All language subtitles for Criminal.Minds.Suspect.Behavior.S01E09

You're tired, sweetie.
Let's get you home.

Okay.

Forgetting something?

Thank you.

[Baby babbles]

All right, honey.

Squeezing me in here.

Mommy's going as fast
as she can.

Oh.

What the hell is this?

[Baby crying]

[Continues crying]

But it got there, right?

Good. Good.

Yeah, I knew
it would look good on you.

Yeah, I just wanted you to know
I was thinking of you.

Yeah, I, uh--
I miss you too.

Uh, look, um, Jenna,
I've got to go.

Okay, I love you.

Bye.

Who's Jenna?

Don't tell me
the FBI's most eligible bachelor

is in love.

What exotic port of call
have you left her in?

You know, I thought
you didn't really care

about my, um--
my exploits, right?

Ordinarily, I don't.

But the sound of you being
all kind of bashful and sweet

on the phone
does hold a certain allure.

So come on, details.
Oh, look.

It looks like we're
about to gather.

No, no, no.
We have time.

Let them go. Let them go.
We should really get to work.

Hey.

Any word on where we're off to?
Manchester, New Hampshire.

They've had three women go
missing over the past nine days.

Local police need our help.

There's, uh, Sarah Travers,
age 34.

She was last seen
leaving a coffee shop

with her infant son.

Rebecca Keels, 29--

she took her six-month-old
baby girl to the pediatrician

and never got home.

And this one right here,
Tanya Reston--she's 31.

She went missing yesterday

after going on a shopping trip
with her daughter.

What about the kids?
Are they missing too?

In every single case,
the children were left unharmed

at the scene.

The women were taken,
not the children.

That's fairly
out of the ordinary.

And a difficult abduction.

No woman's gonna separate
from her child easily.

There's gonna be a lot
of commotion and noise.

Please tell me
there were some witnesses.

Just one--the security camera
from the parking lot

where Tanya Reston was taken.

Footage is pretty bad, but
Penelope's working on it for us.

I hate to say it--

might be too late
by the time we get it.

- Talk to me.
- Six days passed

before the second victim
was taken.

Only three days passed
before the last.

- He's speeding up.
- Oh, we know the odds.

The chances of these first
two women being alive--

Slim to none. I know.
I explained that to the chief.

He needs us to guide him
on where to start looking.

Here are the abduction sites.

They're all on the outskirts
of the city.

If our unsub doesn't stray
from the area of control,

the bodies should all be
in the same vicinity.

We need to look for places
with unfettered access,

where there's no attention

brought to people coming
and going.

What are you thinking--

abandoned buildings
and warehouses?

I put my money here
in the woods.

It's isolated,
and it's secluded.

Plus, there's plenty
of unrestricted roads--

free range for anyone
that knows the trails.

Hope y'all packed
your hiking boots.

I'll call the police
in Manchester.

Tell them we'll be
on the next flight out.

Sometimes, it's as subtle
as a few broken branches.

Sometimes it's as obvious
as a freshly dug grave.

But somewhere the unsub
left us a bread crumb.

We find it,
we find the victims.

[Whistles blowing]
Over here!

Chief Shelley,
I'm Sam Cooper.

This is my team--Agents Simms,
Rawson, Griffith, and LaSalle.

Thank you for being here.

You were right.

The northwest access road
had been closed for months,

but someone tampered
with the gate.

What can you make of it?

Judging by the way
they're posed,

I'd say our unsub spent
a lot of time with these bodies.

Look at the way
their hands are folded...

Feet placed together.

There's an extreme attention
to detail going on here.

That's a lot
of makeup, man.

Mascara, lipstick--
her hair's been combed.

Her clothes are spotless.

They were made up to look like
they had just fallen asleep.

Look at them.
They're so serene.

Then he dumps them out here
in the wilderness

exposed to the elements.

Look.
Look here.

There's deep lacerations

down to the bone
on the chest area, mutilation.

It's just overkill.
Yeah, it's the same here.

All this work--
all the cleaning, the dressing--

it's all to cover up
some seriously violent slayings.

These are two completely
different extremes.

What does that tell you?

That these killings
are really emotional.

Something about this
is personal.

So was the aftermath.

There's a lot of guilt
going on here.

If the unsub's
been this thorough

with the bodies,
I can't see us finding any DNA.

I don't see any blood
on the ground.

I think they were killed
elsewhere.

They were dragged here
and left in the open.

The unsub wanted us
to find them.

It's like Gina said,

this is guilt carried
to the extreme.

The unsub wanted to undo
the horror of these murders.

This right here
is an apology.

Agent Cooper,
the K9 unit's back.

No sign of the missing
third woman in the area.

Tanya Reston
may still be alive.

We're running out of time.

[Woman crying]

♪ Criminal Minds: Suspect Behavior 01x09 ♪
Smother
Original Air Date on April 13, 2011

== sync, corrected by elderman ==

Hey, guys, did Penelope
get the security footage

from the last abduction?

Just uploaded it.

That's Tanya.

I can't see the minivan plates
from this angle.

There's no view
of the driver either.

Right there.

[Keys clacking]

What did she see?
It's out of frame.

Let me go see
if anything was recovered

from the crime scene.

The driver's
got her attention.

She's smiling so let's assume
she's not threatened.

Ah, but she hesitated.

Only for a moment,
like she thought

that she was gonna turn around
in a second.

There was a pacifier
found on the ground

near Tanya's vehicle--
bagged it with her belongings.

That's it.
The baby drops the binky.

Mama's obviously gonna
go get it.

That is the window
of opportunity

the unsub seized
to get her attention.

Tanya's a new mother.

Her protective instincts
are heightened.

But whatever happened here
overrode those instincts.

So she looks in the van.

She sees someone
that totally disarms her.

She gets in. What does that
tell us about our unsub?

Our unsub could be a woman.

I don't think so, 'cause
in cases involving children,

the female offender's gonna be

much more interested
in the baby, not the mom.

Yeah, but, I mean,
a-a female unsub

would fit in with what we found
at the crime scene, right?

The posing, the makeup.

The clothes being cleaned
after the attack.

We need to dig deeper
into these victims' lives.

Prophet, you and Mick, go over
and talk to the families.

See if you can find anyone
or anything

that bonds
these two together.

Gina, I want you to do
a vehicle check

on, uh, gray late-model
minivans in the area.

Talk media strategy
with the chief--

we need to alert
the public.

- Okay.
- What about us?

I need you to accompany me
to the medical examiner's.

The autopsy reports
should be in.

Mr. Reston?

Mr. Reston,
I know how hard this is,

but every second counts.

Yeah, I'm sorry.
Of course.

Um, what did you need?

We need a list of places and
people she's associated with,

anything you could think of.

Organizations
she belongs to,

places she brings the kids,

even anyone who might have
worked in your home.

My wife's
a stay-at-home mom.

But she's always on the go
with our kids--

playdates,
trips to the library,

music classes,
all that stuff.

It all matters--
every detail.

Hey, we got company.

I, uh--I thought you were
playing a video game, Ben.

It froze.

Well, Ben, you know,
I think I know a thing or two

about video games.

Do you want to see
if I can get it going for you?

- Sure.
- Yeah? Okay.

I don't want him hearing
too much, you know?

What have you told him
so far?

That his mom's somewhere
we can't find her,

and everybody's looking
for her,

and she'll be home
real soon.

That part's not true,
is it?

We don't know.

The important thing is that
you've given your boy faith.

That can get us
through a lot.

Whoa, man.

Whoa, man!

You just run me right off
the road.

Where'd you get
your license, eh?

Let's go again.
This time I'm gonna win.

Are you gonna bring
my mom back?

I'm gonna try, buddy.

I know my dad's worried
about me,

so I let him think I don't hear
when he's on the phone.

It's our secret, right?

[Baby crying]

Oh, there you go.

[Stops crying]

Oh, must be time
for a nap.

Hey, shh, shh, shh.

Your baby doesn't use
a pacifier, right?

No. Neither of our kids
ever have.

Why?

The cause of death
in both cases is blood loss

due to multiple stab wounds.

There's extensive damage
to the organs and the tissue,

but many of the wounds
are superficial.

They look
like hesitation marks--

tentative or clumsy.
- Shows inexperience.

I think that these are the first
kills of our unsub.

And right here,
there's this bruise,

probably from a blitz attack
in the van.

Was there any sexual assault
on these victims?

No.

Still, the mutilation centers
around the breast area.

Fetishism or displaced anger

caused by extreme body
dysmorphic disorder.

I think our unsub
is acting out her insecurities

on her victims.

When were they killed?

Sarah Travers
was killed five days ago.

Rebecca Keels died approximately
three days ago.

These women...
These women are special to him

'Cause they're recent mothers.

There's a connection.
[Cell phone rings]

Yeah?

The pacifier
from the abduction site,

it doesn't belong
to Tanya Reston's baby.

Think it belonged
to our unsub.

I think that our unsub is
a mother just like our victims.

So we're looking for a mother,
maybe a new mother--

perhaps a severe
postpartum depression.

I've seen that lead
to family annihilation.

I just never seen that lead
to annihilation

of other people's families.

So what if it's
a clinical depression,

existed since childhood,

then you add to that

all the hormonal changes
of pregnancy,

and she's left

with a completely disconnected
emotional network?

So women with happy,
healthy families

make her feel inadequate?

Well, for lack
of a more nuanced analysis,

yeah, she's consumed
with jealousy,

and it triggers
a homicidal rage.

Then the guilt and remorse
sets in,

and she tries
to undo the crime,

but she can't.

Hiya. I'm here to make
your life easier.

Penelope, I need you to look
into recent birth records

in Manchester.

Flag new mothers
with a history

of mental illness.

Okay. Feel free
to narrow that down

for us special analysts
working double time.

Okay, so the disparity
between the violence

of the killings and the remorse
of the disposals...

We may be dealing

with a dissociative
personality disorder.

Like split personalities?

I thought the bureau
doesn't recognize that

as an actual condition.

Yeah, but that doesn't mean
that the shrinks dismiss it.

There may be, um, a record
of a split personality

that fits our profile.

So you want me
to do multiple searches

on multiple personalities?

Something like that, yeah.

Multitasking now.

Okay.

[Indistinct chatter
on television]

We have breaking news.

We now go live
to Chief Shelley.

We believe the gray minivan
in question

is being driven by a woman.

Someone in the community knows
who's responsible for this.

We urge people to call in
with any information

they might have
regarding these abductions.

Tanya Reston
is still out there.

And her husband and children
need her to come home safely.

Tanya Reston's been missing
for two days.

Tell me something that puts time
back on our side.

We got the information back
from all three families.

But so far, we're unable
to find anyone

fitting the profile
who would have intersected

with each of these women.

She didn't need to know them
beforehand.

She had the baby
to gain their attention

and their trust.

She exploits her victims'
maternal instincts.

She leaves the babies behind

without--
without a second thought.

I mean...

- What is it, Coop?
- Something's not right here.

I mean, if this unsub
is a mother,

where are
her maternal instincts?

No luck
on the minivan search.

And the DNA testing
came back on the pacifier--

dead end.
Never been used.

So why would our unsub
carry a pacifier

if her baby doesn't use it?

Well, maybe we're wrong.

Maybe we're not looking
for a mother and her baby.

Okay, so she uses
the pacifier as--as a prop,

like bait.

Garcia found two recent moms

with mental health issues.

One moved out of state.
The other one committed suicide.

We're thinking the unsub
may not be a mother.

Maybe she lost a baby,

or maybe she was never able
to have a baby to begin with.

We could have Garcia
widen the search.

Include any women in the area

who have suffered
from mental illness.

I'm not sure
that would help find her.

This woman--
she feels inadequate, unworthy.

She's desperate for help,

but probably too afraid
and ashamed to get it.

Meaning she may have hidden
her problems from everyone.

She takes great pains
to cover them up,

just like she's taking pains
to cover up the brutality

of the murders
that she's committing right now.

[Dog barks, baby cries]

Oh, honey.
Did Bingo wake you up?

I'm sorry, sweetie.

[Baby crying]

Excuse me, ma'am.

Are you aware of the recent
abductions in the area?

You need to take care
when you're out,

especially if you've got
a little one with you.

[Dog barks]
Bingo, come!

What has he got?

Yeah,
it's Tanya Reston.

Same signs of undoing--

body's been posed
and cleaned, made up.

Also consistent
with the other victims--

deep lacerations
on the breasts.

- You with us?
- Yeah.

So tell me what's changed
for unsub?

The surroundings
are different.

It's all over the news.

Her dump site's
been compromised.

She had to go somewhere else.

No, it's not just
about a location.

Take a look around.
Look around.

How did our unsub
get Tanya's body

from the road to here?

This is a woman.

She--she's carrying
roughly her own body weight,

dead weight no less.

How does she do it?
She doesn't.

Not without any help,
she doesn't.

Maybe there's
a second unsub.

We thought that this
was the work of one person,

someone with a mental disorder
that is so severe

it would explain the--

the contrast
between the killings

and the disposal of bodies.

But maybe
this is two different people.

So you think it's possible
that one person

is killing the victims,

and another person
is cleaning them up?

Yeah. I mean, these acts
are polar extremes.

One person is brutalizing
these women.

It's angry.
It's violent.

There's no regret
in these murders.

And the other one feels
so much guilt and remorse

that they're cleaning them up
and leaving them for us to find.

It could be a couple,
maybe a husband and a wife.

Whoever it is,
we're gonna have to make up

two different profiles.
Prophet and Mick...

I want you to profile
the disposal of the bodies.

Beth and Gina, let's take
another look at these killings.

Tanya's autopsy report--
Mick put a rush on it.

Is he all right?

Yeah, I think cases
involving children

are particularly hard
on him.

- Because of Jenna.
- His girlfriend Jenna?

Jenna's his little sister.
They're very close.

They lost their parents
when they were young.

Oh, man.
I feel like an ass.

No, it's okay.

He doesn't really talk
about it with anybody.

All right, so Tanya's murder
was consistent in every way,

every way with the others.

It's the same person
doing the killing.

[Sighs]
Who are you?

So let's assume
that only one of our unsubs

is caring for these victims
postmortem.

What does that entail?

Just like
with the other victims,

Tanya Reston's clothes
were laundered--

no traces of blood on them.

Makeup was applied.
Hair was styled.

Fingernails were scrubbed
and, in some cases, filed.

Sarah Travers' jewelry
was even polished

before it was put back on.

This isn't someone
cleaning the victims

as a forensic countermeasure.

This is someone who takes pride
in appearances.

I'm still thinking
it's a woman.

We're on the same page
there, mate.

What if your unsub
isn't a mother?

It's not even a woman?

How does
this mutilation profile?

Fascination with or rejection
of the female body.

Could point to some form
of sexual frustration.

Now, despite
the unpleasant task

of handling a dead body,
she was unwavering.

I mean,
could that kind of focus

be attributed
to some form of OCD?

Washer/cleaner type
or obsessive--

maybe a combo of the two.

The superficial wounds
that the M.E. pointed out,

maybe these aren't
hesitation marks, Beth.

Experimental.

The victims never endured
any sexual assault.

The unsub could be exploring
the body with a knife.

It's for gratification,
release.

He's stabbing
over and over again.

The lack of control,
the impulsiveness--

these killings could be

the unsub's
only sexual experiences.

So what does that tell you?

Every time she's made them up,
they all look the same.

- She sees herself in them.
- Or a version of herself.

She's mourning the loss
of her own identity.

What if she's older
than these victims?

Maybe they remind her
of the person that she once was.

And caring for them
is like caring for herself.

Piquerism--
he's puncturing or cutting

the targeted areas
on the body--

typically favored
by teenage boys.

What do you guys got?

We think the bodies
are being redressed by a woman,

roughly 35 to 50,

probably suffering from some
sort of untreated OCD.

And we believe
that we're looking

for a teenage boy
who's killing his victims

in this form
of slow knife torture.

[Knife chopping loudly]

Mom?

Where are the car keys?

They're in a safe place.

Give me the damn keys.

This has to stop.

Last night needs to be
the last time.

You never stop
telling me what to do.

Don't you get it?
I don't need you anymore.

- Trevor, I can fix this.
- Don't you touch me.

How can you talk
to me like that,

after everything
I've done for you?

On the TV,
they're looking for our car.

They think that I'm the one
who did it.

I don't care
what they think.

Fine. Go.
You'll come back.

You always come back to me.

We're looking
for an adolescent male,

Caucasian,
14 to 18 years old.

He most likely is awkward
around people,

gets frustrated,
angry easily.

Probably doesn't interact
with his peers.

Because of his age,

he would seem endearing
to his victims.

We can check
the high schools,

start pulling kids
who fit the description.

I don't think you're gonna
find this kid there.

Chances are he wasn't allowed
to attend public school.

He's probably been kept
from teachers, doctors--

anyone that would look too
closely into his personal life.

He's been kept
on a short leash.

Now he's rebelling.

He's seeking his freedom
from the one person

who was cleaning up
his murders--his mother.

Can we make some sort
of public appeal

for her to turn her son in?
I'm not sure that would work.

We think that she might be
suffering from some form

of untreated mental illness.

She's also very protective

of her relationship
with her son.

She's lost control now.
She's in over her head.

She's scared
of what her son has become,

and she's trying to cloak
his darkness with her own.

[Humming Rock-A-Bye Baby]

♪ ♪

Oh, good.
You're awake.

Oh, don't be like that.
It's okay.

It happens.

Mommy will take care
of you now.

[Car horn honks,
tires screech]

The way he's luring
his victims

indicates to us
that he's criminally advanced.

He probably has a record--

nuisance offenders, peeping,
maybe even stalking.

We want to pull juvie records,
see if anything comes up.

Follow me.

Finding the kid's
only half the equation.

We still need the mother.

This woman smothers her son
to hide the abuse.

People tend to notice things
like that.

Perhaps a neighbor

or extended family member
saw something.

Yeah, and they
could have been alert enough

to call social services.

Let's get C.P.S. involved.

We're gonna have so much fun
at the zoo.

You're gonna love
all the animals.

Oh, you're gonna love it.
Yeah, you are.

Here we go.

Put this down.

Here we go.

[Humming Rock-A-Bye Baby]

♪ ♪

♪ ♪

Get in the car.

I'm Sam Cooper.

Thanks for taking the time
to come in.

Oh, of course.
Of course.

Uh, but, uh, from everything
your agents told me,

I'm not sure I can be
much help.

No doubt you've seen

some dire situations.

Well, I have been on the job
for 15 years.

That's a lifetime
among my colleagues.

I understand.

The family
that we're looking for,

um, would seem normal--

loving mother, happy son.

We see that a lot.

Kids are afraid to speak up.

They, uh--
they'd rather take the abuse

than risk losing a parent
or their home.

Well, this kid mutilated
his victims' breasts.

His actions speak
to sexual abuse in his past,

probably at the hands
of his mother.

It's possible that he's fusing
her nurturing

with violence and sex
in his mind.

Please, just throw it out.

It was about ten years ago.

The boy was six,
seven years old.

We were informed that he was
still being breast-fed at home.

His peers had found out.

He was being taunted,
ridiculed.

The school had asked us
to step in.

- And did you step in?
- Yeah, I visited the mother.

She was defensive.

It was clear she was not
gonna stop nursing.

- So what happened?
- Ultimately, nothing.

I mean,
I couldn't even file a report.

Breast-feeding a seven-year-old
is not illegal.

You remember their names?

Oh, man, I'm sorry,
but that was years ago.

Coop,
we got something.

Juvie records are sealed,

but Chief Shelley
made some phone calls.

He was arrested last year
on charges of sexual assault.

We contacted the victim.

She's here,
and she's prepared to talk.

Trevor Norris--
you remember him?

Yeah, I do recall the name.

That's him.
Thank you.

Let's get Gina.

I'm Agent LaSalle.

Um, they said you wanted
to talk about Trevor. Why?

We think
he may be involved

in the murders
we're investigating.

Oh, my God.

What can you tell us
about Trevor?

I used to work at, uh...

The coffee shop
by the school.

He would hang out
during my shifts.

I would catch him
staring at me.

Guess I liked that.
Stupid, right?

No, that's--that's not stupid.
We all like attention.

He'd just gotten
his driver's license,

so he offered to give me
a ride home.

I never should have said yes.

Did he do something
that scared you?

I told the police

that it came
out of nowhere...

But that's not really true.

Look, what you say here,
it won't leave my team.

He...

He wanted to have sex.

I knew it wasn't a good idea.
I barely knew him.

But he couldn't take
his eyes off me.

It made me feel powerful.

But it all went so wrong.

The report said that, um,
there was treatment for bruising

and lacerations
to your breasts.

[Crying]

He bit me...

Not just a little...

A lot.

I'm lucky the doctors
were able to fix me.

But I'll have a scar
the rest of my life.

Thank you, Reagan.

Trevor, get out here
and apologize to me.

Do you hear me?
Wait, where is he?

Asher!
You're not my son anymore.

- Where's my baby?
- You don't love me anymore.

Please just don't hurt
my baby!

I'm through.

[Baby whimpers]

Did they just leave you
all alone, handsome boy?

FBI! Open up!

That's how he did it.

Still warm.

[Door closes]

Trevor, stop!
Just stop!

Hey.
Hey, hey, hey. Hey.

We need an ambulance
right away.

- Bring him back to his house.
- Come on.

Can you hear me?
It's okay.

You got to stay with me.
Stay with me.

Where--where's my baby?

Your husband's been called.

He's gonna meet you
at the hospital.

His baby's name is Asher.
He has blue eyes.

He's gonna be seven months old
on Sunday.

We have an Amber alert
in progress.

I promise you, Julie,
we will find him.

Cooper and Mick
got the kid inside.

We're gonna question him now.

We got an A.P.B.
on Deirdre's car.

We'll hit the streets,
see if we can catch her.

If you find out anything...
You got it.

You'll be first to know.

Take a seat.

Where did your mom
take that baby?

You got one chip left
on the table,

now I suggest you play it.

Where can we find them?

I don't have anything
to say.

Well, then you need
to listen closely.

You're done here.

This game you're playing,
it's over.

We know every horrific thing
that you've ever done,

and we're gonna make you pay
for it.

This is your last chance.

Tell me...

Where is she,
and where is the baby?

I don't know what she did
with that kid.

I need you guys
to tear this house apart

and find me something
that lets me know

where she's gone!

Your mother...

Your mother
doesn't tell you much.

But you always
have to answer to her.

It makes you crazy.

But, honestly,
it--it would make anybody crazy.

You have no idea
what that's like.

You're right.

I never knew my mom.

She gave me up,

'cause she knew I would have
a better life without her.

But your mom...

She kept you.

She trapped you.

Tell me what that's like?
I need to understand that.

Don't waste your time.

Yeah, you're right.

Our time will be better spent
finding your mom

before she ruins
somebody else's life.

You think she ruined
my life?

I think...

That you killed
all of those women,

but, unfortunately, the person
that you really wanted to kill

was your mom.

We were so happy once.

Where did it all go wrong?

Never mind.
We're gonna start again.

I'm gonna take care
of you now, right, my boy?

[Police radio chatter]

When did it start?
When did she first molest you?

It seems like it's always
been happening.

Trevor...

Your mom destroyed

the most sacred bond
that exists in this life.

She was supposed
to protect you,

and instead
she abused your trust

and made you do things

that no child
should ever have to do.

I always knew
when it was coming.

She'd wake me up
in the middle of the night.

She'd be singing
to herself.

[Humming Rock-A-Bye Baby]

I can't get that voice
out of my head.

There were times
when you just--

you just wanted to hurt her,
but you didn't,

because you also
didn't want to leave her.

Where would I go?

Help me to undo
what your mother did.

How?

Don't let her
manipulate you anymore.

Even though
you may not realize it,

you brought that little boy
back here as a replacement.

But you don't want to let her
hurt somebody else.

We could stop her.

Just tell me
where you think she is.

She never really left
this house.

You didn't want
to leave her.

But was there a time when she
threatened to leave you maybe?

Just think.

When I got back from juvie,

I wouldn't let her
near me anymore.

You know, she'd get angry,

and she'd tell me
I was a mistake.

And she'd say she wished
she can get in her car

and just drive off back
into her old life.

Nothing--
no maps, no journals,

nothing to indicate
where she might have gone.

She must've left
in a hurry.

I need to talk to Penelope.

I need you to find
all previous addresses

for a Deirdre Norris.

She lived in Vermont
from 1998 to 2000.

Go back further.

Oh...

There is it,
20 years ago--

she went by her maiden name
Deirdre Fisher.

And I got an address
in Vero Beach, Florida.

Back to her old life.

Got a gray minivan
heading west on I-93.

Roadblock setting up
two miles ahead.

Sending available units now.

The suspect is a woman
driving a gray minivan.

[Siren wailing]

[Tires squealing]

[Sirens wailing]

[Tires screeching]

Chief Shelley, I need you
to ask your officers

to stand down.

We don't want to risk
anything happening

to that baby.

Gentlemen, stand down!

Prophet, Beth, double back and
cover that vehicle from behind.

You two stand by here.

Deirdre, I need you to put
your hands on the steering wheel

so we can talk.

What do you want from me?

I can't let you leave
with that baby.

You can't stop me.
I have rights.

I'm his mother.
You're his mother, okay.

But do you see
all these police here?

He's not safe.

His place is with me.

I'll keep him safe...

Except...

He doesn't love me
anymore, does he?

He's never going
to forgive me.

If you want forgiveness,

you have to be willing
to ask for it,

from your son
and from yourself.

You have to begin to heal
your own wounds first.

Don't take my son!
No!

Don't take my son!

Your son is behind bars.

If you want to see him,
come with me.

This ends here.

You're right.

This ends now.

[Tires screeching]

[Overlapping chatter]

- And stop, stop.
- Stay right there!

Move it out.
Get out, get out!

[Soothing guitar music]

♪ ♪

Wow.
Look at all these people.

♪ ♪

I'm gonna go
talk to him.

♪ ♪

Hey...

I'm so sorry, buddy.

I know it's not my place,

but do you mind
if I give you some advice?

I'm taking anything
I can get these days.

When he's ready,
tell Ben that you need his help

with the little one.

Let him know
that it's his job

to tell his sister
about their mother.

It'll keep her alive
for both of them.

♪ ♪

All things considered,
this feels pretty good.

♪ ♪

== sync, corrected by elderman ==