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These are the user uploaded subtitles that are being translated: 1 00:01:58,085 --> 00:02:01,598 TIMES WERE HARD WHEN I WAS GROWING UP IN THE 1930s, 2 00:02:01,622 --> 00:02:03,934 AND MANY PEOPLE TRIED TO ESCAPE THOSE TIMES 3 00:02:03,958 --> 00:02:05,869 BY LIVING IN OTHER WORLDS, 4 00:02:05,893 --> 00:02:09,639 CREATED FOR THEM BY GLOSSY MAGAZINES AND THE MOVIES. 5 00:02:09,663 --> 00:02:11,875 MY OWN FAMILY WAS SO CLOSE 6 00:02:11,899 --> 00:02:14,744 AND WE WERE SO INVOLVED WITH OUR EVERYDAY LIVES 7 00:02:14,768 --> 00:02:17,581 THAT WE DIDN'T SEEM TO NEED THOSE DREAM WORLDS. 8 00:02:17,605 --> 00:02:20,116 SO IT CAME AS A SURPRISE, WHEN ONE DAY 9 00:02:20,140 --> 00:02:24,287 WE DISCOVERED THAT OUR MOTHER HAD A DREAM WORLD OF HER OWN. 10 00:02:36,156 --> 00:02:38,401 IKE, YOU RECKON ANYBODY'S GOING TO BUY THAT THING? 11 00:02:39,627 --> 00:02:41,170 WELL, I DOUBT IT. 12 00:02:41,194 --> 00:02:43,239 BUT THERE'S NO ACCOUNTIN' FOR SOME PEOPLE'S TASTE. 13 00:02:44,264 --> 00:02:46,175 HOW DO YOU LIKE THE COLOR? 14 00:02:46,199 --> 00:02:47,599 IT'S BRIGHT. 15 00:02:48,936 --> 00:02:51,837 WELL, THAT WAS THE ONLY CAN OF PAINT I HAD OPEN. 16 00:02:53,707 --> 00:02:55,952 I LIKE IT. I LIKE IT. 17 00:02:55,976 --> 00:02:57,621 YEAH, WELL. 18 00:03:00,080 --> 00:03:04,293 IKE, UH, THAT TRUCK TOOK 8 GALLONS OF GAS. 19 00:03:04,317 --> 00:03:06,730 OH, MY MAMA NEEDS SOME SUGAR, I ALMOST FORGOT. 20 00:03:06,754 --> 00:03:08,064 FIVE POUNDER? YEAH. 21 00:03:08,088 --> 00:03:09,365 OK. 22 00:03:09,389 --> 00:03:10,734 LET'S SEE. 23 00:03:10,758 --> 00:03:12,836 I THINK I'LL GIVE YOU A DISCOUNT ON IT, JOHN-BOY. 24 00:03:12,860 --> 00:03:13,837 OH, YES? 25 00:03:13,861 --> 00:03:19,843 THAT WILL BE, UH, $125. 26 00:03:19,867 --> 00:03:22,734 THERE YOU GO. THERE'S $125. 27 00:03:23,904 --> 00:03:24,970 IKE. 28 00:03:26,339 --> 00:03:27,417 HELLO, JOHN-BOY. 29 00:03:27,441 --> 00:03:29,385 HI, CURTIS. BONJOUR. 30 00:03:29,409 --> 00:03:31,521 THAT'S "HOWDY" IN FRENCH. 31 00:03:31,545 --> 00:03:33,322 I GOT THE STUFF OVER HERE FOR YOU. 32 00:03:33,346 --> 00:03:35,291 WERE THERE ANY LETTERS FOR ME, IKE? 33 00:03:35,315 --> 00:03:38,327 YEAH, THERE WAS. THE LETTER THAT CAME IN THIS MORNING. JUST ONE. 34 00:03:38,351 --> 00:03:40,764 I THINK I PUT IT IN WITH THE ONIONS. 35 00:03:40,788 --> 00:03:44,634 OH... GET IT. GET IT. GET IT. 36 00:03:44,658 --> 00:03:45,702 HERE IT IS. 37 00:03:45,726 --> 00:03:48,772 I NEVER THOUGHT SHE'D ANSWER SO SOON. 38 00:03:48,796 --> 00:03:49,806 DEAR LORD. 39 00:03:49,830 --> 00:03:51,930 COME ON, OPEN IT UP, CURTIS. 40 00:04:02,375 --> 00:04:04,054 WHAT DOES SHE SAY? WHAT DOES SHE SAY? 41 00:04:05,079 --> 00:04:07,457 WHAT? WHAT? WHAT? WHAT? 42 00:04:07,481 --> 00:04:08,491 SHE ACCEPTED. 43 00:04:09,917 --> 00:04:11,761 SHE ACCEPTED MY PROPOSAL. 44 00:04:13,887 --> 00:04:15,665 AH, SHE SAYS, UH: 45 00:04:15,689 --> 00:04:19,603 "I... I CAN'T WAIT. AND I'M GOING TO BE ARRIVING THERE 46 00:04:19,627 --> 00:04:22,260 ON THE BUS AT 1:30 TODAY." 47 00:04:23,330 --> 00:04:25,308 OH, I... 48 00:04:25,332 --> 00:04:28,344 LISTEN TO THIS, "AT FIRST, AS YOU KNOW, I HAD MY DOUBTS, 49 00:04:28,368 --> 00:04:30,614 "BUT LIKE JEANETTE MACDONALD IN ROSE-MARIE, 50 00:04:30,638 --> 00:04:33,750 YOUR LAST BEAUTIFUL LETTER COMPLETELY SWEPT ASIDE ALL MY DOUBTS." 51 00:04:33,774 --> 00:04:37,453 YES, SHE... SHE REALLY GOES ON ABOUT THEM MOVIES, DOESN'T SHE? 52 00:04:37,477 --> 00:04:39,745 OH, MY. THIS AFTERNOON. 53 00:04:41,181 --> 00:04:42,926 I'VE GOT TO GET THE HOUSE READY. 54 00:04:42,950 --> 00:04:45,461 I'VE GOTTA SHAVE NOW. I'M NOT GOING TO BE READY IN TIME. 55 00:04:45,485 --> 00:04:47,931 CURTIS, CURTIS, DON'T WORRY ABOUT IT. JUST GO HOME AND SHAVE, 56 00:04:47,955 --> 00:04:49,699 GET THE HOUSE READY, GET ALL DRESSED UP. 57 00:04:49,723 --> 00:04:51,167 AND I'LL BE HERE TO PICK HER UP. 58 00:04:51,191 --> 00:04:53,236 CAN SOMEONE LET ME IN ON WHAT'S HAPPENIN'? 59 00:04:53,260 --> 00:04:54,570 CURTIS IS GETTIN' MARRIED! 60 00:04:54,594 --> 00:04:56,740 GETTING MARRIED? CONGRATULATIONS. 61 00:04:56,764 --> 00:04:58,207 WHO'S THE LUCKY GIRL? 62 00:04:58,231 --> 00:05:01,745 MISS ANN HARRIS. SHE'S A SECRETARY FROM BUFFALO, NEW YORK. 63 00:05:01,769 --> 00:05:03,647 UH, SHE WAS BORN AND RAISED IN RICHMOND. 64 00:05:03,671 --> 00:05:06,016 HE WENT DOWN THERE FOR 3 MONTHS FOR A HIGH-SCHOOL REUNION, 65 00:05:06,040 --> 00:05:07,583 AND SHE WAS THERE ON HER VACATION. 66 00:05:07,607 --> 00:05:09,218 I ONLY TOOK HER OUT ONCE. 67 00:05:09,242 --> 00:05:11,587 I DIDN'T THINK SHE LIKED ME TOO MUCH THAT TIME. 68 00:05:11,611 --> 00:05:13,890 OH. MAYBE IT'S ALL THOSE LETTERS YOU'VE BEEN WRITING. 69 00:05:13,914 --> 00:05:15,692 I GUESS IT WAS. 70 00:05:16,984 --> 00:05:20,429 BUT, WELL, TO TELL YOU THE TRUTH ABOUT THOSE LETTERS, 71 00:05:20,453 --> 00:05:22,598 I... I DIDN'T REALLY WRITE 'EM. JOHN-BOY... 72 00:05:22,622 --> 00:05:24,567 NOW, CURTIS, I JUST HELPED YOU A LITTLE. 73 00:05:24,591 --> 00:05:25,869 MORE THAN A LITTLE. 74 00:05:25,893 --> 00:05:28,738 THOSE LETTERS WERE REAL ROMANTIC AND PRETTY... 75 00:05:28,762 --> 00:05:32,208 I JUST WROTE DOWN WHAT YOU WANTED TO SAY, CURTIS. THAT'S ALL. 76 00:05:32,232 --> 00:05:34,778 LAST 3 MONTHS, I HAVEN'T THOUGHT ABOUT ANYTHING 77 00:05:34,802 --> 00:05:37,781 EXCEPT WANTING TO MARRY THAT LITTLE GIRL. 78 00:05:37,805 --> 00:05:40,917 I'VE NEVER BEEN MUCH WITH THE LADIES. 79 00:05:40,941 --> 00:05:44,821 I BET I WON'T BE ABLE TO THINK OF ONE THING TO SAY TO HER. 80 00:05:45,979 --> 00:05:48,958 "YOUR LAST BEAUTIFUL LETTER COMPLETELY 81 00:05:48,982 --> 00:05:52,184 SWEPT ASIDE ALL OF MY DOUBTS." 82 00:05:53,453 --> 00:05:54,753 DEAR LORD. 83 00:05:57,224 --> 00:05:58,234 HEY, MAMA. 84 00:05:58,258 --> 00:05:59,335 THANK-THANK YOU. 85 00:05:59,359 --> 00:06:01,004 WE'RE GOING TO FEED THE CHICKENS. 86 00:06:01,028 --> 00:06:02,505 LIKE I WAS TELLING YOU, 87 00:06:02,529 --> 00:06:04,574 JIMMY CAME RIDING DOWN THE HILL ON HIS BICYCLE. 88 00:06:04,598 --> 00:06:06,798 SO LONG, KIDS. 89 00:06:09,369 --> 00:06:12,082 ELIZABETH, SIT DOWN, FINISH YOUR PIE. 90 00:06:12,106 --> 00:06:14,283 EVERETT COOPER STOPPED BY THIS MORNIN'. 91 00:06:14,307 --> 00:06:16,152 DID HE SAY HOW MUCH WOOD HE WANTED? 92 00:06:16,176 --> 00:06:17,976 NO, HE CAME TO SEE ME. 93 00:06:19,747 --> 00:06:21,591 BEN, JIM-BOB! 94 00:06:21,615 --> 00:06:22,926 HOW MANY TIMES HAVE I TOLD YOU 95 00:06:22,950 --> 00:06:25,762 TO PUT YOUR DISHES IN THE SINK? 96 00:06:25,786 --> 00:06:29,032 LIVIE, COULD YOU MEND THESE OVERALLS I TORE UP THIS MORNIN'? 97 00:06:29,056 --> 00:06:31,434 GRANDPA, I'VE GOT A MILLION THINGS TO DO. COULDN'T GRANDMA? 98 00:06:31,458 --> 00:06:34,237 SHE'S GONE OFF DOWN THE ROAD TO DELIVER A BABY. 99 00:06:34,261 --> 00:06:36,005 JUST PUT 'EM IN THE SINK. 100 00:06:36,029 --> 00:06:37,540 HE WANTED TO ASK ME IF I'D... 101 00:06:37,564 --> 00:06:40,676 JOHN, HADN'T WE BETTER BE GETTIN' BACK TO WORK? 102 00:06:40,700 --> 00:06:43,546 I'LL BE RIGHT THERE, PA. 103 00:06:43,570 --> 00:06:47,650 HE WANTED TO KNOW IF I'D COME DOWN TO THE CHURCH ONE AFTERNOON. 104 00:06:47,674 --> 00:06:49,786 WHO DID? 105 00:06:49,810 --> 00:06:52,488 EVERETT COOPER. 106 00:06:52,512 --> 00:06:54,490 SOMETHIN' IMPORTANT? 107 00:06:54,514 --> 00:06:57,927 NOT REALLY, BUT I WAS REAL SURPRISED AND FLATTERED. 108 00:06:57,951 --> 00:07:00,196 ANYBODY SEEN MY PURSE, LIVIE? 109 00:07:00,220 --> 00:07:03,566 NEVER FIND ANYTHING WHEN YOU'RE IN A HURRY. 110 00:07:03,590 --> 00:07:06,702 OH, MAMA, I'M SORRY, I FORGOT THE SUGAR. 111 00:07:06,726 --> 00:07:09,372 I BOUGHT IT AT IKE'S, BUT I LEFT IT THERE. I'M SORRY. 112 00:07:09,396 --> 00:07:11,507 I'M GOING TO NEED IT BEFORE SUPPERTIME, JOHN-BOY. 113 00:07:11,531 --> 00:07:14,744 WELL, I'LL... I'LL GET IT IF I CAN, BUT FIRST I HAVE TO GO PICK UP A SAW... 114 00:07:14,768 --> 00:07:17,113 I'LL GET IT MYSELF. NOW YOU RUN ALONG. 115 00:07:17,137 --> 00:07:18,948 THANK YOU. 116 00:07:18,972 --> 00:07:21,151 THANK YOU, THANK YOU, THANK YOU, THANK YOU. 117 00:07:21,175 --> 00:07:22,652 GRANDMA, HERE'S YOUR PURSE. 118 00:07:22,676 --> 00:07:25,255 OH, I THOUGHT I LOST IT. CAN YOU GIVE ME A LIFT? 119 00:07:25,279 --> 00:07:26,355 WHICH WAY YOU GOING? 120 00:07:26,379 --> 00:07:27,824 THELMA PICKETT'S. SHE'S EXPECTING. 121 00:07:27,848 --> 00:07:28,858 SURE. 122 00:07:28,882 --> 00:07:31,127 WELL, I'VE GOT TO GET MYSELF TO WORK. 123 00:07:31,151 --> 00:07:34,297 ERIN, DIDN'T YOU HEAR WHAT I JUST TOLD JIM-BOB AND BEN? 124 00:07:34,321 --> 00:07:36,499 NOW TAKE YOUR PLATE AND PUT IT IN THE SINK, PLEASE. 125 00:07:36,523 --> 00:07:41,004 SEEMS LIKE NOBODY AROUND HERE LISTENS TO A WORD I SAY ANYMORE. 126 00:07:41,028 --> 00:07:43,006 WHAT WERE YOU SAYIN'? 127 00:07:43,030 --> 00:07:46,876 EVERETT COOPER WANTS ME TO BE THE LEAD SINGER IN THE CHURCH CHOIR. 128 00:07:46,900 --> 00:07:48,845 WELL, THAT'S REAL NICE, HONEY. 129 00:07:48,869 --> 00:07:52,581 MAMA, I CAN'T EAT THIS PIE. IT HASN'T GOT ENOUGH SUGAR. 130 00:07:52,605 --> 00:07:55,285 IF YOU'RE GOING TO BE LEAD SINGER, 131 00:07:55,309 --> 00:07:56,786 I MIGHT EVEN BE THERE. 132 00:07:56,810 --> 00:07:59,211 COME ON, LET ME HELP YOU WITH THAT. 133 00:08:00,214 --> 00:08:01,925 YOU MIGHT BE THERE, 134 00:08:01,949 --> 00:08:04,894 BUT I'LL BE HERE DOING DISHES AND MENDING CLOTHES. 135 00:08:09,223 --> 00:08:10,533 THANK YOU, IKE. 136 00:08:10,557 --> 00:08:11,923 BYE, LIVIE. 137 00:08:18,832 --> 00:08:20,509 BEAUTIFUL, ISN'T IT? 138 00:08:20,533 --> 00:08:24,035 HUH, I GUESS SO, IF YOU'RE IN THE MARKET FOR SUCH THINGS. 139 00:08:27,640 --> 00:08:30,419 HOW MUCH IS REASONABLE? 140 00:08:30,443 --> 00:08:31,542 WELL, 141 00:08:32,779 --> 00:08:35,992 SEEING HOW IT'S YOU, UH, LIVIE, VERY REASONABLE. 142 00:08:36,016 --> 00:08:38,794 OH, HEAVENS, I WASN'T THINKING OF BUYING IT. 143 00:08:38,818 --> 00:08:42,587 I WAS JUST CURIOUS HOW MUCH SECOND-HAND BIKES COST THESE DAYS. 144 00:08:44,358 --> 00:08:45,735 NICE COLOR. 145 00:08:45,759 --> 00:08:47,225 THANKS A LOT. 146 00:08:53,867 --> 00:08:56,512 I HAVEN'T RIDDEN ONE OF THESE THINGS IN... 147 00:08:56,536 --> 00:08:58,736 OH, IT MUST BE ABOUT 25 YEARS. 148 00:09:00,840 --> 00:09:03,608 25 YEARS. IMAGINE. 149 00:09:08,782 --> 00:09:10,793 USED TO LOVE IT, THOUGH. 150 00:09:10,817 --> 00:09:14,530 PEDALING ALONG, FREEWHEELIN' DOWN THE HILL 151 00:09:14,554 --> 00:09:16,499 MY HAIR BLOWIN' IN THE WIND BEHIND ME. 152 00:09:21,861 --> 00:09:23,895 GO ON. TAKE IT FOR A RIDE. 153 00:09:25,165 --> 00:09:26,242 UH. 154 00:09:26,266 --> 00:09:28,077 GO ON. 155 00:09:28,101 --> 00:09:30,501 I'VE PROBABLY FORGOTTEN HOW BY NOW. 156 00:09:32,072 --> 00:09:33,571 GO ON. TAKE IT. 157 00:09:36,276 --> 00:09:38,509 WELL, NOW, DON'T TELL ANYBODY. 158 00:10:01,335 --> 00:10:04,302 WILL YOU GO ON AND TAKE HER FOR A SPIN? GO ON. 159 00:10:54,221 --> 00:10:55,620 ♪♪ 160 00:11:13,140 --> 00:11:16,685 ♪ BRING BACK, BRING BACK ♪ 161 00:11:16,709 --> 00:11:20,623 ♪ BRING BACK MY BONNIE TO ME, TO ME ♪ 162 00:11:20,647 --> 00:11:24,627 ♪ BRING BACK, BRING BACK ♪ 163 00:11:24,651 --> 00:11:27,685 ♪ BRING BACK MY BONNIE TO ME ♪♪ 164 00:11:34,794 --> 00:11:38,707 "LIKE TO THE LARK ARISING FROM... FROM..." 165 00:11:38,731 --> 00:11:41,933 S-S-SOMETHING "EARTH." SOMETHING "EARTH." 166 00:11:42,936 --> 00:11:44,280 "SULLEN EARTH." "SULLEN EARTH." 167 00:11:44,304 --> 00:11:46,315 I WILL NEVER REMEMBER THAT WORD: SULLEN. 168 00:11:46,339 --> 00:11:48,317 "SULLEN EARTH." "SULLEN EARTH." 169 00:11:48,341 --> 00:11:50,408 "LIKE TO THE LARK ARISING FROM SUL..." 170 00:12:10,297 --> 00:12:11,640 HELLO, AL. 171 00:12:11,664 --> 00:12:13,576 THE U.S. MAIL GOT THROUGH AGAIN, HUH? 172 00:12:13,600 --> 00:12:15,644 YEAH. 173 00:12:15,668 --> 00:12:18,414 LISTEN, I WANT TO SHOW YOU AN ORDER THAT I GOT HERE... 174 00:12:25,512 --> 00:12:27,590 MA'AM, I'M JOHN-BOY WALTON. 175 00:12:27,614 --> 00:12:30,426 I'M A CLOSE FRIEND OF... OF CURTIS N-NORTON. 176 00:12:30,450 --> 00:12:33,196 OH. OH, WHERE IS CURTIS? 177 00:12:33,220 --> 00:12:35,231 WELL, HE ASKED ME TO COME AND MEET YOU. 178 00:12:35,255 --> 00:12:36,499 WHY DIDN'T CURTIS COME? 179 00:12:36,523 --> 00:12:38,134 HE'S KIND OF PRETTYING THINGS UP FOR YOU. 180 00:12:39,759 --> 00:12:42,205 CONGRATULATIONS. I DON'T KNOW IF THAT'S WHAT YOU SAY TO A LADY. 181 00:12:42,229 --> 00:12:45,441 OH, YOU CAN SAY IT TO ME. IT'S NOT EVERY DAY A GIRL ENDS UP MARRYING 182 00:12:45,465 --> 00:12:48,111 A POETIC MAN LIKE CURTIS NORTON. 183 00:12:48,135 --> 00:12:49,745 WELL, I THINK WE OUGHT TO GO. 184 00:12:49,769 --> 00:12:52,148 MY TRUCK'S RIGHT OVER HERE. OH, NO, I'LL TAKE THAT FOR YOU. 185 00:12:52,172 --> 00:12:54,650 OH, THANK YOU. RIGHT OVER HERE. 186 00:12:54,674 --> 00:12:58,221 OH, IT'S SO BEAUTIFUL HERE. 187 00:12:58,245 --> 00:13:01,078 JUST LOOK AT THAT. LOOK AT THOSE MOUNTAINS. 188 00:13:02,315 --> 00:13:06,095 DID YOU SEE THE MOVIE THE FARMER TAKES A WIFE? 189 00:13:06,119 --> 00:13:07,296 I RECKON NOT. 190 00:13:07,320 --> 00:13:11,234 OH. OH, I DID. I SAW IT 3 TIMES. 191 00:13:11,258 --> 00:13:13,569 HENRY FONDA AND JANET GAYNOR. 192 00:13:13,593 --> 00:13:14,803 UH-HUH. 193 00:13:14,827 --> 00:13:17,306 IT LOOKED VERY MUCH LIKE THIS. 194 00:13:17,330 --> 00:13:20,476 OH, IT WAS SUCH A ROMANTIC STORY. 195 00:13:20,500 --> 00:13:22,044 WELL, 196 00:13:22,068 --> 00:13:23,979 I THINK YOU'RE GONNA FIND REAL LIFE HERE 197 00:13:24,003 --> 00:13:26,782 QUITE A BIT DIFFERENT THAN THE WAY IT IS IN THE MOVIES. 198 00:13:26,806 --> 00:13:29,674 WHEN I MET CURTIS, IT WAS JUST LIKE A MOVIE. 199 00:13:30,777 --> 00:13:33,456 WE WERE IN THE RICHMOND HIGH-SCHOOL REUNION. 200 00:13:33,480 --> 00:13:36,025 THE HIGH-SCHOOL BAND WAS PLAYING. 201 00:13:36,049 --> 00:13:37,415 ♪♪ 202 00:13:40,253 --> 00:13:42,298 CURTIS ASKED ME TO DANCE. 203 00:13:42,322 --> 00:13:45,301 YEAH, HE SAID YOU ARE A WONDERFUL DANCER. 204 00:13:45,325 --> 00:13:47,958 OH, CURTIS WAS THE WONDERFUL ONE. 205 00:13:49,362 --> 00:13:51,663 JUST SWEPT ME OFF MY FEET. 206 00:13:53,733 --> 00:13:55,900 A REAL CLARK GABLE TYPE. 207 00:14:36,876 --> 00:14:38,943 HEY, HERE WE ARE. 208 00:15:06,406 --> 00:15:08,117 ANN. 209 00:15:08,141 --> 00:15:09,340 CURTIS. 210 00:15:13,112 --> 00:15:15,591 HOW HAVE YOU BEEN? 211 00:15:15,615 --> 00:15:17,393 AH, FINE. 212 00:15:20,019 --> 00:15:22,164 HOW HAVE YOU BEEN? 213 00:15:22,188 --> 00:15:23,721 BEEN, UH, BUSY. 214 00:15:26,058 --> 00:15:27,936 I'VE GOT A MARE HERE ABOUT TO FOAL. 215 00:15:27,960 --> 00:15:29,538 I STAYED UP ALL NIGHT WITH HER. 216 00:15:29,562 --> 00:15:31,195 OH, THAT'S FINE. 217 00:15:33,333 --> 00:15:35,244 WELL, I RECKON I'LL BE LEAVIN' NOW, FOLKS. 218 00:15:35,268 --> 00:15:37,380 NO. NO, NO. 219 00:15:37,404 --> 00:15:40,004 I MEAN, WHY DON'T YOU STAY FOR A WHILE? 220 00:15:41,608 --> 00:15:43,808 WELL, SURE, CURTIS. THANK YOU. 221 00:15:45,378 --> 00:15:47,278 I'LL SHOW Y'ALL AROUND. 222 00:15:54,788 --> 00:15:56,421 THAT'S ALL RIGHT. 223 00:16:04,497 --> 00:16:06,964 IT'S CALLED THE APPROACHING STORM. 224 00:16:08,000 --> 00:16:09,445 BELONGED TO MY DADDY. 225 00:16:09,469 --> 00:16:11,013 OH, WELL, IT'S BEAUTIFUL. 226 00:16:11,037 --> 00:16:12,281 HE WAS REAL FOND OF IT. 227 00:16:12,305 --> 00:16:13,449 OH, IT'S REAL NICE. 228 00:16:13,473 --> 00:16:17,141 OH, AW, I'M SORRY. NO... IT'S ALL RIGHT. 229 00:16:18,712 --> 00:16:22,991 IT'S OK. LIVIN' ALONE, THINGS JUST, UH, DON'T GET FIXED. 230 00:16:23,015 --> 00:16:25,728 THAT NEEDS A COAT OF PAINT, TOO, YOU SEE. 231 00:16:25,752 --> 00:16:29,520 I THOUGHT WE... UH, I MEAN I... 232 00:16:30,590 --> 00:16:32,635 WELL, UH, THE BOTH OF US COULD... 233 00:16:32,659 --> 00:16:34,937 IT'LL BE FUN. 234 00:16:34,961 --> 00:16:37,628 AND I... 235 00:16:46,906 --> 00:16:50,441 OH. I COULD MAKE NEW SLIPCOVERS. 236 00:16:52,812 --> 00:16:55,880 UH, CURTIS, WHY DON'T YOU SHOW ME THE UPSTAIRS? 237 00:17:02,088 --> 00:17:03,688 THIS WAY. 238 00:17:08,762 --> 00:17:10,473 THIS IS THE LINEN CLOSET. 239 00:17:10,497 --> 00:17:11,574 OH. 240 00:17:11,598 --> 00:17:13,598 TH-TH-THAT'S THE BATHROOM. 241 00:17:16,469 --> 00:17:19,147 THIS IS THE MEDICINE CABINET. 242 00:17:19,171 --> 00:17:20,471 VERY COZY. 243 00:17:26,045 --> 00:17:28,012 I NEED THAT. I FORGOT IT. 244 00:17:29,616 --> 00:17:33,629 UH... UH, UNTIL WE... FOR THE TIME BEING, 245 00:17:33,653 --> 00:17:36,399 I'VE MOVED ALL MY STUFF OUT TO THE SHED. 246 00:17:36,423 --> 00:17:38,534 I'M GONNA BE SLEEPIN' THERE. 247 00:17:38,558 --> 00:17:39,724 I SEE. 248 00:17:42,194 --> 00:17:44,172 I'LL SHOW YOU YOUR ROOM. 249 00:17:44,196 --> 00:17:46,275 SWELL. 250 00:17:46,299 --> 00:17:47,443 I'VE GOT TO BE GOING. 251 00:17:47,467 --> 00:17:48,544 NO, STAY. 252 00:17:48,568 --> 00:17:50,112 C-CURTIS, YOU'RE GOING TO MARRY HER. 253 00:17:50,136 --> 00:17:52,180 YOU'VE GOT TO SPEND SOME TIME ALONE WITH HER. 254 00:17:52,204 --> 00:17:54,550 JOHN-BOY... CURTIS! 255 00:17:54,574 --> 00:17:55,907 DEAR LORD. 256 00:18:05,051 --> 00:18:06,751 SHE'S NOT UPSTAIRS. 257 00:18:10,022 --> 00:18:11,300 BOY OR GIRL, GRANDMA? 258 00:18:11,324 --> 00:18:12,435 IT WAS A BOY. 259 00:18:12,459 --> 00:18:13,569 GOOD. 260 00:18:13,593 --> 00:18:15,538 JOHN-BOY, HAVE YOU SEEN YOUR MAMA? 261 00:18:15,562 --> 00:18:17,139 N-NOT SINCE AROUND NOON. 262 00:18:17,163 --> 00:18:19,708 NOT FOR THE LIFE OF ME, I JUST DON'T UNDERSTAND IT. 263 00:18:19,732 --> 00:18:21,009 WHAT, UNDERSTAND WHAT? 264 00:18:21,033 --> 00:18:22,311 OH, LOOK. 265 00:18:22,335 --> 00:18:24,814 18 YEARS OLIVIA'S BEEN MY DAUGHTER-IN-LAW 266 00:18:24,838 --> 00:18:27,750 AND I'VE NEVER KNOWN HER TO LEAVE THE PLACE IN SUCH A STATE. 267 00:18:27,774 --> 00:18:31,019 WELL, HAVE YOU EVER SEEN HER DO THIS? 268 00:18:31,043 --> 00:18:34,144 JOHN-BOY, GRANDMA! COME HERE, QUICK. RIGHT AWAY. 269 00:19:03,175 --> 00:19:04,520 HEY! 270 00:19:04,544 --> 00:19:06,622 MAMA! 271 00:19:09,048 --> 00:19:10,948 ALL RIGHT. ALL RIGHT. 272 00:19:12,351 --> 00:19:14,129 HOW DO YOU LIKE MY NEW BICYCLE? 273 00:19:14,153 --> 00:19:15,430 OH, I LIKE IT! 274 00:19:15,454 --> 00:19:17,065 IT'S GREAT! 275 00:19:18,958 --> 00:19:20,803 THIS IS FROM IKE'S, ISN'T IT? 276 00:19:20,827 --> 00:19:22,760 YOU DON'T KNOW WHERE I'VE BEEN. 277 00:19:25,364 --> 00:19:26,998 BY 29. 278 00:19:30,469 --> 00:19:34,917 AH, I'LL DO THE CHAIRS IN A FLOWERED CRETONNE. 279 00:19:37,109 --> 00:19:40,422 MIRIAM HOPKINS HAD A SOFA LIKE IT IN HER LAST PICTURE. 280 00:19:40,446 --> 00:19:41,557 DID YOU SEE IT? 281 00:19:41,581 --> 00:19:43,893 NO. I DON'T SEE MANY MOVIES. 282 00:19:43,917 --> 00:19:45,661 OH, WHY NOT? 283 00:19:45,685 --> 00:19:49,632 THE NEAREST MOVIE HOUSE IS IN CHARLOTTESVILLE. THAT'S 28 MILES AWAY. 284 00:19:49,656 --> 00:19:50,721 28... 285 00:19:52,191 --> 00:19:53,936 28 MILES. 286 00:19:53,960 --> 00:19:57,973 I'M REALLY VERY HAPPY WITH MY RECORDS 287 00:19:57,997 --> 00:19:59,875 AND VICTROLA HERE. 288 00:19:59,899 --> 00:20:01,599 THEY'RE RIGHT HERE. 289 00:20:04,037 --> 00:20:05,037 UH. 290 00:20:06,205 --> 00:20:08,350 GET OFF. 291 00:20:08,374 --> 00:20:09,852 GO ON THERE, EARL. 292 00:20:09,876 --> 00:20:11,186 ♪♪ 293 00:20:11,210 --> 00:20:12,944 GET DOWN. HMM. 294 00:20:14,681 --> 00:20:17,259 CURTIS, AH, CAN YOU HELP ME... 295 00:20:17,283 --> 00:20:20,863 CAN YOU PLEASE GET HIM OFF THE COUCH? HE DOESN'T SMELL RIGHT. 296 00:20:20,887 --> 00:20:22,831 WELL, THAT'S, UH, HIS PLACE. 297 00:20:22,855 --> 00:20:25,500 HE SLEEPS THERE. HE ALWAYS HAS. 298 00:20:25,524 --> 00:20:30,172 WELL, HE'S GOING TO HAVE TO FIND A NEW PLACE AFTER WE'VE, UH... 299 00:20:30,196 --> 00:20:31,941 AFTER I'VE MADE THE SLIPCOVERS. 300 00:20:31,965 --> 00:20:34,005 I DON'T THINK HE'LL LIKE IT. 301 00:20:35,001 --> 00:20:36,344 OH. 302 00:20:36,368 --> 00:20:39,704 WHY DON'T WE TRAIN HIM TO SLEEP IN THE BLACKSMITH SHOP? 303 00:20:41,874 --> 00:20:45,342 YOU KNOW IT'S HARD TO TEACH AN OLD DOG NEW TRICKS. 304 00:20:49,015 --> 00:20:51,716 WELL, I GUESS WE'RE ALL FINDING THAT OUT. 305 00:21:16,309 --> 00:21:18,554 MARY ELLEN, I WANT YOU TO HELP GRANDMA WITH THE COOKIN' 306 00:21:18,578 --> 00:21:20,789 AND YOU CAN ALL PITCH IN WITH THE DISHES. 307 00:21:20,813 --> 00:21:21,790 YES, MAMA. 308 00:21:21,814 --> 00:21:23,359 I'LL DO IT, LIVIE. 309 00:21:23,383 --> 00:21:25,494 ERIN, THERE'S IRONIN' TO DO. GET ELIZABETH TO HELP YOU. 310 00:21:25,518 --> 00:21:28,130 YES, MAMA. I'LL TAKE CARE OF IT, LIVIE. 311 00:21:28,154 --> 00:21:31,533 GRANDMA, I WANT THE GIRLS TO LEARN HOW TO TAKE CARE OF A HOUSE BY THEMSELVES. 312 00:21:31,557 --> 00:21:35,704 AFTER ALL, WE DON'T WANT A COUPLE OF OLD MAIDS ON OUR HANDS, NOW, DO WE? 313 00:21:35,728 --> 00:21:38,028 I'M GOIN' TO BE A BACHELOR GIRL. 314 00:21:39,666 --> 00:21:41,810 WHEN ARE YOU PLANNIN' TO COME HOME, MAMA? 315 00:21:41,834 --> 00:21:44,112 I DON'T KNOW, JOHN-BOY. 316 00:21:44,136 --> 00:21:45,814 HAVE A NICE DAY, EVERYBODY. 317 00:21:45,838 --> 00:21:47,182 SEE YOU LATER. BYE, MAMA. 318 00:21:47,206 --> 00:21:49,126 BYE, MAMA. BYE, MAMA. 319 00:22:00,152 --> 00:22:01,430 LIVIE. 320 00:22:01,454 --> 00:22:04,065 I TALKED TO THE CHILDREN. THEY KNOW WHAT TO DO. 321 00:22:04,089 --> 00:22:05,289 UH-HUH. 322 00:22:10,830 --> 00:22:13,375 JUST WORRIED ABOUT WHAT PEOPLE ARE GOIN' TO SAY. 323 00:22:13,399 --> 00:22:15,344 ABOUT WHAT? ME SINGIN' IN THE CHOIR? 324 00:22:15,368 --> 00:22:17,613 NO, ABOUT... 325 00:22:17,637 --> 00:22:20,816 ABOUT YOU, UH, RIDIN' AROUND ON THIS CONTRAPTION. 326 00:22:20,840 --> 00:22:22,484 OH, I FIGURE THEY'LL PROBABLY SAY, 327 00:22:22,508 --> 00:22:24,886 "THERE GOES OLIVIA WALTON ON A BICYCLE." 328 00:22:24,910 --> 00:22:26,243 BYE, HONEY. 329 00:22:36,622 --> 00:22:38,055 JOHN-BOY. 330 00:23:05,685 --> 00:23:06,928 MISS HARRIS, 331 00:23:06,952 --> 00:23:09,097 THIS IS MY DADDY, JOHN WALTON. MY GRANDPA. 332 00:23:09,121 --> 00:23:10,799 HOW DO YOU DO? I'M VERY PLEASED TO MEET YOU. 333 00:23:10,823 --> 00:23:12,033 NICE TO MEET YOU. 334 00:23:12,057 --> 00:23:14,102 NICE TO SEE YOU. VERY PLEASED TO MEET BOTH OF YOU. 335 00:23:14,126 --> 00:23:15,170 WHAT HAPPENED? 336 00:23:15,194 --> 00:23:18,273 IT'S, UH, IT'S CURTIS. 337 00:23:18,297 --> 00:23:19,608 SOMETHIN' WRONG? 338 00:23:19,632 --> 00:23:22,466 OH, NO, NO. NO, HE'S ALL RIGHT. IT'S JUST... 339 00:23:24,704 --> 00:23:26,782 HE JUST DOESN'T SEEM TO BE THE SAME MAN 340 00:23:26,806 --> 00:23:28,584 WHO WROTE ME THOSE LETTERS. 341 00:23:28,608 --> 00:23:31,687 MISS HARRIS, CURTIS IS A SHY MAN. 342 00:23:31,711 --> 00:23:34,189 BUT YOU'D HAVE TO GO A LONG WAY TO FIND A BETTER ONE. 343 00:23:34,213 --> 00:23:35,213 I... 344 00:23:36,549 --> 00:23:38,159 LOOK, IT'S MORE THAN THAT. 345 00:23:38,183 --> 00:23:39,917 IT'S JUST THAT I... 346 00:23:41,821 --> 00:23:44,488 OH, IT JUST WON'T WORK OUT. 347 00:23:45,725 --> 00:23:48,336 AND I... I THINK THAT I SHOULD LEAVE HERE RIGHT AWAY 348 00:23:48,360 --> 00:23:49,872 ON THE NEXT BUS. 349 00:23:49,896 --> 00:23:53,108 IF ONE OF YOU, PLEASE, WOULD BE KIND ENOUGH TO DRIVE ME. 350 00:23:53,132 --> 00:23:54,576 WE SURELY WILL. 351 00:23:54,600 --> 00:23:57,813 BUT THE NEXT BUS DOESN'T GO UNTIL TOMORROW. 352 00:23:57,837 --> 00:23:59,114 OH, OH. 353 00:23:59,138 --> 00:24:01,884 YOU'RE WELCOME TO STAY HERE. 354 00:24:01,908 --> 00:24:04,753 UH, IF YOU WANT TO WAIT A WHILE, MY WIFE WILL BE BACK 355 00:24:04,777 --> 00:24:06,388 AND GET YOU SETTLED. 356 00:24:06,412 --> 00:24:09,525 SURE, YOU CAN STAY IN MY ROOM. I'LL SLEEP IN THE BARN. 357 00:24:09,549 --> 00:24:11,760 LOOK, I WOULDN'T WANT TO INCONVENIENCE YOU. 358 00:24:11,784 --> 00:24:14,819 IT'S NO INCONVENIENCE. IT'S THE LEAST I CAN DO. 359 00:24:15,955 --> 00:24:17,154 COME ON. 360 00:24:18,658 --> 00:24:19,890 COME ON. 361 00:24:24,196 --> 00:24:28,165 NOW, WHAT DO YOU THINK HE MEANT BY, "THAT'S THE LEAST I CAN DO"? 362 00:24:33,706 --> 00:24:36,552 ♪ AMAZING GRACE ♪ 363 00:24:36,576 --> 00:24:39,287 ♪ HOW SWEET THE SOUND ♪ 364 00:24:39,311 --> 00:24:44,860 ♪ THAT SAVED A WRETCH LIKE ME ♪ 365 00:24:44,884 --> 00:24:47,696 ♪ I ONCE WAS LOST ♪ 366 00:24:47,720 --> 00:24:50,466 ♪ BUT NOW AM FOUND ♪ 367 00:24:50,490 --> 00:24:56,004 ♪ WAS BLIND, BUT NOW I SEE. ♪ 368 00:24:56,028 --> 00:24:58,874 ♪ 'TWAS GRACE THAT TAUGHT ♪ 369 00:24:58,898 --> 00:25:01,777 ♪ MY HEART TO FEAR ♪ 370 00:25:01,801 --> 00:25:07,282 ♪ AND GRACE MY FEARS RELIEVED ♪ 371 00:25:07,306 --> 00:25:09,485 ♪ HOW PRECIOUS ♪ 372 00:25:09,509 --> 00:25:12,821 ♪ DID THAT GRACE APPEAR ♪ 373 00:25:12,845 --> 00:25:14,422 ♪ THE HOUR ♪ 374 00:25:14,446 --> 00:25:18,115 ♪ I FIRST BELIEVED ♪♪ 375 00:25:19,652 --> 00:25:23,866 REAL NICE. THAT ONE SPOT NEEDS JUST A LITTLE WORK. 376 00:25:23,890 --> 00:25:27,435 ♪ PUM, PUM-PA-DA-DI- DA-DA-DA-DA ♪ 377 00:25:27,459 --> 00:25:28,804 BUT IT'S COMING ALONG REAL WELL. 378 00:25:28,828 --> 00:25:29,805 THANK YOU. 379 00:25:29,829 --> 00:25:32,073 LADIES, THANK YOU. 380 00:25:32,097 --> 00:25:34,743 MISS TYLER, WOULD YOU BE GOOD ENOUGH TO GATHER THE HYMNALS? 381 00:25:34,767 --> 00:25:37,045 SURELY, MR. COOPER. 382 00:25:37,069 --> 00:25:38,981 DO YOU HAVE TIME FOR A CUP OF COFFEE? 383 00:25:39,005 --> 00:25:42,250 WELL, NO, I'M AFRAID NOT. I HAVE TO GET TO WORK. 384 00:25:42,274 --> 00:25:44,452 TIME AND TIDE WAIT FOR NO MAN. 385 00:25:44,476 --> 00:25:46,688 NEITHER DO THE FREIGHT TRAINS, I'M AFRAID. 386 00:25:46,712 --> 00:25:48,356 SEE YOU ALL TOMORROW, THEN? 387 00:25:48,380 --> 00:25:49,858 GLAD YOU COULD BE WITH US, OLIVIA. 388 00:25:49,882 --> 00:25:51,849 MY PLEASURE, MR. COOPER. 389 00:25:52,852 --> 00:25:54,062 IT WAS JUST LOVELY. 390 00:25:54,086 --> 00:25:55,846 OH, OH. JUST LOVELY, MISS OLIVIA. 391 00:26:10,269 --> 00:26:11,635 I'LL FIX IT. 392 00:26:18,243 --> 00:26:19,588 COFFEE, OLIVIA? 393 00:26:19,612 --> 00:26:22,624 OH, WELL, I... YOU ARE STAYIN', AREN'T YOU? 394 00:26:22,648 --> 00:26:24,092 JUST FOR A LITTLE WHILE. 395 00:26:24,116 --> 00:26:25,527 OH, WELL, I SHOULD HOPE SO. 396 00:26:25,551 --> 00:26:27,295 I ALWAYS SAY WHAT'S CHOIR PRACTICE 397 00:26:27,319 --> 00:26:28,964 WITHOUT A LITTLE SOCIALIZIN' AFTERWARDS? 398 00:26:28,988 --> 00:26:30,666 ISN'T THAT RIGHT, LADIES? 399 00:26:30,690 --> 00:26:33,501 DID YOU ALL HEAR RUDY VALLEE LAST NIGHT ON THE ROYAL GELATIN PROGRAM? 400 00:26:33,525 --> 00:26:35,003 NO, LISTENED TO LANNY ROSS. 401 00:26:35,027 --> 00:26:36,304 HOW ABOUT YOU, OLIVIA? 402 00:26:36,328 --> 00:26:37,439 YEAH, I LIKE HIM. 403 00:26:37,463 --> 00:26:40,330 ESPECIALLY WHEN HE SINGS THE ROSE OF TRALEE. 404 00:26:42,301 --> 00:26:43,879 SHE'S ALL RIGHT, CURTIS. 405 00:26:43,903 --> 00:26:46,582 BUT SHE SAYS SHE IS GOING TO LEAVE ON THE NEXT BUS. 406 00:26:46,606 --> 00:26:49,117 WELL, WHAT AM I GONNA DO? 407 00:26:49,141 --> 00:26:51,119 GO TO THE HOUSE AND TALK TO HER. 408 00:26:51,143 --> 00:26:52,921 WELL, I TRIED TALKIN' TO HER. 409 00:26:52,945 --> 00:26:55,290 YOU SAW WHERE THAT GOT ME. 410 00:26:55,314 --> 00:26:57,425 WELL, YOU'RE NOT JUST GOING TO LET HER GET ON A BUS 411 00:26:57,449 --> 00:26:58,493 AND LEAVE TOWN, ARE YOU? 412 00:26:58,517 --> 00:27:00,150 JOHN-BOY, 413 00:27:01,854 --> 00:27:04,187 DO YOU THINK I WANT HER TO LEAVE? 414 00:27:05,457 --> 00:27:08,536 YOU THINK I... I WANT TO LIVE HERE 415 00:27:08,560 --> 00:27:10,205 IN THIS HOUSE, ALL BY MYSELF? 416 00:27:12,231 --> 00:27:16,011 EVERY WORD THAT YOU WROTE IN THOSE LETTERS, 417 00:27:16,035 --> 00:27:17,479 I REALLY MEANT. 418 00:27:17,503 --> 00:27:19,881 WELL, THEN THERE'S GOT TO BE SOME WAY TO KEEP HER HERE. 419 00:27:23,375 --> 00:27:26,788 I COULD WRITE HER ANOTHER LETTER. 420 00:27:28,014 --> 00:27:30,859 YES, AND ASK HER TO STAY FOR A FEW MORE DAYS. 421 00:27:30,883 --> 00:27:33,695 AND THEN, AND THEN, MAYBE BY THAT TIME, 422 00:27:33,719 --> 00:27:35,163 I'D HAVE SOMETHIN' I CAN SAY TO HER. 423 00:27:35,187 --> 00:27:36,665 CURTIS, 424 00:27:36,689 --> 00:27:38,934 I REALLY DON'T KNOW IF I SHOULD HAVE WRITTEN THOSE LETTERS 425 00:27:38,958 --> 00:27:40,902 IN THE FIRST PLACE. 426 00:27:40,926 --> 00:27:43,639 I'LL HELP YOU ALL I CAN, BUT I CAN'T WRITE YOU ANY MORE OF THOSE LETTERS. 427 00:27:43,663 --> 00:27:44,928 JOHN-BOY. 428 00:27:46,231 --> 00:27:48,110 I CAN'T JUST LET THAT LITTLE GIRL 429 00:27:48,134 --> 00:27:50,167 GET ON THAT BUS AND LEAVE. 430 00:27:52,972 --> 00:27:56,217 CURTIS, IF YOU WANT TO WRITE HER A LETTER, THEN WRITE HER A LETTER. 431 00:27:56,241 --> 00:27:57,585 I CAN'T. 432 00:27:57,609 --> 00:28:00,722 WHEN I WRITE IT, THE WORDS DON'T COME OUT RIGHT. 433 00:28:00,746 --> 00:28:02,323 I'M SORRY, BUT I CAN'T, CURTIS. 434 00:28:02,347 --> 00:28:04,481 I JUST CAN'T WRITE A LETTER. 435 00:28:06,652 --> 00:28:07,818 PLEASE. 436 00:28:10,990 --> 00:28:13,234 SHOOT. ALL RIGHT, I'LL WRITE YOU ONE MORE LETTER, 437 00:28:13,258 --> 00:28:14,836 BUT THIS IS THE LAST ONE. 438 00:28:14,860 --> 00:28:16,504 I BETTER WASH UP MY HANDS FIRST. 439 00:28:16,528 --> 00:28:18,439 YEAH. 440 00:28:18,463 --> 00:28:20,308 I HOPE YOU'LL BE COMFORTABLE HERE. 441 00:28:20,332 --> 00:28:21,332 OH. 442 00:28:23,669 --> 00:28:25,947 I'M SURE I SHALL. 443 00:28:25,971 --> 00:28:28,516 I'LL HAVE JOHN-BOY TAKE SOME OF HIS CLOTHES OUT OF THE CLOSET. 444 00:28:28,540 --> 00:28:29,584 THEN YOU CAN UNPACK. 445 00:28:29,608 --> 00:28:31,352 OH, NO, NO, PLEASE DON'T BOTHER. 446 00:28:31,376 --> 00:28:32,854 IT'S ONLY FOR ONE NIGHT. 447 00:28:32,878 --> 00:28:35,256 I DON'T SEE ANY POINT IN MY STAYING ON. 448 00:28:35,280 --> 00:28:36,524 MISS HARRIS. 449 00:28:36,548 --> 00:28:38,827 OH, PLEASE CALL ME ANN. 450 00:28:38,851 --> 00:28:39,917 ANN. 451 00:28:41,520 --> 00:28:44,566 I KNOW THIS IS NONE OF MY BUSINESS, 452 00:28:44,590 --> 00:28:47,268 BUT COULDN'T YOU STAY ON JUST A LITTLE WHILE LONGER? 453 00:28:47,292 --> 00:28:49,771 I MEAN, YOU AND CURTIS HARDLY KNOW ONE ANOTHER. 454 00:28:49,795 --> 00:28:51,561 IT'S NOT JUST CURTIS. 455 00:28:52,998 --> 00:28:55,276 IT'S EVERYTHING. 456 00:28:55,300 --> 00:28:57,779 I MEAN, IT'S HIS HOUSE, AS WELL. 457 00:28:57,803 --> 00:29:01,116 YOUR HOUSE IS SO NICE AND PRETTY. 458 00:29:01,140 --> 00:29:02,918 SO IS THE NORTON HOUSE. 459 00:29:02,942 --> 00:29:05,709 YES, BUT IT SMELLS OF HORSE... 460 00:29:08,814 --> 00:29:10,881 SMOKE FROM THE SMITHY FIRE. 461 00:29:12,451 --> 00:29:15,552 WELL, IT'S JUST SO DARK AND POKEY ALL THE TIME. 462 00:29:17,056 --> 00:29:20,568 I RECKON MAYBE THAT'S ONE OF THE REASONS CURTIS NEEDS A WIFE. 463 00:29:20,592 --> 00:29:22,993 BESIDES, HE LOVES YOU, DOESN'T HE? 464 00:29:29,068 --> 00:29:31,802 IF YOU NEED ANYTHING, I'LL BE DOWNSTAIRS. 465 00:29:34,006 --> 00:29:38,820 "SO I BEG YOU, DO NOT LEAVE WALTON'S MOUNTAIN IN SUCH HASTE. 466 00:29:38,844 --> 00:29:44,492 "FIRST GIVE ME ANOTHER CHANCE "TO SPEAK 467 00:29:44,516 --> 00:29:47,829 MY... MY PIECE." 468 00:29:47,853 --> 00:29:49,352 OK, NOW, HERE. 469 00:29:50,790 --> 00:29:53,434 THIS YOU CAN END... WHERE IS IT? HERE IT IS. 470 00:29:53,458 --> 00:29:55,737 YOU CAN... YOU CAN END WITH THIS. LISTEN: 471 00:29:55,761 --> 00:29:58,774 "O! HOW I FAINT WHEN I OF YOU DO WRITE 472 00:29:58,798 --> 00:30:01,609 "KNOWING A BETTER SPIRIT DOTH USE YOUR NAME 473 00:30:01,633 --> 00:30:04,079 "AND IN THE PRAISE THEREOF SPENDS ALL HIS MIGHT 474 00:30:04,103 --> 00:30:07,048 TO MAKE ME TONGUE-TIED, SPEAKING OF YOUR FAME!" 475 00:30:07,072 --> 00:30:09,117 TONGUE-TIED? 476 00:30:09,141 --> 00:30:11,753 THAT'S JUST HOW I FEEL. 477 00:30:11,777 --> 00:30:15,657 WILLIAM SHAKESPEARE SURE KNEW WHAT HE WAS WRITING ABOUT, DIDN'T HE? 478 00:30:15,681 --> 00:30:18,448 OK, NOW, "O! HOW I FAINT..." 479 00:30:21,187 --> 00:30:22,297 FAINT? 480 00:30:22,321 --> 00:30:24,955 FAINT. F-A-I-N-T. FAINT. 481 00:30:26,892 --> 00:30:28,003 "O, HOW I FAINT 482 00:30:28,027 --> 00:30:30,493 WHEN I OF YOU DO WRITE" COMMA. 483 00:30:32,097 --> 00:30:34,275 NEXT TIME I SEE IT, I'M GONNA STAY IN THE THEATRE 484 00:30:34,299 --> 00:30:36,344 ALL DAY LONG. I'M GONNA SEE IT 5 TIMES MORE. 485 00:30:36,368 --> 00:30:38,146 HE SURE IS LIGHT ON HIS FEET. 486 00:30:38,170 --> 00:30:39,814 JIMMY FIDLER'S HOLLYWOOD GOSSIP 487 00:30:39,838 --> 00:30:43,351 SAID THAT THEY ARE DESTINED TO BE HOLLYWOOD'S BIGGEST NEW STARS. 488 00:30:43,375 --> 00:30:45,553 ♪♪ 489 00:30:45,577 --> 00:30:47,655 DID YOU SEE THE BRIDE OF FRANKENSTEIN? 490 00:30:47,679 --> 00:30:48,923 NOW, THAT WAS REALLY GOOD. 491 00:30:48,947 --> 00:30:50,458 WELL, THIS WAS, TOO. 492 00:30:50,482 --> 00:30:51,892 I REALLY ENJOYED IT. 493 00:30:51,916 --> 00:30:53,027 YES, ME, TOO. 494 00:30:53,051 --> 00:30:55,863 OH, THERE IS NOTHIN', NOTHIN' 495 00:30:55,887 --> 00:30:58,132 LIKE A REAL ROMANTIC TALKIE 496 00:30:58,156 --> 00:31:00,668 FOR CHASIN' THOSE BLUES AWAY. 497 00:31:02,461 --> 00:31:05,406 I THINK I'LL PEROXIDE MY HAIR AND CUT IT SHORT LIKE GINGER ROGERS. 498 00:31:05,430 --> 00:31:07,475 I'D LIKE TO BE THERE WHEN MAMA SEES THAT. 499 00:31:07,499 --> 00:31:09,243 HA-HA. 500 00:31:09,267 --> 00:31:11,712 HERE. CURTIS GAVE ME THIS LETTER TO GIVE TO YOU. 501 00:31:11,736 --> 00:31:13,714 HE SAYS FOR YOU TO READ IT WHEN YOU'RE ALONE. 502 00:31:13,738 --> 00:31:16,039 NO, NO... NO, HE SAYS IT'S REAL IMPORTANT. 503 00:31:29,488 --> 00:31:31,399 I LIKE THE SILENT PICTURES. 504 00:31:31,423 --> 00:31:34,624 YEAH, I JUST HOPE YOUR HERO JOHN GILBERT CAN TALK. 505 00:31:36,361 --> 00:31:38,206 ALMOST DONE. 506 00:31:38,230 --> 00:31:40,441 HERE THEY ARE, FRED AND GINGER. 507 00:31:41,666 --> 00:31:42,666 ♪♪ 508 00:31:46,038 --> 00:31:47,015 HOWDY. 509 00:31:47,039 --> 00:31:48,716 YOU'RE BACK HOME EARLY. 510 00:31:48,740 --> 00:31:50,951 JASON DIDN'T WANT TO STAY FOR MARCH OF TIME. 511 00:31:50,975 --> 00:31:52,120 WELL, I'VE GOT HOMEWORK TO DO. 512 00:31:52,144 --> 00:31:54,522 ME, TOO. MATH. YUCK. 513 00:31:54,546 --> 00:31:55,756 WELL, GOOD NIGHT. 514 00:31:55,780 --> 00:31:57,458 THANK YOU SO MUCH. 515 00:31:57,482 --> 00:31:58,659 THANKS AGAIN, ANN. 516 00:31:58,683 --> 00:32:00,128 GOOD NIGHT, EVERYBODY. GOOD NIGHT. 517 00:32:00,152 --> 00:32:01,329 I'M SO GLAD YOU ENJOYED IT. 518 00:32:01,353 --> 00:32:03,031 OH, WE DID. OH, YEAH.. 519 00:32:03,055 --> 00:32:04,832 HOW WAS THE MOVIN' PICTURE? 520 00:32:04,856 --> 00:32:07,668 OH, IT WAS FRED ASTAIRE AND GINGER ROGERS. 521 00:32:07,692 --> 00:32:09,803 IT WAS SWELL. 522 00:32:09,827 --> 00:32:12,907 IT'S THEIR 2ND FILM. THEIR FIRST WAS FLYING DOWN TO RIO. 523 00:32:12,931 --> 00:32:14,075 THEY DID THE CARIOCA. 524 00:32:14,099 --> 00:32:16,077 THE CARIOCA? HMM. 525 00:32:16,101 --> 00:32:18,279 I HEARD THAT ONE ON THE RADIO. 526 00:32:18,303 --> 00:32:21,771 ♪♪ 527 00:32:24,242 --> 00:32:27,855 ♪ TA-RA-RA-RA-DI-DA-DA ♪ ♪ TA-RA-RA-RA-RA ♪ 528 00:32:28,980 --> 00:32:31,125 OLD MAN, NOW YOU STOP YOUR FOOLISHNESS. 529 00:32:31,149 --> 00:32:33,094 YOU'LL FALL DOWN AND BREAK ONE OF YOUR BONES. 530 00:32:33,118 --> 00:32:36,764 ONLY THING LIKELY TO FALL DOWN AROUND HERE IS YOUR CAKE. 531 00:32:38,890 --> 00:32:40,568 DID YOUR FOLKS TAKE YOU TO THE MOVIES? 532 00:32:40,592 --> 00:32:44,172 OH, NO, NOW, THEY WERE VERY STRICT. THEY NEVER LET ME GO. 533 00:32:44,196 --> 00:32:45,906 THEY LIVE IN BUFFALO? 534 00:32:45,930 --> 00:32:49,377 NO, THEY DIED WHEN I WAS 14. 535 00:32:49,401 --> 00:32:50,700 I'M SORRY. 536 00:32:53,305 --> 00:32:57,118 SEE, I WAS SENT UP NORTH FROM RICHMOND TO LIVE WITH MY AUNT, 537 00:32:57,142 --> 00:33:00,555 MY AUNT AGNES. 538 00:33:00,579 --> 00:33:03,213 THAT'S WHEN I SAW MY VERY FIRST MOVIE. 539 00:33:04,483 --> 00:33:06,927 WELL, EVERYTHIN' BACK IN THEM DAYS WAS SILENT. 540 00:33:06,951 --> 00:33:08,028 OH, YEAH. 541 00:33:08,052 --> 00:33:11,199 I REMEMBER THAT AFTERNOON SO CLEARLY. 542 00:33:11,223 --> 00:33:14,735 IT WAS WINTER, AND IT WAS COLD AND... AND DARK 543 00:33:14,759 --> 00:33:16,571 AND I WAS COMING HOME FROM SCHOOL 544 00:33:16,595 --> 00:33:20,508 AND FOR SOME REASON, I JUST DIDN'T GO MY USUAL WAY. 545 00:33:20,532 --> 00:33:23,611 I TURNED THE CORNER AND THERE IT WAS: 546 00:33:23,635 --> 00:33:25,879 THE PICTURE PALACE 547 00:33:25,903 --> 00:33:28,716 SHINING AT THE END OF THE STREET 548 00:33:28,740 --> 00:33:31,385 WITH ELECTRIC LIGHT BULBS ALL LIT UP 549 00:33:31,409 --> 00:33:33,254 AT THE END OF THE MARQUEE. 550 00:33:33,278 --> 00:33:37,225 I PAID MY 10 CENTS AND I WENT IN. 551 00:33:37,249 --> 00:33:38,559 ALL ALONE? 552 00:33:38,583 --> 00:33:40,861 OH, I'LL NEVER FORGET IT. 553 00:33:40,885 --> 00:33:44,064 THE WARMTH AND... AND THE DARKNESS. 554 00:33:44,088 --> 00:33:48,669 AND, UP THERE, ON THE SCREEN, ALL THOSE WONDERFUL STARS. 555 00:33:48,693 --> 00:33:52,173 GARBO, AND... AND BARRYMORE, 556 00:33:52,197 --> 00:33:55,643 AND VALENTINO, AND... AND THE GISH SISTERS, 557 00:33:55,667 --> 00:33:59,614 AND, UH, HAROLD LLOYD, AND MARION DAVIES, 558 00:33:59,638 --> 00:34:01,437 AND MARY PICKFORD. 559 00:34:09,314 --> 00:34:11,714 FOR THE VERY FIRST TIME IN MY LIFE, 560 00:34:14,952 --> 00:34:17,520 I FELT A PART OF OTHER PEOPLE'S LIVES. 561 00:34:18,823 --> 00:34:22,403 IT'S THE SAME THING EVERY TIME I SEE A FILM. 562 00:34:22,427 --> 00:34:24,927 AND THEN LATER ON, WHEN I WALK HOME 563 00:34:26,831 --> 00:34:29,232 THAT GLOWING FEELING STAYS WITH ME. 564 00:34:30,635 --> 00:34:32,001 AND IT, UH, 565 00:34:33,104 --> 00:34:34,704 IT KEEPS ME WARM. 566 00:34:35,907 --> 00:34:38,027 AND WHEN YOU GET HOME? 567 00:34:40,011 --> 00:34:42,345 OH, IT ALWAYS SORT OF GOES AWAY. 568 00:34:44,349 --> 00:34:45,848 IT EVAPORATES. 569 00:35:02,033 --> 00:35:04,478 I THINK I SHOULD BE GETTING OFF TO BED. 570 00:35:04,502 --> 00:35:06,146 ANN, WON'T YOU HAVE SOME CAKE? 571 00:35:06,170 --> 00:35:08,504 OH, NO, UH, THANK YOU. 572 00:35:09,641 --> 00:35:11,952 IT'S TIME FOR ME TO GO TO SLEEP. 573 00:35:11,976 --> 00:35:13,421 ANN. 574 00:35:13,445 --> 00:35:15,289 MRS. WALTON. 575 00:35:15,313 --> 00:35:18,481 YOU KNOW, SOMETIMES GOOD FEELINGS DON'T EVAPORATE. 576 00:35:19,618 --> 00:35:21,851 SOMETIMES THEY LAST A LIFETIME. 577 00:35:29,093 --> 00:35:30,504 GOOD NIGHT. 578 00:35:30,528 --> 00:35:31,739 NIGHT. NIGHT. 579 00:35:31,763 --> 00:35:32,973 GOOD NIGHT. GOOD NIGHT. 580 00:35:32,997 --> 00:35:34,530 THANKS FOR THE TREAT. 581 00:36:15,674 --> 00:36:18,073 "O, HOW I FAINT WHEN I OF YOU..." 582 00:36:21,346 --> 00:36:22,346 WHAT? 583 00:36:34,292 --> 00:36:36,003 GOOD MORNIN', DADDY. GOOD MORNIN', SON. 584 00:36:36,027 --> 00:36:37,893 MAMA. MORNIN', JOHN-BOY. 585 00:36:38,996 --> 00:36:39,973 JOHN-BOY. 586 00:36:39,997 --> 00:36:41,041 GOOD MORNIN'. 587 00:36:41,065 --> 00:36:42,109 I WANT TO TALK TO YOU. 588 00:36:42,133 --> 00:36:43,444 MMM-HMM. 589 00:36:43,468 --> 00:36:44,845 IS SOMETHIN' THE MATTER? 590 00:36:44,869 --> 00:36:47,981 YEAH. HEAR THIS. 591 00:36:48,005 --> 00:36:50,072 THIS IS THE MATTER. 592 00:36:51,643 --> 00:36:53,487 LETTER TO YOU FROM CURTIS NORTON. 593 00:36:53,511 --> 00:36:56,979 YEAH, IT'S A LETTER TO ME. BUT IT'S NOT FROM CURTIS. 594 00:36:59,116 --> 00:37:01,562 YOU WROTE THIS LETTER, DIDN'T YOU, JOHN? 595 00:37:02,654 --> 00:37:04,354 AND ALL THE OTHERS? 596 00:37:06,023 --> 00:37:08,402 WELL, HOW FUNNY YOU MUST HAVE THOUGHT IT WAS. 597 00:37:08,426 --> 00:37:10,037 SITTING THERE SNICKERING TOGETHER, 598 00:37:10,061 --> 00:37:12,039 WRITING EVERY ONE OF THESE LIES. 599 00:37:12,063 --> 00:37:15,776 DRAGGING ME ALL THE WAY FROM BUFFALO, NEW YORK. 600 00:37:15,800 --> 00:37:18,501 WHAT A GOOD TIME YOU MUST HAVE HAD, HUH? 601 00:37:19,771 --> 00:37:21,270 LAUGHING AT ME. 602 00:37:23,174 --> 00:37:25,820 I JUST DON'T UNDERSTAND WHY YOU WOULD DO SUCH A THING. 603 00:37:25,844 --> 00:37:30,591 NO, WE... WE DIDN'T MEAN TO DECEIVE YOU OR HURT YOU. 604 00:37:30,615 --> 00:37:32,114 WELL, YOU HAVE. 605 00:37:34,285 --> 00:37:36,797 AND JUST WHEN I'D ALMOST DECIDED THAT... 606 00:37:36,821 --> 00:37:38,020 DECIDED? 607 00:37:39,724 --> 00:37:41,591 OH, IT DOESN'T MATTER. 608 00:37:45,129 --> 00:37:48,964 JOHN-BOY, IT LOOKS TO ME LIKE YOU'VE GOT SOME EXPLAININ' TO DO. 609 00:37:55,574 --> 00:37:58,319 SO THE TRAVELIN' SALESMAN LEANED OVER THE KITCHEN TABLE 610 00:37:58,343 --> 00:37:59,587 AND HE SAID TO THE WOMAN: 611 00:37:59,611 --> 00:38:01,155 "WELL, IN THAT CASE, MADAM, 612 00:38:01,179 --> 00:38:04,259 PERHAPS YOU'D BE BETTER OFF WITH A LARGER SIZE." 613 00:38:04,283 --> 00:38:06,894 DID YOU ALL HEAR THE LITTLE AUDREY JOKE 614 00:38:06,918 --> 00:38:08,596 ABOUT THE MAN WHO JUMPED OFF THE TOP 615 00:38:08,620 --> 00:38:10,498 OF THE CHRYSLER BUILDING IN NEW YORK CITY? 616 00:38:10,522 --> 00:38:12,099 YES, I HEARD IT 3 WEEKS AGO. 617 00:38:12,123 --> 00:38:14,335 BUT I'LL BET NONE OF YOU HAVE HEARD THIS ONE. 618 00:38:14,359 --> 00:38:16,837 MORE COFFEE, OLIVIA? 619 00:38:16,861 --> 00:38:18,839 OH, NO, THANK YOU, MARTHA. 620 00:38:18,863 --> 00:38:20,341 LIVIE, WHERE'S YOUR MIND? 621 00:38:20,365 --> 00:38:22,209 OH, 622 00:38:22,233 --> 00:38:24,945 JUST TRYING TO THINK OF SOMETHIN' SPECIAL FOR JOHN'S SUPPER TONIGHT. 623 00:38:24,969 --> 00:38:27,282 LIVIE, ARE YOU NEW HERE. 624 00:38:27,306 --> 00:38:29,950 LITTLE WHILE, WE'LL HAVE YOU JUST LIKE THE REST OF US. 625 00:38:29,974 --> 00:38:34,021 THE MEN AT HOME TAKIN' CARE OF THEMSELVES AND FIXIN' THEIR OWN SUPPERS. 626 00:38:34,045 --> 00:38:35,923 NO, I DON'T THINK SO, MARTHA. 627 00:38:35,947 --> 00:38:37,659 LIVIE, DID YOU HEAR ABOUT THAT? 628 00:38:37,683 --> 00:38:40,628 ABOUT CORA MAE MERKEL AND THE BUTCHER DOWN AT CARTER'S BRIDGE? 629 00:38:40,652 --> 00:38:42,397 NO, I DIDN'T. 630 00:38:42,421 --> 00:38:45,199 I'M AFRAID I DON'T HAVE TIME. 631 00:38:45,223 --> 00:38:47,868 OH, WHERE ARE YOU GOIN'? 632 00:38:47,892 --> 00:38:50,505 HOME. BYE, EVERYBODY. 633 00:38:50,529 --> 00:38:51,572 BYE. 634 00:38:51,596 --> 00:38:53,207 BYE. 635 00:38:53,231 --> 00:38:56,299 WELL, ANYWAY... 636 00:39:16,087 --> 00:39:19,288 GRANDMA! CHILDREN! 637 00:39:28,900 --> 00:39:30,533 OH, ERIN. 638 00:39:59,998 --> 00:40:01,431 ♪♪ 639 00:41:20,579 --> 00:41:21,579 LIV. 640 00:41:22,747 --> 00:41:23,747 YES. 641 00:41:27,218 --> 00:41:29,129 JUST LOOKIN'. 642 00:41:29,153 --> 00:41:30,620 JUST LOOKIN'. 643 00:41:32,123 --> 00:41:35,525 THIS PLACE, OUR HOME... 644 00:41:41,366 --> 00:41:44,033 SEEMS LIKE I NEVER REALLY SAW IT BEFORE. 645 00:41:46,471 --> 00:41:48,483 SORRY FOR RUNNIN' OFF. 646 00:41:48,507 --> 00:41:51,107 LEAVIN' YOU ALL TO FEND FOR YOURSELVES. 647 00:41:52,276 --> 00:41:54,321 DREAMIN' SILLY SCHOOLGIRL DREAMS. 648 00:41:55,947 --> 00:41:59,694 THINKIN' SOME DAY I MIGHT BE A GREAT SINGER. 649 00:41:59,718 --> 00:42:01,496 IS THAT WHAT YOU WAS DREAMIN'? 650 00:42:01,520 --> 00:42:03,130 SOMETIMES. 651 00:42:03,154 --> 00:42:06,422 ESPECIALLY WHEN I WAS WHEELIN' ALONG ON THAT BICYCLE. 652 00:42:08,960 --> 00:42:11,127 YOU'LL PROBABLY LAUGH AT THIS, 653 00:42:12,831 --> 00:42:14,709 BUT I EVEN DREAMED THAT MAYBE ONE DAY 654 00:42:14,733 --> 00:42:18,513 I'D SING AT THE METROPOLITAN OPERA HOUSE IN NEW YORK CITY. 655 00:42:18,537 --> 00:42:19,537 HA! 656 00:42:31,449 --> 00:42:32,682 DEAR LIV, 657 00:42:35,654 --> 00:42:37,520 IS THAT WHAT YOU WANT? 658 00:42:39,958 --> 00:42:41,035 MMM. 659 00:42:54,573 --> 00:42:55,972 MRS. WALTON. 660 00:42:59,911 --> 00:43:01,811 MRS. WALTON, EXCUSE ME. 661 00:43:03,048 --> 00:43:05,181 I WOULD LIKE TO SAY GOODBYE. 662 00:43:10,555 --> 00:43:13,400 I KNOW YOU'RE ANGRY WITH MY SON. 663 00:43:13,424 --> 00:43:15,369 I WISH YOU WEREN'T LEAVIN'. 664 00:43:15,393 --> 00:43:17,359 IT JUST DIDN'T WORK OUT. 665 00:43:18,663 --> 00:43:21,108 WHAT ARE YOU GONNA DO WHEN YOU GET BACK TO BUFFALO? 666 00:43:21,132 --> 00:43:22,710 OH, I WILL GET MY JOB BACK AND... 667 00:43:22,734 --> 00:43:26,781 AND SIT IN DARK THEATRES DREAMIN' OTHER PEOPLE'S LIVES? 668 00:43:26,805 --> 00:43:30,184 WELL, THERE'S NO HARM IN DREAMING DREAMS. 669 00:43:30,208 --> 00:43:31,208 NO. 670 00:43:35,814 --> 00:43:38,425 THEY'RE PART OF OUR LIVES. 671 00:43:38,449 --> 00:43:41,462 BUT WHEN THEY KEEP YOU AWAY FROM LIFE, 672 00:43:41,486 --> 00:43:44,431 FROM LOVIN', SHARIN', 673 00:43:44,455 --> 00:43:47,101 THEN I THINK THERE IS HARM. 674 00:43:47,125 --> 00:43:50,204 THAT'S ALL VERY WELL FOR YOU TO TALK. 675 00:43:50,228 --> 00:43:53,963 YOU HAVE YOUR HUSBAND AND... AND YOUR HOUSE, 676 00:43:55,900 --> 00:43:57,344 CHILDREN. 677 00:43:57,368 --> 00:43:58,779 YOU COULD HAVE IT, TOO. 678 00:43:58,803 --> 00:44:00,715 WITH CURTIS? 679 00:44:00,739 --> 00:44:03,317 LOOK, YOU CAME ALL THIS WAY TO MARRY HIM. 680 00:44:03,341 --> 00:44:05,608 WHY NOT GIVE HIM ANOTHER CHANCE? 681 00:44:06,678 --> 00:44:08,022 I CAN'T. 682 00:44:08,046 --> 00:44:09,278 WHY NOT? 683 00:44:10,581 --> 00:44:12,693 BECAUSE I'M LOOKING FOR SOMETHING ELSE. 684 00:44:12,717 --> 00:44:15,496 DON'T WAIT FOR IT TOO LONG, ANN. 685 00:44:15,520 --> 00:44:18,265 BECAUSE WHATEVER IT IS YOU THINK YOU'RE LOOKIN' FOR, 686 00:44:18,289 --> 00:44:20,123 YOU MAY NEVER FIND IT. 687 00:44:43,048 --> 00:44:44,125 ANN. 688 00:44:44,149 --> 00:44:45,760 I HAVE NOTHING TO SAY TO YOU. 689 00:44:45,784 --> 00:44:49,229 WELL, MA'AM. JOHN. 690 00:44:49,253 --> 00:44:50,998 I'VE GOT SOMETHIN' TO SAY TO YOU. 691 00:44:51,022 --> 00:44:54,434 NOW, CURTIS, YOU JUST STAY AWAY FROM ME. 692 00:44:54,458 --> 00:44:56,170 NOT UNTIL I'VE SAID MY PIECE. 693 00:44:56,194 --> 00:44:57,838 I DON'T WANT TO HEAR IT. 694 00:44:57,862 --> 00:44:59,640 YOU JUST THINK YOU'RE SO SMART, 695 00:44:59,664 --> 00:45:01,709 WITH ALL YOUR CITIFIED WAYS. 696 00:45:01,733 --> 00:45:03,144 I-I'M NOT LISTENING. 697 00:45:03,168 --> 00:45:06,547 YEAH, YEAH, YOU TALKIN' ABOUT, UH... UH, MOTION PICTURES 698 00:45:06,571 --> 00:45:09,516 AND, UH, THE MOVIE STARS. 699 00:45:09,540 --> 00:45:11,251 WELL, YOU KNOW, 700 00:45:11,275 --> 00:45:14,388 I MAY NOT BE NO, UH, JIMMY GABLE OR CLARK STEWART. 701 00:45:14,412 --> 00:45:16,691 CLARK GABLE OR JIMMY STEWART. 702 00:45:16,715 --> 00:45:18,181 WHAT? NEVER MIND. 703 00:45:19,984 --> 00:45:22,018 I KNOW I DON'T TALK FANCY. 704 00:45:23,321 --> 00:45:24,999 AND THERE'S LOT OF THINGS I DON'T KNOW, 705 00:45:25,023 --> 00:45:28,836 BUT THERE IS ONE THING THAT I DO KNOW, AND THAT IS I LOVE YOU. 706 00:45:28,860 --> 00:45:31,005 LOOKS LIKE HE'S FINALLY FOUND HIS VOICE. 707 00:45:31,029 --> 00:45:32,873 I CAN'T HEAR YOU. 708 00:45:32,897 --> 00:45:34,897 I SAID I LOVE YOU! 709 00:45:40,038 --> 00:45:42,717 I HAVE EVER SINCE THE FIRST TIME I LAID EYES ON YOU. 710 00:45:43,875 --> 00:45:45,953 LISTEN, WOULD... WOULD YOU JUST PLEASE STOP THAT 711 00:45:45,977 --> 00:45:47,454 AND COME DOWN OFF THAT DARN THING? 712 00:45:47,478 --> 00:45:48,823 NO. 713 00:45:48,847 --> 00:45:51,491 THOUGHT SHE SAID SHE COULDN'T HEAR HIM. 714 00:45:53,184 --> 00:45:55,295 ALL RIGHT, NOW LISTEN TO ME. 715 00:45:55,319 --> 00:45:57,497 I WANT YOU TO MARRY ME. 716 00:45:57,521 --> 00:45:59,761 I WANT YOU TO BE MY WIFE! 717 00:46:02,660 --> 00:46:04,805 IF YOU DON'T COME RIGHT NOW, 718 00:46:04,829 --> 00:46:07,274 I'M GOIN' TO GET IN THAT TRUCK AND JUST DRIVE OFF. 719 00:46:07,298 --> 00:46:09,598 AND I'LL NEVER BOTHER YOU AGAIN. 720 00:46:15,073 --> 00:46:17,584 ALL RIGHT. THAT'S IT. 721 00:46:17,608 --> 00:46:19,419 THIS KID DECEIVED ME. 722 00:46:19,443 --> 00:46:21,055 CURTIS, YOU LIED TO ME. 723 00:46:21,079 --> 00:46:22,923 YOU AND JOHN-BOY, YOU DECEIVED ME. 724 00:46:22,947 --> 00:46:25,059 HOW CAN I EVER TRUST YOU AFTER THAT? 725 00:46:25,083 --> 00:46:27,494 WE DID NOT DECEIVE YOU. I WROTE DOWN WHAT HE WANTED TO SAY, 726 00:46:27,518 --> 00:46:30,430 BUT COULDN'T FIND THE WORDS FOR. I WROTE DOWN WHAT WAS IN HIS HEART. 727 00:46:30,454 --> 00:46:31,698 BUT THAT IS DECEITFUL. 728 00:46:31,722 --> 00:46:33,033 IT IS NOT DECEITFUL. 729 00:46:33,057 --> 00:46:35,302 WHAT ABOUT ALL THOSE MOVIE STARS YOU ALWAYS TALK ABOUT? 730 00:46:35,326 --> 00:46:37,371 YOU THINK THEY WRITE THEIR OWN WORDS? THEY DO NOT. 731 00:46:37,395 --> 00:46:39,506 WHAT DO YOU MEAN? I READ IT IN A FAN MAGAZINE. 732 00:46:39,530 --> 00:46:42,799 THEY HIRE WRITERS TO WRITE DOWN THOSE LINES FOR 'EM. 733 00:46:46,337 --> 00:46:48,649 JOHN-BOY, GET HIM BACK HERE. 734 00:46:48,673 --> 00:46:50,117 WELL, YOU GET... 735 00:46:50,141 --> 00:46:51,819 WELL, YOU GET HIM BACK HERE. 736 00:46:51,843 --> 00:46:53,642 WELL, STOP THE SWING. 737 00:47:03,888 --> 00:47:07,367 MRS. WALTON, DO YOU THINK HE'LL TALK ABOUT THIS? 738 00:47:07,391 --> 00:47:09,003 THERE'S ONLY ONE WAY TO FIND OUT. 739 00:47:09,027 --> 00:47:11,071 WELL, WOULD YOU LIKE ME TO TAKE YOU IN THE TRUCK? 740 00:47:11,095 --> 00:47:14,842 NO, THANK YOU. YOU HAVE HELPED ME ENOUGH ALREADY. 741 00:47:14,866 --> 00:47:15,866 UM. 742 00:47:17,936 --> 00:47:22,349 MRS. WALTON, MRS. WALTON, MAY I BORROW YOUR BICYCLE? 743 00:47:22,373 --> 00:47:24,484 I DON'T SEE WHY NOT. 744 00:47:24,508 --> 00:47:26,520 THANK YOU. 745 00:47:26,544 --> 00:47:29,278 AFTER ALL, I WON'T BE NEEDIN' IT ANYMORE. 746 00:47:31,449 --> 00:47:32,759 DO YOU KNOW HOW TO RIDE IT? 747 00:47:32,783 --> 00:47:34,061 OH, I DON'T KNOW. 748 00:47:34,085 --> 00:47:36,463 WELL, JUST... JUST GET ON, WE'LL HELP YOU. 749 00:47:36,487 --> 00:47:38,332 PUT YOUR FOOT ON THIS PEDAL HERE. 750 00:47:38,356 --> 00:47:39,700 GET HER ON THE OTHER ONE. 751 00:47:39,724 --> 00:47:41,836 JUST GET GOING. GO. 752 00:47:41,860 --> 00:47:43,270 PEDAL, PEDAL, THAT'S IT. 753 00:47:44,362 --> 00:47:45,806 GO GET HIM. 754 00:47:45,830 --> 00:47:47,070 THANK YOU! 755 00:47:50,468 --> 00:47:52,534 OH... STOP! 756 00:47:53,972 --> 00:47:55,916 CURTIS, WAIT! 757 00:47:55,940 --> 00:47:58,418 NO, WA-WAIT! 758 00:47:58,442 --> 00:48:01,222 WAIT FOR ME, CURTIS! 759 00:48:01,246 --> 00:48:03,224 PLEASE WAIT. 760 00:48:03,248 --> 00:48:07,383 CURTIS... CURTIS, WAIT FOR ME! 761 00:48:16,294 --> 00:48:17,760 CURTIS, WAIT. 762 00:48:23,368 --> 00:48:25,712 DI-DA-DA-DUM-DI-DI... ♪ 763 00:48:25,736 --> 00:48:28,015 MY MOTHER NEVER SANG IN GRAND OPERA, 764 00:48:28,039 --> 00:48:29,683 BUT HER VOICE NEVER FAILED 765 00:48:29,707 --> 00:48:31,818 TO FILL OUR HOUSE WITH A GLAD SONG, 766 00:48:31,842 --> 00:48:34,788 AS SHE WENT ABOUT THE JOB OF CARING FOR US ALL. 767 00:48:34,812 --> 00:48:37,491 I CAN STILL REMEMBER WHEN THE HOUR GREW LATE, 768 00:48:37,515 --> 00:48:39,426 I WOULD BE WRITING IN MY ROOM, 769 00:48:39,450 --> 00:48:42,263 AND SHE WOULD BE WORKING AT SOME CHORE IN THE KITCHEN, 770 00:48:42,287 --> 00:48:44,664 AND HER VOICE WOULD DRIFT UPWARD. 771 00:48:44,688 --> 00:48:48,468 ♪ DA-DA-DI, DA-DI, DA-DI ♪ 772 00:48:48,492 --> 00:48:52,306 ♪ DA-DUM, DA-DI, DA-DI... ♪ 773 00:48:53,464 --> 00:48:54,775 GOOD NIGHT, MAMA. 774 00:48:54,799 --> 00:48:56,399 GOOD NIGHT, JOHN-BOY. 775 00:49:04,241 --> 00:49:05,752 IN A MOMENT, SOME SCENES 776 00:49:05,776 --> 00:49:08,310 FROM THE NEXT EPISODE OF THE WALTONS. 55254

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