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Downloaded From www.AllSubs.org
LACROIX: Life is a gift
as sweet as a ripe peach,
as precious as a gilded jewel.
I have never been able to understand the logic
of willfully surrendering such a treasure.
And what is there to gain?
How dark can your existence be
when compared to an eternal void?
Unless, of course,
you have faith
that there is something beyond.
What do you see from where you stand?
A bright light
at the end of the tunnel?
Is it a ray of hope? A glimmer of something better?
Or will it burn you like the rising sun?
Is that sound you're hearing the trumpeting
of St. Peter's angels
or the screams of Memnoch's tortured souls?
You can't answer that, can you?
Because you will never know the answer
until after the deed is done.
And is your faith
really that strong?
I understand the need to move on.
It is something that happens to us all.
And your time has truly come.
I also understand
that with the beauty of this life,
there comes pain and despair.
No one is immune.
But consider what you have in your hands
before you give it up.
Don't trade a treasure
for an empty box.
[♪]
NARRATOR: He was brought across in 1228.
Preyed on humans for their blood.
Now he wants to be mortal again...
to repay society for his sins...
to emerge from his world of darkness...
from his endless forever night.
[GROWLS]
[INDISTINCT RADIO CHATTER]
[CAMERA SHUTTERS CLICKING]
Just give me a minute.
Psychiatrist?
I'm guessing nobody saw this coming.
KNIGHT: Not even one of her closest friends.
I guess you never really know your friends, do you?
No. I guess not.
Trace, do me a favor and finish here.
I'm gonna get Nat outta here.
Okay.
[WHISPERING] Nat. Come on, let's go.
Come on.
[SIGHS] Sure.
WOMAN: "Do as I ask, not as I've done.
Don't let yourself become empty."
First time I've lost someone to suicide.
The first time I've had a suicide note addressed to me.
A night of firsts.
You know, I--
I think that Dr. Laura Haynes in there
was right on the money when she pegged me as a kindred spirit.
Nat, she took her own life.
She obviously had some pretty big problems.
Think so?
You know, Nick, I used to think
that suicide was a sacrilege.
But I'm not so sure anymore.
Nat, don't talk like that.
Why not?
You've considered it yourself.
[♪]
Playing a little close, aren't you?
Seconds to spare.
[GASPS]
Hah.
So we're feeling a little self-destructive.
Nick, will you talk to me?
It's like you've been living in a shell.
All right.
I lost an old friend the other day.
How old?
Ooh, two, three hundred years.
[GASPS]
"Old friend" takes on a whole new meaning with you.
I'm sorry.
Yeah.
[GASPS]
[SIGHS]
It's beautiful.
It was hers.
Erica loved life
more than anyone I've ever known.
How did she die?
You know, she had this theory.
When you stop contributing to life,
when you become a burden...
it's time to move on.
[♪]
Suicide is never
the answer. Isn't it?
[SIGHING] Nat,
maybe you shouldn't do the work on this case.
You know, Laura never reached out to me
in life for help.
I owe her this much.
To see that everything is properly done
now that she's gone.
I can handle it.
But you know what I can't handle?
I think that I understand her,
and that scares me to death.
How's Natalie holding up?
Not well.
You know, I think a suicide note addressed to her
was kind of a mean thing to do.
Nick's staying with her.
Anyway, there's no suggestion of foul play,
And everyone seems satisfied
that Laura Haynes is a suicide, so...
So?
So I was thinking of writing it up as such
and maybe knocking off early for the night?
Captain, I-- I feel something coming on.
Okay. Sure. The flu is going around.
Tell you what, go home, get-- [MEN YELLING INDISTINCTLY]
What in the hell? I'm not going!
I'm not going back there.
You can't take me back there. Relax!
Relax.
What is this man's problem, officer?
Transfer, captain. Dawkins.
We're holding him for pick-up.
Dawkins, I want you to wait here quietly
with these officers. I'm not going back there!
Hey. You will settle down,
or I will have you cuffed and shackled.
Do you understand me?
Strange, isn't it?
How something so personal
becomes just another piece of evidence.
Not for me.
You know, when she and I
would get together years ago,
we'd talk for hours...
about our careers.
Professional gossip.
[SIGHING] We slowly came to realize
that we never really talked about ourselves.
And you know why?
Because there was nothing to tell.
Our personal lives were nonexistent.
That was a bit of a depressing discovery.
And we, uh...
sort of lost touch after that.
Her leaving me the note and her journal...
she meant for me to learn from her mistakes.
It's my wake-up call, Nick.
Time to get a life.
You've got one.
And it's not empty.
Not now.
Six years ago, April 14th...
What's that?
Day they brought you in.
[♪]
Who is it and what happened?
They couldn't find any ID.
People who saw him
before the explosion said that--
Explosion?
Yeah.
He was trying to stop
a gang robbery.
Someone tossed him a pipe bomb
for his trouble.
I-it's--
It's a real mess. Heh.
At least there's not much of a face to look at.
This isn't so bad.
It's not so bad at all.
Are you sure you didn't make a mistake?
Well, I mean, this guy looks like he just barely
cut himself shaving this morning.
[CLATTER] [GASPS]
What the--?
You--
You were dead...
a minute ago.
Who are you?
You don't need to know.
[WHISPERS] What are you?
Something very different from you.
[♪]
My life changed that day.
I don't wanna end up
like Laura, Nick.
I won't let you.
Well, then it's simple.
You just have to love me as much as I love you.
[♪]
LACROIX: Love.
It warps our senses,
twists our souls.
Can take us past hope,
past cure,
past help.
[SIGHS]
I know about love.
Its suffering, its anguish, its pain.
Heaven makes means to kill our joy with love.
And yet we must have it
at any cost.
But are you so enamored
that you will overlook your love of life?
And you do love it.
I've seen you smell the sea...
gaze at the stars at night.
Are you willing to sacrifice one mistress for another?
Look into your heart
and tell me that you're willing to make the choice.
I can't.
You know I can't.
I've been wrong about a lot of things in my life,
but I'm not wrong about this.
About what I feel from you.
I'm asking for an end, Nick.
For a resolution.
I'm not willing to go on like this.
We can be together.
I can't damn you into becoming what I am.
There is a way.
I have faith in you
and whatever follows.
[HISSING]
[GASPS]
[HEART BEATING]
Alissa.
Alissa.
Alissa, it's time to wake.
Alissa?
LACROIX: Something wrong, Nicholas?
Your love nest reeks of death.
Oh, well, never mind.
It's a subtle art.
Practice will make perfect.
It was your first attempt, after all.
Lacroix.
Help me, please.
I cannot, Nicholas.
I told you.
Don't take too much.
Natalie, it's just too much to ask.
[SIRENS WAILING]
[GRUNTING]
[SCREAMING]
Everybody, hold up. Hold your fire.
I'll kill her if you make me go back.
[GASPING]
I'll kill her.
I'll kill her!
[WHIMPERING]
Don't shoot. Please don't shoot.
[♪]
[GUNS COCKING]
[PEOPLE GASPING]
You two, with me.
[PANTING] [WHIMPERING]
Please.
[SOBBING] Please don't hurt me.
[GRUNTS]
I am not going back!
Stay with 'em. Let's go.
[GRUNTING]
What the hell?
Check the power.
He's gotta be in here somewhere. Right.
Whether I bring you across or not...
either way, it could be a death sentence.
A lonely existence like Laura's
is a death sentence.
With you, there's at least hope.
It's partly my decision, Nick...
and I'm not afraid to try.
[CELL PHONE RINGS]
[ CELL PHONE BEEPS] Knight.
I'm on my way.
There's a situation at the precinct.
A guy with a gun.
Nat, uh--
It's all right. We'll talk later.
Yeah.
[♪]
[PANTING]
Kill me now!
Where are you? I'm not going back!
Kill me!
I'm not going back!
I can't go back!
Kill me now!
All right, man all the exits.
Let's see if we can get a negotiator in here.
And I want a SWAT team just in case.
Right, captain. Where is he?
He took a weapon off of an officer.
My guess is he's holed up in the locker room.
I'm gonna let him make the first move.
Who is he? Delbert Dawkins.
He's a transfer we're booking through.
I know him. I've arrested him.
[SOBBING] I'm not going back there!
I'm not going back!
Dawkins?
[COCKS GUN]
Dawkins. It's okay. [PANTING]
KNIGHT: It's me...
Detective Knight.
Knight?
You better tell them to get a big body bag.
'Cause that's the only way I'm going outta here.
Dawkins, listen to me.
You really don't wanna die, do you?
And I don't want you to hurt anyone.
You wouldn't wanna be
responsible for that, now, would you?
I'm telling you.
[GUN COCKS]
I'm not going back.
KNIGHT: Dawkins...
listen to me.
[HEART BEATING]
Point the gun
down at the floor.
Kneel down...
and lay the gun
very gently on the floor.
On the floor.
No!
[GUNSHOT]
[GRUNTING]
[GUNSHOTS] [SCREAMING]
[BOTH YELLING, GRUNTING]
[PANTING] Tracy.
Tracy. Tra--
No.
We need some help in here!
Tracy.
You could...
have trusted me.
Haven't you tired of this incessant guilt?
Hasn't it swayed your back and stooped your shoulders
to the point of throwing it off?
You insist on taking responsibility
for the actions and emotions of those around you
when they alone are truly responsible.
It is so foolish.
It is so unnecessary.
It's so mortal.
And it must stop.
This and all else that has happened tonight
should make that clear to you.
Left pupil's fixed and dilated. No response.
BP is 80/60. Let's get her outta here.
Tell ER I gave her
100 milligrams of lidocaine at 2345.
Are you sure you're okay?
Captain, I didn't know.
Nick...she made her own call on this one.
You can't go telling yourself it was your fault.
Get that outta your head right now.
She took two bullets.
Abdominal. And there's a really bad head wound.
I-- I just can't say for sure right now.
[MACHINES BEEPING]
They've done everything humanly possible.
Now we just wait and see.
Shooting Review Board
wants to talk to you.
I managed to put them off till morning.
Dawkins didn't make it.
You're gonna take some heat on this one, Nick.
Could get pretty rough.
I know. I'm okay.
She still has a fighting chance.
Oh, yeah.
She does. Yeah.
But...
look, if she doesn't pull through--
I'm just saying I know what it's like
to lose a partner.
Oh, my God! Call it in.
Nothing on this earth
can rip you apart like that.
REESE: Hell, Nick, you know that.
You lost Schanke.
[SIRENS WAILING]
Schanke.
There is life after this when you get through.
Remember that.
I'm here if you need help, okay?
I gotta go.
[♪]
[WOMAN SHOUTING INDISTINCTLY]
KNIGHT: I could've gone instead.
You know that's not true.
If I hadn't caught him. If he had--
If he'd gotten away...
Nick, you can't blame yourself. You can't.
[HEART BEATING]
NATALIE: Nick!
[HISSES]
If she dies, it's my fault.
How do you know that that's what she wants?
And why is it so easy
to consider bringing her across
and so impossible to consider bringing me?
[♪]
Good evening, Nicholas.
You're leaving.
It's time.
For both of us.
We have come full circle in this life.
Lacroix, I'm in trouble.
Yes. I know.
Your partner, is she--?
No.
But her chances aren't good.
Nicholas, don't you see?
You have overstayed your welcome.
The pain that you're causing your mortal friends
is no longer acceptable to them.
Those that do survive will not allow
their relationship with you to continue in the way
that it was.
They will demand change.
And you will be compromised...
one way or another.
Even if I wanted to leave, I couldn't.
Too many loose ends to tie up.
I've seen you leave looser.
I just can't walk away.
Natalie needs me.
I have to be here for Tracy.
Nicholas...
the time has come.
I will be at your loft tonight for your decision.
And then I'm leaving
with or without you.
[♪]
For all the things that we are,
there is a price to be paid.
Love may be tasted but never savored.
In our darkest moments...
we may envy mortality,
but we should never aspire to it.
Guilt is a poison.
And staying past our time
is death.
But it need not be.
If we truly care for a mortal,
truly love one...
then we must go.
Isn't that something that you
taught me?
KNIGHT: If you bring her over, she becomes a killer.
Cold-blooded.
Her purity annihilated.
Would you rather see this beauty
wither to old age
and to die?
It is the beauty of her innocence that you love.
And that you will kill
with the first taste of her blood.
If you truly love Fleur, Lacroix...
you won't destroy that.
You will not.
It is a great irony, is it not...
that such a cold, still heart
can feel such pain?
Leaving is the purest form of love.
"Everyone's pain is my problem, but mine is mine alone.
"I have solutions for all, but none for myself.
"I have to stop and think, 'Where am I? What am I doing''
"I'm not coming, I'm going.
I'm gone."
[TELEPHONE RINGING]
[PICKS UP TELEPHONE]
Lambert.
WOMAN 1 [OVER RADIO]: Unit 211, proceed to 517 Wellington Street.
Possible B and--
WOMAN 2: The subject tonight is your love life.
Are you happy? Lonely?
Fulfilled? Empty?
MAN: What happened to the Night Crawler?
WOMAN 2: He said it was time to move on.
[PIANO PLAYING CLASSICAL MUSIC]
So you were just gonna leave?
It's been better that way
in the past.
I had to find out from a desk sergeant.
Do you have any idea how that makes me feel?
[♪]
There are people here who care about you.
Who love and depend on you.
KNIGHT: Did you really intend never to see me again?
No explanations?
I thought it was best.
You were wrong.
[FRENCH ACCENT] Oh, Nicholas.
[NORMAL VOICE] I left because of you.
Because of your quest for humanity.
[SIGHS]
[SIGHS]
A vampire's heart
must be cold.
Immortality makes this so.
Death is always around us, but we must never allow it
to touch us.
So we cannot allow the emotion of loss
to infect us.
Lacroix knew this.
And I agreed with him.
But-- But you...
after 800 years,
could no longer live without your humanity.
And I begin to wonder
if you might be right.
Eight hundred years.
It's a long time...
to live with a cold heart.
WOMAN 2 [OVER RADIO]: I wanna to hear from all you lonely hearts out there.
I know there's a lot of you.
So get on the phone and talk to me.
Tracy Vetter passed away
20 minutes ago.
[♪]
[CHATTER]
KNIGHT: Lacroix thinks I'm a fool bearing this guilt...
trying to somehow atone for what I've done.
Maybe he's right.
All it's ever caused is pain
and more death.
It's not true.
Tracy...
Cohen...
Schanke.
How many others over the centuries...
because of what I am?
And how many lives were you able to save
because of what you are?
You've more than made up
for what you've done in the past.
It's not enough. It's never enough.
I'm leaving...
tonight.
Not without me.
I'm leaving because of you.
You don't want my love.
It will only destroy you.
There is a way.
There is one cure
that we haven't tried.
Janette became mortal by making love to Robert,
taking just a little at a time.
It was a lot more complicated than that, Nat.
I'm willing to take my chances.
Well, I'm not.
What if I take too much?
I am not willing to live a life of eternal pain.
Is it any different than living a life of eternal regret?
It-- It's partly my choice too, Nick.
Does Lacroix
ever talk to you about faith?
In what?
In yourself.
In an afterlife.
I don't know, in a-- In a greater being
who loves us no matter who we are or what we do.
Faith is a mortal folly, Nat.
His words or yours?
You really believe that's true?
WOMAN: Nicholas.
Well...
You're a very different person
from the last time we met.
A heroine now.
A heretic, they say.
Well, they do have a point.
After all...
why would God reveal his plans
through a farmer's daughter?
Why did he send his son to us as a carpenter?
And so you'll die a martyr.
And I'm sure that will please you very much.
What would please me very much is to be back
in Domrémy with my family.
So you are afraid of dying.
Life isn't so everlasting now.
I can give it to you.
A life that never ends.
A power beyond your imagination.
Don't.
Why throw your life away for the Church, huh?
For some pious old men who would lie to you?
How can you do that?
If my death is necessary
to keep the church strong, so be it.
I will live on in the hereafter.
How can you be so sure
your God will be waiting for you on the other side?
Faith.
Pure, simple faith.
I'm not sure.
Well, I won't accept
that the sum of our existence can be measured
in the few short years that we're alive here.
I-it would make everything
that we believe meaningless.
It would make our whole lives here meaningless.
I know that that's not true, and so do you.
You have faith, Nick.
And if it's a mortal folly,
than you're the most mortal man I've ever known.
You cannot deny what I am.
You can't deny what's in your heart.
What are you saying?
I have faith that there is a future for us.
Here, as we are,
or somewhere else.
I believe...
in you.
I trust...
you.
[♪]
Make love to me, Nick.
Take just a little at a time.
I'm afraid of what might happen.
Don't be afraid.
I'm not afraid of death.
Or of an eternity in darkness,
as long as I can spend it with you.
All I have...
is faith and love.
All I'm asking is for you to make love to me.
I trust you.
I won't leave you.
Whatever happens...
we'll be together.
Forever.
[HEART BEATING]
[PANTING]
[GASPS]
[ROARS]
[ROARS]
[PANTING] [ROARS]
Well...
all that remains now is to turn out the lights...
and lock the door on our way out.
[♪]
Unless, of course, you have decided to add her
to our entourage.
Oh, Nicholas.
You have thought this through, haven't you?
I couldn't stop myself.
I've taken too much.
LACROIX: There she lies, at the brink, Nicholas.
Her fate is in your hands.
Bring her across or let her die.
You must decide.
Lacroix...
is it possible for a vampire to have faith?
That's a strange question at this moment in time.
Have you ever had faith...
in anything but yourself?
I have seen too much.
Well, then maybe I haven't seen enough.
After nearly 800 years?
Nicholas, be done with her.
Time heals all.
We must move on.
You cannot
deny what you are.
I can't condemn her
to this darkness.
[KISSING]
A wise decision.
We even have time for a burial...
if you'd like.
[SNIFFLES]
She had faith in me.
In what's beyond.
That we could have a life together.
That this would be a beginning, not an end.
[SNIFFLES]
I have that faith too.
Don't be foolish, Nicholas.
Life is a gift...
as sweet as the freshest peach...
as precious as a gilded jewel.
I've never been able to understand the logic
in willfully surrendering such a treasure.
What is there to gain?
How dark can your existence be
when compared to an eternal void?
Or do you have faith
that there is something beyond?
What do you see from where you are?
A bright light at the end of the tunnel?
Is it a ray of hope,
a glimmer of something better?
Or will it burn you like the morning sun?
Are the sounds you hear
the trumpeting of St. Peter's angels
or the screams of Memnoch's tortured souls?
You can't answer that, can you?
Because you'll never know the answer...
until after the deed is done.
And is your faith
really that strong?
And so...
[CHUCKLES]
...in your eyes,
I'm the devil.
No.
Not the devil, Lacroix.
What then?
You...
are my closest friend.
[♪]
Damn you, Nicholas.
[♪]
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