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1
00:00:06,908 --> 00:00:07,609
HEY, CARYN.
2
00:00:07,642 --> 00:00:08,777
OH, HEY, SALLY, LOOK,
3
00:00:08,810 --> 00:00:09,911
YOU'VE GOT TO COME
TO OUR PROTEST.
4
00:00:09,944 --> 00:00:11,012
WHAT'S GOING ON?
5
00:00:11,045 --> 00:00:12,981
PLAYPEN MAGAZINE IS
COMING HERE NEXT WEEK
6
00:00:13,014 --> 00:00:14,482
TO LOOK FOR STUDENTS
TO POSE NAKED.
7
00:00:14,515 --> 00:00:16,317
IT'S THEIR "COEDS
OF THE MIDWEST" ISSUE.
8
00:00:16,350 --> 00:00:18,086
OH, MY GOD.
THEY'RE COMING HERE?
9
00:00:18,119 --> 00:00:21,055
THEY'RE OFFERING $600
TO POSE NAKED.
10
00:00:21,089 --> 00:00:22,356
I MEAN,
HOW DEGRADING IS THAT?
11
00:00:22,390 --> 00:00:25,493
I'M SO SORRY.
DID YOU SAY $600?
12
00:00:25,526 --> 00:00:26,795
CAN YOU BELIEVE THIS?
13
00:00:26,828 --> 00:00:29,497
I MEAN, THEY HAVE
SOME NERVE EXPECTING
THAT THE WOMEN AROUND HERE
14
00:00:29,530 --> 00:00:31,633
ARE JUST GOING TO LINE UP
TO EXPLOIT THEMSELVES.
15
00:00:31,666 --> 00:00:33,768
YEAH, I HATE
WAITING IN LINE.
16
00:00:42,711 --> 00:00:44,245
DR. SOLOMON,
WHAT ARE YOU DOING?
17
00:00:44,278 --> 00:00:47,548
MEASURING MY FACE.
18
00:00:47,582 --> 00:00:48,983
WHY?
19
00:00:49,017 --> 00:00:50,685
I'VE BEEN
PUTTING IT OFF.
20
00:00:53,387 --> 00:00:54,923
OH, DICK, I BROUGHT YOU
YOUR LUNCH. LOOK!
21
00:00:54,956 --> 00:00:59,060
LOOK. PLAYPEN MAGAZINE IS
COMING TO PENDLETON UNIVERSITY
22
00:00:59,093 --> 00:01:02,831
TO LOOK FOR WOMEN
WHO WILL POSE NAKED,
AND I WAS THINKING...
23
00:01:02,864 --> 00:01:04,866
I AM PERFECT FOR THAT.
24
00:01:04,899 --> 00:01:06,267
YOU, SALLY?
25
00:01:06,300 --> 00:01:08,737
MY LITTLE SISTER
POSING FOR A NUDIE RAG.
26
00:01:08,770 --> 00:01:12,273
YOUR EXPOSED BODY
PINNED UP INSIDE EVERY
SCHOOL BOY'S LOCKER
27
00:01:12,306 --> 00:01:15,677
AND MECHANIC'S GARAGE
ACROSS THIS
ENTIRE COUNTRY?
28
00:01:15,710 --> 00:01:17,879
GOOD FOR YOU!
29
00:01:17,912 --> 00:01:20,782
SALLY!
30
00:01:20,815 --> 00:01:22,751
I'M GOING TO GO NOW
AND SIGN UP.
31
00:01:22,784 --> 00:01:25,453
GOOD LUCK, BABY!
32
00:01:25,486 --> 00:01:26,821
SIGN UP FOR WHAT?
33
00:01:26,855 --> 00:01:28,723
TO POSE FOR
PLAYPEN MAGAZINE.
34
00:01:28,757 --> 00:01:30,491
PRETTY NIFTY, HUH?
35
00:01:30,524 --> 00:01:32,593
POSING NUDE. YOU DON'T
HAVE A PROBLEM WITH THAT?
36
00:01:32,627 --> 00:01:33,494
WHY SHOULD I?
37
00:01:33,527 --> 00:01:35,563
BECAUSE IT'S SO DEMEANING.
38
00:01:35,596 --> 00:01:37,198
WHY DO YOU HAVE
SO MANY HANG-UPS
39
00:01:37,231 --> 00:01:39,400
ABOUT THE HUMAN BODY?
40
00:01:39,433 --> 00:01:42,937
IS IT BECAUSE
OF ALL THE HANG-DOWNS?
41
00:01:42,971 --> 00:01:45,139
THIS IS YOUR SISTER
WE'RE TALKING ABOUT.
42
00:01:45,173 --> 00:01:47,508
SO? SHE'S JUST LIKE
ANY OTHER WOMAN.
43
00:01:47,541 --> 00:01:50,111
WOMEN SHOW THEIR BODIES
ALL THE TIME.
44
00:01:50,144 --> 00:01:52,446
GRANTED,
THERE ARE VARIATIONS
IN THE TOPOGRAPHY,
45
00:01:52,480 --> 00:01:54,883
BUT ESSENTIALLY,
IT'S ALL THE SAME MAP.
46
00:01:57,952 --> 00:01:59,620
I JUST THINK THERE'S
SOMETHING TO BE SAID
47
00:01:59,654 --> 00:02:02,456
FOR GOOD
OLD-FASHIONED MODESTY.
48
00:02:02,490 --> 00:02:04,625
WOW, DR. ALBRIGHT,
IT ONLY TOOK YOU
49
00:02:04,659 --> 00:02:06,761
20 YEARS
TO CHANGE YOUR TUNE.
50
00:02:09,964 --> 00:02:11,132
WHAT'S THAT
SUPPOSED TO MEAN?
51
00:02:11,165 --> 00:02:12,400
THAT'S WHEN
SHE POSED NAKED.
52
00:02:12,433 --> 00:02:14,402
NINA!
MARY...
53
00:02:14,435 --> 00:02:15,737
YOU POSED NAKED?
54
00:02:15,770 --> 00:02:18,840
BUH-BYE.
55
00:02:18,873 --> 00:02:20,842
ARE YOU TRYING
TO TELL ME THAT
THERE ARE PICTURES
56
00:02:20,875 --> 00:02:23,111
SOMEWHERE OUT THERE
OF MY MARY ALBRIGHT
57
00:02:23,144 --> 00:02:26,347
NAKED AS A JAYWALKER?
58
00:02:26,380 --> 00:02:29,417
THEY WERE VERY TASTEFUL.
JUST SOME BLACK AND WHITE
ART PHOTOS.
59
00:02:29,450 --> 00:02:30,919
ART PHOTOS!
60
00:02:30,952 --> 00:02:33,321
A SEPIA-TONED SNAPSHOT
OF OLD FAITHFUL--
61
00:02:33,354 --> 00:02:35,623
THAT'S AN ART PHOTO.
62
00:02:35,656 --> 00:02:37,792
BUT YOU JUST SAID
POSING NUDE WAS FINE.
63
00:02:37,826 --> 00:02:40,528
FOR MY LITTLE SISTER,
NOT MY GIRLFRIEND!
64
00:03:17,265 --> 00:03:20,201
ART...SMUT...SMUT...
65
00:03:20,234 --> 00:03:22,771
ART...SMUT.
66
00:03:22,804 --> 00:03:23,872
WAIT A MINUTE.
THAT'S SMUT?
67
00:03:23,905 --> 00:03:24,739
YEAH.
68
00:03:24,773 --> 00:03:27,942
BUT SHE'S SO MUCH
NAKEDER THAN THEY ARE.
69
00:03:27,976 --> 00:03:30,879
YEAH, BUT, YOU SEE,
THIS IS MICHELANGELO
AND THIS IS--
70
00:03:30,912 --> 00:03:33,748
WELL, THIS IS
MICHAEL AND ANGELO.
71
00:03:36,117 --> 00:03:38,820
I'M SORRY. I JUST
DON'T SEE THE DIFFERENCE.
72
00:03:38,853 --> 00:03:41,589
I MEAN, YOU TELL ME THAT
THIS IS MEANT FOR AROUSAL,
73
00:03:41,622 --> 00:03:44,558
AND THIS IS MEANT FOR
AESTHETIC APPRECIATION.
74
00:03:44,592 --> 00:03:46,027
BUT WHEN I LOOK AT THEM,
75
00:03:46,060 --> 00:03:48,062
WELL, THIS WOMAN
WASHING HER SPORTS CAR,
76
00:03:48,096 --> 00:03:50,131
SHE DOES NOTHING FOR ME.
77
00:03:50,164 --> 00:03:55,436
BUT THIS WOMAN WITH
THE APPLE AND THE SNAKE..
78
00:03:55,469 --> 00:03:56,971
WELL, THAT'S JUST HOT.
79
00:04:01,509 --> 00:04:03,011
TOMMY, DO YOU HAVE
A LAB PARTNER?
80
00:04:03,044 --> 00:04:03,812
NO.
81
00:04:03,845 --> 00:04:06,314
HERS IS OUT SICK,
SO SHE'S WITH YOU.
82
00:04:09,951 --> 00:04:11,119
THANKS.
83
00:04:11,152 --> 00:04:12,486
HI. I'M ALISSA.
84
00:04:12,520 --> 00:04:14,856
YEAH, I KNOW. UH, NO,
I MEAN I'M TOMMY.
85
00:04:14,889 --> 00:04:16,590
THAT'S MY NAME.
I'M TOMMY.
86
00:04:16,624 --> 00:04:18,059
YOU KNOW, I THINK WE'VE BEEN
IN CLASS TOGETHER ALL YEAR
87
00:04:18,092 --> 00:04:19,127
AND WE'VE NEVER MET.
88
00:04:19,160 --> 00:04:22,130
NO, WE HAVE NOT
NEVER MET.
89
00:04:22,163 --> 00:04:23,364
I'M--I'M TOMMY.
90
00:04:23,397 --> 00:04:27,301
YEAH, SO, WE'RE TRYING
TO GET THESE FRUIT FLIES
TO MATE, HUH?
91
00:04:27,335 --> 00:04:28,469
YEAH.
92
00:04:28,502 --> 00:04:29,670
WELL, THAT'S KIND
OF COLD, ISN'T IT?
93
00:04:29,703 --> 00:04:32,506
I MEAN,
THEY JUST MET.
94
00:04:32,540 --> 00:04:33,707
WHAT?
95
00:04:33,741 --> 00:04:36,044
CAN YOU IMAGINE
MEETING SOMEBODY
FOR THE FIRST TIME,
96
00:04:36,077 --> 00:04:38,813
AND THEN ALL OF A SUDDEN,
THERE'S PEOPLE TRYING
TO FORCE YOU TO MATE?
97
00:04:38,847 --> 00:04:41,816
THAT'S A LOT OF PRESSURE.
I COULDN'T DO IT.
98
00:04:41,850 --> 00:04:44,218
WELL, IF MY LIFE SPAN
WAS ONLY FOR, LIKE, A DAY,
99
00:04:44,252 --> 00:04:45,954
I THINK I'D BE OK WITH IT.
100
00:04:48,756 --> 00:04:51,025
LET'S LET THEM GO.
101
00:04:51,059 --> 00:04:51,960
ARE YOU SERIOUS?
102
00:04:51,993 --> 00:04:53,527
NO, I MEAN, THEY ONLY
HAVE ONE DAY TO LIVE,
103
00:04:53,561 --> 00:04:54,428
THEY SHOULD
ENJOY THEIR LIVES.
104
00:04:54,462 --> 00:04:57,265
LET THEM GO.
105
00:04:57,298 --> 00:04:59,100
ALL RIGHT. OK.
NO, I'LL LET THEM GO.
106
00:04:59,133 --> 00:05:00,768
I AM LETTING THEM GO.
107
00:05:02,837 --> 00:05:04,638
SOLOMON,
WHAT ARE YOU DOING?
108
00:05:04,672 --> 00:05:05,840
UH, I SLIPPED.
109
00:05:05,874 --> 00:05:07,942
WELL, YOU GET AN "F."
110
00:05:11,512 --> 00:05:13,714
THANK YOU SO MUCH.
111
00:05:13,747 --> 00:05:15,149
I'M SORRY.
I WAS JUST KIDDING.
112
00:05:15,183 --> 00:05:16,217
YOU WERE KIDDING?
113
00:05:16,250 --> 00:05:18,052
I DIDN'T KNOW
YOU'D ACTUALLY DO IT.
114
00:05:18,086 --> 00:05:19,353
YEAH, WELL,
I'M THE KIND OF GUY
115
00:05:19,387 --> 00:05:21,222
THAT ACTUALLY
DOES THINGS.
116
00:05:22,323 --> 00:05:24,125
HOW WAS I
SUPPOSED TO KNOW?
117
00:05:24,158 --> 00:05:26,961
GO AHEAD AND LAUGH.
I'M VERY UPSET.
118
00:05:26,995 --> 00:05:28,429
NO, YOU'RE NOT.
119
00:05:31,132 --> 00:05:32,800
NO, I'M NOT.
120
00:05:34,702 --> 00:05:35,603
I LIKE YOUR LAUGH.
121
00:05:35,636 --> 00:05:37,338
OH, THANK YOU.
122
00:05:37,371 --> 00:05:39,140
[SNORTS]
123
00:05:42,676 --> 00:05:44,378
OK, SALLY,
FIRST THING.
124
00:05:44,412 --> 00:05:48,716
IF YOU WANT TO POSE,
YOU GOT TO HAVE
ALL THE RIGHT MOVES.
125
00:05:48,749 --> 00:05:51,485
I GOT THE RIGHT MOVES,
BABY.
126
00:05:51,519 --> 00:05:53,587
YOU DON'T HAVE
THE MOVES, DO YOU?
127
00:05:53,621 --> 00:05:54,822
NO.
128
00:05:54,855 --> 00:05:55,723
ALL RIGHT.
129
00:05:55,756 --> 00:05:56,724
WELL, THE FIRST THING
YOU GOT TO REMEMBER
130
00:05:56,757 --> 00:05:58,960
IS THE WOMEN
IN THESE MAGAZINES,
131
00:05:58,993 --> 00:06:02,030
THEY ALWAYS
SEEMED SURPRISED
TO SEE THEIR BOOBS.
132
00:06:05,199 --> 00:06:08,402
LIKE THEY'RE SEEING THEM
FOR THE FIRST TIME.
133
00:06:08,436 --> 00:06:09,904
THAT IS SO SEXY.
134
00:06:09,938 --> 00:06:11,772
SO TRY TO REMEMBER
HOW IT FELT
135
00:06:11,805 --> 00:06:14,275
THE FIRST TIME
YOU SAW YOUR BOOBS.
136
00:06:14,308 --> 00:06:17,678
YOU KNOW,
LIKE RIGHT AFTER
WE LANDED ON EARTH.
137
00:06:19,513 --> 00:06:22,650
AAH!
138
00:06:27,455 --> 00:06:29,924
THAT'S GOOD.
139
00:06:29,958 --> 00:06:33,427
NOW TRY IT AFTER YOU
DISCOVERED HOW MUCH
FUN THEY WERE.
140
00:06:35,964 --> 00:06:37,831
THERE YOU GO!
141
00:06:39,800 --> 00:06:41,335
OH, NOW, YOU ALSO
GOT TO REMEMBER
142
00:06:41,369 --> 00:06:44,338
TO LOOK SORT OF
SLEEPY AND PARANOID.
143
00:06:44,372 --> 00:06:45,639
SLEEPY AND PARANOID?
144
00:06:45,673 --> 00:06:47,508
YEAH, YEAH,
'CAUSE THE WOMEN
IN THESE MAGAZINES,
145
00:06:47,541 --> 00:06:49,944
THEY'RE ALWAYS
STRETCHING,
146
00:06:49,978 --> 00:06:53,181
LOOKING BEHIND
THEMSELVES TO SEE IF
SOMEBODY'S WATCHING.
147
00:06:55,849 --> 00:06:58,386
OH, I GOT THIS,
BABY, HUH?
148
00:06:58,419 --> 00:07:00,421
OOH, BUT
DON'T SMILE, OK?
149
00:07:00,454 --> 00:07:03,091
GUYS DON'T LIKE IT
WHEN A WOMAN SMILES.
150
00:07:03,124 --> 00:07:04,592
THEY LIKE THEM POUTY.
151
00:07:04,625 --> 00:07:06,194
OR ANGRY.
152
00:07:06,227 --> 00:07:07,028
ANGRIER!
153
00:07:07,061 --> 00:07:10,698
HATE ME. GOOD!
154
00:07:10,731 --> 00:07:13,001
NOW, YOU'RE
ON A SAFARI.
155
00:07:13,034 --> 00:07:14,435
YOU'RE LISTENING
TO THE BIRDS,
156
00:07:14,468 --> 00:07:15,369
BUT YOU'RE SLEEPY.
157
00:07:15,403 --> 00:07:18,272
GOOD!
158
00:07:18,306 --> 00:07:19,540
YOU'RE LOOKING
THROUGH BINOCULARS,
159
00:07:19,573 --> 00:07:20,808
BUT YOU'RE ANGRY.
160
00:07:20,841 --> 00:07:22,410
NICE!
161
00:07:22,443 --> 00:07:23,444
YOU'RE BEING CHASED
BY A TIGER,
162
00:07:23,477 --> 00:07:24,979
AND IT'S JUST ABOUT
TO CATCH YOU.
163
00:07:25,013 --> 00:07:27,515
ALL OF A SUDDEN,
YOU SEE YOUR BOOBS!
164
00:07:33,921 --> 00:07:36,857
[MUTTERING]
165
00:07:39,727 --> 00:07:42,796
DR. SOLOMON, I WOULDN'T
NORMALLY ASK THIS,
166
00:07:42,830 --> 00:07:45,066
BUT ARE YOU GOING
TO TEACH?
167
00:07:45,099 --> 00:07:46,500
I'VE GOT TOO MUCH
ON MY MIND.
168
00:07:46,534 --> 00:07:47,968
LIKE WHAT?
169
00:07:48,002 --> 00:07:50,604
LIKE WOMEN LEWDLY
EXPOSING THEMSELVES
170
00:07:50,638 --> 00:07:52,606
TO PRURIENT AND
LASCIVIOUS SHUTTERBUGS.
171
00:07:52,640 --> 00:07:53,674
THAT'S WHAT.
172
00:07:53,707 --> 00:07:55,876
OH, WELL, I KNOW HOW
YOU FEEL, DR. SOLOMON,
173
00:07:55,909 --> 00:07:58,846
WHICH IS WHY WE'RE STAGING
A PROTEST THIS FRIDAY.
174
00:07:58,879 --> 00:08:01,949
OH, SHUT UP, CARYN.
175
00:08:01,982 --> 00:08:03,851
THIS HAS NOTHING
TO DO WITH YOUR
STUPID LITTLE PEP RALLY.
176
00:08:03,884 --> 00:08:05,786
THIS IS ABOUT SOMEONE THAT
I'M DEEPLY INVOLVED WITH.
177
00:08:05,819 --> 00:08:07,888
DR. ALBRIGHT?
178
00:08:07,921 --> 00:08:08,556
HOW DID YOU KNOW?
179
00:08:08,589 --> 00:08:10,224
HAVE YOU SEEN
THE PICTURES?
180
00:08:10,258 --> 00:08:12,493
WHAT, THERE ARE PICTURES
OF DR. ALBRIGHT?
181
00:08:12,526 --> 00:08:15,596
THERE ARE
NO NAKED PICTURES!
182
00:08:15,629 --> 00:08:17,331
NAKED PICTURES
OF DR. ALBRIGHT?
183
00:08:17,365 --> 00:08:18,532
I'D LIKE TO SEE THOSE.
184
00:08:18,566 --> 00:08:20,901
OH, OVER MY DEAD BODY!
185
00:08:20,934 --> 00:08:22,570
LOOK AT YOU. YOU'RE ALL
OBSESSED WITH NUDITY.
186
00:08:22,603 --> 00:08:25,139
AND IT'S DIRTY,
FILTHY, AND VILE!
187
00:08:25,173 --> 00:08:26,574
IT'S NOT DIRTY,
DR. SOLOMON.
188
00:08:26,607 --> 00:08:28,042
WE ALL COME INTO
THIS WORLD NAKED.
189
00:08:28,076 --> 00:08:29,543
I DIDN'T.
190
00:08:50,598 --> 00:08:51,399
HI, DICK.
191
00:08:56,670 --> 00:09:00,274
HARRY, ARE YOU NAKED
OR AM I SEEING THINGS?
192
00:09:00,308 --> 00:09:02,076
WHY, ACTUALLY,
IT'S A LITTLE OF BOTH.
193
00:09:04,278 --> 00:09:05,779
NO, YOU KNOW, I WAS
JUST TRYING TO FIGURE OUT
194
00:09:05,813 --> 00:09:07,981
IF THIS WHOLE CLOTHING THING
IS JUST A BIG SCAM.
195
00:09:08,015 --> 00:09:09,183
AND YOU KNOW WHAT?
196
00:09:09,217 --> 00:09:11,885
I'M STARTING TO THINK
THAT IT IS.
197
00:09:11,919 --> 00:09:13,387
HEY, GUYS,
WHAT DO YOU THINK
198
00:09:13,421 --> 00:09:14,522
I SHOULD WEAR
TO SCHOOL TOMORROW?
199
00:09:14,555 --> 00:09:18,058
EL NADA!
200
00:09:18,092 --> 00:09:19,627
WHY? WHAT'S GOING ON
AT SCHOOL?
201
00:09:19,660 --> 00:09:22,896
THIS GIRL ALISSA.
202
00:09:22,930 --> 00:09:25,299
I'VE NEVER FELT THIS WAY
ABOUT A GIRL BEFORE.
203
00:09:25,333 --> 00:09:27,801
SHE'S SO DIFFERENT.
YOU KNOW WHAT I MEAN?
204
00:09:27,835 --> 00:09:30,371
I DON'T EVEN KNOW
HOW TO EXPLAIN IT,
BUT SHE'S--
205
00:09:30,404 --> 00:09:33,307
SHE'S JUST
ABSOLUTELY AMAZING.
206
00:09:33,341 --> 00:09:34,675
AM I--AM I NUTS?
207
00:09:34,708 --> 00:09:37,077
TOMMY, TOMMY, TOMMY.
208
00:09:37,111 --> 00:09:40,614
OH, YES, I'VE RIDDEN
ON THAT BUS, TOO.
209
00:09:40,648 --> 00:09:44,185
WHAT YOU'RE GOING THROUGH
IS EXACTLY WHAT I FELT
210
00:09:44,218 --> 00:09:45,753
WHEN I FIRST MET MARY.
211
00:09:45,786 --> 00:09:50,758
MARY? THIS IS NOTHING
LIKE HOW YOU FELT
ABOUT MARY.
212
00:09:50,791 --> 00:09:52,793
THIS IS LOVE.
DO YOU UNDERSTAND?
213
00:09:52,826 --> 00:09:55,496
LOVE. YOU DON'T KNOW
WHAT LOVE IS.
214
00:09:55,529 --> 00:09:59,233
YOU WILL NEVER KNOW
WHAT LOVE IS.
215
00:09:59,267 --> 00:09:59,967
TOMMY, WHEN MARY AND I--
216
00:10:00,000 --> 00:10:03,737
CAN'T I HAVE ANYTHING
OF MY OWN?
217
00:10:07,675 --> 00:10:08,909
YOU WANT ME TO GO
KICK HIS BUTT?
218
00:10:08,942 --> 00:10:09,877
STAY WHERE YOU ARE!
219
00:10:12,813 --> 00:10:14,548
* HE'S A COMPLICATED MAN
220
00:10:14,582 --> 00:10:17,385
* AND NO ONE UNDERSTANDS
HIM BUT HIS WOMAN *
221
00:10:17,418 --> 00:10:19,853
* DON SHAFT
222
00:10:19,887 --> 00:10:22,055
OH, DON, I'M SO GLAD
YOU'RE STILL HERE.
223
00:10:22,089 --> 00:10:23,524
HEY, SALLY, WHAT'S UP?
224
00:10:23,557 --> 00:10:26,093
YOU KNOW
PLAYPEN MAGAZINE?
225
00:10:26,126 --> 00:10:28,496
NO.
226
00:10:28,529 --> 00:10:32,065
SURE, YOU DO. YOU KEEP
THEM UNDER THE COUCH.
227
00:10:32,099 --> 00:10:34,735
OH, THOSE?
THOSE AREN'T MINE.
228
00:10:34,768 --> 00:10:36,970
THOSE CAME
WITH THE COUCH.
229
00:10:37,004 --> 00:10:39,407
OH, GOD, NOW YOU
THINK I'M A PERV.
230
00:10:39,440 --> 00:10:42,543
NO, I DON'T. YOU LIKE
TO LOOK AT NAKED LADIES.
231
00:10:42,576 --> 00:10:44,645
IT'S PERFECTLY NORMAL.
232
00:10:44,678 --> 00:10:47,215
WHY, YES, IT IS.
233
00:10:47,248 --> 00:10:48,549
THAT'S WHY I COULDN'T
WAIT TO TELL YOU.
234
00:10:48,582 --> 00:10:50,351
I AM SO EXCITED.
235
00:10:50,384 --> 00:10:53,086
I'VE DECIDED TO POSE
FOR PLAYPEN.
236
00:10:55,456 --> 00:10:57,858
ISN'T THAT GREAT?
237
00:10:57,891 --> 00:11:00,628
YOU, SALLY, POSE NAKED?!
238
00:11:00,661 --> 00:11:01,795
WHAT'S THE MATTER, DON?
239
00:11:01,829 --> 00:11:02,963
WHAT'S THE MATTER?
240
00:11:02,996 --> 00:11:05,633
SALLY, I DON'T WANT
YOU POSING NAKED
FOR SOME MAGAZINE.
241
00:11:05,666 --> 00:11:07,435
BUT YOU LOVE
THESE MAGAZINES.
242
00:11:07,468 --> 00:11:11,405
I MEAN, YOU MUST.
THIS ONE'S FALLING APART.
243
00:11:11,439 --> 00:11:12,873
NO!
244
00:11:12,906 --> 00:11:14,141
THAT'S DIFFERENT.
245
00:11:14,174 --> 00:11:16,977
HOW?
WELL, THEY'RE NOT YOU,
THAT'S HOW.
246
00:11:17,010 --> 00:11:19,380
LISTEN, SALLY, I KNOW
WHAT KIND OF PEOPLE
READ THESE THINGS
247
00:11:19,413 --> 00:11:21,014
AND WHAT THEY'RE
THINKING WHEN I DO.
248
00:11:23,551 --> 00:11:27,421
AND I'M SORRY,
BUT YOU ARE NOT POSING
AND THAT'S FINAL!
249
00:11:31,158 --> 00:11:33,827
OH, REALLY
250
00:11:33,861 --> 00:11:39,132
WELL, TAKE A GOOD LONG LOOK
AT THESE BABIES, DON,
251
00:11:39,166 --> 00:11:41,302
'CAUSE THE NEXT TIME
YOU SEE THEM,
252
00:11:41,335 --> 00:11:43,871
THEY'LL BE IN A MAGAZINE!
253
00:11:43,904 --> 00:11:45,105
AAH!
254
00:11:49,410 --> 00:11:51,111
WHAT'S THE MATTER
WITH THESE WOMEN?
255
00:11:51,144 --> 00:11:53,747
YOU GIVE AND GIVE, AND
ALL THEY WANT TO DO
IS POSE NAKED.
256
00:11:53,781 --> 00:11:55,082
YEAH.
257
00:11:55,115 --> 00:11:57,818
AND THEN THEY COVER IT
UP BY CALLING IT ART.
WHAT A BUNCH OF HOOEY.
258
00:11:57,851 --> 00:11:59,119
WHEN THOSE PICTURES
COME OUT,
259
00:11:59,152 --> 00:12:01,121
MY LIFE IS GOING
TO BE A LIVING HELL.
260
00:12:01,154 --> 00:12:02,890
IT MAKES
MY BLOOD RUN COLD.
261
00:12:02,923 --> 00:12:04,825
MY ANGEL IS A CENTERFOLD.
262
00:12:07,661 --> 00:12:09,897
SOME SCUM OF THE EARTH
DIRT PEDDLER
263
00:12:09,930 --> 00:12:11,765
IS OUT THERE
WITH PICTURES
OF MY MARY ALBRIGHT,
264
00:12:11,799 --> 00:12:13,967
AND WHAT CAN I DO?
265
00:12:14,001 --> 00:12:16,337
YOU CAN GET
THOSE PICTURES BACK.
266
00:12:16,370 --> 00:12:17,170
WILL YOU HELP ME?
267
00:12:17,204 --> 00:12:18,339
DAMN RIGHT I WILL.
268
00:12:18,372 --> 00:12:20,274
WILL YOU ABUSE
YOUR POLICE POWERS
TO DO IT?
269
00:12:20,308 --> 00:12:23,511
I THINK THAT'S A GIVEN.
270
00:12:23,544 --> 00:12:25,279
YOU'RE A MAN
AMONG MEN, DON.
271
00:12:25,313 --> 00:12:27,515
A MAN AMONG MEN.
272
00:12:27,548 --> 00:12:28,248
MORE CHIPS?
273
00:12:28,282 --> 00:12:29,717
YEAH.
274
00:12:36,624 --> 00:12:38,091
I'M JUST GETTING
A COOKIE.
275
00:12:41,795 --> 00:12:44,264
MAYBE A CHIP.
276
00:12:52,440 --> 00:12:55,743
* MY ANGEL
IS A CENTERFOLD *
277
00:12:55,776 --> 00:12:58,612
HEY, I THOUGHT YOU GUYS
WERE COMING OVER.
278
00:12:58,646 --> 00:12:59,380
WHAT?
279
00:12:59,413 --> 00:13:02,516
OH, RIGHT. I FORGOT
TO INVITE YOU.
280
00:13:02,550 --> 00:13:03,951
WELL, HEY,
NOW THAT I'M HERE,
281
00:13:03,984 --> 00:13:05,753
I WAS WONDERING
IF I COULD, UM,
282
00:13:05,786 --> 00:13:07,287
DISCUSS SOMETHING
WITH YOU.
283
00:13:07,321 --> 00:13:09,823
YOU KNOW,
ONE PIN-UP TO ANOTHER.
284
00:13:09,857 --> 00:13:13,160
OH, WELL, I HARDLY
CONSIDER MYSELF A PIN-UP.
285
00:13:13,193 --> 00:13:15,829
HA HA, WELL, DUH,
NOT ANYMORE.
286
00:13:15,863 --> 00:13:18,231
YOU SEE, LISTEN...
287
00:13:18,265 --> 00:13:20,267
DON AND I GOT INTO
THIS REAL HUGE FIGHT
288
00:13:20,300 --> 00:13:22,870
AND NOW HE'S FORBIDDING ME
TO POSE IN THE MAGAZINE.
289
00:13:22,903 --> 00:13:24,505
OH, THAT IS SO TYPICAL.
290
00:13:24,538 --> 00:13:26,239
MEN ARE SO TERRITORIAL.
291
00:13:26,273 --> 00:13:28,208
LIKE THEY HAVE A DEED
TO YOUR BODY.
292
00:13:28,241 --> 00:13:31,912
EXACTLY. I POSE
FOR A FEW PHOTOS
IN AN ART CLASS
293
00:13:31,945 --> 00:13:33,847
20 YEARS BEFORE
I EVEN KNEW DICK,
294
00:13:33,881 --> 00:13:36,417
AND HE IS SO BENT
OUT OF SHAPE.
295
00:13:36,450 --> 00:13:39,653
YOU GUYS, IT'S JUST THAT
DON IS REALLY, REALLY UPSET.
296
00:13:39,687 --> 00:13:42,356
WELL, BOO-HOO
FOR DON.
297
00:13:42,390 --> 00:13:44,825
SEE, I JUST DON'T KNOW
IF I SHOULD POSE OR NOT.
298
00:13:44,858 --> 00:13:46,794
WHY, JUST BECAUSE
DON THINKS HE OWNS YOU?
299
00:13:46,827 --> 00:13:48,896
HE CAN'T TELL YOU
WHAT TO DO WITH YOUR BODY.
300
00:13:48,929 --> 00:13:52,265
THAT'S RIGHT. IF WE ARE
EVER GOING TO MAKE
ANY PROGRESS AS WOMEN,
301
00:13:52,299 --> 00:13:54,067
WE'VE GOT TO DO
WHAT WE WANT TO DO
302
00:13:54,101 --> 00:13:56,203
AND NOT WHAT
OUR BOYFRIENDS
TELL US TO DO.
303
00:13:56,236 --> 00:13:57,971
SO, I SHOULD POSE?
304
00:13:58,005 --> 00:14:01,509
IF YOU WANT DON
TO RESPECT YOU
AS A WOMAN,
305
00:14:01,542 --> 00:14:02,976
YOU HAVE TO.
306
00:14:16,824 --> 00:14:19,226
HEY, TOMMY,
YOU WANT A BLT?
307
00:14:19,259 --> 00:14:20,327
NO, I'M NOT HUNGRY.
308
00:14:20,360 --> 00:14:22,162
OH, WHAT'S WRONG?
309
00:14:22,195 --> 00:14:23,597
OH! AH! AH! AH! AAH!
310
00:14:27,267 --> 00:14:29,537
IT'S THIS GIRL ALISSA,
YOU KNOW.
311
00:14:29,570 --> 00:14:31,138
SHE DIDN'T SHOW UP
TO CLASS TODAY.
312
00:14:31,171 --> 00:14:32,072
SO?
313
00:14:32,105 --> 00:14:34,942
SO--SO OBVIOUSLY SHE THINKS
I'M SUCH A LOSER
314
00:14:34,975 --> 00:14:37,578
THAT SHE'D RATHER TRANSFER
TO ANOTHER CLASS
315
00:14:37,611 --> 00:14:39,312
THAN BE MY LAB PARTNER.
316
00:14:39,346 --> 00:14:41,615
MAYBE SHE'S SICK.
317
00:14:41,649 --> 00:14:42,516
SICK?
318
00:14:42,550 --> 00:14:45,953
YEAH, YOU KNOW,
THE FLU'S GOING AROUND.
319
00:14:45,986 --> 00:14:49,457
SICK. SHE'S SICK.
THAT'S GREAT!
320
00:14:49,490 --> 00:14:51,191
HARRY, YOU'RE BRILLIANT!
321
00:14:51,224 --> 00:14:52,392
OH, I KNOW--
322
00:14:52,426 --> 00:14:55,863
OH, AH, AH, AH, AAH!
323
00:14:55,896 --> 00:14:57,197
AAH!
324
00:15:02,903 --> 00:15:06,940
HA HA, LOOK AT THIS SMUT.
325
00:15:06,974 --> 00:15:07,841
HI, CAN I HELP YOU?
326
00:15:07,875 --> 00:15:09,409
ALL RIGHT, BUDDY,
WHERE ARE THEY?
DICK!
327
00:15:09,443 --> 00:15:10,377
WHAT ARE YOU
TALKING ABOUT, MAN?
328
00:15:10,410 --> 00:15:12,379
DON'T PLAY DUMB WITH ME,
BUSTER, THE PICTURES.
329
00:15:12,412 --> 00:15:13,213
WHERE ARE THE PICTURES?
330
00:15:13,246 --> 00:15:16,216
DICK, SIT DOWN,
SIT DOWN, SIT DOWN!
331
00:15:16,249 --> 00:15:18,619
I'LL HANDLE THIS.
332
00:15:18,652 --> 00:15:20,754
HE'S A LITTLE UPSET.
333
00:15:20,788 --> 00:15:23,223
IT SEEMS THAT YOU
TOOK NAKED PICTURES
334
00:15:23,256 --> 00:15:25,092
OF HIS GIRLFRIEND
20 YEARS AGO
335
00:15:25,125 --> 00:15:27,160
AND HE WANTS THEM BACK.
336
00:15:27,194 --> 00:15:28,696
20 YEARS AGO?
337
00:15:28,729 --> 00:15:30,397
MAN, I'VE TAKEN PICTURES
OF THOUSANDS OF PEOPLE.
338
00:15:30,430 --> 00:15:32,666
THERE'S NO WAY I'M
GOING TO REMEMBER HER.
339
00:15:32,700 --> 00:15:34,334
THE NAME'S
MARY ALBRIGHT.
340
00:15:34,367 --> 00:15:36,169
OH, YEAH,
WHAT A HOTTIE!
341
00:15:36,203 --> 00:15:38,138
OH, I'LL KILL HIM!
342
00:15:38,171 --> 00:15:39,807
LET HIM GO!
LET HIM GO!
343
00:15:39,840 --> 00:15:41,809
LET...HIM...GO!
344
00:15:47,681 --> 00:15:49,983
[DOORBELL RINGS]
345
00:15:54,955 --> 00:15:55,889
TOMMY.
346
00:15:55,923 --> 00:15:57,090
HI.
347
00:15:57,124 --> 00:15:58,992
WHAT ARE YOU
DOING HERE?
348
00:15:59,026 --> 00:16:00,861
UH, WELL, I WAS JUST
IN THE NEIGHBORHOOD,
349
00:16:00,894 --> 00:16:02,730
AND I THOUGHT I'D STOP BY
AND, YOU KNOW,
350
00:16:02,763 --> 00:16:04,798
SEE--SEE HOW
YOU'RE FEELING.
351
00:16:04,832 --> 00:16:07,868
OH, UH, WELL, I WAS
BARFING A LOT EARLIER
352
00:16:07,901 --> 00:16:11,539
AND NOW I'M NOT
BARFING AS MUCH.
353
00:16:11,572 --> 00:16:13,240
OH, I BROUGHT YOU
SOME SOUP.
354
00:16:13,273 --> 00:16:17,678
UH, YOU KNOW THAT THEY SAY
THAT IT'S GOOD, UM, FOOD.
355
00:16:17,711 --> 00:16:18,646
YOU BROUGHT ME SOUP.
356
00:16:18,679 --> 00:16:21,181
YEAH, YEAH,
TO HELP YOU FEEL BETTER.
357
00:16:21,214 --> 00:16:23,984
DO YOU ALWAYS BRING SOUP
TO GIRLS YOU LIKE?
358
00:16:24,017 --> 00:16:27,487
L-L-LIKE? YOU?
NO, NO, I DON'T LIKE YOU.
359
00:16:27,521 --> 00:16:29,623
NO, NO, NO, I MEAN
I DON'T HATE YOU.
360
00:16:29,657 --> 00:16:32,325
I MEAN I JUST MET YOU,
BUT I DON'T LIKE YOU,
361
00:16:32,359 --> 00:16:33,894
YOU KNOW, LIKE YOU.
362
00:16:33,927 --> 00:16:35,362
THEN WHY'D YOU
BRING ME SOUP?
363
00:16:35,395 --> 00:16:38,498
BECAUSE--BECAUSE
YOU'RE MY LAB PARTNER,
THAT'S WHY.
364
00:16:38,532 --> 00:16:42,469
IT'S STRICTLY, UH, STRICTLY
LAB-RELATED GESTURE HERE.
365
00:16:42,502 --> 00:16:44,204
YEAH, BUT TO JUMP
TO ME LIKING YOU,
366
00:16:44,237 --> 00:16:46,707
THAT'S UH, THAT'S VERY, UH,
YOU'RE JUMPING.
367
00:16:46,740 --> 00:16:48,241
I MEAN, MAYBE YOU LIKE ME.
368
00:16:48,275 --> 00:16:49,242
YOU KNOW, MAYBE THAT'S IT.
369
00:16:49,276 --> 00:16:51,879
IN--IN WHICH CASE,
WE CAN TALK.
370
00:16:51,912 --> 00:16:52,813
BUT--BUT OK, LOOK,
371
00:16:52,846 --> 00:16:54,214
I'M TRYING TO PRESERVE
A LITTLE DIGNITY HERE.
372
00:16:54,247 --> 00:16:57,785
YOU KNOW, SO WHY DON'T YOU
JUST GIVE ME BACK MY SOUP?
373
00:16:57,818 --> 00:16:59,519
TOMMY, I'M SORRY.
374
00:16:59,553 --> 00:17:01,188
I SHOULDN'T HAVE
SAID ANYTHING.
NOW I FEEL STUPID.
375
00:17:01,221 --> 00:17:02,856
YEAH, WELL,
THERE YOU HAVE IT.
376
00:17:04,858 --> 00:17:06,493
SEE YA!
YEAH, OK.
377
00:17:13,634 --> 00:17:14,568
[DOORBELL RINGS]
378
00:17:23,543 --> 00:17:27,047
GOOD-BYE, NAKED MARY.
379
00:17:27,080 --> 00:17:29,950
YOU SHALL
TAUNT ME NO MORE.
380
00:17:38,759 --> 00:17:40,427
OH, MY GOD!
381
00:17:40,460 --> 00:17:42,229
THESE ARE BEAUTIFUL.
382
00:17:42,262 --> 00:17:43,631
THE LIGHT...
383
00:17:43,664 --> 00:17:45,265
THE LINES...
384
00:17:45,298 --> 00:17:46,734
THE LEGS...
385
00:17:46,767 --> 00:17:48,368
THE LOINS.
386
00:17:51,438 --> 00:17:52,239
WHAT ARE YOU DOING?
387
00:17:52,272 --> 00:17:54,908
MARY, I WAS LOOKING
AT YOUR PICTURES.
388
00:17:54,942 --> 00:17:56,176
WHAT PICTURES?
OF YOU.
389
00:17:56,209 --> 00:17:57,177
FROM WHERE?
IN THE BUFF.
390
00:17:57,210 --> 00:17:59,212
NO!
YES!
391
00:17:59,246 --> 00:18:00,013
WHERE DID YOU GET THOSE?
392
00:18:00,047 --> 00:18:01,314
I ROUGHED UP
THE PHOTOGRAPHER.
393
00:18:01,348 --> 00:18:02,049
YOU WHAT?!
394
00:18:02,082 --> 00:18:03,316
AND I WAS GOING
TO DESTROY THEM.
395
00:18:03,350 --> 00:18:05,018
OH, YOU'RE A JEALOUS FOOL,
DICK SOLOMON.
396
00:18:06,820 --> 00:18:09,289
AND THEN I SAW THEM.
397
00:18:09,322 --> 00:18:10,390
LOOK.
NO.
398
00:18:10,423 --> 00:18:14,261
NO, NO, MARY, LOOK.
399
00:18:14,294 --> 00:18:16,196
BOY, I WAS A HOTTIE,
WASN'T I?
400
00:18:17,965 --> 00:18:19,366
YOU SURE WERE.
401
00:18:19,399 --> 00:18:20,968
I WISH I LOOKED
LIKE THAT NOW.
402
00:18:21,001 --> 00:18:22,970
OH, MARY, NO.
403
00:18:23,003 --> 00:18:26,573
I THINK THAT YOU'VE AGED
LIKE A FINE WINE.
404
00:18:26,606 --> 00:18:28,909
AND I'VE BEEN OFF
THE BOTTLE FOR TOO LONG.
405
00:18:35,282 --> 00:18:39,419
OH, DICK...STOP.
406
00:18:39,452 --> 00:18:42,189
COME ON, MARY. LET'S
TAKE SOME PICTURES.
407
00:18:42,222 --> 00:18:44,091
OH, WE CAN'T.
408
00:18:44,124 --> 00:18:45,158
THEN LET'S
JUST GET NAKED.
409
00:18:45,192 --> 00:18:47,260
DICK!
410
00:18:47,294 --> 00:18:48,528
LOCK THE DOORS!
411
00:18:58,138 --> 00:18:59,372
CHUNKY CHICKEN.
412
00:18:59,406 --> 00:19:01,208
WHAT?
413
00:19:01,241 --> 00:19:03,677
THE SOUP. GOOD CALL.
414
00:19:03,711 --> 00:19:08,581
OH, THANK YOU.
I'M GLAD YOU LIKED IT.
415
00:19:08,615 --> 00:19:11,051
EXCUSE ME
FOR JUST A SECOND.
416
00:19:22,595 --> 00:19:24,998
SALLY, AREN'T YOU
SUPPOSED TO BE
417
00:19:25,032 --> 00:19:29,502
CAVORTING NAKED IN
FRONT OF A CAMERA
RIGHT NOW?
418
00:19:29,536 --> 00:19:32,405
YEAH, I'M SUPPOSED TO BE,
BUT THEY DIDN'T WANT ME.
419
00:19:32,439 --> 00:19:34,141
WHY?
420
00:19:34,174 --> 00:19:36,176
I'M TOO OLD.
421
00:19:36,209 --> 00:19:38,378
WHAT? NO.
422
00:19:38,411 --> 00:19:42,015
HE SAID THAT
I WAS TOO OLD-LOOKING
TO BE A COLLEGE STUDENT.
423
00:19:42,049 --> 00:19:44,985
I MEAN, REALLY, DICK,
DO I LOOK TOO OLD
TO BE A COLLEGE STUDENT?
424
00:19:45,018 --> 00:19:47,054
YOU?
425
00:19:49,757 --> 00:19:51,124
WELL, IF YOU THINK
OF YOURSELF AS SOMEONE
426
00:19:51,158 --> 00:19:53,693
WHO'S DROPPED OUT
FOR A FEW YEARS
TO EXPLORE THE WORLD,
427
00:19:53,727 --> 00:19:58,932
THEN, YEAH, YEAH, YOU DO
LOOK A LITTLE OLD.
428
00:19:58,966 --> 00:20:00,167
OH, DICK.
429
00:20:00,200 --> 00:20:02,635
OH, COME HERE.
430
00:20:02,669 --> 00:20:05,939
OH, SALLY,
SALLY, SALLY.
431
00:20:08,375 --> 00:20:11,711
THERE'S A RIPENESS THAT
COMES WITH GROWING OLDER.
432
00:20:11,745 --> 00:20:13,313
MAYBE IT'S WHAT
THEY CALL MATURITY,
433
00:20:13,346 --> 00:20:15,515
BUT IT'S
WHAT I CALL BEAUTY.
434
00:20:15,548 --> 00:20:16,950
AND YOU, SALLY...
435
00:20:16,984 --> 00:20:19,186
YOU GROW MORE BEAUTIFUL
EVERY DAY.
436
00:20:21,855 --> 00:20:22,689
YOU THINK SO?
437
00:20:22,722 --> 00:20:24,324
WELL, LOOK AT YOU.
438
00:20:24,357 --> 00:20:26,827
YOUR BIG, BEAUTIFUL EYES...
439
00:20:26,860 --> 00:20:29,396
YOUR LONG, SILKY HAIR...
440
00:20:29,429 --> 00:20:31,364
THE CURVE OF YOUR NECK...
441
00:20:31,398 --> 00:20:34,067
YOUR SUPPLE WHITE SKIN...
442
00:20:34,101 --> 00:20:36,169
YOUR SEXY RED LIPS.
443
00:20:37,938 --> 00:20:40,340
I'M A LITTLE CREEPED OUT
RIGHT NOW.
444
00:20:45,178 --> 00:20:46,279
SO, DON MUST
HAVE BEEN RELIEVED
445
00:20:46,313 --> 00:20:47,815
THAT YOU'RE NOT
POSING FOR PLAYPEN.
446
00:20:47,848 --> 00:20:49,449
YEAH, WELL,
HE WAS AT FIRST,
447
00:20:49,482 --> 00:20:51,551
THEN HE GOT TICKED OFF
THAT THEY TURNED ME DOWN.
448
00:20:51,584 --> 00:20:53,286
HE GOT SO ANGRY,
449
00:20:53,320 --> 00:20:56,723
HE CANCELED
HIS LIFETIME SUBSCRIPTION.
450
00:20:56,756 --> 00:20:58,291
WHOA, REALLY?
451
00:20:58,325 --> 00:21:00,493
YEAH. HE'S GOING
YEAR TO YEAR NOW.
452
00:21:02,796 --> 00:21:03,696
YEAH, HE'S
A GREAT GUY, DON.
453
00:21:03,730 --> 00:21:06,934
YEAH, SO, HEY,
YOU SEEN ALISSA NAKED YET?
454
00:21:06,967 --> 00:21:08,869
OH, NO, NO, NO, SALLY,
IT'S NOT LIKE THAT.
455
00:21:08,902 --> 00:21:10,203
YOU SEE, WHAT I FEEL
TOWARDS HER,
456
00:21:10,237 --> 00:21:12,239
IT'S ON A MUCH
HIGHER PLANE, YOU KNOW.
457
00:21:12,272 --> 00:21:14,842
BASED ON
HER INTELLIGENCE
AND HER CHARISMA
458
00:21:14,875 --> 00:21:18,711
AND HER INNER BEAUTY.
459
00:21:18,745 --> 00:21:26,887
BUT, BOY, I'D LIKE TO.
460
00:21:26,920 --> 00:21:27,955
NOW, DO YOU SEE THE USE
461
00:21:27,988 --> 00:21:29,556
OF SHADOW AND LIGHT
IN THIS ONE?
462
00:21:29,589 --> 00:21:30,790
NOW, THAT IS ART.
463
00:21:30,824 --> 00:21:31,992
OH, YEAH.
464
00:21:32,025 --> 00:21:33,060
DID YOU SEE
THIS ONE, LEON?
465
00:21:33,093 --> 00:21:34,494
NO.
466
00:21:34,527 --> 00:21:35,863
OH, DR. SOLOMON,
467
00:21:35,896 --> 00:21:37,730
YOU'RE A LUCKY MAN.
468
00:21:37,764 --> 00:21:39,766
THANK YOU, BUG.
469
00:21:39,799 --> 00:21:41,434
DR. SOLOMON,
I JUST DON'T THINK
THAT THIS IS AT ALL--
470
00:21:41,468 --> 00:21:43,136
OH, SHUT UP, CARYN.
471
00:21:43,170 --> 00:21:45,338
AND THIS ONE
SHE JUST GOES ALL OUT.
472
00:21:45,372 --> 00:21:46,806
THAT'S WHAT I LIKE
ABOUT IT.
473
00:21:46,840 --> 00:21:48,308
DICK, YOU WANTED
TO SEE ME?
474
00:21:48,341 --> 00:21:49,843
HERE SHE IS, GUYS!
32788
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