Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:11,656 --> 00:00:14,156
(eerie music)
2
00:00:21,090 --> 00:00:24,423
(eerie music continues)
3
00:00:26,952 --> 00:00:29,351
[Thief] It gleams every night,
4
00:00:29,352 --> 00:00:32,835
crime scene tape, phosphorescent
in the dark woods.
5
00:00:34,272 --> 00:00:36,791
It guards between human intellect
6
00:00:36,792 --> 00:00:38,783
and the sentience of nature.
7
00:00:38,784 --> 00:00:42,117
(eerie music continues)
8
00:00:47,975 --> 00:00:51,308
(eerie music continues)
9
00:00:53,112 --> 00:00:56,715
Consider your feelings for a
lone hawk soaring in the sky.
10
00:00:57,882 --> 00:01:00,892
Now consider it mantling
over a little rabbit
11
00:01:02,262 --> 00:01:07,792
and the squawk, squawk,
squawk of dying life.
12
00:01:09,462 --> 00:01:13,449
The crime scene tape flaps
between these two images,
13
00:01:14,052 --> 00:01:17,591
between the religious
feeling of the soaring hawk
14
00:01:17,592 --> 00:01:22,275
and the frozen moment when
we see what's on its talons.
15
00:01:24,642 --> 00:01:28,631
Consider the fern that covers
the surface of the water,
16
00:01:28,632 --> 00:01:31,042
spreading to make a feast of the light
17
00:01:32,232 --> 00:01:36,275
and everything below is held
in darkness, starving slow.
18
00:01:39,792 --> 00:01:42,041
Between the survival of the fern
19
00:01:42,042 --> 00:01:45,581
and the deaths of the
darkened plants and fish,
20
00:01:45,582 --> 00:01:49,215
that is where we put a barrier
to mark evidence of a crime.
21
00:01:50,652 --> 00:01:55,652
This tape we put up,
it's a strange legality,
22
00:01:55,872 --> 00:02:00,015
a symbol of our
exclusively human concerns.
23
00:02:01,302 --> 00:02:02,475
Cut through it.
24
00:02:03,462 --> 00:02:07,006
Come into an extra-human reality.
25
00:02:07,007 --> 00:02:10,340
(eerie music continues)
26
00:02:12,638 --> 00:02:15,221
(creepy music)
27
00:02:21,928 --> 00:02:25,428
(creepy music continues)
28
00:02:30,912 --> 00:02:34,305
What's the first macabre
thing you remember?
29
00:02:37,572 --> 00:02:41,711
I remember being a
kid, four, maybe five,
30
00:02:41,712 --> 00:02:44,501
waking up to discover a streak
of dried blood on my pillow
31
00:02:44,502 --> 00:02:49,502
and wondering, from my ears,
from my nose, from my eyes?
32
00:02:53,802 --> 00:02:56,295
Blood from the eyes. That's rich.
33
00:02:57,192 --> 00:02:59,355
Like a detail from one of your stories.
34
00:03:00,792 --> 00:03:03,675
I don't remember that, you're
coming awake, bleeding.
35
00:03:04,542 --> 00:03:06,251
Probably, it was a dream.
36
00:03:06,252 --> 00:03:09,521
Crows attacking fairies,
tumbling bloody in the sky.
37
00:03:09,522 --> 00:03:12,191
I used to to dream like that all the time.
38
00:03:12,192 --> 00:03:14,392
So vivid there'd be
remnant outside my head,
39
00:03:15,492 --> 00:03:17,183
a stain upon my pillow.
40
00:03:17,184 --> 00:03:19,684
(eerie music)
41
00:03:27,221 --> 00:03:30,554
(eerie music continues)
42
00:03:37,033 --> 00:03:40,366
(eerie music continues)
43
00:03:45,090 --> 00:03:48,007
(insects chirring)
44
00:03:50,343 --> 00:03:52,843
(eerie music)
45
00:03:59,990 --> 00:04:03,323
(eerie music continues)
46
00:04:04,375 --> 00:04:06,791
(birds chirping)
47
00:04:06,792 --> 00:04:07,961
I've been teaching my course
48
00:04:07,962 --> 00:04:10,631
on the contemporary novel for years.
49
00:04:10,632 --> 00:04:12,641
Then two years ago, I
started a night class
50
00:04:12,642 --> 00:04:16,691
on romantic poetry, emphasis
on the metaphysical.
51
00:04:16,692 --> 00:04:19,605
Coleridge, Baudelaire, Poe.
52
00:04:21,222 --> 00:04:22,605
Are you still religious?
53
00:04:24,012 --> 00:04:25,631
Not like we were before.
54
00:04:25,632 --> 00:04:26,632
Of course not.
55
00:04:29,502 --> 00:04:32,621
We should go in. It'll be dark soon.
56
00:04:32,622 --> 00:04:34,005
You worried about snakes?
57
00:04:35,022 --> 00:04:37,121
You are too. Don't lie.
58
00:04:37,122 --> 00:04:40,541
There's some DVD's in
the cabin Horror movies.
59
00:04:40,542 --> 00:04:44,250
- Any bad ones?
- We can hope. (chuckles)
60
00:04:44,251 --> 00:04:46,541
(insects chirring)
61
00:04:46,542 --> 00:04:49,042
(eerie music)
62
00:04:55,990 --> 00:04:59,323
(eerie music continues)
63
00:05:05,993 --> 00:05:09,326
(eerie music continues)
64
00:05:13,677 --> 00:05:15,960
(insects chirring)
65
00:05:15,961 --> 00:05:19,991
All horror movies are about
prying into private places
66
00:05:19,992 --> 00:05:23,715
and the discoveries are like
long falls through the dark.
67
00:05:25,182 --> 00:05:27,765
You have a story, your character Lizzie,
68
00:05:29,052 --> 00:05:31,755
searching through a family
member's private things.
69
00:05:34,032 --> 00:05:35,921
Yes, Lizzie.
70
00:05:35,922 --> 00:05:39,161
She pays a secret visit to
her stepbrother's closet
71
00:05:39,162 --> 00:05:40,755
and falls through a trap door.
72
00:05:42,462 --> 00:05:45,251
The fall of Lizzie, is it far?
73
00:05:45,252 --> 00:05:47,441
A long tumble through the dark.
74
00:05:47,442 --> 00:05:49,151
Into a basement?
75
00:05:49,152 --> 00:05:51,611
More like a realm beneath the house.
76
00:05:51,612 --> 00:05:52,905
Oh, I like that.
77
00:05:54,102 --> 00:05:56,171
There's a troll down there
78
00:05:56,172 --> 00:05:58,335
and Lizzie's hurt her ankle from the fall.
79
00:05:59,382 --> 00:06:02,831
She's defenseless, therefore prey.
80
00:06:02,832 --> 00:06:05,501
The troll tells her
there are special laws.
81
00:06:05,502 --> 00:06:08,291
If she obeys these laws,
her ankle will heal
82
00:06:08,292 --> 00:06:10,541
and the puddle of blood
at her feet will rise
83
00:06:10,542 --> 00:06:14,201
into a ladder, which rung over rung
84
00:06:14,202 --> 00:06:16,575
she can climb all the
way up to the trap door.
85
00:06:17,682 --> 00:06:19,601
What are the special laws?
86
00:06:19,602 --> 00:06:23,441
The most special law
is this, no snooping,
87
00:06:23,442 --> 00:06:24,971
but of course, the troll lays it out
88
00:06:24,972 --> 00:06:26,808
in a biblically formal way.
89
00:06:26,809 --> 00:06:31,031
"Thou shall not cast
eyes in unwelcome places.
90
00:06:31,032 --> 00:06:33,401
Neither shall you open cabinetry
91
00:06:33,402 --> 00:06:35,681
or peek through curtains."
92
00:06:35,682 --> 00:06:37,391
That sort of thing.
93
00:06:37,392 --> 00:06:39,791
But our Lizzie can't
resist a secret visit
94
00:06:39,792 --> 00:06:43,271
to a closet or quick peek into cabinetry.
95
00:06:43,272 --> 00:06:44,385
No, she can't.
96
00:06:45,432 --> 00:06:46,781
I'm trying to imagine a mind
97
00:06:46,782 --> 00:06:49,061
that rejoices in these stories.
98
00:06:49,062 --> 00:06:51,041
I don't rejoice in them.
99
00:06:51,042 --> 00:06:53,441
Do you all always write anonymously?
100
00:06:53,442 --> 00:06:55,391
I really don't want the attention.
101
00:06:55,392 --> 00:06:57,461
Not for this kind of work.
102
00:06:57,462 --> 00:06:59,505
What does body horror mean?
103
00:07:00,672 --> 00:07:02,201
Blood spray.
104
00:07:02,202 --> 00:07:04,361
Do all your stories spray blood?
105
00:07:04,362 --> 00:07:06,311
Like a car wash.
106
00:07:06,312 --> 00:07:10,331
Is it ritualistic, for revenge?
107
00:07:10,332 --> 00:07:12,611
These aren't literary stories.
108
00:07:12,612 --> 00:07:14,381
The draw is mutilation.
109
00:07:14,382 --> 00:07:15,671
You must know why that is,
110
00:07:15,672 --> 00:07:18,671
otherwise you wouldn't
be so successful at it.
111
00:07:18,672 --> 00:07:22,515
Mutilation is like a search.
112
00:07:24,732 --> 00:07:28,751
It turns the characters
insides into outsides.
113
00:07:28,752 --> 00:07:32,655
Hidden things now seen, roughly exposed.
114
00:07:35,142 --> 00:07:38,201
The reader's desire
to see private parts.
115
00:07:38,202 --> 00:07:40,752
And knowing that it's
not all right to want that.
116
00:07:42,132 --> 00:07:44,085
An appealing sense of shame.
117
00:07:45,162 --> 00:07:48,375
Like something from the
dark recesses of Puritanism.
118
00:07:49,272 --> 00:07:50,895
Shame and rage.
119
00:07:51,942 --> 00:07:54,255
A reliable business model.
120
00:07:54,256 --> 00:07:57,173
(insects chirring)
121
00:07:59,248 --> 00:08:02,165
(Lizzie screaming)
122
00:08:03,054 --> 00:08:05,964
(boat engine rumbling)
123
00:08:05,965 --> 00:08:08,465
(tense music)
124
00:08:15,001 --> 00:08:18,334
(tense music continues)
125
00:08:24,287 --> 00:08:27,620
(tense music continues)
126
00:08:34,214 --> 00:08:37,547
(tense music continues)
127
00:08:43,931 --> 00:08:47,264
(tense music continues)
128
00:08:53,916 --> 00:08:57,249
(tense music continues)
129
00:09:03,378 --> 00:09:06,711
(tense music continues)
130
00:09:11,911 --> 00:09:15,832
Jorie, I called to you
131
00:09:17,382 --> 00:09:19,245
to make sense of what happened.
132
00:09:21,342 --> 00:09:22,605
You didn't answer.
133
00:09:26,742 --> 00:09:28,665
[Jorie] It's taken me a long time.
134
00:09:29,562 --> 00:09:34,275
I'm sorry, but now I have a plan.
135
00:09:35,532 --> 00:09:38,295
A way for us to move past our troubles,
136
00:09:39,462 --> 00:09:41,868
into a future tense of joy.
137
00:09:41,869 --> 00:09:45,036
(soft dramatic music)
138
00:09:51,106 --> 00:09:54,279
(soft dramatic music continues)
139
00:09:54,280 --> 00:09:56,111
(insects chirring)
(crows cawing)
140
00:09:56,112 --> 00:09:59,032
You bring me all the way
out here to a place that seems
141
00:10:00,942 --> 00:10:05,025
prehistoric to tell me about future joy?
142
00:10:08,562 --> 00:10:10,785
I'll reveal everything soon,
143
00:10:12,852 --> 00:10:14,652
but first, let me catch up with you.
144
00:10:16,139 --> 00:10:18,724
I didn't realize how much
I had ached to see you.
145
00:10:18,725 --> 00:10:21,209
(soft dramatic music)
146
00:10:21,210 --> 00:10:23,793
(crows cawing)
147
00:10:31,122 --> 00:10:33,622
(eerie music)
148
00:10:40,421 --> 00:10:43,754
(eerie music continues)
149
00:10:52,284 --> 00:10:55,451
(soft dramatic music)
150
00:11:01,641 --> 00:11:04,808
(soft dramatic music)
151
00:11:10,209 --> 00:11:15,209
Not the intent of suicide.
152
00:11:17,442 --> 00:11:22,095
An image of floating just
below the surface of the water.
153
00:11:23,322 --> 00:11:26,745
Pale as stone, empty,
154
00:11:28,152 --> 00:11:31,185
trailed by fish and birds.
155
00:11:32,382 --> 00:11:37,382
No, the ideation of suicide.
156
00:11:39,822 --> 00:11:44,822
To imagine the migraine of
consciousness over and done.
157
00:11:47,712 --> 00:11:49,725
What can water really do?
158
00:11:56,802 --> 00:11:58,875
[Kaidon] I remember a dark time.
159
00:12:00,282 --> 00:12:02,085
We were children under pressure.
160
00:12:03,042 --> 00:12:04,455
Sworn to stay quiet.
161
00:12:05,982 --> 00:12:08,715
We disappeared all evidence
of the thing we did,
162
00:12:09,882 --> 00:12:14,309
but the secret, the
secret hollowed us out.
163
00:12:17,490 --> 00:12:20,490
(insects chirring)
164
00:12:26,823 --> 00:12:27,841
Hey.
165
00:12:27,842 --> 00:12:30,759
(insects chirring)
166
00:12:33,441 --> 00:12:36,358
(truck door opens)
167
00:12:41,808 --> 00:12:44,808
(blanket rustling)
168
00:12:47,555 --> 00:12:50,055
(eerie music)
169
00:12:56,866 --> 00:13:00,199
(eerie music continues)
170
00:13:01,206 --> 00:13:03,373
(tapping)
171
00:13:10,259 --> 00:13:13,259
(insects chirring)
172
00:13:16,738 --> 00:13:18,071
We were sold.
173
00:13:20,738 --> 00:13:21,738
Not sold.
174
00:13:25,612 --> 00:13:27,641
Whatever ceremonial
name you wanna put to it,
175
00:13:27,642 --> 00:13:28,665
we were sold.
176
00:13:30,042 --> 00:13:31,841
And him that bought us is an old halfwit
177
00:13:31,842 --> 00:13:34,442
in the mistaken light between
competence and desire.
178
00:13:36,492 --> 00:13:38,981
An inheritance of goat-gnawed automobiles
179
00:13:38,982 --> 00:13:40,155
he can't put to profit.
180
00:13:42,222 --> 00:13:44,291
The light at the ceremony,
181
00:13:44,292 --> 00:13:46,042
the light they say binds us to him,
182
00:13:48,042 --> 00:13:50,171
it's a light of absence.
183
00:13:50,172 --> 00:13:53,415
The light of isolation, our toil.
184
00:13:56,472 --> 00:13:57,585
Binding light.
185
00:13:58,932 --> 00:14:03,052
Bright light. Indentured light
186
00:14:04,482 --> 00:14:08,392
Light upon sweat, light upon blood.
187
00:14:09,612 --> 00:14:11,085
Light of a raw life.
188
00:14:12,252 --> 00:14:14,891
The light of the belt around our necks.
189
00:14:14,892 --> 00:14:16,242
Light decaying into light.
190
00:14:17,892 --> 00:14:21,629
In the light of our
own darkness, receeding.
191
00:14:21,630 --> 00:14:24,130
(eerie music)
192
00:14:30,997 --> 00:14:33,497
(tense music)
193
00:14:39,708 --> 00:14:42,074
(tense music continues)
194
00:14:42,075 --> 00:14:44,742
(door creaking)
195
00:14:46,801 --> 00:14:50,218
(door creaks and closes)
196
00:14:56,021 --> 00:14:59,354
(tense music continues)
197
00:15:04,161 --> 00:15:06,744
(bed creaking)
198
00:15:13,757 --> 00:15:17,090
(tense music continues)
199
00:15:22,994 --> 00:15:26,327
(tense music continues)
200
00:15:32,325 --> 00:15:36,221
A fall on an ax will
create a specific wound.
201
00:15:36,222 --> 00:15:38,291
We have to mimic that wound.
202
00:15:38,292 --> 00:15:41,771
You said we'd hide the
body, hide it perfectly.
203
00:15:41,772 --> 00:15:43,935
Anything hidden can
one day appear again.
204
00:15:44,832 --> 00:15:46,332
We'll be ready no matter what.
205
00:15:48,912 --> 00:15:50,362
Come on. Let's give it a try.
206
00:15:52,283 --> 00:15:54,011
(Kaidon inhales)
207
00:15:54,012 --> 00:15:55,012
No.
208
00:15:57,222 --> 00:16:02,222
Slowly, to practice precision. Like this:
209
00:16:03,972 --> 00:16:08,145
Chop, chop, chop.
210
00:16:10,542 --> 00:16:14,055
[Both] Chop, chop, chop,
211
00:16:15,552 --> 00:16:19,005
chop, chop, chop.
212
00:16:21,599 --> 00:16:26,599
(horn honking)
(intense music)
213
00:16:27,098 --> 00:16:28,490
Hey!
214
00:16:28,491 --> 00:16:30,368
Drop my fucking bag!
215
00:16:30,369 --> 00:16:31,369
Hey, you!
216
00:16:34,248 --> 00:16:36,791
(horn blaring)
217
00:16:36,792 --> 00:16:37,792
Oh!
218
00:16:39,275 --> 00:16:43,108
No! (sighs)
219
00:16:44,381 --> 00:16:47,141
Uh!
(foot thuds)
220
00:16:47,142 --> 00:16:48,511
Must you?
221
00:16:48,512 --> 00:16:50,873
(foot thudding)
(Thief laughing)
222
00:16:50,874 --> 00:16:53,374
(tense music)
223
00:16:57,431 --> 00:17:00,731
(Thief grunting)
224
00:17:00,732 --> 00:17:04,245
Quit throwing rocks
at my head! God, y'all!
225
00:17:09,787 --> 00:17:13,211
(laughs) Back the fuck off,
226
00:17:13,212 --> 00:17:15,911
or I swear I'll kill your
husband and your daughter!
227
00:17:15,912 --> 00:17:18,486
I'll slit both their throats to rags!
228
00:17:18,487 --> 00:17:23,487
(tense music)
(insects chirring)
229
00:17:28,004 --> 00:17:32,085
Remember, my knife knows
the way home, bitches.
230
00:17:37,148 --> 00:17:40,481
(tense music continues)
231
00:17:43,824 --> 00:17:45,332
(birds chirping)
232
00:17:45,402 --> 00:17:46,444
Yes.
233
00:17:50,022 --> 00:17:51,225
Oh, yes. Me too.
234
00:17:52,794 --> 00:17:55,377
(door closes)
235
00:17:58,482 --> 00:17:59,724
I miss you both.
236
00:18:02,232 --> 00:18:03,274
I love you.
237
00:18:05,562 --> 00:18:08,355
I will. Goodbye.
238
00:18:10,826 --> 00:18:12,431
(Jorie sighs)
They're fine?
239
00:18:12,432 --> 00:18:13,432
Yes, they're fine.
240
00:18:15,032 --> 00:18:18,641
The odds of that crazy
girl coming back after we...
241
00:18:18,642 --> 00:18:19,871
I know. (chuckles)
242
00:18:19,872 --> 00:18:21,281
Does she even have the
sense to find her way
243
00:18:21,282 --> 00:18:22,802
out of those woods is...
244
00:18:23,652 --> 00:18:25,395
I know. I'm all good.
245
00:18:27,462 --> 00:18:29,312
How much did you tell your husband?
246
00:18:32,508 --> 00:18:35,175
(crows cawing)
247
00:18:38,142 --> 00:18:40,811
Who robs a house looking like a wolf?
248
00:18:40,812 --> 00:18:42,617
It's so odd.
249
00:18:42,618 --> 00:18:44,861
(chuckles) What about
the person in the truck?
250
00:18:44,862 --> 00:18:47,711
Clearly not very brave.
(both laugh)
251
00:18:47,712 --> 00:18:50,771
Listen, I was thinking,
I think we should stay
252
00:18:50,772 --> 00:18:52,661
and finish our vacation.
253
00:18:52,662 --> 00:18:54,112
I don't think she'll be back.
254
00:18:55,902 --> 00:18:56,944
What's wrong?
255
00:19:00,282 --> 00:19:02,561
You mentioned an
event that would move us
256
00:19:02,562 --> 00:19:05,741
past our troubles so that we can focus
257
00:19:05,742 --> 00:19:07,839
on a future tense of joy.
258
00:19:07,840 --> 00:19:10,416
(birds chirping)
259
00:19:10,417 --> 00:19:13,001
(crows cawing)
260
00:19:13,002 --> 00:19:15,752
You don't think I orchestrated
that break in, do you?
261
00:19:21,635 --> 00:19:24,371
(insects chirring)
262
00:19:24,372 --> 00:19:27,322
Maybe it's too late for us
to be normal with one another.
263
00:19:29,322 --> 00:19:30,364
Don't say that.
264
00:19:31,692 --> 00:19:33,423
I've waited for so long.
265
00:19:33,666 --> 00:19:34,905
Let's try, please.
266
00:19:35,760 --> 00:19:39,191
(vehicle approaching)
267
00:19:39,192 --> 00:19:41,445
- Someone's here.
- The park rangers?
268
00:19:42,904 --> 00:19:43,946
We hope.
269
00:19:47,408 --> 00:19:50,801
(tense music)
(insects chirring)
270
00:19:50,802 --> 00:19:53,402
We searched the woods
where she fled, but no luck.
271
00:19:54,612 --> 00:19:56,902
She probably made her way to the fringe.
272
00:19:56,903 --> 00:19:58,751
- The fringe?
- Yeah.
273
00:19:58,752 --> 00:20:00,521
It's what we call a
little ad hoc community
274
00:20:00,522 --> 00:20:02,441
between here and town.
275
00:20:02,442 --> 00:20:04,942
Camp of young adults found
themselves outta place,
276
00:20:06,012 --> 00:20:07,712
now living in the woods by choice.
277
00:20:08,562 --> 00:20:11,201
- Are they violent?
- Not normally,
278
00:20:11,202 --> 00:20:12,852
but sometimes there are drifters.
279
00:20:14,472 --> 00:20:17,171
You're going to thoroughly
check this place out, yes?
280
00:20:17,172 --> 00:20:18,611
Now that you have the description
281
00:20:18,612 --> 00:20:20,531
of the one who attacked us.
282
00:20:20,532 --> 00:20:23,291
I'm on my way there now
with the park rangers.
283
00:20:23,292 --> 00:20:24,821
I just stopped by to
tell you that the woods
284
00:20:24,822 --> 00:20:26,531
near your cabin are clear.
285
00:20:26,532 --> 00:20:29,265
- You're not a park ranger?
- I'm a volunteer.
286
00:20:30,492 --> 00:20:31,571
That's rich.
287
00:20:31,572 --> 00:20:35,081
You look like a ranger out of
central casting. (chuckles)
288
00:20:35,082 --> 00:20:37,451
I know these woods pretty well, I guess.
289
00:20:37,452 --> 00:20:38,494
What do you do?
290
00:20:39,402 --> 00:20:42,105
I'm a pastor at a
Congregationalist church in town.
291
00:20:43,470 --> 00:20:45,131
No fooling?
292
00:20:45,132 --> 00:20:46,174
No fooling.
293
00:20:46,902 --> 00:20:48,502
I never would've figured that.
294
00:20:49,902 --> 00:20:51,821
Well thanks. Maybe.
295
00:20:51,822 --> 00:20:54,191
How is it that this fringe community
296
00:20:54,192 --> 00:20:56,235
is tolerated by the parks department?
297
00:20:57,252 --> 00:20:58,815
Not tolerated, exactly.
298
00:20:59,742 --> 00:21:01,455
I sort of liaison between the two.
299
00:21:02,652 --> 00:21:04,421
Do you have a card or something?
300
00:21:04,422 --> 00:21:05,801
I don't mean to be impolite,
301
00:21:05,802 --> 00:21:07,331
but if you're not a park ranger,
302
00:21:07,332 --> 00:21:08,591
then we oughta have some record
303
00:21:08,592 --> 00:21:11,321
of who we're speaking to about our case.
304
00:21:11,322 --> 00:21:14,111
Case? We weren't robbed exactly.
305
00:21:14,112 --> 00:21:15,815
But you clearly saw the knife.
306
00:21:16,782 --> 00:21:19,001
I don't have a card. I'm sorry.
307
00:21:19,002 --> 00:21:21,071
My name is Jack Weems.
308
00:21:21,072 --> 00:21:24,491
I'm known around the lake.
It's easy to check up on me.
309
00:21:24,492 --> 00:21:26,681
Parson Weems?
(Jorie laughs)
310
00:21:26,682 --> 00:21:28,571
- Sorry.
- It's fine.
311
00:21:28,572 --> 00:21:30,131
I've heard 'em all.
312
00:21:30,132 --> 00:21:33,401
Believe me, "I cannot tell a lie."
313
00:21:33,402 --> 00:21:35,352
Can we go with you to see the fringe?
314
00:21:37,062 --> 00:21:40,511
Not a good idea, but I can circle back
315
00:21:40,512 --> 00:21:42,462
after my look around if you want me to.
316
00:21:43,497 --> 00:21:45,572
That'd be nice. Thank you.
317
00:21:45,573 --> 00:21:48,490
(insects chirring)
318
00:21:50,751 --> 00:21:53,251
(eerie music)
319
00:22:00,759 --> 00:22:04,092
(eerie music continues)
320
00:22:10,349 --> 00:22:13,682
(eerie music continues)
321
00:22:15,127 --> 00:22:18,044
(insects chirring)
322
00:22:22,001 --> 00:22:27,001
(fan whirring)
(tense music)
323
00:22:31,332 --> 00:22:34,665
(tense music continues)
324
00:22:40,609 --> 00:22:43,942
(tense music continues)
325
00:22:47,711 --> 00:22:50,628
(insects chirring)
326
00:22:56,848 --> 00:23:00,181
(tense music continues)
327
00:23:04,767 --> 00:23:09,767
(eerie music)
(insects chirring)
328
00:23:14,021 --> 00:23:17,354
(eerie music continues)
329
00:23:24,421 --> 00:23:27,754
(eerie music continues)
330
00:23:34,058 --> 00:23:37,391
(eerie music continues)
331
00:23:40,163 --> 00:23:45,163
♪ Priestly, prissy, Pastor Jack ♪
332
00:23:46,877 --> 00:23:51,877
♪ Puts the girls of the
orphanage on their back ♪
333
00:23:52,453 --> 00:23:55,120
(intense music)
334
00:24:00,185 --> 00:24:02,072
♪ Mandibles of the sun ♪
335
00:24:02,073 --> 00:24:04,547
♪ Will tear the world undone ♪
336
00:24:04,548 --> 00:24:08,905
♪ Light on the horizon gleas with blood ♪
337
00:24:08,906 --> 00:24:10,853
♪ Serpent sets its gaze ♪
338
00:24:10,854 --> 00:24:13,045
♪ You're frozen and amazed ♪
339
00:24:13,046 --> 00:24:17,413
♪ You lose your life
and all you understood ♪
340
00:24:17,414 --> 00:24:19,535
♪ The game is fixed to rot ♪
341
00:24:19,536 --> 00:24:21,750
♪ You're here and then you're not ♪
342
00:24:21,751 --> 00:24:26,336
♪ The only thing worth
living is a thought ♪
343
00:24:26,337 --> 00:24:30,623
♪ Rapture, rupture ♪
344
00:24:30,624 --> 00:24:34,809
♪ Rapture, rupture. ♪
345
00:24:34,810 --> 00:24:38,782
♪ The only thing worth
living is a thought ♪
346
00:24:38,783 --> 00:24:42,283
(intense music continues)
347
00:24:55,178 --> 00:24:57,240
(Kaidon gasping)
(tense music)
348
00:24:57,241 --> 00:25:00,324
(muffled chattering)
349
00:25:07,899 --> 00:25:11,232
(tense music continues)
350
00:25:13,048 --> 00:25:14,496
[Jorie] That's not true.
351
00:25:14,497 --> 00:25:16,539
(chattering continues)
352
00:25:16,540 --> 00:25:18,790
Did you talk to the locals?
353
00:25:19,619 --> 00:25:22,696
(chattering continues)
354
00:25:22,721 --> 00:25:23,763
Out back?
355
00:25:25,470 --> 00:25:28,720
(chattering continues)
356
00:25:31,238 --> 00:25:36,238
(floor creaking)
(insects chirring)
357
00:25:44,587 --> 00:25:47,170
(eerie music)
358
00:25:53,442 --> 00:25:54,705
Giant salvinia.
359
00:25:55,632 --> 00:25:58,361
The ferns you see here
are choking the lake.
360
00:25:58,362 --> 00:26:01,751
Biological control through
the use of salvinia weevils
361
00:26:01,752 --> 00:26:03,252
is the best management option.
362
00:26:04,572 --> 00:26:07,072
The weevils devour that
the lake may become clear.
363
00:26:08,262 --> 00:26:09,562
Looks chaotic, doesn't it?
364
00:26:11,382 --> 00:26:13,105
Looks like renewal.
365
00:26:13,106 --> 00:26:16,356
(soft dramatic music)
366
00:26:24,132 --> 00:26:25,545
This place is magical.
367
00:26:26,832 --> 00:26:27,874
[Jack] Yes.
368
00:26:28,932 --> 00:26:31,631
[Jorie] It's as though
there's a separation.
369
00:26:31,632 --> 00:26:34,635
This natural place and
the place of ambition,
370
00:26:35,772 --> 00:26:38,201
a place of concrete skin.
371
00:26:38,202 --> 00:26:41,685
There's encroachment.
This place needs preserving.
372
00:26:43,932 --> 00:26:47,141
[Jorie] At your church,
do you say God's plan?
373
00:26:47,142 --> 00:26:49,871
- Yes.
- Is that accurate?
374
00:26:49,872 --> 00:26:50,972
[Jack] It's helpful.
375
00:26:52,571 --> 00:26:55,485
Saying "plan" presents a sense
of authority in the unknown.
376
00:26:56,592 --> 00:26:58,751
What word would you use?
377
00:26:58,752 --> 00:27:01,995
Spectacle. God's spectacle.
378
00:27:03,432 --> 00:27:07,155
God's spectacle which
includes individual damage.
379
00:27:09,312 --> 00:27:10,815
[Jack] And individual grace?
380
00:27:13,722 --> 00:27:15,971
[Jorie] Can it be included in this talk
381
00:27:15,972 --> 00:27:17,951
of spectacle and grace,
382
00:27:17,952 --> 00:27:22,185
the prospect of a double,
that each of us has a double.
383
00:27:23,892 --> 00:27:26,385
A double that prepares us for survival?
384
00:27:27,702 --> 00:27:29,652
[Jack] A representation of ourselves?
385
00:27:30,732 --> 00:27:32,382
[Jack] Imagine I have a double.
386
00:27:33,312 --> 00:27:36,371
Someone who struggles,
but also sets the stage
387
00:27:36,372 --> 00:27:37,965
for me to live more wisely.
388
00:27:41,382 --> 00:27:42,932
Are you talking about Kaidon?
389
00:27:44,622 --> 00:27:47,651
[Jorie] We've been
separated for a long time.
390
00:27:47,652 --> 00:27:49,035
The lake is our reunion.
391
00:27:49,962 --> 00:27:51,941
Although it sounds magical,
392
00:27:51,942 --> 00:27:54,345
I believe I have a way forward for us.
393
00:27:56,832 --> 00:27:58,835
[Jack] A path you
didn't know about before.
394
00:28:00,432 --> 00:28:01,751
[Jorie] Take the idea of heaven
395
00:28:01,752 --> 00:28:03,915
and God's plan for destination.
396
00:28:04,782 --> 00:28:07,691
Imagine not a plan but a spectacle.
397
00:28:07,692 --> 00:28:10,185
Everything happening simultaneously.
398
00:28:11,112 --> 00:28:13,661
Instead of toil and reward being one thing
399
00:28:13,662 --> 00:28:17,801
followed by another, life and life after,
400
00:28:17,802 --> 00:28:20,531
imagine toil and reward at once.
401
00:28:20,532 --> 00:28:22,755
Experience between doubles.
402
00:28:24,042 --> 00:28:26,925
One struggle prepares
the other's survival.
403
00:28:27,852 --> 00:28:29,625
They're at the same pace.
404
00:28:33,762 --> 00:28:35,438
[Jack] It's interesting
405
00:28:35,439 --> 00:28:38,689
(soft dramatic music)
406
00:28:39,912 --> 00:28:44,295
[Jorie] So no, not a pathway, an event.
407
00:28:46,002 --> 00:28:50,456
An event of grace where the
doubles meet and are made equal.
408
00:28:50,457 --> 00:28:54,540
(soft dramatic music continues)
409
00:28:58,752 --> 00:29:01,001
[Jack] What type of event is that?
410
00:29:01,002 --> 00:29:02,994
[Jorie] Something extreme.
411
00:29:02,995 --> 00:29:05,495
(eerie music)
412
00:29:11,935 --> 00:29:15,268
(eerie music continues)
413
00:29:20,847 --> 00:29:24,180
(eerie music continues)
414
00:29:26,603 --> 00:29:29,686
(suspenseful music)
415
00:29:36,201 --> 00:29:40,034
(suspenseful music continues)
416
00:29:41,148 --> 00:29:42,148
It's you.
417
00:29:45,766 --> 00:29:48,433
Like it or not, you can hear me.
418
00:29:49,920 --> 00:29:52,420
(eerie music)
419
00:29:58,974 --> 00:30:02,391
(eerie music continues)
420
00:30:08,883 --> 00:30:12,466
We are a closed community
dedicated to God.
421
00:30:13,962 --> 00:30:16,995
Silence and obedience are expected.
422
00:30:18,012 --> 00:30:21,551
Husband guards us and guides us.
423
00:30:21,552 --> 00:30:24,266
His eyes and punishment are swift.
424
00:30:24,267 --> 00:30:27,684
(eerie music continues)
425
00:30:31,697 --> 00:30:35,197
Ours too, Kaidon. Our punishment is swift.
426
00:30:40,417 --> 00:30:43,750
(eerie music continues)
427
00:30:50,634 --> 00:30:53,967
(eerie music continues)
428
00:31:01,242 --> 00:31:03,342
[Kaidon] Lizzie was alone in the forest.
429
00:31:04,272 --> 00:31:06,585
A sour spell had taken over her.
430
00:31:08,052 --> 00:31:11,051
She struggled up a hill
the way a newborn calf
431
00:31:11,052 --> 00:31:12,800
struggles to his feet.
432
00:31:12,801 --> 00:31:16,218
(eerie music continues)
433
00:31:21,102 --> 00:31:24,071
She wobbled in and out
of the black shadows
434
00:31:24,072 --> 00:31:25,815
cast by the cypresses.
435
00:31:26,952 --> 00:31:28,185
Were there crows?
436
00:31:29,352 --> 00:31:32,385
Yes. Shiny and loud.
437
00:31:34,182 --> 00:31:37,511
Lizzie was on the lookout
for a circle of stones,
438
00:31:37,512 --> 00:31:39,851
a healing place that was
assembled on the hill
439
00:31:39,852 --> 00:31:41,025
hundreds of years ago.
440
00:31:42,762 --> 00:31:47,118
The spell made her ears
hurt and her stomach turn.
441
00:31:47,119 --> 00:31:50,536
(eerie music continues)
442
00:31:52,842 --> 00:31:56,561
She looked forward to laying
down in the circle of stones,
443
00:31:56,562 --> 00:31:59,385
covering herself over with ferns and dirt.
444
00:32:00,462 --> 00:32:04,965
The stones would dissipate
the spell or so she hoped.
445
00:32:07,752 --> 00:32:10,451
Lizzie moved from tree to tree,
446
00:32:10,452 --> 00:32:12,405
handling each one for support.
447
00:32:13,332 --> 00:32:15,255
She was losing all her strength.
448
00:32:16,722 --> 00:32:19,755
All at once, the insects all went dumb.
449
00:32:20,592 --> 00:32:23,115
The crows were high up in the quiet.
450
00:32:24,372 --> 00:32:26,265
Lizzie felt herself watched.
451
00:32:27,552 --> 00:32:29,205
Did a black cat walk by?
452
00:32:30,462 --> 00:32:33,615
Yes. Delicate and precise.
453
00:32:35,592 --> 00:32:38,381
Lizzie felt thoroughly searched.
454
00:32:38,382 --> 00:32:40,271
And then she saw hunter standing
455
00:32:40,272 --> 00:32:43,305
on the side of the hill watching her.
456
00:32:44,682 --> 00:32:47,291
The hunter was a woman
with a striking face
457
00:32:47,292 --> 00:32:49,631
and powerful eyes.
458
00:32:49,632 --> 00:32:52,631
Lizzie thought she was probably a goddess
459
00:32:52,632 --> 00:32:55,665
there to guide her or else murder her.
460
00:32:56,772 --> 00:32:57,972
Possibly do both.
461
00:33:01,630 --> 00:33:04,630
(insects chirring)
462
00:33:13,332 --> 00:33:14,535
Why are you here?
463
00:33:15,942 --> 00:33:17,265
I wanna change my life.
464
00:33:19,362 --> 00:33:20,562
What is wrong with it?
465
00:33:22,179 --> 00:33:23,955
I've been a terrible person.
466
00:33:27,342 --> 00:33:28,725
I'm in so much pain.
467
00:33:32,292 --> 00:33:35,775
I need to think about my life
and find a new way to be.
468
00:33:38,892 --> 00:33:40,592
And what if the change is death?
469
00:33:42,372 --> 00:33:45,675
Don't you think it's possible
that you deserve to die?
470
00:33:47,952 --> 00:33:49,065
I prefer to live.
471
00:33:52,155 --> 00:33:55,595
If there's a way to live
and be changed, I want that.
472
00:33:57,582 --> 00:33:58,582
What will you do?
473
00:34:01,241 --> 00:34:02,325
Anything.
474
00:34:10,403 --> 00:34:13,486
Do you have the authority to help me?
475
00:34:16,452 --> 00:34:17,494
Yes.
476
00:34:19,662 --> 00:34:21,855
An exchange is necessary.
477
00:34:23,562 --> 00:34:25,395
You must bring me two.
478
00:34:27,942 --> 00:34:31,012
Then you will have the
opportunity to reform
479
00:34:33,042 --> 00:34:34,173
Two?
480
00:34:34,174 --> 00:34:36,757
(eerie music)
481
00:34:42,642 --> 00:34:43,684
All right.
482
00:34:45,402 --> 00:34:46,898
I'll bring you two.
483
00:34:46,899 --> 00:34:49,380
(eerie music continues)
484
00:34:49,381 --> 00:34:52,298
(insects chirring)
485
00:34:58,668 --> 00:35:02,001
(eerie music continues)
486
00:35:06,421 --> 00:35:09,338
(insects chirring)
487
00:35:16,670 --> 00:35:20,003
(eerie music continues)
488
00:35:26,029 --> 00:35:29,362
(eerie music continues)
489
00:35:34,725 --> 00:35:37,642
(insects chirring)
490
00:35:43,839 --> 00:35:47,172
(eerie music continues)
491
00:35:53,092 --> 00:35:56,009
(insects chirring)
492
00:36:02,206 --> 00:36:05,539
(eerie music continues)
493
00:36:11,935 --> 00:36:15,268
(eerie music continues)
494
00:36:21,186 --> 00:36:25,031
(eerie music continues)
495
00:36:25,032 --> 00:36:27,435
[Jorie] I had a moment of recognition,
496
00:36:28,482 --> 00:36:31,635
like a face that appears
suddenly at the window.
497
00:36:32,862 --> 00:36:37,275
First, it's a surprise. Then you know.
498
00:36:39,852 --> 00:36:41,788
[Jack] Sounds profound.
499
00:36:41,789 --> 00:36:45,206
(eerie music continues)
500
00:36:52,872 --> 00:36:54,611
[Jorie] I found a way for Kaidon and me
501
00:36:54,612 --> 00:36:58,215
to let the pain of her
past stay in the past.
502
00:37:02,142 --> 00:37:03,495
Not a denial.
503
00:37:04,512 --> 00:37:07,811
We understand we can't
possibly make each other feel
504
00:37:07,812 --> 00:37:11,411
what the gap of years
was like for each other.
505
00:37:11,412 --> 00:37:14,501
Her time staying solitary and me trying
506
00:37:14,502 --> 00:37:16,215
to make a life for myself.
507
00:37:18,012 --> 00:37:21,281
Right now, there is a void between us,
508
00:37:21,282 --> 00:37:25,721
a history of absence
and the pain of absence.
509
00:37:25,722 --> 00:37:28,395
What might help is the shock of the new.
510
00:37:32,682 --> 00:37:33,982
[Jack] Shock of the new?
511
00:37:34,992 --> 00:37:37,931
[Jorie] The idea is to
create a new beginning.
512
00:37:37,932 --> 00:37:40,845
It must be a profound experience.
513
00:37:42,552 --> 00:37:45,791
Something that regenerates
our relationship,
514
00:37:45,792 --> 00:37:49,155
allows us to reshape our
understanding of one another.
515
00:37:52,422 --> 00:37:54,812
[Jack] What is this shocking experience?
516
00:37:56,141 --> 00:37:59,040
[Jorie] It has to do with that thief.
517
00:37:59,041 --> 00:38:02,374
(eerie music continues)
518
00:38:09,009 --> 00:38:12,342
(eerie music continues)
519
00:38:17,919 --> 00:38:21,495
(eerie music continues)
520
00:38:21,496 --> 00:38:23,420
(Kaidon gasping)
521
00:38:23,421 --> 00:38:26,171
(ominous music)
522
00:38:32,883 --> 00:38:36,383
(ominous music continues)
523
00:38:42,043 --> 00:38:45,543
(ominous music continues)
524
00:38:48,916 --> 00:38:51,536
(blankets rustling)
525
00:38:51,537 --> 00:38:54,204
(bed creaking)
526
00:39:00,952 --> 00:39:04,452
(ominous music continues)
527
00:39:09,526 --> 00:39:12,109
(bed creaking)
528
00:39:13,364 --> 00:39:15,864
(mask clinks)
529
00:39:18,079 --> 00:39:20,662
(bed creaking)
530
00:39:28,452 --> 00:39:30,294
(bed creaking)
531
00:39:30,295 --> 00:39:33,795
(ominous music continues)
532
00:39:40,572 --> 00:39:43,155
(bed creaking)
533
00:39:46,686 --> 00:39:49,686
(insects chirring)
534
00:39:53,632 --> 00:39:56,215
(eerie music)
535
00:40:03,198 --> 00:40:05,615
(crackling)
536
00:40:12,822 --> 00:40:16,155
(eerie music continues)
537
00:40:21,982 --> 00:40:25,315
(eerie music continues)
538
00:40:29,684 --> 00:40:32,434
(intense music)
539
00:40:39,314 --> 00:40:42,814
(intense music continues)
540
00:40:49,786 --> 00:40:53,286
(intense music continues)
541
00:40:56,994 --> 00:40:59,744
(tools clinking)
542
00:41:05,822 --> 00:41:09,322
(intense music continues)
543
00:41:15,099 --> 00:41:18,599
(intense music continues)
544
00:41:23,128 --> 00:41:26,045
(ax blades clink)
545
00:41:32,126 --> 00:41:35,626
(intense music continues)
546
00:41:41,832 --> 00:41:45,332
(intense music continues)
547
00:41:50,655 --> 00:41:53,149
(intense music continues)
548
00:41:53,150 --> 00:41:55,639
(axes hacking)
(Jorie and Kaidon grunting)
549
00:41:55,640 --> 00:41:58,740
(Karl groaning)
(blood spurting)
550
00:41:58,741 --> 00:42:03,741
(axes hacking)
(Karl gasping)
551
00:42:07,236 --> 00:42:12,236
(boat motor rumbling)
(eerie music)
552
00:42:17,053 --> 00:42:20,386
(eerie music continues)
553
00:42:24,874 --> 00:42:27,874
(shutter clicking)
554
00:42:34,092 --> 00:42:37,425
(eerie music continues)
555
00:42:47,253 --> 00:42:50,170
(shutter clicking)
556
00:42:56,639 --> 00:42:59,972
(eerie music continues)
557
00:43:06,043 --> 00:43:08,337
(eerie music continues)
558
00:43:08,338 --> 00:43:12,088
(motor boat engine rumbling)
559
00:43:18,044 --> 00:43:21,377
(eerie music continues)
560
00:43:27,949 --> 00:43:31,282
(eerie music continues)
561
00:43:37,769 --> 00:43:41,102
(eerie music continues)
562
00:43:44,312 --> 00:43:47,229
(shutter clicking)
563
00:43:51,707 --> 00:43:54,624
(shutter clicking)
564
00:43:57,746 --> 00:44:00,663
(shutter clicking)
565
00:44:05,731 --> 00:44:08,648
(shutter clicking)
566
00:44:12,906 --> 00:44:15,656
(intense music)
567
00:44:21,951 --> 00:44:25,451
(intense music continues)
568
00:44:32,875 --> 00:44:36,375
(intense music continues)
569
00:44:41,557 --> 00:44:45,057
(intense music continues)
570
00:44:51,088 --> 00:44:54,588
(intense music continues)
571
00:45:01,211 --> 00:45:04,711
(intense music continues)
572
00:45:11,686 --> 00:45:15,186
(intense music continues)
573
00:45:22,033 --> 00:45:25,533
(intense music continues)
574
00:45:32,123 --> 00:45:35,623
(intense music continues)
575
00:45:42,171 --> 00:45:45,671
(intense music continues)
576
00:45:51,985 --> 00:45:55,485
(intense music continues)
577
00:46:01,137 --> 00:46:04,720
(intense music continues)
578
00:46:09,670 --> 00:46:13,170
(intense music continues)
579
00:46:21,382 --> 00:46:24,882
(intense music continues)
580
00:46:27,344 --> 00:46:30,758
(insects chirring)
(birds chirping)
581
00:46:30,759 --> 00:46:33,259
(eerie music)
582
00:46:40,221 --> 00:46:43,554
(eerie music continues)
583
00:46:49,957 --> 00:46:53,290
(eerie music continues)
584
00:46:58,886 --> 00:47:01,886
(insects chirring)
585
00:47:07,880 --> 00:47:10,797
(insects chirring)
586
00:47:17,466 --> 00:47:20,716
(soft dramatic music)
587
00:47:26,963 --> 00:47:30,963
(soft dramatic music continues)
588
00:47:32,592 --> 00:47:34,088
[Hunter] There is an
old story about snakes
589
00:47:34,089 --> 00:47:36,435
saving their hearts in humans.
590
00:47:38,112 --> 00:47:40,151
Cold-blooded snakes can live for a time
591
00:47:40,152 --> 00:47:44,951
without their hearts, gaining warmth
592
00:47:44,952 --> 00:47:47,621
instead by gliding their bodies
593
00:47:47,622 --> 00:47:49,955
across sunlit grass and stone.
594
00:47:49,956 --> 00:47:53,956
(soft dramatic music continues)
595
00:48:00,132 --> 00:48:03,431
To protect their hearts
from trample or combat,
596
00:48:03,432 --> 00:48:07,635
snakes often hide their
hearts in stronger vessels.
597
00:48:11,922 --> 00:48:15,761
There are people so cut off
from their own memories,
598
00:48:15,762 --> 00:48:17,385
their hearts grow cold.
599
00:48:19,032 --> 00:48:21,941
No disguise can truly hide them.
600
00:48:21,942 --> 00:48:23,441
No matter their appointments
601
00:48:23,442 --> 00:48:26,171
or how they surround themselves,
602
00:48:26,172 --> 00:48:27,465
they are deeply alone.
603
00:48:31,332 --> 00:48:35,865
Snakes seek out such people
to hide their hearts in.
604
00:48:39,162 --> 00:48:43,181
People who don't know their
own heart won't notice,
605
00:48:43,182 --> 00:48:45,451
they also carry a snake heart.
606
00:48:45,452 --> 00:48:49,841
(soft dramatic music continues)
607
00:48:49,842 --> 00:48:51,971
There are stories of people that died
608
00:48:51,972 --> 00:48:53,745
from terrible loneliness.
609
00:48:54,942 --> 00:48:57,941
As many as 20 snake hearts have been found
610
00:48:57,942 --> 00:48:59,895
in a lonely person that died.
611
00:49:01,452 --> 00:49:04,061
And sometimes, people die
612
00:49:04,062 --> 00:49:06,285
when snakes come to retrieve their heart.
613
00:49:08,202 --> 00:49:10,301
They see snakes approaching
614
00:49:10,302 --> 00:49:12,315
and misunderstand the situation.
615
00:49:14,292 --> 00:49:17,951
If the snake is cut in
two by a worried host,
616
00:49:17,952 --> 00:49:22,275
there is a heart within
that person that dies.
617
00:49:25,272 --> 00:49:27,791
If the snake strikes a person,
618
00:49:27,792 --> 00:49:30,071
the poison that goes in the veins
619
00:49:30,072 --> 00:49:32,055
will affect the hidden heart.
620
00:49:34,542 --> 00:49:38,081
I'll tell you about axes and dirt.
621
00:49:38,082 --> 00:49:42,795
There are people that bury their
axes but never forget them.
622
00:49:43,932 --> 00:49:47,081
There are people who bury their axes
623
00:49:47,082 --> 00:49:52,005
and uncover them every night
just to hold them in secret.
624
00:49:53,292 --> 00:49:56,441
There are people who bury axes
625
00:49:56,442 --> 00:49:58,001
who will tell you to your face,
626
00:49:58,002 --> 00:50:01,591
they never carried an
ax in all their life.
627
00:50:01,592 --> 00:50:04,842
(soft dramatic music)
628
00:50:07,182 --> 00:50:11,381
Snakes are careful of
their bellies in dirt
629
00:50:11,382 --> 00:50:12,915
where axes are hidden.
630
00:50:13,842 --> 00:50:17,055
They know they have to put
their hearts somewhere safe.
631
00:50:19,062 --> 00:50:23,921
They can sense those people cut
off from their own memories,
632
00:50:23,922 --> 00:50:26,265
people with buried hearts.
633
00:50:27,312 --> 00:50:32,165
Such obstinate sadness is
the perfect hiding place.
634
00:50:32,166 --> 00:50:36,249
(soft dramatic music continues)
635
00:50:38,022 --> 00:50:42,371
Word travels fast when
there is a suitable host
636
00:50:42,372 --> 00:50:45,075
for the snakes to save their hearts.
637
00:50:49,272 --> 00:50:50,865
But there is always a risk.
638
00:50:51,852 --> 00:50:54,911
A person burdened by too many snake hearts
639
00:50:54,912 --> 00:50:58,031
will find oneself standing
at the edge of a cliff
640
00:50:58,032 --> 00:51:01,181
or deep water and look into it,
641
00:51:01,182 --> 00:51:04,935
search it with the
bloody weight of desire,
642
00:51:06,132 --> 00:51:09,495
desire that drenches the
world in a cold chill.
643
00:51:11,382 --> 00:51:12,975
We watch out for such people.
644
00:51:22,936 --> 00:51:25,436
(eerie music)
645
00:51:31,955 --> 00:51:35,288
(eerie music continues)
646
00:51:41,021 --> 00:51:44,354
(eerie music continues)
647
00:51:50,997 --> 00:51:53,747
(eerie music continues)
648
00:51:53,748 --> 00:51:58,748
♪ Priestly, prissy, Pastor Jack ♪
649
00:52:00,465 --> 00:52:05,465
♪ Puts the girls of the
orphanage on their back ♪
650
00:52:06,291 --> 00:52:09,624
(eerie music continues)
651
00:52:15,706 --> 00:52:19,039
(eerie music continues)
652
00:52:25,888 --> 00:52:29,221
(eerie music continues)
653
00:52:35,083 --> 00:52:38,416
(eerie music continues)
654
00:52:45,091 --> 00:52:48,424
(eerie music continues)
655
00:52:55,145 --> 00:52:58,478
(eerie music continues)
656
00:53:04,585 --> 00:53:07,918
(eerie music continues)
657
00:53:18,165 --> 00:53:21,653
(creepy music)
(insects chirring)
658
00:53:21,654 --> 00:53:24,821
(static white noise)
659
00:53:25,885 --> 00:53:27,382
I believe there are doubles
660
00:53:28,272 --> 00:53:29,865
and we are each other's double.
661
00:53:32,202 --> 00:53:33,795
Not an exact likeness.
662
00:53:35,322 --> 00:53:38,055
Doubling is one of nature's
irregular patterns.
663
00:53:39,852 --> 00:53:42,742
It's a way of expressing
personal satisfaction
664
00:53:43,782 --> 00:53:45,315
and personal crisis.
665
00:53:48,462 --> 00:53:51,465
Perhaps one struggle sets the
stage to live more wisely.
666
00:53:52,932 --> 00:53:54,255
Even Prosperously.
667
00:53:55,692 --> 00:53:57,692
I think that's the case with you and me.
668
00:54:00,162 --> 00:54:03,525
You are alone working anonymously.
669
00:54:05,922 --> 00:54:07,935
I have my students and my family.
670
00:54:09,642 --> 00:54:11,749
I think what happened to you with old Karl
671
00:54:13,283 --> 00:54:15,450
and how we fixed old Karl,
672
00:54:17,450 --> 00:54:21,069
I think it resulted in an imbalance.
673
00:54:21,070 --> 00:54:23,737
(intense music)
674
00:54:32,154 --> 00:54:35,321
(soft dramatic music)
675
00:54:40,205 --> 00:54:43,205
(insects chirring)
676
00:54:50,061 --> 00:54:54,144
(soft dramatic music continues)
677
00:54:58,734 --> 00:55:00,401
[Thief] It's you.
678
00:55:01,962 --> 00:55:04,649
You can hear me, like it or not.
679
00:55:04,650 --> 00:55:08,650
(soft dramatic music continues)
680
00:55:14,141 --> 00:55:18,141
(soft dramatic music continues)
681
00:55:19,748 --> 00:55:22,748
(insects chirring)
682
00:55:25,312 --> 00:55:28,005
I ate a concoction of grass and flowers.
683
00:55:32,532 --> 00:55:37,532
It didn't make me whole, but
maybe it'll strike your fancy.
684
00:55:41,472 --> 00:55:43,395
I'm not as wretched as you think.
685
00:55:45,762 --> 00:55:47,625
I have human qualities.
686
00:55:51,132 --> 00:55:54,731
When I was little, I drew
little forest creatures
687
00:55:54,732 --> 00:55:59,732
wearing human clothes, Victorian
dresses and waist coats,
688
00:56:00,012 --> 00:56:02,145
moist eyes looking out at you.
689
00:56:03,612 --> 00:56:06,611
They weren't very good
and I think most of them
690
00:56:06,612 --> 00:56:08,265
I traced out of some book,
691
00:56:11,742 --> 00:56:14,261
but I could sort of see in them
692
00:56:14,262 --> 00:56:16,820
what my mind intended them to be.
693
00:56:16,821 --> 00:56:20,501
(insects chirring)
694
00:56:20,502 --> 00:56:24,825
Portrait after portrait,
adding up to a little society.
695
00:56:25,872 --> 00:56:28,736
I'd spread them out and feel fellowship.
696
00:56:28,737 --> 00:56:31,237
(eerie music)
697
00:56:38,696 --> 00:56:41,363
(intense music)
698
00:56:45,993 --> 00:56:48,493
(eerie music)
699
00:56:50,740 --> 00:56:53,740
(insects chirring)
700
00:56:54,629 --> 00:56:57,462
Heaven allows individual damage.
701
00:56:59,596 --> 00:57:02,311
A double can absorb some of that damage.
702
00:57:02,312 --> 00:57:05,645
(eerie music continues)
703
00:57:11,217 --> 00:57:14,634
(eerie music continues)
704
00:57:20,979 --> 00:57:24,952
(eerie music continues)
705
00:57:24,953 --> 00:57:27,953
(insects chirring)
706
00:57:33,882 --> 00:57:37,215
(eerie music continues)
707
00:57:42,380 --> 00:57:45,380
(insects chirring)
708
00:57:51,709 --> 00:57:55,042
(eerie music continues)
709
00:58:01,826 --> 00:58:04,029
(eerie music continues)
710
00:58:04,030 --> 00:58:06,466
[Thief] You feel her.
711
00:58:06,467 --> 00:58:08,355
- Who?
- The hunter.
712
00:58:14,052 --> 00:58:15,135
She's close.
713
00:58:17,467 --> 00:58:18,884
[Kaidon] Where?
714
00:58:22,193 --> 00:58:27,193
[Thief] Behind those
trees chewing on a dead doe.
715
00:58:27,342 --> 00:58:29,492
She wouldn't want you
to see her like this.
716
00:58:30,432 --> 00:58:32,861
Wait till after she's fed.
717
00:58:32,862 --> 00:58:35,004
She's better after having blood.
718
00:58:35,005 --> 00:58:38,338
(eerie music continues)
719
00:58:43,477 --> 00:58:45,701
(insects chittering)
720
00:58:45,702 --> 00:58:48,011
I thought we'd find a
leveling experience out here
721
00:58:48,012 --> 00:58:49,155
by this remote lake.
722
00:58:51,882 --> 00:58:54,821
I knew about that fringe
group that lives in the woods
723
00:58:54,822 --> 00:58:57,675
and how they've taken liberties
with the rental cabins.
724
00:59:02,412 --> 00:59:06,341
The darkness that marks us is self-similar
725
00:59:06,342 --> 00:59:08,235
to the darkness that marked the thief.
726
00:59:09,822 --> 00:59:11,291
She stands before a mirror
727
00:59:11,292 --> 00:59:13,526
and sees an image that's evolving.
728
00:59:13,527 --> 00:59:16,811
(insects chirring)
729
00:59:16,812 --> 00:59:18,622
The image supersedes the host
730
00:59:20,952 --> 00:59:21,994
and soon
731
00:59:23,742 --> 00:59:24,952
she'll be brand new
732
00:59:26,622 --> 00:59:28,965
like a snake shedding its skin.
733
00:59:32,622 --> 00:59:33,622
We're drawn back,
734
00:59:35,802 --> 00:59:40,148
forever back into our
sin against old Karl.
735
00:59:40,149 --> 00:59:43,451
(eerie music continues)
736
00:59:43,452 --> 00:59:45,592
Chop, chop
737
00:59:47,364 --> 00:59:49,579
Chop.
738
00:59:49,580 --> 00:59:52,497
(insects chirring)
739
00:59:58,624 --> 01:00:01,957
(eerie music continues)
740
01:00:07,692 --> 01:00:10,442
[Thief] It is the absence
of meaning in what you live
741
01:00:11,382 --> 01:00:14,261
at the moment you are living it
742
01:00:14,262 --> 01:00:17,836
which multiplies the
possibilities of your imagination.
743
01:00:17,837 --> 01:00:21,254
(eerie music continues)
744
01:00:28,302 --> 01:00:30,085
[Kaidon] I grew up in the country.
745
01:00:31,512 --> 01:00:32,792
[Thief] I grew up in the city.
746
01:00:33,917 --> 01:00:36,532
Probably the things I had were
nicer than the things you had.
747
01:00:38,082 --> 01:00:39,344
[Kaidon] Probably.
748
01:00:40,962 --> 01:00:42,046
[Thief] Were you happy?
749
01:00:43,842 --> 01:00:47,025
I had thought life isn't worth living,
750
01:00:48,583 --> 01:00:50,704
but it is worth thinking about.
751
01:00:50,705 --> 01:00:52,882
(eerie music continues)
752
01:00:52,883 --> 01:00:55,966
(insects chittering)
753
01:01:01,625 --> 01:01:05,035
(eerie music continues)
754
01:01:05,036 --> 01:01:08,203
(insects chittering)
755
01:01:15,193 --> 01:01:19,181
[Thief] I remember when I was small,
756
01:01:19,182 --> 01:01:21,915
I was once held down
by several older boys.
757
01:01:23,472 --> 01:01:25,515
That set me off to a bad start.
758
01:01:27,012 --> 01:01:28,362
[Kaidon] That's horrible.
759
01:01:33,312 --> 01:01:35,741
[Thief] I'd like you to
consider how you might go on
760
01:01:35,742 --> 01:01:40,742
thinking about your life even
after you lose your life.
761
01:01:45,864 --> 01:01:49,552
Think about what everlasting means.
762
01:01:49,553 --> 01:01:54,553
(eerie music continues)
(insects chittering)
763
01:01:59,872 --> 01:02:03,205
(eerie music continues)
764
01:02:08,927 --> 01:02:12,093
(eerie music continues)
765
01:02:12,094 --> 01:02:15,261
(insects chittering)
766
01:02:21,939 --> 01:02:25,272
(eerie music continues)
767
01:02:31,123 --> 01:02:33,706
(creepy music)
768
01:02:38,636 --> 01:02:41,803
(insects chittering)
769
01:02:47,715 --> 01:02:51,132
(creepy music continues)
770
01:02:56,919 --> 01:03:00,826
(creepy music continues)
771
01:03:00,827 --> 01:03:04,751
I was daydreaming.
Where did you take me?
772
01:03:04,752 --> 01:03:08,042
To see the hunter.
She's ready for us now.
773
01:03:08,043 --> 01:03:10,626
(eerie music)
774
01:03:13,604 --> 01:03:15,641
Where are you going?
775
01:03:15,642 --> 01:03:16,792
[Kaidon] I'm leaving.
776
01:03:18,372 --> 01:03:21,401
No. There's momentum for us now.
777
01:03:21,402 --> 01:03:24,191
[Kaidon] I don't want you
coming around the cabin.
778
01:03:24,192 --> 01:03:26,021
Leave us alone.
779
01:03:26,022 --> 01:03:28,772
[Thief] I don't need to go
to your cabin to find you.
780
01:03:29,742 --> 01:03:31,442
[Kaidon] I'll alert the rangers.
781
01:03:32,292 --> 01:03:33,982
[Thief] We are tethered now
782
01:03:34,992 --> 01:03:37,031
and you don't need to be afraid.
783
01:03:37,032 --> 01:03:38,914
Let events run their course.
784
01:03:38,915 --> 01:03:42,248
(eerie music continues)
785
01:03:47,968 --> 01:03:51,301
(eerie music continues)
786
01:03:56,873 --> 01:04:00,206
(eerie music continues)
787
01:04:01,149 --> 01:04:06,149
(intense music)
(Lizzie screaming)
788
01:04:11,042 --> 01:04:14,542
(intense music continues)
789
01:04:21,003 --> 01:04:24,503
(intense music continues)
790
01:04:31,023 --> 01:04:34,523
(intense music continues)
791
01:04:40,891 --> 01:04:44,338
(intense music continues)
792
01:04:44,339 --> 01:04:46,655
(Kaidon breathes heavily)
793
01:04:46,656 --> 01:04:49,573
(insects chirring)
794
01:04:54,229 --> 01:04:56,394
Chop. (breathes uneasily)
795
01:04:56,395 --> 01:04:57,437
Chop.
796
01:04:59,322 --> 01:05:00,504
Chop.
797
01:05:00,505 --> 01:05:03,422
(insects chirring)
798
01:05:06,170 --> 01:05:09,253
(suspenseful music)
799
01:05:11,142 --> 01:05:13,275
[Jorie] Heaven allows individual damage.
800
01:05:14,322 --> 01:05:16,949
A double can absorb some of that damage.
801
01:05:17,862 --> 01:05:20,235
A double prepares us for survival.
802
01:05:21,972 --> 01:05:24,855
I thought a thief might provide
us the shock of the new.
803
01:05:25,842 --> 01:05:27,915
We'd have a new challenge to unite us.
804
01:05:29,082 --> 01:05:32,235
A shared experience that
would allow us to begin again.
805
01:05:33,619 --> 01:05:34,703
Hey you!
806
01:05:36,732 --> 01:05:38,531
[Jorie] Moving forward, that would be
807
01:05:38,532 --> 01:05:39,915
the story we would tell,
808
01:05:43,302 --> 01:05:46,335
how we chased a thief that
trespassed against us,
809
01:05:47,412 --> 01:05:49,605
ran her deep into the forest and gone.
810
01:05:51,162 --> 01:05:53,985
This story would supplant
the story of old Karl.
811
01:05:57,792 --> 01:06:00,131
Narrative is everything.
812
01:06:00,132 --> 01:06:03,161
Story puts all our
experiences and all our dreams
813
01:06:03,162 --> 01:06:07,238
into balance, but our doubling
now involves uncertainty.
814
01:06:07,239 --> 01:06:11,291
(suspenseful music continues)
815
01:06:11,292 --> 01:06:13,125
Someone messed up the narrative.
816
01:06:15,042 --> 01:06:16,935
A player has gone rogue.
817
01:06:18,222 --> 01:06:19,965
She's using us as her double,
818
01:06:20,862 --> 01:06:23,805
preparing her own survival at our expense.
819
01:06:24,972 --> 01:06:27,165
An elaborate double-cross.
820
01:06:28,302 --> 01:06:31,099
Something in the woods gets
her power to pull it off.
821
01:06:34,162 --> 01:06:36,829
(intense music)
822
01:06:45,889 --> 01:06:49,389
(intense music continues)
823
01:06:54,150 --> 01:06:57,650
(intense music continues)
824
01:07:03,878 --> 01:07:07,378
(intense music continues)
825
01:07:13,969 --> 01:07:17,469
(intense music continues)
826
01:07:23,947 --> 01:07:27,447
(intense music continues)
827
01:07:32,898 --> 01:07:36,398
(intense music continues)
828
01:07:42,032 --> 01:07:45,532
(intense music continues)
829
01:07:51,931 --> 01:07:55,431
(intense music continues)
830
01:08:02,299 --> 01:08:05,799
(intense music continues)
831
01:08:08,454 --> 01:08:13,454
(eerie music)
(insects chirring)
832
01:08:17,901 --> 01:08:20,568
(intense music)
833
01:08:26,972 --> 01:08:30,472
(intense music continues)
834
01:08:36,785 --> 01:08:40,285
(intense music continues)
835
01:08:46,043 --> 01:08:49,543
(intense music continues)
836
01:08:56,091 --> 01:08:59,591
(intense music continues)
837
01:09:05,947 --> 01:09:09,447
(intense music continues)
838
01:09:15,953 --> 01:09:19,453
(intense music continues)
839
01:09:26,043 --> 01:09:29,543
(intense music continues)
840
01:09:33,167 --> 01:09:36,084
(insects chirring)
841
01:09:37,672 --> 01:09:40,172
(eerie music)
842
01:09:47,993 --> 01:09:51,326
(eerie music continues)
843
01:10:02,787 --> 01:10:06,341
(soft dramatic music)
844
01:10:06,342 --> 01:10:08,741
[Hunter] A person cannot
know whether the next moment
845
01:10:08,742 --> 01:10:11,621
will be not like any other moment,
846
01:10:11,622 --> 01:10:16,622
but one that will change
their life or end their life.
847
01:10:18,702 --> 01:10:21,371
A deer in the woods
goes about its business
848
01:10:21,372 --> 01:10:24,345
knowing only by instinct
what sort of creature it is.
849
01:10:25,182 --> 01:10:28,001
The one who draws her bow, that is the one
850
01:10:28,002 --> 01:10:30,015
who knows what the next moment will be.
851
01:10:31,032 --> 01:10:34,181
She will line up her arrow and change time
852
01:10:34,182 --> 01:10:36,165
for what is standing in her sight.
853
01:10:37,932 --> 01:10:39,465
Do you understand?
854
01:10:42,552 --> 01:10:43,635
Who am I to you?
855
01:10:46,512 --> 01:10:48,225
[Thief] You are the hunter.
856
01:10:50,382 --> 01:10:52,932
[Hunter] Do I have the
power to change your life?
857
01:10:54,762 --> 01:10:55,846
[Thief] Oh yes.
858
01:10:57,644 --> 01:11:01,061
(eerie music continues)
859
01:11:04,002 --> 01:11:06,352
[Hunter] Do you see
before you a better life?
860
01:11:07,602 --> 01:11:08,686
[Thief] I do.
861
01:11:10,062 --> 01:11:11,621
[Hunter] Do you take it upon yourself
862
01:11:11,622 --> 01:11:13,395
to afford that better life?
863
01:11:14,442 --> 01:11:15,526
[Thief] I do.
864
01:11:17,352 --> 01:11:21,525
[Hunter] One world falls
away, another is taking shape.
865
01:11:26,499 --> 01:11:29,166
(intense music)
866
01:11:35,936 --> 01:11:39,436
(intense music continues)
867
01:11:44,901 --> 01:11:48,401
(intense music continues)
868
01:11:54,212 --> 01:11:57,712
(intense music continues)
869
01:12:03,500 --> 01:12:07,000
(intense music continues)
870
01:12:10,831 --> 01:12:13,831
(suspenseful music)
871
01:12:21,275 --> 01:12:24,025
(door creaking)
872
01:12:31,106 --> 01:12:34,939
(suspenseful music continues)
873
01:12:41,009 --> 01:12:44,842
(suspenseful music continues)
874
01:12:50,249 --> 01:12:54,878
(suspenseful music continues)
875
01:12:54,879 --> 01:12:57,712
(gun clattering)
876
01:13:03,935 --> 01:13:06,815
(suspenseful music continues)
877
01:13:06,816 --> 01:13:09,899
(creature snarling)
878
01:13:16,089 --> 01:13:19,922
(suspenseful music continues)
879
01:13:26,143 --> 01:13:30,151
(suspenseful music continues)
880
01:13:30,152 --> 01:13:33,187
(Kaidon screaming)
(gun firing)
881
01:13:33,188 --> 01:13:37,021
(suspenseful music continues)
882
01:13:39,295 --> 01:13:42,212
(insects chirring)
883
01:13:49,044 --> 01:13:51,961
(insects chirring)
884
01:13:59,067 --> 01:14:01,984
(insects chirring)
885
01:14:11,466 --> 01:14:14,610
(gun fires)
(insects chirring)
886
01:14:14,611 --> 01:14:17,361
(intense music)
887
01:14:24,966 --> 01:14:28,466
(intense music continues)
888
01:14:34,498 --> 01:14:37,998
(intense music continues)
889
01:14:44,030 --> 01:14:47,530
(intense music continues)
890
01:14:53,690 --> 01:14:56,383
(intense music continues)
891
01:14:56,384 --> 01:15:00,611
[Kaidon] When the
ordeal ends, who's there?
892
01:15:00,612 --> 01:15:01,755
Nobody's there.
893
01:15:02,922 --> 01:15:04,485
That's what Lizzie believed.
894
01:15:05,952 --> 01:15:09,975
She began walking in the
direction of never coming back.
895
01:15:11,442 --> 01:15:14,025
What was the meaning of
the thing that happened?
896
01:15:15,042 --> 01:15:17,955
The thing that had been
like a tornado in her life.
897
01:15:19,782 --> 01:15:21,982
It's something that will always follow
898
01:15:23,052 --> 01:15:25,631
and the howling of its anger behind her
899
01:15:25,632 --> 01:15:28,905
is something she will have to
relish as she moves forward.
900
01:15:30,132 --> 01:15:35,132
Aiming so earnestly for
a future tense of joy.
901
01:15:35,171 --> 01:15:38,338
(soft dramatic music)
902
01:15:42,327 --> 01:15:45,244
(insects chirring)
903
01:15:48,987 --> 01:15:51,487
(eerie music)
904
01:15:57,955 --> 01:16:01,372
(eerie music continues)
905
01:16:03,042 --> 01:16:05,342
[Man] Nice work getting
your degree, Angela.
906
01:16:08,472 --> 01:16:10,672
I'm surprised you stayed
around here though.
907
01:16:18,432 --> 01:16:21,013
I'm exactly where I need to be.
908
01:16:21,014 --> 01:16:23,931
(insects chirring)
909
01:16:28,639 --> 01:16:31,139
(eerie music)
910
01:16:38,385 --> 01:16:41,718
(eerie music continues)
911
01:16:48,177 --> 01:16:51,510
(eerie music continues)
912
01:16:57,969 --> 01:17:01,302
(eerie music continues)
913
01:17:06,932 --> 01:17:11,932
(insects chirring)
(intense music)
914
01:17:15,995 --> 01:17:19,495
(intense music continues)
915
01:17:24,913 --> 01:17:28,413
(intense music continues)
916
01:17:34,769 --> 01:17:38,269
(intense music continues)
917
01:17:44,113 --> 01:17:47,613
(intense music continues)
918
01:17:52,667 --> 01:17:56,167
(intense music continues)
919
01:18:01,926 --> 01:18:05,426
(intense music continues)
920
01:18:10,694 --> 01:18:14,194
(intense music continues)
921
01:18:20,977 --> 01:18:24,477
(intense music continues)
922
01:18:31,600 --> 01:18:36,600
(eerie music)
(insects chirring)
64335
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof