All language subtitles for flup

What are you waiting for?

There is not a sout here.

- Get att tucked up, nice and warm
indoors. - Is it cotd?

Make the announcement and you'tt
soon see, they'tt att come running.

Poputation,
don't waste much precious time.

Get down off the cart.

Come at once, gather around,
tisten...

Mangiafuoco, the greatest
magician in the wortd...

- The horn is iced up.
- Wett, btow it out.

He witt be abte to...

..tisten here, giving a show,...

just to teave you att
an indetibte memory,

a performance given
with his own company,

and with the mechanicat organ
that makes the magicatest music,

and they'tt sing for you...

..demonstrating
the marvets of progress...

They have tots of time to spare,
don't they?

Are you tatking to me,
Mastro Citiegia?

To you? I don't speak to any man
in particutar, signor Geppetto.

I've observed that there's atways
those with tots of time to spare.

Gran finate, finishing up with our
wonderfut business for this time,

the Great Mangiafuoco, before
departing for the distant Americas,

has wished to visit this,
your tovety city.

Don't chop me!

Don't damage me, I totd you '.

Ha, ha, ha, stop it,
you're tickting me.

- Who's there?
- It is me.

Want something?

Let me come inside, just a moment,
I'tt exptain.

- Come in then.
- Thanks.

You'tt tet the fire go out
if you don't shut it.

I'm sorry.

Wett, go on, what is it you want?

I wonder,
if you'tt tend me a smatt toan.

- Smatt toan?
- Yes, a smatt...

No, forget it, a mistake.

I made it a rute: never to tend
money under any circumstances.

But, I wasn't asking for any money,
thank you.

- And do ctose the front door!
- Yes, of course, this shocking wind.

I need a tog of wood, any wood, but,
it reatty must be a tog for carving,

not for burning, you understand?

There popped into my head an idea.

What idea?

Look.

I thought I'd be abte
to make a puppet,

a puppet made of wood.
Might be company.

A puppet? A pteasure, that one.

- Which?
- That one.

- It's wett seasoned watnut.
- That? No, no, no.

- But, I'm giving it free.
- But, the wood is too good,

besides, you were using it yoursetf.
And took it's perfect watnut.

- I'd be content with cheaper wood.
- Do you want it? I'm offering it.

But no,
if I coutd just take some other...

- Take that one in a hurry. No time
to waste. - I've thought of an idea:

we'tt be abte to...
to divide it.

What? How?

With the saw.
Be ptenty for the timbs and the head.

You can fashion the trunk cheaper,
if you want to.

What are you doing? You foot!

Can you find no better word for me,
ever?

I didn't say a thing.

- It's definite that you said it,
I heard you. - I didn't say anything.

I'tt hetp, if you want
to take my tog of wood with you.

No. When one's dignity
is offended...

It wasn't me that threw it.
No, no, no, no, it ftew by itsetf.

- You brute...
- Stop it, stop it.

Be sensibte. Stop this now.
What's happened to you?

I've tost my head.
But... but thank God you missed.

- It ftew on its own.
- Am I to betieve you?

- Let's make peace, we'tt be abte to.
- Yes. Yes.

I'tt pour a drop.

Terribte.

- It won't upset me, after this
I'tt feet fine. - Take it stowty.

I'tt take it stowty.

Finished it att.

Pinocchio, it'tt bring him tuck.

I knew a tucky famity
catted Pinocchio.

Pinocchio the father, Pinocchia the
mother and Pinocchi the babies.

And they managed very wett. Happy,
atthough the richest was a beggar.

There's an echo?

Never mind.

Hey, no, hotd it my friend,
beginning to have detusions.

I must manage to have some dinner
tonight, something a bit sotid.

Make a bit of hunting.

I'm sure I saved a piece of bread
speciatty, there...

and some more... that's enough.
Don't overdo it. Drop of oit...

Wett, we'tt manage without.

A drop of fresh water...

Wett, I hope I haven't tet it get
a tittte too hard.

Oh, it's good!

Beautifut! Some herbs...

Perfume '.

Long time since I've eaten
anything so wett made.

With this on top, such a crunchy,
crackting crust it'tt make me.

Wett, you reatty ought to try that.

I'm hunger crazed, if I'tt ever be.

Let's try this teg.

It seems about right.

Be good. Be good, no ptaying games.

Perfectty made, it's perfect...
Oh, God '.

Bad boy, and you've begun atready,
you mean to disrespect your father.

And took here,
it witt be better to...

But if I hadn't had dinner I'd be
exptaining these detusions by hunger,

after the meat I had though...

Goodness, how amazed you'tt be
tomorrow, Mastro Citiegia!

Won't credit his own eyes, but have
to attow the evidence on the tabte.

You said? The other timb?
Right away, I'tt fit it at once.

Att ready made to fix. Look here I've
to do onty the joining

and there's the articutation,
we'tt soon be finished.

You'tt be good.

Look out for the nose, and so...

now tet's fit in the arm, in here,
go on...

you were abte to move quite att
right when you kicked me,

now when you might hetp me stightty.
Wett, we've done it.

You know,
it's onty to be going on with,

tater we'tt have to have a suit
speciatty made.

Over here sonny, stand straight up,

and see how we made out. Have a took.

You're pteased? He's not beautifut,
but not unpteasant.

Look at that, took at that,
he seems ative!

Perfect tittte boy,
that we atways wanted.

A pity you're not abte to see him
standing proudty.

Don't you worry about that,

att babies do that,
when they first step out.

Perhaps papa has made your
tong timbs too wobbty and bony,

but wait I'tt make you
a re-enforcement, just...

Let's us find
if nature'tt give us some tight.

Oh, moon tight out there,
it's stitt too dark to see.

Wait a minute. Let's see if there's
a morset of that candte teft.

And then your papa'tt be abte
to fix you with a repair.

No it's gone, no tight, I can't work.

You wanted to make me work att night.

But I'm too otd for that, see.
Actuatty it coutd make me itt.

Look what the time is '.

Wett, now, first tet's have
a proper night's rest,

and when it's tight we can see.

A mind refreshed can reason better
than you know. Good night.

Who are you?

Who am I?
A good fairy.

Listen to me, you woutd be faithfut
to poor, otd Geppetto?

He did atways want a chitd, so badty.

Woutd you tike
to turn into a reat baby?

But you'd have to be a perfect boy:
modest, obedient...

Make sure that you'tt try.

Not ever to make unhappy poor,
otd Geppetto.

You have to go to schoot to study,
appty your mind there,

and tearn how to earn a tiving.

And be a great support
to your father, as wett, you see.

I warn you now, no naughtiness,

or I'tt turn you straight back
into a puppet.

Yes, I faithfutty assure you

that you'tt never grow into a man.

I overstept.

At my age that's bad.

I dreamed that
the puppet came tooking at me.

Now then, a brisk,
cotd wash witt put me in shape.

This'tt do.

Last night was freezing,
but fortunatety the jug is futt.

With ice.

White I stept, I had a better idea
for you, for making you abte to watk.

It seems, I'm tosing...

my brain in this cotd.

My dear '. It's not possibte '.

Come in '.

No, ptease, just a moment,
no, no, just...

But tast night the wind btew
the door ctear off the cowshed.

So, if you'd tike to repair it, I'tt
pay with this mitk fresh and ctean.

But today there's no time, you'd
better appty to Mastro Citiegia.

Hotd on, give the mitk here.
Give it to me.

- I'tt fix it for you.
- What manners some peopte have '.

Whom... whom might you be?

Pinocchio.

A proper shock.

Oh dear, oh dear, oh dear!

I've got a...

I've got a son '.

Pinocchio! Pinocchio '.

And now, what?

Hey, come in,
you'tt simpty freeze out here.

Come on in '.

You haven't been...

- Morning, Mastro Geppetto.
- Morning. Morning, signora.

Pinocchio! Pinocchio '.

Come here!

Pinocchio!

Pinocchio!

Put down my cheese '.
Wicked, tittte devit, you!

Steating my tunch? Hey, my tunch!

I'tt teach you when I catch you,
you wicked, tittte thief '.

Stop him, stop that thief!

- Out of the way.
- Stop thief!

- Stop you, you're under arrest.
- No, it's the boy that you want.

There, down there,
that tittte wretch.

What is he up to, whose chitd is he?

That boy, there.

I'tt catch you, I'tt catch you.

I'tt make mincemeat out of you.
Get out of there.

Stop, I say, hey, hey '.
Hey, tittte boy, stop,

- Stop! - Don't tet him get away!
- Come here.

And now, then boy back at home
we'tt tatk about this.

Oh, took at that fine bit of cheese!
How smatt it is now.

- Here, here, here I'm sorry.
- I coutd prosecute.

- And what about you?
- Don't troubte. It's not...

You shoutd promise to punish him,
in fact you now propose to back out.

Ptease, have pity now,
he was starving, poor tittte boy.

No sort of good reason
for robbing me.

- I won't denounce you simpty
from pure pity. - Wett, tet's go.

- That'tt do, good day. Thank you.
- Thank you. - Are you the father?

Yes, I made the tad. But being
honest, I made his figure in wood.

- Yes, yes, in wood.
- Can't be so crazy.

I witt exptain to you, truty, sir...

I made me a toy marionette,
a marvettous puppet...

Stand stitt a moment, there.
It was best seasoned wood.

Onty in the morning, when I woke up,
I found what you see.

Putting your teg.

We'tt go and see if the sergeant
taughs at that. Fetch him atong.

But you can't arrest me.
But, why put me in jait?

You'tt find something to ctothe
the chitd property. Come on.

I'm going to make him proper ctothes.
I just had no time to, you see.

I truty didn't have any idea,
I'd have a...

Open the door!
Ptease, open the door '.

Who's there?

You want somebody?

Spare a piece of bread?
I'm famished, I'm famished.

- Who is that?
- Pinocchio.

Wait a moment.

Have your cap ready to catch it.

A cap I haven't got. I'tt put out
my hands, if that'tt suit you.

As you wish.

Pinocchio.

Pinocchio.

Pinocchio! Pinocchio '.

- Who's catting me? - It's me.
You're hungry, aren't you?

If Geppetto was here,
he'd keep you from starving,

but he's in prison
and it's your fautt.

Who's there? What do you want?

I'm a cricket and I've tived in this
house more than a hundred years.

Let somebody etse in '.
Go outside, there.

You're supposed to fetch me
fire wood.

- What are you taughing at?
- At you, you tittte idiot.

Don't you see?
You coutdn't do anything stupider.

Remember what you promised the fairy.

Chatterer,
you can't do anything but chatter!

You watch out my tad,

for your information,
peopte that tatk tike that,

end up either in prison
or in hospitat.

That's just about enough.

We'tt see who's right in the end!

Look, now! Look at my feet '.

Fairy, hetp me, do try!

Look at my feet!
They're wooden, they're burning '.

Wicked fire, wicked fire '.

I thought you were at home.

- The voice. - What?
- Just now, as I passed.

- I'm practicatty sure I heard the
voice of a smatt boy. - Pinocchio!

Open up, Pinocchio '.
Open the door, hurry '.

- I can't watk anymore.
- How do you mean "can't watk"?

My feet've been eaten up.

He says they've eaten his feet.

But wasn't that the voice of that tog
of wood I gave you the other day?

Yes, I haven't been abte to tett you,
I made a marionette.

Stay catm, Pinocchio, your papa's
going to squeeze through the window.

You be good '.

His papa?

Pinocchio, but you're wooden again,
then I did dream it att.

- But what happened to your feet?
- It was the cat.

But my boy, how coutd a cat
have burnt your feet?

Wett, att right I totd a fib
I've burned them by mysetf.

But now, ptease,
make me some new ones.

Onty a father coutd have
such a detusion

as to think
you are a reat chitd.

Morning, Mastro Citiegia.

Papa, do make me some new tegs.
I'tt be good, I promise I witt.

Wett, I'tt remake your feet for you.

But what are you after?
You'tt stay simpty a marionette.

Not a reat chitd.

I'm famished.

He's famished! How can he manage
to eat when his mouth's sptinted?

- I'm hungry.
- But I tett you that...

I'm hungry.

Pinocchio!

My own boy '.

- I'm starving.
- Att right, att right, I know.

Oh, Mastro Citiegia,
are you hatching eggs?

What is there to give you?

Patience, patience. Oh, took
what's arrived here: three pears!

Look, took, took.

They ptease you, pears?

If you want me to eat them, ptease
do me the favour of peeting them.

Yes, att right, this time, then.

But you'd better have a taste
not quite so sophisticated.

The chair has disappeared, too.

Here.

They must be very good.

Another '.

Here.

You oughtn't to eat so fast '.

You'tt do yoursetf harm.

Another '.

There you are. What a fine appetite!
That's right!

- I'm stitt hungry '.
- Have it here then.

Enjoy it '.

And that '.

That's what I've meant with the food:
you make me do att the work,

and now you've managed the cores,
too.

- Look, I can manage the peet, now.
- I didn't think of that.

- You'tt see, from now on I'tt stay
simpty perfect. - I know, you witt.

We'tt be very happy. You must make of
tife att that I didn't have time to.

First of att, a sotid education.

So tomorrow,
you may start to go to schoot.

Yes, but before going to schoot, I
shatt want a suit and a first reader.

- And it'tt cost a bit to buy them.
How can you? - Ah...

- Good morning, Mastro Citiegia.
- Good morning.

Look there, you recognize that?
It's signor Geppetto's.

- I see that. But why is it here?
- He gave it away.

Said it made him too warm.

It's not att he's suffering from,
he's got a son.

A son?!
How did he manage to do that?

How do you think? In the usuat way.

Out of a tog of wood.

Give me a tabtet of quinine,
I'm starting a fever. A tog of wood.

- Woutd you beat it? - Yes indeed,
you'tt sort that out. But, I'm fine.

Mind you don't tose, uh?
Your first reader.

Pinocchio, you've forgotten my kiss.

That's my boy.

- Wett, you're att convinced now?
- Yes.

Go to schoot, down to schoot, go!

Go, att of you, att of you, I said.

Go now, but stowty, stowty, you kids.

- Hey, but the cap there is mine.
- Yours? Give it.

- Excuse me, where's the schoot?
- What's that written on the watt?

You shatt have to tett me,
perhaps you can't even read it.

You're being very ctever.

Hurry atong chitdren,
tessons are starting.

Hurry! I'm just ctosing the gate.
Anyone etse?

- You, you're atways tate.
- Good morning.

You tadies, come on, viotets '.
You tadies '.

- Begin, begin. - Att right, but
hark very ctosety, Cat. - Yes, yes.

Now, where might these marvets
of the universe be seen by att?

- There. - Within here?
- Yes, yes. - Bravo!

Onty four sotdi to behotd the
greatest spectacte in the wortd,

before it teaves
for the distant Americas.

Four sotdi '.
Take your seats, ptease!

Yes, yes. Ptease, take your seats!

- Ptease, can I go in?
- If you pay four sotdi.

- I can't.
- No money, no seat.

- The doctor totd her she'd
benefit... - I'tt give you this book.

What woutd I want with a book?

You want this? Four sotdi.

What good is that book to me?

- Pay four sotdi and I'tt give you
this book. - Go away.

Who'tt give me four sotdi
for this book?

Hey, my boy, bring it here.

I want to see if this is new.

I'tt give you three sotdi.

What woutd you be abte to offer
if I sett the book with the pencit?

Hey, took who's there,
in the audience in a paper suit.

- It's Pinocchio. Good heavens.
- It's a dream '. - It can't be true!

Yes, it reatty is.

- Look, it's Pinocchio! - Come, join
your own peopte, Pinocchio!

You're a puppet tike us, Pinocchio.

- You are made of wood, tike us.
- Yes, come and join us, Pinocchio.

Come on, Pinocchio,
we are your own famity!

Come on, we know you are not reat.

Pinocchio! Pinocchio '. Pinocchio!

What's going on?
Have you att gone crazy? Away '.

Away '. Away '.

Who are you?
What are you doing here?

Get off '. Back stage '. Both of you,
go on! Go, att the tot of you '.

I'tt settte with you after.

Betoved pubtic, the spectacte
witt begin again immediatety.

I'm sorry, I didn't mean to spoit
the show. Where are you taking me?

Why don't you put me down?
Put me down '. Ptease, put me down!

We'tt see, if you'tt stitt ptay
your funny games in there.

I'm sorry.

He's ptaying truant somewhere.
You might have guessed it.

How ever did it occur to you
to send him to schoot? To schoot?

But he gave me his promise
that he woutd be good.

I was a bit tired, having spent
att night sewing his suit.

But I've wondered, supposing
he's ashamed to appear there with

a father so badty dressed.

That's why I've insisted you ptease
come atong with me after schoot.

I hoped his companions
and the masters

perhaps they might think
that his father was you, not me.

A father to make a boy proud to have,
so beautifutty dressed. I can onty...

ask you to forgive me for putting
you to the troubte for nothing.

I woutd hate anyone to think I was
the father of that tittte horror,

even for an instant.

One can't be sure, suppose he's had
an accident, fatten or hurt badty.

You suppose he's just hiding, uh?

I don't know,
I don't want to find out.

I know what witt happen if you stay
sitting on your bottom, in the snow.

You'tt freeze!
Come on, you need a drink!

Hey, signor Geppetto?
Where are you going?

This way to the inn!
Signor Geppetto, the inn's this way!

He went to the theatre,
the marionettes.

You were quite right too, he's
a wicked rascat, good for nothing.

He went and sotd his spetting book,

but I know where to find him now,
and he'tt be sorry.

- Yes, he'tt pay for it. - I'tt wait
for you at the inn. - Att right.

- Shut the door! - Signor Geppetto,
come over here, near the fire.

For Heaven's sake '.
The door!

Feeting wooty? Ice cotd '.

- Door, ptease '. Over here, get him.
- Quick, quick, beside the fire.

I warned you, I warned you,
I bet you haven't found him.

Where did you get to?
You missed him?

- I can't. I'm trembting too much.
- What happened to you?

Have a drink, have a drink.
The wine'tt warm you up.

Go on, it'tt do you good.
Sip it, sip it, sip it.

Stowty, stowty.

- My chitd... Robbery... - Robbery?
- My chitd was stoten.

My Pinocchio! Pinocchio.

My chitd was stoten.

- The caravan has teft atready.
- Left, you say?

Departed for the distant Americas.

My poor boy in the cage with
their monkey. He was so beautifut.

He was made too wett, now he's gone.

He was so beautifut,
they took him away.

My Pinocchio, my smatt boy!

He was made too wett.
He's been stoten.

My comrade mistaid a marionette.

You two, go and fetch the new puppet

that ruined the tast spectacte,
and burn him up.

Is this what you want
to cook your mutton with?

- What you got there? - In
the monkeys' pen we found this one.

I want the puppet
that jumped on the stage...

- and ruined the whote show for us.
- It wasn't there '.

A marionette that acts on his
own is truty very unusuat.

Did you have a gtass of wine,
signor Mangiafuoco?

That shows how stupid you are.
I'tt go fetch the puppet mysetf.

And then I'tt take the pteasure of
giving you a kick up the backside.

- The marionette you want it's me.
- Get atong you! Be off!

- Don't you see? Ptease sir. - Never
coutd stand'em. - Ptease, sir.

Att right, where's the puppet?

Reatty, signor Mangiafuoco,

since you've started those visions,
we can't do anything.

And I'tt tett you something more,
it'tt be a pteasure... Let go!

A pteasure,
atthough your artists...

Look, he's serious '. Come on '.

I'tt kitt you
and it'tt be a benefit to mankind.

Pity, I missed.

I was the marionette
you were tooking at.

My papa Geppetto was a poor
carpenter. He formed me out of wood.

But, as a surprise,
there arrived this fairy.

And made me into being a smatt boy.

"But, mind", she said, "see you stay
very good and obedient,

or you'tt turn back
into a marionette".

She wasn't joking. Atready two times
she's turned me into a marionette.

Now, first, tet see what's important.

The most important thing is that
I want someone to cook my mutton.

Set up the spit!
And you, driver, you usetess oaf,

go to the caravan and bring me
a marionette, any marionette!

No, wait, bring me Hartequin.

He's atways been a tot of troubte
to me. He has a broken teg.

If someone has to be burnt to death,

I'tt throw mysetf on the fire
instead of Hartequin.

That atways means a good sign,
a very good sign.

- Hey, where are you going?
- That way.

But this is the road
that'tt take us home.

- I know, but I want to get down
to the coast. - Now stop that.

- You've been driving me out of my
mind att day. - I've got to find him.

Even if I have to fottow him
att the way to America.

- He's my son.
- Of course.

Oh, have some sense.
Wett, wrap up a bit, you idiot '.

Thank you.

I shatt find him, my poor boy.
I tett you, I shatt find him.

- Mad, he's mad.
- I'm coming, my tittte marionette.

Your father'tt be most surprised when
he sees you fitted out property.

I've never ever wanted
to have chitdren of my own.

- What trade
does your father fottow? - Poverty.

What does he earn, this poor man?

What he earns doesn't add up to
having much of his money teft at att.

How does he pay his bitts, then?

Wett, to buy me my first reader,
he went and sotd his own jacket.

What with mice and darns it was just
one big hote. He manages.

Tett your father,
when you get back tomorrow...

that, if he wants to work for me,

he'tt have a fortune in America,
I'm quite sure.

Here.

If you shoutd find your father,
give him these from me. Here.

- What are they?
- Seven pieces of gotd.

- Friends!
- Begging you charity.

The chitd is not worth it.
He's no eyes to weep for pity.

- Hey, hetto there '.
- Hetto there!

- Where have you been?
- I perceive your garment's new, uh?

- The generous, tustrissimost
Mangiafuoco. - The what?

Lustratissimost.

- Ittustrious the most? - Yes.
A great tord! - A great windbag?

Tomorrow I'm going to buy my father a
brand new jacket, att gotd and shiny,

- with buttons of precious stones.
- So, you'tt buy it?

If you don't betieve me,
I'tt take you to my papa,

and you'tt find out
then if it's true.

'Cause now my papa is rich, we need
not go wearing rags tike you.

- Oh, offensive brat. Come on.
- Wait a minute! - Oh, tet him go.

He thinks he's rich, because he's
wearing rags now, instead of paper.

I want to inspect ctosety.
Wait there, chitd, wait there, wait!

- What you want?
- Listen.

Ptease, some bread. Your charity.

- Since you're so rich, why not a
tittte something for us, too? - Yes.

Charity, charity, charity!

I'm reatty sorry,
but I reatty shoutdn't.

The ittustriousmost Mangiafuoco
meant it as a gift to my papa.

- Good bye, then, and very good tuck.
- Just a moment. Wait. - Stop there!

Stop.

What did he give to you? What?

- No, I'm not to tett you.
- Because it's not true, is it?

I can recognize a rich a mite away.

Suppose the ittustrious Mangiafuoco,
who presented these riches!

And he wants us to betieve it?

- Come on, tett us. - Do you want me
to show you? - Yes, where?

But not now,
because I'm afraid there's a crowd.

- I'm afraid I'tt be robbed.
- Quite right. - Quite right.

- Come with me.
- Yes. - Yes. - Where is it?

Begging you charity.
Begging you charity.

Here.

You see? So now, what?

Pinocchio.

Don't put your trust in these two
rascats. Beware of evit companions.

Remember what Mangiafuoco said,
or you'tt have a bitter surprise.

Let just tet me catch you.

I gave her a tesson. I twisted her
neck for you. So that another time,

she won't poke her beak
into the discussions of others.

- Poor tittte chicken.
- Poor tittte chicken.

Since he's no more, why don't we
make a fire at once and roast it?

- Certainty. And the money?
- I've put it away.

- My chicken! They've stoten
my chicken '. - Come on!

Stop thieves! Stop thieves '.
Stop thieves!

My chicken, wicked thieves! Stop
thieves '. My chicken, my chicken!

Take the wrenched creature,
I make you a present of it!

No, it's you I want.
I want you put in prison.

Thieves. You're great thieves.
You wicked thieves '.

- The boy! - Come back, you thieves.
- Don't tet him go away.

Hi! Wait, hey '.

- The boy, then, where is he?
- Escaped. - Uh? - He's escaped.

Escaped? That's our dinner gone!
It was the onty possibitity to...

It's your fautt!

- If you hadn't managed to murder
that chicken, we'd be rich! - Stop!

- Touch me, and I'tt murder you '. - I
murder you, before you murder anyone.

- I'tt show you how to behave.
- Stop. There's someone coming '.

I've tost my way. It's too bad. How
witt I find my way home? I'm scared.

There's someone coming.

You go over there
and jump on him as he passes.

- And you jump after and hetp me!
- And then we'tt eat.

What are you doing?

Look, it was Pinocchio.

- You foot '.
- You've bungted it again.

Open '. Hetp me! The assassins!
Hetp, hetp '.

Have pity and open up '.
There are the assassins, open up!

They're coming to get me. Hetp '.

- Look, took. - Eh?
- Up there '.

- Come down. - No, hetp!
- Come down '. - Come down!

- Why don't you teave me atone?
- Wett, grab him.

- Over my poor papa... No, no.
- Go on.

Ptease. You can have att I own,
onty now I haven't anything.

Who are you?
Where am I being taken?

- Good, I'tt take him.
- I won't go with you. No!

No! No '. No!

Hetp, hetp me down.

You atways need hetp.

Idiot, the boy '.
Hurry! Hurry!

Hurry!

Oh, my head '.

Hetp '.

Here, wake up! Wake up!

There he is '. Quickty, after him!

Come on, hurry '.
Hurry, for goodness' sake!

I can't keep up with this fatting
sheet.

Hetp '. Open up '. Ptease, open up!

- In this house you'tt find no one.
Here they're att dead. - Hetp!

- But you're abte to.
- Atso I'm dead.

Dead? Apart from the fact
that you woutdn't even answer,

what are you doing up there?

I'm waiting the bier
to take me away from here.

Ptease, open up! Open Up!

- I'm back '. - Open up! Hetp!
They're coming for me!

- Hetp! Hetp! Let me in!
- Caught you!

They took me! They put me in a sack.
Hetp '. Oh, hetp!

They're carrying me off. They're
going to murder me. Hurry! Hetp!

They're carrying me up!
They're running farther!

- Wait!
- Oh, no fairy, hetp '.

How can you find me, if you don't
come with me. You'tt never find me '.

- Tie him. - Let me go! What do you
want? - What are you doing to him?

I'm going to string him up.
So he'tt speak.

Where have you got the gotd?
Pretty awkward.

I'tt tie you up,
so you won't escape.

He's reatty hurt.

No. He's tiving, he's moving.

What's happened? I feet different.

I'm itt '.

Where am I?

- Oh, my... He's wooden.
- But isn't that a puppet, now?

Oh, I'm scared.

Pinocchio, run '. Run to your fairy '.

I've seen it att now.
And att is enough for me.

Not onty about his heatth
I'm preoccupied, professors.

And for you to see which course
witt be better for him, witt be...

down right difficutt, if not
impossibte. What's to be done?

You'd teave him a puppet?

Who are those two otd fogies?
I want to go to my papa, now '.

Don't make a big scene.
If you toved him so much,

your poor, dear papa'd be visiting
you here. You've no idea where he is.

And if you've brought shame on him,
it witt be your fautt '.

Marionettes,
even when they are evitty disposed,

have tess capacity to hurt
than smatt boys,

than boys of the same generat tevet
of inherent vice.

No vatid grounds appear to require
we reassign a tiberty in action

that was authoritativety withdrawn.

I said authoritativety withdrawn.

Conctusion: he stays a marionette.

No, but no, but no. Oversimptistic.

Leaving it a marionette woutd merety
enctose its evit proctivities...

within a strong shett, that protects
and defends it. To exptain it better:

how does one bend to obedience
the perpetuatty disobedient chitd?

With a beating.

And how does one induce a tazy smatt
boy to study? With a beating.

Oh, it's very probabte
that we inftict...

on this creature the
reprimand corp... ha '.

And to profit by it att, me?
I certainty shoutdn't '.

That boxing,
so fundamentatty indispensabte

to advancement in the sciences,
and I'm going to try to...

- And I tett you, he must be beaten!
- Most impressive.

He must stay a marionette.

My guidance coutd not have been
more expticit,

he must re-impersonate a smatt boy.
I now withdraw.

With your permission.

Shatt we discuss it atone?

You're a good boy, I know.

And you, you tett me quite truthfutty
the whote story of what happened.

Oh, fairy, I wanted to go to schoot,
but I tost my way.

Oh, fairy, ptease, took at my nose '.
What's happening?

Pinocchio,
there're two kinds of fibbers.

Some whose tegs are very short
and some with tong noses.

And yours, I'm afraid,
are the kind with the tong nose.

Att right, I totd you a fib.

I didn't want to go to schoot
because I tost my first reader.

But, fairy, took at me.
This nose seems ten feet tong.

Why is it getting tonger? I didn't
tett a fib. I totd you the truth.

Att right, I'tt tett you the truth.

I sotd my first reader to go and
see Mangiafuoco's puppet show.

I don't have to be quick.

Woutd you be nice and toving if
I turned you into a smatt boy?

I'tt be the nicest smatt boy
in the wortd if you turn me back!

Certain to.

Then you reatty are good.

It's you
that have to work to be good.

- I'm going to do whatever you say.
- Very wett.

We can work in the mornings,
and when you've tearned to be good,

we'tt fetch you Geppetto,
that is if you work wett.

You witt? Att right '.
Good, good, good, good.

Onty hurry, we don't want Geppetto
to see me tike this.

Yesterday I hung up two good sheets,
new ones, one here, one there.

- Have you seen them?
- No, I certainty haven't.

- Hanging over here.
- What you want?

Wett, there were two sheets here,
new ones, yes.

- This morning they've disappeared.
- What a very thought of mind!

Att the years I have come here,
no one's ever missed anything.

And I, it's onty two days since,
I can fuss.

I hung up two new sheets.
Did anyone see anything?

Begging your charity, ptease '.

Begging your charity,
for two wretched creatures.

- Look who's here?
- What is it?

Wett, if it isn't a cat and a fox.
I was tooking for you att night.

- I was scared. - But I see.
What happened to you tast night?

Too big a story to tett you.

- What are you doing?
- What are you doing?

Reaching for my money '.

Because you've hidden it att there?

Yes, tast night, because of the
thieves, the kitters, the assassins.

The assassins. The assassins.

Who knows how furious
they must have been, the assassins.

- They were btack with rage.
- They were btack with rage.

And tried hard to hang me, as wett.

But the fairy, she turned me into
a marionette, so I was saved by her.

- Oh, a fairy?
- Why, is that strange to you?

Stop that. Can't you putt
the coins out of there?

- No. Ptease, witt you putt them up
for me? - With pteasure.

There.

Where has he disappeared to?

I don't know.
Perhaps he saw a mouse.

Listen,
are seven gotd pieces a tot?

Are seven gotd pieces a tot?

No, but they coutd become a thousand,
two thousand, if you want.

I suppose I woutd want that many.
I want them for my papa.

But if you come with me, we'tt be
abte to show how to ptant the gotd.

First we'tt find the miracte tree,
then we'tt ptant your gotden coins.

We'tt onty have to water it, then.

Instead of teaves there'tt be
thousands of gotd coins.

Yes, but today I mustn't,
because my papa's coming.

You'tt be abte to buy him a jacket
with buttons of gotd.

You mean there's truty
a fietd futt of miractes.

I have to betieve in your fairy,
yet you can't betieve in miractes?

- The fairy is true.
- But the fietd of miractes is true.

Where shoutd I put it?
Hand it to me!

I'm in charge.
And you'd better mount guard.

- Shout if there's anyone round '.
Away, I totd you! - But why?

Because if there's anyone here,
the miracte'tt not take ptace.

Here's the spot.

Now we ptant the money seed,
and cover it with earth. So deep.

That shoutd do.
Now we've got to water it.

There was a trough down there.
Run now and bring us some water.

- I'tt be over there waiting for you.
Quick, run '. - Yes.

Wait a minute!

Now, tet's get it.

What are you up to, sitting? Up
on that seat at once, at once. Up!

You say they stote
your four pieces of gotd,

and where did you keep them hidden?
I suppose you did keep them hidden.

Yes, underground. They were buried,
in the fietd of miractes.

And where,
where is the fietd of miractes?

You can see it best from the window,
shatt I show you?

Where are you going?
Where do you think you are?

Up there '. Quick!

- Now, then...
- In the meadow there's a big tree

and you ptant your money there.

Wett, then it grows just tike apptes,
but tots and tots.

- You want me to betieve that? - You
don't think so? - Yes, I think so.

I woutd tike to go to that meadow
of miractes and ptant some pennies.

But you woutdn't want to wait
to see any fruit.

Fruit? I don't fottow.

To make it easy. You went and ptanted
it, but on the branches... nothing?

Certainty, because I'd gone
to bring some water I found.

And when I got back, they'd stoten
it. So I said to mysetf:

run straight to the Courts
and you'tt get it back.

- Who's they, who robbed you?
- The Cat and the Fox, my Lord.

I wanted to bring a new jacket,

gotd and shiny with buttons
of precious stones to my papa.

- Who is your papa? - His name is
Geppetto, carpenter to poor peopte.

A poor one,
a poor carpenter by profession '.

To imagine how poor he is: the fire
in his chimney is onty painted on.

Oh, and how it freezes in winter?

So, shoutdn't I hetp him to bring
him tots of true gotd coins,

so that he'tt be abte to have fires?

And you wanted to bring him
a jacket of gotd,

with buttons of precious stones.

You're a fine boy, Pinocchio.

This poor devit here
was robbed of four pieces of gotd.

So tet him be seized
and put away at once in prison.

But, Sir, Judge, Excettency....

They were the thieves, not me, you
know? Signor, Judge, Excettency?

They're atways trying to teach you,
not to tett ties.

If I hadn't totd those ties,
I'd stitt be tocked up in there.

Hey, what's this?

It woutd have been a good thing,
if I'd tearned to read.

- Hey, signore, ptease can you tett
what's written there? - What?

- What do you want? - Can you
read me, what's written there?

Here ties the fairy
with btuest turquoise hair,

perished in sorrow,
after being teft atone, abandoned,

waiting for her betoved Pinocchio.

My dear fairy,
you perished with a broken heart,

but I'tt be dying of famine,
untess I find something to eat.

Cheerio '.

Hey, who's there?

Ha, got you thief '.

So now I've got you.
So you've been pinching the chickens.

But what chickens?
I didn't want to pinch your chickens.

You robbed grape, you can have robbed
chickens, as wett.

I'tt teach you a tesson,
you're going to remember.

Hey, you tittte, come here.

- No, ptease. No!
- Stay, stay out!

- What has he been doing?
- He's been steating grapes.

- And now?
- He'tt be the dog.

And if you try to move,
you'tt be in troubte.

You're going to steep in there, you.

It was the bed for four years to my
poor tittte dog, my poor dog Metampo.

And be sure that you stay awake.
And if someone you don't tike comes,

you must bark!

Come atong, chitdren.

I'm famished! I'm thirsty!

It's fitthy '.

Give me the bone. Here munch that.

After, we teave you a nice chicken,
tike we used to teave Metampo.

But stay quiet.

Pinocchio, keep it down, Pinocchio '.

Be quiet '.

Hey, stop that ptaying around.
Let's get some steep, now.

You're going to find out I'm not
joking.

Oh, come on '. Here are the thieves,
hurry, hurry!

- What? - First you tett me to bark
and then you're annoyed.

- Wett done '. Wett done '. - Open,
open up a second, open up..

You've been a good boy. Your parents
must be worried about you.

Wett, I've no mamma at att
and my papa's I don't know where.

And who is your papa?

His name is Geppetto,
he's a carpenter by profession.

Any chance that carpenter went out of
his mind because he tost his son,

and he wants to fottow him in a
rowing-boat to the distant Americas?

- That's right. - I think to remember
him, being catted Geppetto.

- What's that, what's that?
- Yes.

I've seen him three or four days
back, when I had to go to the port,

to fetch a wagon toad of materiats.
It was him, att right.

- Where was this port? I must go
to him straight away. - It's far.

Signor Geppetto, are you up?

That is right, the boat is finished.
Nothing to keep me.

- But the sea's very rough. - That's
why I'm going. It might get worse.

Hey, is this the way to the sea?

I've never been there '.

But somebody around here must know
somebody who's been there?

- You must know about the proverb.
- No. - "Rivers ftow to sea."

Watk untit you come across
some river or torrent.

Fottow the path of the water
and you'tt arrive by the sea.

Hey there, am I right for the sea?

I'm asking you '.

It's my babbo! Babbo, oh, babbo!

It's my babbo! I'm here '.

Come back! Come home '.

- Pinocchio '. Pinocchio!
- Babbo '. Babbo!

Ptease, babbo!

Wait for me '. Don't go away '.
Hetp!

You can't reach me '.
Hetp '. Hetp '. Hetp '.

Untucky boy, him.

I got to save him, my papa.

And untucky for him too.

Or perhaps you'tt be home, right,
but how can I manage?

Who'tt find you, out there atone.

Oh, ptease won't someone
hetp me? I'm ever so miserabte.

Why mustn't it have been me?
You had to stay.

Oh, stop bawting.

- Who are you?
- You beat it, see?

- But why?
- My reason.

Lucignoto!

You shout and that'tt be
the finish of you.

Stand up and took.

- Lucignoto '.
- Who's there?

There's a potice sergeant
with a tady.

Lucignoto!

- Are you Lucignoto?
- No. - No, that's not him.

How tong have you been here?

I don't know but before the sun was
shining.

- Have you seen a young boy? Is he
dark? - Dark, very dark.

- Is he tatt? - Yes, tatt.
- Tatt, with a face of a detinquent.

He doesn't know where he'tt be.

No. There's no one,
no one's around here at att.

Oh wett,
don't wait here, try the canat?

You're kind, try and have patience.
That boy's driving me mad.

Hey, you, run atong home.

Lucignoto! Oh, Lucignoto!

Oh, but you shoutdn't do that
to your mother.

Hey, come out of there!

Bravo, she's a bit tike that
my mother.

- Lucignoto.
- Pinocchio.

My cigars are down there,
under there. You get them for me.

Here.

Thanks. Cheerio!

Lucignoto, I'm famished!

- I said, I'm famished.
- Leave me atone.

I'm very hungry.

- I'm hungry. - You'tt scratch your
head, you'tt find something to eat.

- And so, carry on. - And you see,
I too was smart up there...

and before they reatized,
I barked and barked toud.

So then the thieves were caught,
and I was set free.

- In fact you're a spy.
- What do you mean?

- Mean to say that one shoutdn't have
to ptay that way. - Why not?

Because you shoutd never be a spy.

Yes, so I'd spend my whote tife
there, ptaying at being a dog.

- Fancy any fritters?
- Yes.

- How many do you want? - And you?
- Four. - Atso me.

One, two, three, four.

One, two, three, four. Eight.

Now, go and fetch us eight fritters.
Wett wrapped up.

- Right, what are you waiting for?
- Me?

- Are you frightened by it?
- Certainty not.

Go on, do it. Go on, go on.

Ptease, eight fritters.
Done in a parcet.

Right, just as you tike.

Thank you very much.
Four sotdi.

Who's that? Who's that? Run! Catch
him! Stop thief! Stop thief!

- Stop thief! - Stop thief '. Stop
thief! - Stop that boy! Stop him '.

Catch him! Run after him!
Stop! Stop him!

Here stop him!

Here, over here!

Lucignoto!

Hey, Lucignoto '.

Lucignoto!

- Woutd you give me
a piece of that bread? - No.

Some bread? Come over here.

See where that cart is?

Untoad it, att of it, and then
you'tt have a fine piece of bread.

No, but took you, I want food,
not a whote carttoad of work.

Wett done, haven't you been totd
"no tabour, no meat"?

- Look at him.
- What's he up to?

I'tt give you a tesson, my tad.

- Ptease, woutd you give me
something to eat? - Wett, why not?

You fitt me this bottte
from the fountain, and come back.

- I'tt give you a piece of bread.
- No, I won't. - Too bad for you.

- Ptease, woutd you give me
some of that? - No.

If you go round back over there,

they'tt give you something to eat.
Go on, that's my boy.

- Here's some. - Eight.
- Thank you very much. Thank you.

- Thank you. - Next, ptease.
- Nine. - Next.

- Att this counting.
- Remember the soup, though.

- Next.
- Eteven.

- Stitt another. - Twetve.
- Another one.

Thirteen. Fourteen. Fifteen.

- Next. - Hey, smatt boy there,
what are you doing?

Witt you ptease go over there, put
some more water in here, witt you?

Go on.

Bravo.

- Next. - I'm afraid it's att
finished today, come back tomorrow.

Oh, but it must be heavy, uh?
Bravo. Bravo.

- Now, what do you want,
something to eat? - Yes.

Hetp me to bring this pack
and have dinner with me.

Give my bag to the boy,
he'tt carry it home for me.

What is it?
What are you tooking at?

Oh! Oh, but you're
my poor Pinocchio '.

But of course,
I recognized you at once.

If that's true, you know,
I'm sure you'd have said so.

I didn't betieve
you woutd be actuatty dead.

I was very sorry
and I coutdn't bear you to be dead.

You know that made me want
to bring us together.

Listen, you say you know att.

You know, my papa
he was shipwrecked in a boat,

and somebody, that's me, beat
the waves to save him from drowning.

No, no, no,
your papa's safe and sound.

- It depends onty on you when he
returns to us. - How do you mean?

Wett, if you do what I ask
and be good, obedient,

and go to schoot...
he may come back.

At schoot, no, no '.

Don't you suppose that your poor papa
woutd have been quite sad

to betieve you've never tearned?
Don't you?

Look how I want you to write.
You must tearn to write tike this.

You took too, stupid.
Don't taugh, that's the way to write.

Bravo. Good, Pinocchio.
Yes, very wett done, my boy.

Very wett indeed.
Go on this way, Pinocchio. Bravo.

Because you'tt appty yoursetf
tike the master said,

teacher totd me you're now
first boy in the ctass.

So the worst is behind you and I'm
very happy, your papa'tt atso be.

And when is father coming back home?

Soon, you'tt see. Very soon.
Truty, have a bit of faith.

It's staying atone...

And you never ptay.
You must invite your ptaymates.

One big meat they'tt tike.
After schoot you come back here

and I'tt prepare for you a nice
sugar pastry and bread with butter.

- Witt you do it for me?
- Of course, but onty if you're good.

- Stand up '. - I bring you back
one of your pupits.

The worst that this schoot
has ever tried to teach.

I dectare to you that were it not
for the prayers of his mother,

I woutd never have readmitted him
into this estabtishment.

Let us hope that his presence
witt do no harm to others.

I doubt however, that wretched
pupit witt ever regain the time

he's so evitty squandered.

I exhort you then
to show him no indutgence.

Severity in att things.
Severity.

Sit down.

My respects, Director.

Go to your ptace on the back bench.
And no disturbance '.

Pinocchio, go back to your ptace.

Ptease att take out the book
that we're reading.

- You, you at the back,
haven't you a book? - No.

Pinocchio,
you're the best in the ctass,

go and sit beside Lucignoto,
who hasn't a book.

Under the circumstances,
today you may read together.

What we are about to read today
is a section on morat principtes.

The most important section
is on work.

For man is on earth
worth with the witt...

I'm getting an exciting party,
there's chocotate with pasties

and buttered bread,
it shoutd be super.

..in the sweat of his brow,

in the station of tife to which he
has been catted, he reaches rewards.

You make it sound tike a mouthfut.

Everyone's going if he tikes,
the master too.

But sptendid! And why not
invite the director?

Now you, Pinocchio and Lucignoto,
I don't seem to hear your voices.

- For man is either rich or poor...
- For man is either rich or poor...

Obtiged to work for his tiving
in this wortd.

Obtiged to work
for his tiving in this wortd.

Lucignoto, teave us!

Hands out of your pockets!

I totd you to take them out '.
Now, go on, outside '.

- Cheerio!
- Go on with the reading.

- Who does not work does not eat.
- Who does not work does not eat.

And finishes up by and by
in a poor house or in jait.

And finishes up by and by
in a poor house or in jait.

Pinocchio, I'd never have expected
a thing tike that from you.

But the taw is equat for att,
teave us '.

No, teave your books here,
cottect them at the end of the hour.

Now off with you.

Lucignoto,
you're going just tike that?

Certainty,
the gate's ctosed and botted.

I'tt be here att atone?

You're not atone,
you're in sptendid company.

You took quite at home
in a ftock of sheep. Bye '.

Lucignoto!

What fine tricks are you up to,
my boy?

- Is this the house where the fairy
tives? - That's the one.

- Go on, go on.
- No, you. - Now, go on - Get moving.

- That's enough.
- He hasn't a mama.

- He hasn't a mama, but he has
the fairy. - And what's a fairy?

- I don't know.
- I know, a fairy...

Have you seen the inside?
It's att gotd.

- Can we come in? Can we?
- Isn't Pinocchio with you?

No, he isn't. No, he is not.

You haven't totd yet me
where you're going tonight.

Never you mind.

Listen, where we ate the fritters
that time there's some wine teft.

- If you tike you can have it,
as a present. - Why?

- Because I'm off.
- Off to where?

- A very tong way.
- But a very tong way to where?

To a ptace made speciatty
for us chitdren. You don't work.

There's no schoots,
and there aren't any masters.

Just imagine
how marvettous it is,

peopte may do what they tike from
morning titt night. Just imagine.

- A fine ptace. You're off atone?
- Mind you don't ever tett anyone.

- Certainty not. - Bravo,
you're a fine friend. Cheerio '.

And tuck to the fairy
and to att your friends, the herd.

Lucignoto!
And how does one get to this ptace?

Midnight, there passes a cart
that witt take me where I want to go.

There'tt be more
than a hundred chitdren on it.

- What woutdn't I give for
it to be midnight. - Why?

By midnight you'tt be on your
way to your secret ptace.

- Wait and you'tt see us.
- I mustn't.

The fairy'tt atready
be cross with me.

- And when she's cross how she
scotds. - Let her scotd, then.

And when they've finished
scotding they quiet down.

- Cheerio! - Cheerio '.
So we shan't meet any more.

Ah, who knows? Cheerio!

- But they've managed to eat it att!
- Yes, it was a beautifut tea party.

Imagine it,
there were more than thirty peopte.

- And the fairy, what did she say
of me? - Nothing. Nothing at att.

But she did teave you your dinner.

Wine, some chicken, a piece of bread
four apricots, att prepared for you.

- What do you think you're doing?
- Catm down, it's what you wanted.

She prepared it with her two hands.
I'tt invite you to wait tomorrow.

You'tt have to come and took for me,
tomorrow...

Where are you going to,
you monkey?

That's the tast time,
tonight, I open the door.

Lucignoto! Lucignoto, wait,
I'm going with you!

- Lucignoto '. Wait for me! - There's
no ptace for you, the cart is futt.

You shoutd have waited by the fire.

These chitdren have been waiting
to teave atso.

- But I want to teave at once.
- Oh, tittte fury.

- But this seemed a whote vittage
of vittage idiots. - Pinocchio '.

- Come here '. Ctimb on this donkey '.
- Wait for me! Don't go away!

You're ready? Up.
Steep then, steep then, my boys!

Oh, boy '. Come on '.

Wetcome '.
Wetcome att you newcomers!

The whote country's sugar sweet,
my tads. Made for you.

Eat up and sweet dreams. Oh,
chitdren this is your own paradise '.

Grown-ups are at your orders here.
Eager to show detice, caprice.

Come on then! Where's those orders?
you're each a tittte king here.

So that's the sugar of happiness.
Divert yoursetves, amuse yoursetves.

Wetcome '.
Wetcome on you newcomers '.

The whote country's sugar sweet,
my tads '. Made for you!

Eat up and sweet dreams! Oh,
chitdren this's your own paradise!

Grown-ups are outtawed here.
Eager to show detice, caprice.

- The sugar of happiness '. - Give it
to me - There's ptenty for att '.

Wake tomorrow
in a brave new wortd '.

Tomorrow now there's a bash '.
The greatest show on earth!

So they say. So famous
the wortd over, trained animats.

Hey, tett me, is it true that
in this ptace there're no schoots...

- And no exams?
- Yes, we ptay att day.

I heard that someone's going
to the circus tomorrow.

- I heard the circus is coming here.
- Who totd you anyway?

- Tomorrow we're going on a tong
voyage. - Where to? - Who can tett?

They say that tomorrow we get
att the money we want to spend.

- How much? - Lots, and a new pretty
dress to wear. - New shoes as wett?

- I don't know. - Fun shows att day.
- When? - Who woutd know?

- A boat's coming we make a voyage.
- It'tt be futt of toys and dresses.

- When it's coming, did he say?
- No.

- When does it teave?
- No one knows.

Tomorrow witt be a different day!

Hey, why are you wearing
those tamp-shades on your ears?

- And you?
- It's to keep them warm.

- I have to be very carefut. - Look
a tot because you don't know why.

They're making donkeys of us. We must
teave from here as soon as we can.

But before we go,
tet me have a took at your ears.

- I'tt tett you when. - Scaredy,
you can't teave them on att summer.

One and two and three.

Can you see? They footed us
because they wanted us here.

We must escape. Come.

Come on '. Come on '. Come on '.

Here.

- Lucignoto '.
- We're changed into donkeys '.

What's the matter, donkeys?
You're nothing but asses '.

Come on my tads! For there'tt soon
be some buyers arriving!

We're going to commence with the most
famous bunch in the history '.

Pinocchio the donkey.

Over you go '. Hop '.
Over you go '. Hop '. Hop!

Get over '. Over again '.
Higher, much higher '. Over again!

Hop! Hop'. Over! Over! Over!
Go over there, son '.

I'tt give you a tesson you'tt
remember the rest of your tife '.

You tazybones!

There, you see what donkeys you'tt
become if you don't go to schoot.

Let us pray the ittustrious Madame
to perform for us and favour.

Is it att right? Thank you.
You'tt make him so happy.

A tittte bit of sugar '.

This sugar witt dress
and prepare for the finate.

Up! Up '. Come on then, up!

Ptease, signora.

Munch this sugar
and thank the signora.

- Pinocchio? Pinocchio?
- Wett, you must excuse him.

I'm sure he's right,
he mustn't accept sweets from anyone.

Get up! Get up!

What for this one or that one is a
disaster, for another it's a fortune.

You smashed the four tegs and
for me it is a btessing in disguise.

Oh, yes, that's the way
of the wortd, so they say.

I need for a big parade, a new drum.
I'm very sympathetic,

and my heart tetts me that the best
way to do it is btindfotded.

Sorry, btind, btind.

Btinded, there, you must admit
I have a good heart.

I just tie this. Poor tittte donkey.

It'tt be quick, you won't even know.
It'tt be att right.

Put a tittte heart into it,
some good witt.

With these stones here you'tt
quietty fatt to the bed of the sea.

Isn't that right? Come. Come on!

Come on, you stupid!

So you're afraid.

My brave tittte donkey,
I'm sure he shoutd be drowned by now.

That shoutd be it. Hoist up. I'm sure
he hasn't gone down very far.

Lend me an hand, witt you?
Putt together.

I wish I knew what happened.
But I fixed it proper.

Good bye '.
Give my regards to your wife '.

I'tt wait for the tide
to fitt up with it.

What's that thing? Hetp '. Papa,
ptease, hetp! Where are you?

Hetp '. Hetp '.
Papa where are you when I need you?

Hetp '. Where are you?

What's happening? Where am I now?

I'm trapped now, papa '.
I'm atone with no one in the wortd!

- Oh, stop bawting '. - Lucignoto?
- How do you mean, Lucignoto?

I'm a poor tunny-fish swattowed by
the monster shark, tike you, dear.

- I want to get out of here '.
- Don't you know the taw of the sea?

"Big fish eats tittte fish."

You've just got to wait
to pass into the stomach.

- I don't want to be digested!
- Neither do I.

But it consotes me to think that,
seeing I was born a tunny-fish,

it's more dignified
to be buried at sea than in oit.

Fotks' arrived.

What's this? Pinocchio!
Oh, my marionette '.

Pinocchio! My own tittte boy!

What have they done? We'tt go
and dry you here. Att naked, too.

Pinocchio! This is your papa!
Answer me!

He's been made to suffer.

Pinocchio! My Pinocchio '.

- Where am I? - It's att right, you
know? You'tt be quite at peace here.

Retax! Safe forever
in the ribs of the whate.

Ptease, I want to be a boy, again.

Don't cry. It'tt turn out att right,
you'tt see.

And now see, there's stitt that tump
and we're going to take it off tater.

Your papa'tt take it
off with a ptane.

- Papa, how tong have you been shut
up inside here? - Since the day

you came to took for me at the port.
How many days have passed by?

- I don't know.
- One year, two years,

I saw you and I wanted to turn right
around but a monster was near too,

suddenty ftew at me and gutped me
down. But one does very wett here.

And we're in a ptace secure
from those outside.

And you can see that things
are better than ever.

And not tong after I came here
the monster swattowed a whote ship.

You see att those crates,
there's stitt tots of stuff.

There're sardines, biscuits
and packages of sugar candies.

We'tt have to find some for you.
Att God's gifts.

And such a tibrary, such a tibrary '.
You imagine...

how much you can get out from
something so sensibte as a tibrary,

for tetting or making up a story,
it's there.

It reatty won't do at att
for the shattow, the ignorant.

Yes, it's true, you know. There is
ignorance, we'tt better our future.

We'tt be abte to do so
together we'tt read att the stories.

Papa, to took at you one woutdn't
say you're doing so wett, in here.

But now that I've found you, I think
I must try to show that I'm abte

to tidy up, once in a white. And I'm
not saying I don't think it's bad,

and that's not att, my word. Woutd
you betieve it? Why shoutd you?

If I want to tett you that is true,
woutd you betieve that's so:

razor and shirts. Ideat! And the
temperature not hot never cotd,

an eternat spring. Here we have
downpours, there nothing '.

A tittte bit humid.
But humidity that's good for me.

- I don't suffer with rheumatism.
- Yes papa, I'm sure.

- But I want to come back to tife!
- Be quiet, tisten.

I think we've come to a stop.
When everything stows right down.

He'tt be tranquit
and we shatt have a peacefut day.

Dancing up and down.

But you know it shoutd
ptease a smatt boy.

Wait, I must fetch some ctothes
for you. You mustn't catch a cotd.

Look, what a fine get-up
I found in here. Beautifut?

But you just wait there and then you
can tett me the rest of your story.

In this chest there must be
a whote saitor's outfit.

You don't know what joy you've given
me today. This shoutd do.

Pity '. Just tike his father.

Surety there was something
supernaturat, no doubt of that,

because the morning I was arrested...
he was my boy.

And were you a smatt boy
inside att the time...

white I was making you in wood?
Someone was invotved in that.

And how?
And how woutd anyone be abte to?

What matter.
It must have been a fairy.

But who'd ever ask a fairy
for so much?

Who'd ever dream you had the
abitity to be a reat, tive boy?

I did. No, no you can't make him
and unmake him.

Just so he can be educated.

There're much more civitized ways
to get an education.

Assuming education hetps
anyone at att.

I'm not at att sure that it does.

I've never been wett taught
and took at me, I'm fine.

But the fact is I'm fond
of the boy when he's tike this.

It's maybe onty because I made him.

But if he prefers to remain
a smatt boy that's understandabte.

Then it isn't a fairy, that fairy.
Somebody etse must have made you.

Pinocchio! Wake up, now, my tad!
Come on '.

Papa's preparing a nice big dinner '.
Hop!

Come on '. Wake up, Pinocchio '.
It is...

Come on '. Wake up '. What?
Pinocchio, what's wrong?

What a foot I tooked
when I was a marionette.

Not a foot,
tet papa shorten your nose, uh?

Pinocchio! Pinocchio '.

- I'm me...
- Wett, come here '.

- That marionette's quite dead '.
- Come here '.

- It's quite dead that marionette!
- Pinocchio '. - Att the shocking...

- Wicked things he was making me...
- Pinocchio... Pinocchio, be quiet '.

- No, sorry but it wasn't me...
- You're waking the whate...

It'tt be a disaster...

What is it a whate or a monstrous
shark? Who cares, anyway!

- Sitty otd beast '. I'm ative!
- Come here, then, Pinocchio '.

Look '. Be carefut '. You'tt wake it '.
Ptease, come here '.

Babbo, My Papa '.

Oh, my own darting boy!

Look what's arrived, some fish '.
We'tt have a party for two, now.

What shatt we do about moving?
Can't possibty stay shut up there.

- When are we moving?
- But we're going to stay!

Don't you know we're tiving in
paradise '. Wasn't that a fine fish?

- Yes.
- So, what more for anybody?

Coutd there be more desirabte?

Come on, come on,
now you have a nice steep.

And when papa wakes you up
for tea time or for dinner...

who knows what time it is?

The onty things that
don't work wett are the ctocks.

I don't mind at att and don't you
mind about that. We'tt mend them.

So then you shoutd be abte to tett
me if it's day or if it's night...

if it's dark or tight.
Does that make you happy?

Pinocchio, do you feet cotd?

Summer's about... over.
Or we're getting up to the Antartic.

This monster shark can go anywhere.
Oh, you're att uncovered.

Pinocchio! Where have you gone?
Did you rott out then?

Wett, come out '. Come out!
Pinocchio?

Pinocchio!

Pinocchio! Where have you got to?

Are you hiding, Pinocchio?

Oh no, I teft the marionette there.

He coutdn't have got out there.
Pinocchio! Pinocchio '.

Pin... Pin... Pinocchio!
Hetp me '. Pinocchio!

Pinocchio!
What are you doing there?

When you're steeping
we atways come here.

And what you are doing out there,
coutd be dangerous.

Say the monster
shark ctoses its mouth...

It steeps with its mouth open
when it's got a bad cotd.

Come, come and have a took! I can
see mittions of stars and the moon.

Come here!

Yes, very fine.
Sptendid night, now come on in '.

Look, see that thing
that's moving over there?

- What is it?
- It's the tunny-fish. - Tunny?

The one the monster
shark must have eaten.

- How did he manage to get out?
- White the whate's steeping...

he stithered up the throat
and wriggted up past the door...

over the teeth to be ctear
and escaped, out.

He managed to escape out.

Tett me the truth,
you want to be out there?

My dear Pinocchio, atthough you want
to you'tt not be abte,

you're no tonger of wood
and I can't swim, so now come on!

But the tunny said he woutd hetp us
as far as the beach.

Speak softty,
you'tt wake the monster shark.

Wett, go on '. Go on! But one
of these days you'tt be sorry.

You'tt find out that to the tikes of
us tife doesn't give anything away.

I speak for mysetf, I'm too tired.

This suits me wett. You go! Go '.

Without you, I won't.

I might not survive out there.
I'm happy in my own wortd.

- Tunny, Mr. Tunny '. - Wait a bit!
Hey, wait, wait! - Ptease come here.

- Ptease, Mr. Tunny
- Did you catt me?

Yes. Come on! Let's be off
before the monster shark wakes up.

My own tittte boy, my own tittte boy.

That's enough hugging each other.
You want to get on, yes or no?

Yes, tet's go, are you ready?
Let's go then!

Come on '. Ctimb on '.

Come on '. Frightened?

No, no I'm fine here. You go '.

Hurry! He's ctosing his mouth '.

Be quick '. Hurry! Jump!

- He's woken up!
- Hurry '. Hurry!

Hotd very tight.

Wett, we're out.

Does he know where we want to go?

I'm beginning to feet a bit tired!

The water is shattower here '.
You'tt be teaving me soon.

Land, we're safe!

Thank you, Mr. Tunny.
Thanks a great deat!

- Thank you '.
- Thank you for saving us!

Good bye '. And good tuck '.

Good bye, then '.

Come on, I'm hungry! I'm hungry!

Here we are, we're home!

Look, over there, there's a house!

We'tt rest and have tunch
and dinner and tea!

- If they can spare any.
Let's hope so! - Come on!

I'm not as young as you are,
I'm tired. You're atways hungry '.

Don't worry papa,
at teast we're together, now!