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1
00:00:04,305 --> 00:00:05,574
THESE DEODORANTS
ARE A RIPOFF.
2
00:00:05,607 --> 00:00:10,311
THEY ALWAYS RUN OUT
BY THE TIME
I GET TO MY FEET.
3
00:00:10,344 --> 00:00:11,813
DICK,
THE MAIL'S HERE.
4
00:00:11,846 --> 00:00:15,183
OOH! MY PACKAGE
FROM THE CAROUSEL
CD CLUB.
5
00:00:15,216 --> 00:00:16,818
YOU INFILTRATED A CLUB?
6
00:00:16,851 --> 00:00:18,186
GOOD WORK,
HARRY!
7
00:00:18,219 --> 00:00:21,189
I GOT 10 CDs
FOR ONE PENNY.
8
00:00:21,222 --> 00:00:23,191
ALL I'VE GOT TO DO
IS BUY EIGHT MORE
9
00:00:23,224 --> 00:00:24,492
AT REGULAR CLUB PRICES,
10
00:00:24,525 --> 00:00:28,396
WHICH ARE OFTEN
AT OR BELOW
RETAIL STORE PRICES.
11
00:00:28,429 --> 00:00:29,731
WAY TO GO.
12
00:00:29,764 --> 00:00:32,500
LIKE TAKING CANDY
FROM A BABY.
13
00:00:32,533 --> 00:00:34,002
SUCH PRIMITIVE TECHNOLOGY.
14
00:00:34,035 --> 00:00:35,870
I WONDER IF THE PEOPLE
ON THIS PLANET
WILL EVER DISCOVER
15
00:00:35,904 --> 00:00:40,108
THE SUPERIOR SOUND
OF VINYL.
16
00:00:40,141 --> 00:00:41,075
SO WHAT KIND OF MUSIC
DID YOU GET?
17
00:00:41,109 --> 00:00:42,844
I JUST TOLD THEM
TO SURPRISE ME.
18
00:00:42,877 --> 00:00:46,114
[ELECTRIC AVENUE PLAYS]
19
00:00:46,147 --> 00:00:47,716
WELL, THIS IS SURPRISING.
20
00:00:47,749 --> 00:00:49,217
* HEY
21
00:00:49,250 --> 00:00:52,153
UH, WHY AM I
DOING THIS?
22
00:00:52,186 --> 00:00:53,454
* NOW IN THE STREET
THERE IS VIOLENCE *
23
00:00:53,487 --> 00:00:56,791
THE SAME REASON
I'M DOING THIS,
I SUPPOSE.
24
00:00:58,827 --> 00:01:01,529
THIS IS VERY POWERFUL.
25
00:01:01,562 --> 00:01:03,998
I'M FEELIN' FUNKY.
26
00:01:04,032 --> 00:01:05,566
THIS IS NOT GOOD.
27
00:01:05,600 --> 00:01:06,935
I CAN'T STOP!
28
00:01:06,968 --> 00:01:08,236
NOBODY PANIC!
29
00:01:08,269 --> 00:01:09,537
LET'S GET OUT OF HERE!
30
00:01:09,570 --> 00:01:11,305
* ELECTRIC AVENUE
31
00:01:11,339 --> 00:01:14,142
* AND THEN WE'LL
TAKE IT HIGHER *
32
00:01:14,175 --> 00:01:16,210
* OH, WE GOT TO
ROCK DOWN TO... *
33
00:01:16,244 --> 00:01:17,746
OW!
34
00:01:49,610 --> 00:01:54,883
ENRICHED WHEAT FLOUR,
BUTYLATED HYDROXYANISOLE,
SODIUM ACID PYROPHOSPHATE.
35
00:01:57,752 --> 00:02:02,556
NEEDS MORE
BUTYLATED HYDROXYANISOLE.
36
00:02:02,590 --> 00:02:03,825
ISN'T THIS INTERESTING.
37
00:02:03,858 --> 00:02:08,162
THEY OPENED UP
A HARD ROCK CAFE
IN VIETNAM.
38
00:02:08,196 --> 00:02:10,431
THE WORLD HAS CHANGED,
HUH?
39
00:02:10,464 --> 00:02:11,299
IT SURE HAS.
40
00:02:11,332 --> 00:02:14,936
ONCE IT WAS COMPLETELY
COVERED WITH ICE.
41
00:02:16,637 --> 00:02:18,106
THE ADMINISTRATION
OFFICE CALLED.
42
00:02:18,139 --> 00:02:21,342
THEY CONTACTED STANFORD
ABOUT TRANSFERRING
YOUR GRADUATE RECORDS.
43
00:02:21,375 --> 00:02:22,877
THEY DON'T SEEM
TO HAVE THEM.
44
00:02:22,911 --> 00:02:24,846
ARE YOU IMPLYING THAT
I DON'T HAVE RECORDS?
45
00:02:24,879 --> 00:02:26,380
ALL HUMANS HAVE RECORDS,
AND I'M A HUMAN.
46
00:02:26,414 --> 00:02:27,882
THEREFORE,
I HAVE RECORDS.
47
00:02:27,916 --> 00:02:30,318
STANFORD SAYS THEY HAVE
NO RECORD OF YOU AT ALL.
48
00:02:30,351 --> 00:02:31,820
OH! THOSE INCOMPETENTS!
49
00:02:31,853 --> 00:02:33,221
DO I HAVE TO FLY
OUT TO DENVER
50
00:02:33,254 --> 00:02:35,456
AND STRAIGHTEN
THIS OUT MYSELF?
51
00:02:35,489 --> 00:02:38,426
STANFORD'S IN CALIFORNIA,
NOT DENVER.
52
00:02:38,459 --> 00:02:39,861
WELL, THAT EXPLAINS IT.
53
00:02:39,894 --> 00:02:42,731
THEY LOST MY RECORDS
IN THE MOVE.
54
00:02:42,764 --> 00:02:46,100
SO YOU WERE AT STANFORD
IN THE SIXTIES.
55
00:02:46,134 --> 00:02:47,401
AH. WHO WASN'T?
56
00:02:47,435 --> 00:02:49,037
I WAS AT BERKELEY.
57
00:02:49,070 --> 00:02:51,405
GOD. THAT TAKES ME BACK.
58
00:02:51,439 --> 00:02:53,441
I REMEMBER I WAS
AT STANFORD ONCE
59
00:02:53,474 --> 00:02:54,809
TO PROTEST--
60
00:02:54,843 --> 00:02:56,811
THERE'S ONLY TWO THINGS
I KNOW ABOUT THE SIXTIES--
61
00:02:56,845 --> 00:02:59,113
I WASN'T BORN YET,
AND NO ONE CARES.
62
00:02:59,147 --> 00:03:01,615
PEACE.
63
00:03:03,551 --> 00:03:05,353
I GUESS YOU HAD
TO BE THERE.
64
00:03:05,386 --> 00:03:06,921
APPARENTLY SO.
65
00:03:06,955 --> 00:03:12,293
OUT OF CONTROL,
MIND-NUMBING,
SELF DESTRUCTIVE FUN.
66
00:03:12,326 --> 00:03:13,261
SOUNDS LIKE A CLICHé,
67
00:03:13,294 --> 00:03:15,296
BUT I ACTUALLY REMEMBER
BURNING MY BRA
68
00:03:15,329 --> 00:03:17,531
IN FRONT OF THE LINCOLN
REFLECTING POOL.
69
00:03:17,565 --> 00:03:19,133
I HOPE YOU HAD
THE GOOD SENSE
70
00:03:19,167 --> 00:03:23,137
TO JUMP IN
AND PUT YOURSELF OUT.
71
00:03:23,171 --> 00:03:25,106
GOD! I WAS A REBEL.
72
00:03:31,379 --> 00:03:34,883
* HOW MANY ROADS
73
00:03:34,916 --> 00:03:36,951
* MUST A...
74
00:03:39,253 --> 00:03:43,091
* MAN WALK DOWN
75
00:03:43,124 --> 00:03:47,061
* BEFORE THEY CALL
76
00:03:47,095 --> 00:03:50,331
* HIM...A...
77
00:03:53,567 --> 00:03:57,638
* MAN?
78
00:03:57,671 --> 00:04:01,109
[HUMMING]
79
00:04:02,510 --> 00:04:03,778
YOU WOULDN'T BELIEVE IT
TO LOOK AT ME NOW,
80
00:04:03,812 --> 00:04:06,247
BUT BACK THEN
I WAS A WILD WOMAN.
81
00:04:06,280 --> 00:04:09,784
IF I WANTED
TO DO SOMETHING,
I JUST DID IT.
82
00:04:09,818 --> 00:04:10,751
DID YOU EVER DROP ACID?
83
00:04:10,785 --> 00:04:14,422
OH, CONSTANTLY.
84
00:04:14,455 --> 00:04:17,091
THAT'S HOW
I DROPPED THE ACID.
85
00:04:17,125 --> 00:04:18,726
SERIOUSLY.
I WANT TO KNOW.
86
00:04:18,759 --> 00:04:20,694
WERE YOU INVOLVED
IN ANY MOVEMENTS?
87
00:04:20,728 --> 00:04:22,196
THIS ONE...
88
00:04:22,230 --> 00:04:23,631
[IMITATES CURLY
FROM THE THREE STOOGES]
89
00:04:23,664 --> 00:04:24,866
ALWAYS ONE OF
MY FAVORITES.
90
00:04:26,935 --> 00:04:28,369
DR. SOLOMON...
91
00:04:28,402 --> 00:04:32,073
EVERY TIME I ASK YOU
ABOUT YOUR PAST...
92
00:04:32,106 --> 00:04:33,507
YOU CHANGE THE SUBJECT.
93
00:04:33,541 --> 00:04:35,443
YOU KNOW WHO REALLY
KEEPS CHANGING
THE SUBJECT?
94
00:04:35,476 --> 00:04:37,745
MY STUDENTS. ONE OF THEM
IS GOING TO ALASKA.
95
00:04:37,778 --> 00:04:39,413
SO HOW'S YOUR BROTHER?
96
00:04:39,447 --> 00:04:40,681
DICK, I'M HERE.
LET'S GO.
97
00:04:40,714 --> 00:04:42,851
YOU HEARD HIM.
GOT TO GO.
98
00:04:42,884 --> 00:04:44,618
YOU CALL YOUR FATHER DICK?
99
00:04:44,652 --> 00:04:48,022
YEAH, WHEN HE WAS
YOUNGER I USED TO
CALL HIM PEANUT.
100
00:04:48,056 --> 00:04:50,091
YES, WELL, HAVE TO RUN.
SEE YOU TOMORROW.
101
00:04:50,124 --> 00:04:52,360
HAVE A WONDERFUL NIGHT.
BYE-BYE!
102
00:04:52,626 --> 00:04:59,767
[TAMMY WYNETTE SINGS
D-I-V-O-R-C-E]
103
00:04:59,800 --> 00:05:03,371
[SOBBING]
104
00:05:03,404 --> 00:05:04,538
[SNIFFLE]
105
00:05:04,572 --> 00:05:07,441
OH, GOD!
106
00:05:07,475 --> 00:05:09,743
THIS IS SO SAD!
107
00:05:11,946 --> 00:05:15,483
COUNTRY SINGERS HAVE
REALLY TOUGH LIVES.
108
00:05:16,918 --> 00:05:19,453
WHY?
109
00:05:19,487 --> 00:05:20,388
[TURNS OFF MUSIC]
110
00:05:20,421 --> 00:05:22,223
WHAT'S HER COMPLAINT?
111
00:05:22,256 --> 00:05:24,125
SHE LIVES IN A TRAILER.
112
00:05:24,158 --> 00:05:26,694
SHE COULD JUST
ROLL AWAY SOMEWHERE,
113
00:05:26,727 --> 00:05:30,064
AND THE CD CLUB
WOULD NEVER FIND HER.
114
00:05:32,733 --> 00:05:34,602
WHAT ARE YOU
TALKING ABOUT?
115
00:05:34,635 --> 00:05:36,971
YOU HAVE ANY IDEA
WHAT'S INVOLVED
WITH THIS?
116
00:05:37,005 --> 00:05:38,772
THE PAPERWORK,
THE DECISIONS.
117
00:05:38,806 --> 00:05:41,976
WHY DIDN'T I GO WITH
THE CHEESE OF THE MONTH
CLUB?
118
00:05:42,010 --> 00:05:44,012
NO GUESSWORK.
119
00:05:44,045 --> 00:05:46,780
JUST CHEESE.
120
00:05:48,849 --> 00:05:49,984
THAT WAS A FIASCO!
121
00:05:50,018 --> 00:05:51,219
YOU'RE
THE INFORMATION OFFICER!
122
00:05:51,252 --> 00:05:53,254
HOW CAN YOU BRIEF US
ON AMERICAN HISTORY
123
00:05:53,287 --> 00:05:54,956
AND LEAVE OUT
AN ENTIRE DECADE?
124
00:05:54,989 --> 00:05:56,490
I LEFT OUT THE SIXTIES.
SO WHAT?
125
00:05:56,524 --> 00:05:59,193
EXACTLY HOW FAR BACK
DID YOU ESTABLISH
OUR IDENTITIES?
126
00:05:59,227 --> 00:06:02,230
FIVE OR SIX MONTHS.
127
00:06:02,263 --> 00:06:03,831
YOUR ASSIGNMENT
WAS TO PROVIDE
128
00:06:03,864 --> 00:06:06,434
COMPLETE HISTORIES
FOR ALL OF US!
129
00:06:06,467 --> 00:06:07,535
WELL, I HAD
A BOOK REPORT DUE
130
00:06:07,568 --> 00:06:10,771
ON ARE YOU THERE, GOD?
IT'S ME, MARGARET.
131
00:06:11,805 --> 00:06:12,941
TOMMY...
132
00:06:12,974 --> 00:06:15,876
I'M NOT SURE
YOU UNDERSTAND
THE IMPORTANCE OF THIS.
133
00:06:15,910 --> 00:06:19,047
HUMANS ARE CREATIONS
OF THEIR PASTS.
134
00:06:19,080 --> 00:06:22,016
SOCIETY, CULTURE,
EVEN BIOLOGY DEMAND
135
00:06:22,050 --> 00:06:25,019
THAT THEY CARRY AROUND
THEIR PASTS,
LIKE BAGGAGE,
136
00:06:25,053 --> 00:06:28,957
AND YOUR LACK OF EFFORT
ALMOST EXPOSED
THE ENTIRE OPERATION!
137
00:06:28,990 --> 00:06:31,625
FINE! SO FROM NOW ON,
MY HOMEWORK COMES LAST.
138
00:06:31,659 --> 00:06:33,261
THOSE ARE
THE HOUSE RULES,
MISTER!
139
00:06:33,294 --> 00:06:37,031
HELLO! HEY,
I FOUND THOSE BOOKS
ON THE SIXTIES.
140
00:06:37,065 --> 00:06:38,099
OH, GOOD, GOOD.
141
00:06:38,132 --> 00:06:39,533
NEVER MIND
THE BOURBON STAINS.
142
00:06:39,567 --> 00:06:41,702
OH, THANK YOU, MRS. D.
143
00:06:41,735 --> 00:06:44,505
THE SIXTIES--
WHAT A LOVELY,
LOVELY DECADE.
144
00:06:44,538 --> 00:06:48,109
A LOT OF THE STUFF
IN THIS APARTMENT
IS FROM THE SIXTIES.
145
00:06:48,142 --> 00:06:52,046
CLASSIC THINGS NEVER
GO OUT OF STYLE.
146
00:06:52,080 --> 00:06:55,383
THOSE LONG-HAIRED
FREAKS THOUGHT
THEY WERE SO COOL.
147
00:06:55,416 --> 00:06:56,584
LET ME TELL YOU
ONE THING.
148
00:06:56,617 --> 00:06:59,420
I WAS READING POETRY
WITH JACK KEROUAC
149
00:06:59,453 --> 00:07:01,389
IN A CAGE IN 1956,
150
00:07:01,422 --> 00:07:04,358
BOTH OF US
BUCK NAKED.
151
00:07:05,526 --> 00:07:11,199
YES, WELL, THANK YOU
FOR THAT DISTURBING VISUAL.
152
00:07:11,232 --> 00:07:14,702
I DIDN'T HEAR
KEROUAC COMPLAIN.
153
00:07:18,973 --> 00:07:22,076
AW, THE ELECTRIC
KOOL-AID ACID TEST.
154
00:07:22,110 --> 00:07:23,344
GETTING NOSTALGIC?
155
00:07:23,377 --> 00:07:25,946
AH, YES, THOSE WERE
THE DAYS, MY FRIEND.
156
00:07:25,980 --> 00:07:29,650
BUT YOU KNOW,
ALL THIS UPROAR,
ALL THIS RHETORIC,
157
00:07:29,683 --> 00:07:31,719
ALL THIS TALK ABOUT
MASS MOVEMENTS,
158
00:07:31,752 --> 00:07:33,554
I MEAN, WHAT'S
HAPPENING HERE?
159
00:07:33,587 --> 00:07:36,590
HISTORY IS MADE
BY THE INDIVIDUAL,
NOT BY THE MASSES.
160
00:07:36,624 --> 00:07:37,491
WHO SAID THAT?
161
00:07:37,525 --> 00:07:38,426
I DID.
162
00:07:38,459 --> 00:07:39,893
NO. WHERE'S THAT FROM?
163
00:07:39,927 --> 00:07:40,894
MY MOUTH.
164
00:07:40,928 --> 00:07:42,997
NO! SOMEBODY SAID THAT.
165
00:07:43,031 --> 00:07:46,167
HELLO.
166
00:07:46,200 --> 00:07:48,102
THIS IS SO WEIRD.
167
00:07:50,971 --> 00:07:52,506
THIS IS SO WEIRD.
168
00:07:52,540 --> 00:07:53,341
YEAH.
YEAH.
RIGHT ON.
YEAH.
169
00:07:53,374 --> 00:07:56,110
YOU'VE BEEN RINSED
AND HUNG OUT TO DRY.
170
00:07:56,144 --> 00:07:57,578
THINK ABOUT IT.
171
00:07:57,611 --> 00:07:59,080
DIG IT, BABE.
172
00:07:59,113 --> 00:08:00,581
IT'S WHAT'S HAPPENING.
173
00:08:00,614 --> 00:08:03,684
HISTORY IS MADE
BY THE INDIVIDUAL,
NOT BY THE MASSES.
174
00:08:03,717 --> 00:08:06,220
WHO SAID THAT?
175
00:08:06,254 --> 00:08:08,489
I DID.
176
00:08:08,522 --> 00:08:09,990
WOW.
177
00:08:10,024 --> 00:08:11,825
WOW.
FAR OUR.
FAR OUT.
WOW.
178
00:08:13,661 --> 00:08:15,429
WOW.
179
00:08:15,729 --> 00:08:16,730
WHAT'S THE MATTER?
180
00:08:16,764 --> 00:08:19,567
I COULDN'T PUT IT
TOGETHER UNTIL NOW.
181
00:08:19,600 --> 00:08:21,169
IT FINALLY CLICKED.
182
00:08:21,202 --> 00:08:22,570
THE EVASIVENESS...
183
00:08:22,603 --> 00:08:25,339
INCONSISTENCIES
IN YOUR PAST...
184
00:08:26,307 --> 00:08:28,476
DICK SOLOMON IS
A FALSE IDENTITY,
ISN'T IT?
185
00:08:28,509 --> 00:08:29,277
FALSE IDENTITY?
186
00:08:29,310 --> 00:08:31,979
ME? NO.
187
00:08:33,881 --> 00:08:36,016
YOU COULD'VE TRUSTED ME,
YOU KNOW.
188
00:08:36,050 --> 00:08:37,418
WELL, I--I--I--I--I--
189
00:08:37,451 --> 00:08:39,520
THERE ARE SO MANY PEOPLE
IN THE GOVERNMENT
190
00:08:39,553 --> 00:08:42,123
WHO WOULD LOVE TO GET
THEIR HANDS ON YOU.
191
00:08:42,156 --> 00:08:43,857
You can't
let that happen!
192
00:08:43,891 --> 00:08:46,794
They'd parade me around
like an animal!
193
00:08:46,827 --> 00:08:48,862
DON'T WORRY.
194
00:08:48,896 --> 00:08:52,600
YOUR SECRET'S SAFE
WITH ME, MANNY.
195
00:08:52,633 --> 00:08:55,636
MANNY ROSENBERG.
196
00:08:56,904 --> 00:08:58,672
BUT I'M NOT
MANNY ROSENBER--
197
00:08:58,706 --> 00:09:00,408
OF COURSE NOT.
198
00:09:00,441 --> 00:09:03,211
BECAUSE MANNY ROSENBERG...
199
00:09:03,244 --> 00:09:08,382
IS STILL BEING HUNTED
BY THE FBI.
200
00:09:08,416 --> 00:09:11,485
FOR FOOD OR SPORT?
201
00:09:13,354 --> 00:09:15,656
* WAKE ME UP
BEFORE YOU GO-GO *
202
00:09:15,689 --> 00:09:18,792
* DON'T LEAVE ME HANGIN' ON
LIKE A YO-YO *
203
00:09:18,826 --> 00:09:21,662
* WAKE ME UP
BEFORE YOU GO-GO *
204
00:09:21,695 --> 00:09:24,832
THIS--SO--
MANNY ROSENBERG WAS--
205
00:09:24,865 --> 00:09:25,799
* WAKE ME UP...
206
00:09:25,833 --> 00:09:27,601
WHAT?
207
00:09:27,635 --> 00:09:31,539
MANNY ROSENBERG
WAS AN ACTIV--
208
00:09:31,572 --> 00:09:32,306
WHAT?
209
00:09:32,340 --> 00:09:33,807
EXCUSE ME.
210
00:09:36,777 --> 00:09:38,412
[CRUNCH]
211
00:09:38,746 --> 00:09:41,182
O.K. WHERE WAS I?
212
00:09:41,215 --> 00:09:42,616
"MANNY ROSENBERG
WAS AN ACTIVIST
213
00:09:42,650 --> 00:09:45,653
INVOLVED IN INCITING
A RIOT IN 1971."
214
00:09:45,686 --> 00:09:46,454
IS THERE ANYTHING ELSE?
215
00:09:46,487 --> 00:09:47,788
I'M LOOKING...
216
00:09:47,821 --> 00:09:50,824
ALL RIGHT.
I FOUND ANOTHER BOX
IN THE BASEMENT.
217
00:09:50,858 --> 00:09:51,959
WHAT'S "X-MAS"?
218
00:09:51,992 --> 00:09:53,494
I DON'T KNOW,
BUT IT'S GOT TO BE
SOMETHING PSYCHEDELIC.
219
00:09:53,527 --> 00:09:55,963
CHECK THIS OUT.
220
00:09:55,996 --> 00:09:56,664
THIS IS HEAVY.
221
00:09:56,697 --> 00:09:59,267
FAR OUT
MY MIND
IS BLOWN.
222
00:09:59,300 --> 00:10:00,668
AND WHO IS THIS?
223
00:10:00,701 --> 00:10:03,437
I THINK IT'S JERRY GARCIA.
224
00:10:05,005 --> 00:10:07,040
HERE'S A PICTURE
OF MANNY ROSENBERG.
225
00:10:07,074 --> 00:10:08,609
HE LOOKS
EXACTLY LIKE YOU!
226
00:10:08,642 --> 00:10:10,444
OH, DAMN!
227
00:10:10,478 --> 00:10:12,913
I WAS SUPPOSED TO GET
A COMPLETELY ORIGINAL BODY!
228
00:10:12,946 --> 00:10:14,948
THOSE GUYS IN RESEARCH
CAN'T DO ANYTHING RIGHT!
229
00:10:14,982 --> 00:10:17,818
WHAT DO YOU EXPECT?
THEY'RE NON-UNION.
230
00:10:17,851 --> 00:10:18,952
THIS COULD REALLY
BE TROUBLE.
231
00:10:18,986 --> 00:10:20,754
TOMMY, HOW ARE OUR HISTORIES
COMING ALONG?
232
00:10:20,788 --> 00:10:22,790
OH, WELL,
I HAVE THEM
RIGHT HERE.
233
00:10:22,823 --> 00:10:24,458
LEGAL DOCUMENTS,
SCHOOL RECORDS,
234
00:10:24,492 --> 00:10:26,294
DOCTORED PICTURES,
THE WORKS.
235
00:10:26,327 --> 00:10:29,663
DICK SOLOMON,
CLASS NERD, HELD BACK
BY A DOMINEERING MOTHER,
236
00:10:29,697 --> 00:10:31,232
WENT TO WORK
FOR NASA IN '74,
237
00:10:31,265 --> 00:10:33,267
BUT WAS FIRED AFTER A MINOR
PROCUREMENT SCANDAL--
238
00:10:33,301 --> 00:10:34,835
NEWSPAPER CLIPPINGS
ARE ENCLOSED--
239
00:10:34,868 --> 00:10:37,471
MAJOR BURNOUT LED TO
A STRING OF SECOND-RATE
TEACHING JOBS,
240
00:10:37,505 --> 00:10:39,273
YADDA-YADDA-YADDA,
ENDING UP HERE.
241
00:10:39,307 --> 00:10:40,474
THIS IS EXCELLENT.
242
00:10:40,508 --> 00:10:41,475
WHAT ABOUT ME?
243
00:10:41,509 --> 00:10:43,143
STOCKBROKER DURING
THE GREEDY EIGHTIES
244
00:10:43,177 --> 00:10:44,545
MADE AND LOST
SEVERAL FORTUNES
245
00:10:44,578 --> 00:10:46,747
BEFORE
PSYCHOLOGICAL PROBLEMS
AND GENDER CONFUSION
246
00:10:46,780 --> 00:10:49,783
LED TO A SEX-CHANGE
OPERATION IN 1988.
247
00:10:51,785 --> 00:10:52,753
I'M NEXT.
248
00:10:52,786 --> 00:10:54,588
HARRY, YOU'RE ADOPTED,
249
00:10:54,622 --> 00:10:56,357
BUT WE HAVEN'T
TOLD YOU YET.
250
00:10:57,425 --> 00:10:59,727
OHH...
251
00:10:59,760 --> 00:11:01,829
THAT'S GONNA HURT.
252
00:11:08,068 --> 00:11:10,137
OH, DR. ALBRIGHT,
I'M GLAD YOU'RE HERE.
253
00:11:10,170 --> 00:11:12,172
GOOD MORNING,
DR. SOLOMON.
254
00:11:13,941 --> 00:11:15,843
YES, WELL,
I'D LIKE TO CLEAR UP
255
00:11:15,876 --> 00:11:18,312
A FEW MISUNDERSTANDINGS
ABOUT YESTERDAY.
256
00:11:18,346 --> 00:11:19,780
FOR SOME REASON,
YOU MISTAKENLY THINK
257
00:11:19,813 --> 00:11:22,816
I'M THIS MANNY ROSENBERG
FELLA.
258
00:11:22,850 --> 00:11:24,685
OH, DON'T EVEN BOTHER.
259
00:11:24,718 --> 00:11:27,388
I TOLD YOU
YOU COULD TRUST ME.
260
00:11:27,421 --> 00:11:30,524
YOU PROBABLY DON'T REMEMBER,
BUT WE'VE ACTUALLY MET BEFORE.
261
00:11:30,558 --> 00:11:33,026
YOU SPOKE AT
MY CAMPUS IN '69.
262
00:11:33,060 --> 00:11:34,262
NOW, YOU SEE,
THAT'S IMPOSSIBLE.
263
00:11:34,295 --> 00:11:35,829
I WAS IN THE CIRCUS
THEN.
264
00:11:35,863 --> 00:11:39,166
THE FLYING SOLOMOSKIS.
THERE WERE SIX OF US.
265
00:11:39,199 --> 00:11:41,969
TWO OF US PLUNGED
TO OUR DEATHS.
266
00:11:42,002 --> 00:11:44,305
I DON'T EXPECT YOU
TO REMEMBER ME,
267
00:11:44,338 --> 00:11:46,240
WITH ALL THE PEOPLE
YOU'VE MET.
268
00:11:46,274 --> 00:11:47,708
YOU'RE SITTING
ON MY DESK.
269
00:11:47,741 --> 00:11:49,577
YOU'VE NEVER
DONE THAT BEFORE.
270
00:11:49,610 --> 00:11:52,513
DO YOU REMEMBER A RALLY
AT BERKELEY?
271
00:11:52,546 --> 00:11:54,014
DR. ALBRIGHT,
YOU'RE NOT LISTENING.
272
00:11:54,047 --> 00:11:55,783
I BROUGHT THIS IN
TO PROVE--
273
00:11:55,816 --> 00:11:57,685
THE STORIES
YOU MUST HAVE.
274
00:11:57,718 --> 00:11:59,186
WHAT?
275
00:11:59,219 --> 00:12:00,220
YOU KNOW, I'D BE LYING
276
00:12:00,254 --> 00:12:03,757
IF I SAID I FOUND THIS
LESS THAN INTRIGUING.
277
00:12:11,399 --> 00:12:14,868
WELL, ALL THOSE YEARS
UNDERGROUND, YOU DO
A LOT OF LIVING.
278
00:12:20,073 --> 00:12:20,841
[RUNNING UPSTAIRS]
279
00:12:20,874 --> 00:12:22,876
[SALLY]
HARRY!
280
00:12:22,910 --> 00:12:26,580
YOU GOT ANOTHER PACKAGE
FROM THE CD CLUB.
281
00:12:26,614 --> 00:12:30,318
I DON'T HAVE TIME TO LISTEN
TO THE ONES I HAVE.
282
00:12:30,351 --> 00:12:31,919
THOSE DEMONS.
283
00:12:31,952 --> 00:12:33,220
THEY'RE NOT HUMAN.
284
00:12:33,253 --> 00:12:34,588
NEITHER ARE WE.
285
00:12:34,622 --> 00:12:37,691
WELL, YEAH,
BUT WE HAVE AN EXCUSE.
286
00:12:37,725 --> 00:12:39,893
HELLO?
287
00:12:40,461 --> 00:12:42,730
WELL, I'M OFF
TO DR. ALBRIGHT'S.
288
00:12:42,763 --> 00:12:44,164
SHE BOUGHT
MY PHONY PROFILE?
289
00:12:44,197 --> 00:12:46,266
I DON'T EVEN
NEED IT.
290
00:12:46,300 --> 00:12:47,067
SHE LIKES ME
MUCH BETTER
291
00:12:47,100 --> 00:12:48,268
NOW THAT SHE THINKS
I'M MANNY.
292
00:12:48,302 --> 00:12:50,738
OH, GREAT! AFTER ALL
I WENT THROUGH
293
00:12:50,771 --> 00:12:52,440
CREATING A BACKGROUND
FOR YOU.
294
00:12:52,473 --> 00:12:57,144
DO YOU REALIZE I GOT YOU
A WEEKEND IN CANCUN
WITH TWIN GYMNASTS?
295
00:12:57,177 --> 00:12:59,313
ALL I GOT AT THE ORPHANAGE
296
00:12:59,347 --> 00:13:03,651
WAS A BEATING WHEN I
ASKED FOR MORE GRUEL.
297
00:13:07,054 --> 00:13:09,457
[JEFFERSON AIRPLANE'S
WHITE RABBIT PLAYS]
298
00:13:09,490 --> 00:13:12,225
[HUMMING]
299
00:13:12,259 --> 00:13:14,194
[KNOCK ON DOOR]
300
00:13:17,831 --> 00:13:19,032
FOR YOU.
HELLO!
301
00:13:19,066 --> 00:13:21,702
OH, YOU SHOULDN'T HAVE.
302
00:13:21,735 --> 00:13:23,537
I'M GLAD YOU CAME.
303
00:13:23,571 --> 00:13:27,274
OH, AND TO THINK
ALL THIS TIME
304
00:13:27,307 --> 00:13:31,278
I WAS JUST A DESK AWAY
FROM DANGER.
305
00:13:31,311 --> 00:13:34,448
THE THOUGHT OF THE FBI
WATCHING US RIGHT NOW
306
00:13:34,482 --> 00:13:36,484
IS SUCH A TURN-ON.
307
00:13:36,517 --> 00:13:39,319
AND EVEN IF
I WASN'T MANNY,
308
00:13:39,353 --> 00:13:41,088
IT WOULD BE JUST
AS EXCITING.
309
00:13:41,121 --> 00:13:43,223
OH, DON'T BE SILLY.
310
00:13:44,458 --> 00:13:46,193
OOH.
311
00:13:46,226 --> 00:13:48,862
ARE THESE
MAGIC BROWNIES?
312
00:13:48,896 --> 00:13:51,599
PEPPERIDGE FARM.
313
00:13:53,367 --> 00:13:56,570
YOU KNOW, I THINK
I HAVE SOMETHING.
314
00:13:56,604 --> 00:13:58,138
I FOUND IT WHEN I MOVED
EIGHT YEARS AGO.
315
00:13:58,171 --> 00:13:59,840
IT'S IN THE FREEZER.
316
00:13:59,873 --> 00:14:01,375
IT'S A JOINT.
317
00:14:01,409 --> 00:14:03,210
OOH. A DOOBIE.
318
00:14:03,243 --> 00:14:06,013
LET'S BOGART
THAT FAT BOY.
319
00:14:07,314 --> 00:14:08,949
YOU KNOW
WHAT I REGRET?
320
00:14:08,982 --> 00:14:11,151
I NEVER MADE IT
TO WOODSTOCK.
321
00:14:11,184 --> 00:14:12,620
AH! YES, WOODSTOCK.
322
00:14:12,653 --> 00:14:15,656
THE THREE-DAY CONCERT
HELD ON A FARM
IN UPSTATE NEW YORK
323
00:14:15,689 --> 00:14:19,026
THAT INCLUDED MANY OF
THE POPULAR MUSIC BANDS
OF THE TIME,
324
00:14:19,059 --> 00:14:21,662
FELT TO BE THE CULMINATION
OF THE COUNTERCULTURE
MOVEMENT
325
00:14:21,695 --> 00:14:25,899
CAPTURED BY
THE SONG WOODSTOCK
BY JONI MITCHELL.
326
00:14:25,933 --> 00:14:26,600
FOUND IT!
327
00:14:26,634 --> 00:14:27,635
THE SONG WAS POPULARIZED
328
00:14:27,668 --> 00:14:29,202
BY CROSBY, STILLS,
AND NASH,
329
00:14:29,236 --> 00:14:30,170
WHICH IS IRONIC,
330
00:14:30,203 --> 00:14:32,005
SINCE THEIRS WAS
THE MORE COMMERCIAL
VERSION,
331
00:14:32,039 --> 00:14:35,275
WHICH IS THE ANTITHESIS
OF THE SPIRIT
OF THE FESTIVAL.
332
00:14:36,877 --> 00:14:38,879
HERE WE GO.
333
00:14:48,088 --> 00:14:49,723
THIS ISN'T A JOINT.
334
00:14:49,757 --> 00:14:52,192
IT'S A FROZEN FRENCH FRY.
335
00:14:54,227 --> 00:14:55,362
OH, WELL.
336
00:14:55,395 --> 00:14:58,031
I GUESS WE'LL JUST
SETTLE FOR WINE.
337
00:15:03,370 --> 00:15:06,540
YOU'RE AN INSPIRATION
TO A NEO-TROTSKYITE,
338
00:15:06,574 --> 00:15:09,242
ANTI-STALINIST MARXIST.
339
00:15:09,276 --> 00:15:12,279
YOU'RE PRETTY TUNED IN
FOR A BOURGEOIS CHICK.
340
00:15:22,723 --> 00:15:25,325
[SIGHING]
341
00:15:25,358 --> 00:15:26,393
MEET ME ON
THE WATERBED
UPSTAIRS
342
00:15:26,426 --> 00:15:27,661
IN FIVE MINUTES.
343
00:15:27,695 --> 00:15:31,198
OH, AND, UH...
LOSE THE PINS.
344
00:15:42,576 --> 00:15:44,144
WHAT?
345
00:15:44,177 --> 00:15:46,013
HERE'S TO...
346
00:15:46,046 --> 00:15:47,515
WATERBEDS.
347
00:15:47,548 --> 00:15:49,550
HERE'S TO...
348
00:15:49,583 --> 00:15:52,052
FLOOR LAMPS.
349
00:15:55,388 --> 00:15:56,289
HELLO?
350
00:15:56,323 --> 00:15:58,959
CAROUSEL CD CLUB?
351
00:15:58,992 --> 00:15:59,860
I'LL CALL BACK LATER.
352
00:15:59,893 --> 00:16:01,862
DON'T HANG UP
THAT PHONE.
353
00:16:01,895 --> 00:16:03,764
YOU CAN DO THIS,
HARRY.
354
00:16:03,797 --> 00:16:06,433
YOU CAN TAKE
YOUR MIND BACK.
355
00:16:06,466 --> 00:16:09,102
OR AT LEAST
WHAT'S LEFT OF IT.
356
00:16:09,136 --> 00:16:11,204
O.K., SALLY, I WILL.
357
00:16:11,238 --> 00:16:12,506
LISTEN TO ME, BUSTER.
358
00:16:12,540 --> 00:16:15,609
I'M NOT HAPPY,
AND I WANT MY MONEY BACK.
359
00:16:15,643 --> 00:16:16,844
VERY GOOD!
360
00:16:16,877 --> 00:16:18,979
I'M SUPPOSED TO
PRESS 2 NOW.
361
00:16:20,347 --> 00:16:21,815
YES, HELLO?
362
00:16:21,849 --> 00:16:23,851
WE NEED TO TALK.
363
00:16:23,884 --> 00:16:25,285
I'M AT A PLACE
IN MY LIFE
364
00:16:25,318 --> 00:16:28,722
WHERE I'M JUST NOT READY
FOR THIS KIND OF COMMITMENT.
365
00:16:28,756 --> 00:16:31,424
I THINK IT'S BEST
THAT WE BREAK FREE,
366
00:16:31,458 --> 00:16:34,061
GO OUR SEPARATE WAYS.
367
00:16:34,094 --> 00:16:35,362
YOU WILL?
368
00:16:35,395 --> 00:16:37,631
OH, THANKS.
369
00:16:38,398 --> 00:16:40,100
HMM?
370
00:16:40,133 --> 00:16:43,070
WELL, YES...
371
00:16:43,103 --> 00:16:46,974
I GUESS I DO HAVE A FRIEND
WHO MIGHT BE INTERESTED.
372
00:16:47,007 --> 00:16:50,510
HER NAME IS SALLY SOLOMON.
373
00:16:56,584 --> 00:16:57,818
OH!
374
00:16:57,851 --> 00:17:01,488
OH! I CAN'T BELIEVE
WE'RE DOING THIS.
375
00:17:01,521 --> 00:17:04,124
YOUR HANDS ARE SO
SMALL AND DELICATE.
376
00:17:05,926 --> 00:17:07,494
I'M NOT POSITIVE,
377
00:17:07,527 --> 00:17:10,631
BUT I THINK I CAN FIT
YOUR ENTIRE FOOT
IN MY MOUTH.
378
00:17:10,898 --> 00:17:12,232
OH!
379
00:17:12,265 --> 00:17:15,335
YOU ARE A SUPERFREAK!
380
00:17:15,368 --> 00:17:17,738
THE KIND YOU DON'T
TAKE HOME TO MOTHER!
381
00:17:18,639 --> 00:17:21,541
MANNY, MANNY, MANNY!
382
00:17:22,843 --> 00:17:26,213
NOW I'M FEELING
A MORAL DILEMMA.
383
00:17:26,246 --> 00:17:28,148
I'M NOT SURE I CAN
GO THROUGH WITH THIS.
384
00:17:28,181 --> 00:17:30,884
MY BEDROOM'S UPSTAIRS.
385
00:17:30,918 --> 00:17:32,419
RACE YA.
386
00:17:34,187 --> 00:17:36,456
OH, WHAT THE HELL?
387
00:17:45,198 --> 00:17:46,533
WHAT THE HELL...
388
00:17:46,566 --> 00:17:47,500
DON'T BE UPTIGHT, BABE.
389
00:17:47,534 --> 00:17:49,903
LEAVE YOUR HANG-UPS
IN SUBURBIA.
390
00:17:51,905 --> 00:17:53,340
YOU'RE LEAVING?
391
00:17:53,373 --> 00:17:55,809
YOU BET YOUR BIPPY I AM.
392
00:18:00,047 --> 00:18:00,748
[DICK]
HEY!
393
00:18:00,781 --> 00:18:03,183
OH, YOU MISERABLE CREEP!
394
00:18:03,216 --> 00:18:04,351
I DON'T UNDERSTAND!
395
00:18:04,384 --> 00:18:05,452
THINK ABOUT IT!
396
00:18:05,485 --> 00:18:08,355
IT'S LIKE
A PURPLE HAZE
INSIDE MY BRAIN.
397
00:18:08,388 --> 00:18:10,223
OH, GIVE IT A REST.
398
00:18:10,257 --> 00:18:11,558
WHAT DID I DO WRONG?
399
00:18:11,591 --> 00:18:14,995
YOU KNOW WHAT YOU DID!
400
00:18:15,028 --> 00:18:16,563
COME ON, MANNY.
401
00:18:16,596 --> 00:18:17,397
BERKELEY.
402
00:18:17,430 --> 00:18:18,966
OHH!
403
00:18:18,999 --> 00:18:21,068
YOU'RE MAD
AT MANNY.
404
00:18:21,101 --> 00:18:22,502
YES!
405
00:18:22,535 --> 00:18:25,338
DR. ALBRIGHT IS MAD
AT MANNY.
406
00:18:25,372 --> 00:18:27,407
[LAUGHING]
OH, WELL, THEN...
407
00:18:27,440 --> 00:18:30,210
IT'S O.K. BECAUSE I HAVE
SOMETHING TO TELL YOU
408
00:18:30,243 --> 00:18:32,212
THAT'LL STRAIGHTEN
THIS WHOLE THING OUT.
409
00:18:32,245 --> 00:18:33,947
I'M NOT MANNY.
410
00:18:33,981 --> 00:18:35,783
HA HA HA HA.
411
00:18:35,816 --> 00:18:38,185
I MEAN,
ISN'T THAT IRONIC?
412
00:18:38,218 --> 00:18:41,088
RIGHT.
YOU'RE NOT MANNY.
413
00:18:41,121 --> 00:18:42,723
YOU JUST LOOK
EXACTLY LIKE HIM,
414
00:18:42,756 --> 00:18:44,725
KNOW EVERYTHING
ABOUT HIS PAST,
415
00:18:44,758 --> 00:18:47,427
AND HAVE BEEN CARRYING ON
THIS RIDICULOUS CHARADE
416
00:18:47,460 --> 00:18:48,461
FOR THREE DAYS.
417
00:18:48,495 --> 00:18:51,098
OH, YOU KNOW ME
SO WELL.
418
00:18:51,131 --> 00:18:52,800
OH, BOY.
419
00:18:52,833 --> 00:18:56,203
I'VE BEEN HANDED SOME
LAME STORIES IN MY LIFE,
420
00:18:56,236 --> 00:18:58,305
BUT YOU TAKE THE CAKE!
421
00:18:58,338 --> 00:19:00,307
I DON'T WANT THE CAKE.
I WANT YOU.
422
00:19:03,076 --> 00:19:05,212
OH, MY GOD.
423
00:19:05,245 --> 00:19:06,814
YOU ARE DICK SOLOMON.
424
00:19:09,449 --> 00:19:13,253
AND YOU LET ME MAKE
A COMPLETE FOOL
OF MYSELF!
425
00:19:13,286 --> 00:19:14,822
HOW COULD YOU
DO THAT?
426
00:19:14,855 --> 00:19:16,656
I WANTED TO TELL YOU.
I WAS GOING TO.
427
00:19:16,690 --> 00:19:17,891
WHAT STOPPED YOU?
428
00:19:17,925 --> 00:19:20,060
I THOUGHT YOU MIGHT
SLEEP WITH ME.
429
00:19:22,896 --> 00:19:24,431
OH.
430
00:19:24,464 --> 00:19:26,133
NOW
I UNDERSTAND.
431
00:19:26,166 --> 00:19:28,135
OH, THANK GOODNESS.
432
00:19:29,770 --> 00:19:31,271
GET OUT!
433
00:19:31,304 --> 00:19:32,539
YOU SELFISH,
434
00:19:32,572 --> 00:19:33,540
INCONSIDERATE,
435
00:19:33,573 --> 00:19:35,709
OPPORTUNISTIC BASTARD!
436
00:19:35,743 --> 00:19:37,644
YOU'RE RIGHT.
437
00:19:38,411 --> 00:19:39,980
I GUESS I'LL BE GOING.
438
00:19:41,882 --> 00:19:43,383
ABOUT INCONSIDERATE...
439
00:19:43,416 --> 00:19:44,885
I DID BRING BROWNIES!
440
00:19:44,918 --> 00:19:46,186
OH!
441
00:19:50,657 --> 00:19:52,292
I'M SURE GLAD
WE WON'T BE GETTING
442
00:19:52,325 --> 00:19:54,294
ANY MORE CDs
IN THE MAIL.
443
00:19:54,327 --> 00:19:55,896
YEAH.
444
00:19:55,929 --> 00:19:56,797
AND EVEN IF WE DO,
445
00:19:56,830 --> 00:19:58,365
THERE'S NO REASON
TO THINK
446
00:19:58,398 --> 00:20:01,134
THAT I HAD ANYTHING
TO DO WITH IT.
447
00:20:01,168 --> 00:20:04,071
'CAUSE I DIDN'T.
448
00:20:04,104 --> 00:20:05,739
DICK, SOMEONE'S
HERE TO SEE YOU.
449
00:20:05,773 --> 00:20:08,308
I DON'T WANT TO BE SEEN.
TELL THEM I'M NOT HERE.
450
00:20:08,341 --> 00:20:10,243
HE'S NOT HERE,
DR. ALBRIGHT.
GO AWAY.
451
00:20:10,277 --> 00:20:11,444
MARY!
452
00:20:11,478 --> 00:20:12,512
MARY!
453
00:20:12,545 --> 00:20:15,315
YOU'VE COME
BACK TO ME.
454
00:20:15,348 --> 00:20:17,150
BECAUSE
YOU'VE FORGIVEN ME
FOR WHAT I'VE DONE
455
00:20:17,184 --> 00:20:21,755
AND--AND BECAUSE
YOU REALIZE THAT
MY DECEIT,
456
00:20:21,789 --> 00:20:22,823
ALTHOUGH
SOPHOMORIC,
457
00:20:22,856 --> 00:20:25,926
WAS MEANT AS
A PURE GESTURE
OF AFFECTION.
458
00:20:25,959 --> 00:20:27,995
WELL, SOME OF THAT.
459
00:20:28,028 --> 00:20:31,031
UM, WOULD YOU LEAVE
US ALONE FOR A MINUTE?
460
00:20:31,064 --> 00:20:32,732
SURE.
461
00:20:33,967 --> 00:20:36,069
REMEMBER EVERY WORD,
WE WANT ALL THE DETAILS.
462
00:20:36,103 --> 00:20:37,437
WILL DO.
463
00:20:40,207 --> 00:20:44,711
LOOK, I MAY HAVE OVERREACTED
TO THIS MANNY THING.
464
00:20:44,744 --> 00:20:47,647
AND I UNDERSTAND THAT
MEN HAVE A TENDENCY
465
00:20:47,680 --> 00:20:49,249
TO GO OVERBOARD
TO IMPRESS ME.
466
00:20:49,282 --> 00:20:50,918
I UNDERSTAND THAT.
467
00:20:50,951 --> 00:20:52,986
THE ONLY REASON
I PRETENDED TO BE MANNY
468
00:20:53,020 --> 00:20:55,823
IS BECAUSE YOU LIKE HIM
MORE THAN ME.
469
00:20:55,856 --> 00:20:57,690
MANNY WASN'T
WHAT HE SEEMED.
470
00:20:57,724 --> 00:21:00,994
BUT YOU ARE
EXACTLY WHAT YOU SEEM.
471
00:21:01,028 --> 00:21:05,098
AND I'LL ADMIT THAT, UH,
YOUR LACK OF NUANCE
IS REFRESHING.
472
00:21:05,132 --> 00:21:08,902
OH, DAMN! I'M WEARING
HARRY'S UNDERWEAR AGAIN.
473
00:21:08,936 --> 00:21:12,272
WELL, A LITTLE NUANCE
WOULDN'T HURT.
474
00:21:12,305 --> 00:21:15,175
SO WE'RE STILL FRIENDS?
475
00:21:15,208 --> 00:21:17,577
PEACE.
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