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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,440 --> 00:00:07,308 [GIGGLES] 2 00:00:07,341 --> 00:00:08,476 LOOK AT THIS GARFIELD. 3 00:00:08,509 --> 00:00:14,482 [SPEAKING FRENCH] 4 00:00:14,515 --> 00:00:16,651 AH HA HA HA! HA HA! AH HA HA! 5 00:00:16,685 --> 00:00:19,854 I DON'T CARE WHAT LANGUAGE YOU SPEAK-- THAT CAT'S FUNNY. 6 00:00:19,888 --> 00:00:21,155 WHAT HAVE YOU GOT, HARRY? 7 00:00:21,189 --> 00:00:23,324 YESTERDAY I WAS EXPLORING THE PARK, 8 00:00:23,357 --> 00:00:25,359 AND I FOUND THIS STONE. 9 00:00:25,393 --> 00:00:26,427 LOOK AT IT. 10 00:00:26,460 --> 00:00:29,297 IT'S BEEN WORN TO A PERFECT SPHERE BY THE ELEMENTS 11 00:00:29,330 --> 00:00:30,899 AND DIMPLED BY TIME. 12 00:00:30,932 --> 00:00:33,735 HARRY, THAT'S A GOLF BALL. 13 00:00:33,768 --> 00:00:37,505 HARRY, YOU'VE GOT WAY TOO MUCH FREE TIME ON YOUR HANDS. 14 00:00:37,538 --> 00:00:40,074 I'VE TRIED A LOT OF DIFFERENT THINGS SINCE WE GOT TO EARTH, 15 00:00:40,108 --> 00:00:41,676 AND I'VE MADE A DISCOVERY... 16 00:00:41,710 --> 00:00:43,511 I'M NOT GOOD AT ANYTHING. 17 00:00:43,544 --> 00:00:45,479 THERE'S GOT TO BE SOMETHING YOU CAN DO. 18 00:00:45,513 --> 00:00:49,083 LET ME LOOK THROUGH THE WANT ADS. 19 00:00:49,117 --> 00:00:50,118 WHAT'S THAT SMELL? 20 00:00:50,151 --> 00:00:51,452 BLUEBERRY MUFFINS. 21 00:00:51,485 --> 00:00:52,420 SMELLS LIKE THEY'RE DONE. 22 00:00:52,453 --> 00:00:53,788 THE TIMER DIDN'T GO OFF. 23 00:00:53,822 --> 00:00:54,589 YES, BUT-- 24 00:00:54,623 --> 00:00:56,257 DICK, I'VE INCINERATED ENTIRE ARMIES. 25 00:00:56,290 --> 00:01:00,061 I THINK I CAN HANDLE AN OVEN. 26 00:01:00,094 --> 00:01:01,029 I'M GLAD TO HEAR THAT, 27 00:01:01,062 --> 00:01:03,197 'CAUSE I SIGNED YOU UP FOR A BAKE SALE. 28 00:01:03,231 --> 00:01:04,465 WHAT'S A BAKE SALE? 29 00:01:04,498 --> 00:01:07,401 OH, JUST AN ATTEMPT TO REVIVE A FAILING EDUCATIONAL SYSTEM 30 00:01:07,435 --> 00:01:10,004 THROUGH PARENTAL INVOLVEMENT. 31 00:01:10,038 --> 00:01:12,540 A FINE CAUSE. I'M THERE. 32 00:01:12,573 --> 00:01:13,708 YOU KNOW, I REALLY THINK 33 00:01:13,742 --> 00:01:15,143 YOU SHOULD CHECK ON THOSE MUFFINS. 34 00:01:15,176 --> 00:01:16,645 THE BOX SAID 15 MINUTES. 35 00:01:16,678 --> 00:01:18,579 YOU DON'T ARGUE WITH THE BOX. 36 00:01:18,613 --> 00:01:19,948 HERE'S SOMETHING YOU COULD DO, HARRY-- 37 00:01:19,981 --> 00:01:22,316 SWEEP UP THE BURGER PALACE. 38 00:01:22,350 --> 00:01:23,685 OH, SURE. 39 00:01:23,718 --> 00:01:26,788 AFTER ABOUT FOUR YEARS OF GRAD SCHOOL, MAYBE. 40 00:01:26,821 --> 00:01:27,622 [TIMER DINGS] 41 00:01:27,656 --> 00:01:29,457 NOW THEY'RE DONE! 42 00:01:29,490 --> 00:01:30,792 OOH! 43 00:01:30,825 --> 00:01:32,093 LOOK AT THIS! 44 00:01:32,126 --> 00:01:33,662 HERE'S A JOB I CAN DO. 45 00:01:33,695 --> 00:01:36,931 "POLICE SEEK THIRD GUNMAN." 46 00:01:39,600 --> 00:01:40,635 WELL, TOMORROW, 47 00:01:40,669 --> 00:01:42,837 I'M GOING TO MARCH RIGHT DOWN TO THE POLICE STATION 48 00:01:42,871 --> 00:01:47,441 AND TELL THEM I'M THE MAN THEY'RE LOOKING FOR! 49 00:01:47,475 --> 00:01:48,509 O.K., THEY'RE READY. 50 00:01:48,542 --> 00:01:51,145 THEY'RE JUST GOING TO BE A LITTLE BURNT. 51 00:02:30,919 --> 00:02:32,586 THIS IS THE BAKE SALE COMMITTEE, RIGHT? 52 00:02:32,620 --> 00:02:34,889 YES. I DON'T BELIEVE I'VE SEEN YOU BEFORE. 53 00:02:34,923 --> 00:02:36,925 I DON'T BELIEVE YOU'RE BLONDE. 54 00:02:40,862 --> 00:02:42,396 O.K., EVERYBODY. 55 00:02:42,430 --> 00:02:44,999 LET'S TAKE OUR SEATS AND GET STARTED. 56 00:02:45,033 --> 00:02:46,567 AS YOU KNOW, 57 00:02:46,600 --> 00:02:48,269 THIS IS MY SIXTH YEAR 58 00:02:48,302 --> 00:02:50,839 AS CHAIRMAN OF THE BAKE SALE, 59 00:02:50,872 --> 00:02:52,941 AND, UM... 60 00:02:52,974 --> 00:02:56,110 I THINK WE'VE DONE PRETTY DARN WELL! 61 00:02:56,144 --> 00:02:59,080 LAST YEAR WE RAISED $500! 62 00:02:59,113 --> 00:02:59,848 OH! OH! AH! 63 00:02:59,881 --> 00:03:01,582 HOW MUCH DID YOU MAKE BEFORE THAT? 64 00:03:01,615 --> 00:03:02,917 WELL, I DON'T WANT TO BRAG, 65 00:03:02,951 --> 00:03:05,219 BUT WE'VE MADE ROUGHLY $500 66 00:03:05,253 --> 00:03:07,055 EACH OF THE LAST SIX YEARS. 67 00:03:07,088 --> 00:03:08,757 UH-HUH. SO WHAT YOU'RE SAYING 68 00:03:08,790 --> 00:03:11,760 IS THE GROUP IS STAGNATING UNDER YOUR LEADERSHIP. 69 00:03:13,527 --> 00:03:15,529 YOU'RE NEW AROUND HERE. 70 00:03:15,563 --> 00:03:18,232 LET'S START THE MEETING, SHALL WE? 71 00:03:18,266 --> 00:03:20,101 ANY THOUGHTS ON THIS YEAR'S SALE? 72 00:03:20,134 --> 00:03:21,702 YEAH, I--I HAVE A THOUGHT. 73 00:03:21,736 --> 00:03:24,005 THIS GROUP ISN'T ADVANCING. IT'S RETREATING. 74 00:03:24,038 --> 00:03:27,241 YOU DROPPED THE BALL, SISTER. 75 00:03:27,275 --> 00:03:29,077 I AM A MASTER CHEF. 76 00:03:29,110 --> 00:03:32,113 I TRAINED AT THE CULINARY INSTITUTE OF PITTSBURGH. 77 00:03:32,146 --> 00:03:34,615 I THINK I KNOW A LITTLE BIT ABOUT BAKING! 78 00:03:34,648 --> 00:03:37,351 OK, WELL HERE'S WHAT I KNOW ABOUT BAKING...ZIP. 79 00:03:37,385 --> 00:03:39,387 BUT THESE TROOPS NEED A LEADER, 80 00:03:39,420 --> 00:03:42,590 NOT SOME CHIRPY, WEAK-CHINNED, UNDERACHIEVING DRONE. 81 00:03:42,623 --> 00:03:44,859 NO OFFENSE. 82 00:03:44,893 --> 00:03:47,661 IF YOU AIM FOR 500 BUCKS, YOU GET 500 BUCKS. 83 00:03:47,695 --> 00:03:49,663 BUT THERE'S A SAYING WHERE I'M FROM-- 84 00:03:49,697 --> 00:03:51,165 YOU WANT TO PUNCH SOMEONE IN THE NOSE, 85 00:03:51,199 --> 00:03:53,267 AIM FOR THE BACK OF THE HEAD-- 86 00:03:53,301 --> 00:03:55,736 THAT IS, IF THEY HAVE A HEAD. 87 00:03:55,770 --> 00:03:58,973 I SAY AIM FOR 10 GRAND, AND DON'T SETTLE FOR LESS THAN 5. 88 00:03:59,007 --> 00:04:04,012 UH, GRACE, I THINK SHE SHOULD BE IN CHARGE. 89 00:04:09,951 --> 00:04:11,285 OH, GOOD MORNING, NINA. 90 00:04:11,319 --> 00:04:12,286 GOOD MORNING. 91 00:04:12,320 --> 00:04:16,557 NINA, MY BROTHER HARRY IS TRYING TO FIND A JOB. 92 00:04:16,590 --> 00:04:18,993 I WAS WONDERING, HOW DID YOU GET THIS JOB? 93 00:04:19,027 --> 00:04:20,628 I FOUND A MAGIC LAMP ON THE BEACH, 94 00:04:20,661 --> 00:04:23,998 AND THIS WAS MY FIRST WISH! 95 00:04:24,032 --> 00:04:28,002 WONDERFUL! HOW CAN HARRY GET HOLD OF A MAGIC LAMP? 96 00:04:30,771 --> 00:04:32,106 GOOD MORNING, DR. SOLOMON. 97 00:04:32,140 --> 00:04:33,207 DR. ALBRIGHT, 98 00:04:33,241 --> 00:04:35,376 THERE'S SOMETHING DIFFERENT ABOUT YOU THIS MORNING. 99 00:04:35,409 --> 00:04:36,610 I HAVE A NEW BLOUSE. 100 00:04:36,644 --> 00:04:38,179 NO. THAT'S NOT IT. 101 00:04:38,212 --> 00:04:42,083 AND I HOPE YOU DIDN'T PAY TOO MUCH FOR IT. 102 00:04:42,116 --> 00:04:44,452 IT'S THE BOX! WHAT'S IN IT? 103 00:04:44,485 --> 00:04:46,620 OH, THIS? PAINTING SUPPLIES. 104 00:04:46,654 --> 00:04:49,457 I'M TAKING A PAINTING CLASS. I'M NOT VERY GOOD. 105 00:04:49,490 --> 00:04:51,292 SO YOU'RE BAD. 106 00:04:51,325 --> 00:04:53,761 WELL, I WOULDN'T SAY I WAS BAD 107 00:04:53,794 --> 00:04:56,764 YOU HAVE TO UNDERSTAND I HAVE INCREDIBLY HIGH STANDARDS 108 00:04:56,797 --> 00:04:59,233 AND I TEND TO BE VERY CRITICAL OF MYSELF. 109 00:04:59,267 --> 00:05:02,203 BUT AS AN AMATEUR I HAVE DEMONSTARTED 110 00:05:02,236 --> 00:05:03,637 QUITE A BIT OF POTENTIAL. 111 00:05:03,671 --> 00:05:05,673 SO YOU'RE BAD. 112 00:05:06,707 --> 00:05:08,676 YEAH. 113 00:05:08,709 --> 00:05:10,845 BUT ART IS ESSENTIALLY SUBJECTIVE. 114 00:05:10,879 --> 00:05:12,546 THERE IS NO GOOD OR BAD. 115 00:05:12,580 --> 00:05:16,150 SO IF YOU STINK, YOU'RE STILL ALLOWED TO DO IT? 116 00:05:16,184 --> 00:05:17,385 THAT SOUNDS PERFECT! 117 00:05:17,418 --> 00:05:18,519 ARE YOU INTERESTED? 118 00:05:18,552 --> 00:05:20,588 ME? DON'T BE RIDICULOUS. 119 00:05:20,621 --> 00:05:22,556 I WAS TALKING ABOUT HARRY. 120 00:05:22,590 --> 00:05:24,358 OH--YOU THOUGHT I WAS WORRIED 121 00:05:24,392 --> 00:05:26,394 ABOUT BEING LESS THAN PERFECT? 122 00:05:26,427 --> 00:05:28,096 HA HA! THAT'S RICH! 123 00:05:28,129 --> 00:05:30,364 HA HA HA HA HA HA! 124 00:05:32,901 --> 00:05:34,802 DOORS OPEN. CROWD COMES IN. 125 00:05:34,835 --> 00:05:36,470 FIRST THING THEY SEE-- FINGER PASTRIES. 126 00:05:36,504 --> 00:05:38,039 THEY NOSH A LITTLE. THEY'RE DELIGHTED. 127 00:05:38,072 --> 00:05:40,074 THEY CONTINUE ON TO THE LAYER CAKES. 128 00:05:40,108 --> 00:05:42,843 THE SMELL HITS THEM-- THEY'RE DROOLING LIKE RABID DOGS. 129 00:05:42,877 --> 00:05:44,478 THEN THE HEAVY ARTILLERY. 130 00:05:44,512 --> 00:05:47,548 THE WALNUT BREAD, THE ALMOND BARS, THE CASHEW SQUARES--BANG! 131 00:05:47,581 --> 00:05:50,618 WE GOT 'EM BY THE ROASTED NUTS! 132 00:05:50,651 --> 00:05:51,819 CARRY ON, LIEUTENANT. 133 00:05:51,852 --> 00:05:53,687 THANK YOU, SIR. 134 00:05:53,721 --> 00:05:55,957 SALLY, THAT WAS ANDY LARSON ON THE PHONE. 135 00:05:55,990 --> 00:05:56,925 DID YOU REALLY MAKE HIS MOM 136 00:05:56,958 --> 00:06:01,395 DO ONE-HANDED PUSHUPS TILL SHE CRIED? 137 00:06:01,429 --> 00:06:03,064 YES. SHE HAD TO BE BROKEN 138 00:06:03,097 --> 00:06:05,533 FOR THE SAKE OF THE UNIT. 139 00:06:05,566 --> 00:06:07,468 THIS ART IS FASCINATING! 140 00:06:07,501 --> 00:06:09,870 EVERY ERA, EVERY CULTURE-- 141 00:06:09,904 --> 00:06:11,172 THEY ALL HAVE THEIR OWN ART. 142 00:06:11,205 --> 00:06:13,007 WHAT DRIVES THEM TO CREATE THIS? 143 00:06:13,041 --> 00:06:15,209 NAKED WOMEN. 144 00:06:15,243 --> 00:06:17,078 TOMMY, THESE ARE NOT NAKED WOMEN. 145 00:06:17,111 --> 00:06:18,646 THEY'RE NUDES. 146 00:06:18,679 --> 00:06:23,017 NUDITY IS THE ARTIST'S PASSIONATE CELEBRATION OF THE HUMAN FORM. 147 00:06:23,051 --> 00:06:25,419 WELL, PARTY ON. 148 00:06:26,454 --> 00:06:28,189 WHY DO YOU SEE NUDE PEOPLE IN MUSEUMS, 149 00:06:28,222 --> 00:06:29,823 BUT THEY NEVER SHOW THEM ON TV? 150 00:06:29,857 --> 00:06:32,927 SURE, THEY DO. BUT NEVER IN COMEDIES, ONLY IN DRAMAS. 151 00:06:32,961 --> 00:06:36,397 AND EVEN THEN, ONLY WHEN THE RATINGS SAG. 152 00:06:36,430 --> 00:06:40,268 HARRY! HARRY, WHAT'S WRONG? 153 00:06:40,301 --> 00:06:43,704 I GOT FIRED FROM MY JOB AT THE KID'S PIZZA PLACE. 154 00:06:43,737 --> 00:06:44,638 OH, NO. 155 00:06:44,672 --> 00:06:46,007 YES! THEY DRESSED ME UP LIKE A GIANT MOUSE, 156 00:06:46,040 --> 00:06:48,642 SO I FIGURE, HEY, I'LL JUST GET INTO CHARACTER. 157 00:06:48,676 --> 00:06:52,746 AND THEN THEY COMPLAINED WHEN I ATE OFF THE FLOOR. 158 00:06:52,780 --> 00:06:54,915 I FOUND SOMETHING ELSE. 159 00:06:54,949 --> 00:06:56,684 YOU'RE COMING WITH ME TO AN ART CLASS! 160 00:06:56,717 --> 00:06:59,453 ART? I WASN'T CREATIVE ENOUGH TO BE A RODENT. 161 00:06:59,487 --> 00:07:02,156 YOU DON'T HAVE TO BE CREATIVE. 162 00:07:02,190 --> 00:07:04,292 YOU JUST HAVE TO BE A CERTAIN TYPE. 163 00:07:04,325 --> 00:07:06,427 YOU'VE BEEN OSTRACIZED, SPIT UPON, 164 00:07:06,460 --> 00:07:08,629 AND STRANGERS REPEATEDLY TELL YOU THAT YOU'RE CRAZY. 165 00:07:08,662 --> 00:07:11,832 YOU'VE GOT EVERYTHING IT TAKES! 166 00:07:11,865 --> 00:07:14,502 THE LAST SUPPER, BY LEONARDO DA VINCI. 167 00:07:14,535 --> 00:07:15,536 BOY, THE GUY IN THE MIDDLE 168 00:07:15,569 --> 00:07:18,572 REALLY KNOWS HOW TO THROW A PARTY, HUH? 169 00:07:18,606 --> 00:07:20,174 AND HE'S SITTING IN FRONT OF THE ARCHWAY. 170 00:07:20,208 --> 00:07:21,009 SO WHAT? 171 00:07:21,042 --> 00:07:23,311 WELL, THE NEGATIVE SPACE IN THE ARCHWAY 172 00:07:23,344 --> 00:07:24,712 DRAWS OUR FOCUS, 173 00:07:24,745 --> 00:07:27,215 AND THE HILLS OUTSIDE THE ARCHWAY 174 00:07:27,248 --> 00:07:29,817 FADE INTO A BLUISH HAZE, CREATING DISTANCE, 175 00:07:29,850 --> 00:07:33,087 SO IT'S SORT OF LIKE, IT'S NOT JUST A PARTY... 176 00:07:33,121 --> 00:07:37,091 IT'S A GOING-AWAY PARTY. 177 00:07:37,125 --> 00:07:38,492 HARRY, I'M IMPRESSED! 178 00:07:38,526 --> 00:07:40,394 MMM. ME, TOO. 179 00:07:40,428 --> 00:07:41,495 CAN WE BUY IT? 180 00:07:41,529 --> 00:07:44,999 DON'T BE SILLY. AFTER ONE WEEK, WE'D BE SICK OF IT! 181 00:07:51,439 --> 00:07:53,707 OH, DICK, THIS IS WONDERFUL! 182 00:07:53,741 --> 00:07:55,409 DO YOU HAVE ANY IDEA HOW GOOD IT FEELS 183 00:07:55,443 --> 00:07:57,111 TO DO SOMETHING FOR THE FIRST TIME 184 00:07:57,145 --> 00:08:00,214 AND NOT SUCK AT IT? 185 00:08:00,248 --> 00:08:01,682 WELL, HELLO! 186 00:08:01,715 --> 00:08:03,751 IT'S NICE TO SEE FRESH FACES. 187 00:08:03,784 --> 00:08:06,487 SQUEEZE MY HEAD. IT'S SOFT. 188 00:08:12,193 --> 00:08:14,562 OH, HARRY, THAT'S REALLY INTERESTING. 189 00:08:14,595 --> 00:08:16,497 I REMEMBER THAT. 190 00:08:16,530 --> 00:08:17,765 YEAH. THAT WAS THAT THING 191 00:08:17,798 --> 00:08:19,833 THAT BURST OUT OF THAT GUY'S THORAX. 192 00:08:19,867 --> 00:08:21,602 AND WE HIT IT AND HIT IT AND HIT IT, 193 00:08:21,635 --> 00:08:23,704 [TOGETHER] AND IT JUST WOULDN'T DIE! 194 00:08:26,807 --> 00:08:29,843 IT'S A...FAMILY JOKE. SORRY. 195 00:08:30,978 --> 00:08:32,012 ALL RIGHT, CLASS. 196 00:08:32,046 --> 00:08:34,382 LET'S SEE WHAT WE'VE BEEN WORKING ON FOR TWO WEEKS. 197 00:08:34,415 --> 00:08:36,417 WHO'S FIRST? 198 00:08:36,450 --> 00:08:37,151 MARY? 199 00:08:37,185 --> 00:08:39,120 [CLASS GROANS] 200 00:08:40,454 --> 00:08:42,022 I CALL THIS PAINTING 201 00:08:42,056 --> 00:08:43,924 SPIRITS OF SPRING. 202 00:08:43,957 --> 00:08:46,160 WHEN I WAS GROWING UP IN INDIANA 203 00:08:46,194 --> 00:08:48,996 AND ALL THE KIDS WOULD EXCLUDE ME FROM THEIR PLAYING, 204 00:08:49,029 --> 00:08:50,531 I'D SIT IN MY YARD 205 00:08:50,564 --> 00:08:52,766 AND ANXIOUSLY AWAIT THE TINY CROCUSES 206 00:08:52,800 --> 00:08:55,103 TO POP THEIR HAPPY HEADS OUT FROM THEIR WINTER SLEEP. 207 00:08:55,136 --> 00:08:57,705 OH, THAT'S A BEAUTIFUL STORY. 208 00:08:57,738 --> 00:08:58,772 OHH... 209 00:08:58,806 --> 00:08:59,840 IT'S A LOUSY PAINTING, 210 00:08:59,873 --> 00:09:02,876 BUT IT'S A BEAUTIFUL STORY. 211 00:09:02,910 --> 00:09:05,012 IT'S VERY NICE, DR. ALBRIGHT. 212 00:09:05,045 --> 00:09:06,714 ANYONE HAVE ANY COMMENTS? 213 00:09:06,747 --> 00:09:08,015 WELL, I-- 214 00:09:08,048 --> 00:09:10,584 OH, NEVER MIND. IT'S STUPID. 215 00:09:10,618 --> 00:09:13,821 DON'T LET THAT STOP YOU, HARRY. GO AHEAD! 216 00:09:13,854 --> 00:09:15,323 WELL, I JUST FIND 217 00:09:15,356 --> 00:09:18,459 THAT MY FOCUS IS DRAWN TO THE UPPER RIGHT CORNER, 218 00:09:18,492 --> 00:09:20,728 BUT WHEN IT GETS THERE, THERE'S NOTHING TO SEE. 219 00:09:20,761 --> 00:09:22,563 YOU COULD ADD A SPLASH OF YELLOW 220 00:09:22,596 --> 00:09:26,400 TO CARRY OUT THE MOTIF YOU'VE ALREADY ESTABLISHED. 221 00:09:26,434 --> 00:09:27,668 BUT WHAT DO I KNOW? 222 00:09:27,701 --> 00:09:30,070 ACTUALLY, THAT'S A VERY GOOD SUGGESTION. 223 00:09:30,104 --> 00:09:31,672 REALLY? REALLY? 224 00:09:31,705 --> 00:09:32,773 YES! 225 00:09:32,806 --> 00:09:35,543 HARRY, YOU'VE REALLY OPENED SOMETHING UP FOR ME. 226 00:09:35,576 --> 00:09:37,411 I KNOW EXACTLY WHAT YOU'RE SAYING! 227 00:09:37,445 --> 00:09:39,012 THANK YOU! 228 00:09:39,046 --> 00:09:41,782 WOW! THANK YOU! 229 00:09:44,885 --> 00:09:48,055 YOU WORK WITH HER. IS THIS SARCASM? 230 00:09:51,825 --> 00:09:53,161 LOW MASS BLACK HOLES 231 00:09:53,194 --> 00:09:55,896 FORM ONLY WHEN MATTER IS COMPRESSED 232 00:09:55,929 --> 00:09:57,231 INTO ENORMOUS DENSITIES 233 00:09:57,265 --> 00:09:59,167 BY VERY LARGE EXTERNAL PRESSURES, 234 00:09:59,200 --> 00:10:02,670 AND THIS DEMONSTRATES WHICH PRINCIPLE OF QUANTUM ASTROPHYSICS? 235 00:10:04,071 --> 00:10:05,506 [SIGHS] 236 00:10:06,940 --> 00:10:07,875 I'LL GIVE YOU A HINT. 237 00:10:07,908 --> 00:10:09,843 IT HAS NOTHING TO DO WITH GEOMETRIC COSMOLOGY. 238 00:10:09,877 --> 00:10:12,480 ANYONE? 239 00:10:12,513 --> 00:10:13,881 IF NO ONE ANSWERS, 240 00:10:13,914 --> 00:10:15,416 I'LL HAVE TO PICK SOMEONE. 241 00:10:15,449 --> 00:10:19,887 SOMEONE PLEASE ANSWER, PLEASE RAISE YOUR HAND, PLEASE SOMEONE ANSWER 242 00:10:19,920 --> 00:10:20,654 PLEASE... 243 00:10:20,688 --> 00:10:21,522 LEON! 244 00:10:21,555 --> 00:10:22,923 SINCE YOU'RE TALKING, I'LL ASK YOU. 245 00:10:22,956 --> 00:10:24,925 WHAT'S THE PRINCIPLE? 246 00:10:24,958 --> 00:10:25,826 WETNESS? 247 00:10:25,859 --> 00:10:26,960 NO. TRY AGAIN. 248 00:10:26,994 --> 00:10:29,530 DR. SOLOMON, WHY DO YOU KEEP CALLING ON LEON? 249 00:10:29,563 --> 00:10:32,800 IT'S JUST NOT FUNNY ANYMORE. 250 00:10:32,833 --> 00:10:34,168 THAT'S NONSENSE! 251 00:10:34,202 --> 00:10:36,670 LEON, THE ONLY WAY OF UNDERSTANDING THE UNIVERSE 252 00:10:36,704 --> 00:10:38,906 IS TO FIND THE LIMITS OF YOUR OWN INTELLIGENCE. 253 00:10:38,939 --> 00:10:43,076 I--I THINK I'VE REACHED MY LIMIT. 254 00:10:43,110 --> 00:10:44,345 BUG! 255 00:10:44,378 --> 00:10:45,112 YES, DR. SOLOMON? 256 00:10:45,145 --> 00:10:46,247 YOU'RE HIDING SOMETHING. 257 00:10:46,280 --> 00:10:47,047 IT'S JUST A DOODLE. 258 00:10:47,080 --> 00:10:49,016 A DOODLE? 259 00:10:49,049 --> 00:10:51,252 WHY, THIS IS A PICTURE OF ME... 260 00:10:51,285 --> 00:10:56,224 WITH ANTLERS AND SOMETHING COMING OUT OF MY BUTTOCKS! 261 00:10:56,257 --> 00:10:58,192 IT'S A TAIL. 262 00:10:58,226 --> 00:11:00,361 WELL, IT IS. 263 00:11:00,394 --> 00:11:03,096 IT'S BRILLIANT! THE LINES, THE CONTOURS, 264 00:11:03,130 --> 00:11:04,298 THE WAY YOU'VE PICKED UP THE ESSENCE 265 00:11:04,332 --> 00:11:06,400 OF MY RUGGED GOOD LOOKS! 266 00:11:06,434 --> 00:11:07,000 IT'S JUST A DOODLE. 267 00:11:07,034 --> 00:11:08,402 JUST A DOODLE. 268 00:11:08,436 --> 00:11:10,638 AND ALAN THICKE IS J AN ACTOR! 269 00:11:10,671 --> 00:11:13,841 [BELL RINGS] 270 00:11:13,874 --> 00:11:16,444 TOMORROW I WANT EVERYONE TO BRING IN THREE SHARPENED PENCILS, 271 00:11:16,477 --> 00:11:18,946 AND BUG WILL TEACH US ALL HOW TO DOODLE! 272 00:11:18,979 --> 00:11:21,215 ALL RIGHT! GREAT! 273 00:11:39,099 --> 00:11:41,569 DAMN! 274 00:11:46,474 --> 00:11:48,509 I TASTED YOUR BUTTER COOKIES, MRS. STEVENSON, 275 00:11:48,542 --> 00:11:52,713 AND, YES, I CAN BELIEVE IT'S NOT BUTTER. 276 00:11:52,746 --> 00:11:54,147 USE A BUTTER SUBSTITUTE 277 00:11:54,181 --> 00:11:55,249 AND YOU'LL FIND YOURSELF SAYING, 278 00:11:55,283 --> 00:11:57,217 "I CAN'T BELIEVE I WAS BOUNCED OUT OF THIS BAKE SALE 279 00:11:57,251 --> 00:11:59,553 RIGHT ONTO MY ASS!" 280 00:11:59,587 --> 00:12:01,489 GET WITH THE PROGRAM! 281 00:12:07,328 --> 00:12:09,029 TOMMY, 282 00:12:09,062 --> 00:12:10,998 DO YOU EVER DOODLE? 283 00:12:18,372 --> 00:12:21,409 WHY, WAS I IN THE BATHROOM TOO LONG? 284 00:12:24,978 --> 00:12:27,881 I--I CAN'T DOODLE! 285 00:12:27,915 --> 00:12:30,784 WELL, DICK, YOU'RE KIND OF OLD. 286 00:12:30,818 --> 00:12:33,621 OLD? PICASSO DOODLED ON TABLECLOTHS 287 00:12:33,654 --> 00:12:35,723 LATE INTO HIS 60s. 288 00:12:35,756 --> 00:12:36,924 THAT'S DISGUSTING! 289 00:12:36,957 --> 00:12:40,328 I KNOW. I JUST CAN'T DRAW! 290 00:12:40,361 --> 00:12:42,162 OH! DOODLING! 291 00:12:42,195 --> 00:12:43,697 OH. 292 00:12:43,731 --> 00:12:46,434 IT'S INEXPLICABLE! 293 00:12:46,467 --> 00:12:47,835 I, WHO BESTRIDE THIS WORLD 294 00:12:47,868 --> 00:12:50,170 LIKE AN INTELLECTUAL COLOSSUS! 295 00:12:50,203 --> 00:12:52,205 I, WHO MAKE LESSER MEN QUIVER IN AWE 296 00:12:52,239 --> 00:12:53,474 OF MY CRANIAL PROWESS! 297 00:12:53,507 --> 00:12:55,343 I, WHO-- 298 00:12:55,376 --> 00:12:57,911 I'VE FORGOTTEN MY POINT. 299 00:12:57,945 --> 00:12:59,046 DICK? 300 00:12:59,079 --> 00:13:00,714 I INVENTED A NEW COLOR-- 301 00:13:00,748 --> 00:13:02,750 I COMBINED RED AND YELLOW. 302 00:13:02,783 --> 00:13:06,086 I CALL IT RED-YELLOW. 303 00:13:06,119 --> 00:13:07,888 CAN'T WAIT TO SHOW IT IN ART CLASS. 304 00:13:07,921 --> 00:13:09,990 GREAT! MIX UP A WHOLE VAT OF IT! 305 00:13:10,023 --> 00:13:12,726 GO! HOP TO IT! 306 00:13:12,760 --> 00:13:17,431 YOU IRONICALLY GIFTED CHOWDERHEAD. 307 00:13:17,465 --> 00:13:18,098 WHY DID I SAY THAT? 308 00:13:18,131 --> 00:13:19,132 WHAT'S WRONG WITH ME? 309 00:13:19,166 --> 00:13:21,034 COULD IT BE-- AND THIS IS A WILD GUESS-- 310 00:13:21,068 --> 00:13:24,372 THAT HARRY IS WAY BETTER AT SOMETHING THAN YOU? 311 00:13:24,405 --> 00:13:27,675 I'M THE HIGH COMMANDER! I DON'T ENGAGE IN PETTY RIVALRY. 312 00:13:27,708 --> 00:13:31,111 LOOK, YOU'RE ACTUALLY YOUNGER THAN ME. 313 00:13:31,144 --> 00:13:33,080 BUT ON THIS MISSION, YOU GOT TO BE TALLER. 314 00:13:33,113 --> 00:13:37,651 NOW, DON'T YOU THINK THAT EATS MY LUNCH JUST A LITTLE? 315 00:13:37,685 --> 00:13:39,252 YOU DON'T SEE ME WHINING. 316 00:13:39,286 --> 00:13:40,320 HOW CAN YOU BE SO COOL? 317 00:13:40,354 --> 00:13:43,357 'CAUSE I'M OLDER THAN YOU, LITTLE BUDDY. 318 00:13:46,894 --> 00:13:48,929 I GOT A RECONNAISSANCE REPORT FROM MRS. NAGEL 319 00:13:48,962 --> 00:13:51,331 OUR ONLY REAL COMPETITION IS THE KISSING BOOTH. 320 00:13:51,365 --> 00:13:54,735 THIS YEAR, THEY HAVE HOOKERS. 321 00:13:54,768 --> 00:13:56,637 SALLY, THOSE ARE CHEERLEADERS. 322 00:13:56,670 --> 00:13:58,939 NOT IF THEY'RE CHARGING. 323 00:14:01,008 --> 00:14:02,376 BANANA-NUT MUFFIN HEADS. 324 00:14:02,410 --> 00:14:05,178 ARE THERE 2 PARTS BANANA TO EVERY 1 PART WALNUT, MRS. HARTZINGER? 325 00:14:05,212 --> 00:14:05,879 YES, MA'AM. 326 00:14:05,913 --> 00:14:07,748 YES, MA'AM! I CAN'T HEAR YOU! 327 00:14:12,820 --> 00:14:14,855 MIGHTY TASTY RUGALA, MRS. GREENSTEIN. 328 00:14:14,888 --> 00:14:16,424 THANK YOU, MA'AM. 329 00:14:19,827 --> 00:14:20,794 BEFORE WE OPEN THE DOORS, 330 00:14:20,828 --> 00:14:23,063 I JUST HAVE ONE MORE THING TO SAY. 331 00:14:23,096 --> 00:14:25,198 YOU ARE BY FAR THE SADDEST, SORRIEST, 332 00:14:25,232 --> 00:14:28,802 MOST PATHETIC GROUP OF MOTHERS... 333 00:14:28,836 --> 00:14:31,371 I HAVE EVER HAD THE HONOR OF COMMANDING, 334 00:14:31,405 --> 00:14:33,541 AND I'LL NEVER FORGET YOU. 335 00:14:33,574 --> 00:14:34,608 MUSIC! 336 00:14:34,642 --> 00:14:35,443 [RIDE OF THE VALKYRIE PLAYS] 337 00:14:35,476 --> 00:14:37,310 DOORS! 338 00:14:38,712 --> 00:14:39,747 ALL RIGHT, LADIES. 339 00:14:39,780 --> 00:14:40,948 TAKE NO PRISONERS... 340 00:14:40,981 --> 00:14:43,183 OR PERSONAL CHECKS. 341 00:14:49,790 --> 00:14:51,725 DICK, ARE YOU MAD AT ME? 342 00:14:54,194 --> 00:14:55,496 NO! 343 00:14:55,529 --> 00:14:57,431 LATELY YOU GET THIS WEIRD GRIN 344 00:14:57,465 --> 00:14:59,700 LIKE YOU'RE HIDING SOMETHING. 345 00:14:59,733 --> 00:15:01,168 THAT'S NOT ABOUT ART CLASS, IS IT? 346 00:15:01,201 --> 00:15:03,971 ART CLASS? WHY, NO. I DON'T CARE ABOUT ART. 347 00:15:04,004 --> 00:15:05,138 LET'S NOT FORGET 348 00:15:05,172 --> 00:15:07,307 WHAT ONE OF THE GREAT THINKERS OF THE 20th CENTURY SAID-- 349 00:15:07,340 --> 00:15:10,177 ART IS NO DAMN GOOD. 350 00:15:10,210 --> 00:15:11,779 WHAT GREAT THINKER SAID THAT? 351 00:15:11,812 --> 00:15:13,747 JESSE HELMS. 352 00:15:14,615 --> 00:15:15,949 BESIDES, I'VE MADE A COMMAND DECISION. 353 00:15:15,983 --> 00:15:17,651 WE'RE NOT GOING TO ART CLASS ANYMORE. 354 00:15:17,685 --> 00:15:21,689 IT'S NOT PRODUCTIVE. WE'VE EXPERIENCED IT. LET'S MOVE ON! 355 00:15:21,722 --> 00:15:24,424 ALL RIGHTY. 356 00:15:28,361 --> 00:15:30,130 PERMISSION TO SPEAK, HIGH COMMANDER. 357 00:15:31,131 --> 00:15:33,066 WHAT DID YOU SAY? 358 00:15:33,100 --> 00:15:34,668 PERMISSION TO SPEAK, DICK. 359 00:15:34,702 --> 00:15:37,538 YOU NEVER ASKED PERMISSION TO SPEAK BEFORE. 360 00:15:37,571 --> 00:15:40,140 DICK, THIS ART THING MEANS A LOT TO ME 361 00:15:40,173 --> 00:15:42,309 AND I HAVE NO IDEA WHY. 362 00:15:42,342 --> 00:15:44,678 ALL I KNOW IS THAT I LIKE DOING IT. 363 00:15:44,712 --> 00:15:46,814 SO I WANT TO GO TOMORROW, 364 00:15:46,847 --> 00:15:49,617 WHETHER YOU GO OR NOT. 365 00:15:49,650 --> 00:15:51,652 I'm sorry. 366 00:15:54,488 --> 00:15:55,388 THERE'S NO NEED TO BE SORRY 367 00:15:55,422 --> 00:15:58,892 FOR SOMETHING YOU'RE GOOD AT. GO TO CLASS! 368 00:15:58,926 --> 00:15:59,593 REALLY? 369 00:15:59,627 --> 00:16:01,428 YES! 370 00:16:03,997 --> 00:16:05,065 IF THAT'S WHAT MAKES YOU HAPPY, 371 00:16:05,098 --> 00:16:07,134 THEN I'M HAPPY. 372 00:16:07,167 --> 00:16:09,236 OHH... 373 00:16:09,269 --> 00:16:10,604 THANKS, DICK. 374 00:16:10,638 --> 00:16:14,241 MMM. NOW THERE'S THE SMILE I LIKE. 375 00:16:24,952 --> 00:16:26,587 YOU'RE SOAKING WET. 376 00:16:26,620 --> 00:16:28,922 AM I? 377 00:16:28,956 --> 00:16:30,057 YOU'VE BEEN ACTING STRANGELY. 378 00:16:30,090 --> 00:16:31,024 WHAT'S WRONG? 379 00:16:31,058 --> 00:16:32,392 IT'S KIND OF HARD TO TALK ABOUT. 380 00:16:32,425 --> 00:16:34,528 I HAVE THIS... FRIEND, 381 00:16:34,562 --> 00:16:38,198 WHOSE BROTHER HARRY IS A MUCH BETTER ARTIST THAN HE IS. 382 00:16:38,231 --> 00:16:40,634 OH, SO THIS IS ABOUT YOU AND HARRY. 383 00:16:40,668 --> 00:16:42,936 AM I THAT TRANSPARENT? 384 00:16:42,970 --> 00:16:45,839 I'M GOING TO TELL YOU A LITTLE STORY. 385 00:16:47,808 --> 00:16:50,678 MY PARTNER IN DANCE CLASS IN COLLEGE 386 00:16:50,711 --> 00:16:52,479 WAS A GIRL NAMED NADIA. 387 00:16:52,512 --> 00:16:54,414 SHE GOT ALL THE LEADS, ALL THE ATTENTION. 388 00:16:54,447 --> 00:16:59,086 PEOPLE WOULD CALL HER LITHE, WILLOWY... 389 00:16:59,119 --> 00:17:00,988 LEGGY. 390 00:17:01,989 --> 00:17:03,691 I REHEARSED WITH HER. 391 00:17:03,724 --> 00:17:05,893 I SHOWED A TREMENDOUS AMOUNT OF SUPPORT. 392 00:17:05,926 --> 00:17:07,895 I WENT TO ALL THE RECITALS. 393 00:17:07,928 --> 00:17:09,963 SHE'D LEAP AND TWIRL ON THE STAGE, 394 00:17:09,997 --> 00:17:12,966 EXUDING THIS INCREDIBLE SENSUAL GRACE... 395 00:17:13,000 --> 00:17:14,868 WHILE I SAT THERE... 396 00:17:14,902 --> 00:17:16,503 A FROZEN SMILE ON MY FACE, 397 00:17:16,536 --> 00:17:19,372 LOATHING HER FOR MY OWN INADEQUACIES. 398 00:17:19,406 --> 00:17:23,143 WOW. YOU HAVE ANY PICTURES OF HER? 399 00:17:23,176 --> 00:17:24,678 THAT'S NOT THE POINT. 400 00:17:24,712 --> 00:17:26,113 THE THING I CAME TO REALIZE 401 00:17:26,146 --> 00:17:29,149 WAS THAT SHE NEEDED ME THERE. 402 00:17:29,182 --> 00:17:32,085 MY SUPPORT INSPIRED HER TO DANCE. 403 00:17:32,119 --> 00:17:33,153 THAT WAS ENOUGH FOR YOU? 404 00:17:33,186 --> 00:17:34,521 YES! LOOK AT THE MONA LISA. 405 00:17:34,554 --> 00:17:36,089 SHE NEVER PICKED UP A PAINTBRUSH, 406 00:17:36,123 --> 00:17:39,559 AND YET SHE INSPIRED THE MOST FAMOUS PAINTING IN THE WORLD. 407 00:17:39,593 --> 00:17:41,361 SO IT'S LIKE WHISTLER AND HIS MOTHER. 408 00:17:41,394 --> 00:17:42,229 EXACTLY. 409 00:17:42,262 --> 00:17:44,364 VAN GOGH AND HIS POTATO EATERS. 410 00:17:44,397 --> 00:17:47,267 MICHELANGELO AND HIS CEILING FULL OF NAKED GUYS 411 00:17:47,300 --> 00:17:49,870 TRYING TO TOUCH FINGERS. 412 00:17:49,903 --> 00:17:50,403 MORE OR LESS. 413 00:17:50,437 --> 00:17:52,105 INSPIRATION! 414 00:17:52,139 --> 00:17:53,807 YES! 415 00:17:53,841 --> 00:17:54,942 THANK YOU! 416 00:17:54,975 --> 00:17:56,309 THANK YOU! 417 00:17:56,343 --> 00:17:58,812 THAT STORY REALLY HELPED ME! 418 00:17:58,846 --> 00:17:59,980 THANK YOU! 419 00:18:00,013 --> 00:18:01,048 SURE. 420 00:18:01,081 --> 00:18:02,515 OH, AND BY THE WAY, 421 00:18:02,549 --> 00:18:04,484 I LOVE YOUR STUBBY LITTLE LEGS. 422 00:18:12,059 --> 00:18:13,326 HARRY... 423 00:18:13,360 --> 00:18:14,728 WERE YOUR PARENTS ARTISTIC? 424 00:18:14,762 --> 00:18:16,196 MMM. NOT REALLY. 425 00:18:16,229 --> 00:18:18,265 MY MOTHER WAS A COLD RECEPTACLE, 426 00:18:18,298 --> 00:18:22,202 AND MY FATHER WAS JUST A MACHINE. 427 00:18:22,235 --> 00:18:25,172 WELL, WE ALL HAVE OUR BAGGAGE. 428 00:18:25,205 --> 00:18:26,473 BUT DON'T FORGET, 429 00:18:26,506 --> 00:18:29,442 OUT OF SUFFERING COMES CREATIVITY. 430 00:18:29,476 --> 00:18:31,779 YOU CAN'T SPELL PAINTING WITHOUT "PAIN." 431 00:18:31,812 --> 00:18:32,980 MMM. 432 00:18:33,013 --> 00:18:35,148 OR "TING." 433 00:18:39,119 --> 00:18:40,387 OH, DICK! 434 00:18:40,420 --> 00:18:41,655 YOU CAME. 435 00:18:41,689 --> 00:18:42,122 YOU GOING TO PAINT? 436 00:18:42,155 --> 00:18:43,556 EVEN BETTER. 437 00:18:43,590 --> 00:18:45,058 I NOW ACCEPT THE FACT 438 00:18:45,092 --> 00:18:47,594 THAT I DO NOT HAVE ARTISTIC TALENT 439 00:18:47,627 --> 00:18:49,562 LIKE YOU, LIKE HARRY. 440 00:18:49,596 --> 00:18:52,299 I KNOW NOW THAT I WILL NEVER BE ABLE 441 00:18:52,332 --> 00:18:54,534 TO BE PART OF A CLASS LIKE THIS. 442 00:18:54,567 --> 00:18:55,402 BUT DR. ALBRIGHT 443 00:18:55,435 --> 00:18:57,738 HAS MADE ME SEE THE JOY THAT I CAN TAKE 444 00:18:57,771 --> 00:19:00,007 IN INSPIRING OTHER PEOPLE! 445 00:19:00,040 --> 00:19:02,743 NO, I WILL NEVER BE AN ARTIST. 446 00:19:02,776 --> 00:19:05,012 BUT I CAN MAKE A GREAT SUBJECT! 447 00:19:05,045 --> 00:19:07,180 PREPARE TO MEET... 448 00:19:07,214 --> 00:19:10,117 YOUR MUSE! 449 00:19:27,768 --> 00:19:28,902 OH, GREAT. 450 00:19:28,936 --> 00:19:32,005 I'M GOING TO NEED MORE PINK. 451 00:19:34,775 --> 00:19:36,443 YOU'RE TELLING ME... 452 00:19:36,476 --> 00:19:39,379 DR. SOLOMON POSED FOR THIS? 453 00:19:40,748 --> 00:19:41,448 YES. 454 00:19:41,481 --> 00:19:42,816 MM-HMM. 455 00:19:42,850 --> 00:19:46,019 MMM! WELL, HELLO, DR. SOLOMON! 456 00:19:46,053 --> 00:19:48,655 WELL, HELLO, NINA! 457 00:19:50,357 --> 00:19:51,691 WELL... 458 00:19:51,725 --> 00:19:53,994 I'LL LEAVE YOU THREE ALONE. 459 00:19:55,996 --> 00:19:56,830 OH! 460 00:19:56,864 --> 00:19:58,832 THIS IS WONDERFUL! 461 00:19:58,866 --> 00:20:00,801 I REALLY DID INSPIRE YOU, DIDN'T I? 462 00:20:00,834 --> 00:20:02,435 YES. 463 00:20:02,469 --> 00:20:03,804 YOU KNOW, THE WHOLE TIME I WAS STANDING THERE, 464 00:20:03,837 --> 00:20:07,474 I KEPT THINKING ABOUT HOW YOU INSPIRED NADIA. 465 00:20:07,507 --> 00:20:08,842 WHATEVER HAPPENED TO HER? 466 00:20:08,876 --> 00:20:10,844 ALCOHOLIC, TRAILER PARK 467 00:20:10,878 --> 00:20:13,213 SEVEN KIDS. HA HA HA HA HA! 468 00:20:13,246 --> 00:20:14,714 OH, NO. IT REALLY IS A SHAME. 469 00:20:17,985 --> 00:20:19,586 WHAT DO YOU CALL IT? 470 00:20:19,619 --> 00:20:22,790 MIDDLE-AGED NAKED GUY WHO CAN'T PAINT. 471 00:20:27,360 --> 00:20:29,562 LEADING THAT BAKE SALE WAS EXHILARATING. 472 00:20:29,596 --> 00:20:32,065 THOSE WOMEN WERE CRYING OUT FOR LEADERSHIP. 473 00:20:32,099 --> 00:20:34,234 OVER HALF THIS PLANET'S POPULATION 474 00:20:34,267 --> 00:20:35,602 IS FEMALE. 475 00:20:35,635 --> 00:20:37,871 IF I COULD JUST HARNESS THEIR POWER, 476 00:20:37,905 --> 00:20:40,874 WE COULD EASILY TURN MEN INTO A SLAVE RACE. 477 00:20:44,211 --> 00:20:47,714 OR MAYBE JUST TALK HAIR. 478 00:20:47,747 --> 00:20:48,681 YOU KNOW... 479 00:20:48,715 --> 00:20:50,017 I'VE DISCOVERED THAT HERE ON EARTH, 480 00:20:50,050 --> 00:20:52,285 EVERY HUMAN HAS HIS OWN TALENTS 481 00:20:52,319 --> 00:20:53,921 AND HIS OWN FLAWS. 482 00:20:53,954 --> 00:20:55,622 THE SMART ONES HAVE LEARNED TO USE THEIR TALENTS, 483 00:20:55,655 --> 00:21:00,260 BUT THE HAPPY ONES HAVE LEARNED TO ACCEPT THEIR FLAWS. 484 00:21:00,293 --> 00:21:02,595 I KNOW I'VE ACCEPTED MINE. 485 00:21:02,629 --> 00:21:05,298 PERMISSION TO MENTION YOUR RECEDING HAIRLINE, SIR. 486 00:21:06,266 --> 00:21:07,835 PERMISSION DENIED. 487 00:21:08,902 --> 00:21:11,004 WELL, HERE'S MY LATEST PAINTING. 488 00:21:11,038 --> 00:21:12,472 IT'S A STILL LIFE. 489 00:21:12,505 --> 00:21:13,540 IT'S VERY INTERESTING, HARRY. 490 00:21:13,573 --> 00:21:14,607 AND VERY DARK. 491 00:21:14,641 --> 00:21:16,176 IT'S A BUNCH OF ROTTEN FRUIT. 492 00:21:16,209 --> 00:21:20,013 YEAH, I REALLY GOT TO LEARN TO PAINT FASTER. 33786

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