All language subtitles for Power S05E04_track3_[eng]

GHOST:
Previously on Power...

ANGELA: It wasn't a Jimenez hitter.
It was Diego himself.

This Alicia is Diego's sister?

We have the biggest cartel
in North America

in New York City right now.

So what's your first win
gonna be, boss?

| got a lead on
the Jimenez cartel.

You've never compromised yourself
for an innocent client before?

You didn't follow the rules.

We'll get you a decision soon.

You owe me $2 million.

We gonna get you that LA port.

You gonna kill the Jimenez?

| met Tommy connect,
the Serbian motherfucker.

I'm gonna get in good with him

and I'm gonna take over
Tommy organization.

What the fuck happened
to him?

| took care of the guy
that did this to your family.

VINCENT:
That true, Sammy?

He made it right.

- | saw Ray Ray shoot Raina.
- What?

| watched her die.
| miss her so much.

This woman,
she made a connection

between Ray Ray and Raina?

What did you say to her?

As local NYPD, she needed
to leave it alone.

TASHA: Do you think she will?

ANGELA: No, but! can stop it.

We'd like your assistance
in gathering all the files

associated with
the Raymond Jones murder.

We're here
to give you a chance

to see Connie
before she's gone.

We're very interested
in Thomas Patrick Egan.

He thinks that | wanna get
close to the son | never knew.

| need clean money to help me
finance the QCP,

and you need clean money
to pay Jason back.

So | think we should go back

to our old arrangement
that worked so well at Truth.

So, like old times.

JOE: J They say this is
a big, rich town f

~ / just come
from the poorest part f

¢ Bright lights, city life t

£ | gotta make it,
this is where it goes down f

~ / just happen
to come up hard J

~ Legal or illegal, baby,
| gotta make it f

50 CENT: I! never took
a straight path nowhere J

I Life's full of twists
and turns, bumps and bruises f

£/ live, |[learn f

f I'm from that city full of
yellow cabs and skyscrapers f

f It's hard to get a start
in these parts without paper f

~ Homey, | grew up in hell,
a block away from heaven J

~ That corner every 15
minutes, they moving seven J

f Pure snow, bag it,
then watch it go I

~ Occupational options,
get some blow or some hos f

£ Shoot the ball or the strap,
learn to rap or to jack J

S Fuck it, man,
in the meantime f

~ Go head and pump a pack J

~ This my regal, royal flow,
my James Bond bounce f

~ That 007,
that's 62 on my count f

£/'m an undercover liar,
| lie under the covers f

f Look a bitch in the eyes and
tell her, baby, | love ya f

~ You're my inspiration,
you're my motivation f

~ You're the reason that I'm
moving with no hesitation f

JOE: J They say this is
a big, rich town f

~ Yeah, | just come
from the poorest part f

¢ Bright lights, city life t

£ | gotta make it,
this is where it goes down f

~ Oh, yeah, yeah f

~ / just happen
to come up hard J

~ Legal or illegal, baby,
| gotta make it f

PP

[ distant engine running ]

[ tires squealing |

[ distant train
whistle blowing ]

You know you're late, Tommy.

Yo, | know I'm late.

But we best figure out a way to clip
those Jimenez motherfuckers

or pretty soon we all
gonna be late.

Jason ain't gonna wait forever.

What about your dad?

He out.
Now maybe he can help us.

Teresi's out?

Yeah, ain't no big deal.

You standing here telling me
it ain't no big deal?

| know what you're thinking.

| talked to Proctor.
He said it's a hundred.

How long has Proctor
known about this?

A couple days, maybe.

But let's deal with
the real problem here.

The Jimenez, not Tony.

K, you mind if | have a minute
to rap with Tommy alone?

What about all that,
"We working together," bullshit?

Come on, K,
you know it ain't bullshit.

We're working together.
Just a minute.

[ clicks tongue ]

[ dramatic music ]

What does Teresi know?

- He don't know nothing.
- He don't know nothing?

You ain't tell him shit
about the business?

- No way.
- Tommy, nothing about our business?

- No.
- You swear to me, Tommy?

- | swear.
- Well, please keep it that way.

All right?
| agreed to clean your money again,

and we gotta kill the leaders
of a fucking cartel.

We can't tell anything to Teresi
that he could use against us.

Ghost, | ain't gonna
tell him shit.

But he wouldn't do that
to us anyway. He's family.

This motherfucker blackmailed
me twice.

You got the amnesia?
You got a short memory?

GHOST: | know what
he's capable of doing to us.

Besides, he's been your fucking
family for 15 minutes.

| been your family
your whole goddamn life.

The situation is under control.

Right, well let me know when
the Jimenez situation is under control.

Can you do that for me?

Cool.

[ cell phone buzzing ]

Hold on, Tommy.

| gotta take this.

A’ight, fine.

Rashad.

Fine.

Yeah, we'll be at
the fundraiser tonight.

I'll see you later.

I'll find the Jimenez
my goddamn self.

We'll make sure we reach
our goal.

Everything'll be taken care of.

[ engine starts ]

[ tires squeal ]

a

This is all of
the Detective Jones case files

from NYPD and Internal Affairs.

Great.

For your dirty cop
investigation, right?

Yeah.

Where you at with that?

It's ongoing.

Yeah, well, that Sergeant--
Blanca Rodriguez-- [ chuckles ]

| think it's safe to say you're off
her Christmas card list.

[ chuckles ]

She seems to think
you're hiding something.

| am. From her.
A federal investigation.

[ both laughing ]

I'll never have to deal
with her again.

I'll see you in the briefing.

All right.

Thanks, Jerry.

[ dramatic music ]

a

[ phone clicking ]

[ cell phone chimes ]

a

[ cell phone vibrates ]

a

All right, everyone,
listen up.

| shall make this quick.

We now know Alicia
is the other half

to the so-called
Jimenez "brothers."

We have warrant applications in

for her and Diego's arrests
on multiple charges.

We don't even know
if they're still here.

And how are we gonna find them?

| don't know.
Maybe we try looking?

No, | spoke to my Mexican
contacts.

There's no record of Alicia or Diego
crossing back over the border.

Even if that's true
and they're still stateside,

it doesn't mean
they're still in the city.

Right, but there is
someone in New York

who can give us
their whereabouts.

Their distro,

who we suspect
is Arturo Magdeleno.

If we can get to him,
we can get to the Jimenez.

And if we can take down
a cartel of that size,

well, everyone in this room

will be able to write
their own ticket.

Let's get to it.

a

So now you wanna talk.

Hey, come on, K.
It was about Teresi and the Italians.

You know how Tommy is.
Once somebody gets in his head,

he can't think straight.

Tommy said he was worried
Teresi might be a snitch.

Well, he told me he's got that
under control.

Tommy got a daddy now.
Shit better than having a new puppy.

[ laughs ]

We should drop that
motherfucker.

We drop Teresi
and Tommy find out?

No, man.
It's way too risky.

So if we ain't gonna drop
Teresi, then what we gonna do?

Well, | figure Tommy won't
turn on the Italians.

Especially not with Teresi
in his ear, right?

So we gotta make them
shut the door on him.

How we gonna do that?

| got a plan, K.

It'll make Tommy too dangerous
for the mob,

but nobody can get hurt.

[ dramatic music ]

Especially not Tommy.

a

Yeah?

Bet.

a

Before my ma,

my old man was engaged
to some other woman.

Oh, yeah?

Mm-hmm.

What happened to her?

Just before they were
about to get married...

he had some kind of attack,
and, uh...

He had to be in a wheelchair
the whole rest of his life.

And he told her, he said,

"If you wanna go,
you can go."

And she did.

- Oof.
- [ laughs ]

And my ma was his nurse.

She took care of him

and she stayed with him
every single day

for the rest of his life.

TOMMY: He died young.

He did everything he could
to take care of Ma and me.

And then he died.

| joined the family
to make sure

that she had the life that
he would have given her.

First real money | earned

went for those stones.
Those two stones.

You're a good man.

And then | bought
all of this,

including the Teresi
family stone.

As good as anything
else in here.

Connie ought to get
a fucking pyramid.

[ dramatic music ]

That's us over there.

I'm gonna make sure she's taken
care of until the end,

no matter what.

a

We both will.

a

Hey, Quinn, so I'm going over
the event budget

from the launch party.

But you'll be happy
with this, all right?

So don't worry about anything--

a

Uh, let me--
let me call you back.

Alicia, | didn't--| didn't know
you wanted to talk in person.

Good.

Then no listening ears

could have known, either.

This is beautiful.

Thanks for coming out.

| wanted to update you
on the international business.

Mmm.

And there seems to be
a setback.

Well, | prefer my people

coming to me
with solutions.

a

Not setbacks.

[ lighter clicks ]

| just wanna make sure you and
Diego are on the same page

on how the resources
are managed in the club.

a

[ exhales ]

How much of a tab
has he run up?

The truth.

About $60,000.

DRE: And pretty soon,
no creative accounting's

gonna make
any of the books balance.

Some of the bottle girls
have quit

because of his...
aggressiveness.

Quinn--who's one of Karen
Bassett's managers--

she started to notice too.

Well, it appears we need
to find a solution.

a

You'll get instructions soon.

a

Oh, shit.

a

GHOST: Tasha.
Tasha.

- Tasha!
- Mmm.

Hmm?

GHOST: Come on, you're asleep.

You and Yas are supposed
to be ready.

We got the investor party
at Truth, remember?

Oh, shit.

And what are these, Tasha?

Dr. Wolven gave me something

so | can try
and get some sleep.

Look, | don't think | can go.

What do you mean,
you don't think you can go?

You gotta go, Tasha.

Come on, | need this night
to be a success, now.

I'm sorry, all right?

| just can't play
the perfect wife tonight.

TASHA:
| can't be like you

and act like I'm back
to business.

| don't have time for this.

Okay, fine.
You and Yas stay here.

I'll go raise the funds
for our daughter's legacy.

- Don't do that to me.
- Don't do what to you?

Don't you dare act like

the reason | don't wanna go
is because | don't care.

No, it's because
you're selfish!

a

Sorry for disturbing you.
Enjoy your sleep.

a

[ laughs ]

Look what you fucking guys
did to this place.

Oh, anything would look good
to you, old man.

You've been staring at cinder
blocks for 25 years.

ALL: [ chuckling ]

Is Connie coming?

No. No, no, she's--

she's too sick to get
around anymore.

That's too bad.

You know, I've been meaning
to visit.

Mmm.

That's all right.

No, it ain't, Tony.

[ door opens ]

SAMMY: Oh!

Look who's back from
the goddamn dead.

- Sammy!
- Oh, my God.

TERESI: [ laughs ]

For any of you who don't know,

this is the legendary
Tony fucking Teresi.

[ murmuring ]

You show him
some goddamn respect.

Now, let's eat!
Drink!

Come on, mangiamo.

[ indistinct chatter ]

TERESI:
Actually, before we eat,

I'd like to say something
to everybody.

Uh...

When you get a life sentence...

It's like nothing
you can imagine.

It's, uh--| never thought
| was gonna get out.

[ dramatic music ]

Despite every piece of paper
the feds put in front of me,

l--1 knew what | was in for.

And |, uh--And | took it
like the man that | am.

Like the men that we all are.

a

| didn't think, uh--

| didn't think | was gonna get
another go around.

So, | guess--

| guess | just wanna say

it meant a lot
that the family stood by me

and Connie.

And not just me and Connie,
but my boy.

Who is finally
where he belongs.

[ chuckles ]

We are all family.

TERESI: And with that--

[ speaking Sicilian ]

a

[ speaking Sicilian ]

ALL: [ speaking Sicilian ]

a

You don't find him getting out
overnight like that

a little strange?

The only people | know
who get out--

That's the demon
of Bell Boulevard.

He's done 25 years
for this family

without once
opening his mouth.

Now, you're young.

But you better show him the
respect and tribute he's owed.

a

Besides, most the guys
he can snitch on are dead.

a

Yeah?

[ swing music plays ]

a

- Oh, | miss everything.
- Hey.

- Everything looking good?
- We got it, man.

Yeah, | don't want a single
empty glass.

Okay?
Not a single one.

We got it.
We went over it.

We're going over it again.

[ pounds table ]

a

Pardon me.

a

- You serious, man?
- James, James.

Hey, hey, Rashad, hey.

- Where's Tasha?
- Uh, she--

Tasha couldn't make it.

Oh.

- Problem?
- No, it's--it's all right.

Um, I'll give her speech.

No, no, no,
| plan to give the speech.

You sure you're up to it?

Maybe you should stick
to the club thing, you know?

If tonight turns out well,

we should be able to make up
the investment we lost

from Linda.

I'll take care
of the presentation.

The cause speaks for itself.

To what cause are you
referring, hmm?

Raina, of course.

And all the other children
out there just like her.

a

[ clears throat ]

Pardon me a moment, James.

| need to get to work.

a

TATE: My, my, my, my.

They say that generosity
makes people more attractive.

That's clearly the reason
Vivian Moorhead

is the most radiant
woman in town.

That and Dr. Zizmor.

Rupert.

There are rumors amongst
some of the board members

that St. Patrick is already
causing problems.

| hear a major investor
has already dropped out.

They're just that--rumors.

| can promise you both,

| trust him with my life.

Listen, this QCP project
is also important

to the great state
of New York.

Uh, excuse me,
may | have your attention?

GHOST:
Uh, ladies and gentlemen,

| Know you guys are enjoying
the music, the drinks.

| think it's suffice to say the best of
New York City is in the house tonight.

And thank you for being here

to support such
a worthwhile project.

Our children, our future.

Despite what many of you
may think you know about me

or about my family--

[ clears throat ]

| can assure you
that my--my heart...

[ dramatic music ]

a

[ clears throat ]

GHOST: My heart Is...

a

My heart...

a

[ indistinct murmuring ]

[ sparse piano music |]

a

[ phone rings ]

a

Hello, it's James.

DAN: Morning, it's Dan--
account manager

of the Queens
Child Project fund.

Wanted to touch base with you

in regards to the fundraiser
last night.

We got the total in. Now,
it's not quite as high as--

How much are we short by?

DAN: About 40%.

[ sighs ]

DAN: Now | just brought
Councilman Tate up to speed.

We may have to delay
the groundbreaking--

No, no, no.

Um, | have some private money
coming in,

so let me just call you back.

[ phone beeps ]

[ grunts ]

[ dramatic music ]

How'd it go last night?

a

| saw her.

a

Raina.

GHOST:
| thought she was there.

a

| see her every day.

l--You know, | came down

into the crowd.

a

Our baby girl is really gone.

a

So, I, uh,

couldn't finish the speech.
| had to leave.

It's just a speech, Ghost.
It's okay.

It was supposed to be
your speech.

a

Not my speech.

If you had been there, Tasha,
to give your speech,

then it would have
never happened.

a

Again, thank you for coming in
on such short notice.

| Know you're a very busy man.
Have a seat.

Let me get this straight.

You want me to be the face
of the Queens Child Project?

| mean no disrespect,
philanthropy's lit and all,

but | got a business to run.

And I'd have a hard time
believing

that James is just
gonna step aside

and let me take over.

We've had some recent
disagreements, you know?

[ chuckles ]
Well,

we both know that James
can be stubborn

when he sets his mind
to something.

And I'm afraid he's just...

too unstable right now.

And it's not an issue
of taking over.

You'd merely be the face
of our organization.

Corner kid off the block

with your redemption story,
shit.

People would be tripping over
themselves to write us a check.

And if our dear brother James
truly cares

about making this memorial
to his daughter a reality,

he'll understand
it needs to be done.

a

| mean, I'm sure your
underserved district

could use some funding.

a

But what's in it for me, Tate?

[ chuckles ]

Don't you want friends
in high places?

a

| got enough friends,
thank you.

a

Mr. Coleman.

a

Never underestimate the value
of a good public image.

a

[ scoffs ]

a

[ door closes ]

All he cares about

is building this Queens
Child Project for Raina,

like that's gonna
fix everything.

To him it will, Tasha.
He's helpless.

Just like me.

Just like you.

He's nothing like me.

You know, it hasn't
worked since...

Since Angela.

But then we figured out a way
to be partners,

if nothing else.

Mama, | stood by him
when he was arrested.

| stood by him when he got out.

But Mama,
now that Raina's gone,

| think | need
to stand by myself.

Death of a child hits everybody
hard, Tasha.

James is not himself.

This isn't the man
that | met.

The man | knew.

| used to think we
could outrun anything.

That the life would never
catch up to us.

But now | know | was wrong.

| just wish | could start over.

Oh, baby.

You can't never go back
and start over.

| wanna try.

You sure there's
not something else?

[ dramatic music ]

Someone else?

a

Who was that man
that you were hugged up on

at Raina's funeral?

No. This is about Ghost.

No one else.

a

| am not one to brag, but

these are the best pancakes
in New York City.

[ elevator door dings ]

Not too much syrup.

Whoa, oh, it walks by day
as if almost human.

Its powers have grown strong.

Cute.

Yeah, | see you're still
on the list downstairs.

Hey, honey.

Mom?

LINDSAY: You look beautiful.

Okay, w-what brings you by?

Calm down, Joey.

I'm not here to start anything.

Mm-hmm.

Actually, | came over
because | want to make amends

for all the hurt
I've caused you.

Caused you both.

Mommy's very sorry she was sick
in the past,

but she's all better now.

No, | mean it.
I'm clean.

- 30 days.
- Oh.

I'm gonna start studying
for the bar exam again.

This is for you, baby.

ELISA: I'll put it with
the other ones.

That's a promise, honey.

It won't be like it was before.

And soon you'll be living
with me again too.

I'll get joint custody back.
Won't that be fun?

Okay, Elisa Marie,
why don't you go upstairs?

Ah, ah, give me that.

ELISA MARIE:
Bye, Mom.

Listen to me.

| will never let you have
joint custody.

And as--as heroic
as 30 days sober is,

you can't barge in here

and say things like that
to her.

You still have a long
way to go.

I'm sorry, aren't you the one

who's about to get disbarred
on ethics?

What?

Did another witness not show up
to the bar hearing?

It's never gonna happen, okay?

And don't worry about me.

I'm never gonna let anything

or anybody threaten
my career again

or keep me from being
that girl's father.

You always find someone to
clean it up for you, don't you?

I'll tell her
you said good-bye.

[ dramatic music ]

a

[ elevator door dings ]

[ sighs ]

a

[ sighs ]

[ cell phone clicking ]

a

[ cell phone beeps ]

a

Yeah, Jason, I'm gonna get
that thing done soon.

Yeah.

| just need a little time to--

Hello?
You there?

Hello?
Hello?

Ya fucking prick.

What's wrong?
You need some help?

No, | just got this thing
| gotta do.

Another party | gotta throw.

You want me and the guys
to help out?

Do it right this time?

C'mon, who's the party for?

[ dramatic music ]

Nah, | got this.

a

- I'm all good.
- Yeah?

Thanks, though.

a

[ taps on hood ]

[ engine starts ]

a

Two weeks in juvie, huh?

What a gangster you are.

ANGELA:
Hey, show him some respect.

You don't know who this is?

This is Arturo Magdeleno,

the new head
of the Toros Locos.

Oh, that's right.

[ gasps ]
Congratulations, man.

| heard how you been
telling everybody

how you gunned down Lorenzo
for the spot, huh?

At least, that's what
our witnesses say.

And since you did this

in furtherance
of drug trafficking,

we can charge you under
the kingpin statute.

Death penalty.

That's why the locals
brought you here.

| want a lawyer.

l--| actually
didn't do that shit.

Well, that's good news.

But--But then that means
you've been lying.

So that's kinda even worse.

We don't care about Lorenzo.

But I'll do my best to try
and keep your little secret.

Make sure that word about that

doesn't get out
on the streets.

We know you're the New York
distro for the Jimenez.

Tell us where we can find
Diego and Alicia.

Only way out.

[ drumming on table |]

Whoa, time's up.

You're gonna get that
prison cred after all.

I'm not the distro!

- Wait, what'd you say?
- | Know where Alicia's headed.

Home.
She's leaving the city today.

Diego will probably
be there too.

Leaving how?

[ dramatic music ]

a

- Hey.
- Hey.

So who's so important?
Thanks.

[ sighs ]

Did you know Tony Teresi
was out?

No, when'd you find this out?

- Just today.
- Bullshit, Proctor.

Tommy told me you already
looked into it.

Come on, man.

Why am | just hearing
from you now?

Tommy told me not
to say anything.

Joe, Tommy don't run shit.

Oh, that's easy for you to say.

He stabbed a fucking Homeland
Security agent to death

in the middle of my kitchen.

So forgive me if
| wanna play it

a little safe around the guy.

Okay, so what scares you more
than Tommy enough to call me?

Look, Teresi getting out
appears to check out,

but-- [ sighs ]

there's new paperwork
that popped up

with a name on it
that concerns me.

John Mak.

- That motherfucker again?
- Yes.

So, look, Mak was a part of
Teresi's original case.

So he could be involved now
purely as procedure.

| don't know.
And until we are sure,

| think it's best if you
and Tommy don't expose yourself

by letting Teresi know anything
that might interest the feds.

Look, he may be legit.
| don't know.

He blackmailed you.

[ quietly ] And he murdered
Sandoval for us.

He already knows too much.

Will you cut the
fucking "we" shit?

Look, man,
the person you're worried about

being exposed is you,
you know that.

So you don't want anything
to happen

that could make you guilty
by association

with me and Tommy.

No, no, that's bullshit, James.

When have | not shown up
for you, huh?

When you got shot,
who did you call? Me.

See, we are a team right now,
whether you like it or not.

We can't slip up.

Not with Teresi or anyone.

Look, I'm gonna monitor
this thing the best | can.

But you have to play it safe.

You cannot be
in anything illegal.

Especially with fucking Tommy.

[ dramatic music ]

a

[ sighs ]

Okay, she's down.

Are you sure everything's okay?

You know,
you don't have to stay here.

You two can come to my place.

Don't say that.

Why?

Because I'm afraid
you might change your mind.

This is the right decision,
Tasha.

| mean, you're not
exactly objective, Terry.

You don't understand.

It's best that you're out
of that apartment.

| was called in to testify

at Joe Proctor's preliminary
ethics hearing.

It's not looking good for him.

From what | know
about John Mak,

he is not going to stop

until he gets James
and Proctor on something.

And when he does,
you and the kids

should be as far away
from them as possible.

Proctor too?

We're all in danger.

You're not in any danger.

Not anymore.

[ dramatic music ]

a

She said you should come
to this meeting?

Yeah, she told me to pick you
up and bring you here.

a

DRE: What's this?

$60,000 to cover his recreation
in the nightclubs.

[ speaking Spanish ]

a

I'm sorry.

So from now on,

the clubs are Dre's domain.
His crew, his procedures.

But | want the club in Paris
locked down.

- Done.
- We have a certain system too.

And | want you to show
Cristobal

how to operate the books
in the clubs

so he can run things here
when we expand.

No, | don't think that's
necessary.

It is necessary.

There's no sense
having a lieutenant

if you're not gonna use him.

Think.

Let's go.

a

[ car engine starts ]

What the fuck was that?

Are you running
the clubs now?

| got a fucking choice?

You want me to say no?

[ speaking Spanish ]

[ car engine starts ]

[ speaking Spanish ]

Wait, wait, wait, wait,
hold on. Slow down.

Oh, shit.

a

[ sirens blaring ]

a

[ all shouting commands ]

On the ground!

a

DONOVAN:
Diego and Alicia Jimenez,

you are under arrest for
murder, drug trafficking,

racketeering, and conspiracy.
Let's go.

a

[ speaking Spanish ]

a

[ applause ]

Well done, well done.

Alicia and Diego are already in
separate interrogation rooms.

Angela, you get first crack
at them.

You know, | have to admit,

for as long as I've been
working on this case,

you know, | wanted to be
the one to bring them in.

But you got them.

- We all got them.
- Well, mostly me.

- [ laughs ]
- That goes without saying.

I'll start with Alicia first.

[ elevator door dings ]

AUSA Valdes.

Steve, what are you
doing here?

Steven Tampio, DEA.

Can't allow you or any other
member of this office

to interview Alicia
or Diego Jimenez.

What?

I'm gonna go speak
to Alicia now.

- I'm going with you.
- No, you're not.

Make sure I'm not being
monitored.

Medina, what the hell is this?

| got no fucking idea.

[ dramatic music ]

Get your hands of me.

a

My name's Steven Tampio.
I'm with the U.S. Government.

You're here to release me
and to cover it up?

[ chuckles ]

Yeah, and why would you
think that?

Well, after we absorbed most
of Felipe Lobos' territory

near the Mexican border,

we now control the region.

No gang wars,

no coyotes smuggling people
across the border,

everything happening
on our watch.

Mmm.

We are--What do your Yankee

legitimate business cartels
call it here in America?

Too big to fail.

Yep.
That's it.

Hmm.

I'd love nothing more than
to take you and Diego down.

But right now the orders
from my superiors

are to let the two of you go.

You'll need a win
from time to time

to make yourself look good.

a

You have all
the evidence you need.

You planted that gold gun

at that stash house
in Suffolk County.

- You tried to set him up.
- If you're tracking us,

you already know my brother
is a risk to us both.

a

Keep Diego.

| can't arrest him.

He's the face of your cartel.

You want your brother gone,
you do it yourself.

a

[ door closes ]

You have no authority
to do this.

| assure you | do.

As what, Director of Public
Enrichment for the DEA?

A bit more than just DEA.

This matter goes far
above your pay grades.

How far above?

The company?
CIA?

| can't disclose that.

It's a setback, | know,
but--

Setback?

Just focus on your other cases.
I'm sorry.

a

Wait.

a

DIEGO: Adios.

a

This was gonna be
the biggest case of my career.

You got them linked to a murder

and a tangential connection
to a stash house.

It's a good start.

If anyone's gonna take them
on, my bosses want

the case to be iron clad.
You can't go off half-cocked.

Half-cocked my ass.

| can win this case.
I've got the evidence.

What is this, really?

What, are the Jimenez
paying you off?

Someone else?

Did you use me?

Was any of it real?

Angela, | haven't been able

to stop thinking about you
since the other night.

I'm sorry you got hurt,
but | have to do my job.

| didn't need to sleep with you

to find out
where you were in this case.

If | have the authority
to do what | just did

back there, do you really think
| needed to use you to do it?

a

[ both speaking Spanish ]

ANGELA:
Mm-hmm.

[ dramatic music ]

a

[ phone clicking ]

a

All right, sit tight.

Don't make a move until
you hear from me, all right?

a

All right, cool.

[ cell phone beeps ]

So | just talked
to the primeras.

We're gonna close down the store
until the shit cools down.

The connections got
wrapped up.

Ain't nothing to
cool down, man. We burnt.

No, see, the Feds ain't make
a move on shit yet.

A'ight? Not the drop spot,
not the stash house, nothing.

They got the big fish.
They don't care about us.

And if they needed us
to get Alicia and Diego,

they would have had us already.

Think about it, man.

Now we got a rat.

Maybe, man.

Shit, man, if Tommy or Kanan
or fucking Ghost

find out the Jimenez
got brought in,

they really gonna roll up
on us.

[ dramatic music ]

No, they won't.

a

| need you
to drop me off somewhere.

a

[ elevator door dings ]

Keep going.
I'll get it, okay?

a

| want you to go up
to your room, close the door,

right now.

Joseph Proctor.

You were a lawyer.
You know what this is.

a

Hey, come on.
Are you serious?

This has gotta be a
fucking misunderstanding.

Daddy. Swear jar.

Homeland Security agent Bailey Markham's
been officially declared

a missing person.

This apartment was his last
traceable location.

So we'll be the judge of whether
it's a fucking misunderstanding.

a

Swear jar.

a

You have to have probable cause
to search the premises,

and you have to tell me
what you're looking for.

Evidence of a crime.

Who told you to get
this warrant, huh?

Was it John Mak?

a

Daddy?

a

What are they looking for?

a

| don't know, honey.

a

| don't know.

a

| understand
you're on suspension.

What happened?

Look, | already told
my supervisor

| don't know
what the hell happened.

| didn't do anything wrong.

You know what?
| don't wanna say anything else.

Is your Suspension about
a misuse of your log-in?

But as you Say,

you don't know
what could have happened.

| have a theory.

Who else knows your password,
Darryl?

[ elevator door dings ]

What's this?

Estelle, what's going on?

Yas, come here.

James, please.

Don't make this any harder.

Have you been drinking?

Hey, where do you think
you're going?

| can't keep doing this.

- What are you talking about?
- This!

| can't keep trying to face

what happened to our baby girl
by myself.

Oh, come on.
Don't give me that, Tasha.

- I'm facing it.
- No, you're not.

You think just because
you build some tower

with Raina's name on it

that you've been grieving her?

Oh, 'cause then
you won't have to deal with

any real pain, right?

O-Okay, I'm fucking sorry

that | can't deal with
the loss of my daughter

the way you want me to.

That's just it, Ghost.

You're not dealing with it
at all!

You're shutting everybody out.

Worst of all, her.

I'm telling you right now,

if you don't deal with the pain
of Raina's death,

you'll never see the beauty
of her life.

She'll always be this thing--

this thing
that was taken from you,

instead of the gift
that you had.

The gift that we had.

Cool, so you're just gonna
run out on me?

Run out on you?

I'm not leaving you, Ghost.

You left me.

A long time ago.
You remember that?

You left all of us.

Tasha, that was in the past.

The past?

Yeah, well, | told Tariq
everything about our past,

how we came up in the old
neighborhood, all of it.

He knows it all, Ghost.

- Tasha, hey, listen--
- | want out.

Out of this penthouse.

Out of this marriage.

[ dramatic music ]

| need some space.

a

You don't mean
what you're saying, Tasha.

Hmm.

a

Fine, you wanna leave me?
| don't need you.

You can't help me.

Can't help the QCP.
Can't help our kids.

Oh, | got our kids.

And | got myself.

All you got
is what you always had.

You.

a

[ rap music plays ]

~ Young and wanna party
with me I'm gonna let her f

~ Long as she bad
I'm gonna get it I

~ Long as she know
| ain't gonna sweat it f

We gonna do this shit tonight,
right?

- Yeah.
- You just want us to dump them?

The motherfucker
you want got?

It don't matter.

Y'all gonna be shooting these.

What the fuck are we supposed
to do with those?

What if they start blasting
back and we only got blanks?

It's a drive-by, man.
If y'all do this shit right,

y'all will be long gone
before they know what hit them.

Just scare them a little bit.

It's what we need to do to
get to the connect.

Trust that. You got it?

Or do | need to find two other
niggas that wanna get rich?

We got you.

a

[ dramatic music ]

Still haven't heard
from the raid on Proctor's.

Oh, it's okay.
I'm about to witness his next crime.

Whatever happens,
you fought like a warrior poet.

You find anything?
Huh? | know it was you.

You raid my place

while my fucking daughter
is there? Really?

| was just doing my job.

Whoa, whoa, whoa.
| helped.

You're wasting your time.
I'm clean.

So you have no idea what
happened to Bailey Markham?

No, | don't.

Well, | hope the results
from our search

bear that out, Proctor.

‘Cause if you're lying,
I'll bring the full force

of the Attorney General
to your door.

There's not gonna be
any fucking results.

And if you keep messing
with me,

I'm gonna file
harassment charges.

We clear?

a

Wow.
[ chuckles ]

We're not backing off
of him, right?

No, we'll get him to talk.

He can help us take down Egan,
St. Patrick.

Valdes.

Yeah, all of them.

No, we're just getting started.

a

James.

Thank you for coming in
on such short notice.

Absolutely, Councilman.

Mmm, well, the board is ready
to see you now.

Great.

Right this way.

James, we brought you in
to share the good news.

We've asked Andre to be
an additional face

to our fundraising efforts

for the QCP,
and he's accepted.

[ laughs ]

Wow, um, | just wanna
thank you all

for this incredible opportunity

and to especially thank you,
Mr. James St. Patrick,

for everything
you've done for me.

If it wasn't for you, James,

| wouldn't be standing
here today.

You supported me,
even when we had to sever

our professional relationship.

You see, most bosses
would have had hard feelings

toward their protégé for going
to work with a competitor,

but--but not you, James.

| Know it must have been
difficult, but I'm so glad

our relationship
can continue to grow

through the Queens Child
Project.

So let's stay linked together

through this board and through
our joint public endeavors.

a

To help the kids of Queens.

[ laughs ]

[ applause ]

TATE: Let's get a picture
of you two together.

GHOST:
Andre.

What a surprise.

Great to see you, too, James.

And it's a real honor
to have you join

this illustrious board.

And thank you, Councilman Tate,

for bringing us together.

Trust me,
| won't forget it.

[ applause ]

a

[ laughs ]

That's a good eye.

- Oh, my God.
- See you later.

a

Man, hold up, man.
Fuck this blanks shit.

We ain't going in there

like some bitch ass
motherfuckers with pop guns.

a

| won't hit nobody.

Man, if you don't take this
shit, nigga...

a

[ cell phone chimes ]

a

Yo, we up.

a

| tried that shit, in fact.

Bug protein? You know what I'm saying?
All right, all right.

a

[ gunfire ]
[ shouting ]

a

[ groans ]

- You hit?
- Yeah.

They're dead now!

a

[ tires squealing |

a

What the--

Yo, Vincent, don't shoot.

Hey, don't fucking move.

No, that's my man Kanan.
He was meeting me here.

| got you.

Well, good thing you showed up.

What the fuck was this?
Who would shoot at us here, huh?

| don't fucking know.

But we might not be the only
ones who got hit tonight.

I'm gonna go check on Teresi,
make sure that he's all right.

Fuck out of here.

Come on, you better
follow us.

Guys out of nowhere, huh?

Yeah, shit crazy.

So you didn't recognize
any of them?

Or not that you all
know each other.

Who they're with, | mean.

| ain't no snitch, man.

That's all right. You can tell me.
It won't come back to you.

Look, if it's about Tommy's old
drug beef, | can make sure

the right people pay,
but | have to know.

[ dramatic music ]

It was the dope boys
trying to even the score.

That was for Tommy.

So that's not done?

Really?

a

He and Sammy swore to me
that shit was over.

a

That's a shame.

a

[ cell phone rings ]

What?

Hey there, pal.
What do you know?

Nothin’.

It hasn't been that long.

Well, | hope you didn't forget
about our little arrangement.

You do know how
to contact me, right?

MAK: | don't wanna have
to show up at your door.

TERESI: I'm working on it.
Talk soon.

So, like | was saying before--

Tony...

Who were you talking to
on the phone?

Oh, that was a-an egg roll
delivery joint.

It was a wrong number.

What--why--why did they
really let you out?

| mean, until now,
it was not even a possibility.

Then all of a sudden,
out of nowhere--

Come on, you're not happy
that I'm out?

Yeah, but | wanna know
what's going on.

Even after all these years
you've been inside,

| can tell--I can tell when
something's going on with you.

[ cell phone rings ]

Don't even think about it.
We're having a conversation.

[ ringing continues ]

Sit down.

[ dramatic music ]

a

They let me out

to get information
about Tommy.

Oh, no.
Oh, Tony.

Hey, come on, listen.

Listen, Connie,
it--it's all right.

Tommy rolls with this gangster
named Ghost.

And the feds have a hard-on
for him,

but they've never been able
to nail him.

They think 'cause
I'm close to Tommy, you know,

maybe | can get something
for them.

So you're a rat?

lam not a rat.

This is about Ghost and Tommy.
It is not the family.

a

| only did this
so that | could be with you

for, you know,

whatever time you have...

| wanted to see you
without looking through glass.

a

If any of those guys find out,

it's not gonna matter
who you're snitching on.

They won't.

They won't.
Trust me.

a

[ Knocking on door ]

Shit.

[ groans ]

[ Knocking on door ]

TERESI: All right!

[ knocking ]

[ sighs ]

What?

Why didn't you answer
your phone?

| didn't hear it.
Come on.

- | tried calling.
- Get in here.

- Sorry it's so late.
- Don't worry about it.

What's going on?

Some motherfuckers shot--

What?

Some motherfuckers shot at us
outside Bamonte's.

Now, nobody got hurt too bad,
but...

But what?

| don't think they was
coming for the family.

Are you sure this wasn't about
your business with Vincent?

Nah, | don't think so.

How's that going?

| got a lot on my mind.

Tommy, will you please
let me help you?

I-I'm out, son.

TERESI: | ain't gonna be
around forever.

You know?
Our time's already short.

[ cell phone vibrates ]

Tell me what's going on.

[ LP's "Muddy Waters" ]

a

[ singers vocalizing ]

a

[ elevator door dings ]

Tommy.
| saw Dre earlier tonight.

We got a new problem.
Hit me back.

a

~ Why why why why J

f/ will ask you for mercy f

£ / will come to you blind

~ What you see
is the worst me f

~ Not the last of my kind f

SOhS

~ In the muddy water
we're falling f

SOhS

~ In the muddy water
we're crawling f

~ Holds me down £

S Hold me now f

[ cell phone rings ]
~ Sold me out f

~ In the muddy waters
we're falling f

Hey.

a

Where you wanna meet?

a

WAITRESS: We'll take your
order when you're ready.

Thank you.

00:55:51,14
f All the spirits gather round
like it's our last day J

~ To get across you know
we'll have to raise the sand f

£ Oh! will ask you
for mercy f

£ / will come to you blind

Hey.

a

Hey.

a

It's different.

a

| got tired of looking
at the same face.

a

Thanks for calling me back,
Angie.

a

What took you so long?

a

I'm here now.

a

| can't stay long.

a

You okay?

a

You?

a

WAITRESS:
You two know what you want?

a

~ In the muddy water
we're falling f

SOhS

~ In the muddy water
we're falling f

f Is it only when you feel
the pot is empty f

f That it's gnawing at
the corners of your mind f

£ Oh! will ask you
for mercy f

£ / will come to you blind

~ What you'll see
is the worst me f

~ Not the last of my kind f

a

SOhS

~ In the muddy water
we're falling f

SOhS

~ In the muddy water
we're crawling f

~ Holds me down £

S Hold me now f

~ Sold me out f

~ In the muddy water
we're falling f

a