59:47,410 --> 00:59:49,410 I don't know why you're worried, Miss Talbot. 1190 00:59:49,410 --> 00:59:51,580 No one's asked me to marry them. He hasn't... 1191 00:59:51,580 --> 00:59:54,170 I mean, they haven't? 1192 00:59:54,170 --> 00:59:56,170 Just the same. You never know when some man 1193 00:59:56,670 --> 00:59:58,170 Is going to come out from under a rock 1194 00:59:58,170 --> 01:00:01,170 And pop the nasty question at you. 1195 01:00:01,180 --> 01:00:03,520 You'll have to sign that clause, or the deal is off. 1196 01:00:03,760 --> 01:00:05,760 If I kept all the boys from making a lot of money 1197 01:00:05,760 --> 01:00:08,350 Just because I wanted to be married, 1198 01:00:08,350 --> 01:00:11,180 I'd certainly be a terrible heel, wouldn't i? 1199 01:00:11,440 --> 01:00:13,860 The heeliest heel that ever was. 1200 01:00:13,860 --> 01:00:16,450 How long will it take to make up the contracts? 1201 01:00:16,440 --> 01:00:19,440 4 days, 5, perhaps. I'll get on them right away. 1202 01:00:19,940 --> 01:00:22,890 All right, Miss Talbot, i'll sign the contracts. Just the way you want them. 1203 01:00:23,230 --> 01:00:25,780 I knew you were smart. Then it's all settled. 1204 01:00:25,780 --> 01:00:28,320 You and the boys leave for San Francisco at the end of the week. 1205 01:00:28,320 --> 01:00:29,820 Fine. 1206 01:00:30,320 --> 01:00:32,700 Just one word of advice, Lisa. Have fun. 1207 01:00:32,710 --> 01:00:34,800 You'd be amazed at the number of men around the country 1208 01:00:35,290 --> 01:00:36,790 Who don't want to get married. 1209 01:00:38,830 --> 01:00:40,800 ♪[Happy Baby by Bill Haley and His Comets playing] 1210 01:00:40,800 --> 01:00:43,500 ♪ Happy baby, happy, happy baby ♪ 1211 01:00:43,500 --> 01:00:46,080 ♪ Happy, happy baby ♪ 1212 01:00:49,090 --> 01:00:52,640 ♪ I got a baby and my baby's happy with me ♪ 1213 01:00:52,640 --> 01:00:54,180 ♪ Happy baby ♪ 1214 01:00:54,180 --> 01:00:57,600 ♪ I got a baby and my baby's happy with me ♪ 1215 01:00:57,600 --> 01:00:59,650 ♪ Happy baby ♪ 1216 01:00:59,650 --> 01:01:02,680 ♪ A slick little chick and she treats me tenderly ♪ 1217 01:01:02,690 --> 01:01:04,250 ♪ Happy baby ♪ 1218 01:01:06,240 --> 01:01:08,240 Hi, ball of fire. Morning. 1219 01:01:08,240 --> 01:01:10,740 Oh, boy. Hmm, with all that hustle in your bustle 1220 01:01:10,750 --> 01:01:12,250 You must be taking your vitamins. 1221 01:01:12,750 --> 01:01:14,210 Corinne, 1222 01:01:14,200 --> 01:01:16,250 I came up with an idea last night that wouldn't let me sleep. 1223 01:01:16,750 --> 01:01:17,750 About me, I hope. 1224 01:01:17,750 --> 01:01:18,750 About money. 1225 01:01:18,750 --> 01:01:21,250 Well, that's 2nd best. 1226 01:01:21,260 --> 01:01:22,760 Now, the returns are in. 1227 01:01:22,760 --> 01:01:25,270 You and I both know what rock 'n' roll has done. 1228 01:01:25,260 --> 01:01:27,260 It's got people on their feet again, dancing. 1229 01:01:27,260 --> 01:01:29,760 Druggists are selling more Corn plasters than ever. 1230 01:01:29,760 --> 01:01:31,260 So what's your big idea? 1231 01:01:31,270 --> 01:01:33,310 A rock 'n' roll jamboree. 1232 01:01:33,300 --> 01:01:35,350 Keep goin'. 1233 01:01:35,350 --> 01:01:37,440 Now for weeks, I've had other bands 1234 01:01:37,440 --> 01:01:39,940 And vocal groups making up rock 'n' roll arrangements. 1235 01:01:39,940 --> 01:01:42,440 Now as I see it, we take a bunch of these good acts, 1236 01:01:42,440 --> 01:01:44,440 Put them all together into one big show, 1237 01:01:44,450 --> 01:01:47,460 And we'll give them a night of jive they've never seen before. 1238 01:01:47,950 --> 01:01:50,450 Now to get the movement going coast to coast, 1239 01:01:50,450 --> 01:01:52,450 I think I can talk one of the big networks 1240 01:01:52,450 --> 01:01:54,950 Into televising us on a national hookup. 1241 01:01:54,960 --> 01:01:56,960 Son, you hit the jackpot. 1242 01:01:56,960 --> 01:02:00,970 Now look, Los Angeles should be the right spot for this. 1243 01:02:00,960 --> 01:02:02,960 They go for these big jazz concerts 1244 01:02:02,960 --> 01:02:04,460 And I think they'll eat this one up. 1245 01:02:04,970 --> 01:02:05,970 Who do you want to stage it? 1246 01:02:05,970 --> 01:02:07,980 Alan Freed. 1247 01:02:07,970 --> 01:02:09,970 You know, he's handled a lot of big shows. 1248 01:02:09,970 --> 01:02:10,970 Sold. 1249 01:02:10,970 --> 01:02:12,970 Freed can leave for Los Angeles immediately 1250 01:02:12,970 --> 01:02:14,970 And work with my coast office. 1251 01:02:14,980 --> 01:02:17,990 Now the first week in july we rent a great big hall. 1252 01:02:18,480 --> 01:02:19,980 All the kids will be out of school 1253 01:02:19,980 --> 01:02:22,930 And I think every kid from 6 to 96 will go for this in a big way. 1254 01:02:22,930 --> 01:02:24,480 July it is. 1255 01:02:24,490 --> 01:02:28,500 Freed goes to the coast, I stay here in New York, set up the networks. 1256 01:02:28,490 --> 01:02:29,990 You're a genius, lad. 1257 01:02:30,490 --> 01:02:31,490 Oh, it's nothing, really. 1258 01:02:32,490 --> 01:02:34,440 Now that there are 3,000 miles 1259 01:02:34,450 --> 01:02:37,510 And 3 years between you and Lisa Johns, 1260 01:02:37,500 --> 01:02:40,000 How about thinking over that offer I made you? 1261 01:02:40,000 --> 01:02:44,000 My dear young lady, one jamboree at a time. 1262 01:02:44,010 --> 01:02:45,510 I gotta go. I got a lot to do. 1263 01:02:48,010 --> 01:02:50,510 ♪[Mambo Rock by Bill Haley and His Comets playing] 1264 01:02:50,510 --> 01:02:51,960 ♪ Hey, mambo ♪ 1265 01:02:51,960 --> 01:02:53,460 ♪ Mambo rock ♪ 1266 01:02:53,460 --> 01:02:55,010 ♪ Hey, mambo ♪ 1267 01:02:55,020 --> 01:02:56,360 ♪ Mambo rock ♪ 1268 01:02:56,350 --> 01:02:57,520 ♪ Hey, mambo ♪ 1269 01:02:57,520 --> 01:02:59,020 ♪ Mambo rock ♪ 1270 01:02:59,020 --> 01:03:01,600 ♪ Everybody's doin' it, mambo rock ♪ 1271 01:03:03,860 --> 01:03:05,360 1272 01:03:12,820 --> 01:03:13,820 It's a sellout. 1273 01:03:14,820 --> 01:03:18,700 2 more minutes and the jamboree goes coast to coast. 1274 01:03:18,710 --> 01:03:20,800 We've had some big deals in the agency, Steve, 1275 01:03:21,290 --> 01:03:23,790 But this puts the icing on the cupcake. 1276 01:03:23,800 --> 01:03:26,390 You know, I think I'm more nervous than our kids must be. 1277 01:03:26,380 --> 01:03:28,710 Drink. Numb your reflexes. 1278 01:03:28,720 --> 01:03:31,180 You know, it's a shame that Mike Dodd isn't here to see this. 1279 01:03:31,170 --> 01:03:33,670 Darling, who needs him? 1280 01:03:34,170 --> 01:03:36,220 Why don't you marry the guy so he can forget you? 1281 01:03:36,220 --> 01:03:38,810 He works for me. Let's not talk business. 1282 01:03:38,810 --> 01:03:40,310 Hmm. 1283 01:03:40,310 --> 01:03:42,310 One minute. 1284 01:03:42,310 --> 01:03:45,810 I suppose you think I'm 7 kinds of a witch for the things I did to you. 1285 01:03:46,320 --> 01:03:47,860 8 kinds. 1286 01:03:47,850 --> 01:03:50,430 But considering why you did what you did, 1287 01:03:50,440 --> 01:03:52,030 I suppose I should be flattered. 1288 01:03:52,020 --> 01:03:53,070 Naturally. 1289 01:03:53,070 --> 01:03:53,990 Hmm. 1290 01:03:55,490 --> 01:03:58,990 You know, Corinne, you're not really a bad sort at all 1291 01:03:59,000 --> 01:04:02,170 If you would, uh, not try to run everyone else's life. 1292 01:04:02,170 --> 01:04:03,840 It's the mother instinct. 1293 01:04:03,840 --> 01:04:06,430 Mothers always do the thinking for their children. 1294 01:04:06,420 --> 01:04:08,370 That really puts the icing on the cupcake. 1295 01:04:08,370 --> 01:04:09,340 No, I mean it. 1296 01:04:09,840 --> 01:04:11,840 Every time the alarm goes off in the morning, 1297 01:04:11,840 --> 01:04:15,340 I begin to wonder about this idea of being a career woman. 1298 01:04:15,350 --> 01:04:17,440 Well, you're the boss. Why set the alarm? 1299 01:04:18,600 --> 01:04:20,100 You're being evasive. 1300 01:04:20,100 --> 01:04:21,100 Hmm. 1301 01:04:21,800 --> 01:04:22,880 5 seconds. 1302 01:04:25,890 --> 01:04:27,890 1303 01:04:27,890 --> 01:04:29,390 hi, everybody! 1304 01:04:29,390 --> 01:04:30,860 Hi! 1305 01:04:30,860 --> 01:04:33,860 Yours truly, Alan Freed, welcoming you all to our gigantic 1306 01:04:33,870 --> 01:04:35,320 Rock and roll jamboree 1307 01:04:35,320 --> 01:04:38,710 At famous Hollywood hall here in Los Angeles, California. 1308 01:04:38,700 --> 01:04:41,290 Welcome to the big new beat in popular music 1309 01:04:41,290 --> 01:04:42,790 and we've got a tremendous array 1310 01:04:42,790 --> 01:04:45,210 of rock 'n' roll talent here for you tonight. 1311 01:04:45,210 --> 01:04:48,790 So here we go with Freddie Bell and the Bellboys. 1312 01:04:48,800 --> 01:04:52,310 1313 01:04:53,300 --> 01:04:54,800 Go, man. 1314 01:04:54,800 --> 01:04:57,300 ♪[giddyup dingdong by Freddie Bell and the Bellboys playing] 1315 01:04:57,810 --> 01:04:59,310 ♪ I said, giddy up ♪ 1316 01:04:59,310 --> 01:05:01,320 ♪ Giddy up a ding dong ♪ 1317 01:05:01,310 --> 01:05:03,810 ♪ Giddy up, giddy up a ding dong ♪ 1318 01:05:04,310 --> 01:05:06,810 ♪ Giddy up, giddy up a ding dong ♪ 1319 01:05:06,810 --> 01:05:09,310 ♪ Giddy up, giddy up a ding dong ♪ 1320 01:05:09,820 --> 01:05:12,330 ♪ Giddy up, giddy up a ding dong ♪ 1321 01:05:12,320 --> 01:05:14,240 ♪ Giddy up, giddy up, giddy up ♪ 1322 01:05:14,240 --> 01:05:17,190 ♪ Well, now I went ridin' the other night ♪ 1323 01:05:17,190 --> 01:05:19,690 ♪ I picked out a horse, oh my what a sight ♪ 1324 01:05:19,690 --> 01:05:22,690 ♪ The name of the horse was ding dong ♪ 1325 01:05:22,700 --> 01:05:24,710 ♪ While I was ridin' I was singin' a song ♪ 1326 01:05:25,030 --> 01:05:26,330 ♪ I said, giddy up ♪ 1327 01:05:26,330 --> 01:05:27,830 ♪ Giddy up a ding dong ♪ 1328 01:05:27,840 --> 01:05:30,340 ♪ Giddy up, giddy up a ding dong ♪ 1329 01:05:30,340 --> 01:05:33,350 ♪ Giddy up, giddy up a ding dong ♪ 1330 01:05:33,340 --> 01:05:35,840 ♪ Giddy up, giddy up a ding dong ♪ 1331 01:05:35,840 --> 01:05:38,340 ♪ Giddy up, giddy up a ding dong ♪ 1332 01:05:38,850 --> 01:05:40,390 ♪ Giddy up, giddy up, giddy up ♪ 1333 01:05:40,380 --> 01:05:43,460 ♪ Now, we rode and we rode the whole night through ♪ 1334 01:05:43,470 --> 01:05:46,480 ♪ The horse was tired and I was too ♪ 1335 01:05:46,470 --> 01:05:48,470 ♪ I had a date with my gal at 8 ♪ 1336 01:05:48,470 --> 01:05:50,970 ♪ Come on ding dong, we can't be late ♪ 1337 01:05:51,440 --> 01:05:54,060 ♪ I said, giddy up, giddy up a ding dong ♪ 1338 01:05:54,060 --> 01:05:56,560 ♪ Giddy up, giddy up a ding dong ♪ 1339 01:05:57,060 --> 01:05:59,560 ♪ Giddy up, giddy up a ding dong ♪ 1340 01:05:59,570 --> 01:06:02,080 ♪ Giddy up, giddy up a ding dong ♪ 1341 01:06:02,070 --> 01:06:04,570 ♪ Giddy up, giddy up a ding dong ♪ 1342 01:06:04,570 --> 01:06:07,570 ♪ Giddy up, giddy up, giddy up ♪ 1343 01:06:38,910 --> 01:06:41,500 ♪ Giddy up, giddy up a ding dong ♪ 1344 01:06:41,490 --> 01:06:44,490 ♪ Giddy up, giddy up a ding dong ♪ 1345 01:06:44,500 --> 01:06:47,000 ♪ Giddy up, giddy up a ding dong ♪ 1346 01:06:47,000 --> 01:06:49,760 ♪ Giddy up, giddy up a ding dong ♪ 1347 01:06:49,750 --> 01:06:52,500 ♪ Giddy up, giddy up a ding dong ♪ 1348 01:06:52,500 --> 01:06:55,090 ♪ Giddy up, a ding dong ♪ 1349 01:06:55,090 --> 01:06:56,090 1350 01:06:56,090 --> 01:06:58,090 ♪ Come on, horse, roll along ♪ 1351 01:07:04,100 --> 01:07:06,100 1352 01:07:13,270 --> 01:07:14,640 Wonderful. 1353 01:07:14,640 --> 01:07:16,640 We're gonna really rock 'n' roll tonight. 1354 01:07:16,640 --> 01:07:21,650 And now, america's number one vocal group, with 2 great record hits, 1355 01:07:21,650 --> 01:07:23,650 Here are The Platters. 1356 01:07:23,650 --> 01:07:27,150 1357 01:07:32,660 --> 01:07:34,660 ♪ Oh-oh, yes ♪ 1358 01:07:34,660 --> 01:07:38,160 ♪ I'm the great pretender ♪ 1359 01:07:38,170 --> 01:07:39,670 ♪ Woo-oo, woo-oo ♪ 1360 01:07:39,670 --> 01:07:43,680 ♪ Pretending that I'm doing well ♪ 1361 01:07:44,170 --> 01:07:45,670 ♪ Woo-oo, woo-oo ♪ 1362 01:07:45,670 --> 01:07:48,670 ♪ My need is such ♪ 1363 01:07:48,680 --> 01:07:52,190 ♪ I pretend too much ♪ 1364 01:07:52,180 --> 01:07:56,180 ♪ I'm lonely but no one can tell ♪ 1365 01:07:57,690 --> 01:07:59,690 ♪ Oh-oh, yes ♪ 1366 01:08:00,190 --> 01:08:03,200 ♪ I'm the great pretender ♪ 1367 01:08:03,190 --> 01:08:04,690 ♪ Woo-oo, woo-oo ♪ 1368 01:08:04,690 --> 01:08:09,190 ♪ Adrift in a world of my own ♪ 1369 01:08:09,200 --> 01:08:10,200 ♪ Woo-oo, woo-oo ♪ 1370 01:08:10,700 --> 01:08:13,710 ♪ I've played the game ♪ 1371 01:08:13,700 --> 01:08:16,700 ♪ But to my real shame ♪ 1372 01:08:16,700 --> 01:08:21,210 ♪ You've left me to grieve all alone ♪ 1373 01:08:23,260 --> 01:08:26,340 ♪ Too real is this feeling ♪ 1374 01:08:26,350 --> 01:08:28,360 ♪ Of make-believe ♪ 1375 01:08:28,850 --> 01:08:29,850 ♪ Woo-oo, woo-oo ♪ 1376 01:08:29,850 --> 01:08:31,850 ♪ Too real when I feel ♪ 1377 01:08:31,850 --> 01:08:35,350 ♪ What my heart can't conceal ♪ 1378 01:08:35,360 --> 01:08:37,360 ♪ Oh ♪ 1379 01:08:37,360 --> 01:08:41,870 ♪ Yes, I'm the great pretender ♪ 1380 01:08:41,860 --> 01:08:43,360 ♪ Woo-oo, woo-oo ♪ 1381 01:08:43,360 --> 01:08:47,870 ♪ Just laughin' and gay like a clown ♪ 1382 01:08:48,370 --> 01:08:49,370 ♪ Woo-oo, woo-oo ♪ 1383 01:08:49,370 --> 01:08:53,870 ♪ I seem to be what I'm not ♪ 1384 01:08:53,870 --> 01:08:55,990 ♪ You see ♪ 1385 01:08:55,990 --> 01:09:01,500 ♪ I'm wearing my heart like a crown ♪ 1386 01:09:01,500 --> 01:09:06,580 ♪ Pretending that you're still around ♪ 1387 01:09:07,090 --> 01:09:08,600 ♪ Woo-oo, woo-oo ♪ 1388 01:09:08,590 --> 01:09:11,590 ♪ Too real is this feeling ♪ 1389 01:09:11,590 --> 01:09:14,090 ♪ Of make-believe ♪ 1390 01:09:14,100 --> 01:09:15,190 ♪ Woo-oo, woo-oo ♪ 1391 01:09:15,180 --> 01:09:17,760 ♪ Too real when I feel ♪ 1392 01:09:17,770 --> 01:09:22,780 ♪ What my heart can't conceal ♪ 1393 01:09:22,770 --> 01:09:27,400 ♪ Yes, I'm the great pretender ♪ 1394 01:09:27,910 --> 01:09:28,910 ♪ Woo-oo, woo-oo ♪ 1395 01:09:28,910 --> 01:09:33,910 ♪ Just laughin' and gay like a clown ♪ 1396 01:09:33,910 --> 01:09:34,830 ♪ Woo-oo, woo-oo ♪ 1397 01:09:34,830 --> 01:09:39,420 ♪ I seem to be what I'm not ♪ 1398 01:09:39,420 --> 01:09:40,920 ♪ You see ♪ 1399 01:09:41,420 --> 01:09:45,920 ♪ I'm wearing my heart like a crown ♪ 1400 01:09:47,130 --> 01:09:51,720 ♪ Pretending that you're ♪ 1401 01:09:51,720 --> 01:09:55,230 ♪ Still around ♪ 1402 01:09:55,720 --> 01:10:00,220 ♪ Still around ♪ 1403 01:10:02,730 --> 01:10:04,650 1404 01:10:04,650 --> 01:10:06,740 1405 01:10:13,040 --> 01:10:15,550 And now, for the thrill you've all been waiting for. 1406 01:10:15,540 --> 01:10:19,040 Here is one of the most phenomenal acts in the history of show business. 1407 01:10:19,040 --> 01:10:21,040 Bill Haley and His Comets. 1408 01:10:21,050 --> 01:10:24,720 1409 01:10:29,300 --> 01:10:31,300 Thank you, Alan. Thank you, kids. 1410 01:10:31,310 --> 01:10:32,810 Let's rock 'n' roll 1411 01:10:32,810 --> 01:10:35,180 with a real swingin' little tune called Rudy's Rock. 1412 01:10:36,560 --> 01:10:39,060 ♪[Rudy's Rock by Bill Haley playing] 1413 01:13:36,410 --> 01:13:39,000 It's a hit, Corinne. It's a big fat hit. 1414 01:13:38,990 --> 01:13:39,990 1415 01:13:39,990 --> 01:13:42,490 Now, let's talk about us. 1416 01:13:42,500 --> 01:13:45,010 Oh, everything's been said, Corinne. 1417 01:13:45,000 --> 01:13:47,000 From now on, there's nothing more to talk about. 1418 01:13:47,000 --> 01:13:48,000 Why not? 1419 01:13:49,000 --> 01:13:50,370 Watch the stage. 1420 01:13:50,370 --> 01:13:52,790 1421 01:13:52,790 --> 01:13:55,290 Buddy-buddies, before we go into our big finale, 1422 01:13:55,790 --> 01:13:57,790 I'd like to introduce that living doll, 1423 01:13:57,800 --> 01:14:01,810 That real cool rock 'n' rollin' chick who wants to say a few words, 1424 01:14:01,800 --> 01:14:04,130 Lisa Johns and her brother, Jimmy. 1425 01:14:06,520 --> 01:14:08,100 Thank you, rock 'n' rollers. 1426 01:14:08,110 --> 01:14:10,110 I just want to say how thrilled everybody is backstage 1427 01:14:10,110 --> 01:14:12,120 With the way you've received our show. 1428 01:14:15,530 --> 01:14:18,610 And I especially want to thank our wonderful emcee, 1429 01:14:18,620 --> 01:14:20,960 Alan Freed, who helped us put the show together. 1430 01:14:24,240 --> 01:14:25,750 And an equally wonderful man 1431 01:14:25,740 --> 01:14:28,240 Without whom, there would be no rock 'n' roll at all, 1432 01:14:28,240 --> 01:14:30,160 My husband, Steve Hollis. 1433 01:14:34,630 --> 01:14:37,630 What was that child talking about? She said "husband." 1434 01:14:37,630 --> 01:14:39,130 She ought to know. 1435 01:14:39,140 --> 01:14:40,640 Then you are married? 1436 01:14:40,640 --> 01:14:42,150 Legally. 1437 01:14:42,140 --> 01:14:44,140 I have a contract with that girl. 1438 01:14:44,140 --> 01:14:46,140 I'll sue you, Steve, for every cent you have. 1439 01:14:46,640 --> 01:14:48,640 I'll ruin you and her and that band. 1440 01:14:48,650 --> 01:14:51,150 They'll never make another appearance on a stage. 1441 01:14:51,150 --> 01:14:53,660 No one breaks a contract with Corinne Talbot. 1442 01:14:53,650 --> 01:14:56,150 Oh, I don't think you'll sue anyone, Corinne. 1443 01:14:56,150 --> 01:14:59,150 If you recall, it took 5 days to draw that contract. 1444 01:14:59,660 --> 01:15:02,670 And there's a clause that says Lisa's not to be married for 3 years. 1445 01:15:03,160 --> 01:15:04,160 Well, she won't. 1446 01:15:04,160 --> 01:15:06,160 But you just said that-- she can't. 1447 01:15:06,160 --> 01:15:09,330 You see, we were married before the contracts were signed. 1448 01:15:11,420 --> 01:15:14,420 Outsmarted by an amateur from Strawberry Springs. 1449 01:15:14,420 --> 01:15:15,920 I'll tell you one thing, though. 1450 01:15:15,920 --> 01:15:18,620 I think you and Mike will be very happy together. 1451 01:15:18,630 --> 01:15:21,220 You know, you wouldn't be such a bad guy 1452 01:15:21,210 --> 01:15:23,510 If you didn't try to run everybody else's life. 1453 01:15:23,510 --> 01:15:24,800 1454 01:15:24,800 --> 01:15:28,300 Then you're not angry? No, what good would it do? 1455 01:15:28,300 --> 01:15:30,300 Hmm, Mike Dodd, huh? 1456 01:15:30,300 --> 01:15:33,800 Well, it's a good thing I had another man warming up in the bullpen. 1457 01:15:33,810 --> 01:15:35,820 Touche. 1458 01:15:35,810 --> 01:15:37,220 Touche yourself. 1459 01:15:37,230 --> 01:15:39,290 ♪ When the chimes ring 5, 6 and 7 ♪ 1460 01:15:39,810 --> 01:15:41,810 ♪ We'll be right in 7th heaven ♪ 1461 01:15:41,820 --> 01:15:44,320 ♪ We're gonna rock around the clock tonight ♪ 1462 01:15:44,320 --> 01:15:46,830 ♪ We're gonna rock, rock, rock 'til broad daylight ♪ 1463 01:15:46,820 --> 01:15:50,320 ♪ We're gonna rock, gonna rock around the clock tonight ♪ 1464 01:15:52,330 --> 01:15:57,300 ♪ When it's 8, 9, 10, 11 too i'll be goin' strong and so will you ♪ 1465 01:15:57,300 --> 01:16:00,060 ♪ We're gonna rock around the clock tonight ♪ 1466 01:16:00,050 --> 01:16:02,550 ♪ We're gonna rock, rock, rock 'til broad daylight ♪ 1467 01:16:02,550 --> 01:16:06,640 ♪ We're gonna rock, gonna rock around the clock tonight ♪ 1468 01:16:23,860 --> 01:16:25,870 ♪ When the clock strikes 12 We'll cool off then ♪ 1469 01:16:25,860 --> 01:16:28,860 ♪ Start a rockin' round the clock again ♪ 1470 01:16:28,860 --> 01:16:32,360 ♪ We're gonna rock, gonna rock around the clock tonight ♪ 104497