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Mariah Carey:
# THE FIRST NOEL
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00:00:16,250 --> 00:00:20,834
# THE ANGELS DID SAY
3
00:00:20,917 --> 00:00:26,417
# WAS TO CERTAIN
POOR SHEPHERDS #
4
00:00:26,500 --> 00:00:30,959
# IN FIELDS AS THEY LAY
5
00:00:31,041 --> 00:00:36,125
# IN FIELDS WHERE THEY
6
00:00:36,208 --> 00:00:40,083
# LAY KEEPING THEIR SHEEP
7
00:00:40,166 --> 00:00:41,625
SPARE SOME CHANGE, MISS?
8
00:00:41,750 --> 00:00:43,792
# ON A COLD WINTER'S NIGHT
9
00:00:43,875 --> 00:00:47,041
UM, I'M SO SORRY.
I DON'T HAVE ANY CASH ON ME.
10
00:00:47,125 --> 00:00:51,417
# THAT WAS SO DEEP
11
00:00:51,500 --> 00:00:52,709
# NOEL
12
00:00:52,792 --> 00:00:54,625
YOU KNOW WHAT?
13
00:00:54,709 --> 00:00:57,834
THIS $5 BILL WAS
FROM MY VERY FIRST SALE.
14
00:00:57,917 --> 00:01:00,125
IT WAS -- IT WAS MEANINGFUL
TO ME ONCE.
15
00:01:00,208 --> 00:01:03,625
MAYBE IT'LL BRING YOU MORE LUCK
THAN IT BROUGHT ME.
16
00:01:03,709 --> 00:01:06,083
BLESS YOU.
17
00:01:06,166 --> 00:01:08,625
MERRY CHRISTMAS, SIR.
18
00:01:08,709 --> 00:01:10,417
# ...OF ISRAEL
19
00:01:10,500 --> 00:01:14,333
MERRY CHRISTMAS, MISS.
# NOEL
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00:01:14,417 --> 00:01:16,917
# NOEL
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00:01:17,000 --> 00:01:22,625
# NOEL, NOEL
22
00:01:22,709 --> 00:01:26,709
# BORN IS THE KING
23
00:01:26,792 --> 00:01:32,291
# OF ISRAEL
24
00:01:32,375 --> 00:01:34,500
[ KNOCKS ]
25
00:01:34,583 --> 00:01:35,667
WHOA.
26
00:01:35,750 --> 00:01:37,000
I LIKE WHAT YOU'VE DONE
WITH THE PLACE.
27
00:01:37,083 --> 00:01:38,875
HALEY,
YOU ARE MY BEST FRIEND.
28
00:01:38,959 --> 00:01:41,959
HOW COULD YOU NOT TELL ME
I'VE BECOME A PACK RAT?
29
00:01:42,041 --> 00:01:43,250
YOU ARE A DESIGNER,
30
00:01:43,333 --> 00:01:47,750
WHICH MEANS YOU ARE DESIGNED
TO SAVE THINGS,
31
00:01:47,834 --> 00:01:49,166
LIKE THIS COUTURE DRESS
THAT YOU DESIGNED
32
00:01:49,250 --> 00:01:51,083
OUT OF THAT HIDEOUS
BRIDESMAIDS GOWN.
33
00:01:51,166 --> 00:01:52,458
OKAY, NO, NO, NO.
34
00:01:52,542 --> 00:01:54,333
YOU'RE SUPPOSED TO BE
HELPING ME PACK, NOT UNPACK.
35
00:01:54,417 --> 00:01:55,875
FINE.
36
00:01:55,959 --> 00:01:59,083
BUT I'M NOT GONNA ACT LIKE
I'M HAPPY ABOUT THIS PLAN.
37
00:01:59,166 --> 00:02:00,417
I DON'T WANT TO SEE YOU GO.
38
00:02:00,500 --> 00:02:03,667
I DON'T WANT TO SEE ME
GO EITHER,
39
00:02:03,750 --> 00:02:06,667
BUT...WE DON'T HAVE
A CHOICE.
40
00:02:06,750 --> 00:02:07,917
THAT LITTLE, UH,
41
00:02:08,000 --> 00:02:09,834
LITTLE START-UP
WAS TURNING INTO A SHUT-DOWN
42
00:02:09,917 --> 00:02:11,250
QUICKER THAN I KNEW IT.
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00:02:11,333 --> 00:02:13,709
MAN, I WAS JUST IN
OVER MY HEAD.
44
00:02:13,792 --> 00:02:15,166
WHEN MY AUNT SARAH
SUGGESTED IT,
45
00:02:15,250 --> 00:02:16,542
HOW WAS I SUPPOSED
TO SAY NO?
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00:02:16,625 --> 00:02:18,291
MY DAD'S HOUSE IS JUST
SITTING THERE.
47
00:02:18,375 --> 00:02:19,959
I MEAN, IT'S A FREE PLACE
TO LIVE.
48
00:02:20,041 --> 00:02:21,834
YEAH, IN OHIO,
49
00:02:21,917 --> 00:02:24,625
WHICH IS, LIKE,
A MILLION MILES AWAY.
50
00:02:24,709 --> 00:02:26,667
I JUST WISH THAT
WE COULD'VE MADE IT WORK.
51
00:02:26,750 --> 00:02:29,000
WELL, THAT WOULD'VE MEANT
NOT EATING OR SLEEPING
52
00:02:29,083 --> 00:02:31,041
OR SEEING MY DAUGHTER
FOR THE NEXT YEAR.
53
00:02:31,125 --> 00:02:32,375
AND YOU KNOW WHAT?
54
00:02:32,458 --> 00:02:36,083
I-I JUST -- I FEEL LIKE MAYBE
THIS IS FOR THE BEST.
55
00:02:36,166 --> 00:02:37,834
THAT'S WHAT PEOPLE SAY
WHEN THEY'RE TRYING TO
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00:02:37,917 --> 00:02:40,000
CONVINCE THEMSELVES OF SOMETHING
THAT THEY DON'T BELIEVE IN.
57
00:02:40,083 --> 00:02:42,208
WELL, LOOK AT YOU.
YOU LANDED ON YOUR FEET.
58
00:02:42,291 --> 00:02:44,917
I MEAN, YOU'RE THIS AMAZING
WEDDING DRESS DESIGNER
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00:02:45,000 --> 00:02:46,625
FOR BUTLER'S
DEPARTMENT STORE.
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00:02:46,709 --> 00:02:48,917
YEAH, BECAUSE YOU TAUGHT ME
EVERYTHING I KNOW.
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00:02:49,000 --> 00:02:52,667
#
62
00:02:52,750 --> 00:02:54,792
I REALLY THINK
THIS COULD BE FOR THE BEST.
63
00:02:54,875 --> 00:02:56,750
YOU KNOW,
THINGS HAVEN'T BEEN EASY
64
00:02:56,834 --> 00:02:58,583
SINCE EMILY'S FATHER
PASSED AWAY.
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00:02:58,667 --> 00:03:00,875
WELL, YEAH, BUT IT'S BEEN
A LONG TIME.
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00:03:00,959 --> 00:03:02,291
YOU'RE ALL
SHE'S REALLY KNOWN.
67
00:03:02,375 --> 00:03:04,250
EXACTLY. SO MAYBE
IT'LL BE GOOD FOR HER
68
00:03:04,333 --> 00:03:06,333
TO BE AROUND SOME FAMILY.
69
00:03:06,417 --> 00:03:09,959
YOU KNOW, SPENDING TIME
IN MY OLD HOMETOWN
70
00:03:10,041 --> 00:03:13,333
WHERE, I MEAN, THE PEOPLE
REALLY ARE TIGHT-KNIT THERE.
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00:03:13,417 --> 00:03:16,417
YEAH? AND IF IT'S SO GREAT,
THEN WHY DID YOU LEAVE?
72
00:03:16,500 --> 00:03:20,083
TO FOLLOW MY DREAMS.
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00:03:20,166 --> 00:03:23,500
WHICH ARE...CURRENTLY UNDER
A SLIGHT REVISION.
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00:03:23,583 --> 00:03:26,625
HMM.
75
00:03:26,709 --> 00:03:27,875
HEY.
76
00:03:27,959 --> 00:03:30,000
OH, HEY, PEANUT.
WHAT YOU GOT THERE?
77
00:03:30,083 --> 00:03:31,667
STUFF FOR THE RECYCLE BIN.
78
00:03:31,750 --> 00:03:33,083
WHAT --
79
00:03:33,166 --> 00:03:35,166
WHY ARE YOU THROWING AWAY
YOUR SHEET MUSIC FROM CHOIR?
80
00:03:35,250 --> 00:03:38,917
EVERYBODY AROUND HERE HAS
GIVEN UP THEIR DREAMS ANYWAY.
81
00:03:39,000 --> 00:03:41,500
NO, NO, NO. NO ONE IS GIVING UP
THEIR DREAMS.
82
00:03:41,583 --> 00:03:44,709
OKAY? AND PEOPLE -- PEOPLE SING
IN SILVER FALLS, OHIO.
83
00:03:44,792 --> 00:03:47,083
MAYBE EVEN MORE SO.
84
00:03:47,166 --> 00:03:48,500
RIGHT, HALEY?
85
00:03:48,583 --> 00:03:50,250
HALEY, RIGHT?
86
00:03:50,333 --> 00:03:52,875
YOUR MOM'S RIGHT. JUST BECAUSE
YOU'RE MOVING AWAY
87
00:03:52,959 --> 00:03:55,083
DOESN'T MEAN THAT YOU DON'T
GET TO MAKE NEW FRIENDS
88
00:03:55,166 --> 00:03:57,083
AND KEEP DOING THE THINGS
THAT YOU LOVE.
89
00:03:57,166 --> 00:03:58,208
REALLY?
90
00:03:58,291 --> 00:04:00,166
I DON'T KNOW. I WAS ASKING.
91
00:04:00,250 --> 00:04:02,291
[ LAUGHS ]
I'M JUST KIDDING.
92
00:04:02,375 --> 00:04:05,166
YOU'RE GONNA LOVE IT THERE
BEFORE YOU KNOW IT.
93
00:04:05,250 --> 00:04:08,875
SHE'S RIGHT. [ KISSES ]
94
00:04:08,959 --> 00:04:12,000
GIVE ME THOSE.
[ LAUGHS ]
95
00:04:12,083 --> 00:04:13,583
OH, LOOK AT YOU.
96
00:04:13,667 --> 00:04:15,125
YOU WERE JUST A LITTLE,
TINY BABY. YOU REMEMBER THAT?
97
00:04:15,208 --> 00:04:16,959
YEAH, YOU PROBABLY DON'T
REMEMBER THAT.
NO.
98
00:04:17,041 --> 00:04:18,750
AW.
99
00:04:18,834 --> 00:04:20,291
OH, SO CUTE.
100
00:04:20,375 --> 00:04:22,458
[ CRICKET CHIRPING ]
101
00:04:22,542 --> 00:04:25,875
HEY, ANGEL.
WHAT YOU DOING?
102
00:04:25,959 --> 00:04:28,750
MAKING SURE I HAVE ALL
MY FRIENDS' E-MAIL ADDRESSES
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00:04:28,834 --> 00:04:31,291
SO WE CAN STAY IN TOUCH
WHEN I GET TO OHIO.
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00:04:31,375 --> 00:04:36,166
THIS WAY, IT'LL ALMOST BE LIKE
I'M NOT EVEN GONE, RIGHT?
105
00:04:36,250 --> 00:04:38,417
YOU REMEMBER THAT
IT'S ALMOST CHRISTMAS?
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00:04:38,500 --> 00:04:39,709
HAVE YOU THOUGHT ABOUT
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00:04:39,792 --> 00:04:42,834
WHAT YOU WANT SANTA
TO BRING YOU THIS YEAR?
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00:04:42,917 --> 00:04:44,083
WHAT?
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00:04:44,166 --> 00:04:46,500
WELL, YOU STILL BELIEVE THAT
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00:04:46,583 --> 00:04:49,417
SANTA GRANTS CHRISTMAS WISHES,
DON'T YOU?
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00:04:49,500 --> 00:04:52,083
BUT NOT THIS WISH.
112
00:04:52,166 --> 00:04:55,542
LISTEN, I KNOW YOU DON'T
WANT TO LEAVE L.A.
113
00:04:55,625 --> 00:04:58,041
I DON'T EITHER.
114
00:04:58,125 --> 00:04:59,834
BUT WE STILL HAVE
EACH OTHER.
115
00:04:59,917 --> 00:05:02,458
AND WE'RE GONNA BE LIVING
AROUND THE CORNER
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00:05:02,542 --> 00:05:04,417
FROM MY AUNT SARAH,
WHO YOU'RE GONNA LOVE,
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00:05:04,500 --> 00:05:07,375
BECAUSE SHE'S HILARIOUS.
[ LAUGHS ]
118
00:05:07,458 --> 00:05:08,792
AND FOR THE FIRST TIME EVER,
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00:05:08,875 --> 00:05:11,417
YOU'RE GONNA GET TO EXPERIENCE
A REAL WHITE CHRISTMAS.
120
00:05:11,500 --> 00:05:14,208
YEAH?
121
00:05:14,291 --> 00:05:17,166
[ SIGHS ] I'M TRYING TOO HARD,
AREN'T I?
122
00:05:18,834 --> 00:05:20,291
LITTLE BIT.
123
00:05:20,375 --> 00:05:22,375
REALLY? JUST A LITTLE?
124
00:05:22,458 --> 00:05:24,125
AND A LITTLE BIT OF THIS.
[ GIGGLING ]
125
00:05:24,208 --> 00:05:26,250
AND A LITTLE BIT OF THIS.
A LITTLE BIT OF THIS.
126
00:05:26,333 --> 00:05:30,834
[ BOTH LAUGHING ]
127
00:05:33,083 --> 00:05:36,750
WHAT ABOUT YOU, MOM?
DO YOU STILL BELIEVE?
128
00:05:36,834 --> 00:05:38,834
I THINK SO.
129
00:05:38,917 --> 00:05:41,583
I WANT TO.
130
00:05:41,667 --> 00:05:43,291
I MEAN, I THINK
YOU'RE NEVER TOO OLD
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00:05:43,375 --> 00:05:44,875
TO BELIEVE
IN CHRISTMAS WISHES.
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00:05:44,959 --> 00:05:48,208
REALLY?
EVEN AT YOUR AGE?
133
00:05:48,291 --> 00:05:50,375
[ LAUGHS ] HEY.
134
00:05:50,458 --> 00:05:51,709
THANKS A LOT.
135
00:05:51,792 --> 00:05:54,875
I THINK I NEED TO BELIEVE NOW
MORE THAN EVER.
136
00:05:54,959 --> 00:05:57,625
LOVE YOU, MOM.
137
00:06:00,375 --> 00:06:02,000
I LOVE YOU MORE.
138
00:06:02,083 --> 00:06:03,375
SO MUCH MORE.
139
00:06:03,458 --> 00:06:05,500
[ KISSES ]
140
00:06:05,583 --> 00:06:07,041
ALL RIGHT.
141
00:06:07,125 --> 00:06:09,917
NOW GO NIGHT-NIGHT.
142
00:06:11,125 --> 00:06:12,750
[ SWITCH CLICKS ]
143
00:06:14,166 --> 00:06:16,333
[ CRICKET CHIRPING ]
144
00:06:16,417 --> 00:06:17,917
[ SWITCH CLICKS ]
145
00:06:22,917 --> 00:06:24,667
[ PEN CLICKS ]
146
00:06:26,417 --> 00:06:27,834
Emily: DEAR SANTA,
147
00:06:27,917 --> 00:06:29,834
I KNOW THIS LETTER'S LATE
WITH CHRISTMAS SO NEAR,
148
00:06:29,917 --> 00:06:31,542
BUT I WASN'T SURE EVEN YOU
149
00:06:31,625 --> 00:06:36,000
COULD MAKE MY WISH
COME TRUE THIS YEAR...
150
00:06:36,083 --> 00:06:38,709
BECAUSE IT ISN'T A PRESENT
YOU CAN WRAP UP WITH A BOW.
151
00:06:38,792 --> 00:06:42,500
IT'S SOMETHING MORE MEANINGFUL
THAN YOU'LL EVER KNOW.
152
00:06:44,875 --> 00:06:47,000
THIS YEAR, SANTA,
I JUST WANT A WAY
153
00:06:47,083 --> 00:06:50,250
FOR YOU TO FIND MOM A WAY
TO GET US BACK TO L.A.
154
00:06:50,333 --> 00:06:54,250
YOU'RE NEVER TOO OLD TO BELIEVE
IN CHRISTMAS WISHES, HUH?
155
00:06:56,500 --> 00:06:59,000
IN THAT CASE...
156
00:06:59,083 --> 00:07:00,291
[ Whispers ] PLEASE GIVE EMILY
157
00:07:00,375 --> 00:07:03,625
THE BEST,
MOST WONDERFUL CHRISTMAS EVER.
158
00:07:04,750 --> 00:07:07,500
Emily: I DON'T WANT ANY GIFTS.
I JUST WANT TO GO HOME.
159
00:07:07,583 --> 00:07:11,625
MOM SAYS I'LL BE REAL HAPPY
THERE, BUT I FEEL SO ALONE.
160
00:07:11,709 --> 00:07:13,667
LOVE, EMILY.
161
00:07:16,959 --> 00:07:18,291
Chuck Berry:
# RUN, RUN, RUDOLPH
162
00:07:18,375 --> 00:07:19,834
# SANTA'S GOTTA MAKE IT
TO TOWN #
163
00:07:20,917 --> 00:07:22,583
# SANTA, MAKE HIM HURRY
164
00:07:22,667 --> 00:07:25,959
# TELL HIM HE CAN TAKE
THE FREEWAY DOWN #
165
00:07:27,291 --> 00:07:28,625
# RUN, RUN, RUDOLPH
166
00:07:28,709 --> 00:07:32,750
# 'CAUSE I'M REELING LIKE
A MERRY-GO-ROUND #
167
00:07:34,417 --> 00:07:36,000
HOW ARE YOU DOING, EM?
168
00:07:36,083 --> 00:07:37,291
ARE WE THERE YET?
169
00:07:37,375 --> 00:07:40,333
UH... [ CHUCKLES ]
YEAH, IN ABOUT TWO DAYS.
170
00:07:40,417 --> 00:07:44,083
OH, COME ON, YOU KNOW WHAT?
LET'S SING A CHRISTMAS CAROL.
171
00:07:44,166 --> 00:07:46,834
READY? LEAD THE WAY.
172
00:07:46,917 --> 00:07:49,834
"THE TWELVE DAYS OF CHRISTMAS,"
TAKE IT AWAY.
173
00:07:49,917 --> 00:07:51,834
Both: # ON THE FIRST DAY
OF CHRISTMAS #
174
00:07:51,917 --> 00:07:53,750
# MY TRUE LOVE GAVE TO ME
175
00:07:53,834 --> 00:07:57,083
# A PARTRIDGE IN A PEAR TREE
176
00:07:57,166 --> 00:08:01,417
# ON THE SECOND DAY OF CHRISTMAS
MY TRUE LOVE GAVE TO ME #
177
00:08:01,500 --> 00:08:06,500
# 2 TURTLE DOVES,
AND A PARTRIDGE IN A PEAR TREE #
178
00:08:06,583 --> 00:08:08,375
[ LAUGHS ]
179
00:08:08,458 --> 00:08:11,542
#
180
00:08:12,583 --> 00:08:15,458
# 4 CALLING BIRDS,
3 FRENCH HENS #
181
00:08:15,542 --> 00:08:16,834
# 2 TURTLE DOVES...
182
00:08:16,917 --> 00:08:19,583
# AND A PARTRIDGE
183
00:08:19,667 --> 00:08:21,375
# IN A PEAR...
184
00:08:21,458 --> 00:08:24,208
[ Operatically ]
# TREE
# TREE
185
00:08:24,291 --> 00:08:25,583
WHOO!
186
00:08:25,667 --> 00:08:28,834
[ INSTRUMENTAL "JINGLE BELLS"
PLAYING ]
187
00:08:43,542 --> 00:08:45,792
SILVER FALLS DINER.
THIS IS SARAH.
188
00:08:45,875 --> 00:08:47,417
CAN YOU PLEASE HOLD?
No.
189
00:08:47,500 --> 00:08:49,458
No?
HEY, HOW MUCH FOR, UH,
TWO TURKEY PLATE SPECIALS
190
00:08:49,542 --> 00:08:51,041
WITH AN EXTRA SIDE
OF STUFFING?
191
00:08:51,125 --> 00:08:52,750
[ LAUGHS ]
BABY NIECE, I BELIEVED YOU.
192
00:08:52,834 --> 00:08:55,041
JUST HOLD ON, I'M GONNA GET
RID OF THIS JOKER, ALL RIGHT?
193
00:08:55,125 --> 00:08:56,792
[ BUTTON CLICKS ]
YES, SIR, A COCONUT CREAM,
LEMON MERINGUE,
194
00:08:56,875 --> 00:08:58,667
AND APPLE BROWN BETTY. YEAH?
BETTY.
195
00:08:58,750 --> 00:09:00,500
NO, IT'S SARAH.
NOT BETTY. HAPPY HOLIDAYS.
196
00:09:00,583 --> 00:09:02,375
[ BUTTON CLICKS ]
ARE YOU CLOSE? WHERE ARE YOU?
197
00:09:02,458 --> 00:09:04,041
YEAH, WE HAVE ABOUT
AN HOUR TO GO.
198
00:09:04,125 --> 00:09:06,709
OH, REALLY? OKAY. WELL, YOU KNOW
WHAT? I'M GONNA CLOSE EARLY.
199
00:09:06,792 --> 00:09:08,417
I'M GONNA COME MEET YOU.
NO, IT'S FINE.
200
00:09:08,500 --> 00:09:10,333
I'M -- I'M EXHAUSTED,
AND EMILY'S ALREADY ASLEEP.
201
00:09:10,417 --> 00:09:13,792
SO WE'LL JUST -- WE'LL GO TO
THE HOUSE AND GET SETTLED.
202
00:09:13,875 --> 00:09:15,834
ALL RIGHT, NO, THAT'S OKAY.
THAT'S A PLAN.
203
00:09:15,917 --> 00:09:17,583
I'LL SEE YOU TOMORROW.
LOVE YOU.
204
00:09:17,667 --> 00:09:19,000
YOU, TOO.
205
00:09:20,500 --> 00:09:24,041
[ SIGHS ]
206
00:09:24,125 --> 00:09:26,750
SO IS YOUR, UH, NIECE
PLANNING ON MAKING A VISIT
207
00:09:26,834 --> 00:09:28,750
FOR HER CHRISTMAS HOLIDAY?
MM-HMM.
208
00:09:28,834 --> 00:09:31,542
BETTER THAN THAT, SHE'S MOVING
INTO THE OLD HOUSE.
209
00:09:31,625 --> 00:09:32,959
REALLY?
210
00:09:33,041 --> 00:09:35,125
[ CHUCKLES ]
211
00:09:35,208 --> 00:09:37,500
KRISTIN IS, UH,
212
00:09:37,583 --> 00:09:39,166
SHE'S MOVING
INTO THE OLD HOUSE.
213
00:09:39,250 --> 00:09:41,041
MM-HMM.
SHE'S MOVING BACK
TO OUR TOWN.
214
00:09:41,125 --> 00:09:44,792
THAT'S...WOW.
215
00:09:44,875 --> 00:09:47,000
WAIT A MINUTE.
216
00:09:47,083 --> 00:09:49,709
DIDN'T YOU USED TO HAVE
A MAD CRUSH ON HER
217
00:09:49,792 --> 00:09:51,250
IN HIGH SCHOOL?
218
00:09:51,333 --> 00:09:54,750
SARAH, LOOK, TRUTH BE TOLD,
EVERY GUY IN SILVER FALLS
219
00:09:54,834 --> 00:09:56,792
FROM MIDDLE SCHOOL
TO HIGH SCHOOL, SENIOR YEAR,
220
00:09:56,875 --> 00:09:58,500
HAD A MAD CRUSH
ON YOUR NIECE.
221
00:09:58,583 --> 00:10:00,583
THAT'S THE TRUTH.
IT WASN'T JUST ME.
MM-HMM.
222
00:10:00,667 --> 00:10:02,917
WHAT WOULD YOU LIKE ME TO --
WHAT ARE YOU DOING?
223
00:10:03,000 --> 00:10:04,417
MM-HMM.
224
00:10:04,500 --> 00:10:06,625
LOOK, WE WERE, YOU KNOW,
WE HARDLY EVEN KNEW EACH OTHER,
225
00:10:06,709 --> 00:10:08,458
NOT TO MENTION WE TRAVELED
IN DIFFERENT CIRCLES.
226
00:10:08,542 --> 00:10:10,959
SHE WAS OBVIOUSLY ONE
OF THE MORE POPULAR GIRLS,
227
00:10:11,041 --> 00:10:12,291
AND I WAS --
A BAND GEEK?
228
00:10:12,375 --> 00:10:13,625
[ CUP CLATTERS ]
229
00:10:13,709 --> 00:10:16,333
YOU KNOW,
BESIDES BEING A BAND GEEK...
230
00:10:16,417 --> 00:10:17,917
MM-HMM.
I WAS THE LEAD
231
00:10:18,000 --> 00:10:20,792
IN THE SILVER FALLS
MARCHING BAND.
232
00:10:20,875 --> 00:10:23,959
NOT TO MENTION, I WAS A LEAD
AND LED ALL THE GIRLS' CHOIR.
233
00:10:24,041 --> 00:10:26,417
AND I'M VERY PROUD OF THIS,
BY THE WAY,
234
00:10:26,500 --> 00:10:28,500
BUT I WROTE
THE SCHOOL ANTHEM.
235
00:10:28,583 --> 00:10:30,417
EXACTLY. BAND GEEK.
236
00:10:30,500 --> 00:10:31,834
[ CUP CLATTERS ]
237
00:10:31,917 --> 00:10:37,583
#
238
00:10:37,667 --> 00:10:39,667
I'M A BAND GEEK.
239
00:10:39,750 --> 00:10:43,834
#
240
00:10:43,917 --> 00:10:47,375
OHH. EM...
241
00:10:47,458 --> 00:10:49,375
[ GASPS ]
EM, WAKE UP. LOOK.
242
00:10:49,458 --> 00:10:51,625
WE'RE HERE. [ GASPS ]
243
00:10:51,709 --> 00:10:55,458
OH, IT'S SO PRETTY.
ISN'T IT PRETTY?
244
00:10:55,542 --> 00:10:59,041
WHEW.
SO GLAD WE'RE FINALLY HERE.
245
00:10:59,125 --> 00:11:01,917
IT'S A LOT OF LIGHTS, HUH?
246
00:11:25,000 --> 00:11:27,709
COME ON. WE'RE FINALLY HERE.
OH, GOOD GIRL.
247
00:11:27,792 --> 00:11:31,041
[ INHALES SHARPLY ]
OH, WOW. LOOK AT IT.
248
00:11:31,125 --> 00:11:33,917
OH, "WELCOME HOME."
249
00:11:34,000 --> 00:11:36,375
THAT'S SO SWEET.
250
00:11:36,458 --> 00:11:39,083
WE'RE HERE.
251
00:11:39,166 --> 00:11:41,750
LOOK AT THIS.
252
00:11:43,625 --> 00:11:46,250
AW.
253
00:11:46,333 --> 00:11:50,000
AUNT SARAH'S TAKING CARE
OF US ALREADY.
254
00:11:56,625 --> 00:11:58,333
OVER HERE.
255
00:12:02,375 --> 00:12:04,208
EM, THIS USED TO BE
MY ROOM.
256
00:12:04,291 --> 00:12:06,959
AND NOW IT'S YOURS.
ISN'T THAT COOL?
257
00:12:08,625 --> 00:12:10,625
OKAY, IT COULD USE
A LITTLE SPRUCING UP.
258
00:12:10,709 --> 00:12:13,583
BUT WE CAN JUST REDECORATE.
WE CAN MAKE IT YOURS.
259
00:12:15,792 --> 00:12:19,542
[ SIGHS ] ALL RIGHT, YOU'RE JUST
CRANKY 'CAUSE YOU'RE TIRED.
260
00:12:19,625 --> 00:12:21,500
[ SIGHS ]
261
00:12:21,583 --> 00:12:24,083
DON'T BE LIKE THIS, EM.
262
00:12:24,166 --> 00:12:28,208
TRY AND AT LEAST
GIVE IT A CHANCE, OKAY?
263
00:12:28,291 --> 00:12:29,625
[ SIGHS ]
264
00:12:29,709 --> 00:12:35,291
YOU KNOW, I USED TO LOVE
LAYING IN THIS BED AT NIGHT.
265
00:12:35,375 --> 00:12:37,542
AND I WOULD STARE UP
AT THE CEILING
266
00:12:37,625 --> 00:12:39,542
AND THINK
ABOUT ALL THE THINGS
267
00:12:39,625 --> 00:12:43,375
I COULDN'T WAIT TO DO
THE NEXT DAY.
268
00:12:43,458 --> 00:12:45,750
OH, THIS ONE TIME
I REMEMBER THAT, UH...
269
00:12:45,834 --> 00:12:47,792
[ CHUCKLES ]
THERE WAS A SNOWSTORM,
270
00:12:47,875 --> 00:12:50,250
AND ALL I COULD THINK ABOUT
WAS HOW I WANTED TO BUILD
271
00:12:50,333 --> 00:12:53,333
A SNOWMAN AND A SNOWWOMAN
IN THE MORNING.
272
00:12:53,417 --> 00:12:55,417
AND I DID, AND I DRESSED THEM UP
IN CLOTHES
273
00:12:55,500 --> 00:12:58,834
LIKE THEY WERE GETTING MARRIED.
[ CHUCKLES ]
274
00:12:58,917 --> 00:13:03,000
I GUESS I WAS DESIGNING CLOTHES
EVEN BACK THEN, HUH?
275
00:13:03,083 --> 00:13:04,875
EM?
276
00:13:19,792 --> 00:13:21,792
#
277
00:13:21,875 --> 00:13:24,250
[ EXHALES SHARPLY,
INHALES DEEPLY ] COME ON, EM!
278
00:13:24,333 --> 00:13:27,000
YOU DON'T WANT TO BE LATE
FOR YOUR FIRST DAY OF SCHOOL!
279
00:13:27,083 --> 00:13:29,875
COME ON.
280
00:13:29,959 --> 00:13:31,667
ALL RIGHT.
281
00:13:31,750 --> 00:13:34,458
CHOP-CHOP.
[ EXHALES DEEPLY ]
282
00:13:34,542 --> 00:13:37,041
HONEY, ISN'T THIS GREAT?
LOOK AT THIS.
283
00:13:37,125 --> 00:13:39,041
HERE, WE GET TO WALK
TO SCHOOL.
284
00:13:39,125 --> 00:13:41,959
IN L.A., WE'D BE IN THE CAR,
SITTING IN TRAFFIC.
285
00:13:42,041 --> 00:13:44,417
WHERE HERE WE GET TO
WALK IN THE ICE, COLD.
286
00:13:44,500 --> 00:13:47,542
WELL, THERE'S ALWAYS A CLOUD
IN EVERY SILVER LINING,
287
00:13:47,625 --> 00:13:48,834
IS THAT IT?
288
00:13:48,917 --> 00:13:50,875
I LIKED MY OLD SCHOOL.
I KNOW YOU DID, HONEY,
289
00:13:50,959 --> 00:13:54,417
BUT JUST GIVE THIS PLACE
A CHANCE.
290
00:13:54,500 --> 00:13:56,166
WHAT IF I DON'T LIKE IT?
291
00:13:56,250 --> 00:13:59,208
WELL, JUST HAVE AN OPEN MIND
ABOUT IT, OKAY?
292
00:13:59,291 --> 00:14:01,417
I MEAN, THIS COULD TURN OUT
TO BE BETTER THAN
293
00:14:01,500 --> 00:14:03,291
BOTH OF US EVER HOPED.
294
00:14:03,375 --> 00:14:04,917
CAN YOU DO THAT FOR MAMA?
295
00:14:05,000 --> 00:14:06,667
OKAY, I GUESS.
296
00:14:06,750 --> 00:14:12,083
YOU GUESS? OKAY, WELL,
I'LL TAKE IT. [ CHUCKLES ]
297
00:14:12,166 --> 00:14:13,667
WHAT DO YOU HAVE THERE?
298
00:14:13,750 --> 00:14:15,083
I WROTE A LETTER TO SANTA.
299
00:14:15,166 --> 00:14:16,709
YOU DID? GOOD FOR YOU.
300
00:14:16,792 --> 00:14:18,417
I WENT ON THE INTERNET
301
00:14:18,500 --> 00:14:20,208
AND FOUND OUT
IT'S BETTER TO SEND IT
302
00:14:20,291 --> 00:14:22,834
BECAUSE SANTA HAS
A PRIVATE E-MAIL ACCOUNT.
303
00:14:22,917 --> 00:14:24,250
YOU KNOW WHAT?
HE PROBABLY DOES.
304
00:14:24,333 --> 00:14:25,917
BECAUSE HE PROBABLY SAVES
THAT E-MAIL FOR JUST,
305
00:14:26,000 --> 00:14:27,166
I DON'T KNOW,
306
00:14:27,250 --> 00:14:29,875
IMPORTANT WEATHER STUFF
AND REINDEER SUPPLIES.
307
00:14:29,959 --> 00:14:31,458
YOU WANT ME TO TAKE IT
TO THE POST OFFICE FOR YOU?
308
00:14:31,542 --> 00:14:33,375
THAT'S OKAY.
I PUT A STAMP ON IT MYSELF.
309
00:14:33,458 --> 00:14:36,125
I WANNA MAKE SURE IT
GETS TO HIM IN TIME.
310
00:14:37,875 --> 00:14:40,166
[ CREAKS ]
311
00:14:40,250 --> 00:14:42,542
[ MAILBOX DOOR SHUTS ]
312
00:14:42,625 --> 00:14:45,625
[ SCHOOL BELL RINGS ]
OH, WE BETTER GO.
WE'RE GONNA BE LATE.
313
00:14:57,709 --> 00:15:01,750
YOU'RE GONNA HAVE SO MUCH FUN
ON YOUR FIRST DAY.
314
00:15:01,834 --> 00:15:04,583
UM, HI,
THIS IS EMILY PARSON.
315
00:15:04,667 --> 00:15:06,750
OUR NEW STUDENT.
EMILY, HELLO.
316
00:15:06,834 --> 00:15:08,458
WE'RE BEEN WAITING
FOR YOU.
317
00:15:08,542 --> 00:15:10,959
ALL THE WAY FROM
LOS ANGELES, CALIFORNIA.
318
00:15:11,041 --> 00:15:12,709
IT'S LIKE YOU'RE A CELEBRITY
OR SOMETHING.
319
00:15:12,792 --> 00:15:16,959
I'LL SAY. WE RARELY GET STUDENTS
FROM PLACES SO GLAMOROUS.
320
00:15:17,041 --> 00:15:19,125
OH, L.A.'s NOT AS GLAMOROUS
AS YOU THINK.
321
00:15:19,208 --> 00:15:23,792
UH, I MEAN, IT'S -- IT'S MORE
GLAMOROUS, RIGHT, EM?
322
00:15:23,875 --> 00:15:25,750
IN THAT CASE, MAYBE I SHOULD
TAKE YOU TO YOUR NEW CLASSROOM,
323
00:15:25,834 --> 00:15:27,875
AND YOU CAN TELL THEM
ALL ABOUT IT?
324
00:15:27,959 --> 00:15:30,667
[ Lowered voice ] DO YOU
WANT ME TO GO WITH YOU?
NO, I'M OKAY.
325
00:15:30,750 --> 00:15:32,333
YOU SURE?
326
00:15:32,417 --> 00:15:33,625
ALL RIGHT.
THERE'S MY BEAUTIFUL ANGEL.
327
00:15:33,709 --> 00:15:36,041
[ KISSES ]
I'LL SEE YOU AFTER, OKAY?
328
00:15:36,125 --> 00:15:37,709
YOU'LL BE WITH MRS. MELTZER.
329
00:15:37,792 --> 00:15:40,000
I THINK THE TWO OF YOU
WILL GET ON GREAT.
330
00:15:40,083 --> 00:15:41,291
BYE.
331
00:15:41,375 --> 00:15:44,458
[ INDISTINCT CONVERSATIONS ]
332
00:15:44,542 --> 00:15:48,000
[ SIGHS ] PLEASE TELL ME THAT
MRS. MELTZER IS A TEACHER
333
00:15:48,083 --> 00:15:49,333
THAT ALL THE KIDS LOVE.
334
00:15:49,417 --> 00:15:51,834
SHE'S ACTUALLY ONE OF
THE MORE POPULAR TEACHERS.
335
00:15:51,917 --> 00:15:53,458
GOOD. GOOD.
336
00:15:53,542 --> 00:15:55,792
I MEAN, I DON'T WANNA BE
ONE OF THOSE HOVER MOMS.
337
00:15:55,875 --> 00:15:57,166
I'M SORRY. IT'S JUST THAT...
338
00:15:57,250 --> 00:15:59,375
[ INHALES DEEPLY ]
THIS IS A BIG MOVE FOR EMILY...
339
00:15:59,458 --> 00:16:00,917
FOR BOTH OF US.
340
00:16:01,000 --> 00:16:03,166
MRS. PARSONS, I PUT TOGETHER
SOME PAPERWORK
341
00:16:03,250 --> 00:16:05,083
FOR YOU TO FILL OUT
WHEN YOU GET HOME.
342
00:16:05,166 --> 00:16:06,959
AND IF YOU'D LIKE,
THERE'S A P.T.A. MEETING
343
00:16:07,041 --> 00:16:08,542
THAT'S GONNA START
IN A FEW MINUTES.
344
00:16:08,625 --> 00:16:11,542
P.T.A., GREAT.
THAT'S DEFINITELY SOMETHING
345
00:16:11,625 --> 00:16:14,500
I WOULDN'T HAVE BEEN
ABLE TO DO IN L.A.
346
00:16:14,583 --> 00:16:16,250
THANK YOU.
347
00:16:18,375 --> 00:16:20,583
OH! UM, I'M SO SORRY.
348
00:16:20,667 --> 00:16:23,208
WAIT. KRISTIN?
349
00:16:23,291 --> 00:16:24,625
KRISTIN RANDALL?
350
00:16:24,709 --> 00:16:27,667
IT'S ACTUALLY
KRISTIN PARSON NOW.
351
00:16:27,750 --> 00:16:29,500
MELISSA McKEAN?
352
00:16:29,583 --> 00:16:33,375
MELISSA McKEAN-ATKINSON.
MARRIED NOW.
353
00:16:33,458 --> 00:16:36,125
12 GLORIOUS YEARS,
3 CHILDREN,
354
00:16:36,208 --> 00:16:40,166
HUGE 4-BEDROOM, 3 1/2-BATH,
2-STORY.
355
00:16:40,250 --> 00:16:41,583
WOW.
356
00:16:41,667 --> 00:16:44,166
THAT'S A LOT OF NUMBERS.
357
00:16:44,250 --> 00:16:45,583
CONGRATULATIONS.
358
00:16:45,667 --> 00:16:47,375
MY HUSBAND'S A DENTIST.
359
00:16:47,458 --> 00:16:49,709
10th ANNIVERSARY PRESENT.
360
00:16:51,333 --> 00:16:54,041
ARE...YOU WANTING ME TO GUESS
HOW MANY KARATS OR...
361
00:16:54,125 --> 00:16:57,458
I MEAN, IT'S OBVIOUS THAT
HE MUST LOVE YOU A WHOLE BUNCH.
362
00:16:57,542 --> 00:16:59,291
[ SCOFFS ]
363
00:16:59,375 --> 00:17:01,500
BUT WHAT ABOUT YOU?
364
00:17:01,583 --> 00:17:03,709
I MEAN, I DON'T SEE A RING.
365
00:17:03,792 --> 00:17:06,792
UH, NO, YOU DON'T.
[ EXHALES ]
366
00:17:06,875 --> 00:17:08,333
HMM.
367
00:17:08,417 --> 00:17:10,208
OH, GOOD FOR YOU.
368
00:17:10,291 --> 00:17:14,291
I MEAN, THERE'S NO POINT
IN SETTLING.
369
00:17:14,375 --> 00:17:16,125
UM...
370
00:17:16,208 --> 00:17:17,875
I DON'T MEAN TO BE RUDE,
371
00:17:17,959 --> 00:17:19,458
BUT I'M ACTUALLY ON MY WAY TO
THE, UH, P.T.A. MEETING, SO...
372
00:17:19,542 --> 00:17:20,750
OH. WELL, YOU'RE LOOKING
373
00:17:20,834 --> 00:17:21,959
AT THE HEAD OF THE P.T.A.
RIGHT HERE,
374
00:17:22,041 --> 00:17:23,583
SO I'LL JUST
WALK YOU ON DOWN.
375
00:17:23,667 --> 00:17:25,959
GUESS TODAY'S
YOUR LUCKY DAY.
376
00:17:26,041 --> 00:17:28,625
IT'S EARLY YET.
[ CHUCKLES ]
377
00:17:28,709 --> 00:17:31,583
I'M ALSO SPEARHEADING
THE SCHOOL'S SNOWFLAKE PAGEANT.
378
00:17:31,667 --> 00:17:33,125
OF COURSE YOU ARE.
379
00:17:33,208 --> 00:17:34,709
I DON'T MEAN TO BRAG,
380
00:17:34,792 --> 00:17:38,250
BUT I'M, LIKE, THE TO-GO MOM
FOR EVERYTHING AT SILVER FALLS.
381
00:17:38,333 --> 00:17:41,041
OH, OKAY, WELL,
I'LL HAVE TO REMEMBER THAT.
382
00:17:41,125 --> 00:17:43,917
BUT WHAT ABOUT YOU
AND YOUR BIG CITY DREAMS?
383
00:17:44,000 --> 00:17:46,125
I MEAN,
IF I REMEMBER CORRECTLY,
384
00:17:46,208 --> 00:17:48,792
YOU COULDN'T WAIT TO
GET OUT OF SILVER FALLS.
385
00:17:48,875 --> 00:17:50,834
THAT'S A BIT
OF AN EXAGGERATION.
386
00:17:50,917 --> 00:17:55,458
NOT REALLY.
BUT...WHAT HAPPENED?
387
00:17:55,542 --> 00:17:59,333
WELL,
SOMETIMES DREAMS CHANGE.
388
00:17:59,417 --> 00:18:01,458
HMM.
389
00:18:01,542 --> 00:18:04,959
[ Under breath ]
PEOPLE DON'T.
390
00:18:06,583 --> 00:18:08,000
OKAY, EVERYONE.
391
00:18:08,083 --> 00:18:10,792
THIS IS EMILY PARSON.
SHE JUST MOVED FROM LOS ANGELES.
392
00:18:10,875 --> 00:18:12,834
LET'S MAKE HER FEEL WELCOME,
OKAY?
393
00:18:12,917 --> 00:18:15,667
Students: HI, EMILY.
394
00:18:15,750 --> 00:18:18,083
EMILY, WHY DON'T YOU SIT
NEXT TO ABIGAIL?
395
00:18:18,166 --> 00:18:19,500
YOU CAN SHARE HER MATH BOOK
FOR TODAY.
396
00:18:19,583 --> 00:18:20,917
[ MOUTHS WORDS ]
397
00:18:21,000 --> 00:18:24,959
[ STUDENTS MURMURING ]
398
00:18:25,041 --> 00:18:26,250
[ MOUTHING WORDS ]
399
00:18:26,333 --> 00:18:28,750
[ MURMURING CONTINUES ]
400
00:18:28,834 --> 00:18:31,458
[ BOY LAUGHS ]
401
00:18:31,542 --> 00:18:34,333
[ LAUGHTER ]
402
00:18:35,667 --> 00:18:37,125
WHERE'D YOU GET
THAT DRESS FROM?
403
00:18:37,208 --> 00:18:39,625
MY MOM MADE IT.
SHE'S A DESIGNER.
404
00:18:39,709 --> 00:18:42,166
YOUR MOM MAKES
YOUR CLOTHES?
405
00:18:42,250 --> 00:18:44,208
ISN'T THAT
A LITTLE EMBARRASSING?
406
00:18:44,291 --> 00:18:46,542
[ LAUGHTER ]
407
00:18:46,625 --> 00:18:47,875
SHH!
408
00:18:47,959 --> 00:18:50,750
OKAY, EVERYONE, FRACTIONS.
409
00:18:59,166 --> 00:19:01,208
[ MICROPHONE FEEDBACK ]
410
00:19:01,291 --> 00:19:02,917
[ PAPERS THUDDING ]
411
00:19:03,000 --> 00:19:05,166
THIS COMMENCES
OUR MONTHLY MEETING.
412
00:19:05,250 --> 00:19:08,375
FIRST OFF, I'D LIKE EVERYONE
TO GIVE A WARM WELCOME
413
00:19:08,458 --> 00:19:10,291
TO OUR NEW SINGLE MOM HERE
414
00:19:10,375 --> 00:19:13,542
AT SILVER FALLS ELEMENTARY --
KRISTIN PARSON.
415
00:19:13,625 --> 00:19:16,625
[ MOUTHS WORDS ]
SOME OF YOU MIGHT REMEMBER HER
AS KRISTIN RANDALL,
416
00:19:16,709 --> 00:19:20,166
OUR SENIOR CLASS
"MOST LIKELY TO SUCCEED."
417
00:19:20,250 --> 00:19:22,542
UH, HI, EVERYONE.
418
00:19:22,625 --> 00:19:25,125
I ACTUALLY WASN'T VOTED
"MOST LIKELY TO SUCCEED."
419
00:19:25,208 --> 00:19:28,208
OH, THAT'S RIGHT. I DID.
420
00:19:28,291 --> 00:19:30,792
BUT YOU DID TAKE HOME
A TITLE THAT NIGHT.
421
00:19:30,875 --> 00:19:34,500
WHAT WAS IT AGAIN?
BEST DRESSED.
422
00:19:34,583 --> 00:19:35,834
RIGHT.
423
00:19:35,917 --> 00:19:39,083
OKAY, THEN.
FIRST ON THE AGENDA,
424
00:19:39,166 --> 00:19:41,667
THE SILVER FALLS
SNOWFLAKE PAGEANT.
425
00:19:41,750 --> 00:19:45,417
NOW COSTUMES HAVE BEEN COVERED
BY TEAM A.A.H. --
426
00:19:45,500 --> 00:19:47,208
ANGELA, APRIL, AND HOLLY.
427
00:19:47,291 --> 00:19:50,250
AND OUR MUSIC TEACHER,
MR. COLLIER,
428
00:19:50,333 --> 00:19:52,709
WILL BE WORKING WITH THE KIDS
DURING MUSIC CLASS
429
00:19:52,792 --> 00:19:54,291
AND AFTER SCHOOL.
430
00:19:54,375 --> 00:19:58,250
AND WE'VE GOT A WIDE VARIETY
OF TALENT THIS YEAR --
431
00:19:58,333 --> 00:20:01,709
JUGGLING, DANCING,
AND, OF COURSE, SINGING.
432
00:20:01,792 --> 00:20:04,083
NOW BECAUSE
I'M THE LEAD ORGANIZER,
433
00:20:04,166 --> 00:20:07,125
I'M GONNA BE COUNTING ON YOU
TO MAKE SURE THAT THIS YEAR
434
00:20:07,208 --> 00:20:09,959
IS THE BIGGEST OF ALL
IN TERMS OF
435
00:20:10,041 --> 00:20:12,834
TICKET SALES
AS WELL AS DONATIONS. YES?
436
00:20:12,917 --> 00:20:15,667
OUR NEW SINGLE MOM
WOULD LIKE TO VOLUNTEER.
437
00:20:15,750 --> 00:20:18,625
OH, NO, NO, I DIDN'T MEAN --
WELL, I MEAN, I'M HAPPY TO HELP.
438
00:20:18,709 --> 00:20:21,834
BUT I-I ACTUALLY JUST WONDERED
IF MY DAUGHTER EMILY
439
00:20:21,917 --> 00:20:23,500
COULD AUDITION FOR THE SHOW.
440
00:20:23,583 --> 00:20:26,166
'CAUSE SHE LOVES TO SING
AND SHE DANCES AND --
441
00:20:26,250 --> 00:20:28,792
I'M SORRY.
UH, THE AUDITIONS ARE CLOSED.
442
00:20:28,875 --> 00:20:31,041
OH. RIGHT.
BUT I JUST THOUGHT THAT
443
00:20:31,125 --> 00:20:33,750
SINCE WE JUST MOVED HERE,
MAYBE YOU COULD...
444
00:20:33,834 --> 00:20:37,375
I KNOW. BUT IF I MAKE
AN EXCEPTION FOR YOUR CHILD,
445
00:20:37,458 --> 00:20:41,166
THEN I HAVE TO MAKE
AN EXCEPTION FOR EVERY CHILD.
446
00:20:41,250 --> 00:20:43,709
RIGHT?
447
00:20:45,333 --> 00:20:49,041
SUPER! NOW LET'S TALK
ABOUT THE BAKE SALE.
448
00:20:49,125 --> 00:20:51,834
I'M THINKING WE NEED
TO OFFER UP
449
00:20:51,917 --> 00:20:54,375
SOME GLUTEN-FREE ITEMS
THIS YEAR.
450
00:20:54,458 --> 00:20:55,917
ANYONE OBJECT?
451
00:20:58,500 --> 00:20:59,959
SUPER.
452
00:21:00,041 --> 00:21:03,667
[ PLAYING
MID-TEMPO CONTEMPORARY PIECE ]
453
00:21:03,750 --> 00:21:06,834
#
454
00:21:12,125 --> 00:21:13,458
[ STOPS PLAYING ]
455
00:21:13,542 --> 00:21:15,500
EXCUSE ME?
YES?
456
00:21:15,583 --> 00:21:18,291
HI. I'M LOOKING FOR
THE MUSIC TEACHER, MR. COLLIER?
457
00:21:18,375 --> 00:21:19,625
UM, THAT WOULD BE ME.
458
00:21:19,709 --> 00:21:21,792
HI, I'M --
I'M KRISTIN RANDALL.
459
00:21:21,875 --> 00:21:23,166
KRISTIN.
460
00:21:23,250 --> 00:21:24,792
KRISTIN RANDALL.
[ CHUCKLES ] HI.
461
00:21:24,875 --> 00:21:26,750
IT'S ME.
462
00:21:26,834 --> 00:21:27,875
MR. COLLIER?
463
00:21:27,959 --> 00:21:30,083
DANNY.
NO, IT'S DANNY. IT'S ME.
464
00:21:30,166 --> 00:21:31,625
OH, DANNY, HI. DO --
465
00:21:31,709 --> 00:21:33,667
DO THE TEACHERS GO BY
FIRST NAMES AT THIS SCHOOL?
466
00:21:33,750 --> 00:21:35,333
NO, NO, THEY -- THEY GO,
UH, BY FIRST NAME.
467
00:21:35,417 --> 00:21:37,291
I'M SORRY, OBVIOUSLY YOU DON'T
REMEMBER ME. [ CHUCKLES ]
468
00:21:37,375 --> 00:21:39,458
WE, UM, WE WENT TO
SCHOOL TOGETHER.
469
00:21:39,542 --> 00:21:41,208
SILVER FALLS HIGH SCHOOL
CLASS OF 1998.
470
00:21:41,291 --> 00:21:42,834
YOU DON'T REMEMBER?
471
00:21:42,917 --> 00:21:45,667
YEAH, NO...
WE WERE IN ENGLISH CLASS
TOGETHER.
472
00:21:45,750 --> 00:21:47,250
AS A MATTER OF FACT,
WE WERE IN SENIOR BIOLOGY,
473
00:21:47,333 --> 00:21:48,750
AND YOU AND I DISSECTED
A FROG TOGETHER.
474
00:21:48,834 --> 00:21:50,625
[ GASPS ]
REMEMBER?
475
00:21:50,709 --> 00:21:52,250
THE FROG.
YEAH.
476
00:21:52,333 --> 00:21:53,875
YES.
[ LAUGHS ]
477
00:21:53,959 --> 00:21:56,125
YES, OF COURSE. YEAH, I --
478
00:21:56,208 --> 00:21:57,667
I MEAN, I THINK I PROBABLY
BLOCKED THAT MEMORY
479
00:21:57,750 --> 00:21:59,583
OUT OF MY BRAIN
FOR OBVIOUS REASONS.
[ CHUCKLES ] OH.
480
00:21:59,667 --> 00:22:02,500
I WON'T BLAME YOU. [ LAUGHS ]
YEAH, HOW -- HOW ARE YOU?
481
00:22:02,583 --> 00:22:05,083
I'M GREAT. NO, I'M GOOD. YEAH.
I'M STILL SINGLE, YOU KNOW.
482
00:22:05,166 --> 00:22:07,458
BUT, UH, YOU KNOW, LOVING
THE SINGLE LIFE, YOU KNOW.
483
00:22:07,542 --> 00:22:09,333
YEAH, I HEAR YA. [ LAUGHS ]
[ LAUGHS ]
484
00:22:09,417 --> 00:22:12,875
LISTEN, I REALLY HATE TO,
UM, I HATE TO BOTHER YOU,
485
00:22:12,959 --> 00:22:14,333
BUT CAN I ASK A FAVOR?
486
00:22:14,417 --> 00:22:15,959
OF ME?
YEAH, OF COURSE. SHOOT.
487
00:22:16,041 --> 00:22:17,375
MY DAUGHTER EMILY AND I --
488
00:22:17,458 --> 00:22:18,875
WE JUST MOVED BACK TO TOWN
AND...
MM-HMM.
489
00:22:18,959 --> 00:22:20,667
WELL, I FOUND OUT ABOUT
THE SNOWFLAKE PAGEANT
490
00:22:20,750 --> 00:22:22,041
ABOUT AN HOUR AGO,
491
00:22:22,125 --> 00:22:23,625
AND SHE LOVES TO SING
AND SHE WRITES POETRY,
492
00:22:23,709 --> 00:22:26,291
AND I -- LISTEN, I KNOW
THE AUDITIONS ARE CLOSED.
493
00:22:26,375 --> 00:22:28,583
AND I'M NOT -- SHE MAY NOT
GET A SPOT IN THE SHOW,
494
00:22:28,667 --> 00:22:31,291
BUT COULD YOU -- I JUST WANTED
TO GIVE HER A CHANCE.
495
00:22:31,375 --> 00:22:32,709
I KNOW WHAT YOU'RE TRYING
TO SAY, AND YOU KNOW WHAT?
496
00:22:32,792 --> 00:22:34,500
YOU'RE RIGHT.
I MEAN, TECHNICALLY,
497
00:22:34,583 --> 00:22:37,083
THE AUDITIONS, UH, ARE OVER,
AND THEY ENDED A FEW DAYS AGO.
498
00:22:37,166 --> 00:22:38,625
BUT YOU KNOW WHAT?
EMILY WASN'T HERE.
499
00:22:38,709 --> 00:22:40,333
SO HOW WAS SHE SUPPOSED
TO KNOW, RIGHT?
500
00:22:40,417 --> 00:22:42,458
YES, THAT'S EXACTLY WHAT I SAID.
BUT YOU KNOW WHAT?
501
00:22:42,542 --> 00:22:44,208
MELISSA McKEAN-ATKINS?
IS THAT HER NAME NOW?
502
00:22:44,291 --> 00:22:46,458
YEAH, MELISSA McKEAN-ATKINS.
YEAH, SHE'S A PEACH. YEAH.
503
00:22:46,542 --> 00:22:48,166
YOU KNOW WHAT?
SHE HASN'T CHANGED SINCE --
504
00:22:48,250 --> 00:22:49,542
SHE SAID THAT SHE WOULDN'T BE
FAIR OR SOMETHING LIKE THAT.
505
00:22:49,625 --> 00:22:51,000
SHE HASN'T CHANGED
SINCE HIGH SCHOOL.
506
00:22:51,083 --> 00:22:52,667
YOU GOTTA JUST FORGET
ABOUT MELISSA.
507
00:22:52,750 --> 00:22:54,166
NO, I THINK
SHE'S ACTUALLY WORSE.
REALLY? [ LAUGHS ]
508
00:22:54,250 --> 00:22:57,667
UH, SHE MIGHT BE.
ANYWAY, LOOK, UM...
509
00:22:57,750 --> 00:22:59,458
I'M OBVIOUSLY
THE MUSIC TEACHER, SO, LOOK,
510
00:22:59,542 --> 00:23:01,041
I'M GONNA DECIDE WHO AUDITIONS
FOR MY SHOW AND WHO DOESN'T.
511
00:23:01,125 --> 00:23:02,458
WHY DON'T YOU DO ME A FAVOR?
512
00:23:02,542 --> 00:23:04,959
TELL ME WHAT IS
YOUR DAUGHTER'S TALENT?
513
00:23:05,041 --> 00:23:07,291
UM, WELL, SHE LOVES TO SING.
REALLY?
514
00:23:07,375 --> 00:23:11,041
YES, AND AGAIN, I'M NOT ASKING
YOU TO GIVE HER A SPOT. JUST...
515
00:23:11,125 --> 00:23:13,166
[ CHUCKLES ]
IF YOU COULD LET HER
AUDITION.
516
00:23:13,250 --> 00:23:15,625
YOU HAD ME AT,
"SHE LOVES TO SING."
517
00:23:15,709 --> 00:23:18,083
OKAY? OF COURSE I WILL.
518
00:23:18,166 --> 00:23:19,542
THANK YOU.
519
00:23:19,625 --> 00:23:21,417
I MEAN, I DON'T WANT TO
STEP ON YOUR TOES OR ANYTHING.
520
00:23:21,500 --> 00:23:23,125
HEY, STEP AWAY.
JUST BRING EMILY DOWN
521
00:23:23,208 --> 00:23:25,291
AFTER -- AFTER SCHOOL
AND HAVE HER AUDITION FOR ME.
522
00:23:25,375 --> 00:23:27,125
JUST GIVE ME A CHANCE
TO SEE HER AND --
523
00:23:27,208 --> 00:23:28,875
AND HEAR HER
AND SEE WHAT'S SHE'S GOT.
524
00:23:28,959 --> 00:23:30,834
REALLY, THANK --
THANK YOU SO MUCH.
525
00:23:30,917 --> 00:23:32,750
YOU'RE WELCOME. ANYTIME.
THANK...
526
00:23:32,834 --> 00:23:36,208
ALL RIGHT.
DANNY. DANNY COLLIER, HUH?
527
00:23:36,291 --> 00:23:39,959
IN THE FLESH.
LONG TIME.
528
00:23:40,041 --> 00:23:43,291
THANK YOU.
GREAT SEE --
UH, GREAT SEEING YA.
529
00:23:43,375 --> 00:23:44,917
THANK YOU SO MUCH.
NO WORRIES.
530
00:23:45,000 --> 00:23:47,667
[ SCHOOL BELL RINGS ]
531
00:23:47,750 --> 00:23:50,792
[ CHEERING ]
532
00:23:56,417 --> 00:23:59,375
FIRST DAYS ARE THE WORST,
AREN'T THEY?
533
00:23:59,458 --> 00:24:01,333
HOW DID YOU KNOW
IT'S MY FIRST DAY OF SCHOOL?
534
00:24:01,417 --> 00:24:03,792
PRETTY OBVIOUS FROM THAT
LOOK ON YOUR FACE.
535
00:24:03,875 --> 00:24:06,041
YOU HAVEN'T MADE
ANY FRIENDS YET, HUH?
536
00:24:06,125 --> 00:24:09,083
YET? MORE LIKE EVER.
537
00:24:09,166 --> 00:24:10,166
[ LAUGHS ]
538
00:24:10,250 --> 00:24:12,208
WELL, PEOPLE ALWAYS SELL
THEMSELVES SHORT
539
00:24:12,291 --> 00:24:13,750
BACK WHERE YOU COME FROM?
540
00:24:13,834 --> 00:24:16,125
IT'S ALL IN THE APPROACH.
541
00:24:16,208 --> 00:24:17,917
IF YOU ACT NEGATIVE,
542
00:24:18,000 --> 00:24:21,083
YOU CAN'T EXPECT
A POSITIVE RESULT, RIGHT?
543
00:24:22,417 --> 00:24:25,208
THOMAS. THOMAS DUNNING.
544
00:24:25,291 --> 00:24:27,125
NICE TO MEET YOU, THOMAS.
545
00:24:27,208 --> 00:24:29,709
NICE TO MEET YOU,
EMILY PARSON.
546
00:24:29,792 --> 00:24:32,083
HOW DO YOU KNOW MY NAME?
547
00:24:32,166 --> 00:24:34,166
I KNOW EVERY CHILD'S NAME.
548
00:24:34,250 --> 00:24:38,542
EVERY CHILD AT THIS SCHOOL,
OF COURSE.
549
00:24:38,625 --> 00:24:41,625
I ALSO KNOW THAT YOU HAD
A BUMPY START
550
00:24:41,709 --> 00:24:43,417
WITH ABIGAIL ATKINSON.
551
00:24:43,500 --> 00:24:46,083
YOU KNOW HER?
552
00:24:46,166 --> 00:24:47,458
OH. RIGHT.
553
00:24:47,542 --> 00:24:50,875
SO YOU'RE HAVING A HARD TIME
FITTING IN, HUH?
554
00:24:50,959 --> 00:24:53,083
YEAH, BUT TODAY'S ONLY
MY FIRST DAY.
555
00:24:53,166 --> 00:24:55,709
IT CAN ONLY GET BETTER
FROM HERE, RIGHT?
556
00:24:55,792 --> 00:24:57,208
LOOK WHAT YOU JUST DID.
557
00:24:57,291 --> 00:25:00,875
YOU TOOK A NEGATIVE
AND TURNED IT INTO A POSITIVE.
558
00:25:00,959 --> 00:25:02,709
YOU ALSO MADE
YOUR FIRST NEW FRIEND.
559
00:25:02,792 --> 00:25:07,000
SEE WHAT HAPPENS?
[ LAUGHS ]
560
00:25:07,083 --> 00:25:09,458
SO WHAT ARE YOU
GONNA DO NOW?
561
00:25:09,542 --> 00:25:12,333
STAND HERE AND KEEP ME
FROM DOING MY JOB?
562
00:25:12,417 --> 00:25:18,125
OR HEAD OUT TO THAT PLAYGROUND
AND GIVE IT ANOTHER TRY?
563
00:25:18,208 --> 00:25:19,875
I'LL SEE YOU AROUND?
564
00:25:19,959 --> 00:25:22,250
SOUNDS GOOD.
565
00:25:22,333 --> 00:25:24,166
THANKS.
566
00:25:30,417 --> 00:25:33,583
[ CHILDREN SHOUTING PLAYFULLY ]
567
00:25:52,083 --> 00:25:54,333
[ Singsongy ]
THERE SHE IS! OH!
568
00:25:54,417 --> 00:25:57,208
THERE'S MY FAVORITE GIRL.
HOW WAS YOUR FIRST DAY?
569
00:25:57,291 --> 00:25:58,333
OKAY, I GUESS.
570
00:25:58,417 --> 00:25:59,917
YEAH?
DID YOU MAKE SOME FRIENDS?
571
00:26:00,000 --> 00:26:01,166
ONE, FOR SURE.
572
00:26:01,250 --> 00:26:02,542
WELL, ONE IS BETTER
THAN NONE, RIGHT?
573
00:26:02,625 --> 00:26:03,917
DEFINITELY.
YEAH.
574
00:26:04,000 --> 00:26:07,792
OH. I HAVE A SURPRISE FOR YOU.
LOOK AT THIS.
575
00:26:09,834 --> 00:26:11,959
I PULLED SOME STRINGS, AND I GOT
YOU AN AUDITION FOR THE SHOW.
576
00:26:12,041 --> 00:26:13,625
YOU CAN SHOW EVERYONE
HOW MUCH YOU LOVE TO SING.
577
00:26:13,709 --> 00:26:16,709
BUT WHAT IF THEY'RE BETTER
THAN ME?
578
00:26:16,792 --> 00:26:18,667
WHO CARES?
IT'S NOT A COMPETITION.
579
00:26:18,750 --> 00:26:20,917
IT'S JUST ABOUT MEETING
SOME NEW FRIENDS
580
00:26:21,000 --> 00:26:22,959
AND DOING SOMETHING
THAT YOU LOVE.
581
00:26:23,041 --> 00:26:25,125
YOU'RE RIGHT.
I WANNA GO FOR IT.
582
00:26:25,208 --> 00:26:26,542
YOU IMPRESS ME.
583
00:26:26,625 --> 00:26:28,166
WELL, IF YOU ACT NEGATIVE,
584
00:26:28,250 --> 00:26:31,291
YOU CAN'T EXPECT
ANYTHING POSITIVE TO HAPPEN.
585
00:26:31,375 --> 00:26:33,333
THAT'S TRUE.
586
00:26:33,417 --> 00:26:35,667
YOU BETTER HURRY 'CAUSE DANNY'S
WAITING FOR YOU TO AUDITION.
587
00:26:35,750 --> 00:26:36,917
WHO'S DANNY?
588
00:26:37,000 --> 00:26:39,166
MR. COLLIER, UH,
THE MUSIC TEACHER.
589
00:26:39,250 --> 00:26:42,333
WE ACTUALLY WENT TO SCHOOL
TOGETHER BACK IN THE DAY.
590
00:26:42,417 --> 00:26:46,500
IF I COULD JUST REMEMBER
WHO HE WAS BACK IN THE DAY.
591
00:26:49,667 --> 00:26:51,333
SO WHAT WOULD YOU LIKE TO SING?
592
00:26:51,417 --> 00:26:53,166
I DON'T KNOW. I ONLY HEARD ABOUT
THE AUDITION THREE MINUTES AGO.
593
00:26:53,250 --> 00:26:54,500
[ BOTH LAUGH ]
594
00:26:54,583 --> 00:26:57,166
OKAY, UM, HOW ABOUT
SOMETHING CHRISTMASSY?
595
00:26:57,250 --> 00:26:58,667
"DECK THE HALLS."
DO YOU KNOW THE SONG?
596
00:26:58,750 --> 00:27:01,291
YEAH.
OKAY. ON THREE.
597
00:27:01,375 --> 00:27:03,875
# DECK THE HALLS
WITH BOUGHS OF HOLLY #
598
00:27:03,959 --> 00:27:06,959
# FA LA LA LA LA
LA LA LA LA #
599
00:27:07,041 --> 00:27:09,166
# 'TIS THE SEASON
TO BE JOLLY #
600
00:27:09,250 --> 00:27:12,208
# FA LA LA LA LA
LA LA LA LA #
601
00:27:12,291 --> 00:27:14,333
# DON WE NOW
OUR GAY APPAREL #
602
00:27:14,417 --> 00:27:15,875
# FA LA LA...
603
00:27:15,959 --> 00:27:18,542
# LA LA LA LA LA LA
KEEP GOING. # LA LA LA
604
00:27:18,625 --> 00:27:20,750
# TROLL THE ANCIENT
YULETIDE CAROL #
605
00:27:20,834 --> 00:27:24,291
[ MOUTHING WORDS ]
Danny and Emily:
# FA LA LA LA LA LA LA LA LA
606
00:27:24,375 --> 00:27:26,875
# FA LA LA LA LA
LA LA LA LA #
607
00:27:26,959 --> 00:27:28,458
VERY GOOD!
[ CLAPS HANDS ]
608
00:27:28,542 --> 00:27:30,000
[ LAUGHS ]
THAT'S FANTASTIC.
609
00:27:30,083 --> 00:27:31,542
SO WHAT DO YOU THINK?
610
00:27:31,625 --> 00:27:32,917
I THINK, EMILY, YOU'RE IN...
611
00:27:33,000 --> 00:27:34,333
[ CLAPS HANDS ]
AS FAR AS I'M CONCERNED.
612
00:27:34,417 --> 00:27:35,875
LISTEN, CAN YOU COME BY
TOMORROW AFTER SCHOOL
613
00:27:35,959 --> 00:27:37,875
FOR OUR FIRST REHEARSAL?
614
00:27:37,959 --> 00:27:40,000
I THINK WE CAN CLEAR
OUR SCHEDULES. [ CHUCKLES ]
615
00:27:40,083 --> 00:27:41,542
PERFECT!
[ LAUGHS ]
616
00:27:41,625 --> 00:27:43,041
WE'LL SEE YOU THEN.
617
00:27:43,125 --> 00:27:44,792
THANK YOU.
618
00:27:44,875 --> 00:27:46,208
WANT SOME BACKGROUND MUSIC?
619
00:27:46,291 --> 00:27:48,542
[ LAUGHS ] I'M KIDDING.
GOOD JOB, KIDDO.
620
00:27:50,750 --> 00:27:57,208
Nat King Cole: # CHESTNUTS
ROASTING ON AN OPEN FIRE #
621
00:27:57,291 --> 00:27:59,375
# JACK FROST NIPPING
AT YOUR NOSE #
622
00:27:59,458 --> 00:28:02,417
[ DOOR BELL JINGLES ]
[ Singsongy ] GUESS WHO MADE
THE CHRISTMAS PAGEANT?
623
00:28:02,500 --> 00:28:05,917
OH! WELL, IF IT ISN'T
A CHRISTMAS MIRACLE?
624
00:28:06,000 --> 00:28:08,834
OR IS IT MY FAVORITE
GRANDNIECE?
625
00:28:08,917 --> 00:28:11,291
[ CHUCKLES ] OH.
626
00:28:11,375 --> 00:28:13,291
AREN'T I
YOUR ONLY GRANDNIECE?
627
00:28:13,375 --> 00:28:14,667
DOESN'T MATTER.
628
00:28:14,750 --> 00:28:16,959
IF I HAVE A THOUSAND,
YOU'D STILL BE MY FAVORITE.
629
00:28:17,041 --> 00:28:18,875
LOOK -- HOW WAS THE FIRST DAY
OF SCHOOL?
630
00:28:18,959 --> 00:28:21,458
[ Loudly ] THIS WAS HER FIRST
DAY OF SCHOOL, EVERYBODY.
631
00:28:21,542 --> 00:28:23,083
SHE'S A GENIUS.
YOU KNOW WHAT?
632
00:28:23,166 --> 00:28:26,000
TO CELEBRATE, I WANT YOU TO
GO OVER TO THAT DESSERT CASE
633
00:28:26,083 --> 00:28:28,000
AND GET ANYTHING
YOUR HEART DESIRES.
634
00:28:28,083 --> 00:28:29,542
ALL RIGHT?
635
00:28:29,625 --> 00:28:32,458
YEAH, GO FOR IT.
YOU DESERVE IT.
636
00:28:32,542 --> 00:28:33,959
OH.
HI!
637
00:28:34,041 --> 00:28:37,000
HI, HONEY. HOW ARE YOU?
OH.
AW.
638
00:28:37,083 --> 00:28:38,750
IT'S SO GOOD TO SEE YOU.
YOU, TOO.
639
00:28:38,834 --> 00:28:40,917
AND HER. ALL RIGHT,
SIT DOWN. SIT DOWN.
640
00:28:41,000 --> 00:28:43,750
OKAY.
OH, THANK YOU.
641
00:28:43,834 --> 00:28:45,792
#
642
00:28:45,875 --> 00:28:48,083
YOU ARE A SIGHT
FOR SORE EYES.
643
00:28:48,166 --> 00:28:49,458
AW.
644
00:28:49,542 --> 00:28:51,583
BOY, SO... [ SIGHS ]
645
00:28:51,667 --> 00:28:54,583
SMALL TOWN GIRL RETURNS
FROM BIG CITY.
646
00:28:54,667 --> 00:28:55,959
HOW IS IT TO BE BACK?
647
00:28:56,041 --> 00:28:57,291
IT'S LIKE I NEVER LEFT.
MM.
648
00:28:57,375 --> 00:28:59,917
REALLY, THE HOUSE --
IT LOOKS EXACTLY LIKE IT DID
649
00:29:00,000 --> 00:29:01,792
WHEN I WAS A KID --
EVEN THE SCHOOL.
650
00:29:01,875 --> 00:29:05,875
WE WERE THERE TODAY AND --
OH, I RAN INTO MELISSA McKEAN.
651
00:29:05,959 --> 00:29:08,625
UGH. MELISSA McKEAN.
OH, MY GOD.
652
00:29:08,709 --> 00:29:10,375
SHE IS MEANER THAN TAR.
653
00:29:10,458 --> 00:29:12,542
WE KIND OF GOT OFF
ON THE WRONG FOOT,
654
00:29:12,625 --> 00:29:15,500
AND I FEEL LIKE IT'S BEEN
IN MY MOUTH EVER SINCE.
655
00:29:15,583 --> 00:29:16,750
YOU KNOW WHAT?
656
00:29:16,834 --> 00:29:20,041
I'M SURE SHE HAS A BIG HEART
DEEP, DEEP DOWN.
657
00:29:20,125 --> 00:29:21,667
WAY DEEP, DEEP.
658
00:29:21,750 --> 00:29:23,542
[ Deep voice ]
DEEP, DEEP DOWN. [ LAUGHS ]
659
00:29:23,625 --> 00:29:24,709
REAL DEEP.
660
00:29:24,792 --> 00:29:26,250
[ BOTH LAUGH ]
661
00:29:26,333 --> 00:29:29,000
SO WHO ELSE DID YOU SEE?
ANYBODY?
662
00:29:29,083 --> 00:29:31,166
NO, I...
663
00:29:31,250 --> 00:29:32,917
YOU KNOW WHAT?
I SAW, UM...
664
00:29:33,000 --> 00:29:35,250
DO YOU REMEMBER
DANNY COLLIER?
665
00:29:35,333 --> 00:29:38,041
DANNY IS HERE EVERY DAY.
YOU REMEMBER DANNY.
666
00:29:38,125 --> 00:29:40,166
HE HAD SUCH A HUGE CRUSH
ON YOU IN HIGH SCHOOL.
667
00:29:40,250 --> 00:29:41,583
WHAT?
OH, YEAH.
668
00:29:41,667 --> 00:29:43,208
NO.
YES.
669
00:29:43,291 --> 00:29:46,083
WHY AM I HAVING SUCH A HARD TIME
REMEMBERING HIM FROM BACK THEN?
670
00:29:46,166 --> 00:29:48,917
MM-HMM, MAYBE BECAUSE YOU WERE
SO OBSESSED WITH BOY BANDS
671
00:29:49,000 --> 00:29:51,083
AND FRANTICALLY TRYING
TO ESCAPE THIS TOWN.
672
00:29:51,166 --> 00:29:53,083
OKAY, WHY DOES EVERYONE
KEEP SAYING THAT?
673
00:29:53,166 --> 00:29:54,542
I LOVED GROWING UP HERE.
674
00:29:54,625 --> 00:29:55,959
I JUST WAS EXCITED TO
GET OUT
675
00:29:56,041 --> 00:29:58,709
AND EXPLORE SOMETHING
BEYOND MY OWN BACKYARD.
676
00:29:58,792 --> 00:30:01,834
WELL, NOW THAT YOU'RE BACK
IN YOUR OWN BACKYARD, DOROTHY,
677
00:30:01,917 --> 00:30:03,125
WHAT DO YOU WANNA DO?
678
00:30:03,208 --> 00:30:04,875
[ SIGHS ] I DON'T KNOW.
679
00:30:04,959 --> 00:30:06,375
I MEAN, CLOSING DOWN
THE BOUTIQUE
680
00:30:06,458 --> 00:30:08,291
AND THEN MOVING HERE...
MM.
681
00:30:08,375 --> 00:30:09,792
IT'S JUST KIND OF
OVERWHELMING.
682
00:30:09,875 --> 00:30:11,750
OH, HONEY.
YOUR HEAD MUST BE SPINNING.
683
00:30:11,834 --> 00:30:14,125
I'M SO SORRY. WELL,
WE'RE HAPPY TO HAVE YOU.
684
00:30:14,208 --> 00:30:15,667
AND, WELL, YOU KNOW,
685
00:30:15,750 --> 00:30:17,792
I COULD ALWAYS USE AN EXTRA HAND
AROUND HERE IF YOU HAVEN'T --
686
00:30:17,875 --> 00:30:19,291
YOU PROBABLY DON'T WANT TO.
687
00:30:19,375 --> 00:30:21,083
WELL, I MEAN, I HAVEN'T
WAITED TABLES SINCE HIGH SCHOOL,
688
00:30:21,166 --> 00:30:25,041
BUT I-I WOULD LOVE TO,
JUST TO HAVE SOMETHING TO DO.
689
00:30:25,125 --> 00:30:28,709
YOU WOULD?
YEAH, I'LL TAKE YOU UP ON THAT
IF YOU'RE SERIOUS.
690
00:30:28,792 --> 00:30:31,625
CAN I HAVE COOKIES AND CAKE?
I CAN'T DECIDE.
691
00:30:31,709 --> 00:30:33,000
HONEY, HAVE BOTH.
692
00:30:33,083 --> 00:30:35,417
TAKES AFTER HER AUNTIE.
693
00:30:35,500 --> 00:30:38,500
YOU KNOW WHAT? I'M GONNA TAKE
THE EMPLOYEE DISCOUNT.
694
00:30:38,583 --> 00:30:40,667
[ CHILDREN SHOUTING PLAYFULLY ]
695
00:30:40,750 --> 00:30:42,667
THERE MUST HAVE BEEN SOME MAGIC
696
00:30:42,750 --> 00:30:45,709
IN THAT OLD SILKY CAP
THEY FOUND.
697
00:30:47,041 --> 00:30:50,709
FOR WHEN I PLACED IT
ON MY HEAD...
698
00:30:54,583 --> 00:30:58,041
IT WAS THE GREATEST SNOWSTORM
THE TOWN HAD EVER SEEN.
699
00:30:58,125 --> 00:31:00,291
[ CHUCKLES ]
UM, THAT WAS FANTASTIC.
700
00:31:00,375 --> 00:31:02,208
IT WAS
VERY, VERY NICE, LEWIS.
701
00:31:02,291 --> 00:31:04,333
WHEN YOU PUT THE CAP
ON YOUR HEAD...
[ YAWNS LOUDLY ]
702
00:31:04,417 --> 00:31:06,083
YOU GOTTA PICK UP THE PACE
A LITTLE BIT, OKAY?
703
00:31:06,166 --> 00:31:07,792
SAY THAT NEXT LINE
REALLY, REALLY QUICKLY.
704
00:31:07,875 --> 00:31:09,417
IT'S THE JOKE.
IT'S GOTTA BE DONE FASTER.
705
00:31:09,500 --> 00:31:11,125
BUT OTHER THAN THAT,
IT WAS FANTASTIC.
706
00:31:11,208 --> 00:31:13,458
THANKS, BUDDY.
707
00:31:13,542 --> 00:31:14,834
YOU'RE DOING GREAT.
708
00:31:14,917 --> 00:31:16,709
LOOK, YOU'RE THE BEST.
709
00:31:16,792 --> 00:31:19,291
I WANT YOU TO SHINE.
GOT IT?
710
00:31:19,375 --> 00:31:22,125
I DIDN'T SPEND ALL THAT MONEY
ON DANCE LESSONS FOR YOU
711
00:31:22,208 --> 00:31:23,792
TO JUST
FADE INTO THE SCENERY.
712
00:31:23,875 --> 00:31:25,667
I CAN DO THIS.
713
00:31:25,750 --> 00:31:27,500
THAT'S MY LITTLE SUPERSTAR.
714
00:31:27,583 --> 00:31:30,125
NOW GET OUT THERE
AND KILL IT FOR MOMMY!
715
00:31:32,959 --> 00:31:34,417
OKAY, WHO'S NEXT?
716
00:31:35,583 --> 00:31:38,792
WE'RE READY TO GO,
MR. COLLIER.
717
00:31:38,875 --> 00:31:40,542
FANTASTIC.
WHENEVER YOU'RE READY.
718
00:31:40,625 --> 00:31:43,917
[ "JINGLE BELLS" PLAYING ]
719
00:31:44,000 --> 00:31:47,041
5, 6, 7, 8!
720
00:31:47,125 --> 00:31:48,417
# DASHING THROUGH THE SNOW
721
00:31:48,500 --> 00:31:51,083
# IN A ONE-HORSE OPEN SLEIGH
722
00:31:51,166 --> 00:31:53,959
# O'ER THE FIELDS WE GO
723
00:31:54,041 --> 00:31:56,000
# LAUGHING ALL THE WAY
724
00:31:56,083 --> 00:31:58,125
# BELLS ON BOBTAILS RING
725
00:31:58,208 --> 00:32:00,458
# MAKING SPIRITS BRIGHT
726
00:32:00,542 --> 00:32:02,625
# WHAT FUN IT IS
TO RIDE AND SING #
727
00:32:02,709 --> 00:32:04,625
# A SLEIGHING SONG TONIGHT
728
00:32:04,709 --> 00:32:08,125
# OH, JINGLE BELLS,
JINGLE BELLS #
729
00:32:08,208 --> 00:32:09,875
# JINGLE ALL THE WAY
730
00:32:09,959 --> 00:32:13,959
# OH, WHAT FUN IT IS TO RIDE
IN A ONE-HORSE OPEN SLEIGH #
731
00:32:14,041 --> 00:32:15,291
# HEY
732
00:32:15,375 --> 00:32:17,250
# JINGLE BELLS, JINGLE BELLS
733
00:32:17,333 --> 00:32:19,375
# JINGLE ALL THE WAY
734
00:32:19,458 --> 00:32:24,458
# OH, WHAT FUN IT IS TO RIDE
IN A ONE-HORSE OPEN SLEIGH #
735
00:32:24,542 --> 00:32:26,417
[ SONG ENDS, APPLAUSE ]
736
00:32:26,500 --> 00:32:28,417
VERY GOOD.
VERY, VERY GOOD.
737
00:32:28,500 --> 00:32:30,834
PERFECT.
738
00:32:30,917 --> 00:32:34,000
#
739
00:32:34,083 --> 00:32:37,291
[ INSTRUMENTAL "JINGLE BELLS"
PLAYING ]
740
00:32:41,125 --> 00:32:43,208
I'M SORRY WE DIDN'T GET TO
YOUR PERFORMANCE TODAY, EMILY,
741
00:32:43,291 --> 00:32:47,291
BUT YOU KNOW, WE WERE KINDA --
JUST RAN OUT OF TIME.
742
00:32:47,375 --> 00:32:49,041
YOU KNOW?
THAT'S OKAY.
743
00:32:49,125 --> 00:32:51,959
YOU KNOW, I WAS THINKING,
RATHER THAN A SOLO,
744
00:32:52,041 --> 00:32:55,500
MAYBE YOU COULD JUST ADD ME
TO A GROUP PERFORMANCE?
745
00:32:55,583 --> 00:32:59,750
OH, I SEE.
746
00:32:59,834 --> 00:33:03,792
SO...STRENGTH IN NUMBERS,
IS THAT IT? HUH?
747
00:33:03,875 --> 00:33:05,875
[ SIGHS ]
748
00:33:05,959 --> 00:33:07,250
YOU GETTING A LITTLE...
749
00:33:07,333 --> 00:33:09,500
ANXIOUS GETTING UP ONSTAGE
ALL BY YOURSELF?
750
00:33:09,583 --> 00:33:11,959
MAYBE A LITTLE.
751
00:33:12,041 --> 00:33:14,375
YOU KNOW, THERE'S A FUNNY THING
ABOUT STAGE FRIGHT, EMILY.
752
00:33:14,458 --> 00:33:16,834
IT'S PERFECTLY NORMAL.
753
00:33:16,917 --> 00:33:18,959
AND IF YOU WEREN'T SO GOOD,
754
00:33:19,041 --> 00:33:21,083
I WOULD NOT BE PUTTING YOU
IN THAT POSITION.
755
00:33:21,166 --> 00:33:23,333
SURE YOU'RE NOT JUST
BEING NICE?
756
00:33:23,417 --> 00:33:24,709
[ CHUCKLES ]
757
00:33:24,792 --> 00:33:28,083
IT'S TRUE. ADULTS DO THAT
SOMETIMES, DON'T THEY?
758
00:33:28,166 --> 00:33:30,667
I'M TELLING YOU THE TRUTH.
759
00:33:30,750 --> 00:33:33,750
YOU ARE A REAL TALENT.
760
00:33:35,041 --> 00:33:37,542
THANK YOU, MR. COLLIER.
761
00:33:37,625 --> 00:33:40,083
YOU'RE WELCOME.
WHAT ARE YOU, UH,
762
00:33:40,166 --> 00:33:41,667
WHAT ARE YOU WORKING
ON YOUR NOTEBOOK?
763
00:33:41,750 --> 00:33:44,500
WHAT ARE YOU WRITING DOWN?
NOTHING. JUST SOME HOMEWORK.
764
00:33:44,583 --> 00:33:47,125
[ LAUGHS ] OKAY.
765
00:33:47,208 --> 00:33:51,041
SO...YOU USED TO GO TO SCHOOL
WITH MY MOM WHEN SHE WAS A KID.
766
00:33:52,792 --> 00:33:54,834
YEAH. [ CHUCKLES ]
767
00:33:54,917 --> 00:33:56,750
IT'S CRAZY, HUH?
768
00:33:56,834 --> 00:34:00,709
WHAT WAS SHE LIKE
BACK THEN?
769
00:34:00,792 --> 00:34:02,583
UH, YOUR MOM,
WHAT WAS SHE --
770
00:34:02,667 --> 00:34:05,834
UM...SHE, UH...
771
00:34:05,917 --> 00:34:07,250
SHE WAS A GREAT STUDENT.
772
00:34:07,333 --> 00:34:11,875
WHEN I MET YOUR MOM,
SHE LOVED ART AND FASHION.
773
00:34:11,959 --> 00:34:13,750
WHAT DID YOU THINK OF HER?
774
00:34:13,834 --> 00:34:17,291
ME? UH...
775
00:34:17,375 --> 00:34:19,709
WHAT DID I THINK
OF YOUR MOM?
776
00:34:19,792 --> 00:34:22,125
PUTTING ME ON THE SPOT HERE.
[ LAUGHS ]
777
00:34:25,125 --> 00:34:26,417
I THOUGHT SHE WAS AMAZING.
778
00:34:26,500 --> 00:34:28,959
AS A MATTER OF FACT,
WHEN I FIRST MET HER,
779
00:34:29,041 --> 00:34:32,875
SHE HAD THIS FEARLESSNESS
ABOUT HER.
780
00:34:32,959 --> 00:34:34,291
AND I KNEW THAT
SHE COULD ACHIEVE
781
00:34:34,375 --> 00:34:36,041
ANYTHING SHE SET
HER MIND TO.
782
00:34:36,125 --> 00:34:38,166
YEAH, AND YOU ARE A LOT
LIKE YOUR MOTHER.
783
00:34:38,250 --> 00:34:39,625
TELL ME MORE.
784
00:34:39,709 --> 00:34:42,792
I DON'T THINK SO.
[ LAUGHS ]
785
00:34:42,875 --> 00:34:44,291
ANYWAY,
CAN WE ZIP THAT UP,
786
00:34:44,375 --> 00:34:46,000
MEET YOUR MOM AT THE DINER?
[ ZIPS BACKPACK ]
787
00:34:46,083 --> 00:34:47,875
THERE YOU GO.
788
00:34:50,917 --> 00:34:52,125
I GOTTA TELL YOU, KIDDO,
789
00:34:52,208 --> 00:34:54,458
IF THIS MUSIC THING
EVER GETS STALE,
790
00:34:54,542 --> 00:34:57,375
YOU SHOULD BE A PSYCHOLOGIST,
AND I'LL CALL YOU FOR THERAPY.
791
00:35:00,709 --> 00:35:03,208
Man: # ...GAY AND BRIGHT
792
00:35:03,291 --> 00:35:07,083
# THERE'S ONLY SPLENDOR
FOR THE SIGHT #
793
00:35:07,166 --> 00:35:09,166
# O CHRISTMAS TREE
794
00:35:09,250 --> 00:35:11,291
OKAY, SO,
WELCOME TO SILVER FALLS DINER,
795
00:35:11,375 --> 00:35:12,667
MAY I TAKE YOUR ORDER, PLEASE?
796
00:35:12,750 --> 00:35:14,250
I AM GOING TO HAVE
THE MEAT LOAF.
797
00:35:14,333 --> 00:35:15,834
OH, GOOD CHOICE.
AND YOU, MADAM?
798
00:35:15,917 --> 00:35:18,083
FRIES.
OKAY. AND YOU?
799
00:35:18,166 --> 00:35:21,208
I THINK I'LL HAVE
THE CHICKEN POT PIE. NO PEAS.
800
00:35:21,291 --> 00:35:24,375
NO PEAS? OH, COME ON.
GIVE PEAS A CHANCE.
801
00:35:24,458 --> 00:35:25,709
[ LAUGHTER ]
802
00:35:25,792 --> 00:35:28,333
[ DOOR BELL JINGLES ]
HEY! HERE'S MY ANGEL.
803
00:35:28,417 --> 00:35:30,250
SO HOW WAS
YOUR FIRST REHEARSAL?
804
00:35:30,333 --> 00:35:33,750
MR. COLLIER THINKS I'M GOOD
ENOUGH FOR MY OWN SOLO.
805
00:35:33,834 --> 00:35:35,500
WHAT DO YOU THINK OF THAT?
806
00:35:35,583 --> 00:35:37,166
I THINK I NEED TO THANK
MR. COLLIER
807
00:35:37,250 --> 00:35:38,709
FOR TAKING YOU
UNDER HIS WING.
808
00:35:38,792 --> 00:35:42,166
OH, EM, COME AND HAVE DINNER
WITH YOUR COUSINS.
809
00:35:42,250 --> 00:35:43,625
[ BELL DINGS ]
[ Whispers ] HI, DANNY.
810
00:35:43,709 --> 00:35:44,834
HOW YOU DOING?
811
00:35:44,917 --> 00:35:46,250
I REALLY DON'T KNOW
HOW TO THANK YOU.
812
00:35:46,333 --> 00:35:47,667
COME ON,
DON'T WORRY ABOUT IT.
813
00:35:47,750 --> 00:35:49,208
I MEAN, I PRACTICALLY
EAT HERE, LIKE, EVERY NIGHT.
814
00:35:49,291 --> 00:35:50,625
SO IT'S NO BIG DEAL.
[ LAUGHS ]
815
00:35:50,709 --> 00:35:54,333
I DON'T MEAN JUST FOR THE DRIVE.
I MEAN FOR EVERYTHING.
816
00:35:54,417 --> 00:35:56,500
I WANNA SAY I WAS
HALF EXPECTING HER
817
00:35:56,583 --> 00:35:58,041
TO COME HOME FROM SCHOOL
IN TEARS
818
00:35:58,125 --> 00:36:00,792
BLAMING ME FOR RUINING HER LIFE,
WHICH WOULD'VE BEEN TRUE.
819
00:36:00,875 --> 00:36:02,250
YOU'RE TOO HARD ON YOURSELF.
820
00:36:02,333 --> 00:36:04,959
I MEAN, FROM MY PERSPECTIVE,
YOU'RE A TERRIFIC MOM.
821
00:36:05,041 --> 00:36:06,333
OH, THANK YOU.
I MEAN IT.
822
00:36:06,417 --> 00:36:08,208
I JUST DON'T REMEMBER
PARENTING BEING THIS TOUGH
823
00:36:08,291 --> 00:36:10,792
FOR MY MOM AND DAD.
OH, AMEN, SISTER.
824
00:36:10,875 --> 00:36:12,583
[ LAUGHS ] SARAH.
[ BELL DINGS ]
825
00:36:12,667 --> 00:36:15,417
OH, DUTY CALLS.
RIGHT, THE INFAMOUS BELL.
826
00:36:15,500 --> 00:36:16,834
ANYWAY, THANKS SO MUCH.
827
00:36:16,917 --> 00:36:18,583
NO, DON'T MEN--
UH, DOESN'T -- NO.
828
00:36:18,667 --> 00:36:23,000
HEY, DAN --
"DANNY ON THE SPOT," RIGHT?
829
00:36:23,083 --> 00:36:24,709
WHAT'S THAT?
830
00:36:24,792 --> 00:36:27,166
THAT WAS YOUR NICKNAME
IN HIGH SCHOOL, WASN'T IT?
831
00:36:27,250 --> 00:36:29,542
BECAUSE YOU WOULD ALWAYS
RAISE YOUR HAND FIRST,
832
00:36:29,625 --> 00:36:32,917
AND YOU ALWAYS KNEW
THE RIGHT ANSWER.
833
00:36:33,000 --> 00:36:34,875
[ CHUCKLES ] UM...
834
00:36:34,959 --> 00:36:37,959
I HAVEN'T BEEN CALLED THAT
IN OVER 15 YEARS.
835
00:36:38,041 --> 00:36:39,875
AND YOU KNOW WHAT?
THAT FROG WE DISSECTED?
836
00:36:39,959 --> 00:36:42,959
YOU DID ALL THE WORK
'CAUSE IT MADE ME QUEASY.
837
00:36:43,041 --> 00:36:45,208
AND YOU KNEW THAT.
838
00:36:45,291 --> 00:36:48,166
YOU DID IT, AND I STILL GOT
AN "A," THANKS TO YOU.
839
00:36:48,250 --> 00:36:49,750
YEAH.
840
00:36:49,834 --> 00:36:51,959
THAT'S ME,
DANNY ON THE SPOT.
841
00:36:52,041 --> 00:36:54,542
THAT'S RIGHT. WELL, THANKS.
[ LAUGHS ]
842
00:36:54,625 --> 00:36:55,959
NO PROBLEM.
HUH.
843
00:36:57,667 --> 00:36:59,083
SHE REMEMBERED.
844
00:37:00,291 --> 00:37:02,458
[ SIGHS ] YEAH, SHE REMEMBERED.
[ BELLS JINGLE ]
845
00:37:02,542 --> 00:37:03,959
SEE YOU, EMILY.
846
00:37:04,041 --> 00:37:07,291
[ "ANGELS WE HAVE HEARD ON HIGH"
INSTRUMENTAL PLAYING ]
847
00:37:09,542 --> 00:37:11,041
Kristin: EMILY?
848
00:37:11,125 --> 00:37:13,750
EM, YOU FORGOT YOUR BACK--
849
00:37:13,834 --> 00:37:15,333
KRISTIN PARSON?
850
00:37:15,417 --> 00:37:17,917
YOU'RE EMILY'S MOM, RIGHT?
851
00:37:18,000 --> 00:37:20,250
I'M THOMAS.
I RECOGNIZED HER BACKPACK.
852
00:37:20,333 --> 00:37:22,583
OH. YEAH, SHE WAS SO EXCITED
TO GET INTO CLASS
853
00:37:22,667 --> 00:37:25,125
THAT SHE LITERALLY JUST
LEFT IT SITTING OUTSIDE.
854
00:37:25,208 --> 00:37:26,625
WELL, WHY WOULDN'T
SHE BE EXCITED?
855
00:37:26,709 --> 00:37:28,041
I HEAR THIS YEAR'S
SNOWFLAKE PAGEANT
856
00:37:28,125 --> 00:37:29,834
IS GOING TO BE ONE
OF THE BEST SHOWS EVER.
857
00:37:29,917 --> 00:37:32,250
OH,
THAT'S WHAT I HEAR, TOO.
858
00:37:32,333 --> 00:37:33,959
YOU MUST BE VERY PROUD.
859
00:37:34,041 --> 00:37:36,709
WE JUST MIGHT HAVE A STAR
IN THE MAKING HERE
860
00:37:36,792 --> 00:37:38,250
AT SILVER FALLS ELEMENTARY.
861
00:37:38,333 --> 00:37:40,166
THAT IS VERY KIND OF YOU
TO SAY.
862
00:37:40,250 --> 00:37:42,917
I'M JUST SO HAPPY SHE HAS
A SPOT IN THE SHOW.
863
00:37:43,000 --> 00:37:45,208
LISTEN, THOMAS, COULD YOU
TELL ME THE BEST WAY
864
00:37:45,291 --> 00:37:46,792
TO GET THE BACKPACK
BACK TO EMILY?
865
00:37:46,875 --> 00:37:50,208
ANNIE IN ATTENDANCE WILL MAKE
SURE TO GET IT BACK SAFELY.
866
00:37:50,291 --> 00:37:51,917
THANK YOU SO MUCH.
867
00:37:52,000 --> 00:37:54,542
OH, UM,
IF YOU DON'T MIND...
868
00:37:54,625 --> 00:37:56,625
I FOUND THIS OUT
IN THE PLAY YARD,
869
00:37:56,709 --> 00:37:59,959
AND I WAS GOING TO TURN IT IN
TO ANNIE AS WELL.
870
00:38:00,041 --> 00:38:03,041
I THOUGHT IT MIGHT BE
EMILY'S.
871
00:38:03,125 --> 00:38:06,667
HAVE I RETURNED IT
TO ITS RIGHTFUL OWNER?
872
00:38:06,750 --> 00:38:07,875
YOU HAVE.
873
00:38:07,959 --> 00:38:11,208
UM...YEAH, THIS MEANS
A LOT TO HER.
874
00:38:11,291 --> 00:38:12,667
SO...THANK YOU.
875
00:38:12,750 --> 00:38:15,583
WELL, YOU BETTER TELL ANNIE
TO PUT A RUSH ON IT.
876
00:38:17,542 --> 00:38:19,166
THANK YOU.
877
00:38:19,250 --> 00:38:21,583
[ INDISTINCT CONVERSATIONS ]
878
00:38:21,667 --> 00:38:23,083
Choir:
# ...WHEREVER YOU ARE
879
00:38:23,166 --> 00:38:24,375
# GOOD TIDINGS FOR CHRISTMAS
880
00:38:24,458 --> 00:38:26,125
WHAT ARE WE DOING HERE?
881
00:38:26,208 --> 00:38:28,291
THIS IS YOUR SURPRISE.
882
00:38:28,375 --> 00:38:30,667
LISTEN, I KNOW YOU'VE BEEN
HAVING A HARD TIME,
883
00:38:30,750 --> 00:38:32,375
MISSING YOUR FRIENDS
FROM L.A.
884
00:38:32,458 --> 00:38:34,417
AND, YOU KNOW,
MR. COLLIER TOLD ME THAT
885
00:38:34,500 --> 00:38:35,834
YOU'RE ALSO HAVING
A HARD TIME
886
00:38:35,917 --> 00:38:37,792
PICKING A SONG FOR
THE CHRISTMAS SPECTACULAR.
887
00:38:37,875 --> 00:38:39,333
JUST WANT IT TO BE PERFECT.
888
00:38:39,417 --> 00:38:41,750
I KNOW. THAT'S WHY I THOUGHT
THAT MAYBE WE WOULD COME GET
889
00:38:41,834 --> 00:38:44,208
A CHRISTMAS TREE, AND IT'LL
PUT YOU INTO THE SPIRIT.
890
00:38:44,291 --> 00:38:45,709
I GET TO PICK OUT
THE TREE?
891
00:38:45,792 --> 00:38:47,709
YEAH, ANY ONE YOU WANT.
892
00:38:47,792 --> 00:38:50,500
GREAT. I WANT A BIG ONE --
SO BIG WE HAVE TO GET
893
00:38:50,583 --> 00:38:51,875
ON A LADDER TO PUT
THE STAR ON.
894
00:38:51,959 --> 00:38:53,375
[ LAUGHS ] OKAY.
895
00:38:53,458 --> 00:38:54,875
WE'RE STARTING
A NEW TRADITION
896
00:38:54,959 --> 00:38:56,834
WHERE WE NEED A TREE
AS TALL AS SANTA?
897
00:38:56,917 --> 00:38:58,917
A TREE AS TALL AS SANTA.
898
00:38:59,000 --> 00:39:00,500
ALL RIGHT.
[ Whispers ] YES!
899
00:39:00,583 --> 00:39:02,750
OH. THIS ONE'S TOO SKINNY.
900
00:39:02,834 --> 00:39:05,625
YEAH.
901
00:39:05,709 --> 00:39:06,917
MAYBE THIS ONE.
902
00:39:07,000 --> 00:39:09,208
WELL, THIS ONE
COULD BE PERFECT.
903
00:39:09,291 --> 00:39:12,041
OH, YOU KNOW WHAT?
I THINK THAT ONE'S PERFECT.
904
00:39:12,125 --> 00:39:13,333
MR. COLLIER?
905
00:39:13,417 --> 00:39:14,667
[ CHUCKLES ] HEY.
906
00:39:14,750 --> 00:39:16,083
HEY, EMILY.
907
00:39:16,166 --> 00:39:18,583
LOOKS LIKE WE HAD THE SAME
AFTER SCHOOL PLAN, HUH?
908
00:39:18,667 --> 00:39:19,917
DID YOU PICK THE TREE?
909
00:39:20,000 --> 00:39:21,709
WOW. I GOTTA TELL YOU,
910
00:39:21,792 --> 00:39:25,250
THAT IS A NICE TREE.
IT'S A SCOTCH PINE.
911
00:39:25,333 --> 00:39:27,000
YOU KNOW WHAT'S PRETTY COOL
ABOUT A SCOTCH PINE?
912
00:39:27,083 --> 00:39:28,417
WHAT?
913
00:39:28,500 --> 00:39:30,750
IT'S NATIVE
TO THE STATE OF OHIO.
914
00:39:30,834 --> 00:39:32,375
THIS IS
YOUR FIRST OHIO TREE
915
00:39:32,458 --> 00:39:34,333
FOR YOUR VERY FIRST
OHIO CHRISTMAS.
916
00:39:34,417 --> 00:39:37,709
SEEMS FITTING, RIGHT?
THEN THIS IS THE ONE I WANT.
917
00:39:37,792 --> 00:39:39,083
[ LAUGHS ] PERFECT.
918
00:39:39,166 --> 00:39:41,083
OKAY, WELL, I DON'T KNOW HOW
WE'RE GONNA ACTUALLY
919
00:39:41,166 --> 00:39:42,875
GET THIS TREE INTO THE HOUSE.
920
00:39:42,959 --> 00:39:44,875
COME ON, LOOK, I'LL JUST
LOAD IT UP IN MY TRUCK.
921
00:39:44,959 --> 00:39:46,375
I'LL TAKE IT OVER.
922
00:39:46,458 --> 00:39:48,750
OH, NO. NO, NO,
I COULDN'T LET YOU DO THAT.
923
00:39:48,834 --> 00:39:50,792
YOU'VE BEEN -- YOU'VE BEEN
WAY TOO KIND ALREADY.
924
00:39:50,875 --> 00:39:53,709
WELL, TO BE HONEST, I REALLY
WASN'T GONNA DO IT FOR FREE.
925
00:39:53,792 --> 00:39:57,083
I MEAN, I WAS HOPING FOR
A SMALL DELIVERY FEE.
926
00:39:57,166 --> 00:39:58,917
SAY, OH, I DON'T KNOW.
927
00:39:59,000 --> 00:40:00,792
MAYBE EMILY CAN LOOK
AROUND THE LOT
928
00:40:00,875 --> 00:40:02,583
AND TRY TO FIND ME
A PERFECT TREE,
929
00:40:02,667 --> 00:40:04,333
JUST LIKE THE ONE
YOU PICKED OUT?
930
00:40:04,417 --> 00:40:06,959
WHAT DO YOU SAY, EMILY?
CAN YOU DO THAT FOR ME?
931
00:40:07,041 --> 00:40:09,625
HUH? [ CHUCKLES ]
THANK YOU.
932
00:40:11,166 --> 00:40:12,500
YOU STILL ARE JUST
933
00:40:12,583 --> 00:40:14,166
THE GOOD OLD GUY YOU WERE
IN HIGH SCHOOL, HUH?
934
00:40:14,250 --> 00:40:15,500
I GUESS OLD HABITS DIE HARD.
935
00:40:15,583 --> 00:40:16,917
IS THAT THE ONE?
YEP.
936
00:40:17,000 --> 00:40:18,250
ALL RIGHT.
OH, I LOVE IT.
937
00:40:18,333 --> 00:40:19,667
STICK IT UP HERE.
THIS IS BEAUTIFUL,
938
00:40:19,750 --> 00:40:21,083
ALL RIGHT.
ALL RIGHT, YOU READY?
939
00:40:21,166 --> 00:40:23,333
Kristin: LITTLE BIT TO --
TO MY LEFT. TO YOUR RIGHT.
940
00:40:23,417 --> 00:40:24,750
Danny: TO MY RIGHT?
YEAH. JUST A LITTLE BIT.
941
00:40:24,834 --> 00:40:26,375
A LITTLE BIT MORE.
A LITTLE BIT MORE.
942
00:40:26,458 --> 00:40:28,542
OKAY, THAT -- THAT'S GOOD.
HOW'S THAT? IS THAT GOOD?
943
00:40:28,625 --> 00:40:29,959
YEAH, NO,
THAT'S REALLY GOOD.
944
00:40:30,041 --> 00:40:32,208
I THINK THAT'S PERFECT.
LET'S SEE.
945
00:40:32,291 --> 00:40:33,667
RIGHT?
946
00:40:33,750 --> 00:40:36,208
YEAH, THAT LOOKS PRETTY GOOD,
ACTUALLY.
YEAH.
947
00:40:36,291 --> 00:40:37,625
WHOA!
OH!
948
00:40:37,709 --> 00:40:39,041
[ BOTH LAUGH ]
949
00:40:39,125 --> 00:40:41,000
OH, NO.
OH, THAT WAS CLOSE, HUH?
950
00:40:41,083 --> 00:40:42,333
[ BOTH LAUGH ]
951
00:40:42,417 --> 00:40:44,208
I GOT IT, I GOT IT.
952
00:40:45,750 --> 00:40:47,875
OH, HEY.
MOM, THESE ARE JUST THE LIGHTS.
WHERE ARE THE ORNAMENTS?
953
00:40:47,959 --> 00:40:51,834
OH. YEAH, YOU FOUND
THE CHRISTMAS DECORATIONS, HUH?
954
00:40:51,917 --> 00:40:53,667
OH, YOU KNOW WHAT?
955
00:40:53,750 --> 00:40:55,375
I THINK MAYBE I PACKED
THE ORNAMENTS SEPARATELY.
956
00:40:55,458 --> 00:40:56,792
HOW ABOUT AFTER DINNER,
I'LL HELP YOU LOOK, OKAY?
957
00:40:56,875 --> 00:40:58,250
DOES THAT SOUND GOOD?
[ PATS HANDS ]
958
00:40:58,333 --> 00:41:00,291
CAN MR. COLLIER STAY?
YEAH.
959
00:41:00,375 --> 00:41:04,041
UH...ARE YOU SURE?
I MEAN, I DON'T WANNA IMPOSE.
960
00:41:04,125 --> 00:41:05,625
NO, I MEAN, WE'RE --
WE'RE STILL UNPACKING,
961
00:41:05,709 --> 00:41:07,125
SO WE'RE GONNA BE EATING
ON PAPER PLATES
962
00:41:07,208 --> 00:41:11,500
AND PLASTIC UTENSILS, BUT NO,
YOU'RE WELCOME TO STAY.
963
00:41:11,583 --> 00:41:15,834
GREAT, SOUNDS LIKE A, UH,
CHRISTMAS PICNIC, RIGHT? I'M IN.
964
00:41:15,917 --> 00:41:18,375
LET'S GO.
965
00:41:20,291 --> 00:41:23,166
Woman:
# THE HOLLY AND THE IVY
966
00:41:23,250 --> 00:41:26,125
I GOTTA TELL YA,
THAT WAS INCREDIBLE.
967
00:41:26,208 --> 00:41:28,166
YOU KNOW, I DIDN'T KNOW
YOU WERE SUCH A GREAT COOK.
968
00:41:28,250 --> 00:41:29,875
OH, THANKS.
[ LAUGHS ]
969
00:41:29,959 --> 00:41:33,625
MM, IT LOOKS LIKE SOMEONE'S
NOT A BIG FAN OF MY LASAGNA.
970
00:41:33,709 --> 00:41:35,041
OH, COME ON,
EMILY IS JUST EXCITED.
971
00:41:35,125 --> 00:41:36,375
SHE'S LOOKING FOR
SOME DECORATIONS
972
00:41:36,458 --> 00:41:38,000
TO PUT UP ON
THE CHRISTMAS TREE, THAT'S ALL.
973
00:41:38,083 --> 00:41:41,000
YOU'RE STARTING TO KNOW
MY DAUGHTER REALLY WELL.
974
00:41:41,083 --> 00:41:42,709
WELL, YOU KNOW,
FROM MY PERSPECTIVE,
975
00:41:42,792 --> 00:41:44,333
IT LOOKS LIKE
SHE'S SETTLING IN NICELY.
976
00:41:44,417 --> 00:41:47,125
YOU THINK SO?
MM-HMM. ABSOLUTELY.
977
00:41:47,208 --> 00:41:48,375
I'M JUST SO WORRIED THAT
978
00:41:48,458 --> 00:41:50,417
SHE'S PUTTING ON
A HAPPY FACE FOR ME.
979
00:41:50,500 --> 00:41:52,583
#
980
00:41:52,667 --> 00:41:54,959
CAN I ASK YOU A QUESTION?
981
00:41:55,041 --> 00:41:56,208
YEAH.
982
00:41:56,291 --> 00:41:58,792
WHATEVER HAPPENED
TO EMILY'S DAD?
983
00:42:00,542 --> 00:42:05,083
UH, HE -- HE PASSED AWAY
WHEN SHE WAS 2 YEARS OLD.
984
00:42:05,166 --> 00:42:08,750
I'M SORRY, I SHOULDN'T EVEN --
I MEAN, I WAS JUST...
985
00:42:08,834 --> 00:42:11,291
NO, NO, IT'S OKAY.
IT'S -- IT'S --
986
00:42:11,375 --> 00:42:13,083
HONESTLY, IT'S PART OF
THE REASON THAT I MOVED BACK.
987
00:42:13,166 --> 00:42:16,000
I JUST -- I JUST FEEL LIKE
SHE SHOULD HAVE FAMILY,
988
00:42:16,083 --> 00:42:17,500
MORE FAMILY THAN JUST ME.
989
00:42:17,583 --> 00:42:19,333
YOU KNOW, BUT I FEEL LIKE
HER HEAD
990
00:42:19,417 --> 00:42:21,000
AND HER HEART
ARE STILL BACK IN L.A.
991
00:42:21,083 --> 00:42:22,625
I WAS LOOKING
IN HER JOURNAL AND...
992
00:42:22,709 --> 00:42:24,792
[ SIGHS ] SHE'S BEEN
WRITING IN HER JOURNAL
993
00:42:24,875 --> 00:42:26,125
ABOUT HOW MUCH SHE MISSES
HER FRIENDS.
994
00:42:26,208 --> 00:42:27,542
WELL, IT'S UNDERSTANDABLE.
995
00:42:27,625 --> 00:42:30,917
I MEAN, COME ON, KRISTIN,
IT'D BE TOTALLY ABNORMAL
996
00:42:31,000 --> 00:42:35,166
IF SHE DIDN'T MISS HER FRIENDS
AND HER LIFE BACK HOME, RIGHT?
997
00:42:35,250 --> 00:42:36,583
YEAH,
BUT THAT'S THE THING.
998
00:42:36,667 --> 00:42:38,625
I'M TRYING SO HARD
TO MAKE
THIS
HOME.
999
00:42:38,709 --> 00:42:40,875
AND SHE'LL GET HERE.
TRUST ME, SHE WILL.
1000
00:42:40,959 --> 00:42:42,959
YOU JUST GOTTA BE
MORE PATIENT.
1001
00:42:43,041 --> 00:42:44,333
OKAY, WE GOTTA TALK
FOR A SECOND.
1002
00:42:44,417 --> 00:42:45,834
YOU TOLD ME THAT
SHE LIKES TO WRITE POETRY.
1003
00:42:45,917 --> 00:42:48,083
BUT YOU NEVER MENTIONED
SHE WAS THIS TALENTED.
1004
00:42:48,166 --> 00:42:49,959
HAVE YOU READ THESE?
I MEAN, THIS IS --
1005
00:42:50,041 --> 00:42:53,417
I MEAN, THIS IS UNBELIEVABLE.
THEY'RE REALLY GOOD.
1006
00:42:53,500 --> 00:42:56,500
I KNOW. I THINK SHE'S GIFTED.
I REALLY DO, AND...
1007
00:42:57,834 --> 00:42:59,333
I MEAN,
HER FAVORITE SUBJECTS ARE --
1008
00:42:59,417 --> 00:43:01,041
THANK YOU.
YOU'RE WELCOME --
HER FAVORITE SUBJECTS ARE --
1009
00:43:01,125 --> 00:43:03,083
ARE MUSIC AND WRITING.
1010
00:43:03,166 --> 00:43:05,542
I HAVE AN IDEA.
1011
00:43:05,625 --> 00:43:10,250
WOULD EMILY BE INTERESTED
IN, UH, COMBINING THE TWO?
1012
00:43:10,333 --> 00:43:11,667
DO YOU MEAN LIKE
WRITING A SONG?
1013
00:43:11,750 --> 00:43:13,417
YEAH.
[ PAGES RUSTLE ]
1014
00:43:13,500 --> 00:43:15,333
BUT THAT'S VERY SWEET,
AND I THINK SHE'S...
WHAT?
1015
00:43:15,417 --> 00:43:18,750
[ CHUCKLES ] REALLY BRIGHT,
BUT COME ON, SHE'S 9 YEARS OLD.
1016
00:43:18,834 --> 00:43:21,000
NO, LOOK, I WILL COME,
OBVIOUSLY, WITH THE MUSIC.
1017
00:43:21,083 --> 00:43:23,500
ALL SHE'S GOTTA DO IS
COME UP WITH LYRICS.
1018
00:43:23,583 --> 00:43:25,458
ARE YOU SURE YOU KNOW
WHAT YOU'RE GETTING INTO?
1019
00:43:25,542 --> 00:43:28,625
'CAUSE MY DAUGHTER IS, UM,
SHE'S A BIT OF A PERFECTIONIST.
1020
00:43:28,709 --> 00:43:30,625
SO... [ LAUGHS ] I DON'T KNOW
IF YOU'RE PREPARED FOR THIS.
1021
00:43:30,709 --> 00:43:33,125
WELL, THAT BEING SAID,
I GUESS I'LL FIND OUT.
1022
00:43:33,208 --> 00:43:35,959
NO, I'M EXCITED. I THINK
WE HAVE SOMETHING HERE.
1023
00:43:36,041 --> 00:43:37,583
#
1024
00:43:37,667 --> 00:43:39,000
THAT'S...
[ SIPS ] AHH.
1025
00:43:39,083 --> 00:43:41,500
WELL, CHEERS.
CHEERS.
1026
00:43:41,583 --> 00:43:43,875
[ CLINK ]
1027
00:43:47,417 --> 00:43:49,333
Alan Ett:
# JINGLE BELLS, JINGLE BELLS
1028
00:43:49,417 --> 00:43:50,750
# JINGLE ALL THE WAY
1029
00:43:50,834 --> 00:43:53,875
Sarah: # OH, WHAT FUN
IT IS TO RIDE #
1030
00:43:53,959 --> 00:43:56,625
# IN A ONE-HORSE
OPEN SLEIGH, HEY #
1031
00:43:56,709 --> 00:44:00,291
SO EMILY HAD A LITTLE SPRING
TO HER STEP TODAY, HUH?
[ CHUCKLES ]
1032
00:44:00,375 --> 00:44:02,041
SHE WAS ALL SCRIBBLING SOMETHING
ON HER SECRET NOTEBOOK.
1033
00:44:02,125 --> 00:44:03,834
SHE DIDN'T EVEN
LOOK UP AT ME.
1034
00:44:03,917 --> 00:44:05,709
OH, SHE IS SO EXCITED.
1035
00:44:05,792 --> 00:44:07,458
'CAUSE DANNY'S LETTING HER
WRITE HER OWN LYRICS
1036
00:44:07,542 --> 00:44:10,750
TO THE SONG SHE'S GONNA PERFORM
AT THE SNOWFLAKE PAGEANT.
1037
00:44:10,834 --> 00:44:12,750
THAT'S FANTASTIC.
1038
00:44:12,834 --> 00:44:16,125
I KNOW. HE'S REALLY JUST
SO WONDERFUL TO EMILY.
1039
00:44:16,208 --> 00:44:18,291
YEAH, HUH. TO EMILY.
1040
00:44:18,375 --> 00:44:21,542
WHAT -- NO, REALLY.
I MEAN, HE'S -- HE'S...
1041
00:44:21,625 --> 00:44:23,709
HELPED TURN
HER WHOLE ATTITUDE AROUND.
1042
00:44:23,792 --> 00:44:25,041
OH, REALLY?
1043
00:44:25,125 --> 00:44:26,458
YEAH.
1044
00:44:26,542 --> 00:44:28,792
THAT'S NOT THE ONLY THING
THAT'S BEEN TURNED AROUND.
1045
00:44:28,875 --> 00:44:30,041
WHAT?
1046
00:44:30,125 --> 00:44:32,417
I'M JUST SAYIN'.
1047
00:44:32,500 --> 00:44:35,625
#
1048
00:44:40,625 --> 00:44:44,417
[ INDISTINCT CONVERSATIONS ]
1049
00:44:50,166 --> 00:44:52,250
MOM, LOOK AT US.
1050
00:44:52,333 --> 00:44:54,542
WE LOOK LIKE A BUNCH OF
CHRISTMAS PI�ATAS.
1051
00:44:54,625 --> 00:44:56,125
NO, SWEETIE,
IT'S NOT THAT BAD.
1052
00:44:56,208 --> 00:44:58,542
IT JUST -- IT JUST NEEDS
A LITTLE BIT OF TAILORING.
1053
00:44:58,625 --> 00:45:02,709
I MEASURED TWICE AND CUT ONCE.
MAYBE SHE'LL GROW INTO IT.
1054
00:45:02,792 --> 00:45:04,041
IN TWO WEEKS?
1055
00:45:04,125 --> 00:45:05,625
I DON'T KNOW
WHAT WE WERE THINKING.
1056
00:45:05,709 --> 00:45:09,166
I MEAN, TEAM A.A.H.
HAS BECOME TEAM UGH.
1057
00:45:09,250 --> 00:45:11,208
THERE'S NO USE IN
COMPLAINING ABOUT IT.
1058
00:45:11,291 --> 00:45:12,834
YOU'LL JUST HAVE TO
START OVER.
1059
00:45:12,917 --> 00:45:14,333
[ Lowered voice ]
I MEAN, I COULD HELP,
1060
00:45:14,417 --> 00:45:16,583
BUT I DON'T THINK MELISSA
WOULD EVEN ALLOW THAT.
1061
00:45:16,667 --> 00:45:18,959
MRS. ATKINSON?
IS THERE A PROBLEM?
1062
00:45:19,041 --> 00:45:20,291
NO PROBLEM,
PRINCIPAL WEBBER.
1063
00:45:20,375 --> 00:45:22,291
JUST, UM,
A LITTLE SETBACK,
1064
00:45:22,375 --> 00:45:23,959
BUT WE'VE GOT IT
UNDER CONTROL.
1065
00:45:24,041 --> 00:45:25,625
I'M SURE YOU REMEMBER,
MRS. ATKINSON,
1066
00:45:25,709 --> 00:45:28,750
THAT THE MONEY WE MAKE
FROM THE TICKETS AND DONATIONS
1067
00:45:28,834 --> 00:45:31,458
FOR THIS SHOW HELP FUND
THE SCHOOL'S MUSIC PROGRAM
1068
00:45:31,542 --> 00:45:33,000
FOR AN ENTIRE YEAR.
1069
00:45:33,083 --> 00:45:34,291
I KNOW.
1070
00:45:34,375 --> 00:45:35,709
WE NEED SOMETHING FUN
WITH SOME PIZZAZZ.
1071
00:45:35,792 --> 00:45:37,333
GOTCHA.
1072
00:45:37,417 --> 00:45:41,792
SO YOU WANT THESE COSTUMES TO BE
A LITTLE BIT MORE BEDAZZLING?
1073
00:45:41,875 --> 00:45:44,583
THERE ISN'T ENOUGH BEDAZZLE
IN THE STATE OF OHIO
1074
00:45:44,667 --> 00:45:46,208
TO SAVE THESE OUTFITS.
1075
00:45:46,291 --> 00:45:49,041
WHY NOT LET MY MOM
TAKE OVER THE COSTUMES?
1076
00:45:49,125 --> 00:45:51,834
I MEAN,
SHE IS A FASHION DESIGNER.
1077
00:45:51,917 --> 00:45:54,542
[ LAUGHS ] NO.
1078
00:45:54,625 --> 00:45:57,792
MS. PARSON?
DO YOU THINK YOU'D BE WILLING
1079
00:45:57,875 --> 00:45:59,709
TO HELP US OUT OF THIS MESS?
1080
00:45:59,792 --> 00:46:02,917
SHE CERTAINLY COULDN'T DO
ANY WORSE.
I SECOND THE MOTION.
1081
00:46:03,000 --> 00:46:06,333
HOLD ON. [ Singsongy ]
THIS IS NOT A DEMOCRACY.
1082
00:46:06,417 --> 00:46:07,875
I'M IN CHARGE, REMEMBER?
1083
00:46:07,959 --> 00:46:10,333
I THINK WE SHOULD AT LEAST
ASK MRS. PARSON
1084
00:46:10,417 --> 00:46:12,542
IF SHE'D BE INTERESTED
IN VOLUNTEERING.
1085
00:46:12,625 --> 00:46:14,792
SURE.
BUT, PRINCIPAL WEBBER,
1086
00:46:14,875 --> 00:46:16,417
THERE'S JUST NO WAY
ONE PERSON
1087
00:46:16,500 --> 00:46:20,333
CAN SOLVE THIS WHOLE PROBLEM IN
TIME FOR THE SCHOOL'S PAGEANT.
1088
00:46:20,417 --> 00:46:24,166
GOOD POINT.
I'D BE WILLING TO HELP OUT,
KRISTIN,
1089
00:46:24,250 --> 00:46:26,542
IF YOU'D SHOW ME WHAT TO DO.
YEAH, ME, TOO.
1090
00:46:26,625 --> 00:46:28,750
I KNOW WE HAVE
A LIMITED SKILL SET.
1091
00:46:28,834 --> 00:46:30,792
THEN IT'S SETTLED.
1092
00:46:30,875 --> 00:46:32,625
SURE.
OF COURSE I'LL HELP.
1093
00:46:32,709 --> 00:46:36,583
[ CHILDREN CHEER ]
1094
00:46:36,667 --> 00:46:39,417
Men: # BA-BA-DA-DUH,
BA-DA-BA-BA-DUH #
1095
00:46:39,500 --> 00:46:42,750
# JINGLE BELLS, JINGLE BELLS
1096
00:46:42,834 --> 00:46:46,000
# JINGLE ALL THE WAY
# BA-DA-BA-BA-DUH
1097
00:46:46,083 --> 00:46:48,625
[ DOORBELL RINGS ]
I'LL GET IT! I'LL GET IT!
I'LL GET IT!
1098
00:46:48,709 --> 00:46:52,667
# ...IS TO RIDE
IN A ONE-HORSE OPEN SLEIGH #
1099
00:46:52,750 --> 00:46:55,792
# JINGLE BELLS, JINGLE BELLS
1100
00:46:55,875 --> 00:46:57,500
HI, MR. COLLIER.
HEY, EMILY.
1101
00:46:57,583 --> 00:46:59,208
[ WHIRRING ]
YOU READY TO WORK
ON YOUR SONG?
1102
00:46:59,291 --> 00:47:00,458
YEAH.
HUH?
1103
00:47:00,542 --> 00:47:02,125
MOM JUST ASKED THAT
WE STAY OUT OF HER HAIR.
1104
00:47:02,208 --> 00:47:03,500
REALLY?
I DIDN'T SAY THAT.
1105
00:47:03,583 --> 00:47:04,875
I'M JUST ON A MISSION,
1106
00:47:04,959 --> 00:47:07,041
AND I CAN'T AFFORD
ANY INTERRUPTIONS.
1107
00:47:07,125 --> 00:47:08,250
SHE'S A LITTLE CRANKY.
1108
00:47:08,333 --> 00:47:10,291
OOH, BETTER BE, UH,
QUIET, HUH?
1109
00:47:10,375 --> 00:47:12,500
I HEARD THAT, AND I AM NOT.
1110
00:47:12,583 --> 00:47:13,875
[ SIGHS ] SO?
1111
00:47:13,959 --> 00:47:15,500
OKAY,
HERE'S WHAT I GOT SO FAR.
1112
00:47:15,583 --> 00:47:16,750
ALL RIGHT.
1113
00:47:16,834 --> 00:47:18,750
SO I WROTE THIS LETTER
TO SANTA.
1114
00:47:18,834 --> 00:47:21,208
OKAY.
AND I MAILED IT
AND EVERYTHING,
1115
00:47:21,291 --> 00:47:24,000
BUT NOW I THINK I MIGHT
WANT TO CHANGE MY WISH.
1116
00:47:24,083 --> 00:47:26,709
BUT YOU JUST TOLD ME YOU ALREADY
SENT IT OUT THERE, RIGHT?
1117
00:47:26,792 --> 00:47:29,250
YEAH, BUT I THOUGHT SANTA
WOULD TOTALLY HEAR IT
1118
00:47:29,333 --> 00:47:30,750
IF I SANG A SONG TO HIM,
RIGHT?
1119
00:47:30,834 --> 00:47:34,083
I MEAN, EVEN IF HE WASN'T,
LIKE, AT THE SCHOOL
1120
00:47:34,166 --> 00:47:35,709
BECAUSE THAT'S NOT POSSIBLE,
1121
00:47:35,792 --> 00:47:37,834
BUT, YOU KNOW,
HE HEARS EVERYTHING.
1122
00:47:37,917 --> 00:47:39,250
ABSOLUTELY.
1123
00:47:39,333 --> 00:47:41,041
CAN I SEE WHAT YOU WROTE?
1124
00:47:41,125 --> 00:47:42,917
IT'S JUST A COUPLE LINES.
1125
00:47:45,667 --> 00:47:46,875
IT'S NOT A GREAT POEM.
1126
00:47:46,959 --> 00:47:49,667
DOESN'T REALLY RHYME YET.
I HAVE TO REDO IT.
1127
00:47:49,750 --> 00:47:51,125
OKAY.
LET'S DECIDE TOGETHER.
1128
00:47:51,208 --> 00:47:54,125
"SANTA, IF YOU GET THIS LETTER,
WON'T YOU HELP ME OUT?
1129
00:47:54,208 --> 00:47:57,959
I KNOW YOU'RE KINDA BUSY
WITH YOUR ELVES RIGHT NOW."
1130
00:47:58,041 --> 00:47:59,583
I LOVE THIS.
THIS IS FANTASTIC.
1131
00:47:59,667 --> 00:48:01,750
IT'S GREAT.
BUT IT'S --
BUT IT'S NOT A SONG.
1132
00:48:01,834 --> 00:48:04,917
WHY NOT?
[ PLAYS CHORD ]
1133
00:48:05,000 --> 00:48:06,625
# SANTA
1134
00:48:06,709 --> 00:48:11,875
# IF YOU GET THIS LETTER,
WON'T YOU HELP ME OUT? #
1135
00:48:11,959 --> 00:48:13,834
HOW'D YOU DO THAT?
1136
00:48:13,917 --> 00:48:15,250
CHRISTMAS MAGIC.
1137
00:48:15,333 --> 00:48:16,458
#
1138
00:48:16,542 --> 00:48:18,041
OKAY. # SANTA
1139
00:48:18,125 --> 00:48:21,291
# IF YOU GET THIS LETTER,
WON'T YOU HELP ME OUT? #
1140
00:48:21,375 --> 00:48:24,834
# I KNOW YOU'RE KINDA BUSY
WITH YOUR ELVES RIGHT NOW #
1141
00:48:24,917 --> 00:48:27,917
# AND I DON'T KNOW HOW
YOU DO THE THINGS YOU DO #
1142
00:48:28,000 --> 00:48:30,834
# WHILE I SLEEP
ON CHRISTMAS EVE #
1143
00:48:30,917 --> 00:48:32,375
[ LAUGHS ] THAT'S PERFECT!
THAT'S PERFECT.
1144
00:48:32,458 --> 00:48:34,041
THAT'S THE THIRD --
OKAY, LET'S DO IT TOGETHER.
1145
00:48:34,125 --> 00:48:35,834
HOLD THAT. OH, ACTUALLY,
WE'LL JUST PUT THIS RIGHT HERE.
1146
00:48:35,917 --> 00:48:37,125
WE KNOW IT, RIGHT?
YEAH.
1147
00:48:37,208 --> 00:48:38,375
OKAY.
1148
00:48:38,458 --> 00:48:40,041
Both: # SANTA
1149
00:48:40,125 --> 00:48:42,750
# IF YOU GET THIS LETTER,
WON'T YOU HELP ME OUT? #
1150
00:48:42,834 --> 00:48:46,041
# I KNOW YOU'RE KINDA BUSY
WITH YOUR ELVES RIGHT NOW #
1151
00:48:46,125 --> 00:48:49,500
# AND I DON'T KNOW HOW
YOU DO THE THINGS YOU DO #
1152
00:48:49,583 --> 00:48:52,417
# WHILE I SLEEP
ON CHRISTMAS EVE #
# CHRISTMAS NIGHT --
1153
00:48:52,500 --> 00:48:53,917
EVE? IS IT EVE? OKAY,
LET'S DO IT ONE MORE TIME,
1154
00:48:54,000 --> 00:48:55,333
AND WE'LL TRY TO CATCH UP.
1155
00:48:55,417 --> 00:48:59,542
[ INSTRUMENTAL
"AWAY IN A MANGER" PLAYING ]
1156
00:49:01,166 --> 00:49:02,417
[ SWITCH CLICKS ]
1157
00:49:02,500 --> 00:49:03,834
[ EXHALES DEEPLY ]
1158
00:49:03,917 --> 00:49:06,291
SO HOW GOES THE PROGRESS?
1159
00:49:06,375 --> 00:49:09,083
I WAS ABOUT TO ASK YOU
THE SAME THING. [ SIPS ]
1160
00:49:17,125 --> 00:49:20,834
MY LITTLE SLEEPING ANGEL
DECIDED TO TAKE FIVE, HUH?
1161
00:49:20,917 --> 00:49:23,000
SHE WENT BACK AND FORTH
FROM, UH, WORKING ON HER SONG
1162
00:49:23,083 --> 00:49:25,041
TO TRYING TO GET ME TO HELP HER
DECORATE THE CHRISTMAS TREE.
1163
00:49:25,125 --> 00:49:28,208
BUT WE COULDN'T FIND
THE BOX OF ORNAMENTS, SO...
1164
00:49:28,291 --> 00:49:29,500
I KNOW I PACKED THEM.
1165
00:49:29,583 --> 00:49:31,875
SO THEY HAVE TO BE HERE
SOMEWHERE. I JUST...
1166
00:49:31,959 --> 00:49:34,166
I MEAN, UNLESS THEY WERE
LOST IN THE MOVE.
1167
00:49:34,250 --> 00:49:35,625
DID YOU UNPACK
ALL THE BOXES?
1168
00:49:35,709 --> 00:49:38,875
YEAH, EXCEPT FOR THOSE BOXES
OF BOOKS IN THE PANTRY.
1169
00:49:42,083 --> 00:49:44,583
MAYBE THEY'RE THERE.
1170
00:49:44,667 --> 00:49:47,417
[ DOOR KNOB CREAKS ]
LET'S SEE...
1171
00:49:47,500 --> 00:49:49,542
LIGHT.
[ SWITCH CLICKS ]
1172
00:49:49,625 --> 00:49:51,250
OH, YEAH, YEAH,
THEY'RE THERE.
1173
00:49:51,333 --> 00:49:53,875
OKAY,
LET ME GET THIS HERE.
FINALLY.
1174
00:49:53,959 --> 00:49:55,125
[ EXHALES ]
1175
00:49:55,208 --> 00:49:56,500
THANKS. [ EXHALES ]
1176
00:49:56,583 --> 00:49:58,917
YOU GOT IT?
YEAH.
1177
00:49:59,000 --> 00:50:00,542
OH, SHE'S GONNA BE
SO EXCITED.
1178
00:50:00,625 --> 00:50:02,625
I'LL PUT THESE BACK.
1179
00:50:04,417 --> 00:50:08,750
AUNT SARAH GAVE THIS TO ME
THE YEAR THAT EMILY WAS BORN.
1180
00:50:10,875 --> 00:50:12,709
THEY'RE BROKEN.
1181
00:50:12,792 --> 00:50:14,625
[ TISSUE PAPER RUSTLING,
ORNAMENTS CLATTERING ]
1182
00:50:14,709 --> 00:50:15,875
THEY'RE NOT ALL BROKEN.
1183
00:50:15,959 --> 00:50:18,166
HEY, LOOK,
YOU CAN SALVAGE THIS ONE.
1184
00:50:18,250 --> 00:50:20,291
THERE'S A FEW HERE.
1185
00:50:22,333 --> 00:50:25,041
[ Voice breaking ] I'M SORRY.
IT'S SILLY. THEY'RE JUST --
1186
00:50:25,125 --> 00:50:29,709
THEY'RE JUST ORNAMENTS.
[ INHALES AND EXHALES SHARPLY ]
1187
00:50:29,792 --> 00:50:31,250
HEY.
I'M SORRY.
1188
00:50:31,333 --> 00:50:33,917
NO, LISTEN TO ME. HEY.
1189
00:50:34,000 --> 00:50:35,792
THERE'S NO NEED
TO BE SORRY.
1190
00:50:35,875 --> 00:50:38,750
THESE ARE PART
OF YOUR PAST, RIGHT?
1191
00:50:38,834 --> 00:50:40,041
YEAH.
1192
00:50:40,125 --> 00:50:42,041
YOU KNOW WHAT?
YOU CAN MAKE NEW MEMORIES.
1193
00:50:42,125 --> 00:50:45,875
YOU CAN CREATE
A NEW FUTURE.
1194
00:50:45,959 --> 00:50:47,083
THAT'S THE PROBLEM.
1195
00:50:47,166 --> 00:50:49,834
I DON'T KNOW WHERE
MY FUTURE IS GOING.
1196
00:50:49,917 --> 00:50:52,625
I MEAN, I THOUGHT I DID.
BUT...
1197
00:50:52,709 --> 00:50:56,417
LOOK WHERE IT GOT ME.
1198
00:50:56,500 --> 00:51:01,750
IT GOT YOU BACK TO PEOPLE
THAT CARE ABOUT YOU.
1199
00:51:02,917 --> 00:51:05,458
KRISTIN, YOU GOTTA GIVE YOURSELF
A BREAK, ALL RIGHT?
1200
00:51:05,542 --> 00:51:07,333
YOU'RE DOING THE BEST
YOU CAN.
1201
00:51:09,291 --> 00:51:12,041
AND WHAT IF THAT'S NOT
GOOD ENOUGH?
1202
00:51:12,125 --> 00:51:15,583
THEN YOU WAIT PATIENTLY
FOR CIRCUMSTANCES TO CHANGE,
1203
00:51:15,667 --> 00:51:18,917
AND YOU STAY THE COURSE.
1204
00:51:19,000 --> 00:51:21,291
ALL RIGHT?
1205
00:51:25,041 --> 00:51:27,125
YOU'RE A GOOD GUY.
1206
00:51:28,583 --> 00:51:31,834
YOU'RE A GOOD GUY.
YOU KNOW THAT, DANNY?
1207
00:51:34,417 --> 00:51:35,959
MAYBE.
1208
00:51:38,125 --> 00:51:41,000
BUT YOU MAKE IT EASY.
1209
00:51:45,875 --> 00:51:47,250
UM, YEAH.
1210
00:51:47,333 --> 00:51:49,083
UH... [ SNIFFLES ]
1211
00:51:49,166 --> 00:51:50,583
IT'S GETTING LATE, RIGHT?
I MEAN, IT'S LIKE...
1212
00:51:50,667 --> 00:51:53,166
YEAH, I MEAN, I --
IT IS A SCHOOL NIGHT. SO...
1213
00:51:53,250 --> 00:51:54,792
YEAH, WE SHOULD PROBABLY
GET RESTED UP.
1214
00:51:54,875 --> 00:51:56,583
JUST, YOU KNOW,
IF WE DON'T,
1215
00:51:56,667 --> 00:51:58,834
THIS SNOWFLAKE PAGEANT'S
NOT GONNA HAVE A CHANCE.
1216
00:51:58,917 --> 00:52:00,750
YEAH. [ LAUGHS ] OF COURSE.
[ LAUGHS ]
1217
00:52:00,834 --> 00:52:03,667
SO, UH...YOU OKAY?
1218
00:52:03,750 --> 00:52:05,000
I'M FINE.
ALL RIGHT.
1219
00:52:05,083 --> 00:52:06,959
SORRY. NO, I'M FINE.
NO, DON'T BE SORRY.
1220
00:52:07,041 --> 00:52:10,875
UM...ALL RIGHT, WELL,
I'LL SEE YOU TOMORROW, OKAY?
1221
00:52:10,959 --> 00:52:13,208
OKAY.
ALL RIGHT.
1222
00:52:13,291 --> 00:52:15,500
GOOD NIGHT.
GOOD NIGHT.
1223
00:52:26,792 --> 00:52:29,667
[ INSTRUMENTAL "THE TWELVE DAYS
OF CHRISTMAS" PLAYING ]
1224
00:52:29,750 --> 00:52:34,000
[ INDISTINCT CONVERSATIONS ]
1225
00:52:36,625 --> 00:52:40,041
YOUR MOM IS SO COOL.
REALLY?
1226
00:52:40,125 --> 00:52:43,458
UH-HUH. I CAN'T WAIT TO SEE
WHAT SHE MAKES FOR ME.
1227
00:52:43,542 --> 00:52:45,125
[ Under breath ]
YOU AND ME BOTH.
1228
00:52:45,208 --> 00:52:46,667
YEAH?
1229
00:52:46,750 --> 00:52:49,208
I'M DOING A MAGIC ACT.
1230
00:52:49,291 --> 00:52:51,041
WHAT DO YOU HAVE IN MIND
FOR MY COSTUME?
1231
00:52:51,125 --> 00:52:54,834
WELL, WE COULD GO WITH
TRADITIONAL COAT AND TAILS.
1232
00:52:54,917 --> 00:52:58,583
OR...WHAT WOULD YOU THINK
OF PERFORMING YOUR ACT
1233
00:52:58,667 --> 00:53:00,583
AS A MAGICAL ELF?
1234
00:53:00,667 --> 00:53:03,875
MRS. PARSON,
I LIKE THE WAY YOU THINK.
1235
00:53:03,959 --> 00:53:06,250
[ LAUGHS ] OKAY, THANKS.
1236
00:53:06,333 --> 00:53:07,542
ALL RIGHT, NOW, LADIES,
1237
00:53:07,625 --> 00:53:09,417
SINCE YOU GUYS ARE PERFORMING
AS A GROUP,
1238
00:53:09,500 --> 00:53:12,583
I WAS THINKING THAT YOU SHOULD
PROBABLY HAVE MATCHING OUTFITS,
1239
00:53:12,667 --> 00:53:13,959
RIGHT?
YES.
1240
00:53:14,041 --> 00:53:15,542
NO.
WHAT? I --
1241
00:53:15,625 --> 00:53:18,709
REALLY?
I THOUGHT WE ALREADY DECIDED.
1242
00:53:18,792 --> 00:53:21,750
MY MOM DECIDED TO BUY ME
A STORE-BOUGHT COSTUME.
1243
00:53:21,834 --> 00:53:24,875
SHE WANTS ME IN SOMETHING
SIMPLE, BUT TASTEFUL,
1244
00:53:24,959 --> 00:53:26,792
THAT WILL REALLY
MAKE ME POP.
1245
00:53:26,875 --> 00:53:30,750
OH. OKAY. I'M SURE SHE DOES.
UM, WELL, YOU KNOW WHAT?
1246
00:53:30,834 --> 00:53:32,667
THAT'S WHY I'M WORKING
EXTRA HARD TO MAKE SURE
1247
00:53:32,750 --> 00:53:34,959
THAT EVERYONE'S OUTFIT POPS.
1248
00:53:35,041 --> 00:53:37,667
SO I HAD A REALLY CUTE IDEA
FOR YOU.
1249
00:53:37,750 --> 00:53:39,750
SO IF YOU CHANGE YOUR MIND,
YOU LET ME KNOW, OKAY?
1250
00:53:39,834 --> 00:53:42,291
OKAY, THANKS.
1251
00:53:42,375 --> 00:53:44,750
ALL RIGHT.
HEY, EMILY. WHERE'S DANNY?
1252
00:53:44,834 --> 00:53:46,458
I THOUGHT YOU WERE SUPPOSED
TO BE REHEARSING YOUR SONG.
1253
00:53:46,542 --> 00:53:48,333
OH, HE HAD A LIGHTING CHECK
IN THE AUDITORIUM.
1254
00:53:48,417 --> 00:53:51,041
HE ASKED ME TO HEAD OVER
AFTER THE COSTUME FITTING.
1255
00:53:51,125 --> 00:53:52,875
OH, OKAY, WELL, THEN,
YOU CAN GO.
1256
00:53:52,959 --> 00:53:54,500
EVEN THOUGH I WAS REALLY HOPING
1257
00:53:54,583 --> 00:53:56,458
THAT I WOULD GET TO
HEAR THE SONG.
1258
00:53:56,542 --> 00:53:58,834
MOM! NOT UNTIL THE NIGHT
OF PRODUCTION.
1259
00:53:58,917 --> 00:54:00,166
IT'S A SURPRISE.
1260
00:54:00,250 --> 00:54:05,083
OH, WELL, IF IT'S A SURPRISE,
THEN, OKAY.
1261
00:54:05,166 --> 00:54:06,625
BYE.
1262
00:54:06,709 --> 00:54:09,792
ALL RIGHT, LET'S LOOK
AT THIS PRINCESS.
1263
00:54:09,875 --> 00:54:11,792
DO YOU LIKE IT?
I LOVE IT.
1264
00:54:11,875 --> 00:54:13,834
OKAY, WE JUST NEED TO
TAKE IT IN
1265
00:54:13,917 --> 00:54:17,625
A LITTLE TINY BIT
AT THE WAIST.
1266
00:54:17,709 --> 00:54:20,125
A LITTLE BIT HIGHER.
1267
00:54:20,208 --> 00:54:21,667
OH, THAT'S PERFECT.
1268
00:54:21,750 --> 00:54:24,792
#
1269
00:54:27,166 --> 00:54:29,792
EMILY. HAVE YOU DECIDED
WHAT SONG YOU'RE GONNA SING
1270
00:54:29,875 --> 00:54:31,500
AT THE SNOWFLAKE PAGEANT
YET?
1271
00:54:31,583 --> 00:54:33,291
YES, AS A MATTER OF FACT.
1272
00:54:33,375 --> 00:54:35,458
WELL, DON'T TELL ME.
LET ME GUESS.
1273
00:54:35,542 --> 00:54:38,125
UM, "WINTER WONDERLAND."
1274
00:54:39,542 --> 00:54:41,625
"FROSTY THE SNOWMAN"?
"SILENT NIGHT"?
1275
00:54:41,709 --> 00:54:44,166
[ GIGGLES ] YOU'LL NEVER
GUESS IT IN A MILLION YEARS
1276
00:54:44,250 --> 00:54:45,959
BECAUSE I WROTE IT MYSELF.
1277
00:54:46,041 --> 00:54:47,709
WELL, ME AND MR. COLLIER.
1278
00:54:47,792 --> 00:54:51,000
AN ORIGINAL SONG.
VERY IMPRESSIVE.
1279
00:54:51,083 --> 00:54:52,375
WHAT'S IT ABOUT?
1280
00:54:52,458 --> 00:54:54,750
IT'S KIND OF
A LETTER TO SANTA.
1281
00:54:54,834 --> 00:54:56,166
IT'S MY CHRISTMAS WISH.
1282
00:54:56,250 --> 00:54:58,875
I SEE.
SOUNDS PRETTY SPECIAL.
1283
00:54:58,959 --> 00:55:00,333
YEAH, BUT I CHANGED IT.
1284
00:55:00,417 --> 00:55:03,583
IT'S NOT JUST FOR ME ANYMORE.
IT'S FOR MY MOM.
1285
00:55:03,667 --> 00:55:06,583
WELL,
THAT'S CERTAINLY SELFLESS.
1286
00:55:06,667 --> 00:55:10,375
AND IF ANYONE CAN HELP YOU,
IT'S SANTA.
1287
00:55:10,458 --> 00:55:11,834
THAT'S WHAT I THOUGHT.
1288
00:55:11,917 --> 00:55:13,667
SO ARE YOU GOING TO BE THERE
AT THE SNOWFLAKE PAGEANT?
1289
00:55:13,750 --> 00:55:15,208
TO HEAR MY SONG?
1290
00:55:15,291 --> 00:55:19,083
WELL, I DO HAVE SOMEPLACE
TO BE AFTER THE SHOW.
1291
00:55:19,166 --> 00:55:21,750
YOU KNOW,
BIG CHRISTMAS EVE PLANS.
1292
00:55:21,834 --> 00:55:27,458
BUT, TRUST ME, I WOULDN'T
MISS IT FOR THE WORLD.
1293
00:55:27,542 --> 00:55:29,834
GREAT.
1294
00:55:29,917 --> 00:55:32,750
SO I'LL SEE YOU...
1295
00:55:32,834 --> 00:55:34,709
THOMAS?
1296
00:55:34,792 --> 00:55:37,959
#
1297
00:55:42,291 --> 00:55:44,875
Man: # OH, JINGLE BELLS,
JINGLE BELLS #
1298
00:55:44,959 --> 00:55:48,000
# JINGLE ALL THE WAY
# ALL THE WAY
1299
00:55:48,083 --> 00:55:50,458
# OH, WHAT FUN IT IS TO RIDE
1300
00:55:50,542 --> 00:55:53,875
# IN A ONE-HORSE OPEN SLEIGH
1301
00:55:53,959 --> 00:55:57,333
# JINGLE BELLS, JINGLE BELLS
1302
00:55:57,417 --> 00:55:59,333
# JINGLE ALL THE WAY
1303
00:55:59,417 --> 00:56:01,083
OH! SORRY! [ LAUGHS ]
I'M SO SORRY.
1304
00:56:01,166 --> 00:56:02,417
[ LAUGHS ]
I'M SORRY.
1305
00:56:02,500 --> 00:56:03,625
HEY.
HEY.
1306
00:56:03,709 --> 00:56:04,917
ARE YOU OKAY?
YEAH, HI.
1307
00:56:05,000 --> 00:56:06,375
DID I GET YOU
IN THE FACE RIGHT NOW?
1308
00:56:06,458 --> 00:56:07,625
NO?
NO, IT'S OKAY. I'M FINE.
1309
00:56:07,709 --> 00:56:10,709
SO WERE YOU DOING SOME
LAST MINUTE, UH...
1310
00:56:10,792 --> 00:56:12,000
OH, SHOPPING.
1311
00:56:12,083 --> 00:56:14,291
YEAH, MY AUNT SARAH WAS
NICE ENOUGH TO, UH,
1312
00:56:14,375 --> 00:56:16,041
WATCH EMILY
FOR A LITTLE BIT.
1313
00:56:16,125 --> 00:56:17,458
WELL,
THAT WAS NICE OF HER.
1314
00:56:17,542 --> 00:56:19,917
SO HOW'S IT GOING WITH
ALL THE OUTFITS AND EVERYTHING?
1315
00:56:20,000 --> 00:56:21,458
UH, THEY ARE GOOD.
1316
00:56:21,542 --> 00:56:23,834
I MEAN, I-I HAVE MOTHERS
WHO ARE CUTTING PATTERNS.
1317
00:56:23,917 --> 00:56:25,792
SO I-I KINDA FEEL LIKE
WE'RE OKAY.
1318
00:56:25,875 --> 00:56:27,333
[ CHUCKLES ] GOOD.
1319
00:56:27,417 --> 00:56:28,625
HOW ABOUT YOU?
1320
00:56:28,709 --> 00:56:29,917
OH, UH, WELL, ACTUALLY,
1321
00:56:30,000 --> 00:56:32,375
EMILY HAS MADE ME TAKE
A VOW OF SILENCE.
1322
00:56:32,458 --> 00:56:34,625
UM... [ CLEARS THROAT ]
AND I CAN'T MENTION TO ANYBODY
1323
00:56:34,709 --> 00:56:37,125
ANYTHING ABOUT HER PERFORMANCE,
SO IT'S BEEN FANTASTIC.
1324
00:56:37,208 --> 00:56:39,709
YEAH, BUT ARE YOU...
[ SIGHS ]
1325
00:56:39,792 --> 00:56:42,291
ARE YOU HAPPY WITH THE WAY
EVERYTHING'S TURNING OUT OR...
1326
00:56:42,375 --> 00:56:44,125
OH, LET ME SEE. UM...
1327
00:56:44,208 --> 00:56:48,250
HMM...HMM...MM...MM...
1328
00:56:48,333 --> 00:56:50,375
OH, SO YOU'RE NOT GONNA BE
HELPFUL AT ALL?
1329
00:56:50,458 --> 00:56:52,083
CAN'T TELL YOU ANYTHING,
I TOLD YOU.
1330
00:56:52,166 --> 00:56:53,834
[ LAUGHS ]
GREAT.
1331
00:56:53,917 --> 00:56:56,250
YOU KNOW, I WANTED TO ASK YOU
HOW YOU GOT INTO TEACHING.
1332
00:56:56,333 --> 00:56:58,625
'CAUSE YOU'RE JUST SO GOOD
WITH THE KIDS.
1333
00:56:58,709 --> 00:57:01,166
IT'S REALLY INSPIRING.
OH, THANK YOU. THAT'S TOO KIND.
1334
00:57:01,250 --> 00:57:03,250
I MEAN, MY CAREER TOOK
A ZIGZAG,
1335
00:57:03,333 --> 00:57:05,458
AND THAT'S REALLY HOW
I GOT INTO TEACHING. SO...
1336
00:57:05,542 --> 00:57:06,792
OH, SO YOU WEREN'T TEACHING
RIGHT OUT OF COLLEGE?
1337
00:57:06,875 --> 00:57:08,166
NO! NO, NO, NO.
NO, NOT AT ALL.
1338
00:57:08,250 --> 00:57:11,458
WHAT?
ACTUALLY, UM, ONCE UPON A TIME,
1339
00:57:11,542 --> 00:57:15,709
THIS DANNY COLLIER HAD A DREAM
TO BECOME AN AMERICAN ROCK STAR.
1340
00:57:15,792 --> 00:57:17,959
WAIT, WHAT?
1341
00:57:18,041 --> 00:57:19,500
WHAT? YOU'RE LOOKING AT ME
LIKE YOU'RE SURPRISED.
1342
00:57:19,583 --> 00:57:20,917
DON'T BE SUR--
NO, I --
1343
00:57:21,000 --> 00:57:22,792
HEY, I WAS IN A LEGIT BAND HERE,
AND WE WERE PRETTY GOOD.
1344
00:57:22,875 --> 00:57:24,917
[ LAUGHS ]
YEAH, WE WERE. WE, UH,
WE ACTUALLY OPENED UP
1345
00:57:25,000 --> 00:57:26,458
FOR A FEW BANDS
ACROSS THE COUNTRY,
1346
00:57:26,542 --> 00:57:29,417
WE DID THE CLUB CIRCUIT,
COLLEGES, THE WHOLE THING.
1347
00:57:29,500 --> 00:57:31,750
WOW, I'M... [ LAUGHS ]
I'M IMPRESSED.
1348
00:57:31,834 --> 00:57:33,959
I MEAN, THIS IS
A WHOLE NOTHER SIDE OF YOU
1349
00:57:34,041 --> 00:57:36,083
I JUST DIDN'T KNOW EXISTED.
1350
00:57:36,166 --> 00:57:37,750
SO WHAT HAPPENED?
1351
00:57:37,834 --> 00:57:41,083
UH, YOU KNOW,
THE GRUELING HOURS,
1352
00:57:41,166 --> 00:57:43,291
ROAD TRIPS, JUST, YOU KNOW,
TOOK A TOLL ON ME,
1353
00:57:43,375 --> 00:57:45,417
AND I JUST DIDN'T WANNA
DO IT ANYMORE. SO...
1354
00:57:45,500 --> 00:57:48,166
YEAH,
BUT WHAT ABOUT THE DREAM?
1355
00:57:48,250 --> 00:57:51,709
THE DREAM,
I DISCOVERED ONE EVENING,
1356
00:57:51,792 --> 00:57:53,375
WHEN I REALIZED I GOT
A BIGGER THRILL
1357
00:57:53,458 --> 00:57:55,625
OUT OF TEACHING MUSIC
THAN I EVER DID PERFORMING.
1358
00:57:55,709 --> 00:57:59,583
IT'S THE TRUTH.
THAT BECAME THE DREAM.
1359
00:57:59,667 --> 00:58:02,709
YEAH. I GET THAT.
1360
00:58:02,792 --> 00:58:04,333
YOU DO?
1361
00:58:04,417 --> 00:58:06,125
YEAH, I DO UNDERSTAND,
BECAUSE FOR THE LONGEST TIME,
1362
00:58:06,208 --> 00:58:08,667
ALL I EVER REALLY HOPED FOR
WAS BEING A FASHION DESIGNER.
1363
00:58:08,750 --> 00:58:11,917
YOU KNOW, AND HAVING MY OWN
LINE, MY OWN STORE.
1364
00:58:12,000 --> 00:58:14,166
SO WHAT'S IT BEEN LIKE
MAKING UP FOR LOST TIME, THOUGH?
1365
00:58:14,250 --> 00:58:18,291
OH, THIS IS...
1366
00:58:18,375 --> 00:58:20,041
THIS HAS BEEN BETTER
THAN I'VE --
1367
00:58:20,125 --> 00:58:22,083
THAN I COULD'VE HOPED FOR,
HONESTLY.
1368
00:58:22,166 --> 00:58:23,667
GOOD.
I MEAN, I'M NOT GONNA LIE.
1369
00:58:23,750 --> 00:58:25,333
THERE ARE MOMENTS WHERE I DO
WISH THAT MAYBE I STILL
1370
00:58:25,417 --> 00:58:28,208
HAVE A CHANCE TO DESIGN...
THE NEXT BEST THING. WOW.
1371
00:58:28,291 --> 00:58:31,875
I GUESS, LIFE IS ALL
ABOUT BALANCE, RIGHT?
1372
00:58:31,959 --> 00:58:35,250
IT'S SNOWING.
1373
00:58:35,333 --> 00:58:37,166
YEAH.
1374
00:58:37,250 --> 00:58:39,083
HAS IT BEEN THAT LONG
YOU FORGOT WHAT IT LOOKS LIKE?
1375
00:58:39,166 --> 00:58:40,417
[ CHUCKLES ]
1376
00:58:40,500 --> 00:58:43,333
I JUST FORGOT
WHAT IT FEELS LIKE.
1377
00:58:47,291 --> 00:58:49,208
YOU KNOW WHAT? NOW EMILY --
1378
00:58:49,291 --> 00:58:52,625
EMILY GETS TO EXPERIENCE
THIS THRILL FOR HERSELF.
1379
00:58:52,709 --> 00:58:55,792
OH. [ GASPS ]
1380
00:58:58,208 --> 00:59:01,792
YOU KNOW, A LOT OF PEOPLE --
THEY'RE SICK OF THIS SNOW.
1381
00:59:01,875 --> 00:59:03,917
NOT ME.
1382
00:59:04,000 --> 00:59:07,250
I TOTALLY AGREE WITH YOU.
1383
00:59:11,125 --> 00:59:13,917
I LOVE YOU, SILVER FALLS!
1384
00:59:14,000 --> 00:59:15,500
[ LAUGHING ]
1385
00:59:15,583 --> 00:59:16,792
WHOA, WHOA, WHOA.
1386
00:59:16,875 --> 00:59:18,875
I LOVE YOU, SILVER FALLS!
OKAY, OKAY.
1387
00:59:18,959 --> 00:59:21,709
[ LAUGHS ] I...
IT'S OKAY! SHE'S JUST REALLY
HAPPY TO BE HOME.
1388
00:59:21,792 --> 00:59:24,375
OH! I LOVE IT.
OKAY, LET'S GET YOU OUT OF HERE
BEFORE YOU SLIP AND DIE.
1389
00:59:24,458 --> 00:59:25,792
ALL RIGHT.
1390
00:59:29,375 --> 00:59:33,208
[ THE JACKSON 5's
"UP ON THE HOUSETOP" PLAYING ]
1391
00:59:35,709 --> 00:59:38,333
# HERE COMES SANTA CLAUS,
HERE COMES SANTA CLAUS #
1392
00:59:38,417 --> 00:59:40,792
# HERE HE COMES,
HERE HE COMES #
1393
00:59:40,875 --> 00:59:43,750
# HERE COMES SANTA CLAUS,
HERE COMES SANTA CLAUS #
1394
00:59:43,834 --> 00:59:45,250
# HERE HE COMES, HERE HE COMES
1395
00:59:45,333 --> 00:59:47,834
# UP ON THE HOUSETOP,
REINDEER PAUSE #
1396
00:59:47,917 --> 00:59:49,875
# OUT JUMPS
GOOD OLD SANTA CLAUS #
1397
00:59:49,959 --> 00:59:52,000
# DOWN THROUGH THE CHIMNEY
WITH LOTS OF TOYS #
1398
00:59:52,083 --> 00:59:54,709
# ALL FOR EVERYONE'S
CHRISTMAS JOYS #
1399
00:59:54,792 --> 00:59:57,125
# TITO HAD JUST ONE DESIRE
1400
00:59:57,208 --> 00:59:59,458
# THAT HE GETS A NEW GUITAR
1401
00:59:59,542 --> 01:00:01,667
# BUT HE WANTS A GUARANTEE
1402
01:00:01,750 --> 01:00:03,792
# THAT IT WON'T PLAY
OUT OF KEY #
1403
01:00:03,875 --> 01:00:05,583
# HO, HO, HO!
WHO WOULDN'T GO? #
1404
01:00:05,667 --> 01:00:08,041
# HO, HO, HO!
WHO WOULDN'T GO? #
1405
01:00:08,125 --> 01:00:10,417
# UP ON THE HOUSETOP,
CLICK, CLICK, CLICK #
1406
01:00:10,500 --> 01:00:12,291
# DOWN THROUGH THE CHIMNEY
WITH OLD ST. NICK #
1407
01:00:12,375 --> 01:00:15,000
# I SAID, HO, HO, HO!
# WHO WOULDN'T GO?
1408
01:00:15,083 --> 01:00:17,625
# HO, HO, HO!
# WHO WOULDN'T GO?
1409
01:00:17,709 --> 01:00:19,458
# UP ON THE HOUSETOP,
CLICK, CLICK, CLICK #
1410
01:00:19,542 --> 01:00:21,875
# DOWN THROUGH THE CHIMNEY
WITH OLD ST. NICK #
1411
01:00:21,959 --> 01:00:24,917
# HERE COMES SANTA CLAUS,
HERE COMES SANTA CLAUS #
1412
01:00:25,000 --> 01:00:26,417
# HERE HE COMES, HERE HE COMES
[ CHEERING ]
1413
01:00:26,500 --> 01:00:29,125
# HERE COMES SANTA CLAUS,
HERE COMES SANTA CLAUS #
1414
01:00:29,208 --> 01:00:32,166
# HERE HE COMES, HERE HE COMES
1415
01:00:32,250 --> 01:00:34,792
THERE YOU GO. HIGH FIVE.
YOU DESERVE IT.
1416
01:00:34,875 --> 01:00:36,458
OKAY, LISTEN, I HAVE TO
TALK TO YOU ABOUT SOMETHING.
1417
01:00:36,542 --> 01:00:39,125
I, UH, PROMISED YOU THAT
I WOULD TAKE A VOW OF SILENCE.
1418
01:00:39,208 --> 01:00:40,667
AND I'VE KEPT MY END
OF THE BARGAIN.
1419
01:00:40,750 --> 01:00:42,542
BUT YOU HAVEN'T KEPT
YOUR END OF THE BARGAIN.
1420
01:00:42,625 --> 01:00:44,750
YOU HAVEN'T SHARED WITH ME
YOUR WHOLE SONG.
1421
01:00:44,834 --> 01:00:47,959
SOME OF THE VERSES
ARE A WORK IN PROGRESS.
1422
01:00:48,041 --> 01:00:49,875
OH. OKAY.
1423
01:00:49,959 --> 01:00:52,125
SO I GUESS I'LL TAKE
YOUR WORD FOR IT.
1424
01:00:52,208 --> 01:00:53,875
BUT YOU KNOW, EMILY,
1425
01:00:53,959 --> 01:00:55,875
I'M CONFIDENT
WHEN YOU'RE CONFIDENT.
1426
01:00:55,959 --> 01:00:58,375
DO YOU KNOW WHAT THAT MEANS?
[ SIGHS ] YOU'RE RIGHT.
1427
01:00:58,458 --> 01:00:59,875
I CAN'T KEEP CHANGING
THE LYRICS.
1428
01:00:59,959 --> 01:01:01,291
WHAT IF I CHOKE?
1429
01:01:01,375 --> 01:01:03,041
YOU'RE NOT GONNA CHOKE.
I PROMISE.
1430
01:01:03,125 --> 01:01:05,125
YOU DON'T KNOW THAT.
I'M JUST A LITTLE KID.
1431
01:01:05,208 --> 01:01:07,667
IT'S ENTIRELY POSSIBLE.
[ LAUGHS ]
1432
01:01:07,750 --> 01:01:10,041
OH, YOU'RE ADORABLE.
OKAY, I HAVE AN IDEA.
1433
01:01:10,125 --> 01:01:13,250
WHAT IF WE TAUGHT ALL THE REST
OF THE KIDS THE CHORUS?
1434
01:01:13,333 --> 01:01:15,125
JUST THE CHORUS,
NOT YOUR SONG.
1435
01:01:15,208 --> 01:01:16,834
I MEAN, YOUR SONG IS YOURS.
OKAY?
1436
01:01:16,917 --> 01:01:18,709
IT'S YOUR MOMENT.
IT'S YOUR WISH.
1437
01:01:18,792 --> 01:01:20,000
JUST THE CHORUS.
1438
01:01:20,083 --> 01:01:21,959
THAT WAY, THEY WILL BECOME
YOUR BACKUP SINGERS.
1439
01:01:22,041 --> 01:01:23,500
SO WHEN YOU GET UP ON STAGE,
1440
01:01:23,583 --> 01:01:25,291
THEY WILL BE
YOUR BACKUP SINGERS,
1441
01:01:25,375 --> 01:01:28,250
AND YOU WILL FEEL MORE CONFIDENT
BEING OUT THERE BY YOURSELF.
1442
01:01:28,333 --> 01:01:30,250
OKAY, LET'S TRY. YOU AND I.
1443
01:01:30,333 --> 01:01:32,417
RIGHT THERE. OKAY.
1444
01:01:32,500 --> 01:01:35,250
ALL RIGHT, YOU'LL, UH,
I WANT YOU TO START, OKAY?
1445
01:01:35,333 --> 01:01:37,709
AND THEN I'M GONNA COME IN
AS THE CHORUS, OKAY?
1446
01:01:37,792 --> 01:01:39,709
LET'S SEE HOW IT GOES.
ONE, TWO, THREE.
1447
01:01:39,792 --> 01:01:43,041
[ INSTRUMENTAL "DECK THE HALLS"
PLAYING ]
1448
01:01:44,875 --> 01:01:47,041
[ Singsongy ]
HEY, MOMMY, HELLO?
1449
01:01:47,125 --> 01:01:48,208
HEY!
HEY.
1450
01:01:48,291 --> 01:01:49,542
THANK YOU SO MUCH
FOR BRINGING HER HOME.
1451
01:01:49,625 --> 01:01:50,959
COME ON.
YOU KNOW IT'S NO PROBLEM.
1452
01:01:51,041 --> 01:01:52,959
MOM, ARE THOSE...
1453
01:01:53,041 --> 01:01:55,250
UH, NO, THESE ARE ACTUAL
ORNAMENTS I HAD
1454
01:01:55,333 --> 01:01:56,542
WHEN I WAS GROWING UP.
1455
01:01:56,625 --> 01:01:58,000
AUNT SARAH SAVED THEM FOR US
UP IN THE ATTIC.
1456
01:01:58,083 --> 01:02:02,083
CAN YOU BELIEVE THAT?
WHAT HAPPENED TO OURS?
1457
01:02:02,166 --> 01:02:04,291
UH...
1458
01:02:04,375 --> 01:02:07,500
WELL, A LOT OF THEM
WERE BROKEN DURING THE MOVE.
1459
01:02:07,583 --> 01:02:09,417
BUT I MANAGED TO SAVE
A TON OF 'EM.
1460
01:02:09,500 --> 01:02:11,083
AND THEN
I BOUGHT ALL THESE EXTRAS
1461
01:02:11,166 --> 01:02:13,458
SO THAT WE COULD FILL OUT
THE TREE.
NICE, RIGHT, EMILY?
1462
01:02:13,542 --> 01:02:16,917
MR. COLLIER, WILL YOU STAY
AND HELP US HANG THEM? PLEASE?
1463
01:02:17,000 --> 01:02:18,959
OOH. [ SIGHS ] THAT'S A LOT
TO ASK FOR RIGHT NOW, EMILY.
1464
01:02:19,041 --> 01:02:20,417
I MEAN,
I GOTTA BE HONEST WITH YOU.
1465
01:02:20,500 --> 01:02:21,959
I MEAN, LOOK AT THIS BEAST
IN YOUR LIVING ROOM.
1466
01:02:22,041 --> 01:02:23,417
IT'LL TAKE ME DAYS
TO GET THIS JOB DONE.
1467
01:02:23,500 --> 01:02:25,834
[ CHUCKLES ]
I DON'T KNOW.
1468
01:02:25,917 --> 01:02:28,208
BUT IF YOU DON'T STAY,
NO ONE WILL BE ABLE TO HELP US
1469
01:02:28,291 --> 01:02:30,458
PUT THE STAR ON THE TOP.
1470
01:02:30,542 --> 01:02:32,458
OH, OKAY. YOU KNOW WHAT?
1471
01:02:32,542 --> 01:02:34,333
I'M GONNA STAY,
BUT UNDER ONE CONDITION.
1472
01:02:34,417 --> 01:02:36,166
YOU GOTTA STOP WITH
THE PUPPY DOG EYES.
1473
01:02:36,250 --> 01:02:37,709
DON'T GIVE ME THAT. STOP.
1474
01:02:37,792 --> 01:02:39,875
AY. NO, NO, DON'T DO THAT.
DON'T -- YOU'RE HURT -- SEE?
1475
01:02:39,959 --> 01:02:41,792
[ GIGGLES ]
AY. [ SIGHS ]
1476
01:02:41,875 --> 01:02:44,000
OH, NOW YOU'RE DOING IT?
OH, THAT'S GREAT. OH, YEAH.
[ LAUGHS ]
1477
01:02:44,083 --> 01:02:47,667
[ LAUGHS ]
LIKE MOTHER LIKE DAUGHTER.
THAT'S GREAT. OKAY. ALL RIGHT.
1478
01:02:47,750 --> 01:02:48,959
ALL RIGHT,
LET'S GET STARTED.
1479
01:02:49,041 --> 01:02:50,542
I'M IN. WHAT DO YOU WANT ME
TO DO FIRST?
1480
01:02:50,625 --> 01:02:54,417
[ JAZZ INSTRUMENTAL
"O TANNENBAUM" PLAYING ]
1481
01:02:54,500 --> 01:02:56,709
I THINK LINT MAKES EVERYTHING
LOOK BETTER.
1482
01:02:56,792 --> 01:02:58,000
TINSEL?
1483
01:02:58,083 --> 01:03:00,000
OR IS THIS LINT? TINSEL.
LINT'S ON MY JACKET.
1484
01:03:00,083 --> 01:03:02,291
TINSEL'S ON THE TREE.
[ LAUGHS ]
1485
01:03:02,375 --> 01:03:03,959
SORRY, THAT'S TERRIBLE.
OH, A LITTLE.
1486
01:03:04,041 --> 01:03:06,250
REALLY? OH, YOU KNOW WHAT?
YOU LOOK BETTER WITH IT, TOO.
1487
01:03:06,333 --> 01:03:07,583
[ LAUGHS ] WHAT?
1488
01:03:07,667 --> 01:03:10,125
NOW YOU'RE LIKE
AN '80s ROCK STAR. COME ON.
1489
01:03:10,208 --> 01:03:13,417
YOU GUYS, COME ON. WE STILL
HAVE TO PUT THE STAR ON TOP.
1490
01:03:13,500 --> 01:03:15,291
YOU KNOW WHAT?
I HAVE A GREAT IDEA.
1491
01:03:15,375 --> 01:03:17,458
I THINK YOU SHOULD DO
THE HONORS.
1492
01:03:17,542 --> 01:03:21,166
BUT I'M TOO LITTLE.
REALLY? I HAVE A SOLUTION.
1493
01:03:21,250 --> 01:03:22,458
OHH!
1494
01:03:22,542 --> 01:03:24,417
WHOA, CAREFUL.
OKAY, CAREFUL.
1495
01:03:24,500 --> 01:03:26,792
[ CHUCKLES ] CAN YOU REACH?
1496
01:03:26,875 --> 01:03:29,000
THATTA GIRL.
1497
01:03:29,083 --> 01:03:31,625
ALL RIGHT. OH!
1498
01:03:31,709 --> 01:03:33,709
LOOKS AMAZING, HUH?
1499
01:03:33,792 --> 01:03:35,417
QUICK, TURN ON THE LIGHTS!
TURN ON THE LIGHTS!
1500
01:03:35,500 --> 01:03:37,166
OH, RIGHT, RIGHT.
OKAY. I GOT IT, I GOT IT.
1501
01:03:37,250 --> 01:03:38,583
WHOA!
[ SWITCH CLICKS ]
1502
01:03:38,667 --> 01:03:41,500
YAY!
WHAT DO YOU THINK ABOUT THAT,
HUH?
1503
01:03:41,583 --> 01:03:43,375
OH, IT'S SO PRETTY,
ISN'T IT?
1504
01:03:43,458 --> 01:03:45,166
OH, I THINK IT'S AMAZING.
1505
01:03:45,250 --> 01:03:47,542
ME, TOO.
1506
01:03:47,625 --> 01:03:50,625
Man: # SILENT NIGHT
1507
01:03:50,709 --> 01:03:52,333
WE DID A GOOD JOB, YEAH.
YOU KNOW WHAT?
1508
01:03:52,417 --> 01:03:54,750
IT IS GETTING LATE, THOUGH,
AND YOU SHOULD PROBABLY, UH,
1509
01:03:54,834 --> 01:03:56,125
START GETTING READY
FOR BED?
1510
01:03:56,208 --> 01:03:57,625
NOT REALLY.
1511
01:03:57,709 --> 01:03:59,792
OKAY, WELL, THAT WASN'T
REALLY A QUESTION, BUT...
1512
01:03:59,875 --> 01:04:02,208
[ CHUCKLES ]
FINE, 10 MORE MINUTES.
1513
01:04:02,291 --> 01:04:03,500
I'M TIRED.
SHOULD I GO TO BED?
1514
01:04:03,583 --> 01:04:04,875
[ DOORBELL RINGS ]
OH.
1515
01:04:04,959 --> 01:04:06,208
WHO'S THAT?
1516
01:04:06,291 --> 01:04:07,709
DOORBELL.
OH, YOU KNOW WHAT?
1517
01:04:07,792 --> 01:04:09,583
AUNT SARAH SAID THAT SHE WAS
MAKING CHRISTMAS COOKIES.
1518
01:04:09,667 --> 01:04:11,291
THAT'S PROBABLY HER.
OKAY, YOU CAN PUT TWO
OR THREE MORE THINGS ON.
1519
01:04:11,375 --> 01:04:13,917
WELL, MERRY CHRISTMAS!
HALEY!
1520
01:04:14,000 --> 01:04:15,709
HALEY!
HI!
1521
01:04:15,792 --> 01:04:18,750
OH, MY GOODNESS!
WHAT A SURPRISE! HI!
1522
01:04:18,834 --> 01:04:21,000
WHAT ARE YOU DOING HERE?
[ LAUGHS ]
1523
01:04:21,083 --> 01:04:22,458
COME IN. COME IN.
1524
01:04:22,542 --> 01:04:25,208
...THAN THAT?
IT'S SMALL.
1525
01:04:25,291 --> 01:04:26,709
LOOK WHO'S --
HALEY!
1526
01:04:26,792 --> 01:04:31,083
HEY, PEANUT!
OH, I MISSED YOU. MWAH!
1527
01:04:31,166 --> 01:04:32,375
OH, I'M SORRY.
HI.
1528
01:04:32,458 --> 01:04:34,917
I'M INTERRUPTING.
HI. NO, NO, NO, NO.
1529
01:04:35,000 --> 01:04:36,458
HI. I'M HALEY TILLMAN.
HI. HOW YOU DOING?
1530
01:04:36,542 --> 01:04:38,375
I WORKED WITH KRISTIN
BACK IN L.A.
1531
01:04:38,458 --> 01:04:40,583
I'M DANNY COLLIER.
NICE TO MEET YOU.
SO WHAT ARE YOU DOING HERE?
1532
01:04:40,667 --> 01:04:42,667
I MEAN, IT'S NOT LIKE YOU WERE
JUST IN THE NEIGHBORHOOD.
1533
01:04:42,750 --> 01:04:45,500
NO, I DECIDED THAT
I HAD TO COME DOWN HERE
1534
01:04:45,583 --> 01:04:47,583
BECAUSE I HAVE
SOME GREAT NEWS --
1535
01:04:47,667 --> 01:04:50,417
SO GREAT THAT I BIT THE BULLET
AND BOUGHT A PLANE TICKET
1536
01:04:50,500 --> 01:04:53,291
AND CAME DOWN HERE TO TELL YOU
BOTH IN PERSON.
1537
01:04:53,375 --> 01:04:54,875
SO WHEN THE BOUTIQUE CLOSED,
1538
01:04:54,959 --> 01:04:57,250
I MIGHT HAVE TAKEN
A COUPLE LOOKBOOKS,
1539
01:04:57,333 --> 01:04:59,291
AND LAST WEEK,
I SHOWED THEM,
1540
01:04:59,375 --> 01:05:01,417
PLUS EVERY PIECE OF
THE KRISTIN PARSON COLLECTION
1541
01:05:01,500 --> 01:05:05,291
THAT I OWN TO THE BOSSES
AT THE DEPARTMENT STORES.
1542
01:05:05,375 --> 01:05:06,834
BUT -- BUT -- BUT WHY?
1543
01:05:06,917 --> 01:05:10,834
BECAUSE YOU ARE A DESIGNER,
AND YOU NEED A PLACE TO DESIGN.
1544
01:05:10,917 --> 01:05:14,125
AND, KRISTIN?
THEY'RE GONNA GIVE YOU ONE.
1545
01:05:14,208 --> 01:05:16,583
I DON'T UNDERSTAND.
1546
01:05:16,667 --> 01:05:19,750
BUTLER WANTS TO BRING
YOUR LINE TO THEIR STORES.
1547
01:05:19,834 --> 01:05:22,792
THEY'RE OFFERING YOU
YOUR OWN COLLECTION.
1548
01:05:22,875 --> 01:05:26,542
THAT'S... [ CHUCKLES ]
I MEAN, THAT'S UNBELIEVABLE.
1549
01:05:26,625 --> 01:05:29,583
YEAH, WELL, YOU BETTER
BELIEVE IT, BECAUSE IT'S TRUE.
1550
01:05:29,667 --> 01:05:32,291
IT'S WHAT YOU'VE ALWAYS
WANTED, RIGHT?
1551
01:05:32,375 --> 01:05:34,834
THAT'S FANTASTIC.
CONGRATULATIONS.
1552
01:05:34,917 --> 01:05:36,125
AND THEY'RE GONNA PAY FOR
1553
01:05:36,208 --> 01:05:38,250
ALL OF YOUR MOVING COSTS
BACK TO L.A.
1554
01:05:38,333 --> 01:05:40,458
L.A.?
1555
01:05:40,542 --> 01:05:43,375
YEAH, YOU GUYS GET TO
MOVE BACK. ISN'T THAT GREAT?
1556
01:05:43,458 --> 01:05:46,208
UM...
1557
01:05:46,291 --> 01:05:47,667
YOU KNOW WHAT?
I ACTUALLY --
1558
01:05:47,750 --> 01:05:50,250
I TOTALLY FORGOT. I HAVE TO --
I HAVE TO GET HOME.
1559
01:05:50,333 --> 01:05:52,166
UH, LADIES, I'M SORRY.
NO, NO, NO, PLEASE STAY.
1560
01:05:52,250 --> 01:05:53,625
NO, NO, NO, YOU GUYS SPEND
SOME TIME TOGETHER.
NO, PLEASE.
1561
01:05:53,709 --> 01:05:55,667
NO, LISTEN, CONGRATULATIONS,
ALL RIGHT?
1562
01:05:55,750 --> 01:05:57,458
YOU SHOULD BE
VERY PROUD OF YOURSELF.
1563
01:05:57,542 --> 01:06:00,667
IT'S ALL ABOUT FINDING
THE RIGHT BALANCE, RIGHT?
1564
01:06:00,750 --> 01:06:01,875
IT'S NICE TO MEET YOU.
1565
01:06:01,959 --> 01:06:03,417
PLEASURE, ALL THE BEST.
YEAH. YOU, TOO.
1566
01:06:03,500 --> 01:06:06,583
I WILL SEE YOU TOMORROW,
ALL RIGHT? BRIGHT AND EARLY.
1567
01:06:06,667 --> 01:06:08,917
GOOD NIGHT, GUYS.
1568
01:06:09,000 --> 01:06:11,917
SO?
HOW EXCITED ARE YOU GUYS?
1569
01:06:12,000 --> 01:06:15,208
BUT WE LIVE HERE NOW.
RIGHT, MOM?
1570
01:06:15,291 --> 01:06:17,583
YEAH, HALEY,
THIS IS ACTUALLY, UM...
1571
01:06:17,667 --> 01:06:20,291
THIS IS JUST -- THIS IS
A LOT TO TAKE IN AT ONCE.
1572
01:06:20,375 --> 01:06:22,208
WELL, WHAT'S THERE
TO THINK ABOUT?
1573
01:06:22,291 --> 01:06:24,500
I MEAN, ALL YOU GUYS
HAVE TO SAY IS, "YES."
1574
01:06:24,583 --> 01:06:26,917
BUT WE -- WE JUST GOT
SETTLED, AND -- AND --
1575
01:06:27,000 --> 01:06:29,625
SO WHAT? YOU'LL JUST GET
SETTLED ALL OVER AGAIN.
1576
01:06:29,709 --> 01:06:31,583
I MEAN,
WHAT'S THE BIG DEAL?
1577
01:06:36,375 --> 01:06:39,041
MAYBE SHE'S JUST
OVERWHELMED.
1578
01:06:39,125 --> 01:06:40,542
EM, WAIT!
1579
01:06:45,250 --> 01:06:48,375
#
1580
01:06:56,500 --> 01:06:59,959
WELL, IF IT ISN'T EMILY PARSON
FROM LOS ANGELES.
1581
01:07:00,041 --> 01:07:02,250
YEAH, EXACTLY,
THAT'S THE PROBLEM.
1582
01:07:02,333 --> 01:07:03,709
DID I MISS SOMETHING?
1583
01:07:03,792 --> 01:07:06,166
YOU SAID IT WAS OKAY
TO CHANGE MY CHRISTMAS WISH,
1584
01:07:06,250 --> 01:07:09,917
BUT...IT FEELS LIKE YOU'RE
GRANTING THE FIRST WISH --
1585
01:07:10,000 --> 01:07:11,333
THE ONE
I DON'T WANT ANYMORE.
1586
01:07:11,417 --> 01:07:13,542
I'M GRANTING YOUR WISH?
1587
01:07:13,625 --> 01:07:15,041
IT'S OKAY, THOMAS.
1588
01:07:15,125 --> 01:07:17,542
I THINK I FINALLY FIGURED OUT
WHO YOU REALLY ARE.
1589
01:07:17,625 --> 01:07:19,083
OH, HAVE YOU?
1590
01:07:19,166 --> 01:07:20,542
WELL,
YOU LOOK JUST LIKE HIM,
1591
01:07:20,625 --> 01:07:23,166
AND YOU WERE MY ONLY FRIEND
WHEN I WAS ALL ALONE.
1592
01:07:23,250 --> 01:07:27,083
OKAY, THEN. IF YOU REALLY
THINK I'M SAINT NICK,
1593
01:07:27,166 --> 01:07:30,834
WHY WOULD I BE WORKING
AS A CUSTODIAN?
1594
01:07:30,917 --> 01:07:32,750
HAVEN'T
FIGURED THAT OUT YET.
1595
01:07:32,834 --> 01:07:36,458
BUT...I'M MORE WORRIED ABOUT
THE CHRISTMAS WISH I MADE.
1596
01:07:36,542 --> 01:07:38,250
OH, HOW SO?
1597
01:07:38,333 --> 01:07:40,542
WHEN I MOVED HERE,
I WROTE A LETTER TO SANTA
1598
01:07:40,625 --> 01:07:42,458
ASKING HIM TO HELP ME
GO BACK TO L.A.
1599
01:07:42,542 --> 01:07:44,458
BUT THEN I STARTED WRITING
A NEW WISH.
1600
01:07:44,542 --> 01:07:46,208
WITH YOUR SONG?
1601
01:07:46,291 --> 01:07:47,667
IS...
1602
01:07:47,750 --> 01:07:50,375
IS THE PROBLEM THAT
I WASN'T TOTALLY HONEST?
1603
01:07:50,458 --> 01:07:51,834
WHAT DO YOU MEAN?
1604
01:07:51,917 --> 01:07:54,542
I SAID THAT I WANTED MOM
TO FALL IN LOVE WITH MR. COLLIER
1605
01:07:54,625 --> 01:07:56,542
BECAUSE SHE WOULD BE HAPPY,
AND I DO.
1606
01:07:56,625 --> 01:07:58,417
I MEAN IT. BUT ALSO,
1607
01:07:58,500 --> 01:08:00,166
I DON'T WANT TO
MOVE BACK TO L.A.
1608
01:08:00,250 --> 01:08:02,125
THE LONGER I'M HERE,
THE MORE I LIKE IT.
1609
01:08:02,208 --> 01:08:04,125
I HAVE A SOLO
IN THE SNOWFLAKE PAGEANT.
1610
01:08:04,208 --> 01:08:07,500
MR. COLLIER'S THE BEST
SINGING TEACHER I'VE EVER HAD,
1611
01:08:07,583 --> 01:08:10,667
AND MOM AND ME HAVE DINNER
TOGETHER EVERY NIGHT.
1612
01:08:10,750 --> 01:08:13,125
YOU KNOW WHAT? I THINK
I KNOW WHAT YOUR PROBLEM IS.
1613
01:08:13,208 --> 01:08:15,834
YOU MAILED THAT FIRST LETTER,
RIGHT?
1614
01:08:15,917 --> 01:08:17,208
YES.
1615
01:08:17,291 --> 01:08:19,000
BUT YOU HAVEN'T SUNG
YOUR SONG YET.
1616
01:08:19,083 --> 01:08:24,500
UNTIL YOU DO, YOU HAVEN'T
REALLY MADE YOUR NEW WISH.
1617
01:08:26,125 --> 01:08:28,750
SO YOU MEAN WHEN I DO...
1618
01:08:28,834 --> 01:08:32,875
WELL, I'M NOT MAKING
ANY PROMISES, EMILY.
1619
01:08:32,959 --> 01:08:35,125
WISHES ARE SPECIAL
1620
01:08:35,208 --> 01:08:37,542
AND HAVE TO BE
CAREFULLY CONSIDERED.
1621
01:08:37,625 --> 01:08:42,166
BUT DEEP DOWN, YOU HAVE A VERY
IMPORTANT DECISION TO MAKE.
1622
01:08:42,250 --> 01:08:46,083
WHAT IS IT YOU REALLY WANT?
1623
01:08:46,166 --> 01:08:49,917
I HAVE A FEELING THAT
ONCE YOU SING YOUR SONG,
1624
01:08:50,000 --> 01:08:53,917
EVERYTHING'S GONNA WORK OUT
JUST THE WAY YOU WANT.
1625
01:08:54,000 --> 01:08:56,083
THANKS, THOM --
1626
01:09:06,542 --> 01:09:13,375
Andy Williams: # IT'S THE MOST
WONDERFUL TIME OF THE YEAR #
1627
01:09:13,458 --> 01:09:15,333
# THERE'LL BE
MUCH MISTLETOE-ING #
1628
01:09:15,417 --> 01:09:21,041
# AND HEARTS WILL BE GLOWING
WHEN LOVED ONES ARE NEAR #
1629
01:09:21,125 --> 01:09:26,417
# IT'S THE MOST WONDERFUL TIME
OF THE YEAR #
1630
01:09:26,500 --> 01:09:28,166
KRISTIN, HI.
1631
01:09:28,250 --> 01:09:30,500
EVERYONE LOOKS SO GOOD.
1632
01:09:30,583 --> 01:09:31,875
YAY!
1633
01:09:31,959 --> 01:09:34,125
NOT EVERYONE.
1634
01:09:34,208 --> 01:09:37,125
HI, MELISSA.
1635
01:09:39,500 --> 01:09:40,709
HI, PRINCIPAL WEBBER.
1636
01:09:40,792 --> 01:09:42,125
THANK YOU SO MUCH
FOR THE WORK YOU'VE PUT IN
1637
01:09:42,208 --> 01:09:44,750
THESE PAST COUPLE WEEKS,
MRS. PARSON.
1638
01:09:44,834 --> 01:09:47,542
[ CLEARS THROAT LOUDLY ]
1639
01:09:47,625 --> 01:09:52,083
[ SIGHS ] YES. MRS. ATKINSON
IS CONCERNED THAT PERHAPS
1640
01:09:52,166 --> 01:09:55,959
THERE WAS AN OVERSIGHT WITH
HER DAUGHTER ABIGAIL'S COSTUME.
1641
01:09:56,041 --> 01:09:58,166
IT WASN'T AN OVERSIGHT.
SHE DIDN'T MAKE HER A COSTUME.
1642
01:09:58,250 --> 01:10:01,208
SHE'S RIGHT. I DIDN'T,
BECAUSE ABIGAIL INSISTED
1643
01:10:01,291 --> 01:10:03,125
SHE DIDN'T WANT ONE BECAUSE
HER MOTHER WAS GETTING HER
1644
01:10:03,208 --> 01:10:04,875
A STORE-BOUGHT COSTUME.
1645
01:10:04,959 --> 01:10:06,917
SHE'S A CHILD. YOU'RE THE ADULT.
1646
01:10:07,000 --> 01:10:09,875
AND NOW ALL THE OTHER GIRLS
ARE GONNA UPSTAGE MY DAUGHTER
1647
01:10:09,959 --> 01:10:11,333
BECAUSE OF THE COSTUMES
YOU MADE.
1648
01:10:11,417 --> 01:10:12,834
I WAS NEVER GONNA
LET THAT HAPPEN, MELISSA.
1649
01:10:12,917 --> 01:10:15,250
SOMEONE WOULD HAVE TO BE
COMPLETELY HEARTLESS
1650
01:10:15,333 --> 01:10:17,583
TO WANT TO OUTSHINE
A 9-YEAR-OLD...
1651
01:10:17,667 --> 01:10:20,333
WHICH IS WHY I MADE
AN EXTRA ONE...
1652
01:10:20,417 --> 01:10:23,458
JUST IN CASE ABIGAIL
HAD A CHANGE OF HEART.
1653
01:10:23,542 --> 01:10:25,792
WHAT?
1654
01:10:25,875 --> 01:10:27,792
YOU DID WHAT?
1655
01:10:29,834 --> 01:10:32,625
ISN'T IT NICE? THE CHRISTMAS
SPIRIT IS ALIVE AND WELL
1656
01:10:32,709 --> 01:10:34,208
HERE IN SILVER FALLS.
1657
01:10:34,291 --> 01:10:35,750
LOOK, MOMMY, IT'S EVEN PRETTIER
1658
01:10:35,834 --> 01:10:38,667
THAN THE ONE THAT WE BOUGHT
FROM THE STORE.
1659
01:10:38,750 --> 01:10:40,000
OH, THANK YOU, SWEETHEART.
1660
01:10:40,083 --> 01:10:42,375
AND WHAT DO WE SAY
TO MRS. PARSON, SWEETIE,
1661
01:10:42,458 --> 01:10:43,959
FOR ALL HER HARD WORK?
1662
01:10:44,041 --> 01:10:48,083
THANK YOU, MRS. PARSON.
YOU'RE WELCOME, SWEETHEART.
1663
01:10:48,166 --> 01:10:51,041
KRISTIN, REALLY,
YOU DIDN'T HAVE TO.
1664
01:10:51,125 --> 01:10:52,959
Y-YOU DID A GREAT JOB.
1665
01:10:53,041 --> 01:10:54,500
THANK YOU, MELISSA.
1666
01:10:54,583 --> 01:10:57,834
I MEAN, CONSIDERING YOU ONLY
HAD RAYON TO WORK WITH.
1667
01:10:57,917 --> 01:10:59,083
[ CHUCKLES ]
1668
01:10:59,166 --> 01:11:00,667
[ Under breath ]
TAKE WHAT YOU CAN GET.
1669
01:11:00,750 --> 01:11:02,250
[ Normal voice ] PERHAPS
YOU CAN PERSUADE MRS. PARSON
1670
01:11:02,333 --> 01:11:07,083
TO BECOME A PERMANENT MEMBER
OF THE P.T.A. TEAM?
1671
01:11:07,166 --> 01:11:10,792
UH, YEAH. OF COURSE.
I MEAN, I'M SURE WE CAN
1672
01:11:10,875 --> 01:11:14,875
TALK ABOUT IT
AND COME UP WITH SOMETHING.
1673
01:11:14,959 --> 01:11:17,792
[ Under breath ]
YEAH, BABY STEPS.
1674
01:11:17,875 --> 01:11:21,625
HI, EMILY. BREAK A LEG.
1675
01:11:21,709 --> 01:11:24,166
HI, EMILY. GOOD LUCK.
THANKS.
1676
01:11:24,250 --> 01:11:27,041
HI, EMILY! BREAK A LEG.
THANKS.
1677
01:11:27,125 --> 01:11:29,583
HEY, EMILY.
HEY, ABIGAIL.
1678
01:11:33,000 --> 01:11:35,750
YOUR MOM --
SHE'S PRETTY AWESOME.
1679
01:11:35,834 --> 01:11:37,125
I KNOW,
BUT THANKS FOR SAYING IT.
1680
01:11:37,208 --> 01:11:40,166
HEY, YOU.
HI, MOM.
1681
01:11:40,250 --> 01:11:42,500
ABIGAIL,
WOULD YOU MIND IF I, UH,
1682
01:11:42,583 --> 01:11:45,083
TALK TO EMILY ALONE
FOR A SECOND?
OH.
1683
01:11:53,166 --> 01:11:54,625
ARE YOU STILL MAD AT ME?
1684
01:11:54,709 --> 01:11:56,458
IS HALEY HERE?
1685
01:11:58,291 --> 01:11:59,917
YEAH, SHE'S COMING TO
WATCH YOU SING.
1686
01:12:00,000 --> 01:12:03,250
'CAUSE THAT'S THE ONLY THING
THAT MATTERS TONIGHT,
1687
01:12:03,333 --> 01:12:07,333
IS THIS SHOW
AND YOUR BIG SONG.
1688
01:12:07,417 --> 01:12:08,709
AND AFTER?
1689
01:12:08,792 --> 01:12:10,500
AND AFTER,
WE'RE GONNA SIT DOWN
1690
01:12:10,583 --> 01:12:12,750
AND WE'RE GONNA TALK
ABOUT EVERYTHING.
1691
01:12:12,834 --> 01:12:16,750
OKAY, BUT I PROMISE YOU,
1692
01:12:16,834 --> 01:12:18,667
I'M NOT MAKING ANY MORE
BIG DECISIONS WITHOUT YOU
1693
01:12:18,750 --> 01:12:19,917
EVER AGAIN.
1694
01:12:20,000 --> 01:12:23,542
PROMISE?
1695
01:12:23,625 --> 01:12:26,083
PROMISE.
1696
01:12:26,166 --> 01:12:30,417
WE'RE IN THIS TOGETHER
NO MATTER WHAT.
1697
01:12:30,500 --> 01:12:32,291
DEAL?
1698
01:12:36,000 --> 01:12:37,917
AND I LOVE YOU.
1699
01:12:38,000 --> 01:12:40,458
I LOVE YOU MORE THAN
LIFE ITSELF.
1700
01:12:40,542 --> 01:12:43,000
YOU KNOW THAT, RIGHT?
1701
01:12:43,083 --> 01:12:44,500
YEAH?
1702
01:12:44,583 --> 01:12:46,417
GOOD.
1703
01:12:46,500 --> 01:12:49,834
'CAUSE IF NOT, I HAVE TO
TICKLE YOU, LIKE, A WHOLE LOT.
[ GIGGLES ]
1704
01:12:49,917 --> 01:12:51,458
SO MUCH.
OKAY, OKAY, OKAY!
1705
01:12:51,542 --> 01:12:52,792
[ MICROPHONE FEEDBACK ]
1706
01:12:52,875 --> 01:12:54,500
UH, EVERYONE, WELCOME.
1707
01:12:54,583 --> 01:12:57,125
UM, YOU CAN ALL TAKE YOUR SEATS.
1708
01:12:57,208 --> 01:12:58,750
THE SHOW WILL BE STARTING
IN JUST A FEW MINUTES.
1709
01:12:58,834 --> 01:13:01,250
THANK YOU.
1710
01:13:01,333 --> 01:13:02,917
YOU GO KNOCK 'EM DEAD,
OKAY?
1711
01:13:03,000 --> 01:13:04,500
OKAY.
1712
01:13:04,583 --> 01:13:07,667
[ INDISTINCT CONVERSATIONS ]
1713
01:13:09,500 --> 01:13:11,583
HEY.
OH, HI. HEY THERE. OH!
1714
01:13:11,667 --> 01:13:13,625
HI.
WELL, YOU MUST BE
THE NOTORIOUS HALEY
1715
01:13:13,709 --> 01:13:16,583
WHO'S HERE TO STEAL
MY NIECE AND MY GRANDNIECE.
1716
01:13:16,667 --> 01:13:19,792
UH, WELL, TECHNICALLY,
I'M JUST THE MESSENGER.
1717
01:13:19,875 --> 01:13:22,500
NO, SHE'S JUST KIDDING.
THIS IS MY AUNT SARAH.
1718
01:13:22,583 --> 01:13:24,417
HI.
OH, COME HERE.
1719
01:13:24,500 --> 01:13:25,834
OKAY.
AW.
1720
01:13:25,917 --> 01:13:29,083
SO, HALEY, WHAT DO YOU THINK
OF OUR VERY LITTLE TOWN?
1721
01:13:29,166 --> 01:13:30,375
OH, YOU KNOW, I LOVE IT.
1722
01:13:30,458 --> 01:13:32,542
IT'S EVERYTHING KRISTIN
SAID IT WAS, SO...
1723
01:13:32,625 --> 01:13:34,250
WELL...
I'LL BE RIGHT BACK.
1724
01:13:34,333 --> 01:13:36,583
I JUST -- I WANNA GO TALK
TO DANNY.
1725
01:13:36,667 --> 01:13:39,208
ALL RIGHT, BABY.
1726
01:13:39,291 --> 01:13:41,125
[ SPEAKS INAUDIBLY ]
1727
01:13:41,208 --> 01:13:43,667
IT'S THAT GUY
SHE HAD OVER LAST NIGHT.
1728
01:13:43,750 --> 01:13:45,083
LAST NIGHT?
1729
01:13:45,166 --> 01:13:47,125
MM-HMM.
NO.
1730
01:13:47,208 --> 01:13:48,917
DO TELL. YOU MUST DISH.
1731
01:13:49,000 --> 01:13:50,500
[ LAUGHS ] OKAY. I KNEW
I WAS GONNA LIKE YOU.
1732
01:13:50,583 --> 01:13:53,125
JOIN THE CROWD. [ LAUGHS ]
[ LAUGHS ]
1733
01:13:53,208 --> 01:13:55,125
KRISTIN, HEY, WHAT'S --
WHAT'S GOING ON?
1734
01:13:55,208 --> 01:13:56,583
I JUST WANTED TO
WISH YOU GOOD LUCK.
1735
01:13:56,667 --> 01:13:58,417
TELL YOU TO BREAK A LEG
OR, I DON'T KNOW,
1736
01:13:58,500 --> 01:14:00,166
A COMBINATION
OF THE TWO OF THEM.
THANK YOU. I APPRECIATE --
1737
01:14:00,250 --> 01:14:02,000
[ LAUGHS ]
I'LL BREAK 'EM BOTH FOR YOU.
WELL, THANK YOU.
1738
01:14:02,083 --> 01:14:03,583
I APPRECIATE THAT.
I MEAN, WE WOULDN'T BE HERE
1739
01:14:03,667 --> 01:14:05,291
WITHOUT YOUR HELP.
I JUST WANT YOU TO KNOW THAT.
1740
01:14:05,375 --> 01:14:07,750
LISTEN, I KNOW WE HAVEN'T GOTTEN
A CHANCE TO TALK ABOUT IT.
1741
01:14:07,834 --> 01:14:10,458
OH, OH, HOLD ON.
WE'RE GETTING STARTED HERE.
1742
01:14:10,542 --> 01:14:13,208
UM, I'M SORRY, KRISTIN.
I'M GONNA HAVE TO GO.
1743
01:14:13,291 --> 01:14:14,834
NO, OF COURSE.
1744
01:14:14,917 --> 01:14:16,750
YEAH,THE SHOW'S GONNA --
ENJOY THE SHOW.
THANKS.
1745
01:14:16,834 --> 01:14:18,792
YOU LOOK GREAT, BY THE WAY.
1746
01:14:18,875 --> 01:14:20,458
[ APPLAUSE ]
1747
01:14:20,542 --> 01:14:23,750
Principal Webber: HELLO,
SILVER FALLS ELEMENTARY.
1748
01:14:26,959 --> 01:14:28,125
WELCOME TO THE 25th ANNUAL
1749
01:14:28,208 --> 01:14:31,375
SILVER FALLS ELEMENTARY
SNOWFLAKE PAGEANT.
1750
01:14:31,458 --> 01:14:34,834
[ CHEERS AND APPLAUSE ]
1751
01:14:34,917 --> 01:14:37,375
LET'S ALL THANK
MELISSA ATKINSON,
1752
01:14:37,458 --> 01:14:40,542
THE HEAD OF OUR P.T.A.,
WHO ORGANIZED THE SHOW.
1753
01:14:40,625 --> 01:14:42,250
[ CHEERS AND APPLAUSE ]
1754
01:14:42,333 --> 01:14:43,792
[ MAN BOOING ]
1755
01:14:43,875 --> 01:14:46,375
AND A VERY SPECIAL THANKS
TO THE NEWEST MEMBER
1756
01:14:46,458 --> 01:14:49,709
OF OUR PARENT COMMUNITY,
KRISTIN PARSON,
1757
01:14:49,792 --> 01:14:53,667
WHO DESIGNED AND MADE THE BEST
COSTUMES YOU'VE EVER SEEN
1758
01:14:53,750 --> 01:14:56,125
IN A SILVER FALLS
ELEMENTARY PRODUCTION.
1759
01:14:56,208 --> 01:14:59,917
[ CHEERS AND APPLAUSE ]
1760
01:15:03,208 --> 01:15:04,792
AND WITHOUT FURTHER ADO,
1761
01:15:04,875 --> 01:15:06,834
LET'S START THE SHOW
WITH A DANCE NUMBER
1762
01:15:06,917 --> 01:15:09,709
FROM CHLOE JAMES,
HANNAH FINLEY,
1763
01:15:09,792 --> 01:15:11,417
AND ABIGAIL ATKINSON.
1764
01:15:11,500 --> 01:15:13,125
[ APPLAUSE ]
1765
01:15:13,208 --> 01:15:16,709
[ "JINGLE BELLS" PLAYING ]
1766
01:15:16,792 --> 01:15:18,709
# DASHING THROUGH THE SNOW
1767
01:15:18,792 --> 01:15:21,417
# IN A ONE-HORSE OPEN SLEIGH
1768
01:15:21,500 --> 01:15:23,917
# O'ER THE HILLS WE GO
1769
01:15:24,000 --> 01:15:26,500
# LAUGHING ALL THE WAY
1770
01:15:26,583 --> 01:15:28,959
# BELLS ON BOBTAILS RING
1771
01:15:29,041 --> 01:15:31,083
# MAKING SPIRITS BRIGHT
1772
01:15:31,166 --> 01:15:33,166
# WHAT FUN IT IS
TO RIDE AND SING #
1773
01:15:33,250 --> 01:15:35,208
# A SLEIGHING SONG TONIGHT
1774
01:15:35,291 --> 01:15:38,083
# OH, JINGLE BELLS,
JINGLE BELLS #
1775
01:15:38,166 --> 01:15:40,291
# JINGLE ALL THE WAY
1776
01:15:40,375 --> 01:15:45,166
# OH, WHAT FUN IT IS TO RIDE
IN A ONE-HORSE OPEN SLEIGH #
1777
01:15:45,250 --> 01:15:46,625
# DASHING THROUGH THE SNOW
1778
01:15:46,709 --> 01:15:49,750
[ Lowered voice ] SO DANNY
WAS OVER AGAIN LAST NIGHT?
1779
01:15:49,834 --> 01:15:50,959
[ Lowered voice ] AGAIN?
1780
01:15:51,041 --> 01:15:52,959
SO THIS WASN'T THE FIRST DATE?
1781
01:15:53,041 --> 01:15:54,417
NOT THAT SHE'S WILLING
TO ADMIT.
1782
01:15:54,500 --> 01:15:56,083
[ Lowered voice ]
WILL YOU GUYS STOP?
1783
01:15:56,166 --> 01:15:57,792
THERE'S NOTHING TO TALK ABOUT.
WE'LL BE THE JUDGE OF THAT.
1784
01:15:57,875 --> 01:15:59,125
MM-HMM. THAT'S RIGHT.
1785
01:15:59,208 --> 01:16:01,000
Man: SHH!
# ...OPEN SLEIGH
1786
01:16:01,083 --> 01:16:05,583
[ SONG ENDS,
CHEERS AND APPLAUSE ]
1787
01:16:13,041 --> 01:16:16,083
#
1788
01:16:18,750 --> 01:16:20,542
HE THINKS
I'M MOVING TO L.A.,
1789
01:16:20,625 --> 01:16:22,709
SO THERE'S NOTHING TO
TALK ABOUT.
1790
01:16:22,792 --> 01:16:24,625
OH, HE LIKES YOU.
1791
01:16:24,709 --> 01:16:28,250
MM-HMM. RIGHT? HE REALLY,
REALLY LIKES HER.
REALLY, REALLY...
1792
01:16:28,333 --> 01:16:30,500
STOP. STOP.
1793
01:16:30,583 --> 01:16:32,041
HE THINKS YOU'RE MOVING TO L.A.
1794
01:16:32,125 --> 01:16:33,458
SO HE'S DOING THAT
MEAN BOY THING.
1795
01:16:33,542 --> 01:16:35,667
[ GASPS ] SHE'S RIGHT.
1796
01:16:35,750 --> 01:16:36,959
WHERE HE PRETENDS LIKE
HE DOESN'T CARE
1797
01:16:37,041 --> 01:16:38,959
BECAUSE HE KNOWS
YOU'RE LEAVING.
1798
01:16:39,041 --> 01:16:40,333
MM. MM-HMM.
1799
01:16:40,417 --> 01:16:42,083
THERE'S NOT A MEAN BONE
IN HIS BODY.
1800
01:16:42,166 --> 01:16:46,458
OH, I SEE.
1801
01:16:46,542 --> 01:16:47,750
SHE LIKES HIM, TOO.
1802
01:16:47,834 --> 01:16:49,542
MM-HMM.
I CALLED IT DAY ONE.
1803
01:16:49,625 --> 01:16:53,583
[ CHEERS AND APPLAUSE ]
1804
01:16:53,667 --> 01:16:57,000
AND WITH THAT, WE WILL
TAKE A BRIEF INTERMISSION.
1805
01:16:57,083 --> 01:16:59,166
[ APPLAUSE CONTINUES ]
1806
01:16:59,250 --> 01:17:01,041
I JUST WISH I COULD
EXPLAIN EVERYTHING TO HIM.
1807
01:17:01,125 --> 01:17:03,667
WELL, GO NOW,
SINCE YOU HAVE THE CHANCE.
1808
01:17:03,750 --> 01:17:04,834
NOW?
1809
01:17:04,917 --> 01:17:06,667
MM-HMM.
NOW OR NEVER.
1810
01:17:06,750 --> 01:17:09,291
#
1811
01:17:09,375 --> 01:17:12,625
GO, GO, GO.
GO, GO, GO, GO, GO, GO.
1812
01:17:15,583 --> 01:17:16,917
HI.
1813
01:17:17,000 --> 01:17:19,542
HI, KRISTIN, HEY. UM,
WHAT ARE YOU DOING?
1814
01:17:19,625 --> 01:17:22,291
I WANTED TO EXPLAIN.
NO, NO,
DON'T EXPLAIN ANYTHING.
1815
01:17:22,375 --> 01:17:23,667
I GET IT.
I UNDERSTAND YOU'RE NOT
1816
01:17:23,750 --> 01:17:26,792
CUT OUT FOR SMALL-TOWN LIFE.
ALL RIGHT? IT'S FINE.
1817
01:17:26,875 --> 01:17:28,500
PLUS YOU'VE GOT THIS GREAT
OPPORTUNITY BACK HOME.
1818
01:17:28,583 --> 01:17:30,250
NO, YOU DON'T GET IT.
1819
01:17:30,333 --> 01:17:31,709
I DON'T?
1820
01:17:31,792 --> 01:17:35,291
THIS IS HOME.
1821
01:17:39,125 --> 01:17:41,166
I'M TURNING DOWN THE JOB.
1822
01:17:41,250 --> 01:17:43,875
REALLY?
1823
01:17:43,959 --> 01:17:47,083
YEAH, I...EMILY IS FINALLY
HAPPY HERE.
1824
01:17:47,166 --> 01:17:49,083
I CAN'T UPROOT HER AGAIN.
1825
01:17:49,166 --> 01:17:50,709
[ SIGHS ]
1826
01:17:50,792 --> 01:17:53,083
I CAN POSSIBLY START
MY OWN BUSINESS RIGHT HERE,
1827
01:17:53,166 --> 01:17:55,959
IN THE HOME
THAT I GREW UP IN.
1828
01:17:56,041 --> 01:17:59,959
I NEVER THOUGHT I COULD
FEEL THIS WAY AGAIN...
1829
01:18:00,041 --> 01:18:02,875
ABOUT SOMEONE...
1830
01:18:02,959 --> 01:18:04,667
UNTIL I MET...
1831
01:18:04,750 --> 01:18:05,917
MET YOU.
YOU.
1832
01:18:06,000 --> 01:18:08,375
[ LAUGHS ]
[ LAUGHS ] YEAH. YES, YOU.
1833
01:18:08,458 --> 01:18:11,500
OF COURSE.
1834
01:18:11,583 --> 01:18:16,375
I'M SORRY THAT I...I DIDN'T
KNOW YOU WHEN WE WERE KIDS.
1835
01:18:18,333 --> 01:18:20,667
BUT I SEE YOU NOW.
1836
01:18:24,375 --> 01:18:26,375
YOU KNOW...
1837
01:18:26,458 --> 01:18:27,959
I ALMOST THOUGHT I LOST YOU
1838
01:18:28,041 --> 01:18:31,000
BEFORE I GOT THE NERVE
TO EVEN ASK YOU OUT ON A DATE.
1839
01:18:31,083 --> 01:18:35,583
WELL, NOW'S YOUR CHANCE.
[ LAUGHS ]
1840
01:18:35,667 --> 01:18:37,458
REALLY?
1841
01:18:37,542 --> 01:18:39,250
YEAH.
1842
01:18:43,166 --> 01:18:45,291
[ Amplified voice ] AND NEXT UP,
1843
01:18:45,375 --> 01:18:47,458
I WANT TO CONGRATULATE
THE P.T.A...
FANTASTIC.
1844
01:18:47,542 --> 01:18:49,667
FOR THEIR VERY SUCCESSFUL
GLUTEN-FREE BAKE SALE.
1845
01:18:49,750 --> 01:18:52,709
[ CHEERS AND APPLAUSE ]
PEOPLE ARE LOOKING AT US.
1846
01:18:57,834 --> 01:18:59,667
NOW THE NEWEST MEMBER
1847
01:18:59,750 --> 01:19:01,792
OF OUR SILVER FALLS
ELEMENTARY STUDENT BODY
1848
01:19:01,875 --> 01:19:03,375
WILL BE SINGING A SONG --
1849
01:19:03,458 --> 01:19:07,583
AN ORIGINAL SONG, AT THAT --
EMILY PARSON.
1850
01:19:07,667 --> 01:19:11,458
[ CHEERS AND APPLAUSE ]
1851
01:19:18,625 --> 01:19:20,542
[ BELLS JINGLING ]
1852
01:19:20,625 --> 01:19:21,959
# OH, SANTA'S GONNA COME
1853
01:19:22,041 --> 01:19:23,917
# AND MAKE IT RIGHT
THIS CHRISTMAS #
1854
01:19:24,000 --> 01:19:26,250
# SANTA'S GONNA COME
AND MAKE IT RIGHT #
1855
01:19:26,333 --> 01:19:27,917
# RIGHT
# OH, SANTA
1856
01:19:28,000 --> 01:19:30,041
# SANTA'S GONNA COME AND MAKE IT
RIGHT THIS CHRISTMAS #
1857
01:19:30,125 --> 01:19:32,166
# OH, SANTA
# SANTA'S GONNA COME
AND MAKE IT RIGHT #
1858
01:19:32,250 --> 01:19:34,375
# RIGHT
# OH, SANTA
1859
01:19:34,458 --> 01:19:37,458
# IF YOU GET THIS LETTER,
WON'T YOU HELP ME OUT? #
1860
01:19:37,542 --> 01:19:40,458
# I KNOW YOU'RE KINDA BUSY
WITH YOUR ELVES RIGHT NOW #
1861
01:19:40,542 --> 01:19:42,208
# AND I DON'T KNOW HOW
1862
01:19:42,291 --> 01:19:46,166
# YOU DO THE THINGS YOU DO
WHILE I SLEEP ON CHRISTMAS EVE #
1863
01:19:46,250 --> 01:19:48,000
# BUT IT'S AMAZING
1864
01:19:48,083 --> 01:19:50,834
# AND I BET THAT YOU CAN
HEAR THE WORDS I'M SAYING #
1865
01:19:50,917 --> 01:19:54,083
# BECAUSE EVERY TIME
I SEE CHRISTMAS LIGHTS #
1866
01:19:54,166 --> 01:19:57,667
# I FEEL SO GOOD INSIDE,
AND I JUST CAN'T FAKE IT #
1867
01:19:57,750 --> 01:20:01,250
# OOH-WHEE-OOH-WHEE-OOH
# THEY SAY IT'S UNREALISTIC
1868
01:20:01,333 --> 01:20:03,542
# WELL, I BELIEVE IN YOU,
SAINT NICK #
1869
01:20:03,625 --> 01:20:06,083
# SO GRANT THIS WISH
FOR ME RIGHT #
1870
01:20:06,166 --> 01:20:07,625
# PLEASE, SANTA,
WON'T YOU COME #
1871
01:20:07,709 --> 01:20:11,667
# AND MAKE IT RIGHT
THIS CHRISTMAS NIGHT? #
1872
01:20:11,750 --> 01:20:13,208
# HO, HO, HO
1873
01:20:13,291 --> 01:20:16,291
# SANTA'S GONNA COME AND MAKE IT
RIGHT THIS CHRISTMAS #
1874
01:20:16,375 --> 01:20:19,250
# SANTA'S GONNA COME AND MAKE IT
RIGHT, OH, OH, OH #
1875
01:20:19,333 --> 01:20:21,875
# SANTA'S GONNA COME AND MAKE IT
RIGHT THIS CHRISTMAS NIGHT #
1876
01:20:21,959 --> 01:20:23,875
# OH, SANTA
1877
01:20:23,959 --> 01:20:26,041
# MOMMY MET A BOY
WHO MAKES HER FEEL SO NICE #
1878
01:20:26,125 --> 01:20:29,834
# I SAW THEM LOOKING
AT EACH OTHER ONCE OR TWICE #
1879
01:20:29,917 --> 01:20:31,917
# WITH LOVE IN THEIR EYES,
SO YOU CAN SCOOP HIM UP #
1880
01:20:32,000 --> 01:20:35,667
# AND SWOOP HIM
RIGHT DOWN MY CHIMNEY #
1881
01:20:35,750 --> 01:20:38,583
# I'VE BEEN REALLY, REALLY
REALLY GOOD THIS YEAR #
1882
01:20:38,667 --> 01:20:42,041
# SO PUT ON THAT RED SUIT
AND MAKE HIM APPEAR #
1883
01:20:42,125 --> 01:20:43,583
# BECAUSE CHRISTMAS CHEER
1884
01:20:43,667 --> 01:20:44,917
# JUST AIN'T THE SAME
FOR THIS LITTLE LADY #
1885
01:20:45,000 --> 01:20:46,834
# COME ON, OH,
KRIS KRINGLE, SAVE ME #
1886
01:20:46,917 --> 01:20:49,875
# THEY SAY IT'S UNREALISTIC
# WHEE-OOH-WHEE-OH
1887
01:20:49,959 --> 01:20:52,709
# BUT I BELIEVE IN YOU,
SAINT NICK #
1888
01:20:52,792 --> 01:20:55,750
# SO GRANT THIS WISH
FOR ME RIGHT #
1889
01:20:55,834 --> 01:20:57,417
# PLEASE, SANTA WON'T YOU COME
AND MAKE IT RIGHT #
1890
01:20:57,500 --> 01:21:00,417
# THIS CHRISTMAS NIGHT?
1891
01:21:00,500 --> 01:21:02,041
# HO, HO, HO
1892
01:21:02,125 --> 01:21:04,667
# SANTA'S GONNA COME AND MAKE IT
RIGHT THIS CHRISTMAS #
1893
01:21:04,750 --> 01:21:07,583
# SANTA'S GONNA COME AND MAKE IT
RIGHT, HO, HO, HO #
1894
01:21:07,667 --> 01:21:13,083
# SANTA'S GONNA COME AND MAKE IT
RIGHT THIS CHRISTMAS NIGHT #
1895
01:21:13,166 --> 01:21:14,625
# WHEE-OOH-WHEE-OOH
1896
01:21:14,709 --> 01:21:16,959
# OH, SANTA
1897
01:21:17,041 --> 01:21:18,166
# OH, SANTA
1898
01:21:18,250 --> 01:21:20,291
# OOH, OOH, OOH
1899
01:21:20,375 --> 01:21:22,125
# OH, SANTA
1900
01:21:22,208 --> 01:21:23,792
# OH, SANTA
1901
01:21:23,875 --> 01:21:26,625
# SANTA'S GONNA COME AND MAKE IT
RIGHT THIS CHRISTMAS #
1902
01:21:26,709 --> 01:21:29,291
# SANTA'S GONNA COME
AND MAKE IT RIGHT, RIGHT #
1903
01:21:29,375 --> 01:21:31,917
# SANTA'S GONNA COME AND MAKE IT
RIGHT THIS CHRISTMAS #
1904
01:21:32,000 --> 01:21:35,583
# SANTA'S GONNA COME
AND MAKE IT RIGHT, RIGHT #
1905
01:21:35,667 --> 01:21:37,208
# OH, SANTA CLAUS
1906
01:21:37,291 --> 01:21:39,583
# IF YOU GET THIS LETTER,
PLEASE DON'T MAKE ME WAIT #
1907
01:21:39,667 --> 01:21:43,000
# 'CAUSE ALL THE SAME, WELL,
I'VE BEEN KINDA DOWN TODAY #
1908
01:21:43,083 --> 01:21:44,709
# SO HOP ON YOUR SLEIGH
1909
01:21:44,792 --> 01:21:48,375
# I PROMISE THAT I WON'T FORGET
THE MILK AND COOKIES #
1910
01:21:48,458 --> 01:21:51,375
# THE TREE'S ALL SPARKLY
AND GLOWS #
1911
01:21:51,458 --> 01:21:53,834
# AND I KNOW
MOMMY NEEDS LOVE, OH #
1912
01:21:53,917 --> 01:21:57,083
# SO SOON AS YOU LEAVE
THE NORTH POLE #
1913
01:21:57,166 --> 01:22:01,083
# SANTA, WON'T YOU COME AND MAKE
IT RIGHT THIS CHRISTMAS? #
1914
01:22:01,166 --> 01:22:03,125
# NOW
1915
01:22:03,208 --> 01:22:05,583
[ CHEERS AND APPLAUSE ]
1916
01:22:05,667 --> 01:22:08,083
# SANTA'S GONNA COME
AND MAKE IT RIGHT #
1917
01:22:08,166 --> 01:22:09,667
# HO, HO, HO
1918
01:22:09,750 --> 01:22:12,583
# SANTA'S GONNA COME AND MAKE IT
RIGHT THIS CHRISTMAS #
1919
01:22:12,667 --> 01:22:13,959
# SANTA'S GONNA COME
AND MAKE IT RIGHT #
1920
01:22:14,041 --> 01:22:15,500
# HO, HO, HO
1921
01:22:15,583 --> 01:22:17,625
# SANTA'S GONNA COME
AND MAKE IT RIGHT, RIGHT #
1922
01:22:17,709 --> 01:22:20,542
#
1923
01:22:23,500 --> 01:22:25,959
[ Singsongy ]
HERE'S YOUR PRESENT! YAY!
1924
01:22:26,041 --> 01:22:28,125
[ LAUGHS ] ISN'T HE CUTE?
HE'S VERY EXCITED. AW.
1925
01:22:35,625 --> 01:22:42,166
Santa:
HO-HO-HO! MERRY CHRISTMAS!
142928
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