All language subtitles for Forever Knight s03e02 Black Buddha 2.eng

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[♪]

NARRATOR:
He was brought across in 1228.

Preyed on humans
for their blood.

Now he wants
to be mortal again...

to repay society
for his sins...

to emerge from
his world of darkness...

from his endless forever night.

[GROWLS]

Do you have any idea why
police stations were targeted?

Not at this time.

And you can confirm
that this is the same bomber

that took out the plane?

No, I can't confirm
anything.

But you are part
of this investigation now.

Look, we just lost
23 of our people

and two more earlier this week
that were close to me.

I don't think anyone,
not the RCMP, the FBI,

no one's gonna tell us to sit
on our hands right now, okay?

I guess that's it.

Night watch,
I'm briefing in five minutes.

Oh, make it
through the circus?

Barely.

You heard
from Tracy?

Is there a reason?

She went off looki''
for some guy

before it all hit
the fan.

What's his name?

J.D. Valdez.

She was going to a church
or somethin'.

Ring a bell?

[MUTTERING]
No.

Oh, Serges?

It's Miller, sir.

Miller, um, look,

see if you can run down
Detective Vetter for me.

Um...try her here

and then try her
at home.

Right.

Oh, Miller...

don't call her parents.

Right, sir.

[JAZZ MUSIC PLAYING
OVER SPEAKER]

♪ That voodoo that you... ♪

REESE:
The bombs were Semtex.

Hoo-hoo.

Forty kilos of the stuff

was stolen from an Alberta
mining company last July.

Same batch, which means
he probably has a lot more.

Detonation device
was a music-box mechanism

which appears to be
radio-activated

by a mobile phone.

Complicated.

That's his signature.

Know who it is?

Four years ago,
Seattle,

three bombs all aimed
at firefighters.

In Montreal,
it was postal workers.

City officials in Edmonton,

and now, I guess it's cops.

Vudu.

They never released
why they call him that.

The tune on the music box.

♪ The night is so lonely ♪

♪ The moon is so bright ♪

REESE:
Mass murder is voodoo to me.

I have never been able
to understand it.

You take a single homicide,

usually it's a personal motive:

jealousy, anger, retribution.

I may not agree with it,
I may abhor it,

but at least
I can understand it.

The music boxes
were a dead end?

Four thousand manufactured
to date in Taiwan.

A shipment to Vancouver
was reported missing in '84.

Serial numbers match,
but the trail ends there.

Anyone who participates

in the mass destruction
of innocent people,

man, there's something human
missing from their brain.

Take Hitler,
that monster of all time.

Now, you can tell me
that's hate,

and you can say it's power,

you can say it's racism,
whatever.

I still can't
put it together.

That man was from
a different planet.

Look, there's no description
of him here.

Um, don't even have
a bad drawing.

Vudu might as well
have been a ghost.

Mass murder
transcends motive.

The second you
contemplate it,

you're in another zone.

What about the Hezbollah? IRA?

Politics aren't
an excuse.

Oklahoma City?

Ah! Case in point.

Hiroshima, Nagasaki.

Yeah, but that was
to end war.

Yeah, but that makes sense
to you.

You might have made
the same decision.

So you're saying
we're all animals--

No, I'm just saying that there's
a dark corner in all of us.

I mean, there's gotta
be a reason for his killing.

It's not just voodoo.

Captain...

That's you.

Miller, did you find her?

Tried everywhere
but her parents'.

Then I guess you'll have to.

Then I took the liberty
to...try there too.

[SIGHS]

SCREED:
It's not a screaming problem, mate.

You just do
what needs to be done.

You look her in the baby shoes

and then give her
the bloody jammy.

You boozle the girl.

She won't whammy. I tried.

She's a resister.

Well, then you suck
the puppy proper.

You do her.

You don't bring her over here
and lean on a mate.

And this is a major...

Want to give me the word?

Imposition?

There. Imposition.

Do the deed, dude.

You wax her.

I couldn't.

Bet you had a little taste
of her though, didn't ya?

Must be a little malenki nectar
to go to all this trouble.

Mm.
Well...

Well, maybe if you gave
a little spot to your friends...

Ice it, dude.

I'm behind ya.

Oh. Whiplash.

Just give me a reason.

What's wrong with keepin' her
at the church?

The Inca.

[EXHALES]

[DOOR CREAKING]

[HISSES]

who are you?

No, no, no, no, no, no, no.
No, thank you.

Gracias, very much.

You expect me
to save your Spanish arse?

[SCOFFS]
I don't think so.

I'm out of here, mate.

Mate?

Did I just call you mate?

I don't even know ya.

I never veo-ed ya,
never escuch-ed ya.

So when I get back here later,

you malchicks
had better be dust.

The Inca, he says.

Like it was his, uh,
Aunt Judy or something.

[VETTER YELLING]

If I take it off,
will you scream?

[MUFFLED YELLING]

Will you scream?

I'm asking you
if you'll scream.

No, I won't scream.

Get me out of this
rat-infested hellhole.

You were gonna bite me--

Or shout.
You cannot shout.

I wanted to bite you,
but I didn't, okay?

Besides, you fainted.

Now...

silently...

There.

You will take me
out of this sewer immediately.

Do you have any idea
how many diseases

are represented down here?

Some of us can actually

die from them, you know.

And who the hell
is this Inca?

I am a soldier
of the great Atahualpa,

leader of the people of the sun.

I met my death in 1531

at the hands of a Spaniard
named Javier Vachon.

Pizarro had laid an ambush
at Lake Titicaca.

I was running a message
to an artillery placement

in the hills.

I remember thinking...

how impossible it would be
to defeat them.

He wore too much armor.

I thought I could crush him
with ease.

We fought for what seemed
to be hours.

Two great warriors
fighting for our lives.

But by the time the sun god
had left the sky...

We delivered our final blows.

[SCREAMING]

It was in the darkness
that she came to us.

Our master.

She'd been watching.

Said she could still hear
courage in our dying hearts.

What was it like?

It was the most erotic thing
I've ever experienced.

And yet, it was somehow...

pure.

It was as if she were flowing
into me.

It was everything.

She brought
you both across.

Then taught us
the way of the night

and told us
what she wanted us to do.

What was that?

To stop senseless killing
in the world.

She said that those
that treasure life should live,

and those that don't should die.

And because you'd suffered
the pain of battle, of death?

Yes.

We were her warriors.

We were her chosen ones.

The next morning

she gave us our quipus...

our eternal orders.

Then she started walking
toward the rising sun.

Toward our god as he climbed
into the morning sky.

He embraced her like

a good father.

Her spirit riding
the smoke...

higher...

and higher...

into his waiting arms.

Then we had
to get out of the light.

[JAZZ MUSIC PLAYING
OVER SPEAKER]

♪ That voodoo black magic ♪

♪ Is in your eyes ♪

LACROIX [OVER RADIO]:
What a piece of work is a man.

How noble in reason.

How infinite in faculty.

In form, in moving,
how express and admirable.

In action, how like an angel,

in apprehension,
how like...a god.

The beauty of the world,

the paragon of animals.

And yet, to me,

what is this
quintessence of dust?

Man delights me...

none.

[PLAYING ROCK MUSIC]

Elected to stay?

You're becoming
entirely too predictable.

Javier Vachon.

Who was the last man
to play backup for Charo?

Famous Javiers
for 400, please.

[CHUCKLES]

You're losing
your sense of humor as well.

I believe I know the man.

Young Spaniard,
irresponsible.

She knows what I won't.

Who is she?

An innocent goddess
named URS.

For the last couple
of centuries,

she's been running
with his crew.

He's not here anymore.

He left.

He was running
from the Inca?

You know about that?

Enough.

Then you know
Javier's always running.

VETTER:
Why?

Because I was young...

immortal.

I had eternity.

The last thing I wanted to do

was spend it chained
to a mortal enemy of mine.

[SIGHS]

That night,

I was the first to rise.

He was still buried
in the soil.

But you didn't kill him.

No.

I should have made sure.

And he's been chasing you
ever since?

Usually I can keep a step ahead.

All he wants for you to do

is what you were ordered to do
by your master,

keep your end of the deal.

There was a world out there.

I was young.

Why are you looking at me
that way?

Because...

I don't think
I like you anymore.

URS:
Javier's always running...

from the Inca,

from responsibility.

That's part of his charm,
you see.

He's so hard to catch.

He took a plane.

Yeah. He likes
to fly that way.

Loves it.

It's the roar of the engines,
the machine.

Well, this time,
the machine exploded.

It was the plane
that crashed.

He was the only survivor,
URS.

That's the good news.

The bad news is he might have
a friend of mine with him.

And if anything happens
to her,

he's going to have to answer
to me.

I need to find him, URS.

It's better
for all of us.

Please.

Help me find him
before he runs away again.

SCREED:
♪ Great old man ♪

[SINGING INDISTINCTLY]

And...up we go.

[LAUGHS]

Is that you, mate?

You do the malchick in?

Got a permie place
to rest her toms, you need it.

Made a haul tonight.

I am macked.

He was puttin' in these,
uh, cellular transponders.

Bring me a bill easy
down at the swap meet.

That you, man?

[HUFFS]

Vachonetti...

Oh, fine.

Let's have a party
down here

while we're about it,
shall we?

I finally get a place set up
for a little peace and quiet.

Shut up!

Make yourself at home, mate.

Mi casa es su casa.

[SNORTS]

I told her everything I know
about the crash,

and I let her go.

Ya wuss.

She knows what you are.

I told him to wring her.

I thought I told you
to shut up.

Are you an enforcer?

I'm sorry.

Now, go on and talk to him.

She's a resister.

She only knows
about Screed here...

and me.

And the Inca.

She's your responsibility now.

The rest of our kind
will kill her if they find out.

Are you going
to run away from her

like you're doing
with the Inca?

Your business with him
is none of my concern.

It's up to you,
your conscience.

He's alive and waiting
for you at the church.

But what you do with Tracy
is my business.

The only reason
you're alive right now

is because you let her go.

You wanna take off?

Go ahead.

But there will come a day,
Vachon.

There will come a day
when you will have to stop

and live up to your word.

Believe me...

eternity's a long time
to keep running.

REESE:
Tracy...

Detective Vetter?

Would you care to explain
where you've been?

I came this close to putting out
an APB on you.

I can't tell you.

You can't tell me?

I was...with a source.

Detective Vetter,
this is not a newspaper.

An informant, then.

Comfortable?

Isn't that what
you were wearing last night?

As a matter of fact, it is,
captain. Worse for wear,

but it is the very same
jeans and T-shirt.

You better call your father.

I think he's worried.

Yeah, I'm sure
he is worried.

Do you wanna know
what I found out?

Okay. A woman in the cockpit
crew, not a flight attendant,

carried a wrapped present
through security.

No one checked it.

Your informant saw this?

Yeah.

He was at the airport.

He saw her board the plane.

Mm.

We have a list of the crew?

Karen Tomlinson.
She was the copilot. I checked.

That's it?

Yeah. Yeah, that's it.

Do you mind if I just sit here
for a minute?

No. No, of course not.

Look, call home, will you?

Trace?
Hey.

You all right?
Yeah.

It's just...

Have you ever had
anything happen

that was just
the most incredible,

the most wonderful thing,
and it just...

[♪]

It just turned out to be
so disappointing?

It's okay.

So that's what
it's all about?

Oh, my.

You think she's
attracted to him?

[CHUCKLES]

You don't shed those kind
of tears over ripped jeans.

Yeah, I'd say that he definitely
has her in his spell.

Trouble.

Uh, yeah.

But she's disappointed
in him.

About the same way I was feeling
when you were gonna walk away

because of this Buddha.

♪ That voodoo that you do ♪

♪ Has me hypnotized... ♪

So is this, uh...?

Isn't this Vudu's theme song?

It's like the chicken
and the egg.

You wonder if he picked it,

or if it just happened
to be the tune

on those music boxes
that he stole.

What difference
would it make?

I want a motive.

I want to know why Schank
and Cohen died.

All these victims.
I want a real reason.

Not some excuse
like the Buddha.

But this guy,

what if it's all
black magic to him?

What if he believes
his voodoo is real?

♪ That voodoo black magic ♪

[SIREN WAILING IN DISTANCE]

WOMAN:
My sister said he was charming, great-looking

and terrific in bed.

But then Karen didn't go out
with slackers.

That all you can
tell me about him?

The one thing Karen
liked best about her job...

[CHUCKLES]

How can I put this delicately?

Basically, she had a guy
in every port, okay?

She called this guy
"Toronto Jerry."

Did she ever mention

whether they had been
seen together in a bar?

Restaurant, hotel?

No.

The airport crew always stayed

at the airport hotels.

Charming, great-looking,

terrific in bed.

Not exactly something
you can put on a poster.

Did your informant, uh, see her
with anyone at the airport?

I think I got just about
all I could get from him.

Some relationships
just aren't meant to be.

Why did you say that?

What?

"Some relationships
aren't meant to be"?

With informants.
You know what I mean?

Sometimes
they just don't work out.

Yeah, right.

Yeah, I think
this guy's a dead end.

[LAUGHS]

What?

Dead end.

You wouldn't understand.

[ROCK MUSIC PLAYING INSIDE]

Will you be back?

After all this hassle
to get out,

I don't think so.

I'll let Screed know when
I've found a place to check in.

I like it here.

No one's asking you
to move.

If you wanna stay, URS,
that's your decision.

We're not running
as a crew anymore.

Will you be
taking a plane?

Got to get back
on that horse.

Javier,

he's just gonna
find you again.

All we can do
is publish her picture

and see if anyone saw her
last week with a guy.

He might not even
be in the city.

He's here, and he's setting up
his third bombing.

And if the pattern holds true,

it will have something to do
with the police.

Uh, Trace, we threw out
the three-bomb pattern.

Yeah,
maybe too soon.

Three in Seattle,
three in Montreal.

Four in Edmonton.

Yeah, but you're assuming

that he bombed
the courthouse with Dollard.

He blew up Dollard
on the plane.

Why?

Because he wanted to keep
Dollard's mouth shut?

Because they worked together?

Think about it.

Dollard was making
a one-time political statement.

Vudu is a serial bomber
with a ritual.

What if he went
after Dollard

because the courthouse explosion
ruined his three pattern?

You're saying Vudu went after
Schanke and Cohen's plane

because he had a beef
with Dollard?

Because he was just angry?

Stranger things have happened.

Yeah, well, I don't buy it.
Why not?

This is a weird world
we live in.

There are things,
people out there--

REESE:
Mass-murder voodoo.

Dollard screwed up
his magic three number,

and he killed him.

I'm listening, Tracy.

Three bombings,
each bigger than the other,

all within the week,
that's the pattern.

One bomb on the airplane,

10 bombs sent out
to police stations.

How much bigger can he go?

It's been five days
since their plane went down.

We've got 48 hours
to find out.

Let's move.

[♪]

[♪]

Oh, sorry.

No, no, no, my fault.
I wasn't looking.

No, I was, uh,
somewhere else.

Night shift,
takes it out of me.

I always need a hit
of coffee for the drive home.

Yeah, I do the same thing,
working nights.

Oh, yeah? Graveyard?
Me too.

Gary Reynolds.

Tracy Vetter. Hi.

Hi.

Well, I, uh...

I better catch some Zs.

Right.

Bye.
See ya.

Bye.

SCREED:
I'm blowing scrod chunks here.

Twisty mouths.

Don't be pathetic.

I didn't ask
for an opinion.

Well, you got one.

And if you think
you're going to be residing

in this domicile
while that Inca's in town,

you got linguini
between the plugholes.

You want to leave.
Eh, eh, eh.

You know
you're gonna leave.

Leave.

[GRUNTING]
Oh. Oh!

[CHUCKLING]

Well, go on, then.

Tsk. Whatever.
Ahem.

[♪]

LACROIX:
Why try

to probe a murderer's mind?

What do you hope to see?

His motive?

His means?

His secret dream?

You won't find a clue in mine.

[INDISTINCT CHATTER]

Are you almost done?

Finished.
Cause of death: bomb.

Not much more to say.

You're here early.

Ah, trying to make sense
of his psych reports.

Find a hook.

You sure
there's one to find?

I don't know.

I keep thinking
if Schank was here--

He'd start
with the obvious.

The obvious.

Vudu attacks
institutions of authority,

often using women
on the inside as carriers.

VUDU:
Hey, Trace.

Hi.
You start at 9 too?

Yeah, I always grab something
to eat here first.

Well, got a couple minutes?

How 'bout another cup
of coffee?

I'd like that.

[♪]

Taxi?

Oh, Gary?

[INDISTINCT CHATTER]

Oh, my God.
[GIGGLING]

Whatever it is
you're taking,

I want some.

Tell me, Detective Vetter,

have you always
been prone

to these extreme
mood swings?

Well, the most incredible thing
happened to me.

Well, not incredible,
but that's good.

The most normal thing happened.

I met this guy.

This nice, everyday,
average guy

who just happens to be very nice

and extremely good-looking.

And he has a job?

Underground engineer with
the city, thank you very much.

Nights, like me,
and I'm to call him

when I get off so that we can
go out for breakfast.

[LAUGHS]

Normal, normal, normal.

Normal is good.

I sound just like your mother.

Mum's okay.
It's Dad that's the killer.

Oh, oh, hey. Anything break?

No, we've got less than 20 hours
to come up with something.

Nick, he says he wants
to help catch the bomber.

Oh, I'll, uh--
I'll talk to him. I got it.

Is he a, uh...?

Yeah.
Ah, well,

this is getting very,
very complicated.

REESE:
Knight? Vetter?

[SIGHS]

Some swap-meet dealer brought
it in 20 minutes ago.

Bought it from a scavenger--

Homeless guy who found it
on a sewer pipe.

Idiot thought it was
a cellular-phone transponder.

We're sure it's Vudu?

Detonators are
a positive match.

Contains enough semtex
to level a city block.

I think we got him.

How much semtex is that,
about half a key?

Yeah, about that.

Then he's got enough
to make 60 of these.

MAN:
Sixty?

Dear God.

He could level
the city.

All right, let's get people
off the streets,

out of the subways, downtown
apartment buildings, hotels.

We've got
to get everyone out.

Set up search teams.
It could be anywhere.

So let's start
underground.

I'll call a friend
who's an underground engineer.

I'm on the homeless guy
who found it.

MAN:
Now the best I can do if you want to get to Colorado

is to get you, uh,
to Chicago.

And then you make a switch there
to Denver.

You go Denver to...

[SPEAKING INDISTINCTLY]

You have a layover of two
and a half hours in Chicago.

VUDU:
So is this everything?

WOMAN:
That's everything.

[CELL PHONE RINGING]

Hello?

Gary? Hi, it's Tracy.
Have you got a minute?

I've got an emergency here.

Sure. Just finishing up
structural inspections

over on Bloor.
Just taking a break now.

I-I've got a really bad
bomb situation.

VETTER:
The entire downtown area.

We think
they may be underground.

Maybe 60 of them.

Blue metal boxes about the size
of an oatmeal carton.

They say, uh,
"City of Toronto" on them?

You know.

Yeah. I've seen
a bunch of them.

I thought they were
the new gas monitors.

Can you show me where?

Sure.

Meet me at, uh,

St. Patrick's Station,
say, in 10 minutes?

They're underneath
in the heating tunnel.

Hey, listen, I think
I left my shopping bag

at the coffee shop.

Did you happen to find it?

Yeah, I did.

Great. Could you bring it
with you?

Sure.

Thank you.

[PHONE BEEPS]

There's some under
St. Patrick's Station.

I'm on my way.

Don't touch them yourself.
Vetter, wait for the bomb squad.

Vetter!

Sorry, sir.
What were you saying?

SCREED:
Oh, this is wonderful.

Give the Inca my fax number
and my address on the Internet.

You're insane,
showing him this squat.

Hands off.

Do you know
where more of these are?

I'm not telling you scut.
You sold one?

This is the 20th century.
I'm not allowed my cut?

They're bombs.

Yeah, and I'm
your Aunt Charlie.

With enough semtex in them
to blow up a city block.

And that would be
the goo smushed inside?

Yeah, that would
be the goo.

And these booms
do a city block?

They do, and we need to find
as many of them as we can.

Two bills apiece?

Twist my arm.

[SIGHS]

[SIRENS WAILING]

Take me to the airport.
Got it.

Hey, Gary,
weren't you supposed

to be meeting Tracy
somewhere around now?

[♪]

[TIRES SCREECHING]

Move! Step-- Go!
Get out of the way!

MAN:
What's goin' on?

That's 10.

Uno más. Gracias.

[BEEPS]

[MUSIC BOX PLAYING]

You're late.

For what?

[GUNSHOTS]

Vudu.

[SIRENS WAILING]

REESE:
She's at St. Patrick's and won't leave.

Bomb squad's on the way,
but...

I don't know, Knight.

They were having so much trouble
with the other bombs.

Do you have her on the line?
Yeah.

Tell her I'm around the corner,

and I'll be with her
in a minute.

All right.

Keep going.

The det's set, and you expect me
to find more bombs?

Five hundred apiece.

I'm immortal.
I'll take me chances.

Maybe I could drive it
somewhere out of range.

Not enough time.
Drive yourself out of there.

Leave the detonator
for the bomb squad.

They're not here, captain.

I'm ordering you
out of there now.

It's kind of funny
when you think about it.

It was right there
in front of us.

Woman cop,
commissioner's daughter.

I was his perfect choice.

Tracy, please listen.

I should have seen it.

It's my fault.

You can't blame yourself.
You're a good cop.

You think so?

[CHUCKLES]

You carried yourself like a pro
in one hell of a week.

Yeah, you don't know
the half of it, cap.

Now, please,

get out, will you?

[SIREN WAILING]

That's it, captain.
I'm driving it into the lake.

REESE:
Tracy--

No one is here for me, captain.
I'm alone.

I'm here, Trace,
just like I said I'd be.

He's here, captain.

Knight?

Vudu.

[LINE CLICKS]

Now, keep calm.

Open it.

I bought it for you.

There's no way to disarm it.

It has a range of 10 miles.

A five-minute main spring--

I mean,
it's some of my best work.

So let's just sit down,

listen to the music

and wait for it
to wind down.

Sit down.

Open it.

How many bombs
are there?

Forty.

It should level everything
quite nicely.

Vachon.

I shot you.

Vudu...

Vachon!

[VUDU GROANS]

Metro Police!

It's okay.
Nick, he saved me.

That's Vudu.

He could have disarmed it.

It's impossible.
He said it has a main spring

of five minutes,
range of 10 miles.

It's starting to wind down now.

Both of you, go get
some cover right now. Go on.

You have done your part.

I must do mine.

Get out of here now!

Nick, you don't understand.

She went to father sun.

I will go to mother moon.

♪ That voodoo black magic
Is in your eyes ♪

♪ You weave that mystery
So well ♪

Why? Why'd you do it?
I want to know why.

Explain it to me.

♪ That voodoo you do
Has me hypnotized ♪

♪ I'm already
Under your spell ♪

[EXPLOSION]

[SIRENS WAILING IN DISTANCE]

[♪]

Detective, I'm sure

this must all be
very confusing.

Yes.

I want you to look
in my eyes.

[HEART BEATING]

Let me tell you
what you will remember

and what you
will forget.

[GUITAR PLAYING PEACEFUL MELODY]

Hey.

Screed's place was empty,
so I kind of figured that you--

Yeah.

Runs off to Vegas
whenever he has some cash.

Hmm.
He'll be back.

Did Knight--?

No. Didn't remember a thing.

I told him the Inca
saved me from Vudu,

I ran into the subway station,

when I came out,
Vudu was dead

and Inca and the box
were just gone.

They're chalking it up
to weird luck.

I'm sure stranger things
have happened.

[CHUCKLES]
I'm not.

Look, I-- I just--
Maybe I, uh--

[CHUCKLES]

I'm glad
you're staying, Vachon.

So am I.

LAMBERT:
It's the most difficult part, isn't it? Mortality.

Having to leave the people
you love behind.

Well, you never get used to it.

And when it doesn't make sense,
when there's no reason...

Does it really help
to have one?

Would it have made
a difference

if Vudu had been
an out-of-work cop

or an anti-government maniac?

Would that have cleared
it up for you?

Made you feel better?

I guess not.

It should never
have happened.

No.

Don Schanke and Amanda Cohen
aren't with us,

and they deserve to be.

Absolutely.

Gone without an explanation.

So, what do we do?

The only thing we can do.

Chalk it up to voodoo.

Black magic, voodoo,

bombers in the sky,

people kill people,

and I don't know why.

[♪]

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