All language subtitles for Empty Nest s07e04 A Chip Off the Old Charley.eng

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Original subtitles

- IF YOU'VE JUST JOINED US, WE'RE TALKING TO YOUNG ADULTS

WHO ARE IN SEARCH OF THEIR BIOLOGICAL PARENTS.

- AH, BORING.

LET'S TURN ON REGIS AND KATHIE LEE

AND COUNT HOW MANY TIMES SHE SAYS "CODY".

- SOPHIA, WAIT. I WANNA WATCH THIS.

- FIRST, MEET RAYMOND BURNS,

A MUSIC STUDENT FROM NEW YORK CITY.

THE ONLY LEAD HE HAS IN LOCATING HIS FATHER

IS AN OLD PHOTOGRAPH.

- REMINDS ME OF MARIO CATALANO BACK IN SICILY.

SEARCHED FOR HIS FATHER FOR TWO YEARS.

FINALLY FOUND HIM IN PRISON.

- HOW AWFUL.

- HEY, MARIO WAS LUCKY.

HIS FATHER WAS IN PRISON

FOR KILLING THE LAST SON WHO CAME LOOKING FOR HIM.

- I STILL--

SOPHIA, LOOK.

THAT BOY LOOKING FOR HIS FATHER.

LOOK AT THE PICTURE HE'S HOLDING.

[TV playing]

[phone ringing]

- YO.

CHANNEL THREE? OKAY.

[music playing]

[click]

- CHARLEY, DID YOU SEE YOUR PICTURE ON TV?

- THAT WAS MY PICTURE?

I THOUGHT IT WAS A REFLECTION OFF THE SCREEN.

YOU KNOW, SOMETIMES WHEN THE LIGHT IS JUST RIGHT

I CAN MAKE IT LOOK LIKE MY HEAD IS IN ONE

OF THE BRADY BUNCH SQUARES.

- IDIOT, THAT BOY IS LOOKING FOR HIS FATHER,

AND HE SAYS IT'S YOU.

TURN UP THE SOUND.

- MY MOTHER TOLD ME THEY MET 17 YEARS AGO ON A CRUISE.

- OH, COME ON, THAT COULD BE ANYBODY.

- AND HE TOLD MY MOTHER HE OWNED THE SHIP.

- UH-OH.

- LIFE GOES ON

AND SO DO WE

JUST HOW WE DO IT IS NO MYSTERY

ONE BY ONE

WE FILL THE DAYS

WE FIND A THOUSAND DIFFERENT WAYS

SOMETIMES THE ANSWER CAN BE HARD TO FIND

THAT'S SOMETHING I WILL NEVER BE

I'M ALWAYS HERE

FOR ANYTHING YOU NEED

RAIN OR SHINE

I'LL BE THE ONE

TO SHARE IT ALL AS LIFE GOES ON

WE SHARE IT ALL

AS LIFE GOES ON

- HI, MAXINE.

YEAH, LOOK, I'M REALLY SORRY TO BOTHER YOU ON A SUNDAY,

BUT... I'VE GOT SOME BAD NEWS.

WELL, LAVERNE, HAD TO GO BACK TO HICKORY.

SHE'S GONNA BE AWAY FOR A WHILE.

NO, MAXINE. THAT-- THAT IS THE BAD NEWS.

I KNOW LAVERNE WAS SUBPOENAED AS A WITNESS

AT A TRIAL.

SOMETHING INVOLVING THE--THE HICKORY MAFIA

AND A SCARECROW WITH BROKEN LEGS.

I DON'T KNOW.

I DON'T KNOW.

I REALLY COULDN'T HEAR OVER ALL THAT BANJO MUSIC.

WELL, WE'RE GONNA HAVE TO FIND SOMEBODY

TO AT LEAST ANSWER THE PHONES.

ALL RIGHT, DEAR. I'LL--YEAH. I'LL THINK OF SOME NAMES, TOO.

ALL RIGHT. WE'LL TALK. ALL RIGHT. BYE-BYE, DEAR.

CAROL, SWEETHEART,

WOULD YOU HAND ME MY ADDRESS BOOK, PLEASE?

- YOU DON'T NEED IT, DADDY.

- YES, DEAR, I DO.

I HAVE TO FIND A REPLACEMENT FOR LAVERNE.

- DADDY, DOES THIS GIVE YOU AN IDEA?

- YEAH, I'LL HAVE THE NUMBER FOUR.

GRAVY ON THE SIDE.

- NO, DADDY.

I'LL BE YOUR FLORENCE NIGHTINGALE.

- WHAT ABOUT YOUR JOB AT THE NEWSPAPER?

- I ALREADY FILED MY STORY FOR THE WEEK.

I'VE GOT A FEW DAYS OFF.

PLEASE, DADDY.

- WHY IS THIS SO IMPORTANT TO YOU?

- BECAUSE YOU'RE ALWAYS THERE FOR ME WHEN I NEED HELP.

THIS IS MY CHANCE TO DO SOMETHING FOR YOU.

- WELL, WHEN YOU PUT IT THAT WAY,

I REALLY CAN'T SAY NO.

YOU WANNA TRY PUTTING IT SOME OTHER WAY?

IT'S--ALL RIGHT, ALL RIGHT, ALL RIGHT.

- MY GOD. WAS THAT A CAR DOOR?

- NO, NO. CHARLEY, CALM DOWN.

HE'S NOT HERE YET.

- WHAT ABOUT THIS TIE? IS THIS TIE ALL RIGHT?

- THE TIE IS PERFECT.

IT SAYS "DAD".

- IT SHOULD. IT'S YOUR FATHER'S.

OH, MY GOD. I JUST REALIZED SOMETHING.

YOU GUYS ARE GONNA HAVE TO STOCK UP ON GROCERIES.

I'M GONNA BE MOOCHING FOR TWO NOW.

- CHARLEY, JUST--JUST TRY TO RELAX.

- RELAX?

IT'S MY SON. THE FRUIT OF MY LOOMS.

[doorbell ringing] OH, MY GOD. IT'S HIM.

WHAT DO I DO? WHAT DO I DO?

- OPEN THE DOOR. - OH.

I HAVE SO MUCH TO LEARN FROM YOU.

- HI.

- YOU'RE GROUNDED, YOUNG MAN.

- EXCUSE ME?

- NOT REALLY. I JUST ALWAYS WANTED TO SAY THAT.

COME ON IN.

- RAYMOND?

HELLO, I'M CAROL WESTON. THIS IS MY FATHER HARRY WESTON.

WE LIVE NEXT DOOR.

- HELLO. IT'S A PLEASURE TO MEET YOU.

- PLEASURE.

- YOUR F-FATHER TELLS ME THAT YOU'RE GOING TO BE

STUDYING MUSIC AT JUILLIARD.

- OH, THAT'S RIGHT. YES.

SOMEDAY I'D LIKE TO PLAY THE FLUTE PROFESSIONALLY.

MAYBE BE A CONDUCTOR.

- THAT'S A GREAT IDEA.

IF THE MUSIC THING DOESN'T WORK OUT,

YOU ALWAYS HAVE THE RAILROAD JOB TO FALL BACK ON.

- I THINK CAROL AND I SHOULD--SHOULD

LEAVE YOU TWO TO KINDA CATCH UP.

- OH, IT WAS NICE TO MEET YOU, RAYMOND.

MAYBE YOU CAN COME OVER AND PLAY SOMETHING FOR US LATER.

- OH, MY PLEASURE. - OH, GOOD.

THANK YOU. - TAKE CARE.

- SO...

- SO...

- SO, DOES YOUR MOTHER REMEMBER ME?

- YEAH, YEAH. SHE REMEMBERS YOU VERY WELL.

THAT WAS THE NIGHT SHE QUIT DRINKING.

- AH, I HAVE SOMETHING FOR YOU FOR SCHOOL.

- OH.

SAVED BY THE BELL LUNCH BOX.

THANKS, BUT, UH, I'M A LITTLE OLD FOR THIS.

- YOU'RE NEVER TOO OLD FOR LUNCH, SON.

LISTEN, I GOT A BIG DAY PLANNED FOR US.

WE'RE GONNA GO DOWN TO THE BOWLING ALLEY

AND RENT THOSE FUNNY SHOES

AND SEE WHO CAN SLIDE THE FARTHEST.

- WELL, THAT-- THAT SOUNDS INTERESTING,

BUT, UH, I WAS HOPING TO GO HEAR THE MIAMI PHILHARMONIC.

- WELL, IF YOU WANNA HEAR SOME REALLY GOOD MUSIC,

TONIGHT IS KAZOO NIGHT AT CHUCK-E-CHEESE.

- LAVERNE, THIS IS THE FIFTH TIME

YOU'VE CALLED THIS MORNING.

I TOLD YOU. TRUST ME. EVERYTHING IS UNDER CONTROL.

WHAT IS THAT, BANJO MUSIC?

OH, THAT MEANS COURT'S BACK IN SESSION.

ALL RIGHT. BYE-BYE.

I'M HUNGRY.

10:15.

OH, WELL. IT'S LUNCHTIME SOMEWHERE.

MAXINE, ARE YOU IN THERE?

- WHO IS IT?

- MAXINE, IT'S ME. WHAT ARE YOU DOING?

- UH...

DRINKING COFFEE.

- WHY IS THE DOOR LOCKED?

- BECAUSE I'M, UH...

NAKED.

- YOU'RE DRINKING COFFEE NAKED?

HOW VERY EUROPEAN.

- IT'S REALLY HOT COFFEE.

I GOTTA GET THAT DAMN MACHINE FIXED.

- MAXINE, I WAS WONDERING--

WHAT IS THAT SMELL?

- I DON'T SMELL ANYTHING.

- I DISTINCTLY DETECT THE ODOR OF CIGARETTE SMOKE.

WHO WAS SMOKING IN HERE?

- NOBODY.

IT WAS, UH...

AN EXPERIMENT.

WITH A...RAT.

- AND WHERE'S THE RAT?

- HE RAN AWAY.

- OKAY, MAXINE.

AS ONE MEDICAL PROFESSIONAL TO ANOTHER,

YOU KNOW THAT DENIAL IS A SIGN OF ADDICTION.

- CAROL, YOU ARE NOT A MEDICAL PROFESSIONAL,

AND I AM NOT SMOKING.

NOW, MIND YOUR OWN DAMN BUSINESS

AND GET THE HELL OUT OF MY FACE.

- WELL, IF THAT ISN'T A CRY FOR HELP.

[flute playing]

- THANK YOU.

- THAT WAS INCREDIBLE.

- OH.

THAT'D BE A BITCH TO WHISTLE.

HEY, COME ON, RAYMOND, DO THAT OTHER SONG WE WORKED ON.

- [playing Old MacDonald]

- EE-I-EE-I-O

EVERYBODY.

AND ON THAT FARM HE HAD A...

WHAT, RAYMOND?

- JACKASS.

- EE-I-EE-I--

HEY!

- SO, RAYMOND, HAS YOUR FATHER TAKEN YOU

ON A GRAND TOUR OF MIAMI?

- OH, WE'VE BEEN HAVING A BLAST.

YOU KNOW, TODAY RAYMOND GOT TO RIDE IN A BOAT.

- YEAH, THE LITTLE YELLOW ONE IN FRONT OF THE SUPERMARKET.

- RAYMOND, PLAY SOMETHING ELSE.

- HARRY, CAN I SEE YOU FOR A MINUTE?

- SURE. COME ON. LET'S GO.

- [playing]

- CHARLEY, THAT'S QUITE A SON YOU GOT THERE.

YOU SHOULD FEEL VERY PROUD.

- YEAH, HE'S A CHIP OFF THE OLD--

OH, HARRY.

HE HATES ME.

- CHARLEY...

WHAT'S WRONG? - I DON'T KNOW.

I TOOK HIM TO THE PONY RIDES,

I TOOK HIM TO THE PETTING ZOO.

WHEN I CUT HIS MEAT FOR HIM,

HE GOT UP AND WENT TO ANOTHER TABLE.

HARRY, I JUST WANT HIM TO LIKE ME.

- CHARLEY, YOU'RE TREATING HIM LIKE HE'S A CHILD.

- WELL, I'M NEW AT THIS.

I DON'T KNOW WHAT I'M SUPPOSED TO DO.

- WHY DON'T THINK ABOUT WHAT YOU LIKED TO DO

WHEN YOU WERE 17?

- WOO-HOO-HOO-HOO-HOO!

OW!

- OH.

HEY, HOW ABOUT ANOTHER ROUND OF VIRGIN KAMIKAZES?

- SURE.

OH, THIS IS SO GREAT.

I NEVER GET TO DO ANYTHING LIKE THIS.

I'M ALWAYS PRACTICING MY MUSIC.

- WELL, THERE'S A WHOLE LOT OF OTHER STUFF

YOU CAN PRACTICE, IF YOU KNOW WHAT I MEAN?

- THIS IS REALLY FUN, DAD.

- DAD.

YOU CALLED ME DAD.

IT'S THE HAPPIEST MOMENT OF MY LIFE.

THANKS.

- OH, SHERLOCK, IT'S NO BIG DEAL.

JUST DON'T TELL YOUR FATHER.

I'LL NEVER HEAR THE END OF IT.

- PLUS, HE'LL GIVE YOU THAT LOOK.

- [scoffs]

WELL, I QUIT ONCE. I'LL QUIT AGAIN.

- OH, WOULD THAT IT WERE THAT EASY.

MAXINE, SMOKING IS JUST LIKE ANY OTHER ADDICTION.

YOU CAN'T HAVE JUST ONE MORE CIGARETTE,

OR JUST ONE MORE DRINK,

OR JUST ONE MORE CONSTRUCTION WORKER.

THE POINT IS...

YOU'RE A DOCTOR. YOU SHOULD KNOW BETTER.

- YEAH, I DO KNOW BETTER.

IT'S JUST THAT I'VE BEEN UNDER A LOT OF STRESS LATELY.

AND THEN THE OTHER NIGHT, I WENT OUT WITH SOME FRIENDS.

SOMEBODY LIT UP

AND IT JUST LOOKED SO DAMN GOOD.

- YOU KNOW WHAT, MAXINE?

I THINK I CAN HELP YOU.

MY GURU SAYS--

- YOU WOULD HAVE A GURU.

- MAY I CONTINUE?

MY GURU SAYS THAT ALL ADDICTIONS

CAN BE LIFTED THROUGH MEDITATION

AND SELF-HEALING.

LET'S TRY IT, ALL RIGHT?

WE'LL START WITH A SIMPLE CHANT.

OM.

OM.

MAXINE, MMM.

- OH, ALL RIGHT.

OM.

both: OM.

- GOOD.

NOW VISUALIZE WITH ME.

YOU'RE TRAVELING DOWN A COUNTRY LANE.

YOU CAN SMELL THE CLEAN, FRESH AIR.

SUDDENLY, A DARK SHADOWY FIGURE ON A PALE HORSE

COMES GALLOPING TOWARD YOU.

- HEY, IT'S THE MARLBORO MAN.

- OM.

- OM.

- THE HORSEMAN TURNS INTO A GIANT CIGARETTE.

DO YOU SEE IT, MAXINE?

- OH, YEAH.

- YOU REACH FOR THE CIGARETTE...

- I'M REACHING.

- AND IT TURNS INTO A DEADLY SERPENT.

- OOH, SCARY.

I KNOW, I'LL FIGHT THE SERPENT WITH FIRE.

- GOOD IDEA.

GO WITH THAT.

- I'M GOING.

- GOOD.

OM.

- EE-I-EE-I-O

AND ON THAT FARM HE HAD A...

- CINDY CRAWFORD.

both: EE-I-EE-I-OH, BABY

- WELL, YOU TWO SEEM TO BE IN A PRETTY GOOD MOOD.

- YEAH, WE'VE BEEN PARTYING SINCE THURSDAY.

WE STARTED OUT AT STIFFY'S

AND EVER SINCE THEN IT'S BEEN BABE-O-RAMA.

- YOU MEAN TO TELL ME YOU'VE BEEN SNEAKING HIM

INTO STRIP JOINTS?

- NUH-UH.

DAD GAVE ME A FAKE I.D.

- CAROL, WHY DON'T YOU TAKE RAYMOND IN THE OTHER ROOM

AND SHOW HIM YOUR CD COLLECTION?

- GOOD IDEA.

I MUST CONFESS,

I'M AN ABSOLUTE FREAK FOR SHOSTAKOVICH.

- HEY, DAD.

NOW THERE'S A PIECE OF MUSIC I'D LIKE TO PLAY.

IF YOU KNOW WHAT I MEAN.

- OW! WHAT DID YOU HIT ME FOR?

- WHAT THE HELL ARE YOU DOING?

A FATHER DOESN'T TAKE A 17-YEAR-OLD BOY

ON A 3-DAY BENDER.

- MY DAD DID. - CHARLEY.

- ALL RIGHT, ALL RIGHT. IT WAS MY MOM.

THE POINT IS, HARRY,

HE LIKES ME AND IT'S ALL THANKS TO YOU.

- OH, GOD. MAYBE I WASN'T VERY CLEAR.

BUT YOUR SON CAME HERE LOOKING FOR HIS FATHER,

NOT SOME FRATERNITY BROTHER.

- OH, LIKE I COULD GET INTO COLLEGE.

- CHARLEY, LISTEN TO ME.

I--I KNOW HOW MUCH YOU WANT THIS TO WORK OUT,

I KNOW HOW MUCH YOU WANT RAYMOND TO LIKE YOU,

BUT PARENTHOOD IS NOT A POPULARITY CONTEST.

BEING A FATHER MEANS YOU HAVE TO BE RESPONSIBLE.

- GEE, HARRY, THIS IS REALLY COMPLICATED.

- LET ME PUT IT IN TERMS THAT YOU CAN UNDERSTAND.

STIFFY'S, BAD.

RESPONSIBILITY, GOOD.

- OH...

IS THAT FROM THE BIBLE?

- SAY, DOCTOR,

WHEN CAN I HAVE SEX AGAIN?

- I DON'T KNOW. IN A WEEK OR SO.

- WITH WHO?

- YOU'RE ON YOUR OWN, MR. PARKER.

- NIGHT, HARRY. - WHOA, WHOA, WHOA.

MAXINE, I'VE BARELY SEEN YOU ALL DAY.

EVERY TIME YOU HAD A BREAK,

YOU WERE OUT FOR A WALK OR IN THE LADIES ROOM.

IS EVERYTHING OKAY?

- EVERYTHING'S FINE, HARRY.

- HOLD ON A SECOND. CAN I BUM A CIGARETTE?

- SURE, HA--

CAROL TOLD YOU.

- SHE DIDN'T HAVE TO, MAXINE. YOU SMELL LIKE AN ASHTRAY.

- ALL RIGHT. HERE IT COMES.

GIVE ME THE LECTURE.

- I'M NOT GONNA GIVE YOU A LECTURE, MAXINE.

I USED TO BE A SMOKER MYSELF.

- YOU USED TO SMOKE?

- BOY, YEAH. WELL, 15 YEARS.

QUITTING WAS THE HARDEST THING I EVER DID.

- OH, HARRY.

I'M SO EMBARRASSED.

IT'S JUST THAT EVERYTHING I LOVED ABOUT SMOKING

CAME FLOODING BACK.

AND I'D FORGOTTEN HOW GOOD IT FEELS

TO HAVE A NICE DINNER

AND SIT BACK AND TAKE THAT FIRST DRAG.

- OH, YEAH. I KNOW WHAT YOU MEAN.

YOU KNOW WHAT I MISS?

SMOKING WHILE DRIVING.

- A CIGARETTE AND A CUP OF COFFEE.

- YOU KNOW WHAT ELSE I REMEMBER?

WAKING UP IN THE MIDDLE OF THE NIGHT

[gasping] AND YOU'RE OUT OF CIGARETTES.

- AND THEN YOU HAVE TO PICK THROUGH A DIRTY ASHTRAY

TO FIND A LONG ENOUGH BUTT.

- SOMETIMES I'VE EVEN FISHED A WET ONE OUT OF THE TRASH.

- [laughing]

[coughing]

- OH, MAXINE.

- I KNOW, HARRY.

I'M DONE.

I CAN'T BELIEVE I HAVE TO GO

THROUGH THE HELL OF QUITTING AGAIN.

- YEAH.

GOOD FOR YOU.

- HEY, RAYMOND, WE GOTTA GET TO THE AIRPORT.

ARE YOU PACKED YET?

WHAT'S GOING ON?

- WELL, I THOUGHT I'D GO DOWN TO THE BEACH

AND PEEP SOME HOOTERS.

- BUT YOU HAVE A PLANE TO CATCH.

- WELL, YOU KNOW, I'VE BEEN THINKING.

NOW, WE JUST STARTED TO GET TO KNOW EACH OTHER.

I DON'T WANNA LEAVE YET.

- YOU MEAN YOU WANNA STAY WITH ME?

- DAD, YOU'VE SHOWN ME HOW TO HAVE FUN.

JUILLIARD CAN WAIT. AH.

- UH-OH.

SOUNDS LIKE ONE OF THOSE RESPONSIBILITY THINGS.

DON'T MOVE.

HARRY, I GOT A PROBLEM.

- ME TOO. I CAN'T FIND THOSE LITTLE PICKLES.

I CAN'T EAT A SANDWICH WITHOUT THEM.

- OH, SECOND SHELF IN THE BACK, TO THE LEFT,

BEHIND THE BOTTLE OF RANCH DRESSING.

EXPIRES TUESDAY.

- WELL--WELL, THANK YOU, CHARLEY.

WHAT'S UP?

- RAYMOND SAYS HE'D RATHER STAY WITH ME AND PARTY

THAN GO TO SCHOOL.

- WELL, YOU'RE NOT GONNA LET HIM DO THAT, ARE YOU?

- OF COURSE NOT.

- HEY, DAD, YOU GOT A LOT OF CHICKS' PHONE NUMBERS IN HERE.

WHAT ARE THESE LITTLE HAPPY FACES NEXT TO THEIR NAMES?

- OH, WELL, THAT USUALLY MEANS JOB WELL DONE.

GIVE ME THAT.

RAYMOND, I CAN'T LET YOU STAY.

- WHY NOT?

- BECAUSE...

DON'T MOVE.

WHY CAN'T HE STAY, HARRY?

- CHARLEY, YOU KNOW WHY.

HE'S A TALENTED YOUNG MAN WITH A BRIGHT FUTURE IN MUSIC.

STAYING WOULD BE IRRESPONSIBLE.

- YEAH. THANKS. - FINE.

[music playing]

- HEY, I DIDN'T KNOW YOU HAD THE ECSTASY CHANNEL.

- OH.

GIVE ME THAT.

RAYMOND, YOU'RE A TALENTED YOUNG MAN

WITH A BRIGHT FUTURE IN MUSIC.

AND STAYING WOULD BE...

WOULD BE...

OH, DAMN.

DON'T MOVE.

OH, HI, HARRY.

BOY, AM I GLAD TO SEE YOU.

- RAYMOND, WHAT IS THIS...

ABOUT YOU NOT WANTING TO GO TO SCHOOL?

- OH, GREAT. NOW THE WHOLE NEIGHBORHOOD

KNOWS OUR FAMILY PROBLEMS.

- LOOK, IT'S MY LIFE.

I THINK IT'S ABOUT TIME I MADE MY OWN DECISIONS.

AND I'M GONNA STAY HERE.

WITH MY DAD.

- D'YOU HEAR THAT, HARRY?

HE WANTS TO STAY WITH HIS DAD.

THAT'S ME.

- THAT'S RIGHT, CHARLEY.

- RAYMOND, I WANT YOU TO GO TO YOUR ROOM

AND GET YOUR THINGS.

I'M TAKING YOU TO THE AIRPORT.

- BUT, DAD-- - NO, NO. DON'T "BUT, DAD" ME.

YOU HAVE TO GO TO SCHOOL AND WORK HARD,

AND THEN, WHEN YOU HAVE TIME,

YOU CAN COME HERE AND PARTY-- RESPONSIBLY.

- SOMEWHERE OTHER THAN STIFFY'S.

- STIFFY'S, BAD.

- DAD, WHAT HAPPENED TO YOU?

YOU WERE SO COOL.

- I'M NOT COOL.

I'M YOUR FATHER.

- CHARLEY, WHERE DID THAT COME FROM?

- I DON'T KNOW.

- I'M REAL PROUD OF YOU.

- I JUST THOUGHT OF SOMETHING.

YOUNG MAN, YOU GIVE ME BACK THAT FAKE I.D.

- THERE YOU GO, MY MAN.

- CAN'T HAVE A FAKE I.D. TILL HE'S 21.

- [playing virtuously]

- PFFT, THING PLAYS JAZZ.

I HATE JAZZ.

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