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These are the user uploaded subtitles that are being translated: 1 00:02:20,500 --> 00:02:24,000 The Mystery of the Yellow Room 2 00:02:31,200 --> 00:02:32,200 A foul crime... 3 00:02:32,400 --> 00:02:34,400 In which there is some confusion 4 00:02:34,600 --> 00:02:39,100 ...at Professor Stangerson's home, as he worked in his lab. 5 00:02:39,300 --> 00:02:41,400 Mlle Stangerson's life was threatened 6 00:02:41,600 --> 00:02:44,400 as she rested in an adjacent room. 7 00:02:44,500 --> 00:02:46,500 Continued on page 5. 8 00:02:48,300 --> 00:02:49,600 Despite the guards 9 00:02:49,800 --> 00:02:51,300 around the house, 10 00:02:51,500 --> 00:02:54,300 we can present a full account of events 11 00:02:54,400 --> 00:02:56,300 by Pere Jacques, 12 00:02:56,600 --> 00:02:58,800 the Stangersons' loyal servant 13 00:02:58,900 --> 00:03:00,700 who was in the laboratory 14 00:03:00,900 --> 00:03:03,000 with the professor and Mathilde. 15 00:03:03,900 --> 00:03:07,000 The laboratory cuckoo clock rang midnight... 16 00:03:30,300 --> 00:03:32,900 - Good night, Papa. - Sleep tight, my dear. 17 00:03:33,000 --> 00:03:36,300 Mathilde Stangerson stood and kissed her father. 18 00:03:36,500 --> 00:03:39,000 She entered her room next to the lab. 19 00:03:39,200 --> 00:03:42,400 She locked the door of the Yellow Room 20 00:03:42,600 --> 00:03:43,800 and bolted it. 21 00:03:46,000 --> 00:03:49,000 Mademoiselle is locking herself in. 22 00:03:50,100 --> 00:03:53,100 I bet she's scared of the Beastie. 23 00:03:53,300 --> 00:03:55,800 Pere Jacques laughed and said, 24 00:03:56,300 --> 00:03:59,300 "I bet she's scared of the Beastie." 25 00:03:59,500 --> 00:04:02,100 Mr Stangerson ignored this quip 26 00:04:02,200 --> 00:04:04,100 and concentrated on his work. 27 00:04:05,300 --> 00:04:08,400 But then a bloodcurdling cry was heard outside. 28 00:04:10,400 --> 00:04:11,700 At that point, 29 00:04:12,500 --> 00:04:15,600 as the hideous cuckoo chimed half past midnight, 30 00:04:15,800 --> 00:04:18,600 a terrible uproar came from the Yellow Room. 31 00:04:19,000 --> 00:04:20,500 Mademoiselle cried, 32 00:04:21,600 --> 00:04:24,500 "Murder! Murder! Help!" 33 00:04:27,900 --> 00:04:29,200 Mathilde! Answer me! 34 00:04:29,400 --> 00:04:31,500 Shots immediately rang out 35 00:04:31,700 --> 00:04:35,600 with a din of tables and furniture being knocked over 36 00:04:35,700 --> 00:04:39,000 as in a struggle and again Mademoiselle called, 37 00:04:39,200 --> 00:04:42,300 "Murder! Help! Papa! 38 00:04:42,600 --> 00:04:43,700 "Papa!" 39 00:04:43,900 --> 00:04:46,400 "Mr Stangerson and I leapt to our feet 40 00:04:46,600 --> 00:04:48,200 "and rushed at the door." 41 00:04:48,400 --> 00:04:53,900 But the door had been locked and bolted by Mademoiselle. 42 00:04:54,500 --> 00:04:57,800 Mr Stangerson was unable to budge it. 43 00:04:58,000 --> 00:05:00,500 Then Pere Jacques had a brainwave. 44 00:05:00,600 --> 00:05:02,900 The killer used the window! 45 00:05:03,000 --> 00:05:06,100 "The killer used the window," he cried. 46 00:05:06,500 --> 00:05:08,900 "I'll go to the window!" 47 00:05:10,300 --> 00:05:12,300 He rushed out of the pavilion. 48 00:05:12,400 --> 00:05:15,200 Pere Jacques found Mr and Mme Bernier, 49 00:05:15,400 --> 00:05:17,800 the caretakers, coming to the rescue. 50 00:05:18,000 --> 00:05:20,900 They found the window bars intact 51 00:05:21,100 --> 00:05:23,800 and the shutters closed behind them. 52 00:05:24,000 --> 00:05:28,100 Mr Stangerson and Bernier still couldn't break the door down. 53 00:05:28,400 --> 00:05:30,800 - Bernier? Who's Bernier? - The caretaker. 54 00:05:36,200 --> 00:05:38,000 In the end, the door gave way. 55 00:05:38,700 --> 00:05:40,200 Mathilde, what happened? 56 00:05:40,400 --> 00:05:42,900 She's dead! There's blood everywhere! 57 00:05:44,100 --> 00:05:47,200 With the laboratory's powerful dynamo lamp, 58 00:05:47,400 --> 00:05:49,000 Pere Jacques lit the room. 59 00:05:49,500 --> 00:05:53,200 Mademoiselle lay on the floor in her nightdress. 60 00:05:53,400 --> 00:05:55,800 She was drenched in blood, scratched 61 00:05:55,900 --> 00:05:58,900 and blood from a wound on her right temple 62 00:05:59,400 --> 00:06:02,300 was forming a small puddle on the floor. 63 00:06:04,100 --> 00:06:05,500 On the floor, a gun. 64 00:06:05,700 --> 00:06:08,700 Pere Jacques was terrified to see that it was his. 65 00:06:09,800 --> 00:06:12,300 On examining it, it was clear 66 00:06:12,500 --> 00:06:14,100 that two shots were fired. 67 00:06:16,700 --> 00:06:19,800 Pere Jacques's gun. We'll keep an eye on him. 68 00:06:20,000 --> 00:06:23,000 My dear chap, he was behind the door with old Stangerson. 69 00:06:23,200 --> 00:06:24,600 Be logical. 70 00:06:24,800 --> 00:06:29,400 Nobody under the bed, nobody behind the furniture, nobody! 71 00:06:29,700 --> 00:06:31,300 Nobody... 72 00:06:33,100 --> 00:06:36,000 But there were traces: A bloody handprint 73 00:06:36,200 --> 00:06:39,100 on a wall and fresh footmarks on the carpet. 74 00:06:46,400 --> 00:06:48,000 Where did he vanish to? 75 00:06:48,200 --> 00:06:49,700 Up the chimney? 76 00:06:50,000 --> 00:06:51,200 No chimney. 77 00:06:51,400 --> 00:06:55,100 No passage for any being, human or otherwise. 78 00:06:55,200 --> 00:06:58,800 A man passed through the shutters 79 00:06:59,200 --> 00:07:01,700 "Judge Demarquet is expected today." 80 00:07:02,000 --> 00:07:04,700 Two words. De Marquet. They keep doing it. 81 00:07:05,300 --> 00:07:08,300 "But the famous Inspector Larsan of the police 82 00:07:09,200 --> 00:07:11,000 "is already present. 83 00:07:11,200 --> 00:07:14,200 "His men are examining the Yellow Room." 84 00:07:16,300 --> 00:07:19,400 Let us pray this fine sleuth of a policeman 85 00:07:19,600 --> 00:07:22,200 won't demolish such a beautiful mystery. 86 00:07:22,400 --> 00:07:25,100 Fear not. We won't learn anything. 87 00:07:25,300 --> 00:07:28,000 May I introduce myself? Joseph Rouletabille, 88 00:07:28,200 --> 00:07:31,300 reporter with L'Epoque, and our photographer, Sainclair. 89 00:07:31,500 --> 00:07:32,200 Good day. 90 00:07:32,400 --> 00:07:36,700 De Marquet, examining magistrate, and Mr Maleine, my clerk. 91 00:07:37,200 --> 00:07:40,900 We are sworn to professional secrecy, you know. 92 00:07:41,100 --> 00:07:42,500 Of course. 93 00:07:44,600 --> 00:07:48,300 - A fine case. - Yes. A most mysterious one. 94 00:07:48,500 --> 00:07:52,500 We won't find the key to it for a long while, I hope. 95 00:07:52,700 --> 00:07:54,800 What do you hope, sir? 96 00:07:55,000 --> 00:07:57,200 Well, I don't hope. I believe. 97 00:08:06,300 --> 00:08:08,000 I still love trains. 98 00:08:08,400 --> 00:08:10,300 - Don't you? - I suppose. 99 00:08:12,000 --> 00:08:14,900 The smell of the ballast... 100 00:08:16,900 --> 00:08:19,800 - Can you smell it? - Yes. Watch your egg. 101 00:08:28,100 --> 00:08:29,900 See how good it smells... 102 00:08:30,100 --> 00:08:31,700 Mystery! 103 00:08:33,800 --> 00:08:37,100 As journalists, you must know the Stangersons. 104 00:08:37,200 --> 00:08:38,300 Only by reputation. 105 00:08:38,400 --> 00:08:41,900 You won't be able to enter the house or the grounds. 106 00:08:42,100 --> 00:08:42,800 I'll get in. 107 00:08:43,000 --> 00:08:45,200 I doubt it. The orders are strict. 108 00:08:45,400 --> 00:08:48,900 From Mr Stangerson, the police and Inspector Larsan. 109 00:08:49,000 --> 00:08:51,900 - And you, sir! - And me, of course. 110 00:08:52,600 --> 00:08:56,000 Two words. "De" and then "Marquet". 111 00:08:56,900 --> 00:09:00,000 Tell me, my fellow, is that the house there? 112 00:09:00,800 --> 00:09:01,700 Yes. 113 00:09:01,900 --> 00:09:05,200 Please thank Mr Stangerson for sending his car 114 00:09:05,400 --> 00:09:08,800 but my assistant and I would rather savour 115 00:09:08,900 --> 00:09:11,600 the freshness of this country morning. 116 00:09:11,700 --> 00:09:14,400 We'll cut across the fields to the estate. 117 00:09:14,600 --> 00:09:15,600 You're sure... 118 00:09:15,800 --> 00:09:19,400 Yes! Have a nice cup of coffee waiting for us. 119 00:09:28,600 --> 00:09:31,200 In which Joseph Rouletabille 120 00:09:31,700 --> 00:09:35,600 makes a remark that has an effect on Robert Darzac 121 00:09:36,200 --> 00:09:39,800 Are you Robert Darzac, Mlle Stangerson's fianc? 122 00:09:43,000 --> 00:09:44,800 Yes, I was... I am. 123 00:09:45,000 --> 00:09:46,500 Listen carefully then. 124 00:09:46,700 --> 00:09:50,000 "The presbytery is bewitching in its radiant garden." 125 00:09:50,800 --> 00:09:53,900 Sir! Pull yourself together! Come, come! 126 00:09:54,500 --> 00:09:58,000 This is Sainclair, photographer with L'Epoque. 127 00:09:58,200 --> 00:10:00,000 Joseph Rouletabille. 128 00:10:00,200 --> 00:10:01,300 You know those words? 129 00:10:01,500 --> 00:10:04,700 I'll tell you how but it must stay confidential. 130 00:10:07,100 --> 00:10:08,200 Climb in. 131 00:10:27,200 --> 00:10:30,800 Sir, I never shake hands with a gloved man. 132 00:10:39,300 --> 00:10:42,000 - Satisfied? - Is Mlle Stangerson better? 133 00:10:43,400 --> 00:10:45,500 She nearly didn't last the night. 134 00:10:45,600 --> 00:10:48,800 They must save her... or it will kill me. 135 00:10:57,200 --> 00:10:59,000 I can't hear the engine. 136 00:11:03,800 --> 00:11:06,300 The sun's beams power the car. 137 00:11:07,300 --> 00:11:10,300 The axial sensor on the roof allows... 138 00:11:11,900 --> 00:11:14,400 Professor Stangerson's invention. 139 00:11:37,500 --> 00:11:38,600 A breakdown? 140 00:11:42,400 --> 00:11:43,500 A cloud. 141 00:11:45,100 --> 00:11:48,600 No more sun for the turbine. We'll have to wait. 142 00:11:51,700 --> 00:11:54,100 I'll answer a quick call of nature. 143 00:12:05,700 --> 00:12:09,500 "The presbytery is bewitching in its radiant garden." 144 00:12:25,000 --> 00:12:26,200 Sainclair! 145 00:12:30,000 --> 00:12:31,600 - We're going to the Room. - All right. 146 00:12:31,700 --> 00:12:34,300 - We'll sleep at the house. - All right! 147 00:12:35,600 --> 00:12:38,200 Odd idea you had coming on foot. 148 00:12:48,200 --> 00:12:49,700 Strange, isn't it? 149 00:13:00,200 --> 00:13:03,200 Inspector Frederic Larsan is already at work. 150 00:13:03,400 --> 00:13:05,300 - Who? - You don't know him? 151 00:13:05,500 --> 00:13:08,200 The famous Frederic Larsan. 152 00:13:08,400 --> 00:13:11,300 Back from Spain just for this case. 153 00:13:12,600 --> 00:13:14,000 An artist, in his way... 154 00:13:14,800 --> 00:13:17,500 We need to have his permission to enter. 155 00:13:42,400 --> 00:13:44,200 You mustn't make a sound. 156 00:13:44,400 --> 00:13:48,800 Mathilde is resting in her bedroom and so is the professor. 157 00:13:49,500 --> 00:13:50,800 - In the same room? - No! 158 00:13:51,700 --> 00:13:52,700 In his! 159 00:13:55,300 --> 00:13:56,600 Now, 160 00:13:56,800 --> 00:14:00,100 we'll have to eat red meat! 161 00:14:11,700 --> 00:14:12,700 Who are they? 162 00:14:13,200 --> 00:14:14,200 The caretakers. 163 00:14:14,300 --> 00:14:17,200 - Why arrest such decent folk? - They lied. 164 00:14:17,700 --> 00:14:21,800 I pointed out to the police that the Berniers 165 00:14:22,000 --> 00:14:24,000 couldn't have heard both shots, 166 00:14:24,200 --> 00:14:26,500 dressed and arrived in two minutes. 167 00:14:26,700 --> 00:14:28,500 Dressed. That is fishy. 168 00:14:28,600 --> 00:14:30,900 An accomplice would've stayed away. 169 00:14:31,000 --> 00:14:33,300 There are no accomplices here. 170 00:14:35,800 --> 00:14:37,600 We'll go this way. 171 00:14:44,100 --> 00:14:48,000 Larsan had them arrested but they don't matter to him. 172 00:14:48,200 --> 00:14:51,600 Really? Every little thing matters on such a night. 173 00:15:01,800 --> 00:15:02,900 Come along, sir. 174 00:15:07,600 --> 00:15:08,600 Look! 175 00:15:13,300 --> 00:15:14,400 It's him! 176 00:15:17,700 --> 00:15:18,500 I can't see. 177 00:15:19,600 --> 00:15:22,100 Robert! What's going on here? 178 00:15:22,400 --> 00:15:24,700 What are you ferreting about for? 179 00:15:25,400 --> 00:15:26,900 Have you all gone mad? 180 00:15:27,000 --> 00:15:30,100 Meet Mr Rouletabille and Mr Sainclair. 181 00:15:30,300 --> 00:15:33,600 I'm sorry but, you know, after what happened... 182 00:15:33,800 --> 00:15:36,300 I'm really very upset, 183 00:15:36,400 --> 00:15:39,600 I'm discombobulated, I'm all over the place, 184 00:15:40,200 --> 00:15:43,900 I'm welding any old how. The professor won't be pleased. 185 00:15:44,100 --> 00:15:47,800 He's such a kind and emotional man. What a tragedy... 186 00:15:49,600 --> 00:15:52,700 Watch my glubber, if you don't mind. 187 00:15:54,000 --> 00:15:56,600 Why was Mlle Stangerson sleeping here? 188 00:15:56,700 --> 00:16:00,100 Mademoiselle likes to spend the summer 189 00:16:00,300 --> 00:16:03,500 in the pavilion instead of the house. It's nicer. 190 00:16:03,700 --> 00:16:05,900 It's to be close to her father! 191 00:16:10,500 --> 00:16:13,500 Something happened behind this door... 192 00:16:18,700 --> 00:16:20,700 The perfume of the lady in black! 193 00:16:43,800 --> 00:16:47,000 This window is inviolable and intact. 194 00:16:50,000 --> 00:16:54,300 The Beastie! I should murder the gloomy thing! 195 00:16:54,500 --> 00:16:55,100 No! 196 00:16:56,600 --> 00:16:58,000 It's my fault. 197 00:16:58,400 --> 00:17:01,400 I caused the caretakers to be arrested. It's hungry. 198 00:17:01,600 --> 00:17:04,000 Look at this blood on the wall... 199 00:17:04,300 --> 00:17:08,700 There was no blood on Mlle Stangerson's hands. 200 00:17:08,800 --> 00:17:12,200 The man who left this mark here was in the dark 201 00:17:12,400 --> 00:17:14,900 and thought he was pushing a door. 202 00:17:15,100 --> 00:17:18,200 That's why he pressed his hand down so firmly, 203 00:17:18,500 --> 00:17:21,400 leaving this incriminating mark. 204 00:17:21,600 --> 00:17:25,000 There aren't many hands like this one. What an odd hand. 205 00:17:25,200 --> 00:17:28,400 The outline has been altered by its motion. 206 00:17:28,600 --> 00:17:31,200 He wiped his wounded hand on the wall. 207 00:17:37,200 --> 00:17:40,400 In which Rouletabille explores under the bed 208 00:17:40,800 --> 00:17:42,500 Did you look under the bed? 209 00:17:42,700 --> 00:17:44,500 We looked everywhere! 210 00:17:46,800 --> 00:17:48,900 - He was under here. - After his socks... 211 00:18:14,800 --> 00:18:17,500 The immensity of what we cannot see... 212 00:18:41,200 --> 00:18:45,100 This is indeed a huge, magnificent and most curious enigma. 213 00:18:45,300 --> 00:18:46,500 Inspector Larsan 214 00:18:47,300 --> 00:18:50,800 claims that the killer left the Yellow Room 215 00:18:51,000 --> 00:18:54,600 in a perfectly natural manner and will soon explain how. 216 00:18:55,200 --> 00:18:58,600 Does Larsan know something that I merely sense? 217 00:18:58,800 --> 00:19:00,600 Larsan is a clever man. 218 00:19:00,800 --> 00:19:02,600 But this isn't just police work. 219 00:19:02,700 --> 00:19:05,100 Abandon experience and be logical. 220 00:19:05,300 --> 00:19:07,300 Tackle it from the right angle. 221 00:19:07,500 --> 00:19:08,500 I write "angle"? 222 00:19:09,600 --> 00:19:11,200 The right angle of reason. 223 00:19:13,800 --> 00:19:16,700 Look here! Boot marks... 224 00:19:17,200 --> 00:19:18,500 The killer came this way. 225 00:19:19,300 --> 00:19:21,000 These are the only marks. 226 00:19:21,200 --> 00:19:24,200 - After all, it could be... - After all what? 227 00:19:24,400 --> 00:19:26,000 - What do you mean? - Calm down... 228 00:19:26,200 --> 00:19:29,500 Don't say a thing could be when it can't not be! 229 00:19:30,600 --> 00:19:31,900 Coming, Mr Darzac? 230 00:19:33,200 --> 00:19:34,600 Yes. If you... 231 00:19:38,600 --> 00:19:41,600 A straight line here... 232 00:19:41,800 --> 00:19:44,500 Look, more boot marks... 233 00:20:00,600 --> 00:20:02,100 There was a stone here. 234 00:20:02,600 --> 00:20:04,000 Search the bottom. 235 00:20:04,300 --> 00:20:05,300 Right now? 236 00:20:05,500 --> 00:20:06,400 Yes. 237 00:20:06,600 --> 00:20:08,900 - We don't have the equipment. - Do it. 238 00:20:09,900 --> 00:20:12,900 How long have famed reporters known Mr Darzac? 239 00:20:15,100 --> 00:20:17,700 How long, Mr Larsan, famed detective, 240 00:20:17,800 --> 00:20:20,400 have these dainty steps been here? 241 00:20:20,600 --> 00:20:22,400 Since the crime, young man. 242 00:20:23,400 --> 00:20:26,000 You see... Footmarks that come 243 00:20:27,900 --> 00:20:29,700 and footmarks that go. 244 00:20:36,600 --> 00:20:38,800 I've been waiting for these. 245 00:20:39,000 --> 00:20:40,600 The killer's footmarks. 246 00:20:40,800 --> 00:20:42,800 What about the heavier ones? 247 00:20:43,000 --> 00:20:44,800 - The killer's too. - Two killers? 248 00:20:44,900 --> 00:20:47,100 No, just one and no accomplices. 249 00:20:47,300 --> 00:20:48,500 Very clever! 250 00:20:49,100 --> 00:20:51,100 - Very clever indeed. - Watch. 251 00:20:51,600 --> 00:20:54,400 The man sat down here, 252 00:20:55,000 --> 00:20:58,100 removed the boots he used to fool the police, 253 00:20:58,200 --> 00:21:00,100 and, taking them with him, 254 00:21:00,300 --> 00:21:02,300 stood up on his own two feet 255 00:21:02,500 --> 00:21:04,400 and calmly walked to the road. 256 00:21:04,600 --> 00:21:06,100 Bravo! Mr Darzac... 257 00:21:09,400 --> 00:21:11,100 Let me see your sole. 258 00:21:16,000 --> 00:21:17,200 Dainty. 259 00:21:17,500 --> 00:21:20,300 You'd make a wonderful policeman, sir, 260 00:21:20,400 --> 00:21:22,100 with a little more method. 261 00:21:23,100 --> 00:21:25,000 Let observation guide you. 262 00:21:25,200 --> 00:21:26,300 I see blood. 263 00:21:26,400 --> 00:21:28,800 The killer's hand was wounded 264 00:21:29,000 --> 00:21:30,800 by Mlle Stangerson's gun. 265 00:21:31,200 --> 00:21:33,900 A brutal, instinctive observation. 266 00:21:35,100 --> 00:21:36,800 Beware, Mr Rouletabille! 267 00:21:37,200 --> 00:21:40,300 Logic can play nasty tricks if you mishandle it. 268 00:21:42,300 --> 00:21:44,700 The victim fired but you're wrong 269 00:21:45,500 --> 00:21:47,000 about the wound. 270 00:21:47,100 --> 00:21:49,300 - I'm sure of it! - Poor observation. 271 00:21:50,200 --> 00:21:52,500 The killer wasn't wounded. 272 00:21:52,700 --> 00:21:56,800 The killer, Mr Rouletabille, had a nosebleed! 273 00:21:59,400 --> 00:22:02,100 You have your suspicions, Mr Fred. 274 00:22:02,300 --> 00:22:04,500 But if the killer was wounded, 275 00:22:04,600 --> 00:22:06,400 your whole theory collapses. 276 00:22:06,600 --> 00:22:08,200 So you mulled it over 277 00:22:08,400 --> 00:22:10,300 and invented a nosebleed. 278 00:22:10,700 --> 00:22:12,400 That's a dangerous game. 279 00:22:12,600 --> 00:22:16,100 It's dangerous to use your idea of the killer 280 00:22:16,300 --> 00:22:18,800 to reach the proof that you need. 281 00:22:20,800 --> 00:22:24,000 You're heading for a judicial error. 282 00:22:27,200 --> 00:22:29,600 I'll beat "the Great Fred". 283 00:22:30,000 --> 00:22:31,900 I'll beat them all. 284 00:22:32,000 --> 00:22:35,000 The Great Fred, famous, formidable Fred 285 00:22:35,200 --> 00:22:37,500 has the logic of a slipper! 286 00:22:52,400 --> 00:22:57,700 He probably reckons that the killer used the stone to sink his boots. 287 00:22:58,000 --> 00:22:59,100 Hats off. 288 00:23:10,900 --> 00:23:13,500 The immensity of what we cannot see... 289 00:23:14,500 --> 00:23:15,800 I have to be going. 290 00:23:16,000 --> 00:23:18,000 Maybe... What? 291 00:23:18,200 --> 00:23:19,800 Mathilde is being questioned... 292 00:23:19,900 --> 00:23:21,800 Right now? I want to hear. 293 00:23:22,000 --> 00:23:23,700 Come on then. 294 00:23:25,000 --> 00:23:27,900 If the corpse talks, this can get interesting. 295 00:23:49,900 --> 00:23:51,500 Let's go back to that day. 296 00:23:51,600 --> 00:23:55,400 I'd like to go over everything you did that day. 297 00:23:55,600 --> 00:23:59,100 My father and I were up late the night before 298 00:23:59,200 --> 00:24:03,100 because we had attended the French President's reception. 299 00:24:03,500 --> 00:24:05,000 Such lovely grounds... 300 00:24:05,400 --> 00:24:07,500 And a wonderful ball too. 301 00:24:07,700 --> 00:24:10,600 Handsome gentlemen waltzing, such original gowns... 302 00:24:10,700 --> 00:24:12,800 A delicious buffet... 303 00:24:13,000 --> 00:24:16,600 Delicious. And a firework display of incredible beauty. 304 00:24:16,800 --> 00:24:19,600 Yes, we already know that. 305 00:24:20,000 --> 00:24:24,000 Do you have an idea how the killer left your room? 306 00:24:24,200 --> 00:24:26,500 None at all. I can't remember. 307 00:24:28,100 --> 00:24:31,000 You don't know what happens when you're dead. 308 00:24:31,200 --> 00:24:33,800 Indeed... if you were dead... 309 00:24:36,800 --> 00:24:37,900 Yes, officer? 310 00:24:39,400 --> 00:24:40,800 I'm inspecting, sir. 311 00:24:41,000 --> 00:24:42,900 Go and inspect elsewhere. 312 00:24:47,600 --> 00:24:48,800 What was that? 313 00:24:58,000 --> 00:25:01,400 Don't stand there like a lump. Where have you been? 314 00:25:02,500 --> 00:25:06,000 I was finishing off some trifles. 315 00:25:06,500 --> 00:25:09,300 Trifles? Sit down, Robert my boy. 316 00:25:19,200 --> 00:25:21,900 Was the man tall or short? 317 00:25:23,800 --> 00:25:26,400 The shadow I saw looked formidable. 318 00:25:28,000 --> 00:25:29,600 You can't tell us more? 319 00:25:29,800 --> 00:25:34,200 A man pounced on me, I fired at him. That's all I know. 320 00:25:38,000 --> 00:25:39,700 Did you have your soup? 321 00:25:39,800 --> 00:25:42,100 Not yet. I was waiting for you. 322 00:25:42,200 --> 00:25:44,400 Did you take your essence of croune? 323 00:25:44,500 --> 00:25:45,800 Not yet. 324 00:25:46,100 --> 00:25:49,900 It gives off such a peculiar smell. 325 00:25:50,100 --> 00:25:52,600 It's the crushed croune. 326 00:25:52,800 --> 00:25:56,000 Pere Jacques picked it late. It'll do you good. 327 00:25:56,200 --> 00:25:57,900 It would do you good too. 328 00:25:58,100 --> 00:25:59,300 Me? 329 00:26:00,300 --> 00:26:02,400 Diluted with a little sugar maybe. 330 00:26:02,600 --> 00:26:06,400 Have the caretakers freed to cook for their employers. 331 00:26:07,600 --> 00:26:10,900 You need to build yourself up with a good steak. 332 00:26:12,300 --> 00:26:15,000 Now we'll have to eat red meat 333 00:26:21,200 --> 00:26:23,800 It's all right, we're not the police. 334 00:26:25,600 --> 00:26:26,500 I'm not afraid. 335 00:26:26,700 --> 00:26:29,200 A fine grate for roasting a chicken. 336 00:26:29,400 --> 00:26:32,000 There's no chicken, nor even a rabbit. 337 00:26:32,800 --> 00:26:33,700 I know. 338 00:26:34,500 --> 00:26:37,800 I know that "now we'll have to eat red meat." 339 00:26:38,600 --> 00:26:39,900 Bloody hell... 340 00:26:43,600 --> 00:26:45,100 Something smells good. 341 00:26:48,000 --> 00:26:50,000 "Now we'll have to eat red meat"? 342 00:26:50,200 --> 00:26:54,100 You manage to make people understand incomprehensible words. 343 00:26:55,200 --> 00:26:58,500 May I take your photograph in your kitchen? 344 00:26:59,300 --> 00:27:00,700 As a portrait... 345 00:27:01,600 --> 00:27:05,100 - Is that your idea of a joke? - No, it's for... 346 00:27:12,600 --> 00:27:14,300 My wife, Mme Bernier. 347 00:27:16,000 --> 00:27:17,900 Get some eggs, please. 348 00:27:27,800 --> 00:27:32,000 What were he and his wife doing near the pavilion, fully dressed? 349 00:27:32,200 --> 00:27:33,300 Poaching. 350 00:27:34,400 --> 00:27:35,900 Catching rabbits. 351 00:27:39,500 --> 00:27:43,100 And why did you say those words when we got here? 352 00:27:43,200 --> 00:27:45,800 "Now we'll have to eat red meat." 353 00:27:46,700 --> 00:27:49,400 Pere Jacques said it after their arrest. 354 00:27:49,600 --> 00:27:53,200 No caretakers, no more game. Only red meat. So, poaching. 355 00:27:53,400 --> 00:27:55,800 Of course, poaching. 356 00:27:56,000 --> 00:27:57,100 Not him! 357 00:27:59,100 --> 00:28:00,200 Who is he? 358 00:28:00,400 --> 00:28:02,400 The Green Man. The gamekeeper. 359 00:28:12,600 --> 00:28:13,800 The white wine's gone. 360 00:28:15,700 --> 00:28:19,000 These gentlemen just had the last jug. 361 00:28:40,900 --> 00:28:43,200 Go and milk the goat, you! 362 00:28:54,200 --> 00:28:55,200 Slut! 363 00:28:58,000 --> 00:29:00,700 Don't worry, she just has toothache. 364 00:29:03,400 --> 00:29:05,600 In the middle of the night. 365 00:29:07,500 --> 00:29:11,000 What "crime"? I don't speak Apache. Come on, out with you! 366 00:29:17,600 --> 00:29:21,000 You may say, "Now we'll have to eat red meat", 367 00:29:21,200 --> 00:29:23,100 but that's the killer for you. 368 00:29:24,000 --> 00:29:25,500 He's a philanderer, 369 00:29:26,600 --> 00:29:30,100 a chief banished for sleeping with his wife's lover! 370 00:29:31,100 --> 00:29:32,700 He acts high and mighty 371 00:29:32,800 --> 00:29:36,100 but he's lucky old Stangerson took him in. 372 00:29:37,400 --> 00:29:39,200 That should do it. 373 00:29:44,100 --> 00:29:46,100 She needs more fresh air. 374 00:29:48,100 --> 00:29:50,600 All that time alone with her father... 375 00:29:53,200 --> 00:29:55,100 Many photographers are depressed. 376 00:29:55,400 --> 00:29:56,800 Really? 377 00:29:57,400 --> 00:29:58,700 Are you? 378 00:29:59,500 --> 00:30:00,600 Well, no... 379 00:30:01,600 --> 00:30:03,600 This part is the "divin", 380 00:30:04,300 --> 00:30:06,500 with hints of amber and musk. 381 00:30:06,700 --> 00:30:08,200 I'll soon see. 382 00:30:09,400 --> 00:30:10,800 What're you smoking? 383 00:30:10,900 --> 00:30:12,400 "Romeo and Juliet". 384 00:30:12,900 --> 00:30:15,100 Really? Me too. 385 00:30:18,800 --> 00:30:20,200 Where are you going? 386 00:30:20,300 --> 00:30:22,200 I'm savouring... 387 00:30:22,800 --> 00:30:24,900 I'm basking in all this peace. 388 00:30:27,200 --> 00:30:30,800 Do you happen to know whom Mr Darzac is meeting later? 389 00:30:31,000 --> 00:30:32,000 No. 390 00:30:32,200 --> 00:30:37,400 The meeting with the magistrate will begin shortly at the pavilion! 391 00:30:37,800 --> 00:30:38,800 Good, a meeting! 392 00:30:39,000 --> 00:30:41,700 - Maybe we can't... - Smart guys like us? 393 00:30:43,500 --> 00:30:46,800 The magistrate's meeting begins at the pavilion 394 00:30:47,000 --> 00:30:48,600 immediately! 395 00:31:00,400 --> 00:31:02,800 Put this back where you found it. 396 00:31:03,800 --> 00:31:04,600 You're here? 397 00:31:06,200 --> 00:31:08,300 So Mr Darzac let you in? 398 00:31:08,400 --> 00:31:10,500 We didn't want to disturb you... 399 00:31:10,700 --> 00:31:12,100 We're rehearsing. 400 00:31:12,200 --> 00:31:15,700 A few ideas for the re-enactment. Is everyone here? 401 00:31:15,800 --> 00:31:18,300 A startling weapon. And dried blood... 402 00:31:18,400 --> 00:31:20,700 Several different kinds of blood. 403 00:31:22,200 --> 00:31:23,200 Where's my hat? 404 00:31:23,400 --> 00:31:27,000 The first shot hit the ceiling. The second struck home. 405 00:31:27,200 --> 00:31:30,500 The wounded killer dropped the bone and fled. 406 00:31:32,500 --> 00:31:34,300 I don't understand a thing. 407 00:31:34,400 --> 00:31:36,700 Your duty, sir, is to understand. 408 00:31:36,900 --> 00:31:38,200 Of course. 409 00:31:38,400 --> 00:31:40,000 All right. Let's go. 410 00:31:42,400 --> 00:31:44,300 Am I presentable? 411 00:32:04,200 --> 00:32:07,700 Stop messing. Put that ball down and leave it alone. 412 00:32:08,900 --> 00:32:10,600 Too many uniforms... 413 00:32:11,700 --> 00:32:14,100 My home's turning into a barracks! 414 00:32:14,300 --> 00:32:15,400 I write plays. 415 00:32:16,600 --> 00:32:19,300 Three-act tragicomedies. 416 00:32:21,200 --> 00:32:23,900 Gentlemen! Calm down, please. 417 00:32:33,400 --> 00:32:36,300 This whole matter is very sensitive 418 00:32:37,400 --> 00:32:38,600 and complex. 419 00:32:39,700 --> 00:32:42,600 Why don't we go outside? Such a nice day. 420 00:32:43,000 --> 00:32:46,100 Let's make the most of the garden. Why not? 421 00:32:46,700 --> 00:32:48,300 Come along, everybody. 422 00:32:48,900 --> 00:32:52,000 We've wined and dined, thought and pondered 423 00:32:52,100 --> 00:32:55,600 and it's got us nowhere. So now we're going to talk. 424 00:32:55,800 --> 00:32:57,600 I've brought you here to talk. 425 00:32:58,200 --> 00:33:02,200 We're going to talk with generosity and intelligence 426 00:33:02,500 --> 00:33:04,000 or with stupidity. 427 00:33:04,200 --> 00:33:06,600 We can speak our minds, without logic, 428 00:33:07,200 --> 00:33:09,600 since logic isn't working here. 429 00:33:10,400 --> 00:33:12,700 - Are you back in the kitchen? - Yes, sir. 430 00:33:12,900 --> 00:33:13,900 Anything tasty? 431 00:33:14,900 --> 00:33:15,700 Veal rolls. 432 00:33:15,900 --> 00:33:17,000 Veal rolls... 433 00:33:17,200 --> 00:33:18,400 Yes, veal rolls. 434 00:33:18,600 --> 00:33:19,600 With? 435 00:33:21,000 --> 00:33:25,100 You maintain that you were in bed when you heard a shot. 436 00:33:25,300 --> 00:33:26,600 Yes, Your Honour. 437 00:33:28,000 --> 00:33:31,600 Well, you're lying. There were two shots, not one. 438 00:33:31,700 --> 00:33:33,200 Yes, two shots. 439 00:33:33,600 --> 00:33:37,000 A muffled one first and then a more deafening one. 440 00:33:37,800 --> 00:33:40,600 My caretakers aren't guilty or involved. 441 00:33:41,700 --> 00:33:42,700 Mr Darzac, 442 00:33:43,000 --> 00:33:45,300 you're very quiet. What do you think? 443 00:33:48,300 --> 00:33:49,300 I don't think anything. 444 00:33:49,500 --> 00:33:50,700 Mlle Stangerson 445 00:33:51,200 --> 00:33:53,100 was about to marry, I believe. 446 00:33:53,800 --> 00:33:58,100 Yes, to a friend I'd have been glad to call my son, Robert Darzac. 447 00:33:58,900 --> 00:34:00,900 Mlle Stangerson is better. 448 00:34:01,200 --> 00:34:03,100 The date is merely postponed? 449 00:34:04,500 --> 00:34:05,500 I hope so. 450 00:34:06,000 --> 00:34:07,900 You hope so? You're not sure? 451 00:34:10,300 --> 00:34:13,100 My daughter swore she'd never leave me. 452 00:34:13,500 --> 00:34:17,200 I often tried to persuade her to marry as was my duty. 453 00:34:18,000 --> 00:34:21,400 We've known Mr Robert Darzac for many years. 454 00:34:21,500 --> 00:34:24,200 Mr Robert Darzac loves my daughter. 455 00:34:24,700 --> 00:34:26,400 I'm an elderly man, sir, 456 00:34:26,600 --> 00:34:28,700 not far from kicking the bucket. 457 00:34:28,900 --> 00:34:32,500 I felt blessed when I knew she'd found someone 458 00:34:32,900 --> 00:34:35,900 to love her and pursue our work. 459 00:34:36,200 --> 00:34:39,900 A man I am fond of and esteem for his kind heart, skills 460 00:34:40,100 --> 00:34:42,100 and for his happy face. 461 00:34:42,800 --> 00:34:43,700 But, 462 00:34:43,900 --> 00:34:46,300 sir, two days before the crime, 463 00:34:46,800 --> 00:34:50,300 through some reversal of her will, my daughter declared 464 00:34:50,400 --> 00:34:51,800 she wouldn't marry him. 465 00:34:52,900 --> 00:34:54,700 That's odd. 466 00:34:54,900 --> 00:34:57,000 You won't find the motive there. 467 00:34:57,700 --> 00:34:58,600 Of course. 468 00:34:58,800 --> 00:35:00,000 How about here? 469 00:35:01,200 --> 00:35:03,200 The killer wore these boots. 470 00:35:04,000 --> 00:35:05,100 Recognize them? 471 00:35:05,300 --> 00:35:07,400 I threw them in the shed... 472 00:35:07,500 --> 00:35:10,300 Pere Jacques was with Mr Stangerson. 473 00:35:10,400 --> 00:35:12,900 Good for him. Otherwise, there'd be 474 00:35:13,200 --> 00:35:15,600 no doubt that he did the deed. 475 00:35:15,700 --> 00:35:17,900 We agree so far but I'm afraid 476 00:35:18,100 --> 00:35:21,200 I have nothing to counter his imminent error. 477 00:35:21,400 --> 00:35:23,900 But is an idea truly nothing? 478 00:35:24,000 --> 00:35:25,200 I don't know. 479 00:35:25,400 --> 00:35:29,700 The man who was able to enter here so mysteriously 480 00:35:30,100 --> 00:35:32,700 and take precautions against Pere Jacques 481 00:35:32,900 --> 00:35:34,400 clearly knew the house. 482 00:35:34,600 --> 00:35:36,700 He watched you and during dinner... 483 00:35:36,900 --> 00:35:40,100 - That's highly unlikely. - But not impossible. 484 00:35:41,100 --> 00:35:44,900 As for his exit... How did he manage to flee? 485 00:35:46,000 --> 00:35:47,100 Quite simply. 486 00:35:48,900 --> 00:35:51,300 Let's return to the darkness, sir. 487 00:35:55,000 --> 00:35:56,500 In which Larsan explains... 488 00:35:57,400 --> 00:35:59,000 how the killer left 489 00:36:05,800 --> 00:36:07,300 I've studied this room 490 00:36:07,500 --> 00:36:11,300 but I suppose you think that the door is the only exit. 491 00:36:14,100 --> 00:36:15,500 The killer did indeed 492 00:36:16,400 --> 00:36:17,900 use the door to leave. 493 00:36:21,800 --> 00:36:23,300 He committed the crime 494 00:36:24,900 --> 00:36:26,400 and left through the door. 495 00:36:26,600 --> 00:36:27,500 When? 496 00:36:31,300 --> 00:36:33,300 When it was easiest for him, 497 00:36:34,600 --> 00:36:36,600 when it all becomes explicable. 498 00:36:37,100 --> 00:36:39,800 So explicable there's no other explanation. 499 00:36:40,900 --> 00:36:43,400 Let's examine the instants after the crime. 500 00:36:43,600 --> 00:36:45,300 The first instant, 501 00:36:47,000 --> 00:36:50,100 when the exit from the room is blocked 502 00:36:50,200 --> 00:36:52,400 by Mr Stangerson 503 00:36:53,200 --> 00:36:54,900 and Pere Jacques. 504 00:36:57,200 --> 00:36:58,600 The second instant, 505 00:36:59,900 --> 00:37:02,200 when Pere Jacques rushes out, 506 00:37:02,400 --> 00:37:05,700 leaving Mr Stangerson alone in front of the door. 507 00:37:07,400 --> 00:37:08,800 The third instant, 508 00:37:10,100 --> 00:37:14,200 when Mr Stangerson is joined by the caretaker. 509 00:37:15,900 --> 00:37:17,400 The fourth instant, 510 00:37:18,200 --> 00:37:22,400 when we have Mr Stangerson, the caretaker, his wife 511 00:37:22,900 --> 00:37:25,600 and Pere Jacques in front of the door. 512 00:37:27,000 --> 00:37:28,600 The fifth instant, 513 00:37:29,600 --> 00:37:32,700 when the door is broken down 514 00:37:32,900 --> 00:37:35,900 and the Yellow Room invaded. 515 00:37:38,400 --> 00:37:41,500 The instant when escape is the most explicable 516 00:37:42,200 --> 00:37:44,500 is when the fewest people are here. 517 00:37:45,200 --> 00:37:48,400 There's one instant with just one person here, 518 00:37:51,100 --> 00:37:53,400 the second one when Mr Stangerson 519 00:37:54,100 --> 00:37:56,500 is all alone 520 00:37:58,900 --> 00:38:00,400 in front of the door. 521 00:38:02,200 --> 00:38:06,600 The door to the Yellow Room only opened in front of Mr Stangerson 522 00:38:06,800 --> 00:38:08,000 when he was alone 523 00:38:08,600 --> 00:38:11,200 and the man came out. 524 00:38:18,500 --> 00:38:22,800 Mr Stangerson clearly had good reasons not to stop the killer. 525 00:38:23,900 --> 00:38:26,400 Mlle Stangerson, horribly wounded, 526 00:38:26,500 --> 00:38:29,300 found the strength, at her father's behest, 527 00:38:29,800 --> 00:38:32,300 to close the door of the Yellow Room, 528 00:38:32,500 --> 00:38:35,400 lock it and bolt it before collapsing again. 529 00:38:37,800 --> 00:38:39,500 We don't know the killer. 530 00:38:40,500 --> 00:38:44,400 We don't know the wretch who is victimizing the Stangersons 531 00:38:44,600 --> 00:38:47,100 but there is no doubt that they know! 532 00:38:52,000 --> 00:38:54,100 It must be a terrible secret 533 00:38:55,200 --> 00:38:57,100 if a father doesn't hesitate 534 00:38:57,800 --> 00:39:01,500 to leave his daughter dying behind a door that she locked. 535 00:39:04,100 --> 00:39:05,500 A terrible one 536 00:39:06,800 --> 00:39:09,200 if he allowed the killer to escape. 537 00:39:15,100 --> 00:39:18,800 Firstly, I swear on my dying daughter's life 538 00:39:19,200 --> 00:39:21,300 that I never left this door. 539 00:39:21,600 --> 00:39:23,200 Secondly, 540 00:39:24,100 --> 00:39:27,400 that this door remained closed 541 00:39:27,900 --> 00:39:29,500 when I was here alone. 542 00:39:29,800 --> 00:39:31,100 Thirdly... 543 00:39:33,100 --> 00:39:34,500 Where was I? 544 00:39:35,100 --> 00:39:36,100 Oh, yes! 545 00:39:36,800 --> 00:39:41,800 When I finally entered the Yellow Room 546 00:39:43,000 --> 00:39:46,700 with my employees, the killer wasn't there. 547 00:39:48,300 --> 00:39:49,600 Thirdly, 548 00:39:50,000 --> 00:39:51,200 I swear 549 00:39:52,100 --> 00:39:53,600 I don't know the killer. 550 00:39:53,800 --> 00:39:56,500 That was fourthly but never mind. 551 00:39:57,100 --> 00:40:00,400 Ladies and gentlemen, this conversation is over. 552 00:40:02,400 --> 00:40:03,900 I believe you, sir. 553 00:40:06,700 --> 00:40:10,600 The presbytery is bewitching in its radiant garden 554 00:40:11,500 --> 00:40:13,400 Why do you believe Stangerson? 555 00:40:14,000 --> 00:40:17,400 What were those words that struck Robert Darzac? 556 00:40:17,500 --> 00:40:18,700 About a presbytery... 557 00:40:18,900 --> 00:40:21,800 The date, July 23, says it all. 558 00:40:21,900 --> 00:40:25,300 The Stangersons attended a presidential reception. 559 00:40:25,500 --> 00:40:27,000 I was there for work. 560 00:40:27,200 --> 00:40:29,100 It was a very mild evening. 561 00:40:29,300 --> 00:40:31,600 Suddenly, in the gardens, I smell... 562 00:40:33,200 --> 00:40:34,800 - I smell... - You smell? 563 00:40:35,400 --> 00:40:39,000 - The perfume of the lady in black. - What's that? 564 00:40:39,200 --> 00:40:40,900 A perfume I was very fond of. 565 00:40:41,100 --> 00:40:43,800 The perfume of a lady dressed in black 566 00:40:43,900 --> 00:40:45,900 who was kind to me as a child. 567 00:40:46,000 --> 00:40:49,100 And the lady who was wearing it that evening 568 00:40:49,200 --> 00:40:50,600 was dressed in white. 569 00:40:55,200 --> 00:40:58,400 I couldn't help but follow her and her perfume. 570 00:41:00,000 --> 00:41:02,100 Everyone turned as they passed, 571 00:41:02,300 --> 00:41:05,300 murmuring, "Professor Stangerson and his daughter." 572 00:41:05,400 --> 00:41:09,400 "Ah, the eternal fianc?, some of them sniggered. 573 00:41:11,200 --> 00:41:14,000 Robert Darzac led Mathilde Stangerson off 574 00:41:14,200 --> 00:41:17,300 taking her along another pathway. 575 00:41:20,000 --> 00:41:22,200 They made sure no one followed. 576 00:41:23,800 --> 00:41:25,800 She was gripping her purse. 577 00:41:28,000 --> 00:41:29,500 I followed them. 578 00:41:31,300 --> 00:41:35,900 They were poring over a piece of paper held by Mlle Stangerson. 579 00:41:36,000 --> 00:41:40,900 She kept folding it over and over, repeating in scornful desperation: 580 00:41:41,000 --> 00:41:44,700 "The presbytery is bewitching in its radiant garden." 581 00:41:49,400 --> 00:41:52,500 Must I commit a crime for you? 582 00:41:52,700 --> 00:41:54,300 Oh, don't speak! 583 00:41:59,900 --> 00:42:01,500 Then they walked away. 584 00:42:01,800 --> 00:42:03,800 That was my evening, old chap. 585 00:42:04,000 --> 00:42:06,600 And you told Darzac that when we arrived. 586 00:42:06,800 --> 00:42:10,500 I repeated his words to him: "Must I commit a crime for you?" 587 00:42:10,600 --> 00:42:12,800 "Is someone keeping you apart? 588 00:42:13,000 --> 00:42:15,900 "Someone who'd kill her to prevent your marriage?" 589 00:42:16,100 --> 00:42:17,100 Gently! 590 00:42:17,200 --> 00:42:20,300 Darzac was haggard, sweating and scared. 591 00:42:20,500 --> 00:42:22,300 - He told me... - What? 592 00:42:22,600 --> 00:42:24,400 "Sir," he said, 593 00:42:24,600 --> 00:42:26,400 "my request may seem absurd 594 00:42:26,600 --> 00:42:27,900 "but I'd die for it. 595 00:42:28,600 --> 00:42:30,800 "The magistrate must not know 596 00:42:31,000 --> 00:42:33,400 "and please forget the reception." 597 00:42:33,500 --> 00:42:35,300 I swear I'm innocent. 598 00:42:35,800 --> 00:42:38,200 I'll help you to find the criminal. 599 00:42:38,400 --> 00:42:42,900 Be my guest at the house here but forget the President's reception. 600 00:42:43,700 --> 00:42:46,200 I have to go away for the night. 601 00:42:47,000 --> 00:42:51,300 Make sure that no one can enter Mlle Stangerson's room. 602 00:42:52,100 --> 00:42:55,200 Set up an impassable barrier around her room. 603 00:42:55,400 --> 00:42:58,400 The killer must not be able to approach her. 604 00:42:58,600 --> 00:42:59,500 Don't sleep. 605 00:42:59,800 --> 00:43:01,800 "Do not take a minute's rest." 606 00:43:02,400 --> 00:43:03,700 All right. 607 00:43:07,100 --> 00:43:09,000 I said the very same thing. 608 00:43:09,200 --> 00:43:10,800 Sainclair, old chap, 609 00:43:11,200 --> 00:43:13,000 I expect the killer tonight. 610 00:43:14,000 --> 00:43:15,000 You're sure? 611 00:43:15,100 --> 00:43:17,200 He'll be back to finish the job. 612 00:43:17,400 --> 00:43:19,000 We need weapons. 613 00:43:19,100 --> 00:43:21,600 Why not warn the police, Larsan... 614 00:43:21,700 --> 00:43:23,200 Why not the airforce too? 615 00:43:23,400 --> 00:43:26,900 We must protect Mathilde's secret. I know where to go. 616 00:43:34,200 --> 00:43:35,300 Anybody in? 617 00:43:36,500 --> 00:43:38,400 He must hide his guns well... 618 00:44:00,200 --> 00:44:03,500 We're looking for pistols... 619 00:44:04,000 --> 00:44:05,100 To kill who? 620 00:44:05,200 --> 00:44:09,300 Just for a little shooting practice. 621 00:44:09,600 --> 00:44:11,900 To wound someone at the worst. 622 00:44:12,700 --> 00:44:14,900 I don't shoot to wound people 623 00:44:15,000 --> 00:44:17,000 or to scare them. 624 00:44:29,700 --> 00:44:30,700 When? 625 00:44:30,900 --> 00:44:33,700 Perhaps when the Beastie will... 626 00:44:51,600 --> 00:44:53,400 This one is pleasant. 627 00:44:57,200 --> 00:44:58,200 And you? 628 00:44:58,700 --> 00:44:59,900 Choose. 629 00:45:22,000 --> 00:45:25,300 Tonight, it's just two of us against the killer? 630 00:45:25,400 --> 00:45:27,300 Yes, but if someone's killed 631 00:45:27,500 --> 00:45:29,700 I'll warn the caretaker, Larsan... 632 00:45:29,900 --> 00:45:32,200 - He's sleeping here? - Next door. 633 00:45:32,700 --> 00:45:36,000 - And De Marquet? - At a hotel he's fond of... 634 00:45:39,100 --> 00:45:40,800 He looks odd, doesn't he? 635 00:45:42,900 --> 00:45:44,900 - And Darzac? - He's in Paris. 636 00:45:47,000 --> 00:45:48,900 Seeing someone, I suppose 637 00:45:49,300 --> 00:45:52,300 - So someone will be killed? - If necessary. 638 00:45:52,500 --> 00:45:55,200 - Killing a man... - I don't want to. 639 00:45:55,500 --> 00:45:59,600 I don't even want to catch him. I just want to see his face. 640 00:45:59,900 --> 00:46:02,800 - You'd let him go? - I'm not a policeman. 641 00:46:03,000 --> 00:46:05,500 I just want to see his eyes. 642 00:46:06,400 --> 00:46:08,300 What are the guns for then? 643 00:46:09,200 --> 00:46:13,700 If he knows I saw his note to Mathilde, he'll stop at nothing. 644 00:46:25,900 --> 00:46:27,300 I fancy veal rolls. 645 00:46:31,800 --> 00:46:33,800 That's Mlle Stangerson's voice 646 00:46:37,700 --> 00:46:38,600 Robi? 647 00:46:38,700 --> 00:46:41,800 Her pet name for Darzac. She's talking to him. 648 00:46:46,500 --> 00:46:48,400 We need to hear better. 649 00:46:48,500 --> 00:46:50,100 Try shutting up. 650 00:46:50,900 --> 00:46:53,400 Since we can't hear, let's try to see. 651 00:46:56,800 --> 00:46:58,300 Where are you going? 652 00:46:59,800 --> 00:47:01,200 My legs gave way. 653 00:47:01,400 --> 00:47:04,700 "My legs gave way". You're hopeless. Try again. 654 00:47:04,800 --> 00:47:07,200 Give it all you've got this time. 655 00:47:09,000 --> 00:47:11,500 One, two, three... 656 00:47:34,200 --> 00:47:36,900 I think Darzac is a total hypocrite. 657 00:47:37,300 --> 00:47:39,400 And I think this backs him up. 658 00:47:44,000 --> 00:47:45,600 Something worries her. 659 00:47:54,300 --> 00:47:55,800 The cat's still out. 660 00:48:04,400 --> 00:48:05,700 What's she doing? 661 00:48:06,700 --> 00:48:07,900 Pouring something. 662 00:48:09,800 --> 00:48:12,200 She wants to knock her father out. 663 00:48:12,300 --> 00:48:15,900 Darzac dreads the killer's visit but she's preparing it. 664 00:48:16,800 --> 00:48:18,000 It looks like it. 665 00:48:30,000 --> 00:48:30,800 Joseph? 666 00:48:35,000 --> 00:48:37,700 - Evening, Mr Sainclair. - Inspector! 667 00:48:42,200 --> 00:48:43,300 Can we eat now? 668 00:48:43,500 --> 00:48:45,200 Would you like to dine in my room? 669 00:48:45,400 --> 00:48:46,400 Gladly. 670 00:48:46,600 --> 00:48:48,700 You're not watching Mathilde's room? 671 00:48:48,800 --> 00:48:51,900 I have four men keeping an eye on the grounds. 672 00:48:52,100 --> 00:48:53,500 Why on the grounds? 673 00:48:54,400 --> 00:48:57,300 Policemen tend to annoy Professor Stangerson. 674 00:48:57,600 --> 00:48:59,900 I have two lads tailing Darzac 675 00:49:00,000 --> 00:49:02,900 and I'm watching the inside of the house. 676 00:49:03,100 --> 00:49:05,000 Discreet surveillance. Drat! 677 00:49:05,500 --> 00:49:07,000 - My cane. - Your cane? 678 00:49:07,800 --> 00:49:09,600 Yes, I left it by the tree. 679 00:49:09,800 --> 00:49:11,000 I'll catch up. 680 00:49:14,000 --> 00:49:18,400 I never saw Larsan with a cane before. Where did he get it? 681 00:49:18,600 --> 00:49:20,900 He started investigating before me. 682 00:49:21,100 --> 00:49:23,800 The fact that he suspects Robert Darzac 683 00:49:23,900 --> 00:49:25,900 must be grounded in facts, 684 00:49:26,100 --> 00:49:29,500 facts that he knows and that I don't, in fact. 685 00:49:30,100 --> 00:49:30,900 Who's there? 686 00:49:33,700 --> 00:49:35,100 Joseph, come back! 687 00:49:42,600 --> 00:49:44,400 They're with me, Marcel. 688 00:49:44,800 --> 00:49:47,300 - Where's William? - Still in the loo. 689 00:49:47,500 --> 00:49:49,800 Still? No one's at the gate? 690 00:49:49,900 --> 00:49:52,800 No, and I hoped to grab a bite to eat. 691 00:49:53,000 --> 00:49:57,100 Go back to the gate and put William on the east side, damn it! 692 00:50:02,100 --> 00:50:04,200 Good lads but not that smart. 693 00:50:05,200 --> 00:50:06,700 May we see your cane? 694 00:50:07,900 --> 00:50:10,000 - Certainly. - Thank you. 695 00:50:19,700 --> 00:50:20,800 Very nice. 696 00:50:23,400 --> 00:50:26,100 - See you in half an hour? - Very good. 697 00:50:31,900 --> 00:50:33,600 - That outline... - The Inspector's? 698 00:50:33,700 --> 00:50:35,200 The cane's! 699 00:50:35,400 --> 00:50:37,100 It was a woman's profile. 700 00:50:37,300 --> 00:50:39,800 I bet the cane belongs to Darzac. 701 00:50:39,900 --> 00:50:41,900 And that the profile is... 702 00:50:43,100 --> 00:50:44,800 You think Darzac's innocent? 703 00:50:45,000 --> 00:50:47,800 There are odd coincidences: The footmarks, 704 00:50:48,000 --> 00:50:50,400 his whereabouts during the crime, 705 00:50:50,600 --> 00:50:54,100 his broken engagement, tonight's quarrel, his appointment... 706 00:50:54,300 --> 00:50:55,200 That's a lot. 707 00:50:55,400 --> 00:50:57,300 Coincidence is truth's enemy. 708 00:50:57,500 --> 00:51:00,200 It backs up Larsan's theory about the door. 709 00:51:00,400 --> 00:51:03,700 But is that theory really leading Larsan astray? 710 00:51:03,900 --> 00:51:05,500 Shall I follow Darzac? 711 00:51:05,700 --> 00:51:09,900 He'll be long gone by now and I need you here. Good idea, though. 712 00:51:10,000 --> 00:51:13,000 I could have followed him on the sly. 713 00:51:20,500 --> 00:51:22,500 I'll do the right-hand gallery. 714 00:51:24,800 --> 00:51:27,600 You'll need to hide to watch her door. 715 00:51:33,400 --> 00:51:34,900 Try here. 716 00:51:40,900 --> 00:51:42,700 Can you get down lower? 717 00:51:43,000 --> 00:51:45,600 - Lower. - I'm doing my best. 718 00:51:47,300 --> 00:51:48,800 No, it's grotesque. 719 00:51:53,100 --> 00:51:54,900 - OSAGCMOF. - Huh? 720 00:51:55,400 --> 00:51:57,500 - OSAGCMOF. - What are you talking about? 721 00:51:57,700 --> 00:52:00,000 I learnt it during an army report. 722 00:52:00,100 --> 00:52:03,000 It's the rule to follow for good camouflage. 723 00:52:05,400 --> 00:52:06,400 The "O"... 724 00:52:10,900 --> 00:52:12,400 is for outline. 725 00:52:13,000 --> 00:52:15,800 Your outline blends with your surroundings. 726 00:52:20,400 --> 00:52:24,500 This is good, you stand vertically in a vertical outline. 727 00:52:24,900 --> 00:52:26,700 A human outline is easy to spot. 728 00:52:26,900 --> 00:52:31,000 I think the "S" is for shadow. Watch your shadow. Or for smell. 729 00:52:31,100 --> 00:52:33,500 I only give off a faint smell! 730 00:52:33,700 --> 00:52:36,700 "A" is for action. You follow the action. 731 00:52:39,900 --> 00:52:41,000 Then... 732 00:52:41,700 --> 00:52:44,400 - What's the "G" for? - Very important. Glint. 733 00:52:44,600 --> 00:52:48,000 The glint of your spectacles or your gold tooth. 734 00:52:48,200 --> 00:52:49,100 I won't smile. 735 00:52:49,300 --> 00:52:51,300 No reason to smile anyway. 736 00:52:51,500 --> 00:52:53,100 - I might want to. - Don't. 737 00:52:53,300 --> 00:52:54,500 It's not easy... 738 00:53:01,400 --> 00:53:04,700 "C" is for colour. Blend with the background. 739 00:53:05,300 --> 00:53:06,800 And the MOF in OSAGCMOF? 740 00:53:07,000 --> 00:53:09,900 Fundamental. You must be able to Move, 741 00:53:10,100 --> 00:53:12,900 Observe and Fire, of course. 742 00:53:14,600 --> 00:53:17,300 - Move means run away? - That too. Listen. 743 00:53:17,500 --> 00:53:19,600 If you see him, let me know. 744 00:53:19,800 --> 00:53:22,600 Make the clock chime by turning the hands. 745 00:53:22,700 --> 00:53:24,400 - And? - And you'll see me appear. 746 00:53:25,700 --> 00:53:28,100 Walk towards me, behind the man, 747 00:53:28,200 --> 00:53:30,600 but I'll get there and see his face. 748 00:53:30,800 --> 00:53:33,400 The Inspector's expecting us for dinner. 749 00:53:34,100 --> 00:53:36,600 Not a word about tonight's plan. 750 00:53:36,700 --> 00:53:39,900 Of course, we act alone. And all the glory's ours. 751 00:53:40,000 --> 00:53:41,400 Right, Dwight. 752 00:53:43,500 --> 00:53:45,400 - It's us. - Good evening. 753 00:53:47,600 --> 00:53:48,800 Gentlemen. 754 00:53:50,200 --> 00:53:51,800 Something smells good. 755 00:53:57,000 --> 00:53:57,900 No thank you. 756 00:54:01,100 --> 00:54:03,800 Enjoy your dinner and have a good evening. 757 00:54:18,000 --> 00:54:21,200 - Excellent. - A little green but never mind. 758 00:54:22,400 --> 00:54:25,200 I think we've both reached our conclusions. 759 00:54:25,300 --> 00:54:27,100 I think so too, Mr Fred. 760 00:54:27,600 --> 00:54:29,900 - Found the guilty man? - Have you? 761 00:54:30,100 --> 00:54:31,100 Yes. 762 00:54:32,000 --> 00:54:33,100 Maybe... 763 00:54:33,900 --> 00:54:35,500 Could it be the same man? 764 00:54:35,700 --> 00:54:38,000 Unless you've changed your mind. 765 00:54:38,300 --> 00:54:40,100 Mr Darzac is an honest man. 766 00:54:40,300 --> 00:54:41,500 Are you sure? 767 00:54:42,100 --> 00:54:44,000 I'm sure of the contrary. 768 00:54:44,400 --> 00:54:46,600 - So this is war? - It's war. 769 00:54:47,200 --> 00:54:49,100 And I'll beat you, Mr Larsan. 770 00:54:50,400 --> 00:54:52,100 The rashness of youth. 771 00:54:52,600 --> 00:54:53,700 Indeed. 772 00:54:55,000 --> 00:54:56,800 Those veal rolls were tasty. 773 00:55:03,900 --> 00:55:05,400 Bravo. 774 00:55:05,500 --> 00:55:07,400 - One more time? - Please. 775 00:55:11,600 --> 00:55:15,400 I always count to three, even when I'm alone, 776 00:55:15,600 --> 00:55:17,300 to let the magic work. 777 00:55:17,700 --> 00:55:20,400 And see what you think you see... 778 00:55:26,900 --> 00:55:29,900 Mr Larsan? Mr Fred? 779 00:55:41,900 --> 00:55:42,900 He's asleep. 780 00:55:44,300 --> 00:55:46,800 Mlle Stangerson has drugged everybody. 781 00:55:47,600 --> 00:55:49,500 We all ate the same thing. 782 00:55:50,200 --> 00:55:51,700 The veal rolls! 783 00:55:52,000 --> 00:55:53,500 Do you feel unwell? 784 00:55:53,900 --> 00:55:54,600 No. 785 00:55:55,000 --> 00:55:56,700 Let me check your pulse. 786 00:55:59,200 --> 00:56:00,500 Is that your pulse? 787 00:56:00,700 --> 00:56:03,200 It's a bit weak. And you're pale. 788 00:56:05,800 --> 00:56:07,400 How about yours... 789 00:56:09,600 --> 00:56:12,800 You look a bit peaky. Feel like sleeping? 790 00:56:16,000 --> 00:56:17,000 No. 791 00:56:20,000 --> 00:56:21,600 Did I yawn naturally? 792 00:56:23,200 --> 00:56:25,200 Stocking feet now! 793 00:56:25,400 --> 00:56:26,900 Stocking feet time! 794 00:56:46,600 --> 00:56:47,500 Sainclair! 795 00:57:04,100 --> 00:57:06,500 Men only embrace on great occasions 796 00:57:06,900 --> 00:57:08,900 or when they're in danger. 797 00:57:10,400 --> 00:57:13,200 I'm not a hero but I'm no coward either. 798 00:57:13,700 --> 00:57:15,600 OSAGCMOF then... 799 00:58:31,700 --> 00:58:33,100 I don't believe it! 800 00:59:57,200 --> 00:59:58,100 Joseph! 801 00:59:59,600 --> 01:00:01,400 He can't have gone to bed. 802 01:00:17,600 --> 01:00:19,100 You're asleep! 803 01:00:22,500 --> 01:00:24,800 I know, it's the wine. 804 01:00:26,000 --> 01:00:27,900 I didn't drink any. 805 01:00:29,000 --> 01:00:30,700 Joseph, wake up! 806 01:00:39,500 --> 01:00:41,500 Carry on but not so hard. 807 01:00:41,900 --> 01:00:45,100 - Do it quietly. - How can I slap you quietly? 808 01:00:47,800 --> 01:00:50,500 I was drugged. I tried to resist. 809 01:00:50,800 --> 01:00:52,900 All right, that's enough now. 810 01:00:54,800 --> 01:00:56,000 What's going on? 811 01:00:56,300 --> 01:00:58,700 I was trapped in the clock. I crawled... 812 01:00:58,800 --> 01:01:01,300 I found you unconscious. I was scared. 813 01:01:01,500 --> 01:01:03,200 The beast cried out too. 814 01:01:03,600 --> 01:01:06,500 Someone entered Mlle Stangerson's room. 815 01:01:06,700 --> 01:01:08,100 Now you tell me? 816 01:01:08,300 --> 01:01:10,000 Oh, God, we're useless! 817 01:01:14,000 --> 01:01:15,100 It's no use. 818 01:01:15,300 --> 01:01:17,300 Why don't you raise the alarm? 819 01:01:17,400 --> 01:01:20,100 The killer may get away but not Mlle Stangerson. 820 01:01:20,300 --> 01:01:22,100 It may not be the killer. 821 01:01:22,300 --> 01:01:24,200 What terrible secret 822 01:01:24,400 --> 01:01:27,800 obliges Mlle Stangerson to remove all the obstacles 823 01:01:28,000 --> 01:01:29,600 between her and her killer? 824 01:01:29,800 --> 01:01:30,800 I don't know. 825 01:01:31,000 --> 01:01:32,700 - I want to see. - Go on. 826 01:01:32,800 --> 01:01:34,300 Go back and hide. 827 01:01:35,500 --> 01:01:37,200 Keep a drastic look out. 828 01:01:55,700 --> 01:01:57,100 Are you the black man's ghost? 829 01:01:57,300 --> 01:01:59,500 What black man? You hurt me. 830 01:01:59,600 --> 01:02:03,100 I thought you were his ghost. I heard the Beastie. 831 01:02:03,300 --> 01:02:05,900 The killer's back. Fetch the gamekeeper! 832 01:02:06,000 --> 01:02:09,200 I'm sorry. I must have hurt you. 833 01:02:09,400 --> 01:02:12,000 Just a little bump. With a cold compress... 834 01:02:12,200 --> 01:02:13,100 I'm going! 835 01:02:39,800 --> 01:02:41,500 Little Foot isn't at home. 836 01:02:50,200 --> 01:02:51,700 Be quiet! 837 01:02:52,700 --> 01:02:55,100 - Who's Little Foot? - The gamekeeper. 838 01:02:55,300 --> 01:02:56,900 - And? - He's not at home. 839 01:02:57,200 --> 01:03:00,900 All right. Stay here and keep quiet. 840 01:03:13,800 --> 01:03:15,300 Leave me now. 841 01:03:24,600 --> 01:03:25,600 Have mercy. 842 01:03:26,200 --> 01:03:27,000 Mercy. 843 01:03:48,200 --> 01:03:50,800 - Are you catching him or not? - Shut up! 844 01:03:51,900 --> 01:03:54,900 If I hop into the room, he'll escape. 845 01:03:55,000 --> 01:03:57,300 He's carrying a horrible blade... 846 01:03:57,500 --> 01:03:59,800 - You have a gun. - It's not easy. 847 01:04:00,000 --> 01:04:01,900 - Kill him! - Not now. 848 01:04:02,400 --> 01:04:03,600 We'll set a trap. 849 01:04:03,800 --> 01:04:06,000 We can blow down the door. 850 01:04:18,600 --> 01:04:20,400 The man's in Mathilde's room. 851 01:04:20,600 --> 01:04:21,900 What happened? 852 01:04:22,000 --> 01:04:24,100 You were drugged. Come quickly. 853 01:04:24,300 --> 01:04:25,900 Did you see his face? 854 01:04:26,100 --> 01:04:27,600 He has a welder's mask. 855 01:04:27,800 --> 01:04:28,800 Is he still there? 856 01:04:29,000 --> 01:04:31,700 Yes but he has three possible escape routes. 857 01:04:31,900 --> 01:04:35,000 Stay near the window at the end of the gallery. 858 01:04:35,200 --> 01:04:38,500 - All right. Do you want a gun? - No, I have one. 859 01:04:38,700 --> 01:04:40,700 - Can you use it? - Yes. 860 01:04:44,400 --> 01:04:46,300 - That's better. - Be careful. 861 01:04:46,500 --> 01:04:47,300 Thank you. 862 01:04:59,400 --> 01:05:01,000 Just a second... 863 01:05:02,700 --> 01:05:04,200 Put yourself here. 864 01:05:04,600 --> 01:05:07,900 Watch the stairs with all your eyes. 865 01:05:08,100 --> 01:05:09,700 Back there. 866 01:05:10,800 --> 01:05:12,100 That's good. 867 01:05:26,000 --> 01:05:28,700 - Sainclair? Where are you? - Here. 868 01:05:30,900 --> 01:05:33,300 Excellent camouflage job. 869 01:05:33,400 --> 01:05:35,100 Yes, I made an effort. 870 01:05:35,200 --> 01:05:37,100 You can't see anything though. 871 01:05:37,400 --> 01:05:39,500 - No. Did you see him? - Yes. 872 01:05:40,000 --> 01:05:41,600 He had a welder's mask on. 873 01:05:42,100 --> 01:05:43,700 I'll climb in the window. 874 01:05:43,900 --> 01:05:46,700 Every exit's blocked. We can't miss him. 875 01:05:47,800 --> 01:05:48,800 Shall I hide? 876 01:05:50,000 --> 01:05:51,400 Just try to stop him. 877 01:05:53,600 --> 01:05:54,400 Shall I fire? 878 01:05:54,600 --> 01:05:57,000 No, just stop him, all right. 879 01:05:57,400 --> 01:05:58,500 I'll stop him. 880 01:05:59,800 --> 01:06:03,100 It's a reasonable, simple and safe plan. 881 01:06:10,900 --> 01:06:12,700 Blocking the killer's path, 882 01:06:12,800 --> 01:06:15,300 whichever way he comes or goes. 883 01:06:39,800 --> 01:06:40,800 Help me! 884 01:06:44,500 --> 01:06:45,500 That way! 885 01:06:48,600 --> 01:06:49,500 He was here! 886 01:06:50,300 --> 01:06:51,800 - Where is he? - Impossible! 887 01:06:52,000 --> 01:06:53,000 We touched him... 888 01:06:53,200 --> 01:06:54,900 I felt his breath on me. 889 01:06:55,000 --> 01:06:56,100 I touched him. 890 01:07:02,100 --> 01:07:03,200 Nothing! 891 01:07:04,400 --> 01:07:05,200 Nothing. 892 01:07:05,800 --> 01:07:07,300 Nothing. Where is he? 893 01:07:07,700 --> 01:07:09,400 My dear, what are you doing? 894 01:07:10,800 --> 01:07:13,200 Mathilde, what's the matter, dear? 895 01:07:13,800 --> 01:07:15,500 What is it? Are you hurt? 896 01:07:15,700 --> 01:07:17,700 Pere Jacques, help me. Hurry! 897 01:07:17,900 --> 01:07:20,500 Lt'll be all right. Calm down now. 898 01:07:22,800 --> 01:07:25,600 Papa! Did you catch him? 899 01:07:26,000 --> 01:07:29,200 By some magical charm, he got away. 900 01:07:33,600 --> 01:07:35,500 You know the solution. 901 01:07:35,700 --> 01:07:38,700 Explain it to us and perhaps we can save you. 902 01:07:48,100 --> 01:07:49,000 There he is! 903 01:07:49,200 --> 01:07:50,700 Stop or I'll kill you! 904 01:08:02,100 --> 01:08:03,900 What's going on? 905 01:08:04,000 --> 01:08:04,900 Over there! 906 01:08:15,000 --> 01:08:17,100 Where is he? Don't shoot! Wait! 907 01:08:20,100 --> 01:08:21,000 He's dead. 908 01:08:21,200 --> 01:08:22,000 He's dead. 909 01:08:22,900 --> 01:08:25,700 - He's dead. - I heard you! 910 01:08:26,000 --> 01:08:28,000 It's too dark. Get a lantern. 911 01:08:40,400 --> 01:08:41,300 The gamekeeper! 912 01:08:42,100 --> 01:08:43,600 I don't believe it! 913 01:08:54,500 --> 01:08:58,200 This man wasn't shot, he was stabbed through the heart. 914 01:09:00,700 --> 01:09:03,800 Indeed, a sharp blade has pierced the heart. 915 01:09:27,400 --> 01:09:28,800 Calm your wife down! 916 01:09:38,300 --> 01:09:41,300 It's quite odd that I should be so wrong. 917 01:09:43,100 --> 01:09:44,800 - Did you see him clearly? - Who? 918 01:09:45,000 --> 01:09:46,500 - The man. - Yes. 919 01:09:46,800 --> 01:09:49,100 He had the same mask and clothes. 920 01:09:49,500 --> 01:09:53,300 That's how I saw him too. He knows the house well. 921 01:09:53,600 --> 01:09:55,500 I'm sure Darzac is innocent. 922 01:09:55,900 --> 01:09:58,800 I'd like to know where he is right now. 923 01:09:59,000 --> 01:10:01,800 We'll know soon enough when a new day dawns. 924 01:10:02,800 --> 01:10:04,000 Good night. 925 01:10:11,100 --> 01:10:13,700 - Still in stocking feet. - So I am. 926 01:10:13,900 --> 01:10:15,500 - Follow me. - Where? 927 01:10:15,700 --> 01:10:17,400 - To our room. - What for? 928 01:10:17,600 --> 01:10:19,800 To lie down and have a think. 929 01:10:21,800 --> 01:10:23,900 - Are you thinking? - Yes. 930 01:10:24,500 --> 01:10:25,500 And? 931 01:10:30,200 --> 01:10:32,400 The killer that we're after 932 01:10:32,600 --> 01:10:35,500 was in the gallery while we were after him. 933 01:10:37,800 --> 01:10:39,700 - That's all? - Yes. 934 01:10:41,100 --> 01:10:43,200 A good start but a bit brief. 935 01:10:45,200 --> 01:10:48,700 If he didn't use a window or a door, 936 01:10:49,600 --> 01:10:52,300 he left through a different exit. 937 01:10:55,800 --> 01:10:57,300 You reason like a slipper. 938 01:10:57,400 --> 01:11:00,100 Worse. Like Frederic Larsan. 939 01:11:03,500 --> 01:11:04,800 Or maybe... 940 01:11:05,500 --> 01:11:08,100 I should ignore exterior elements... 941 01:11:27,000 --> 01:11:30,700 Not my veal roll! Please, not my veal roll! 942 01:11:33,100 --> 01:11:35,300 Sorry, I thought you were ill. 943 01:11:38,400 --> 01:11:39,300 Where's Joseph? 944 01:11:40,400 --> 01:11:41,300 Don't you know? 945 01:11:44,200 --> 01:11:45,700 How's Mlle Stangerson? 946 01:11:49,500 --> 01:11:53,300 She's been stabbed in the belly. 947 01:11:54,400 --> 01:11:55,600 She's still alive. 948 01:11:56,400 --> 01:11:57,500 That's terrible. 949 01:12:01,500 --> 01:12:02,700 I have to go back. 950 01:12:04,200 --> 01:12:05,600 It's looking bad. 951 01:12:05,800 --> 01:12:08,100 Larsan is convinced Darzac did it. 952 01:12:09,300 --> 01:12:10,600 Have you thought? 953 01:12:10,800 --> 01:12:12,600 I woke with my mind raging. 954 01:12:12,800 --> 01:12:14,600 I went back to the gallery 955 01:12:14,800 --> 01:12:18,600 where my reasoning revealed something so incredible to me 956 01:12:19,000 --> 01:12:21,100 that I can't stand without it. 957 01:12:21,400 --> 01:12:23,000 I need all my energy. 958 01:12:30,600 --> 01:12:32,600 It's mathematically possible, 959 01:12:32,800 --> 01:12:34,500 so why not humanly too? 960 01:12:34,700 --> 01:12:38,200 But in that case, the whole business is huge. 961 01:12:41,100 --> 01:12:43,000 I've had enough of this. 962 01:12:44,500 --> 01:12:47,300 Poor Beastie, it knows death has struck. 963 01:12:49,200 --> 01:12:53,000 Come here, Bandar, have your essence. Come on, my baby. 964 01:12:58,700 --> 01:13:00,500 Ignore the nasty men. 965 01:13:01,100 --> 01:13:03,600 Poor baby's scared. 966 01:13:05,400 --> 01:13:07,200 You're still coughing... 967 01:13:08,200 --> 01:13:11,500 The professor said to drink your essence of croune. 968 01:13:11,700 --> 01:13:13,400 It'll do you good. 969 01:13:14,600 --> 01:13:16,800 Yes, my baby. 970 01:13:17,500 --> 01:13:19,700 You did your duty to the end. 971 01:13:21,600 --> 01:13:23,900 Little Foot, my darling, 972 01:13:24,100 --> 01:13:26,100 believe me, they'll all pay! 973 01:13:35,600 --> 01:13:38,500 Stay in bed, don't move 974 01:13:38,700 --> 01:13:40,100 and you'll be all right. 975 01:13:47,500 --> 01:13:49,300 What on earth 976 01:13:50,200 --> 01:13:51,400 is this essence? 977 01:14:03,700 --> 01:14:05,800 A real gut scorcher! 978 01:14:07,200 --> 01:14:08,200 Filthy muck! 979 01:14:08,400 --> 01:14:09,500 She's alive. 980 01:14:10,000 --> 01:14:11,400 I arrived too late. 981 01:14:34,300 --> 01:14:38,900 This officer saw you get off the train in Corbigny. 982 01:14:41,400 --> 01:14:43,000 At 10:30 pm. That's right. 983 01:14:44,200 --> 01:14:46,700 What were you doing last night 984 01:14:46,900 --> 01:14:50,200 just miles from where Mlle Stangerson was attacked? 985 01:14:52,400 --> 01:14:53,800 Mr Darzac, 986 01:14:54,300 --> 01:14:57,800 can you tell me everything you did last night? 987 01:15:03,000 --> 01:15:03,900 No, sir. 988 01:15:04,400 --> 01:15:06,600 Think hard or I shall be forced, 989 01:15:06,800 --> 01:15:09,100 should you still refuse to talk, 990 01:15:09,300 --> 01:15:11,000 to remand you in custody. 991 01:15:11,200 --> 01:15:12,300 I refuse. 992 01:15:13,000 --> 01:15:14,200 In the name of the law 993 01:15:14,700 --> 01:15:16,000 I arrest you. 994 01:15:24,500 --> 01:15:26,300 Don't talk! 995 01:15:31,900 --> 01:15:33,100 You won't defend yourself? 996 01:15:33,300 --> 01:15:34,800 - I'll defend you. - You can't. 997 01:15:35,000 --> 01:15:36,100 I will. 998 01:15:36,400 --> 01:15:39,000 - I know more than you. - Forget what you know! 999 01:15:42,600 --> 01:15:44,300 Let my words support you. 1000 01:15:44,500 --> 01:15:47,900 You know the killer's name, Mathilde knows half of him, 1001 01:15:48,100 --> 01:15:50,900 but I know both halves. I know the whole killer! 1002 01:16:07,600 --> 01:16:08,800 You know both halves? 1003 01:16:09,000 --> 01:16:11,300 Yes. I'll find the second half. 1004 01:16:17,800 --> 01:16:21,600 Rouletabille knows the two halves of the murderer 1005 01:16:26,900 --> 01:16:29,500 There could be more crimes if we leave. 1006 01:16:29,700 --> 01:16:32,200 That's unlikely with Darzac in jail. 1007 01:16:32,400 --> 01:16:35,400 - Know what Mathilde said earlier? - I didn't hear. 1008 01:16:35,600 --> 01:16:38,300 I heard her. She told him, "Don't talk!" 1009 01:16:38,400 --> 01:16:41,600 - Will he talk? - Never. That's why I'm leaving. 1010 01:16:41,800 --> 01:16:43,700 - Where? - On a journey. 1011 01:16:43,900 --> 01:16:46,300 - For long? - A good month perhaps. 1012 01:16:47,100 --> 01:16:49,100 I'll leave an envelope with you. 1013 01:16:53,600 --> 01:16:56,300 You can read that note when you want. 1014 01:16:56,400 --> 01:16:58,100 - Now? - If you want. 1015 01:16:58,300 --> 01:17:00,300 But don't forget what it says. 1016 01:17:02,800 --> 01:17:03,800 "My old friend, 1017 01:17:04,000 --> 01:17:07,900 "if I'm not back for the re-enactment with Darzac, 1018 01:17:08,000 --> 01:17:10,700 "open the big envelope for the magistrate. 1019 01:17:10,800 --> 01:17:13,700 "It contains the killer's name but no proof. 1020 01:17:13,900 --> 01:17:16,700 "I have gone to fetch the proof. 1021 01:17:16,800 --> 01:17:19,800 "But it does give an explanation of his guilt. 1022 01:17:20,000 --> 01:17:22,100 "Act if it becomes necessary." 1023 01:17:22,600 --> 01:17:24,300 You won't tell me who? 1024 01:18:07,500 --> 01:18:11,700 In which Rouletabille leaves for America 1025 01:19:51,200 --> 01:19:53,300 We're here! Let us in! 1026 01:19:53,900 --> 01:19:55,500 I don't believe it! 1027 01:19:56,200 --> 01:19:58,900 It's incredible! We've come from Paris! 1028 01:20:10,700 --> 01:20:11,600 Bitch! 1029 01:20:12,600 --> 01:20:14,300 Yes, I loved him! 1030 01:20:14,700 --> 01:20:16,600 And you killed him! You! 1031 01:20:17,500 --> 01:20:21,400 Mlle Stangerson's murder and the gamekeeper's are one case. 1032 01:20:22,100 --> 01:20:25,100 Mlle Stangerson's killer was shot 1033 01:20:25,200 --> 01:20:27,000 fleeing across this yard. 1034 01:20:27,700 --> 01:20:29,500 We believed we had hit him 1035 01:20:29,700 --> 01:20:31,200 or even killed him... 1036 01:20:31,900 --> 01:20:34,300 when in fact he simply tripped 1037 01:20:35,400 --> 01:20:37,900 as he rounded the house's right wing. 1038 01:20:40,200 --> 01:20:42,500 The gamekeeper met the real killer 1039 01:20:43,200 --> 01:20:46,100 holding the blade used on Mlle Stangerson. 1040 01:20:46,300 --> 01:20:49,900 The killer, caught unawares, struck the gamekeeper 1041 01:20:50,400 --> 01:20:52,000 in the heart and killed him. 1042 01:20:52,200 --> 01:20:54,300 What became of the killer? 1043 01:20:54,500 --> 01:20:56,700 He obviously hid, Your Honour, 1044 01:20:57,100 --> 01:20:59,400 in a dark corner of the yard 1045 01:21:00,000 --> 01:21:03,100 and, after everyone had left, simply fled 1046 01:21:03,600 --> 01:21:04,800 unhindered. 1047 01:21:06,200 --> 01:21:08,800 I agree about the blow to the heart 1048 01:21:09,100 --> 01:21:12,800 but not about the way in which the killer fled the yard. 1049 01:21:14,500 --> 01:21:16,100 It's me, Your Honour. 1050 01:21:17,700 --> 01:21:18,700 It's me. 1051 01:21:19,400 --> 01:21:20,900 Joseph Rouletabille. 1052 01:21:22,200 --> 01:21:23,000 We expel him? 1053 01:21:23,200 --> 01:21:25,100 He's a witness, Your Honour. 1054 01:21:25,200 --> 01:21:28,000 The Transatlantic was late. I was in America. 1055 01:21:28,200 --> 01:21:30,200 Very good. I'm glad for you. 1056 01:21:30,400 --> 01:21:33,700 From that smile on your face, I deduce 1057 01:21:33,900 --> 01:21:36,100 that you know the killer's name. 1058 01:21:36,200 --> 01:21:39,900 I won't be able to tell you his name until 6:30. 1059 01:21:41,000 --> 01:21:42,500 Five hours to wait. 1060 01:21:42,700 --> 01:21:46,800 Joking aside, we have a re-enactment to re-enact. 1061 01:21:47,000 --> 01:21:49,700 When I tell you the killer's name, 1062 01:21:49,800 --> 01:21:51,900 you'll see why we had to wait. 1063 01:21:53,800 --> 01:21:54,800 But, for now, 1064 01:21:55,000 --> 01:21:58,100 I can explain the murder of the gamekeeper. 1065 01:21:59,000 --> 01:22:02,300 Let's hear him, sir, especially as we don't agree. 1066 01:22:05,200 --> 01:22:07,100 How did the killer flee? 1067 01:22:09,200 --> 01:22:13,000 Mme Bernier has admitted her affection for the gamekeeper... 1068 01:22:13,200 --> 01:22:13,900 Bitch! 1069 01:22:14,100 --> 01:22:17,200 Quiet or I'll have you locked in the greenhouse! 1070 01:22:17,700 --> 01:22:20,000 To allow her lover to visit her, 1071 01:22:20,600 --> 01:22:23,900 Mme Bernier made use of her Beastie, 1072 01:22:24,300 --> 01:22:27,100 in other words, Bandar, her superb turkey. 1073 01:22:27,500 --> 01:22:29,900 When he heard its sinister gobbling, 1074 01:22:30,100 --> 01:22:33,100 the gamekeeper came out to meet her 1075 01:22:33,300 --> 01:22:34,100 anywhere. 1076 01:22:34,200 --> 01:22:35,000 The slut! 1077 01:22:35,200 --> 01:22:37,300 Bernier! Shut your trap now! 1078 01:22:37,400 --> 01:22:39,300 I'm sorry, Professor. 1079 01:22:39,500 --> 01:22:41,100 It's most tiring. 1080 01:22:41,600 --> 01:22:44,600 That night, Mme Bernier was caring for Mathilde 1081 01:22:44,800 --> 01:22:48,000 and slept in the room next to her mistress's. 1082 01:22:48,200 --> 01:22:49,300 No rendez-vous. 1083 01:22:49,500 --> 01:22:50,500 Good night. 1084 01:22:53,700 --> 01:22:55,000 Bandar the turkey, 1085 01:22:56,000 --> 01:22:58,100 feeling ill, coughed, 1086 01:22:58,600 --> 01:23:02,100 bawled and gobbled all the same and loudly too. 1087 01:23:02,300 --> 01:23:03,500 Driven by base desire, 1088 01:23:03,600 --> 01:23:05,700 the gamekeeper hurried to the house. 1089 01:23:30,700 --> 01:23:32,700 They flirted in the boudoir. 1090 01:23:32,900 --> 01:23:34,400 A noise disturbed them. 1091 01:23:35,600 --> 01:23:37,300 On leaving the boudoir, 1092 01:23:37,500 --> 01:23:39,900 the gamekeeper's ladder had gone. 1093 01:23:48,200 --> 01:23:49,200 Then came 1094 01:23:50,100 --> 01:23:50,900 the chase. 1095 01:23:58,000 --> 01:23:59,900 The guard stayed hidden. 1096 01:24:00,500 --> 01:24:03,100 As soon as everyone was with Mathilde, 1097 01:24:03,200 --> 01:24:06,900 he ran for the exit. Sainclair spotted him and fired. 1098 01:24:07,000 --> 01:24:09,200 There he is! Stop or I'll kill you! 1099 01:24:15,100 --> 01:24:17,300 What's going on? 1100 01:24:18,700 --> 01:24:20,300 At the right wing, 1101 01:24:20,800 --> 01:24:23,300 a shadow leaps out and kills him. 1102 01:24:24,700 --> 01:24:26,800 We take his body for the killer's. 1103 01:24:27,000 --> 01:24:28,700 What was Mme Bernier doing? 1104 01:24:28,900 --> 01:24:31,700 I ran to see to Mlle Stangerson. 1105 01:24:31,900 --> 01:24:32,800 Filthy slut! 1106 01:24:35,300 --> 01:24:37,200 In the greenhouse. Get rid of him. 1107 01:24:37,800 --> 01:24:38,900 Take him away. 1108 01:24:42,400 --> 01:24:44,500 Did you see the killer? 1109 01:24:44,600 --> 01:24:46,600 I didn't see a thing, sir. 1110 01:24:48,600 --> 01:24:52,100 Rouletabille can tell us how the killer got away. 1111 01:24:52,600 --> 01:24:53,600 Of course! 1112 01:24:55,900 --> 01:24:57,700 This is a tiny yard. 1113 01:24:57,900 --> 01:25:00,200 As hermetic as the Yellow Room. 1114 01:25:00,400 --> 01:25:02,200 Indeed. And? 1115 01:25:02,500 --> 01:25:05,200 You can ask "And?" For five more hours. 1116 01:25:05,400 --> 01:25:08,100 I'll say no more until 6:30 as I told you. 1117 01:25:09,000 --> 01:25:13,200 All right, we'll take a break until then. 1118 01:25:14,600 --> 01:25:15,800 We'll have a bite. 1119 01:25:16,000 --> 01:25:20,100 Mme Bernier, you mentioned rabbit to Mlle Stangerson earlier. 1120 01:25:20,300 --> 01:25:22,200 - Rabbit... - Yes, rabbit. 1121 01:25:22,700 --> 01:25:26,600 That's right. Could you free my husband to help me cook it? 1122 01:25:26,800 --> 01:25:27,700 So be it. 1123 01:25:27,900 --> 01:25:31,000 Mr Stangerson, will you stay? Rabbit... 1124 01:25:33,400 --> 01:25:34,700 I'm not very hungry. 1125 01:25:35,600 --> 01:25:38,500 Is your daughter eating a little? 1126 01:25:39,600 --> 01:25:40,500 Yes. 1127 01:25:41,400 --> 01:25:42,900 Mashed vegetables. 1128 01:25:44,000 --> 01:25:45,300 Dairy products. 1129 01:25:46,000 --> 01:25:47,500 Stewed fruit at times. 1130 01:25:48,400 --> 01:25:49,500 Not much fun. 1131 01:25:49,800 --> 01:25:52,600 Come along, let's enjoy a little rabbit. 1132 01:25:52,800 --> 01:25:55,800 Leave the poor animals alone. Honestly! 1133 01:25:56,000 --> 01:25:58,900 Do you know they don't eat rabbit in England? 1134 01:25:59,800 --> 01:26:01,300 Sainclair, my friend. 1135 01:26:01,400 --> 01:26:03,500 Well, did you find the second half? 1136 01:26:03,700 --> 01:26:05,500 Yes. I have it. 1137 01:26:05,800 --> 01:26:08,100 What did you go to America for? 1138 01:26:09,000 --> 01:26:10,900 I'm quite pleased with myself. 1139 01:26:11,700 --> 01:26:13,400 After countless travels, 1140 01:26:13,600 --> 01:26:16,200 I happened across the right trail. 1141 01:26:16,400 --> 01:26:19,600 This trail led me straight to the truth 1142 01:26:19,800 --> 01:26:21,800 and the truth is in here. 1143 01:26:22,000 --> 01:26:23,900 - In that little case? - Yes, indeed. 1144 01:26:27,400 --> 01:26:30,100 - What are they doing? - Having brandy. 1145 01:26:30,800 --> 01:26:32,800 I've never seen the like! 1146 01:26:46,700 --> 01:26:48,900 I won't make you take the oath. 1147 01:26:49,000 --> 01:26:51,000 I'm sure you're fully aware 1148 01:26:51,200 --> 01:26:53,500 of the import of your words here today. 1149 01:26:54,400 --> 01:26:56,900 The import of your words for you, 1150 01:26:57,100 --> 01:26:58,300 if not for us. 1151 01:26:59,300 --> 01:27:00,700 Yes, Your Honour. 1152 01:27:01,100 --> 01:27:02,600 This yard was enclosed. 1153 01:27:02,900 --> 01:27:05,500 The killer couldn't escape unnoticed. 1154 01:27:05,700 --> 01:27:07,400 That's the honest truth. 1155 01:27:07,700 --> 01:27:11,200 When we were here, in the yard, so was the killer. 1156 01:27:11,400 --> 01:27:12,200 You didn't see him? 1157 01:27:12,600 --> 01:27:13,300 We all did! 1158 01:27:13,600 --> 01:27:16,200 Speak now! Tell us the killer's name. 1159 01:27:16,800 --> 01:27:18,600 He was in the yard with us. 1160 01:27:18,800 --> 01:27:20,900 Tell us his name immediately. 1161 01:27:21,100 --> 01:27:25,100 The people who were in the yard were the dead gamekeeper... 1162 01:27:25,200 --> 01:27:26,300 - Was it him? - No. 1163 01:27:26,500 --> 01:27:27,700 - Pere Jacques? - No. 1164 01:27:27,900 --> 01:27:29,500 - The caretaker? - No. 1165 01:27:29,700 --> 01:27:31,100 - His wife? - No. 1166 01:27:31,900 --> 01:27:32,800 Mr Sainclair? 1167 01:27:33,300 --> 01:27:34,300 No. 1168 01:27:34,400 --> 01:27:35,700 You then! 1169 01:27:36,200 --> 01:27:38,300 That leaves you. You're the killer. 1170 01:27:38,800 --> 01:27:40,600 Wonderful but absurd. No, sir. 1171 01:27:40,900 --> 01:27:44,000 There was no one else in the yard. 1172 01:27:44,200 --> 01:27:46,100 No one else in the yard, 1173 01:27:47,100 --> 01:27:49,800 nor below it but someone above it, 1174 01:27:50,000 --> 01:27:53,300 leaning out of the window above the yard. 1175 01:27:54,700 --> 01:27:55,900 Frederic Larsan? 1176 01:27:59,600 --> 01:28:01,000 Lmpossible! He's mad. 1177 01:28:01,200 --> 01:28:02,600 Mr Rouletabille, 1178 01:28:03,100 --> 01:28:05,000 Mr Darzac says you're mad. 1179 01:28:05,200 --> 01:28:07,100 If you aren't, prove it. 1180 01:28:07,200 --> 01:28:10,900 You want proof? I'll give you proof all right. 1181 01:28:11,200 --> 01:28:12,500 Fetch Frederic Larsan! 1182 01:28:12,900 --> 01:28:14,300 Fetch Inspector Larsan. 1183 01:28:14,500 --> 01:28:17,400 Larsan left at three and hasn't been seen since. 1184 01:28:17,600 --> 01:28:20,200 - That's my proof. - What proof? 1185 01:28:20,400 --> 01:28:23,800 My irrefutable proof. Frederic Larsan has fled. 1186 01:28:24,100 --> 01:28:27,100 Why didn't you accuse him earlier to his face? 1187 01:28:27,200 --> 01:28:30,800 What better reply could he give? He doesn't reply. 1188 01:28:31,200 --> 01:28:32,700 He'll never reply. 1189 01:28:33,000 --> 01:28:34,900 I accuse him and he flees. 1190 01:28:35,600 --> 01:28:38,000 He couldn't know you'd accuse him. 1191 01:28:38,400 --> 01:28:40,200 I told him so earlier. 1192 01:28:40,400 --> 01:28:41,200 You did that? 1193 01:28:41,400 --> 01:28:44,500 You allowed a suspected killer to escape? 1194 01:28:44,700 --> 01:28:45,900 Yes, I did that. 1195 01:28:46,000 --> 01:28:48,800 I'm not with the courts or the police. 1196 01:28:49,000 --> 01:28:51,900 A journalist doesn't get people arrested. 1197 01:28:52,000 --> 01:28:53,600 I use the truth as I wish 1198 01:28:53,800 --> 01:28:55,900 while you safeguard society. 1199 01:28:56,100 --> 01:28:58,100 I won't get a man guillotined! 1200 01:28:58,300 --> 01:29:00,400 I took the time to warn Larsan 1201 01:29:00,600 --> 01:29:03,200 and allow him to catch the 4:17 to Paris, 1202 01:29:03,400 --> 01:29:07,400 plus one hour to erase his traces. You won't find him. 1203 01:29:07,800 --> 01:29:09,600 He has always eluded you. 1204 01:29:09,800 --> 01:29:12,200 He's smarter than anyone but me. 1205 01:29:12,600 --> 01:29:14,400 What's that you're holding? 1206 01:29:16,000 --> 01:29:20,100 This man who made his name with the national police, 1207 01:29:20,300 --> 01:29:22,700 this man, Frederic Larsan... 1208 01:29:23,500 --> 01:29:24,600 is Ballmeyer. 1209 01:29:25,400 --> 01:29:26,300 Ballmeyer! 1210 01:29:26,600 --> 01:29:27,900 It was true! 1211 01:29:29,200 --> 01:29:30,800 The gentleman thief. 1212 01:29:31,000 --> 01:29:33,500 There was no finer gentleman 1213 01:29:33,700 --> 01:29:36,400 and no more skilful conjuror. 1214 01:29:36,600 --> 01:29:40,300 He stole honour and fortunes with unrivalled skill. 1215 01:29:40,700 --> 01:29:42,200 On being arrested, 1216 01:29:42,400 --> 01:29:46,600 he threw pepper in his guards' eyes and, undisguised, 1217 01:29:46,800 --> 01:29:49,100 attended a stage premiere that night. 1218 01:29:49,300 --> 01:29:51,200 He left France for America. 1219 01:29:51,400 --> 01:29:53,200 I could talk until midnight. 1220 01:29:53,400 --> 01:29:56,000 That man became Frederic Larsan. 1221 01:29:59,200 --> 01:30:03,400 Everything that this young man is saying is the gospel truth. 1222 01:30:03,800 --> 01:30:06,500 Yet it is violent too. The knife... 1223 01:30:06,700 --> 01:30:08,800 The mutton bone... 1224 01:30:11,800 --> 01:30:14,100 From now on, I really must... 1225 01:30:14,300 --> 01:30:17,200 - I must refrain... - What do you know, sir? 1226 01:30:17,600 --> 01:30:20,800 Leave him be, sir, you can see he's not well. 1227 01:30:22,300 --> 01:30:26,600 But why did Larsan-Ballmeyer kill the gamekeeper? 1228 01:30:27,300 --> 01:30:28,400 And how? 1229 01:30:30,500 --> 01:30:31,400 The gamekeeper 1230 01:30:31,900 --> 01:30:34,500 saw what he shouldn't have seen: 1231 01:30:34,600 --> 01:30:36,300 Larsan as the killer. 1232 01:30:36,500 --> 01:30:38,600 To leave the house unrecognized, 1233 01:30:38,800 --> 01:30:41,600 he put on the mask that Larsan had hidden 1234 01:30:42,900 --> 01:30:45,200 then fled before our eyes. 1235 01:30:47,400 --> 01:30:49,100 Larsan had to silence him. 1236 01:30:56,100 --> 01:30:57,600 He killed him with this. 1237 01:31:03,300 --> 01:31:04,800 He stuck it here. 1238 01:31:05,100 --> 01:31:06,700 There's still a mark. 1239 01:31:07,100 --> 01:31:08,600 He could climb up 1240 01:31:09,200 --> 01:31:11,000 and leap into the room 1241 01:31:11,200 --> 01:31:13,300 while we were with the gamekeeper. 1242 01:31:17,800 --> 01:31:19,500 Where is he? Don't shoot! Wait! 1243 01:31:21,400 --> 01:31:24,700 Child's play for an acrobat like Ballmeyer. 1244 01:31:24,900 --> 01:31:26,400 He vanished 1245 01:31:26,600 --> 01:31:29,400 especially as he hadn't been drugged 1246 01:31:29,600 --> 01:31:31,300 as he claimed he had been. 1247 01:31:31,500 --> 01:31:33,000 We dined with him 1248 01:31:33,200 --> 01:31:35,800 and he played one of his tricks on us: 1249 01:31:36,000 --> 01:31:39,100 A sudden and propitious sleep. 1250 01:31:42,600 --> 01:31:45,500 He waited to enter Mlle Stangerson's room 1251 01:31:45,700 --> 01:31:47,300 until we fell asleep, 1252 01:31:47,500 --> 01:31:50,200 unaware that Sainclair was camouflaged 1253 01:31:50,400 --> 01:31:51,700 at the end of the gallery. 1254 01:31:52,300 --> 01:31:54,300 How did you suspect Larsan? 1255 01:31:54,400 --> 01:31:55,700 By the right angle. 1256 01:31:55,900 --> 01:31:57,300 Meaning? 1257 01:31:57,600 --> 01:31:59,300 There's a right angle and a wrong angle. 1258 01:31:59,400 --> 01:32:01,900 But only one you can rely on. 1259 01:32:29,400 --> 01:32:31,200 Please try to be quiet. 1260 01:32:31,900 --> 01:32:34,000 Mathilde's resting in her room. 1261 01:32:34,200 --> 01:32:37,500 Mme Bernier, if she's awake, give her some croune. 1262 01:32:37,600 --> 01:32:38,400 She's asleep. 1263 01:32:38,600 --> 01:32:40,900 - Go on, Mr Rouletabille. - Well now... 1264 01:32:41,200 --> 01:32:43,800 We were chasing the killer right here. 1265 01:32:44,100 --> 01:32:48,600 He couldn't have left the gallery normally or abnormally. 1266 01:32:49,000 --> 01:32:52,100 From the right angle, I drew a circle 1267 01:32:52,300 --> 01:32:54,500 and enclosed the problem in it. 1268 01:32:54,700 --> 01:32:57,700 A round circle. Let's form a circle, please. 1269 01:33:01,100 --> 01:33:04,400 Since the killer couldn't be outside the circle... 1270 01:33:04,600 --> 01:33:06,000 He was inside! 1271 01:33:07,200 --> 01:33:09,600 Who do I see in this circle? 1272 01:33:09,800 --> 01:33:12,100 The right angle shows me, 1273 01:33:12,200 --> 01:33:14,900 along with the killer who has to be there, 1274 01:33:15,100 --> 01:33:16,600 Pere Jacques, 1275 01:33:17,500 --> 01:33:18,700 Sainclair, 1276 01:33:19,400 --> 01:33:22,200 Frederic Larsan, you, for example, officer, 1277 01:33:22,400 --> 01:33:24,400 and me. Five people in all. 1278 01:33:24,600 --> 01:33:26,600 So one of these people is two. 1279 01:33:26,800 --> 01:33:29,900 In other words, he is himself and the killer. 1280 01:33:30,700 --> 01:33:32,700 I saw Sainclair and the killer. 1281 01:33:32,800 --> 01:33:35,100 Pere Jacques and the killer. 1282 01:33:35,400 --> 01:33:37,400 Myself and the killer. 1283 01:33:37,600 --> 01:33:41,300 But had I seen Larsan at the same time as the killer? 1284 01:33:41,500 --> 01:33:43,700 No! Because for a few seconds, 1285 01:33:43,800 --> 01:33:45,700 I lost sight of the killer 1286 01:33:45,900 --> 01:33:48,900 and he arrived a few seconds before us 1287 01:33:49,000 --> 01:33:50,900 where the galleries meet. 1288 01:34:00,200 --> 01:34:01,800 Typical Ballmeyer! 1289 01:34:03,000 --> 01:34:05,300 This discovery overwhelmed me. 1290 01:34:06,100 --> 01:34:07,300 He's amazing! 1291 01:34:07,500 --> 01:34:10,100 When Larsan threw his mask in the room, 1292 01:34:10,400 --> 01:34:12,400 he found someone hiding there: 1293 01:34:12,600 --> 01:34:13,300 The gamekeeper. 1294 01:34:19,300 --> 01:34:22,100 He pretended to search that room just after. 1295 01:34:35,300 --> 01:34:37,500 There he is! Stop or I'll kill you! 1296 01:34:39,400 --> 01:34:40,900 As we chased after him, 1297 01:34:41,100 --> 01:34:44,200 Larsan caught him outside and killed him. 1298 01:34:44,600 --> 01:34:46,100 The devilish rascal! 1299 01:34:46,300 --> 01:34:47,700 It doesn't match up. 1300 01:34:48,000 --> 01:34:51,800 Bring the exterior signs into the circle of the right angle. 1301 01:34:52,200 --> 01:34:56,300 I don't understand. You see the killer in Mathilde's room, 1302 01:34:56,500 --> 01:34:58,500 then you find Larsan... 1303 01:34:58,800 --> 01:35:00,300 Woozy with sleep. 1304 01:35:01,100 --> 01:35:02,100 It's likely 1305 01:35:02,800 --> 01:35:05,500 that Larsan saw me on the ladder. 1306 01:35:15,900 --> 01:35:17,600 Are you catching him or not? 1307 01:35:17,800 --> 01:35:19,700 I put him in the gallery. 1308 01:35:20,100 --> 01:35:22,800 Why, after arming my gun for me, 1309 01:35:23,000 --> 01:35:25,000 did he go back to her room? 1310 01:35:25,900 --> 01:35:27,700 That was a dangerous move. 1311 01:35:29,000 --> 01:35:31,000 He had forgotten his cane... 1312 01:35:31,400 --> 01:35:32,700 that could give him away. 1313 01:35:33,100 --> 01:35:34,800 - Be careful. - Thank you. 1314 01:35:35,000 --> 01:35:35,900 Go on. 1315 01:35:58,200 --> 01:36:00,100 Why did he try twice 1316 01:36:00,200 --> 01:36:01,700 to kill Mlle Stangerson? 1317 01:36:01,900 --> 01:36:03,200 Because he loved her. 1318 01:36:03,400 --> 01:36:05,700 - Did Mlle Stangerson know? - Yes. 1319 01:36:05,900 --> 01:36:08,100 But she didn't know her pursuer 1320 01:36:08,300 --> 01:36:09,800 was Frederic Larsan. 1321 01:36:12,500 --> 01:36:15,000 In her room, he stood to one side, 1322 01:36:15,200 --> 01:36:17,800 never speaking, his head lowered. 1323 01:36:20,400 --> 01:36:22,900 Why didn't Mlle Stangerson mention it? 1324 01:36:25,800 --> 01:36:27,500 Mathilde never told me. 1325 01:36:27,900 --> 01:36:29,800 Does all this sound right? 1326 01:36:31,000 --> 01:36:34,300 Robert... Did Mathilde tell you about Ballmeyer? 1327 01:36:35,300 --> 01:36:38,100 Mathilde told me absolutely nothing. 1328 01:36:38,300 --> 01:36:41,600 And you still can't say where you were? 1329 01:36:41,800 --> 01:36:42,500 No. 1330 01:36:42,800 --> 01:36:47,000 Now, I'll explain the mystery of the Yellow Room itself. 1331 01:36:47,200 --> 01:36:49,000 Ladies and gentlemen, let's go. 1332 01:36:49,200 --> 01:36:50,700 Lead on, my boy! 1333 01:36:52,400 --> 01:36:56,400 In which Rouletabille appears in all his glory 1334 01:36:57,800 --> 01:37:00,800 The Yellow Room was shut like a safe. 1335 01:37:01,000 --> 01:37:03,100 Yet the killer got out somehow. 1336 01:37:03,300 --> 01:37:05,600 - He didn't need to. - What? 1337 01:37:06,200 --> 01:37:07,900 He simply wasn't in there. 1338 01:37:08,000 --> 01:37:10,500 - He wasn't in there? - Of course not. 1339 01:37:10,600 --> 01:37:12,300 He couldn't have been. 1340 01:37:12,400 --> 01:37:14,400 The right angle again. 1341 01:37:14,600 --> 01:37:17,300 Your angles are getting on my nerves. 1342 01:37:17,400 --> 01:37:18,600 It is annoying. 1343 01:37:18,800 --> 01:37:20,700 Carry on, sir. 1344 01:37:21,700 --> 01:37:24,900 I have a small circle of indisputable truth. 1345 01:37:25,100 --> 01:37:28,200 The killer wasn't in the Yellow Room. 1346 01:37:29,000 --> 01:37:32,500 Why did people think he was? Because of traces he left. 1347 01:37:32,700 --> 01:37:34,600 But he could have been there earlier. 1348 01:37:34,800 --> 01:37:37,700 No, he had to have been there earlier. 1349 01:37:37,900 --> 01:37:40,000 But Mlle Stangerson was killed later. 1350 01:37:40,200 --> 01:37:43,500 Or rather seems to have been killed later. 1351 01:37:49,000 --> 01:37:50,500 Don't touch, please. 1352 01:37:52,600 --> 01:37:55,700 We must rebuild the two stages of the case. 1353 01:37:55,900 --> 01:37:59,300 Two stages that took place a few hours apart. 1354 01:37:59,500 --> 01:38:00,900 The first stage 1355 01:38:01,200 --> 01:38:05,000 during which someone really tried to kill Mlle Stangerson, 1356 01:38:05,200 --> 01:38:07,000 an attempt that she hid. 1357 01:38:07,200 --> 01:38:09,800 And, at midnight, much later, 1358 01:38:10,200 --> 01:38:11,800 the second stage 1359 01:38:12,600 --> 01:38:13,700 during which... 1360 01:38:19,000 --> 01:38:21,300 following a nightmare that she had, 1361 01:38:21,400 --> 01:38:24,600 the men in the lab thought she was being killed. 1362 01:38:24,900 --> 01:38:26,100 What about her wounds? 1363 01:38:26,300 --> 01:38:27,400 On her neck 1364 01:38:28,000 --> 01:38:29,000 and her temple. 1365 01:38:29,200 --> 01:38:30,900 Her neck doesn't bother me. 1366 01:38:31,100 --> 01:38:34,100 She could have hidden a wound done earlier 1367 01:38:34,300 --> 01:38:36,200 under her collar or a scarf. 1368 01:38:36,400 --> 01:38:37,400 For if I accept 1369 01:38:38,700 --> 01:38:41,000 that events occurred in two stages, 1370 01:38:41,400 --> 01:38:44,000 I also have to accept that Mathilde 1371 01:38:44,100 --> 01:38:46,400 concealed the first stage's events 1372 01:38:46,600 --> 01:38:48,500 even from her dear father. 1373 01:38:51,400 --> 01:38:52,800 A double life... 1374 01:38:53,800 --> 01:38:55,400 A setback... 1375 01:38:55,600 --> 01:38:57,600 Insoluble mysteries... 1376 01:38:58,100 --> 01:39:01,100 Pere Jacques, fetch me my peach brandy. 1377 01:39:01,700 --> 01:39:03,800 What about her head wound? 1378 01:39:04,300 --> 01:39:05,200 Excuse me... 1379 01:39:05,500 --> 01:39:06,300 It's all right. 1380 01:39:06,800 --> 01:39:10,500 Exactly! The head wound. I couldn't work it out. 1381 01:39:10,700 --> 01:39:13,300 Especially with a mutton bone 1382 01:39:13,400 --> 01:39:15,100 as the weapon. I'll come to that. 1383 01:39:16,000 --> 01:39:18,300 And the mark of the killer's hand, 1384 01:39:18,800 --> 01:39:20,700 wounded by Mlle Stangerson? 1385 01:39:21,000 --> 01:39:23,300 That mark was made before. 1386 01:39:23,400 --> 01:39:26,100 Not there. Stand to the right. 1387 01:39:26,600 --> 01:39:28,300 This mark was made before. 1388 01:39:28,500 --> 01:39:30,900 The killer was wounded in the first stage, 1389 01:39:31,100 --> 01:39:32,500 while he was here. 1390 01:39:32,700 --> 01:39:34,900 Every trace of him is from that stage: 1391 01:39:35,000 --> 01:39:38,500 The mutton bone, the dark footmarks, the blood on the wall. 1392 01:39:38,600 --> 01:39:41,500 And all those traces were there later 1393 01:39:41,600 --> 01:39:44,100 but Mlle Stangerson didn't see them. 1394 01:39:44,300 --> 01:39:46,000 She undressed 1395 01:39:46,200 --> 01:39:48,600 by the faint light of her lamp. 1396 01:39:48,800 --> 01:39:50,200 She went to bed, 1397 01:39:51,000 --> 01:39:54,700 worn out by the day's emotions and by the terror, 1398 01:39:54,900 --> 01:39:57,500 the terror that made her stay up so late. 1399 01:39:57,700 --> 01:40:00,900 Excuse me, we still have "exterior signs". 1400 01:40:01,000 --> 01:40:04,800 Shots were fired in the second stage when "he wasn't there". 1401 01:40:05,000 --> 01:40:07,300 - There were cries. - "Help! Murder!" 1402 01:40:07,500 --> 01:40:08,800 The cries first. 1403 01:40:09,300 --> 01:40:12,200 With no killer in the room, 1404 01:40:12,400 --> 01:40:14,900 that means it was a nightmare. 1405 01:40:15,700 --> 01:40:18,300 They heard furniture being knocked over. 1406 01:40:19,600 --> 01:40:21,000 I imagine... 1407 01:40:22,400 --> 01:40:24,800 I have to imagine this. 1408 01:40:25,600 --> 01:40:27,100 She fell asleep, 1409 01:40:27,400 --> 01:40:30,300 haunted by that afternoon's frightful scene. 1410 01:40:30,400 --> 01:40:31,700 She was dreaming. 1411 01:40:32,000 --> 01:40:35,500 Her nightmare was tinged in red. She saw the killer again, 1412 01:40:36,000 --> 01:40:37,000 pouncing on her. 1413 01:40:39,000 --> 01:40:40,100 She cried out, 1414 01:40:40,900 --> 01:40:43,000 "Murder! Help!" 1415 01:40:43,200 --> 01:40:46,400 The other way round... "Help! Murder!" then "Help!" 1416 01:40:46,600 --> 01:40:49,400 Help! Murder! Help! 1417 01:40:50,200 --> 01:40:52,700 We were talking about the two shots. 1418 01:40:52,900 --> 01:40:57,500 Yes. One shot to wound the killer earlier. 1419 01:40:57,600 --> 01:41:00,500 And one during the nightmare, later. 1420 01:41:04,200 --> 01:41:05,500 And the head wound? 1421 01:41:05,700 --> 01:41:09,000 I'm getting there. I asked the Yellow Room that 1422 01:41:09,200 --> 01:41:11,300 and the Yellow Room replied. 1423 01:41:13,400 --> 01:41:14,500 This hair, 1424 01:41:17,400 --> 01:41:18,800 Your Honour, 1425 01:41:20,400 --> 01:41:22,200 is a bloodstained hair. 1426 01:41:22,600 --> 01:41:24,900 A hair from Mlle Stangerson's head. 1427 01:41:25,200 --> 01:41:28,500 The doctors say a blunt object knocked her out. 1428 01:41:28,600 --> 01:41:30,900 You accused the mutton bone. 1429 01:41:46,400 --> 01:41:47,700 But this hair 1430 01:41:48,200 --> 01:41:51,700 was found stuck, bloody, 1431 01:41:52,700 --> 01:41:55,700 on a marble corner of the bedside table. 1432 01:41:58,800 --> 01:41:59,900 She stood, 1433 01:42:01,100 --> 01:42:02,300 staggered, 1434 01:42:02,500 --> 01:42:03,700 fell, 1435 01:42:04,300 --> 01:42:06,400 hit the corner and fainted. 1436 01:42:12,800 --> 01:42:15,300 That's when you broke down the door. 1437 01:42:17,200 --> 01:42:19,700 It's a bit of a letdown. 1438 01:42:19,900 --> 01:42:22,100 - What is? - This solution. 1439 01:42:22,500 --> 01:42:23,900 Knowing all that. 1440 01:42:24,400 --> 01:42:27,400 So the killer wasn't here. 1441 01:42:27,800 --> 01:42:30,400 But when was he here? 1442 01:42:31,200 --> 01:42:32,400 At what time? 1443 01:42:32,600 --> 01:42:35,300 Mlle Stangerson told you in her statement. 1444 01:42:35,600 --> 01:42:38,100 They returned from a walk at six 1445 01:42:38,300 --> 01:42:41,900 and the gamekeeper stopped Mr Stangerson to have a word. 1446 01:42:42,200 --> 01:42:45,100 The drama took place in those few minutes. 1447 01:42:54,800 --> 01:42:57,100 - Another trap. - Really? 1448 01:43:00,600 --> 01:43:02,100 We can't be sure 1449 01:43:02,800 --> 01:43:04,300 but, at one point, 1450 01:43:04,800 --> 01:43:05,900 Mathilde cried out. 1451 01:45:30,100 --> 01:45:31,700 - Are you all right? - Yes. 1452 01:45:41,800 --> 01:45:43,500 Why this mystery? 1453 01:45:43,600 --> 01:45:46,500 Why, after nearly being murdered, 1454 01:45:46,600 --> 01:45:49,200 should she conceal it from her father? 1455 01:45:50,200 --> 01:45:52,000 You know the truth. 1456 01:45:52,400 --> 01:45:54,300 - I know nothing. - You're a hero. 1457 01:45:54,400 --> 01:45:58,300 Yes. And a spurned lover. They're always dangerous. 1458 01:45:59,800 --> 01:46:03,700 It goes without saying, Mr Darzac, that henceforth, 1459 01:46:03,900 --> 01:46:06,500 in any case, following this account, 1460 01:46:06,700 --> 01:46:09,900 by virtue of the powers vested in me, 1461 01:46:10,100 --> 01:46:12,200 in other words, forthwith, 1462 01:46:12,400 --> 01:46:16,100 you shall be provisionally released. 1463 01:46:25,800 --> 01:46:29,200 The mystery of Mathilde Stangerson 1464 01:46:30,700 --> 01:46:33,100 But what were you up to in America? 1465 01:46:34,900 --> 01:46:36,700 What did you go there for? 1466 01:46:37,100 --> 01:46:38,500 In other words, 1467 01:46:38,900 --> 01:46:41,000 you want to know what mystery 1468 01:46:41,200 --> 01:46:43,800 forced Mathilde and Darzac to be silent? 1469 01:46:44,400 --> 01:46:47,600 Yes, that's what I mean, in other words. 1470 01:46:47,800 --> 01:46:49,800 It's very simple, very brief. 1471 01:46:52,100 --> 01:46:53,900 It dates from a distant time 1472 01:46:54,500 --> 01:46:57,200 when Mathilde was living with her father 1473 01:47:02,100 --> 01:47:03,500 in Philadelphia. 1474 01:47:05,400 --> 01:47:09,100 At a reception, she met a fellow countryman 1475 01:47:10,300 --> 01:47:13,300 who charmed her with his manners, with kindness 1476 01:47:13,500 --> 01:47:14,800 and love. 1477 01:47:15,500 --> 01:47:16,800 He was said to be rich. 1478 01:47:17,000 --> 01:47:20,800 He asked the professor for her hand but he refused. 1479 01:47:21,200 --> 01:47:24,700 He didn't want his daughter to marry some conjuror. 1480 01:47:24,900 --> 01:47:27,300 He banned him from his house. 1481 01:47:27,400 --> 01:47:29,800 Mathilde, who was discovering love 1482 01:47:30,300 --> 01:47:33,000 and who saw no man finer than Ballmeyer, 1483 01:47:33,200 --> 01:47:34,300 was outraged. 1484 01:47:34,600 --> 01:47:36,400 In the face of her fury, 1485 01:47:36,600 --> 01:47:40,100 her father sent her to rest on the banks of the Ohio 1486 01:47:40,500 --> 01:47:42,100 with an old aunt. 1487 01:47:42,600 --> 01:47:44,700 Ballmeyer joined Mathilde there. 1488 01:47:45,500 --> 01:47:47,900 They lived happily together. 1489 01:47:53,600 --> 01:47:56,300 We fooled her old aunt and fled. 1490 01:47:57,400 --> 01:48:00,800 We married under the name of Roussel. 1491 01:48:01,000 --> 01:48:03,200 Thanks to his conjuring skills, 1492 01:48:03,400 --> 01:48:05,500 Ballmeyer was invited everywhere. 1493 01:48:05,700 --> 01:48:07,400 He met young filmmakers, 1494 01:48:08,900 --> 01:48:11,100 aviators like the Wright brothers, 1495 01:48:11,700 --> 01:48:14,000 artists like Stieglitz, John Marin, 1496 01:48:14,700 --> 01:48:15,600 Hartley, 1497 01:48:16,400 --> 01:48:17,500 Dove... 1498 01:48:18,200 --> 01:48:20,300 Dove... stupid bugger. 1499 01:48:27,400 --> 01:48:28,900 One day, they came knocking. 1500 01:48:29,100 --> 01:48:31,700 The cops were after Jean Ballmeyer. 1501 01:48:32,000 --> 01:48:33,400 I cleared off. 1502 01:48:34,300 --> 01:48:35,700 They told her about me. 1503 01:48:35,900 --> 01:48:38,600 A criminal sentenced to prison. 1504 01:48:38,800 --> 01:48:41,700 Ballmeyer, enraged, had sawn Prosecutor Picot in two. 1505 01:48:41,900 --> 01:48:45,000 He had cracked open a night-watchman's skull. 1506 01:48:45,400 --> 01:48:49,400 After a failed suicide attempt, Mathilde went back to her aunt. 1507 01:48:50,500 --> 01:48:52,900 She swore her to secrecy. 1508 01:48:53,000 --> 01:48:54,500 The old woman agreed. 1509 01:48:55,400 --> 01:48:58,600 She started working with her father to forget 1510 01:48:58,800 --> 01:49:00,400 her husband, Ballmeyer. 1511 01:49:00,700 --> 01:49:03,100 But after telling Darzac her story, 1512 01:49:03,300 --> 01:49:06,200 believing the rumours of Ballmeyer's death, 1513 01:49:07,900 --> 01:49:10,000 just as she was about to marry, 1514 01:49:10,200 --> 01:49:12,100 Ballmeyer suddenly reappeared. 1515 01:49:12,300 --> 01:49:15,000 She had a letter from him at the reception. 1516 01:49:15,200 --> 01:49:17,600 He refused to allow her to marry Darzac. 1517 01:49:17,800 --> 01:49:18,900 He still loved her. 1518 01:49:19,100 --> 01:49:21,100 He reminded her of their love 1519 01:49:21,300 --> 01:49:22,600 in a presbytery... 1520 01:49:23,200 --> 01:49:25,600 The presbytery is bewitching... 1521 01:49:25,800 --> 01:49:26,900 Larsan wrote... 1522 01:49:28,000 --> 01:49:29,400 She confided in Darzac. 1523 01:49:29,600 --> 01:49:33,300 "The presbytery is bewitching in its radiant garden." 1524 01:49:34,200 --> 01:49:36,000 I'd die if Papa found out. 1525 01:49:36,200 --> 01:49:38,900 Anyway, it will kill him too. 1526 01:49:39,100 --> 01:49:43,500 Just think. He'll take me to America or he'll kill me! 1527 01:49:49,100 --> 01:49:50,600 Must I... 1528 01:49:51,200 --> 01:49:54,300 Must I commit a crime for you? 1529 01:49:54,400 --> 01:49:55,600 Don't be silly! 1530 01:49:56,100 --> 01:49:58,300 She'd kill herself if her father knew. 1531 01:49:58,400 --> 01:50:01,100 The shock would probably kill him too. 1532 01:50:01,500 --> 01:50:05,900 Darzac swore to silence Larsan even if it meant committing a crime. 1533 01:50:06,200 --> 01:50:08,900 But Larsan lured him to secret appointments. 1534 01:50:09,100 --> 01:50:12,300 He thought he'd learn the truth but he ended up accused. 1535 01:50:13,200 --> 01:50:15,900 Larsan demanded that Mathilde go with him 1536 01:50:16,000 --> 01:50:17,100 or die. 1537 01:50:18,400 --> 01:50:19,900 How about that... 1538 01:50:20,000 --> 01:50:21,400 Quite an investigation. 1539 01:50:21,600 --> 01:50:22,600 I kept seeking, 1540 01:50:23,400 --> 01:50:25,800 visiting jails on Ballmeyer's trail... 1541 01:50:26,000 --> 01:50:28,100 I even found the old aunt. And then... 1542 01:50:28,500 --> 01:50:29,300 And then? 1543 01:50:31,000 --> 01:50:32,100 Nothing. 1544 01:50:42,400 --> 01:50:45,500 Do you know the whole mystery of Mathilde Stangerson? 1545 01:50:45,700 --> 01:50:47,000 I don't know. 1546 01:50:47,500 --> 01:50:50,300 Mathilde and Jean Ballmeyer had a child. 1547 01:50:50,500 --> 01:50:51,700 A boy. 1548 01:50:52,200 --> 01:50:54,100 He was born at the old aunt's 1549 01:50:54,200 --> 01:50:57,000 and no one ever knew about him in America. 1550 01:50:57,200 --> 01:50:59,600 Neither did the professor nor Ballmeyer. 1551 01:51:03,600 --> 01:51:06,100 How did you end up with the cane? 1552 01:51:06,200 --> 01:51:07,600 Larsan gave it to me. 1553 01:51:08,600 --> 01:51:11,400 The last vestige of Ballmeyer the magician. 1554 01:51:37,300 --> 01:51:38,700 That perfume... 109674