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1
00:00:06,741 --> 00:00:08,577
MARY?
COMING TO LUNCH?
2
00:00:08,610 --> 00:00:10,979
A NEW SUSHI PLACE
JUST OPENED.
3
00:00:11,012 --> 00:00:12,346
DICK,
I CAN'T HAVE SUSHI.
4
00:00:12,380 --> 00:00:13,181
Dick: WHY NOT?
5
00:00:13,214 --> 00:00:15,550
I'M ALLERGIC.
IT MAKES ME VOMIT.
6
00:00:15,584 --> 00:00:17,385
WHO COULD HAVE PUT
THAT IDEA IN YOUR HEAD?
7
00:00:17,418 --> 00:00:20,121
THE PARAMEDICS.
8
00:00:20,154 --> 00:00:21,890
OH! I CAN'T
HAVE LUNCH ANYWAY.
9
00:00:21,923 --> 00:00:23,725
I'M LATE FOR
MY ACUPRESSURE
APPOINTMENT.
10
00:00:23,758 --> 00:00:25,727
ACUPRESSURE. HOW EXOTIC.
11
00:00:25,760 --> 00:00:27,428
HOW LONG
HAS THIS BEEN GOING ON?
12
00:00:27,461 --> 00:00:30,699
EVERY TUESDAY FOR 6 MONTHS
SINCE I HURT MY BACK BOWLING.
13
00:00:30,732 --> 00:00:35,937
BOWLING. WHEN DID
YOU TAKE UP BOWLING?
14
00:00:35,970 --> 00:00:38,840
OH, OUR MARY'S
FULL OF SURPRISES.
15
00:00:38,873 --> 00:00:41,710
THE BIG SURPRISE IS
THAT SHE STAYS WITH YOU.
16
00:00:41,743 --> 00:00:43,344
YOU DON'T KNOW ANYTHING
ABOUT HER.
17
00:00:43,377 --> 00:00:45,246
WELL, YOU DON'T KNOW
ANYTHING ABOUT ME.
18
00:00:45,279 --> 00:00:47,749
YEAH. THAT'S RIGHT.
19
00:00:47,782 --> 00:00:49,517
WHAT'S
HER FAVORITE FOOD?
20
00:00:49,550 --> 00:00:50,685
CHICKEN FRIED STEAK.
21
00:00:50,719 --> 00:00:51,786
THAT'S
YOUR FAVORITE.
22
00:00:51,820 --> 00:00:52,954
WHAT'S
HER FAVORITE MOVIE?
23
00:00:52,987 --> 00:00:54,723
UH, THAT'S EASY.
A RENTAL I KEPT
24
00:00:54,756 --> 00:00:57,391
CALLED GAS PUMP GIRLS.
25
00:00:58,627 --> 00:01:00,695
WHAT COLOR
ARE HER EYES?
26
00:01:00,729 --> 00:01:02,597
OH, OH,
UH...THAT I KNOW.
27
00:01:02,631 --> 00:01:05,333
UH...MOSTLY WHITE
ON THE OUTSIDE,
28
00:01:05,366 --> 00:01:10,104
AND IN THE MIDDLE...
SOMETHING NOT WHITE.
29
00:01:10,138 --> 00:01:11,539
HER FAVORITE FOOD
IS RATATOUILLE.
30
00:01:11,572 --> 00:01:14,375
HER EYES ARE BLUE
OR GREEN DEPENDING
ON WHAT SHE'S WEARING,
31
00:01:14,408 --> 00:01:18,379
AND HER FAVORITE MOVIE
IS PARDON MY SARONG
STARRING BOB HOPE.
32
00:01:18,412 --> 00:01:22,617
MY GOD! YOU SEEM
TO KNOW EVEN MORE
ABOUT MARY THAN I DO.
33
00:01:22,651 --> 00:01:24,452
DOES THAT TELL YOU
ANYTHING?
34
00:01:24,485 --> 00:01:25,887
YES, IT DOES.
35
00:01:25,920 --> 00:01:28,289
YOU'VE GOT A THING
FOR MY GIRLFRIEND!
36
00:02:04,693 --> 00:02:06,160
HA HA.
THANKS, RICHARD.
37
00:02:06,194 --> 00:02:08,496
SOUNDS LIKE
ONE HECK OF A GAME.
38
00:02:08,529 --> 00:02:11,900
ALL RIGHT.
NOW HERE'S SALLY STORM
WITH A WEATHER RECAP.
39
00:02:11,933 --> 00:02:12,633
SALLY?
40
00:02:12,667 --> 00:02:13,802
THANKS, CHAZ.
41
00:02:13,835 --> 00:02:15,169
WELL, THERE'S
NO RAIN IN SIGHT,
42
00:02:15,203 --> 00:02:17,706
BUT BY SUNDOWN, YOU
RUTHERFORD KITTENS
43
00:02:17,739 --> 00:02:18,940
BETTER FIND
YOUR MITTENS.
44
00:02:18,973 --> 00:02:20,709
IT'S GONNA BE COLD.
45
00:02:20,742 --> 00:02:23,177
26 DEGREES
BY MIDNIGHT.
46
00:02:23,211 --> 00:02:25,646
WOW. SEEMS LIKE A NICE NIGHT
TO CUDDLE UP BY THE FIRE
47
00:02:25,680 --> 00:02:28,016
WITH A LITTLE SWISS MISS.
48
00:02:30,551 --> 00:02:33,855
BUT, CHAZ, WHAT
YOU AND YOUR LITTLE
EURO-TRASH GIRLFRIEND DO
49
00:02:33,888 --> 00:02:36,324
IS REALLY NONE
OF OUR BUSINESS.
50
00:02:37,025 --> 00:02:39,160
I--I MEANT COCOA.
51
00:02:39,193 --> 00:02:42,697
AW. CAN'T EVEN KEEP
TRACK OF THEIR NAMES.
SO SAD.
52
00:02:42,731 --> 00:02:45,299
UH, YOU KNOW,
I'M ACTUALLY
STARTING TO THINK THAT
53
00:02:45,333 --> 00:02:46,167
THAT PLASTIC SURGEON
54
00:02:46,200 --> 00:02:47,902
GAVE YOU A LITTLE
TOO MUCH KNOCK-OUT GAS
55
00:02:47,936 --> 00:02:50,438
WHEN YOU WENT IN
FOR THAT FANNY TUCK.
56
00:02:51,139 --> 00:02:54,142
OK, I HAVE A HISTORY
OF WEAK GLUTES IN MY FAMILY.
57
00:02:54,175 --> 00:02:59,447
OK, WHATEVER.
ANYWAY, TUNE IN TOMORROW
FOR MY 45-DAY FORECAST.
58
00:02:59,480 --> 00:03:01,449
I'M SALLY STORM.
59
00:03:01,482 --> 00:03:03,284
AND WE'RE CLEAR.
60
00:03:03,317 --> 00:03:05,386
SALLY, I JUST GOT
THE LOCAL RATINGS.
61
00:03:05,419 --> 00:03:08,222
WE ARE NOW NUMBER 2
IN WEATHER.
62
00:03:08,256 --> 00:03:09,457
OH!
AND NUMBER 3 IN NEWS.
63
00:03:09,490 --> 00:03:11,025
OH!
YOU COULD BE
GOING PLACES, SALLY.
64
00:03:11,059 --> 00:03:11,726
YOU'RE HOT!
65
00:03:11,760 --> 00:03:13,795
SO HOT.
66
00:03:13,828 --> 00:03:15,663
SOUNDS LIKE WE'RE
A PRETTY GOOD TEAM,
BUDDY.
67
00:03:15,696 --> 00:03:18,132
YEAH, LIKE
JOHN AND YOKO.
68
00:03:18,933 --> 00:03:21,135
SACCO AND VANZETTI.
69
00:03:21,169 --> 00:03:24,839
BOB CLEASBY AND
HIS 64th CHILDREN'S CHOIR.
70
00:03:25,406 --> 00:03:26,407
WHO ARE YOU AGAIN?
71
00:03:26,440 --> 00:03:27,742
OH, THAT'S JUST
MY BROTHER HARRY.
72
00:03:27,776 --> 00:03:29,110
OH, WELL, YOU KNOW,
UNLESS YOU WORK HERE,
73
00:03:29,143 --> 00:03:30,211
YOU REALLY SHOULDN'T
BE HANGING AROUND.
74
00:03:30,244 --> 00:03:31,579
WELL, IF THAT'S
AN OFFER TO WORK HERE,
75
00:03:31,612 --> 00:03:32,480
THEN I'D LOVE TO.
76
00:03:32,513 --> 00:03:34,983
HEY, UH...
77
00:03:35,016 --> 00:03:37,351
HEY, MAYBE HE COULD
BE A GO-FER.
78
00:03:37,385 --> 00:03:38,119
A GOPHER?
79
00:03:38,152 --> 00:03:39,387
YEAH, EVERY STATION'S
GOT ONE.
80
00:03:39,420 --> 00:03:40,989
EVERY STATION'S
GOT A GOPHER?
81
00:03:41,022 --> 00:03:42,991
YEAH, YEAH.
YOU'D BE SURPRISED
82
00:03:43,024 --> 00:03:43,992
AT HOW USEFUL
THEY CAN BE.
83
00:03:44,025 --> 00:03:44,959
OH, YEAH, YEAH.
84
00:03:44,993 --> 00:03:47,361
I--I COULD SEE THAT.
85
00:03:47,395 --> 00:03:49,998
OH, WELL, IT'S SETTLED.
START TOMORROW.
86
00:03:50,031 --> 00:03:52,333
THAT WAS REALLY
NICE OF YOU, CHAZ.
THANKS.
87
00:03:52,366 --> 00:03:54,936
SURE. ANYTHING FOR YOU,
TEAMMATE, AND I MEAN THAT.
88
00:03:54,969 --> 00:03:57,005
ANYTHING.
89
00:03:57,038 --> 00:04:01,575
OK, WELL, YOU KNOW,
I REALLY ENJOY
PREDICTING THE WEATHER,
90
00:04:01,609 --> 00:04:05,880
BUT, UH...I'D LOVE
TO MOVE UP AND START
PREDICTING THE NEWS.
91
00:04:05,914 --> 00:04:07,581
OH.
92
00:04:07,615 --> 00:04:09,483
YOU KNOW, YOU MIGHT
BE AT THE TOP OF
THE WEATHER GAME,
93
00:04:09,517 --> 00:04:11,185
BUT THERE'S A LOT
TO LEARN ABOUT THE NEWS.
94
00:04:11,219 --> 00:04:12,120
WILL YOU
TEACH ME?
95
00:04:12,153 --> 00:04:13,087
OH, SURE, I'LL
SHOW YOU THE ROPES.
96
00:04:13,121 --> 00:04:15,123
THEY'RE SLIPPERY,
BUT I'LL SHOW YOU.
97
00:04:15,156 --> 00:04:16,791
OK, ON YOUR WAY IN
TOMORROW,
98
00:04:16,825 --> 00:04:18,226
WHY DON'T YOU PICK UP
A COUPLE OF DOZEN DOUGHNUTS?
99
00:04:18,259 --> 00:04:20,461
OH, YOU KNOW WHAT?
I'LL PROBABLY
ONLY NEED 2,
100
00:04:20,494 --> 00:04:26,134
BUT, UH...MAYBE I'LL
BRING IN THE REST
FOR YOU GUYS.
101
00:04:30,571 --> 00:04:32,807
AND LEAVE A LOT
OF EXTRA ROOM
IN THE LEGS.
102
00:04:32,841 --> 00:04:36,911
I WANT TO ABLE
TO MOVE FAST
IN MY THICK GOPHER PELT.
103
00:04:38,312 --> 00:04:40,882
SURE, SURE.
SO, UH...
104
00:04:40,915 --> 00:04:42,851
WHY ARE YOU DRESSING
LIKE A RODENT?
105
00:04:42,884 --> 00:04:48,756
OH, UM, NO,
WE PREFER TO BE CALLED
VARMINT AMERICANS.
106
00:04:48,789 --> 00:04:50,925
HARRY'S GOT A JOB
DOWN AT THE STATION.
107
00:04:50,959 --> 00:04:53,761
OH, DO YOU MEAN LIKE
SOME KIND OF A MASCOT?
108
00:04:53,794 --> 00:04:58,132
OH, YEAH!
THAT WOULD BE GREAT!
109
00:04:58,166 --> 00:05:00,268
YOU KNOW,
I TWISTED MY ANKLE
110
00:05:00,301 --> 00:05:02,336
IN A GOPHER HOLE
9 YEARS AGO.
111
00:05:02,370 --> 00:05:04,705
GOD, THAT REMINDS ME.
112
00:05:04,738 --> 00:05:09,077
I HAVE TO REFILL THAT
PAIN MEDICATION ON THAT.
113
00:05:10,444 --> 00:05:12,713
DICK, GREAT NEWS
FROM THE STATION.
114
00:05:12,746 --> 00:05:14,215
I'M NUMBER 2
IN WEATHER.
115
00:05:14,248 --> 00:05:15,583
OH, BIG DEAL.
116
00:05:15,616 --> 00:05:17,318
YOU'RE FORECASTING
ATMOSPHERIC CONDITIONS
117
00:05:17,351 --> 00:05:19,153
ON A PLANET
THAT ONLY HAS ONE SUN.
118
00:05:19,187 --> 00:05:21,522
WELL, YEAH, BUT,
I MEAN, YOU KNOW,
119
00:05:21,555 --> 00:05:25,159
IF I LEARN FROM CHAZ,
I CAN BECOME
A SERIOUS NEWSPERSON.
120
00:05:25,193 --> 00:05:26,694
WELL, HERE'S A NEWS FLASH.
121
00:05:26,727 --> 00:05:29,330
NINA TOLD ME THAT
I DON'T KNOW ANYTHING
ABOUT MARY.
122
00:05:29,363 --> 00:05:30,664
WHAT'S NOT TO KNOW?
123
00:05:30,698 --> 00:05:33,134
WELL, I MEAN, SHE'S
STUCK UP, BORING--
124
00:05:33,167 --> 00:05:35,469
AND AN EXCELLENT BOWLER.
125
00:05:35,503 --> 00:05:37,471
I KNOW ALL THAT,
BUT WHAT ELSE?
126
00:05:37,505 --> 00:05:40,108
SHE LIKES NEEDLEPOINT
AND FLAVORED COFFEES.
127
00:05:40,141 --> 00:05:41,876
HER ZEAL FOR
WALKING IN THE RAIN
128
00:05:41,910 --> 00:05:45,046
IS ECLIPSED
ONLY BY HER FERVOR
FOR STAMP-COLLECTING.
129
00:05:45,079 --> 00:05:46,680
WHY DON'T I KNOW
ANY OF THAT?
130
00:05:46,714 --> 00:05:48,616
WELL, BECAUSE
YOU'RE A TYPICAL GUY.
131
00:05:48,649 --> 00:05:50,184
YA PIG!
132
00:05:50,218 --> 00:05:53,021
OH, DICK, DICK,
DICK, SIT DOWN.
133
00:05:53,054 --> 00:05:54,422
ALL RIGHT, LOOK,
134
00:05:54,455 --> 00:05:56,390
I'VE BEEN A WOMAN
FOR 5 YEARS NOW.
135
00:05:56,424 --> 00:05:58,692
SO, LISTEN TO ME,
OK?
136
00:05:58,726 --> 00:06:00,161
IF YOU WANT
TO KEEP ALBRIGHT,
137
00:06:00,194 --> 00:06:01,862
YOU'VE GOT TO START
PAYING ATTENTION
138
00:06:01,896 --> 00:06:03,597
TO THE THINGS
SHE LIKES TO DO.
139
00:06:03,631 --> 00:06:07,268
I MEAN, JUST LET HER
KNOW THAT IN YOUR LIFE
140
00:06:07,301 --> 00:06:09,003
SHE COMES FIRST.
141
00:06:09,037 --> 00:06:10,071
BUT I THOUGHT THAT HONESTY
142
00:06:10,104 --> 00:06:13,074
WAS THE MOST IMPORTANT THING
IN A RELATIONSHIP.
143
00:06:20,681 --> 00:06:22,083
GOOD MORNING, MARY.
144
00:06:22,116 --> 00:06:23,751
WHAT ARE THESE?
145
00:06:23,784 --> 00:06:25,619
YOUR FAVORITE FLOWERS.
146
00:06:25,653 --> 00:06:27,788
LILACS AREN'T
MY FAVORITE FLOWERS.
147
00:06:27,821 --> 00:06:28,889
WELL, OF COURSE
THEY ARE.
148
00:06:28,923 --> 00:06:30,591
I SAW YOU BUYING THEM
JUST YESTERDAY.
149
00:06:30,624 --> 00:06:35,129
I BOUGHT LILACS
YESTERDAY TO PUT ON
MY GRANDMOTHER'S GRAVE.
150
00:06:35,163 --> 00:06:37,065
AND AS LUCK
WOULD HAVE IT,
151
00:06:37,098 --> 00:06:39,968
THEY WERE
STILL THERE.
152
00:06:40,001 --> 00:06:41,602
WELL, AND
THERE'S MORE.
153
00:06:41,635 --> 00:06:44,238
HOW'S THIS
FOR COMBINING
YOUR INTERESTS?
154
00:06:44,272 --> 00:06:46,007
A STAMP FOR
YOUR COLLECTION
155
00:06:46,040 --> 00:06:48,876
CELEBRATING
NEEDLEPOINT.
156
00:06:50,678 --> 00:06:53,581
DICK,
I DON'T COLLECT STAMPS,
157
00:06:53,614 --> 00:06:55,683
AND I HAVE NO INTEREST
IN NEEDLEPOINT.
158
00:06:55,716 --> 00:06:58,452
YEAH.
I KNOW THAT.
159
00:06:59,487 --> 00:07:01,389
DAMN THAT HARRY!
160
00:07:02,356 --> 00:07:06,060
MARY, DO I
LOOK LIKE A QUEEN
IN A SAILOR'S DREAM?
161
00:07:06,094 --> 00:07:08,096
YOU GOT THE TICKETS!
162
00:07:08,129 --> 00:07:09,197
THE TICKETS?
OH!
163
00:07:09,230 --> 00:07:12,200
TENTH ROW. YOU AND I
AND AN EVENING
164
00:07:12,233 --> 00:07:14,502
WITH
WOODSY BALLADEER
GORDON LIGHTFOOT.
165
00:07:14,535 --> 00:07:17,338
[BOTH SQUEALING]
166
00:07:17,371 --> 00:07:19,773
IT'S AN EXCITING DAY
FOR US ALL.
167
00:07:19,807 --> 00:07:22,110
ANYBODY UP
FOR A DUMB-ASS
BOB HOPE MOVIE?
168
00:07:22,143 --> 00:07:24,578
OH, THANK YOU
FOR DOING THIS, JUDITH.
169
00:07:24,612 --> 00:07:27,781
WELL, MARY,
IF ANYONE DIGS LIGHTFOOT
AS HARD AS I DO,
170
00:07:27,815 --> 00:07:29,150
IT'S MARY ALBRIGHT.
171
00:07:29,183 --> 00:07:30,918
YOU KNOW ME SO WELL.
172
00:07:30,951 --> 00:07:33,554
WE ALL DO, MARY.
173
00:07:33,587 --> 00:07:37,025
JUDITH,
WE ARE SO TOUCHED
BY YOUR ALTRUISM,
174
00:07:37,058 --> 00:07:38,292
BUT HERE,
TAKE THESE BACK.
175
00:07:38,326 --> 00:07:39,393
WHAT ARE YOU DOING?
176
00:07:39,427 --> 00:07:41,629
OH, I KNOW HOW MUCH
YOU LOVE GORDON
LIGHTFOOT, MARY.
177
00:07:41,662 --> 00:07:44,132
SO I'VE ALREADY
GOT US 2 TICKETS,
178
00:07:44,165 --> 00:07:45,199
BUT THEY'RE
IN THE FRONT ROW.
179
00:07:45,233 --> 00:07:47,935
YOU DID? WHY DIDN'T
YOU SAY ANYTHING?
180
00:07:47,968 --> 00:07:51,939
WELL, I'M NOT
A SHOWY PERSON, MARY.
181
00:07:51,972 --> 00:07:53,507
JUDITH, I'M SURE
THERE ARE A PLETHORA
182
00:07:53,541 --> 00:07:55,209
OF ELIGIBLE BACHELORS
OUT THERE
183
00:07:55,243 --> 00:07:57,411
WHO'D BE HAPPY TO TAKE
THAT EXTRA TICKET.
184
00:07:57,445 --> 00:07:58,446
OF COURSE THERE ARE.
185
00:07:58,479 --> 00:08:00,214
NINA, YOU WANT
TO COME WITH?
186
00:08:00,248 --> 00:08:02,083
I THOUGHT
YOU'D NEVER ASK,
187
00:08:02,116 --> 00:08:03,684
AND I WAS HAPPY
ABOUT THAT.
188
00:08:03,717 --> 00:08:05,253
OH, YOU'RE GOING
TO LOVE IT, NINA.
189
00:08:05,286 --> 00:08:06,287
ONCE WHEN
I WAS IN COLLEGE,
190
00:08:06,320 --> 00:08:08,556
I SNUCK INTO
A GORDON LIGHTFOOT CONCERT.
191
00:08:08,589 --> 00:08:11,692
IT WAS THE MOST FUN
I HAVE EVER HAD!
192
00:08:11,725 --> 00:08:14,862
WELL, YOU WON'T
HAVE TO SNEAK IN
THIS TIME, PUMPKIN.
193
00:08:14,895 --> 00:08:17,798
OH, GOD. IF HE SINGS
THE WRECK OF
THE EDMUND FITZGERALD,
194
00:08:17,831 --> 00:08:21,469
I WILL THROW MY PANTIES
ON THE STAGE...
195
00:08:21,502 --> 00:08:23,104
AGAIN.
196
00:08:23,137 --> 00:08:24,072
MARY,
WE'LL BE SO CLOSE
197
00:08:24,105 --> 00:08:25,939
THAT YOU'LL BE ABLE
TO SNATCH GORDON'S PANTIES
198
00:08:25,973 --> 00:08:28,376
AND THROW THEM BACK
TO JUDITH.
199
00:08:28,409 --> 00:08:30,078
SEE YOU THERE, GIRLS.
200
00:08:30,111 --> 00:08:31,645
OHH!
201
00:08:36,417 --> 00:08:38,386
AAH!
202
00:08:38,419 --> 00:08:40,888
HARRY,
YOU'RE HERE EARLY.
203
00:08:40,921 --> 00:08:44,958
IT'S MY NATURE
TO RISE AT DAWN
AND FORAGE.
204
00:08:46,994 --> 00:08:48,229
BUT I CAN'T OFFICIALLY
START WORK YET.
205
00:08:48,262 --> 00:08:50,998
I'M HAVING
A SPECIAL SUIT MADE,
AND IT'S NOT READY YET.
206
00:08:51,031 --> 00:08:52,800
THAT'S NICE BUT IT'S NOT
NECESSARY
207
00:08:52,833 --> 00:08:54,835
WE'RE VERY CASUAL
AROUND HERE.
208
00:08:54,868 --> 00:08:58,339
WITHOUT THE SUIT,
HOW ARE PEOPLE GOING
TO KNOW I'M A GOPHER?
209
00:08:59,073 --> 00:09:00,040
IT DOESN'T MATTER
WHAT YOU WEAR
210
00:09:00,074 --> 00:09:02,610
AS LONG AS YOU'RE HERE
BEING OUR GOFER.
211
00:09:02,643 --> 00:09:03,844
OH, I SEE, I SEE.
212
00:09:03,877 --> 00:09:07,748
SO IT'S MORE
OF A METHOD GOPHER.
213
00:09:07,781 --> 00:09:09,717
WHATEVER METHOD
WORKS FOR YOU.
214
00:09:09,750 --> 00:09:12,753
ALL RIGHT.
215
00:09:12,786 --> 00:09:15,456
HEY, HARRY.
CAN YOU RUN THIS TAPE
UP TO EDITING FOR ME?
216
00:09:15,489 --> 00:09:18,259
I CAN RUN. I GOT
STRONG HIND LEGS
217
00:09:18,292 --> 00:09:21,229
AND A LOW CENTER
OF GRAVITY.
218
00:09:21,262 --> 00:09:24,832
COMES IN HANDY
WHEN ELUDING
MY NATURAL PREDATOR...
219
00:09:24,865 --> 00:09:26,800
MAN.
220
00:09:27,568 --> 00:09:29,570
OK. SEE, I JUST
NEED THAT TO GO
UP TO EDITING.
221
00:09:29,603 --> 00:09:30,404
ALL RIGHT.
YEAH, THANKS.
222
00:09:30,438 --> 00:09:31,805
OH HEY CHAZ
223
00:09:31,839 --> 00:09:34,842
HEY SALLY. DID YOU DO THE
ANCHORMAN VOCAL EXCERCISES I
TOLD YOU ABOUT?
224
00:09:34,875 --> 00:09:36,344
YEAH I DID
225
00:09:36,377 --> 00:09:38,312
BUT, YOU KNOW, I DON'T SEE
HOW IT'S GOING TO MAKE ME
A BETTER REPORTER
226
00:09:38,346 --> 00:09:40,814
BY REPEATING "OH CHAZ"
227
00:09:40,848 --> 00:09:41,715
"OH CHAZ"
228
00:09:41,749 --> 00:09:44,552
OVER AND OVER AGAIN INTO
THIS TAPE RECORDER
229
00:09:44,585 --> 00:09:47,421
UH, HARD NEWS REQUIRES
HARD DICTION
230
00:09:47,455 --> 00:09:49,323
I-- I'LL TAKE THIS.
OH.
231
00:09:49,357 --> 00:09:51,058
SO, UH, YOU THINK
I'M READY TO GO OUT
IN THE FIELD?
232
00:09:51,091 --> 00:09:53,294
YES, WE'RE GONNA
THROW YOU IN THE DEEP END.
233
00:09:53,327 --> 00:09:56,230
DINNER AND THEN
A GORDON LIGHTFOOT SHOW
AT THE RUTHERDOME.
234
00:09:56,264 --> 00:09:57,865
THE STATION'S
GOT A LUXURY BOX.
235
00:09:57,898 --> 00:10:00,201
OK. GORDON LIGHTFOOT.
236
00:10:00,234 --> 00:10:02,770
UM, OK, I KNOW JUST WHAT
I'D ASK HIM.
237
00:10:02,803 --> 00:10:04,872
UM, AHEM.. UH, MR LIGHTFOOT,
238
00:10:04,905 --> 00:10:07,808
YOU'VE BEEN IN THE MUSIC
INDUSTRY FOR THREE DECADES
239
00:10:07,841 --> 00:10:12,546
UM, GIVEN THE RECENT CHANGES
IN MUSIC DISTRIBUTION VIA
THE INTERNET
240
00:10:12,580 --> 00:10:16,784
WOULD YOU RATHER BE
ATTACKED BY A BEAR OR
A BEAR WITH A GUN?
241
00:10:20,721 --> 00:10:25,659
EXCUSE ME. ARE YOU THE
TICKET MIAETRO?
242
00:10:25,693 --> 00:10:27,127
NOW I AM.
243
00:10:27,161 --> 00:10:29,530
OH, GOOD
244
00:10:29,563 --> 00:10:32,733
CAN I HAVE TWO TICKETS TO GORDON
LIGHTFOOT, FRONT ROW
245
00:10:32,766 --> 00:10:35,869
EQUAL DISTANCE FROM THE AISLE
AND THE CONCESSION STAND.
246
00:10:35,903 --> 00:10:37,705
THAT SHOULDN'T
BE A PROBLEM.
[KEYBOARD CLICKS]
247
00:10:37,738 --> 00:10:38,939
ARE YOU INTERESTED
IN SUBSCRIBING
248
00:10:38,972 --> 00:10:40,441
TO OUR ENTERTAINMENT
MAGAZINE?
249
00:10:40,474 --> 00:10:42,676
NO, I'M NOT INTERESTED
IN ENTERTAINMENT,
250
00:10:42,710 --> 00:10:45,813
I'M INTERESTED IN
SEEING GORDON LIGHTFOOT.
251
00:10:45,846 --> 00:10:47,281
CAN I GET
YOUR ZIP CODE,
PLEASE?
252
00:10:47,315 --> 00:10:49,417
ZIP CODE? LOOK,
I'M ON MY LUNCH BREAK HERE.
253
00:10:49,450 --> 00:10:50,784
CAN'T YOU JUST
GIVE ME THE TICKETS?
254
00:10:50,818 --> 00:10:51,752
WELL, I CAN'T
ORDER THE TICKETS
255
00:10:51,785 --> 00:10:53,387
UNTIL YOU'RE IN
THE CUSTOMER DATABASE.
256
00:10:53,421 --> 00:10:55,789
BUT I DON'T WANT TO BE
IN THE CUSTOMER DATABASE.
257
00:10:55,823 --> 00:10:57,358
THAT'S BIZARRE.
[KEYBOARD CLICKS]
258
00:10:57,391 --> 00:11:01,028
OK, I'M SHOWING 2 SEATS
TO GORDON LIGHTFOOT
AT THE RUTHERDOME.
259
00:11:01,061 --> 00:11:03,397
OH, THANK GOD!
260
00:11:03,431 --> 00:11:04,798
LAST ROW, BALCONY.
261
00:11:04,832 --> 00:11:06,334
LAST ROW? BALCONY?
262
00:11:06,367 --> 00:11:07,468
DON'T YOU HAVE
ANYTHING CLOSER?
263
00:11:07,501 --> 00:11:08,602
ONLY SOME
SCATTERED SINGLES.
264
00:11:08,636 --> 00:11:11,305
OH, WELL, THEN...
265
00:11:11,339 --> 00:11:14,775
I GUESS I'LL TAKE
THE BALCONY SEATS.
266
00:11:15,709 --> 00:11:18,078
SORRY, THE BALCONY
SEATS ARE GONE.
267
00:11:18,111 --> 00:11:20,814
GONE? THEN
I'LL TAKE THE SINGLES.
268
00:11:20,848 --> 00:11:21,949
OH,
NOW THEY'RE GONE.
269
00:11:21,982 --> 00:11:23,817
WE'RE SOLD OUT.
270
00:11:25,486 --> 00:11:27,488
HOW CAN THAT BE?
271
00:11:27,521 --> 00:11:29,089
I'M NOT THE ONLY
TICKET MAESTRO, DUDE.
272
00:11:29,122 --> 00:11:31,925
YOU'RE NOT
A TICKET MAESTRO AT ALL!
273
00:11:31,959 --> 00:11:33,193
DON'T YOU HAVE ANYTHING?
274
00:11:33,227 --> 00:11:34,695
[KEYBOARD CLICKS]
275
00:11:34,728 --> 00:11:37,331
I GOT A 2-FOR-1
SPECIAL FOR
THE ICE CAPADES.
276
00:11:37,365 --> 00:11:39,833
SAME NIGHT
AT THE WAR MEMORIAL.
277
00:11:39,867 --> 00:11:42,069
ICE CAPADES.
278
00:11:42,102 --> 00:11:44,472
MY TREASURED RELATIONSHIP
HANGS IN THE BALANCE,
279
00:11:44,505 --> 00:11:47,508
AND ALL YOU CAN OFFER ME
ARE WASHED-UP OLYMPIANS,
280
00:11:47,541 --> 00:11:50,210
SOME OF THEM
NOT EVEN MEDALISTS,
281
00:11:50,244 --> 00:11:55,416
MINCING AROUND ON THE ICE
WITH A BUNCH OF FUZZY
CARTOON CHARACTERS!
282
00:11:55,449 --> 00:11:57,785
THEY'RE GOING FAST.
283
00:11:57,818 --> 00:11:59,287
2, PLEASE.
284
00:12:04,124 --> 00:12:04,992
HEY, SALLY,
HOW'S THE WEATHER?
285
00:12:05,025 --> 00:12:05,993
OH, LISTEN, CHAZ,
286
00:12:06,026 --> 00:12:07,795
I WAS WONDERING,
UM...
287
00:12:07,828 --> 00:12:09,863
IF I REALLY NAIL
THIS WHOLE NEWS THING,
288
00:12:09,897 --> 00:12:12,199
DO YOU THINK I COULD
GET A JOB ON THE VIEW?
289
00:12:12,232 --> 00:12:13,267
BECAUSE I WATCH
THAT SHOW,
290
00:12:13,301 --> 00:12:17,605
AND I COULD KICK
THE CRAP OUT OF
ANY ONE OF THEM.
291
00:12:17,638 --> 00:12:20,007
WELL, MAYBE
NOT THE BIG ONE.
292
00:12:20,040 --> 00:12:22,009
YOU KNOW, SALLY,
I DON'T MEAN TO BRAG HERE,
293
00:12:22,042 --> 00:12:25,279
BUT I HAPPEN TO KNOW
THE LADY FINDER
OVER AT THE VIEW.
294
00:12:25,313 --> 00:12:26,880
REALLY?
YES, ABSOLUTELY.
295
00:12:26,914 --> 00:12:29,216
I MEAN, INSIDE CONNECTIONS
ARE EVERYTHING IN THIS BUSINESS.
296
00:12:29,249 --> 00:12:30,551
AND ALONG THOSE SAME LINES,
297
00:12:30,584 --> 00:12:32,686
I GOT YOU A CORSAGE.
298
00:12:32,720 --> 00:12:38,158
HEY!
A PIN-ON FLOWER!
299
00:12:38,191 --> 00:12:41,662
THIS IS LIKE SOMETHING
BARBARA WALTERS
WOULD WEAR.
300
00:12:41,695 --> 00:12:43,497
THIS JOB'S SO COOL.
YEAH.
301
00:12:43,531 --> 00:12:46,567
HEY, UH, ALSO,
LISTEN, UH, AFTER DINNER,
WE'RE GONNA STOP BY MY HOME
302
00:12:46,600 --> 00:12:47,835
SO YOU CAN MEET MY MOM.
303
00:12:47,868 --> 00:12:49,337
YOUR MOM?
YEAH.
304
00:12:49,370 --> 00:12:51,472
THAT DOESN'T SOUND
LIKE A WORK THING.
305
00:12:51,505 --> 00:12:56,410
SALLY, MY MOM WAS
THE FIRST WOMAN ON THE MOON.
306
00:12:58,312 --> 00:13:00,113
OH, MY GOD!
I HAD NO IDEA.
307
00:13:00,147 --> 00:13:04,985
YEAH, NOBODY DOES.
THAT'S WHY I'M GIVING
YOU THE EXCLUSIVE.
308
00:13:06,987 --> 00:13:09,122
THE EXCLUSIVE.
309
00:13:11,859 --> 00:13:15,496
REPORTING LIVE FROM
THE FIRST WOMAN ON THE MOON.
310
00:13:15,529 --> 00:13:18,098
I'M SALLY STORM.
311
00:13:23,103 --> 00:13:25,339
Radio: OK, OUR LAST PAIR
OF TICKETS TO GORDON LIGHTFOOT
312
00:13:25,373 --> 00:13:28,008
ARE WAITING
FOR CALLER NUMBER 29!
313
00:13:28,041 --> 00:13:30,043
THAT'S IT! GO!
AAH!
314
00:13:30,077 --> 00:13:31,445
FASTER, HARRY!
315
00:13:31,479 --> 00:13:33,547
MY WHOLE FUTURE
WITH MARY
IS RIDING ON THIS!
316
00:13:33,581 --> 00:13:35,082
WELL, THEN
WHY DON'T YOU DIAL?
317
00:13:35,115 --> 00:13:36,617
NO, I'M
EMOTIONALLY TAXED,
318
00:13:36,650 --> 00:13:40,153
AND I JUST
HAD A MANICURE
FOR THE CONCERT.
319
00:13:40,187 --> 00:13:44,992
GUYS, WISH ME LUCK.
I'M GOING ON A FIELD
ASSIGNMENT WITH CHAZ.
320
00:13:45,025 --> 00:13:46,226
WE'RE VERY BUSY, SALLY.
321
00:13:46,259 --> 00:13:48,862
I-I-I'VE GOT TO WIN TICKETS
TO GORDON LIGHTFOOT.
322
00:13:48,896 --> 00:13:52,566
GORDON LIGHTFOOT?
DICK, THE STATION
OWNS--
323
00:13:52,600 --> 00:13:56,570
SALLY, PLEASE!
NOT ANOTHER WORD
ABOUT THAT INSIPID STATION.
324
00:13:56,604 --> 00:13:59,540
AT LEAST WHEN YOU'RE ON TV,
I CAN HIT THE MUTE BUTTON.
325
00:14:03,010 --> 00:14:04,412
FINE!
I WAS GOING TO SAY
326
00:14:04,445 --> 00:14:07,948
I COULD GET YOU
INTO A LUXURY BOX
FOR THE CONCERT,
327
00:14:07,981 --> 00:14:09,483
BUT JUST FORGET IT!
328
00:14:09,517 --> 00:14:11,151
OH, I WILL!
329
00:14:14,221 --> 00:14:16,390
WHAT?! SALLY, WAIT!
330
00:14:16,424 --> 00:14:19,593
OH, OH, OH, DICK!
I'M THE 29th CALLER!
331
00:14:19,627 --> 00:14:21,194
SHUT YOUR PIE TRAP,
HARRY!
332
00:14:21,228 --> 00:14:24,097
I JUST LOST TICKETS
BECAUSE I WAS RUDE
TO SALLY!
333
00:14:25,866 --> 00:14:27,167
WHAT?!
334
00:14:29,437 --> 00:14:31,605
Radio: ALL RIGHT, WE HAVE
HARRY SOLOMON ON THE LINE.
335
00:14:31,639 --> 00:14:32,606
ARE YOU READY?
336
00:14:32,640 --> 00:14:33,741
YES, I AM!
337
00:14:33,774 --> 00:14:35,876
OK, HARRY. FOR 2 TICKETS,
338
00:14:35,909 --> 00:14:39,547
WHAT WAS GORDON LIGHTFOOT'S
FIRST AMERICAN SINGLE?
339
00:14:42,583 --> 00:14:43,951
I HAVE NO IDEA.
340
00:14:43,984 --> 00:14:46,186
OK, IF YOU COULD READ
MY MIND, LOVE.
341
00:14:46,219 --> 00:14:48,055
NOW, DON'T GET
ALL TENDER NOW, HARRY.
342
00:14:48,088 --> 00:14:51,224
Radio: CORRECT! IF YOU
COULD READ MY MIND, LOVE!
343
00:14:51,258 --> 00:14:52,626
JUST BRING YOUR PHOTO I.D.
DOWN TO WILL-CALL,
344
00:14:52,660 --> 00:14:54,127
AND THE TICKETS ARE YOURS.
345
00:14:54,161 --> 00:14:56,263
YOU MEAN I WON?
YOU WON, ALL RIGHT.
346
00:14:56,296 --> 00:14:57,865
AND NOW, LESS TALK,
MORE LIGHTFOOT.
347
00:14:57,898 --> 00:15:02,536
I WON! HARRY, I WON.
OH, THANK GOD!
348
00:15:02,570 --> 00:15:04,071
LOOK, I'VE GOT
TO GET DRESSED
AND PICK UP MARY.
349
00:15:04,104 --> 00:15:05,038
I'LL MEET YOU
DOWN THERE.
350
00:15:05,072 --> 00:15:06,373
YOU GO
FOR THE TICKETS.
351
00:15:06,406 --> 00:15:07,641
YOU KNOW WHAT?
I'M GETTING TIRED
352
00:15:07,675 --> 00:15:10,711
OF EVERYONE ALWAYS
TELLING ME WHAT TO DO.
353
00:15:10,744 --> 00:15:13,547
GO FOR THIS.
GO FOR THAT.
354
00:15:13,581 --> 00:15:16,249
HOW AM I SUPPOSED
TO BE A SERIOUS GOPHER
355
00:15:16,283 --> 00:15:20,287
WHEN EVERYONE'S
ALWAYS TREATING ME
LIKE AN ERRAND BOY?
356
00:15:25,826 --> 00:15:29,429
HEY, BUDDY.
I'LL GIVE YOU 50 BUCKS
APIECE FOR THOSE.
357
00:15:29,463 --> 00:15:32,265
YOU MUST BE STUPID.
358
00:15:32,299 --> 00:15:33,834
ALL RIGHT, I'LL
GIVE YOU 60 BUCKS.
359
00:15:33,867 --> 00:15:36,904
YEAH, HAVE YOU BOUGHT
CONCERT TICKETS LATELY?
360
00:15:36,937 --> 00:15:38,305
HOW MUCH DO YOU WANT
FOR 'EM, MAN?
361
00:15:38,338 --> 00:15:42,643
WELL, IT SAYS RIGHT HERE
THEY COST $28.
362
00:15:43,844 --> 00:15:46,514
OK, THEN I'LL GIVE
YOU $28 FOR THEM.
363
00:15:46,547 --> 00:15:47,881
THAT'S MORE LIKE IT.
364
00:15:47,915 --> 00:15:50,450
OH, BUT NO, NO, NO,
I CAN'T SELL THESE.
365
00:15:50,484 --> 00:15:52,520
I'M SUPPOSED TO
HOLD ON TO THEM
UNTIL DICK GETS HERE.
366
00:15:52,553 --> 00:15:55,122
HEY, YOU KNOW WHAT?
I JUST TALKED TO DICK.
367
00:15:55,155 --> 00:15:56,456
HE SAID HE'S NOT COMING.
368
00:15:56,490 --> 00:15:58,926
OH, REALLY?
369
00:16:00,227 --> 00:16:02,395
ENJOY THE SHOW.
370
00:16:03,597 --> 00:16:04,832
EXCUSE ME.
371
00:16:04,865 --> 00:16:06,800
FRONT ROW,
LIGHTFOOT, 250.
372
00:16:06,834 --> 00:16:08,301
HARRY! HARRY!
373
00:16:08,335 --> 00:16:10,971
HEY. HEY, ALBRIGHT,
NICE JACKET.
374
00:16:11,004 --> 00:16:12,305
WHO IS THAT ON THERE?
375
00:16:12,339 --> 00:16:13,707
IT'S A PIRATE.
I ACTUALLY DREW
THIS PIRATE MYSELF.
376
00:16:13,741 --> 00:16:16,343
YEAH, YEAH,
NO ONE CARES, MARY.
377
00:16:16,376 --> 00:16:19,246
OH, LOOK. GORDON
LIGHTFOOT T-SHIRTS.
378
00:16:19,279 --> 00:16:21,682
DOUBLE XL FOR ME,
PLEASE.
379
00:16:22,683 --> 00:16:24,417
HARRY, QUICK.
WHERE'S THE TICKETS?
380
00:16:24,451 --> 00:16:26,119
I SOLD THEM!
381
00:16:26,153 --> 00:16:27,387
BUT I NEED
THOSE TICKETS.
382
00:16:27,420 --> 00:16:29,356
WELL, THEN YOU SHOULDN'T
HAVE TOLD THAT GUY
YOU WEREN'T COMING.
383
00:16:29,389 --> 00:16:31,391
I NEVER TOLD ANYBODY
I WASN'T COMING.
384
00:16:31,424 --> 00:16:32,560
WELL, DICK, THAT'S
JUST BAD PLANNING.
385
00:16:32,593 --> 00:16:35,262
IF YOU'RE NOT GONNA
COME, YOU ALWAYS
GOTTA TELL SOMEBODY.
386
00:16:40,568 --> 00:16:42,870
OH, WOW, CHAZ!
387
00:16:42,903 --> 00:16:46,740
THIS IS THE PERFECT
PLACE TO INTERVIEW
GORDON LIGHTFOOT.
388
00:16:46,774 --> 00:16:49,710
YEAH, UH,
ABOUT THAT, UM...
389
00:16:49,743 --> 00:16:51,178
THERE'S SOME BAD NEWS.
390
00:16:51,211 --> 00:16:53,681
GORDO IS A NO-GO
ON THAT. SORRY.
391
00:16:53,714 --> 00:16:56,216
OH, NO.
392
00:16:56,249 --> 00:16:59,987
SO, UH, WHAT?
WE JUST, UH,
WE WATCH THE CONCERT
393
00:17:00,020 --> 00:17:02,022
AND THEN
REPORT ON IT LATER?
394
00:17:02,055 --> 00:17:06,526
SALLY, ONE OF THE MOST
IMPORTANT ARROWS IN
A NEWSPERSON'S QUIVER
395
00:17:06,560 --> 00:17:08,996
IS THE ARROW
OF PATIENCE.
396
00:17:09,029 --> 00:17:11,064
YEAH.
YES.
397
00:17:12,165 --> 00:17:14,467
AND CANDLES.
398
00:17:15,636 --> 00:17:17,871
AND CHAMPAGNE.
399
00:17:17,905 --> 00:17:19,740
WHAT?
400
00:17:19,773 --> 00:17:25,178
THIS IS CHAZ MONTANA
REPORTING LIVE FROM
THE RUTHERDOME WHERE...
401
00:17:25,212 --> 00:17:28,181
I'M FALLING IN LOVE.
402
00:17:29,149 --> 00:17:31,518
OH, MY GOD.
WHAT IS GOING ON?
403
00:17:31,551 --> 00:17:35,022
SALLY, YOU CAN'T REPORT
THE NEWS TO THE PEOPLE
404
00:17:35,055 --> 00:17:38,091
UNLESS YOU LOVE THE PEOPLE.
405
00:17:38,125 --> 00:17:40,694
START WITH ME.
406
00:17:42,963 --> 00:17:43,631
UH, OK.
407
00:17:43,664 --> 00:17:45,666
UM, STOP IT, CHAZ,
408
00:17:45,699 --> 00:17:49,402
BECAUSE I AM
REPULSED BY YOU
SEXUALLY.
409
00:17:50,638 --> 00:17:51,972
THEN WHY ARE YOU HERE?
410
00:17:52,005 --> 00:17:54,007
FOR THE STORY,
BUT YOU KNOW WHAT?
411
00:17:54,041 --> 00:17:55,208
I'M BEGINNING
TO THINK YOUR MOTHER
412
00:17:55,242 --> 00:17:58,111
WASN'T THE FIRST
WOMAN ON THE MOON.
413
00:17:58,145 --> 00:18:01,181
OK. THIS IS NEWS SCHOOL,
AND I AM A PROFESSOR.
414
00:18:01,214 --> 00:18:03,550
SO WHAT I SAY GOES.
415
00:18:03,583 --> 00:18:05,853
PLEASE DON'T LEAVE ME.
416
00:18:05,886 --> 00:18:08,822
LEAVE YOU? CHAZ.
417
00:18:08,856 --> 00:18:11,558
YOU'RE MY MENTOR,
MAN.
418
00:18:11,591 --> 00:18:13,593
I'D NEVER LEAVE YOU.
419
00:18:13,627 --> 00:18:15,362
YOU'VE TAUGHT ME
SO MUCH.
420
00:18:15,395 --> 00:18:18,899
I MEAN, YOU TAUGHT
ME THAT NEWS COULD
HAPPEN ANYWHERE
421
00:18:18,932 --> 00:18:21,334
TO A MAN STANDING
IN HIS UNDERWEAR
422
00:18:21,368 --> 00:18:24,037
IN FRONT OF
THOUSANDS OF PEOPLE.
423
00:18:27,908 --> 00:18:28,942
Man: NICE GLUTES!
424
00:18:28,976 --> 00:18:31,945
HI. YEAH,
THIS IS SALLY STORM.
425
00:18:31,979 --> 00:18:33,413
SEND A CAMERA CREW.
426
00:18:33,446 --> 00:18:37,584
I'VE GOT A NEWS STORY
DOWN HERE AT THE RUTHERDOME.
427
00:18:37,617 --> 00:18:41,088
A BIG ASS NEWS STORY.
428
00:18:44,357 --> 00:18:47,294
I'M STANDING OUTSIDE
A GORDON LIGHTFOOT CONCERT
429
00:18:47,327 --> 00:18:49,830
HOLDING A PAIR OF TICKETS
TO THE ICE CAPADES.
430
00:18:49,863 --> 00:18:51,699
THIS IS ALL YOUR FAULT.
431
00:18:51,732 --> 00:18:53,533
YOU KNOW WHAT?
THOSE WERE MY TICKETS.
432
00:18:53,566 --> 00:18:55,402
I MADE THE CALL.
I KNEW THE SONG.
433
00:18:55,435 --> 00:18:57,504
IT'S ABOUT TIME I GOT
REWARDED FOR MY WORK.
434
00:18:57,537 --> 00:18:59,239
THEY DON'T EVEN PAY ME
DOWN AT THE STATION.
435
00:18:59,272 --> 00:19:00,373
WHY ARE WE
TALKING ABOUT YOU?
436
00:19:00,407 --> 00:19:01,508
THIS IS ABOUT ME.
437
00:19:01,541 --> 00:19:02,943
WELL, IT'S
ALWAYS ABOUT YOU.
438
00:19:02,976 --> 00:19:04,477
YOU, YOU, YOU.
439
00:19:04,511 --> 00:19:06,479
WELL, YOU WOULDN'T
BE IN THIS MESS
440
00:19:06,513 --> 00:19:10,450
IF IT HADN'T
BEEN FOR...YOU.
441
00:19:10,483 --> 00:19:13,020
THINK ABOUT IT.
442
00:19:13,053 --> 00:19:14,955
Ladies: LIGHTFOOT!
LIGHTFOOT! LIGHTFOOT!
443
00:19:14,988 --> 00:19:18,158
COME ON, DICK.
IT'S TIME TO GO IN.
444
00:19:18,191 --> 00:19:19,392
WHAT'S WRONG?
445
00:19:19,426 --> 00:19:21,762
WHAT'S WRONG?
446
00:19:21,795 --> 00:19:23,797
WHAT'S WRONG IS ME.
447
00:19:23,831 --> 00:19:25,665
I'VE FAILED YOU,
MARY.
448
00:19:25,699 --> 00:19:27,234
I'VE IGNORED
YOUR NEEDS.
449
00:19:27,267 --> 00:19:29,269
I'VE BELITTLED
YOUR PASSIONS.
450
00:19:29,302 --> 00:19:32,339
I'VE NEGLECTED YOU
AND THOUGHT ONLY
OF MYSELF.
451
00:19:32,372 --> 00:19:34,174
BUT ALL OF THAT
CHANGES.
452
00:19:34,207 --> 00:19:35,642
RIGHT NOW!
453
00:19:35,675 --> 00:19:36,643
WHAT ARE YOU DOING?
454
00:19:36,676 --> 00:19:38,678
MARY, I WOULD
LIKE NOTHING MORE
455
00:19:38,712 --> 00:19:41,281
THAN TO WALK INTO
THIS CONCERT RIGHT NOW,
456
00:19:41,314 --> 00:19:43,250
SETTLE INTO MY CUSHY
FRONT ROW SEAT,
457
00:19:43,283 --> 00:19:47,154
AND LET THE NOSTALGIC
SOUNDS WAFT OVER ME.
458
00:19:47,187 --> 00:19:48,588
BUT THAT'S
NOT WHAT YOU WANT.
459
00:19:48,621 --> 00:19:49,589
YES, IT IS!
460
00:19:49,622 --> 00:19:53,861
NO. YOU THINK IT IS,
BUT I KNOW YOU, MARY.
461
00:19:53,894 --> 00:19:59,666
WHAT YOU REALLY WANT
IS TO RECAPTURE
THE EXCITEMENT OF YEARS AGO
462
00:19:59,699 --> 00:20:03,703
WHEN A YOUNG AND REBELLIOUS
MARY ALBRIGHT RISKED IT ALL
463
00:20:03,737 --> 00:20:07,574
BY SNEAKING INTO HER FIRST
GORDON LIGHTFOOT CONCERT.
464
00:20:07,607 --> 00:20:09,476
OH, DICK.
465
00:20:09,509 --> 00:20:13,346
WE WERE YOUNG, AND
THERE WAS A WAR ON.
466
00:20:14,281 --> 00:20:15,415
COME ON, WILD CHILD.
467
00:20:15,448 --> 00:20:16,616
YOU WANT US
TO SNEAK IN?
468
00:20:16,649 --> 00:20:20,187
NO, YOU WANT US
TO SNEAK IN.
469
00:20:20,220 --> 00:20:21,721
COME ON, MARY.
470
00:20:21,755 --> 00:20:24,691
CROUCH WITH ME
IN THE DARKNESS AND FILTH.
471
00:20:24,724 --> 00:20:28,095
LET'S SEE GORDON LIGHTFOOT
THE WAY HE WAS MEANT
TO BE SEEN
472
00:20:28,128 --> 00:20:30,330
THROUGH THE GRIMY SLATS
OF A HEATING VENT.
473
00:20:30,363 --> 00:20:31,965
WHAT DO YOU SAY?
474
00:20:33,200 --> 00:20:34,935
LET'S DO IT!
475
00:20:35,936 --> 00:20:37,704
YES!
476
00:20:40,808 --> 00:20:42,675
YOU KNOW, I REALLY
LEARNED SOMETHING TONIGHT.
477
00:20:42,709 --> 00:20:43,476
HMM.
HMM.
478
00:20:43,510 --> 00:20:44,477
TO PUT OTHERS
FIRST?
479
00:20:44,511 --> 00:20:46,379
WELL, YEAH...
480
00:20:46,413 --> 00:20:49,049
AND THAT MARY CAN
CLIMB A DRAINPIPE.
481
00:20:49,082 --> 00:20:52,385
NOW THAT I KNOW THAT,
WE'LL BE GOING
TO A LOT MORE CONCERTS.
482
00:20:52,419 --> 00:20:55,588
I STILL CANNOT BELIEVE THAT
YOU AND ALBRIGHT SNUCK IN.
483
00:20:55,622 --> 00:20:57,690
AND I CAN'T BELIEVE
THAT CHAZ MONTANA
484
00:20:57,724 --> 00:21:01,361
TURNED OUT TO BE
AN OBSESSIVE, NAKED
GORDON LIGHTFOOT FAN.
485
00:21:01,394 --> 00:21:03,997
YEAH, I KNOW,
AND IT'S SUCH A SHAME.
486
00:21:04,031 --> 00:21:06,867
I MEAN, HE IS WITHOUT
A DOUBT THE BEST NEWSMAN
487
00:21:06,900 --> 00:21:08,335
I'VE EVER WORKED WITH.
488
00:21:08,368 --> 00:21:09,602
OH, YEAH.
489
00:21:09,636 --> 00:21:12,039
I'M SORRY THAT GOPHER
THING DIDN'T WORK OUT,
HARRY.
490
00:21:12,072 --> 00:21:13,640
OH, NO, IT'S OK.
491
00:21:13,673 --> 00:21:16,343
ACTUALLY, THIS REPORTER
HIRED ME TO DIG UP SOME DIRT.
492
00:21:16,376 --> 00:21:18,946
SO TOMORROW,
I'M GONNA BE A MOLE.
493
00:21:18,979 --> 00:21:20,313
SEE, NOW THAT
I CAN SEE.
494
00:21:20,347 --> 00:21:21,214
GOOD HONEST WORK.
495
00:21:21,248 --> 00:21:23,583
THAT'S BETTER.
THAT'S MUCH BETTER.
36019
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