Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:08,205 --> 00:00:10,200
MILES: Previously
on Get Shorty...
2
00:00:10,205 --> 00:00:11,201
- (MUFFLED CRYING)
- Fucking Christ.
3
00:00:11,206 --> 00:00:13,200
What? He was talkin' shit!
4
00:00:13,205 --> 00:00:14,201
My wife's boyfriend!
5
00:00:14,206 --> 00:00:16,200
That's your wife's boyfriend?
6
00:00:16,205 --> 00:00:17,200
Get in your car. I'll move him out.
7
00:00:17,205 --> 00:00:18,201
(CHUCKLES)
8
00:00:18,206 --> 00:00:20,200
I think its best you don't
tell anyone about this.
9
00:00:20,205 --> 00:00:21,205
Not even Katie.
10
00:00:23,205 --> 00:00:25,200
This is a beautiful story.
11
00:00:25,205 --> 00:00:28,200
It's honest and it's real and
I promise when you read it,
12
00:00:28,205 --> 00:00:31,200
you'll realize you would've
wanted to make this movie anyway.
13
00:00:31,205 --> 00:00:35,200
If you don't, I'll ruin you.
I'll ruin your fuckin' life.
14
00:00:35,205 --> 00:00:39,200
You think you walk over
me because I am a woman?
15
00:00:39,205 --> 00:00:41,200
You little dick maricon.
16
00:00:41,205 --> 00:00:42,201
Go back up north
17
00:00:42,206 --> 00:00:46,205
or I cut your fucking legs off.
18
00:00:52,531 --> 00:00:55,888
Get Shorty
1x04 "From Stamos with Love"
19
00:00:57,145 --> 00:01:01,185
- Synced & Corrected by Dragoniod -
www.addic7ed.com
20
00:01:06,259 --> 00:01:08,258
(BREATHING HEAVILY)
21
00:01:08,410 --> 00:01:10,405
Still alive?
22
00:01:10,410 --> 00:01:12,405
I thought you wanted to speak to him.
23
00:01:12,410 --> 00:01:13,406
(BREATHES HEAVILY)
24
00:01:13,411 --> 00:01:16,047
If you don't, I'll, I'll finish up.
25
00:01:17,410 --> 00:01:19,405
I come in.
26
00:01:19,410 --> 00:01:20,406
(MILES COUGHS)
27
00:01:20,411 --> 00:01:22,405
(MILES GROANS)
28
00:01:22,410 --> 00:01:24,410
(YAGO SPEAKING SPANISH)
29
00:01:26,410 --> 00:01:28,410
Someone's here to see you.
30
00:01:29,410 --> 00:01:30,410
(GROANS)
31
00:01:43,176 --> 00:01:47,835
?
32
00:01:50,920 --> 00:01:56,277
?
33
00:02:20,410 --> 00:02:21,410
(CELL PHONE RINGING)
34
00:02:22,410 --> 00:02:23,406
Oh, shit.
35
00:02:23,411 --> 00:02:25,405
Amara. Hi.
36
00:02:25,410 --> 00:02:26,405
I love.
37
00:02:26,410 --> 00:02:27,406
What's that?
38
00:02:27,411 --> 00:02:29,405
Script for my movie.
39
00:02:29,410 --> 00:02:31,405
(SPEAKING SPANISH)
40
00:02:31,410 --> 00:02:33,405
MILES: (ON PHONE) Oh,
you read the script.
41
00:02:33,410 --> 00:02:36,405
That's great. Isn't it, uh,
it's, it's terrific, isn't it?
42
00:02:36,410 --> 00:02:37,406
I mean, I mean, I, I really think...
43
00:02:37,411 --> 00:02:39,405
How is John Stamos?
44
00:02:39,410 --> 00:02:42,405
Uh, we haven't started casting,
45
00:02:42,410 --> 00:02:45,410
so I haven't had the chance
to meet Mr. Stamos just yet.
46
00:02:47,410 --> 00:02:48,410
I want a photo.
47
00:02:49,410 --> 00:02:51,405
Okay...
48
00:02:51,410 --> 00:02:53,405
Stamos. Autografo. Should say,
49
00:02:53,410 --> 00:02:58,410
"Amara, Que Bella.
With love, John Stamos."
50
00:02:59,410 --> 00:03:01,405
"With love." No problemo.
51
00:03:01,410 --> 00:03:05,597
Um, soon as I meet Mr. Stamos,
I'll have him do that for you.
52
00:03:05,787 --> 00:03:07,510
- Stay in touch.
- MILES: Absolutely, we will.
53
00:03:07,557 --> 00:03:10,621
And let us know the
moment that... Hello?
54
00:03:11,410 --> 00:03:12,406
Every fucking time.
55
00:03:12,411 --> 00:03:14,405
- What'd she want?
- Oh, man. She's happy.
56
00:03:14,410 --> 00:03:16,405
- Yeah?
- Very happy investor, man.
57
00:03:16,410 --> 00:03:17,406
She read the script, she loves it.
58
00:03:17,411 --> 00:03:19,405
She says it's "muy romantico."
59
00:03:19,410 --> 00:03:20,159
Ah!
60
00:03:20,165 --> 00:03:22,405
And that's the beauty
of a story like this.
61
00:03:22,410 --> 00:03:25,405
You know, even if you're a
psychopath, it touches your heart.
62
00:03:25,410 --> 00:03:27,405
I mean, sh... She read it?
63
00:03:27,410 --> 00:03:31,410
I haven't even read it. And I wrote it.
64
00:03:49,219 --> 00:03:50,215
What's up, bro?
65
00:03:50,236 --> 00:03:53,129
What's up? Not him.
66
00:03:53,219 --> 00:03:54,629
Oh, no, he, he's cool.
67
00:03:54,687 --> 00:03:56,686
Ain't about being cool, bro.
68
00:03:58,410 --> 00:04:00,405
Okay.
69
00:04:00,410 --> 00:04:02,405
(KNOCK ON THE DOOR)
70
00:04:02,410 --> 00:04:04,405
- (BUZZER BEEPING)
- (DOOR OPENS)
71
00:04:04,410 --> 00:04:08,405
Yo. Everyone so on edge, dog.
It's like freakin' me out.
72
00:04:08,410 --> 00:04:10,405
That's how it's gotta be.
73
00:04:10,410 --> 00:04:11,406
Yeah, for how long?
74
00:04:11,411 --> 00:04:14,405
If you heard what Amara told Josias?
75
00:04:14,410 --> 00:04:16,405
She was like, "This shit is war."
76
00:04:16,410 --> 00:04:17,406
(SCOFFS)
77
00:04:17,411 --> 00:04:20,405
If anyone should be on
the lookout, it's me.
78
00:04:20,410 --> 00:04:21,406
Why?
79
00:04:21,411 --> 00:04:23,405
I'm a lieutenant.
80
00:04:23,410 --> 00:04:27,405
If they cap you, no offense,
but that's not headline news.
81
00:04:27,410 --> 00:04:31,410
They cap me? That's some serious shit.
82
00:04:33,410 --> 00:04:34,410
Yeah.
83
00:04:44,410 --> 00:04:46,405
Oh, the sign looks good.
84
00:04:46,410 --> 00:04:47,410
And professional, yeah.
85
00:04:49,410 --> 00:04:51,410
(LIFT BELL DINGS)
86
00:04:54,410 --> 00:04:56,405
Oh, uh, put the plant
over by the window,
87
00:04:56,410 --> 00:04:58,405
- it'll die slower.
- Yes, ma'am.
88
00:04:58,410 --> 00:05:00,405
Hey-hey. Pretty cool, huh?
89
00:05:00,410 --> 00:05:02,405
- This is all us?
- GLADYS: All us.
90
00:05:02,410 --> 00:05:03,406
I can't find the coffee machine though?
91
00:05:03,411 --> 00:05:06,405
Please, if somebody
finds it, let me know.
92
00:05:06,410 --> 00:05:08,405
You and Rick have a
2:00 p.m. with April.
93
00:05:08,410 --> 00:05:10,405
(SIGHS) Is it just them, or should I...
94
00:05:10,410 --> 00:05:12,405
Far as I know, it's just producers.
95
00:05:12,410 --> 00:05:15,405
And we need your headshot for
the announcement in the trades.
96
00:05:15,410 --> 00:05:17,405
The trades, right.
97
00:05:17,410 --> 00:05:18,406
Trade what?
98
00:05:18,411 --> 00:05:20,405
Industry magazines, websites.
99
00:05:20,410 --> 00:05:23,405
Wait. His picture's going in a magazine?
100
00:05:23,410 --> 00:05:24,406
Yeah, this is what they always do
101
00:05:24,411 --> 00:05:26,405
when you have a "Go" picture.
102
00:05:26,410 --> 00:05:27,406
I don't have a headshot, though.
103
00:05:27,411 --> 00:05:31,405
Not one that's, um, that's appropriate.
104
00:05:31,410 --> 00:05:33,405
That's fine. The studio
will set up a photo shoot.
105
00:05:33,410 --> 00:05:35,405
Oh.
106
00:05:35,410 --> 00:05:37,405
RICK: Gladys, what the hell is this?
107
00:05:37,410 --> 00:05:40,405
What, I leave here for one
minute and this fucking thing?
108
00:05:40,410 --> 00:05:41,406
What movie is that?
109
00:05:41,411 --> 00:05:44,405
The biggest disaster of my
career. Like I want it on the wall.
110
00:05:44,410 --> 00:05:45,405
GLADYS: Uh, well, must have
been in your old closet.
111
00:05:45,410 --> 00:05:46,406
Okay. Get it off.
112
00:05:46,411 --> 00:05:48,405
The guy left.
113
00:05:48,410 --> 00:05:49,405
What guy?
114
00:05:49,410 --> 00:05:50,406
- Facilities.
- Well, well...
115
00:05:50,411 --> 00:05:53,405
(SIGHS) Fuck. Come on.
116
00:05:53,410 --> 00:05:55,405
God damn it.
117
00:05:55,410 --> 00:05:58,405
Oh, they must've screwed
it in when they did.
118
00:05:58,410 --> 00:05:59,406
Except, I don't see any screws.
119
00:05:59,411 --> 00:06:01,405
- How did they do it?
- I'll have them come back.
120
00:06:01,410 --> 00:06:03,405
- Please.
- (KNOCK ON THE DOOR)
121
00:06:03,410 --> 00:06:04,405
We interrupting?
122
00:06:04,410 --> 00:06:05,406
No. What's up, guys?
123
00:06:05,411 --> 00:06:09,405
Amara was hoping to get a
signed photo of John Stamos.
124
00:06:09,410 --> 00:06:11,405
It's a souvenir for the investor.
125
00:06:11,410 --> 00:06:12,406
You think that can be arranged?
126
00:06:12,411 --> 00:06:15,405
Yeah, yeah, yeah. Yeah.
Probably get one on Ebay.
127
00:06:15,410 --> 00:06:16,410
Did you see your office?
128
00:06:17,410 --> 00:06:18,405
I have an office?
129
00:06:18,410 --> 00:06:19,406
(LIGHT CHUCKLES) Next one over.
130
00:06:19,411 --> 00:06:21,405
I'll be in my office.
131
00:06:21,410 --> 00:06:24,410
- Coffee.
- Yeah, get the guy.
132
00:06:26,410 --> 00:06:28,410
So, uh, so my office is, is...
133
00:06:29,410 --> 00:06:30,406
What, you need one?
134
00:06:30,411 --> 00:06:32,410
You already wrote the script.
135
00:06:35,410 --> 00:06:37,410
Can I, uh, use your bathroom?
136
00:07:00,410 --> 00:07:04,405
HEIDI: So you must be
psyched. Owen sold his script.
137
00:07:04,410 --> 00:07:05,406
What?
138
00:07:05,411 --> 00:07:07,405
Wasn't he working on a script
called The Admiral's Mistress?
139
00:07:07,410 --> 00:07:10,410
A project with that title
got set up at Gravity.
140
00:07:13,410 --> 00:07:14,405
HEIDI: Oh, cute!
141
00:07:14,410 --> 00:07:15,406
That's so cute.
142
00:07:15,411 --> 00:07:17,405
I'm actually not in touch with Owen.
143
00:07:17,410 --> 00:07:20,405
He basically ghosted me.
144
00:07:20,410 --> 00:07:21,406
I'm sorry.
145
00:07:21,411 --> 00:07:23,405
Yeah, no, it's fine.
146
00:07:23,410 --> 00:07:26,405
I mean, it's fucked, but
whatever. He sold his script.
147
00:07:26,410 --> 00:07:30,405
Maybe not. Maybe it just
has the same title...
148
00:07:30,410 --> 00:07:33,405
Can you get me a copy of
it? I can see if it's his.
149
00:07:33,410 --> 00:07:34,410
Totally.
150
00:07:42,410 --> 00:07:43,406
RICK: We're here!
151
00:07:43,411 --> 00:07:46,405
You can imagine how I've
been looking forward to this.
152
00:07:46,410 --> 00:07:48,405
MARCIA: Anyone like water or coffee?
153
00:07:48,410 --> 00:07:52,405
Um, that'd be... Can I get both?
154
00:07:52,410 --> 00:07:53,406
Coming right up.
155
00:07:53,411 --> 00:07:55,405
RICK: I'm, I'm fine. Thanks.
156
00:07:55,410 --> 00:07:57,405
These are the invites to
Brandon's charity gala tomorrow.
157
00:07:57,410 --> 00:07:59,405
Parking passes inside.
158
00:07:59,410 --> 00:08:02,405
You might want to check with me
before you go around handing those out.
159
00:08:02,410 --> 00:08:04,410
- Brandon said...
- Thanks, Marcia.
160
00:08:06,410 --> 00:08:08,405
What's "Cocktail attire"?
161
00:08:08,410 --> 00:08:10,410
Means free valet and open bar.
162
00:08:11,410 --> 00:08:14,405
- A suit. Just wear a suit.
- Oh.
163
00:08:14,410 --> 00:08:15,405
Come on.
164
00:08:15,410 --> 00:08:16,406
Ms. Quinn, can I say how excited I am...
165
00:08:16,411 --> 00:08:18,405
APRIL: No, you can't.
166
00:08:18,410 --> 00:08:20,405
RICK: All right. Okay.
Look, I just wanted to say,
167
00:08:20,410 --> 00:08:23,405
off the record, I don't care
what went on between you two.
168
00:08:23,410 --> 00:08:25,405
Sooner we get through this,
the sooner you can leave.
169
00:08:25,410 --> 00:08:27,405
I'm prepping Lethal Limit Four,
170
00:08:27,410 --> 00:08:29,405
a project that actually matters.
171
00:08:29,410 --> 00:08:31,405
So, Gravity Pictures is on board.
172
00:08:31,410 --> 00:08:33,405
Only Brandon won't greenlight
this unless he thinks
173
00:08:33,410 --> 00:08:35,405
there's an audience for it.
174
00:08:35,410 --> 00:08:37,191
More people than would attend, say, a
175
00:08:37,197 --> 00:08:39,405
high school production of The Crucible.
176
00:08:39,410 --> 00:08:41,405
The script needs work, obviously.
177
00:08:41,410 --> 00:08:42,406
Does it?
178
00:08:42,411 --> 00:08:44,405
I'll set up a meeting with this writer,
179
00:08:44,410 --> 00:08:47,405
"Louis Darnell," whoever that is.
180
00:08:47,410 --> 00:08:50,305
You want Louis to rewrite the script?
181
00:08:51,410 --> 00:08:54,405
I'm putting together a list
of prestigious directors
182
00:08:54,410 --> 00:08:55,406
who will want nothing to do with us.
183
00:08:55,411 --> 00:08:57,405
But call them and beg,
184
00:08:57,410 --> 00:08:59,405
or this won't get off the ground.
185
00:08:59,410 --> 00:09:00,406
Finally, there's cast.
186
00:09:00,411 --> 00:09:02,405
Oh. We have some ideas.
187
00:09:02,410 --> 00:09:03,406
Do you?
188
00:09:03,411 --> 00:09:06,405
Well, the investor weighed in.
189
00:09:06,410 --> 00:09:07,406
Well, since we're
buying out your investor
190
00:09:07,411 --> 00:09:09,410
that shouldn't be an issue. Right?
191
00:09:10,410 --> 00:09:11,406
What's this?
192
00:09:11,411 --> 00:09:13,405
It's the first I've heard of it.
193
00:09:13,410 --> 00:09:15,405
Lawyer stuff, I'm not
really up on details.
194
00:09:15,410 --> 00:09:18,405
But I do know Brandon is not
interested in a co-production.
195
00:09:18,410 --> 00:09:20,405
RICK: Okay, wait, wait, wait.
196
00:09:20,410 --> 00:09:22,405
They're gonna buy out Amara's
distribution rights at a profit?
197
00:09:22,410 --> 00:09:23,406
- Correct.
- Healthy profit?
198
00:09:23,411 --> 00:09:25,405
Lawyer stuff, blah-blah.
199
00:09:25,410 --> 00:09:28,405
I just know your investor's
no longer an issue.
200
00:09:28,410 --> 00:09:31,405
(SIGHS) No, it's good news.
201
00:09:31,410 --> 00:09:32,406
- Yeah?
- Yeah.
202
00:09:32,411 --> 00:09:34,405
So we're still making
the film, but Amara...
203
00:09:34,410 --> 00:09:36,405
She's, she's made profit already, yeah.
204
00:09:36,410 --> 00:09:38,405
So now she's out. It's good.
205
00:09:38,410 --> 00:09:40,405
- Amara's out.
- Hmm.
206
00:09:40,410 --> 00:09:42,405
MARCIA: Coffee and water, there ya go!
207
00:09:42,410 --> 00:09:43,410
Thank you.
208
00:09:45,410 --> 00:09:47,410
Now that you have your
beverages, should we keep going?
209
00:09:51,410 --> 00:09:53,405
MILES: This was always the plan,
210
00:09:53,410 --> 00:09:56,405
it's just happening
way sooner than I hoped.
211
00:09:56,410 --> 00:09:58,405
I mean, we can move
forward with the movie
212
00:09:58,410 --> 00:09:59,406
and Amara's not involved.
213
00:09:59,411 --> 00:10:01,405
She doesn't know she's not involved.
214
00:10:01,410 --> 00:10:03,405
Right.
215
00:10:03,410 --> 00:10:06,405
When she finds out, she's gonna
want us back in Pahrump. Right?
216
00:10:06,410 --> 00:10:08,405
- No, no, no, no, no.
- Yeah, yeah, yeah, yeah, yeah.
217
00:10:08,410 --> 00:10:11,405
No. We told her that we were gonna
make her a profit on her investment.
218
00:10:11,410 --> 00:10:13,405
Apart from that, we can,
you know, do our own thing.
219
00:10:13,410 --> 00:10:15,405
Okay. Okay. That part?
220
00:10:15,410 --> 00:10:17,405
The, uh, "We can do our own thing" part?
221
00:10:17,410 --> 00:10:20,405
I don't remember you
running that by Amara.
222
00:10:20,410 --> 00:10:21,406
I'll talk to Amara.
223
00:10:21,411 --> 00:10:23,405
- Okay. And I'll say, uh...
- What'll you say?
224
00:10:23,410 --> 00:10:25,405
I'll say, um...
225
00:10:25,410 --> 00:10:26,406
Well, I don't know what I'll say.
226
00:10:26,411 --> 00:10:28,405
But she's not expecting to get paid
227
00:10:28,410 --> 00:10:31,405
until the movie's in the
theaters, which is, what,
228
00:10:31,410 --> 00:10:33,405
like, a year from now.
229
00:10:33,410 --> 00:10:35,410
So maybe, in the meantime, we...
230
00:10:36,410 --> 00:10:37,406
We just don't mention it.
231
00:10:37,411 --> 00:10:39,405
No. You want to hide it from her?
232
00:10:39,410 --> 00:10:40,406
- She's gonna get paid, Lou...
- Uh-uh.
233
00:10:40,411 --> 00:10:42,405
She's gonna get paid. In full.
234
00:10:42,410 --> 00:10:46,410
Every penny. Just, you know, eventually.
235
00:10:50,410 --> 00:10:53,405
Can you just be fucking happy for me?
236
00:10:53,410 --> 00:10:54,406
- What?
- I'm doing it.
237
00:10:54,411 --> 00:10:58,405
Man, I'm doing it. Maybe
I feel like I belong here.
238
00:10:58,410 --> 00:11:00,405
You know, I'm obviously doing
something right, aren't I?
239
00:11:00,410 --> 00:11:02,410
People are taking notice.
240
00:11:03,410 --> 00:11:06,405
This was supposed to be low-profile.
241
00:11:06,410 --> 00:11:09,405
Now you're getting your
picture in a magazine.
242
00:11:09,410 --> 00:11:11,405
I mean, that could bite you in the ass.
243
00:11:11,410 --> 00:11:13,455
You coming in? I need
to get some cocktail
244
00:11:13,461 --> 00:11:15,405
attire for Brandon's little shindig.
245
00:11:15,410 --> 00:11:16,405
Right.
246
00:11:16,410 --> 00:11:17,406
What?
247
00:11:17,411 --> 00:11:19,410
What, now, you have a problem
with me buying clothes?
248
00:11:20,410 --> 00:11:22,410
I'm gonna wait outside.
249
00:11:23,410 --> 00:11:25,405
Look, I know why you're pissed off,
250
00:11:25,410 --> 00:11:29,405
and if it were up to me, trust me,
you'd be coming to the dinner too.
251
00:11:29,410 --> 00:11:31,405
That's why you think I'm pissed off?
252
00:11:31,410 --> 00:11:32,406
Well?
253
00:11:32,411 --> 00:11:34,405
Well... Why don't you
go buy your $1,000 suit,
254
00:11:34,410 --> 00:11:38,405
and then you can, uh, roll up to your
big fancy party in that busted rig.
255
00:11:38,410 --> 00:11:39,406
That'll make an impression.
256
00:11:39,411 --> 00:11:42,405
Aw, shit.
257
00:11:42,410 --> 00:11:44,405
No. No, I'm just messing with you.
258
00:11:44,410 --> 00:11:45,406
- No, you're right.
- No, I'm messing with you.
259
00:11:45,411 --> 00:11:48,405
That car, that's, that's
a classic. It's a classic.
260
00:11:48,410 --> 00:11:51,410
- Maybe I can lease one.
- Will you stop?
261
00:12:54,410 --> 00:12:56,410
What up? What do you mean?
262
00:12:57,410 --> 00:12:59,405
So what?
263
00:12:59,410 --> 00:13:01,410
Yeah, bro. I gotta go. Right. See you.
264
00:13:20,410 --> 00:13:23,405
Hmm. Oh, yeah.
265
00:13:23,410 --> 00:13:25,405
You know, it occurs to me.
266
00:13:25,410 --> 00:13:27,405
Emma's gonna need to do
an accent for this role.
267
00:13:27,410 --> 00:13:31,405
She's got natural talent but there's
a technique to that sort of thing.
268
00:13:31,410 --> 00:13:33,405
Just have her use yours.
269
00:13:33,410 --> 00:13:35,405
Oh, yeah. No, I would.
270
00:13:35,410 --> 00:13:36,406
Only I'm Irish and the
character's British,
271
00:13:36,411 --> 00:13:38,405
which is a completely
different fuckin' thing.
272
00:13:38,410 --> 00:13:41,410
- Uh, is it? Mm...
- Black or Burgundy?
273
00:13:42,410 --> 00:13:44,405
Burgundy.
274
00:13:44,410 --> 00:13:47,405
I actually picked up
a flyer in the lobby.
275
00:13:47,410 --> 00:13:50,405
A guy who, uh, does acting lessons.
276
00:13:50,410 --> 00:13:54,405
"A safe place for kids to
connect with their inner artist.
277
00:13:54,410 --> 00:13:56,191
"Study character development and work
278
00:13:56,197 --> 00:13:58,405
with an experienced dialect coach."
279
00:13:58,410 --> 00:14:01,405
Yeah. Well, I mean, if you think
she needs that kind of thing.
280
00:14:01,410 --> 00:14:02,781
If Katie agrees, I suppose she'll have
281
00:14:02,787 --> 00:14:04,405
to drive Emma up here for a few days.
282
00:14:04,410 --> 00:14:06,405
- Ah. I see what you're doing.
- MILES: Huh?
283
00:14:06,410 --> 00:14:08,410
Now I know what this is about.
284
00:14:09,410 --> 00:14:11,405
"Acting lessons." Right?
285
00:14:11,410 --> 00:14:12,406
Oh! Fuck. I nearly forgot.
286
00:14:12,411 --> 00:14:15,405
You have a meeting
tomorrow with April Quinn.
287
00:14:15,410 --> 00:14:17,405
Of what?
288
00:14:17,410 --> 00:14:18,406
She wants to have a little
chat about the script.
289
00:14:18,411 --> 00:14:20,405
It's not a big deal.
290
00:14:20,410 --> 00:14:22,405
"It's not a big deal?" What's
does, what does that mean?
291
00:14:22,410 --> 00:14:24,405
The script's already good, right?
292
00:14:24,410 --> 00:14:25,601
So, if she wants you to make some
293
00:14:25,607 --> 00:14:27,405
changes, I'm sure she'll tell you what.
294
00:14:27,410 --> 00:14:29,410
I haven't read the thing!
295
00:14:33,410 --> 00:14:34,405
Here you go.
296
00:14:34,410 --> 00:14:35,410
(SIGHS)
297
00:14:39,410 --> 00:14:41,405
This is like a 100 pages.
298
00:14:41,410 --> 00:14:43,410
It's double-spaced.
299
00:14:44,410 --> 00:14:47,410
I have to read this
whole thing? Fuck me.
300
00:14:49,410 --> 00:14:50,410
(INDISTINCT CONVERSATIONS)
301
00:14:54,410 --> 00:14:56,410
Yo. You talk to her?
302
00:14:58,410 --> 00:15:00,405
And?
303
00:15:00,410 --> 00:15:02,405
She said she can't do anything.
304
00:15:02,410 --> 00:15:03,406
What do you mean?
305
00:15:03,411 --> 00:15:05,405
She said the kid didn't work for her.
306
00:15:05,410 --> 00:15:08,410
Yeah, but he worked for
me, and I work for her.
307
00:15:10,410 --> 00:15:12,405
So that's it?
308
00:15:12,410 --> 00:15:13,406
We just let it go?
309
00:15:13,411 --> 00:15:15,405
(SCOFFS)
310
00:15:15,410 --> 00:15:18,405
Mmm. Bro, that is fucked up.
311
00:15:18,410 --> 00:15:20,405
We don't even know if Josias did it.
312
00:15:20,410 --> 00:15:23,405
Who else? Man, they
put a hole in his chest!
313
00:15:23,410 --> 00:15:27,405
Man, Amara needs to look
after her people, bro!
314
00:15:27,410 --> 00:15:30,410
I bet Josias looked after his
crew better than this shit.
315
00:15:31,410 --> 00:15:32,410
What did you say?
316
00:15:33,410 --> 00:15:35,410
(SIGHS)
317
00:15:38,410 --> 00:15:39,406
What the fuck did you say?
318
00:15:39,411 --> 00:15:41,410
Listen. Just chill out, all right?
319
00:15:42,410 --> 00:15:44,410
Don't fucking talk like that.
320
00:15:52,410 --> 00:15:55,410
Yo, bro, I'm with you all the way.
321
00:15:56,410 --> 00:15:59,410
Amara, too. You know that.
322
00:16:06,410 --> 00:16:10,410
Glasses Kid, he was my boy, that's all.
323
00:16:15,410 --> 00:16:18,410
(SCRATCHING UTENSILS)
324
00:16:26,410 --> 00:16:28,405
What are you doing?
325
00:16:28,410 --> 00:16:30,405
Oh. Hey, I'm just, uh... (CLEARS THROAT)
326
00:16:30,410 --> 00:16:33,405
I'm just washing the roasting pan.
327
00:16:33,410 --> 00:16:35,405
I feel like it's soaked long enough.
328
00:16:35,410 --> 00:16:36,410
At 4:00 a.m.?
329
00:16:38,410 --> 00:16:40,405
I couldn't sleep.
330
00:16:40,410 --> 00:16:42,405
So I thought, I'd make myself useful.
331
00:16:42,410 --> 00:16:44,405
I didn't, I didn't wake you up, did I?
332
00:16:44,410 --> 00:16:48,410
No, I just... The Xanax isn't helping?
333
00:16:49,410 --> 00:16:51,410
I feel more calm,
334
00:16:52,410 --> 00:16:56,052
but I can't sleep. I think that's
what's killing my golf game.
335
00:16:56,410 --> 00:16:57,410
EMMA: Mom?
336
00:16:58,410 --> 00:17:00,405
Emma, go to sleep.
337
00:17:00,410 --> 00:17:01,405
What, what's happening?
338
00:17:01,410 --> 00:17:02,406
Nothing, Jeffery's just...
339
00:17:02,411 --> 00:17:04,410
I'm just cleaning up,
sweetheart. That's all.
340
00:17:05,410 --> 00:17:06,410
Now?
341
00:17:08,410 --> 00:17:10,410
Yeah, we'll both go to bed.
342
00:17:13,410 --> 00:17:15,405
Are you sure there isn't anything I...
343
00:17:15,410 --> 00:17:17,410
No. You go. I'm good. Really.
344
00:17:18,410 --> 00:17:19,410
KATIE: Okay.
345
00:17:27,410 --> 00:17:29,405
Hey. Nice view?
346
00:17:29,410 --> 00:17:31,405
The actor from Ant-Man
just went into that porta-potty.
347
00:17:31,410 --> 00:17:33,405
Took a picture for my daughter.
348
00:17:33,410 --> 00:17:36,405
Ah. The glamour of Hollywood, right?
349
00:17:36,410 --> 00:17:37,406
Listen. You got a second?
350
00:17:37,411 --> 00:17:40,405
- Sure.
- Yeah. Just, sit down.
351
00:17:40,410 --> 00:17:42,405
(SNIFFLES, GRUNTS)
352
00:17:42,410 --> 00:17:46,405
Look, right now, we got buzz.
353
00:17:46,410 --> 00:17:49,405
We're, we're in the
trades, people are talking.
354
00:17:49,410 --> 00:17:50,406
Mm-hmm.
355
00:17:50,411 --> 00:17:54,405
This is the time to
set up our next film.
356
00:17:54,410 --> 00:17:58,405
Yeah. So when Admiral's
Mistress comes out,
357
00:17:58,410 --> 00:18:02,405
you know, maybe, despite all our
best efforts, it's not so great...
358
00:18:02,410 --> 00:18:03,406
Why is it not so great?
359
00:18:03,411 --> 00:18:06,405
Or you like it but
the critics shit on it.
360
00:18:06,410 --> 00:18:08,405
The world moves on, you get left behind.
361
00:18:08,410 --> 00:18:11,405
That's a sunny prediction.
362
00:18:11,410 --> 00:18:14,405
What we do now is, we go now to Amara
363
00:18:14,410 --> 00:18:18,405
and we say, "Congratulations, you
made a profit on this last film!
364
00:18:18,410 --> 00:18:20,405
"You know, 10, 20
percent, whatever it is.
365
00:18:20,410 --> 00:18:23,405
"Why not put some of that
money into another film?"
366
00:18:23,410 --> 00:18:25,405
No.
367
00:18:25,410 --> 00:18:28,405
You know, "Given your, your,
your passion for cinema,"
368
00:18:28,410 --> 00:18:30,405
etcetera, etcetera.
369
00:18:30,410 --> 00:18:32,405
We're not asking Amara for more money.
370
00:18:32,410 --> 00:18:34,410
- Why not?
- It's a bad idea.
371
00:18:35,410 --> 00:18:37,405
Because...
372
00:18:37,410 --> 00:18:38,406
Listen, you want to
set up another movie?
373
00:18:38,411 --> 00:18:41,405
Great, we'll find another investor.
374
00:18:41,410 --> 00:18:43,405
I mean, if you know people, and more...
375
00:18:43,410 --> 00:18:45,405
It's, it's okay for me
to bring you an investor
376
00:18:45,410 --> 00:18:48,405
but you don't wanna share Amara?
377
00:18:48,410 --> 00:18:52,102
Rick, I'm better off without Amara
378
00:18:52,410 --> 00:18:54,387
and so are you.
379
00:18:57,410 --> 00:18:59,405
Is that right?
380
00:18:59,410 --> 00:19:00,410
That's right.
381
00:19:02,410 --> 00:19:04,410
All right. Think about it.
382
00:19:07,410 --> 00:19:08,910
And, Rick.
383
00:19:08,958 --> 00:19:11,405
Let me be the one to tell her
about this business with the studio.
384
00:19:11,410 --> 00:19:13,405
Yeah, yeah, you handle it.
385
00:19:13,410 --> 00:19:16,405
All right. See you in April's office.
386
00:19:16,410 --> 00:19:17,410
Yeah, I'll see you there.
387
00:19:19,410 --> 00:19:23,405
First of all, Louis, it's
such an honor to have you here.
388
00:19:23,410 --> 00:19:24,998
And to realize the man behind
389
00:19:25,004 --> 00:19:27,405
The Admiral's Mistress isn't British!
390
00:19:27,410 --> 00:19:31,405
(CHUCKLES) No. No, not British.
391
00:19:31,410 --> 00:19:33,410
You must have done a lot of research.
392
00:19:37,410 --> 00:19:39,405
So, my biggest note
393
00:19:39,410 --> 00:19:42,405
and I do know writers hate this word.
394
00:19:42,410 --> 00:19:46,405
But in the second half, when
Felton becomes the Admiral...
395
00:19:46,410 --> 00:19:49,410
Is there a way to make that
character more sympathetic?
396
00:19:57,410 --> 00:20:00,405
Uh, the, uh, character,
the Admiral character.
397
00:20:00,410 --> 00:20:01,410
Right, right, right. Right.
398
00:20:05,410 --> 00:20:06,405
So you're thinking...
399
00:20:06,410 --> 00:20:07,410
More sympathetic.
400
00:20:08,410 --> 00:20:09,410
The Admiral.
401
00:20:16,410 --> 00:20:19,405
Emphasize his courage, the
innocence he's retained.
402
00:20:19,410 --> 00:20:21,405
I know he becomes a war profiteer,
403
00:20:21,410 --> 00:20:24,405
but maybe he was forced into it?
404
00:20:24,410 --> 00:20:27,363
Uh... (CLEARS THROAT) So, forced.
405
00:20:29,410 --> 00:20:30,410
No?
406
00:20:33,410 --> 00:20:35,405
The reason he's a puppeteer...
407
00:20:35,410 --> 00:20:37,405
Profiteer. He's a profiteer.
408
00:20:37,410 --> 00:20:39,405
I think the important thing to remember
409
00:20:39,410 --> 00:20:42,405
is where he's coming from, emotionally.
410
00:20:42,410 --> 00:20:43,406
- Right, Louis?
- Mm-hmm. Mm-hmm.
411
00:20:43,411 --> 00:20:45,688
I mean, he's obviously
doing it for love.
412
00:20:45,775 --> 00:20:48,191
Yeah, no, I get that. But I'm sensing
413
00:20:48,197 --> 00:20:50,405
that Louis has a different take on this.
414
00:20:50,410 --> 00:20:52,410
- Oh, yeah?
- APRIL: Yeah.
415
00:20:54,410 --> 00:20:55,410
How do you see it?
416
00:20:57,410 --> 00:20:58,406
Um... (SIGHS)
417
00:20:58,411 --> 00:21:02,405
Well, that was during the war.
418
00:21:02,410 --> 00:21:06,410
So, I mean, right there.
419
00:21:07,410 --> 00:21:10,405
I mean, the flip side of that coin...
420
00:21:10,410 --> 00:21:13,405
The flip side of war is peace.
421
00:21:13,410 --> 00:21:15,405
It's peace.
422
00:21:15,410 --> 00:21:20,405
Um, so, basically, when, when
you're looking at the Admiral,
423
00:21:20,410 --> 00:21:22,410
you, um...
424
00:21:25,410 --> 00:21:26,405
What was the question?
425
00:21:26,410 --> 00:21:27,406
(TELEPHONE RINGING)
426
00:21:27,411 --> 00:21:29,405
Moreweather Productions.
427
00:21:29,410 --> 00:21:30,406
CAROLINE: Is Owen there?
428
00:21:30,411 --> 00:21:33,405
GLADYS: (ON TELEPHONE)
Who? CAROLINE: Owen Eidler.
429
00:21:33,410 --> 00:21:37,405
He wrote the movie you're making.
The Admiral's Mistress.
430
00:21:37,410 --> 00:21:40,405
GLADYS: Our script was
written by Louis Darnell.
431
00:21:40,410 --> 00:21:42,405
CAROLINE: No, it was not.
432
00:21:42,410 --> 00:21:45,405
-Who is this?
-CAROLINE: Owen's girlfriend, Caroline.
433
00:21:45,410 --> 00:21:47,405
Or ex-girlfriend, I'm not sure.
434
00:21:47,410 --> 00:21:51,405
Caroline, I'd be happy to forward
your information to our attorney.
435
00:21:51,410 --> 00:21:52,705
CAROLINE: (ON PHONE) I have both copies.
436
00:21:52,761 --> 00:21:55,302
Owen's and the one that
says "Louis Darnell".
437
00:21:55,308 --> 00:21:58,405
And they're the same
script. I mean word for word.
438
00:21:58,410 --> 00:22:01,405
So, either Owen's using a pen name
439
00:22:01,410 --> 00:22:04,405
or you guys bought the script and...
440
00:22:04,410 --> 00:22:06,405
You know what? I don't
care what happened.
441
00:22:06,410 --> 00:22:08,405
I just need to find Owen.
442
00:22:08,410 --> 00:22:10,405
I don't know who that is.
443
00:22:10,410 --> 00:22:11,406
Well, somebody knows.
444
00:22:11,411 --> 00:22:13,405
And they better call me back like today.
445
00:22:13,410 --> 00:22:14,406
What was that number?
446
00:22:14,411 --> 00:22:16,405
CAROLINE: It's four-one-five...
447
00:22:16,410 --> 00:22:17,406
Thanks so much for coming in Louis.
448
00:22:17,411 --> 00:22:20,410
We're all really excited
about this project.
449
00:22:21,410 --> 00:22:22,405
Me, too.
450
00:22:22,410 --> 00:22:23,406
Everybody wins! Take care.
451
00:22:23,411 --> 00:22:25,410
Thanks, buddy. Good job.
452
00:22:27,410 --> 00:22:28,410
I'll see you in a bit.
453
00:22:31,410 --> 00:22:34,405
I have a relationship with
Julian Pynter. Any objections?
454
00:22:34,410 --> 00:22:35,406
- Oh.
- Julian who?
455
00:22:35,411 --> 00:22:37,405
Pynter. Yeah. He's a big deal.
456
00:22:37,410 --> 00:22:39,405
Did uncredited work on
Lethal Limit Three.
457
00:22:39,410 --> 00:22:41,405
Wrote Consequence, Braithwaite Park...
458
00:22:41,410 --> 00:22:42,406
Hey. Fine by me.
459
00:22:42,411 --> 00:22:44,405
Hold on, are w...
460
00:22:44,410 --> 00:22:47,410
Are we talking about firing Louis?
461
00:22:49,410 --> 00:22:51,832
It's a bit rash, isn't
this? Just 'cause he's...
462
00:22:56,822 --> 00:22:57,822
Yeah, all right.
463
00:22:59,410 --> 00:23:00,406
Gladys.
464
00:23:00,411 --> 00:23:02,405
- GLADYS: Yes.
- Poster.
465
00:23:02,410 --> 00:23:04,405
I left a message with facilities.
466
00:23:04,410 --> 00:23:06,405
Wait, wait, wait. Look
at this. Look at this.
467
00:23:06,410 --> 00:23:09,405
I can hang from it.
I'm hanging. See this?
468
00:23:09,410 --> 00:23:12,405
Yeah, I think they
welded it to the wall.
469
00:23:12,410 --> 00:23:13,410
When did you make that movie?
470
00:23:14,410 --> 00:23:18,410
20 years ago. Ambitious
film, cost a fortune.
471
00:23:19,410 --> 00:23:20,406
Everybody hated it.
472
00:23:20,411 --> 00:23:22,405
But I learned something from it.
473
00:23:22,410 --> 00:23:25,405
I realized, what the
hell am I trying to prove?
474
00:23:25,410 --> 00:23:27,405
With age comes wisdom, Gladys.
475
00:23:27,410 --> 00:23:28,410
It's good to know.
476
00:23:29,410 --> 00:23:31,405
What's that?
477
00:23:31,410 --> 00:23:33,405
List of potential directors from
the studio. I can roll calls.
478
00:23:33,410 --> 00:23:34,406
No, no. No, no.
479
00:23:34,411 --> 00:23:36,410
I got another call I want you to make.
480
00:23:37,410 --> 00:23:39,410
(PHONE RINGING)
481
00:23:40,410 --> 00:23:42,405
AMARA: Yeah?
482
00:23:42,410 --> 00:23:44,405
GLADYS: (ON PHONE) I have producer
Rick Moreweather calling for Amara.
483
00:23:44,410 --> 00:23:46,410
AMARA: This is Amara.
484
00:23:47,410 --> 00:23:49,405
Amara, hi. Hi, it's Rick.
485
00:23:49,410 --> 00:23:52,405
Yes, we, we, uh, we met a few days ago.
486
00:23:52,410 --> 00:23:55,405
Listen, I know you're
in touch with Miles.
487
00:23:55,410 --> 00:23:57,405
I just thought I would reach out.
488
00:23:57,410 --> 00:23:58,406
Okay, Ricky.
489
00:23:58,411 --> 00:24:01,405
Yeah, well, so, uh, I have a number
of projects that I'm producing.
490
00:24:01,410 --> 00:24:04,405
And given how well we
did the first time around,
491
00:24:04,410 --> 00:24:07,405
and your passion for cinema,
492
00:24:07,410 --> 00:24:09,410
maybe you want to produce another movie?
493
00:24:10,410 --> 00:24:12,405
Yes.
494
00:24:12,410 --> 00:24:15,405
Yes, okay. Okay, great.
495
00:24:15,410 --> 00:24:19,405
I have a script. Uh, it's,
um, Gates of Dawn.
496
00:24:19,410 --> 00:24:22,405
Oh. This, it's a true story.
497
00:24:22,410 --> 00:24:23,406
It, it's set in Hanoi...
498
00:24:23,410 --> 00:24:26,404
We do this after we finish
the first movie, yes?
499
00:24:27,301 --> 00:24:30,317
Uh, well, did Miles tell you...
500
00:24:30,381 --> 00:24:33,545
Gravity Pictures acquired
Admiral's Mistress?
501
00:24:34,410 --> 00:24:35,406
Gravity Pictures...
502
00:24:35,411 --> 00:24:37,410
Yes, you know. They're,
they're buying you out.
503
00:24:38,410 --> 00:24:40,405
They what?
504
00:24:40,410 --> 00:24:43,405
They're buying out your,
your distribution rights,
505
00:24:43,410 --> 00:24:45,405
which, it means you've
already made a profit.
506
00:24:45,410 --> 00:24:46,410
We just don't know how much yet.
507
00:24:47,410 --> 00:24:49,405
I'm out?
508
00:24:49,410 --> 00:24:52,405
Which is why I'm calling, so
we can set up our next thing.
509
00:24:52,410 --> 00:24:53,410
Why am I out?
510
00:24:55,410 --> 00:24:58,405
Well, it's, it's complicated.
511
00:24:58,410 --> 00:25:03,405
It's... A studio came in, and
it became a bigger picture.
512
00:25:03,410 --> 00:25:06,410
And, and they don't want
to co-produce, so...
513
00:25:07,410 --> 00:25:09,405
Does Miles know?
514
00:25:09,410 --> 00:25:10,406
RICK: Does he know that
they bought you out?
515
00:25:10,411 --> 00:25:12,405
Yes. Yeah, he knows.
516
00:25:12,410 --> 00:25:15,405
He... I'm sure he was gonna call you,
517
00:25:15,410 --> 00:25:19,410
- and... Hello? Uh...
- (CALL DISCONNECTS)
518
00:25:21,410 --> 00:25:23,405
I didn't have time to
prepare. If you'd let me know.
519
00:25:23,410 --> 00:25:24,476
If you'd give me some heads-up, I'd...
520
00:25:24,505 --> 00:25:26,500
Lulu, Lulu. Look here, this
is how it works, all right?
521
00:25:26,561 --> 00:25:27,611
Somebody writes the script and then they
522
00:25:27,661 --> 00:25:28,164
get somebody else to do the rewrite.
523
00:25:28,411 --> 00:25:30,405
Why do you care?
524
00:25:30,410 --> 00:25:31,812
You could have stuck up for me.
525
00:25:32,410 --> 00:25:34,405
Well, I did think about it.
526
00:25:34,410 --> 00:25:36,410
But then I remembered,
you're not a fucking writer.
527
00:25:37,410 --> 00:25:38,406
How are you gonna do a rewrite?
528
00:25:38,411 --> 00:25:41,405
Oh, look at that. That
is a beautiful car.
529
00:25:41,410 --> 00:25:42,406
You know, even if you do lease,
530
00:25:42,411 --> 00:25:45,405
I don't know see how
you can afford that.
531
00:25:45,410 --> 00:25:46,406
And I would not go electric.
532
00:25:46,411 --> 00:25:48,410
What happens if the battery runs out?
533
00:25:49,410 --> 00:25:50,406
You fucking charge it.
534
00:25:50,411 --> 00:25:52,405
What if there's no charger?
535
00:25:52,410 --> 00:25:54,405
Seriously, I mean you got to...
536
00:25:54,410 --> 00:25:56,410
You know, you got the
suit and the car and the...
537
00:25:58,410 --> 00:25:59,406
I think you're trying too hard.
538
00:25:59,411 --> 00:26:02,405
Well, no one's gonna accuse you of that.
539
00:26:02,410 --> 00:26:04,405
What's that mean?
540
00:26:04,410 --> 00:26:07,405
Look, you don't like
the whole LA thing. Fine.
541
00:26:07,410 --> 00:26:10,410
But if this is gonna work at least
one of us needs to raise our game.
542
00:26:12,410 --> 00:26:14,405
Okay, well, I said
that I'd come out here
543
00:26:14,410 --> 00:26:16,405
until you were on your feet.
544
00:26:16,410 --> 00:26:19,405
And clearly you are.
545
00:26:19,410 --> 00:26:20,406
I'm not even the writer anymore,
546
00:26:20,411 --> 00:26:22,405
so maybe I'll head back
to Pahrump tomorrow.
547
00:26:22,410 --> 00:26:23,406
Ah, no. Hold on. Hold on. Louis.
548
00:26:23,411 --> 00:26:27,410
Mercedes makes a jeep?
Now that's a fucking car!
549
00:26:36,410 --> 00:26:39,410
- Good Afternoon.
- Hey. Thank you.
550
00:26:42,410 --> 00:26:44,410
(PHONE RINGING)
551
00:26:45,410 --> 00:26:47,405
Amara! Hi.
552
00:26:47,410 --> 00:26:48,406
AMARA: I call to see what's
happening with my movie.
553
00:26:48,411 --> 00:26:51,405
Oh. You want an update, uh, of course.
554
00:26:51,410 --> 00:26:56,405
Um, let me think, we
brought on a new writer.
555
00:26:56,410 --> 00:26:58,665
Yeah, I mean, the script was solid but
556
00:26:58,697 --> 00:26:59,405
there's always room for improvement.
557
00:26:59,410 --> 00:27:02,405
And I thought it would be a good
idea to make that Felton character
558
00:27:02,410 --> 00:27:03,406
a little more sympathetic.
559
00:27:03,411 --> 00:27:05,405
That got me thinking of Julian Pynter,
560
00:27:05,410 --> 00:27:06,406
I don't know if you're
familiar with his work.
561
00:27:06,411 --> 00:27:09,405
He's a big, award-winning writer
562
00:27:09,410 --> 00:27:11,405
and, uh, Julian said yes.
563
00:27:11,410 --> 00:27:13,405
So that's exciting.
564
00:27:13,410 --> 00:27:14,410
And, um...
565
00:27:16,410 --> 00:27:17,410
That's pretty much it.
566
00:27:18,410 --> 00:27:20,405
That's it?
567
00:27:20,410 --> 00:27:22,410
MILES: For now, yeah.
568
00:27:23,410 --> 00:27:25,405
Thank you for telling me.
569
00:27:25,410 --> 00:27:26,405
MILES: Sure. Sure.
570
00:27:26,410 --> 00:27:27,410
Hello?
571
00:27:29,410 --> 00:27:31,410
(BEEPS)
572
00:27:34,410 --> 00:27:37,410
(INDISTINCT CONVERSATIONS)
573
00:27:53,410 --> 00:27:55,405
Hi. I'm Miles.
574
00:27:55,410 --> 00:27:57,405
Hi, Miles. Nice to meet you. I'm Sarah.
575
00:27:57,410 --> 00:27:58,406
Sarah? I feel like we've met before, no?
576
00:27:58,411 --> 00:28:02,405
You seen the bathroom here? The
urinal is an actual waterfall.
577
00:28:02,410 --> 00:28:03,406
Wait. Don't... Why would you...
578
00:28:03,411 --> 00:28:05,405
- Oh. Was I interrupting?
- Yeah.
579
00:28:05,410 --> 00:28:08,410
She's not your type.
Look at this. Here you go.
580
00:28:09,410 --> 00:28:11,410
From Stamos, with love.
581
00:28:12,410 --> 00:28:14,405
- Wait. This is, this is great.
- Mm.
582
00:28:14,410 --> 00:28:17,405
Ah, thanks for doing, it's
not fucking real, is it?
583
00:28:17,410 --> 00:28:19,405
Like Amara's gonna know the difference.
584
00:28:19,410 --> 00:28:21,405
Did you at least go online and
see if that's his autograph?
585
00:28:21,410 --> 00:28:26,405
You're over-thinking it. Come on,
let me introduce you to a few folks.
586
00:28:26,410 --> 00:28:28,405
I can't give this to her.
587
00:28:28,410 --> 00:28:31,405
Your forgery standards are
much higher than mine, I guess.
588
00:28:31,410 --> 00:28:34,405
How about this place,
huh? Fucking crazy.
589
00:28:34,410 --> 00:28:35,406
When did men get so pretty?
590
00:28:35,411 --> 00:28:38,237
Oh, the, let me get rid of this.
591
00:28:40,410 --> 00:28:41,406
Thank you, guys.
592
00:28:41,411 --> 00:28:43,405
Hey, who's the, who's
the bald guy over there?
593
00:28:43,410 --> 00:28:45,405
He looks important.
594
00:28:45,410 --> 00:28:47,405
That guy... Yeah, he used
to run Warner Brothers.
595
00:28:47,410 --> 00:28:49,405
We don't get along, me and him.
596
00:28:49,410 --> 00:28:50,406
Come on.
597
00:28:50,411 --> 00:28:52,405
Oh, this woman here in the blue...
598
00:28:52,410 --> 00:28:54,405
- Yeah?
- She's the, uh, VP of Fox Searchlight.
599
00:28:54,410 --> 00:28:56,405
- MILES: No shit.
- RICK: She slapped me once.
600
00:28:56,410 --> 00:28:58,405
(MILES CHUCKLES)
601
00:28:58,410 --> 00:29:01,405
Listen, I overheard two
conversations about our movie,
602
00:29:01,410 --> 00:29:03,405
and someone's already
threatened to sue us.
603
00:29:03,410 --> 00:29:05,405
This is how you know
it's hot. It's hot now.
604
00:29:05,410 --> 00:29:07,405
Someone want to sue us?
605
00:29:07,410 --> 00:29:09,405
Yeah, some, uh... Thank you.
606
00:29:09,410 --> 00:29:11,405
Whacko called the office.
607
00:29:11,410 --> 00:29:13,405
You know, "Boyfriend wrote the script
608
00:29:13,410 --> 00:29:15,405
"and you're stealing it from us."
609
00:29:15,410 --> 00:29:17,410
Did she leave a name?
610
00:29:18,410 --> 00:29:20,405
The boyfriend's name? I don't know.
611
00:29:20,410 --> 00:29:22,405
Owen, or something.
Gladys took the call.
612
00:29:22,410 --> 00:29:24,405
MILES: That's funny.
And that happened today?
613
00:29:24,410 --> 00:29:26,405
- RICK: Before. When we were...
- APRIL: Look at here!
614
00:29:26,410 --> 00:29:28,405
The creative dream team!
615
00:29:28,410 --> 00:29:30,405
- Ms. Quinn.
- Enjoying yourself?
616
00:29:30,410 --> 00:29:32,405
Oh, celebrating the week I've had.
617
00:29:32,410 --> 00:29:36,405
Maybe you heard, Brandon took
me off Lethal Limit Four.
618
00:29:36,410 --> 00:29:37,406
No. Why?
619
00:29:37,411 --> 00:29:39,405
Well, to focus on The
Admiral's Mistress, silly!
620
00:29:39,410 --> 00:29:42,405
Since that's where my
passion lies. (CHUCKLES)
621
00:29:42,410 --> 00:29:45,405
And he doesn't want me
spreading myself too thin.
622
00:29:45,410 --> 00:29:47,405
- Shit. April, I'm sorry.
- No, you're not.
623
00:29:47,410 --> 00:29:49,944
You have a schadenfreude hard-on.
624
00:29:50,410 --> 00:29:52,405
That sounds painful.
625
00:29:52,410 --> 00:29:55,410
Excuse me, guys. I gotta see what
it feels like to piss in a waterfall.
626
00:29:58,410 --> 00:30:01,405
You're indispensable to that company.
627
00:30:01,410 --> 00:30:03,405
In another week, you're
gonna have a big film.
628
00:30:03,410 --> 00:30:05,405
Yes, I will.
629
00:30:05,410 --> 00:30:06,275
And you'll still be a sad, washed-up
630
00:30:06,281 --> 00:30:07,405
hack living in your father's shadow.
631
00:30:07,410 --> 00:30:10,410
Do you want another
martini? I'm gonna get one.
632
00:30:14,410 --> 00:30:17,405
Was that necessary?
633
00:30:17,410 --> 00:30:19,405
Wait. Does she think
Owen wrote the script
634
00:30:19,410 --> 00:30:20,406
or can she prove it?
635
00:30:20,411 --> 00:30:22,405
No, she seems pretty sure.
636
00:30:22,410 --> 00:30:25,405
You wanna handle it? I
think Gladys has her number.
637
00:30:25,410 --> 00:30:30,405
Hey, asshole. You want
to conduct business?
638
00:30:30,410 --> 00:30:32,410
I think you should go somewhere else.
639
00:30:33,410 --> 00:30:35,405
Fuck off.
640
00:30:35,410 --> 00:30:38,410
Yeah. Give Gladys a call and
get right back to me, okay?
641
00:30:42,410 --> 00:30:44,405
Problem, old man?
642
00:30:44,410 --> 00:30:47,405
I come here to look at the
ocean, now I'm looking at you.
643
00:30:47,410 --> 00:30:49,405
You stand before me
talking on the phone,
644
00:30:49,410 --> 00:30:52,405
like I need to hear
that kind of bullshit.
645
00:30:52,410 --> 00:30:53,405
Well, I'm off it now.
646
00:30:53,410 --> 00:30:54,410
Yeah, so why don't you move along?
647
00:30:58,410 --> 00:31:00,405
If you want to get a
better look at the ocean,
648
00:31:00,410 --> 00:31:02,410
I could always pitch you
over the fuckin' cliff.
649
00:31:04,410 --> 00:31:05,410
Yeah?
650
00:31:06,410 --> 00:31:08,405
That's your house?
651
00:31:08,410 --> 00:31:09,410
No, I'm at a party.
652
00:31:10,410 --> 00:31:12,405
I hate parties.
653
00:31:12,410 --> 00:31:14,410
Well, you seem like
such a people person.
654
00:31:15,410 --> 00:31:18,410
Yeah. I am. Hafdis.
655
00:31:21,410 --> 00:31:23,405
Miles.
656
00:31:23,410 --> 00:31:27,410
I'm sorry. My hands are a
little clammy. You know, so...
657
00:31:29,410 --> 00:31:31,405
You from around here, Hafdis?
658
00:31:31,410 --> 00:31:33,405
Yeah. That way.
659
00:31:33,410 --> 00:31:34,406
That way?
660
00:31:34,411 --> 00:31:36,405
HAFDIS: Yeah.
661
00:31:36,410 --> 00:31:37,410
Okay.
662
00:31:39,410 --> 00:31:43,410
And, you, you're
entertainment business, right?
663
00:31:45,410 --> 00:31:47,405
I'm pretending to be a movie producer.
664
00:31:47,410 --> 00:31:48,905
Yeah?
665
00:31:48,992 --> 00:31:49,909
How about you?
666
00:31:50,246 --> 00:31:51,857
I was in New Zealand for quite a while.
667
00:31:52,087 --> 00:31:55,410
Now I'm here, trying to
outwit the hounds of folly.
668
00:31:56,410 --> 00:31:58,405
How's that going?
669
00:31:58,410 --> 00:32:00,410
How's the movie-producing going?
670
00:32:01,410 --> 00:32:04,405
I don't have a fucking
clue what I'm doing.
671
00:32:04,410 --> 00:32:05,406
But it doesn't seem to be a problem.
672
00:32:05,411 --> 00:32:07,410
(HAFDIS LAUGHS)
673
00:32:08,410 --> 00:32:09,410
You want a smoke?
674
00:32:10,410 --> 00:32:12,405
I got these.
675
00:32:12,410 --> 00:32:14,656
But he's not a bad doctor,
he's just behind the curve.
676
00:32:14,662 --> 00:32:15,405
Mm-hmm.
677
00:32:15,410 --> 00:32:17,405
And the Gummy Bear
option is more cohesive.
678
00:32:17,410 --> 00:32:19,405
It's form-stable.
679
00:32:19,410 --> 00:32:21,887
But Consadine goes with the
traditional implants, always.
680
00:32:21,959 --> 00:32:23,191
You know, like there's one answer for
681
00:32:23,197 --> 00:32:25,405
all the different women who come in.
682
00:32:25,410 --> 00:32:27,410
(CRIES)
683
00:32:31,410 --> 00:32:32,410
What?
684
00:32:34,410 --> 00:32:37,405
(GRUNTS) No, I'm good. I'm good.
685
00:32:37,410 --> 00:32:40,405
No. Stop saying you're
good. You are not good.
686
00:32:40,410 --> 00:32:41,406
I'm fine.
687
00:32:41,411 --> 00:32:43,410
(SIGHS) Jeffrey...
688
00:32:44,410 --> 00:32:46,405
Something happened.
689
00:32:46,410 --> 00:32:47,410
What?
690
00:32:49,410 --> 00:32:50,406
When I went to Miles' place...
691
00:32:50,411 --> 00:32:52,405
- Fuck. What did he do?
- He didn't do anything.
692
00:32:52,410 --> 00:32:56,405
- Be honest.
- And Miles is the one who saved me.
693
00:32:56,410 --> 00:32:59,405
He had this, um, like, a neighbor.
694
00:32:59,410 --> 00:33:02,405
And I blocked the guy in with my car...
695
00:33:02,410 --> 00:33:05,405
(DEEP BREATH) And he went insane.
696
00:33:05,410 --> 00:33:08,405
Like, he pulled out a gun. And then...
697
00:33:08,410 --> 00:33:09,410
Shit.
698
00:33:10,410 --> 00:33:12,405
The TK-five-oh-nine.
699
00:33:12,410 --> 00:33:15,405
- What?
- That's my golf club.
700
00:33:15,410 --> 00:33:17,410
He jammed the grip into my mouth...
701
00:33:19,410 --> 00:33:20,406
(SNIFFLES)
702
00:33:20,411 --> 00:33:22,410
I can still taste the Gortex.
703
00:33:24,410 --> 00:33:27,405
(SIGHS)
704
00:33:27,410 --> 00:33:32,405
It's about how we all carry around
this image of a, of a better person.
705
00:33:32,410 --> 00:33:37,405
You know what we think, "If I can
be that person, I'll be happy."
706
00:33:37,410 --> 00:33:40,410
But all it does is fucking
drive us crazy. You know?
707
00:33:42,410 --> 00:33:44,405
The Admiral's...
708
00:33:44,410 --> 00:33:47,405
Mistress. Sorry if this is boring you.
709
00:33:47,410 --> 00:33:48,406
(CELL PHONE RINGING)
710
00:33:48,411 --> 00:33:50,405
Oh, shit. I better take this.
711
00:33:50,410 --> 00:33:51,962
Yeah, please do.
712
00:33:53,410 --> 00:33:54,159
Hey.
713
00:33:54,165 --> 00:33:56,405
KATIE: (ON PHONE) I can't do it, Miles.
714
00:33:56,410 --> 00:33:57,406
What?
715
00:33:57,411 --> 00:33:59,405
KATIE: This, I can't do it. I can't.
716
00:33:59,410 --> 00:34:01,405
It seems like every time I
get this far, we're back...
717
00:34:01,410 --> 00:34:03,405
- All right. Slow down, Katie.
- KATIE: I talked with Jeffrey.
718
00:34:03,410 --> 00:34:05,405
I know what happened with the golf club.
719
00:34:05,410 --> 00:34:07,410
And don't tell me it was a neighbor.
720
00:34:08,410 --> 00:34:10,405
- Miles...
- It was Yago. Okay.
721
00:34:10,410 --> 00:34:13,405
It was Yago. But I stopped
it as soon as I could.
722
00:34:13,410 --> 00:34:15,405
I know that you're trying.
723
00:34:15,410 --> 00:34:17,405
I know it. But I...
724
00:34:17,410 --> 00:34:21,410
I can't have this in my
life and neither can Emma.
725
00:34:23,410 --> 00:34:27,405
Okay. All right. Well, um,
let's, let's talk about it.
726
00:34:27,410 --> 00:34:30,405
KATIE: We have.
727
00:34:30,410 --> 00:34:32,410
And we've tried the separation thing,
728
00:34:33,410 --> 00:34:35,405
but maybe it's time for lawyers.
729
00:34:35,410 --> 00:34:37,405
No, no. No, no, no, no. Hold, hold on.
730
00:34:37,410 --> 00:34:38,406
Hold on, Katie.
731
00:34:38,411 --> 00:34:40,405
We'll get into it later, but
that's what I called to say.
732
00:34:40,410 --> 00:34:41,406
- MILES: All right. Just wait.
- I'm sorry.
733
00:34:41,411 --> 00:34:43,410
Katie? Katie?
734
00:34:45,410 --> 00:34:48,405
- Fuck.
- (CELL PHONE BEEPING)
735
00:34:48,410 --> 00:34:49,405
(LINE RINGING)
736
00:34:49,410 --> 00:34:50,405
(VOICEMAIL MESSAGE)
Hi, this is Katie...
737
00:34:50,410 --> 00:34:51,410
Fuck.
738
00:34:55,410 --> 00:34:58,410
- It was, uh...
- Nice meeting you, too.
739
00:35:08,410 --> 00:35:09,410
(DOOR OPENS)
740
00:35:10,410 --> 00:35:13,405
Got an address for the girlfriend.
741
00:35:13,410 --> 00:35:14,406
Great.
742
00:35:14,411 --> 00:35:17,405
We should head over before it gets late,
743
00:35:17,410 --> 00:35:19,405
or she's not gonna answer the door.
744
00:35:19,410 --> 00:35:22,405
Yeah. Uh, Lulu...
745
00:35:22,410 --> 00:35:24,405
What?
746
00:35:24,410 --> 00:35:27,405
Uh, maybe we don't drop
another body right now.
747
00:35:27,410 --> 00:35:30,410
You know? Could make things
trickier down the line.
748
00:35:31,410 --> 00:35:33,405
Fuck yeah, it could.
749
00:35:33,410 --> 00:35:34,406
Believe me, if we had a choice, I...
750
00:35:34,411 --> 00:35:36,405
Listen, the girlfriend
didn't call the cops, did she?
751
00:35:36,410 --> 00:35:38,405
She called the fucking movie studio.
752
00:35:38,410 --> 00:35:40,405
Which is not usually how
you behave when you think
753
00:35:40,410 --> 00:35:42,405
someone's killed your boyfriend.
754
00:35:42,410 --> 00:35:43,406
Mm. I don't know.
755
00:35:43,411 --> 00:35:45,405
She thinks that somebody
stole his script.
756
00:35:45,410 --> 00:35:46,781
So all we need to do is come up with a
757
00:35:46,787 --> 00:35:48,405
reasonable explanation
for what happened.
758
00:35:48,410 --> 00:35:50,405
Okay, you're making
this more complicated.
759
00:35:50,410 --> 00:35:53,405
So we tell her, um...
760
00:35:53,410 --> 00:35:55,405
No, I can't come with you.
761
00:35:55,410 --> 00:35:58,405
- Come on.
- I can't, I've to drive to Nevada.
762
00:35:58,410 --> 00:36:00,591
- Now?
- For fuck's sake!
763
00:36:02,410 --> 00:36:03,410
It...
764
00:36:07,410 --> 00:36:09,405
It's all gone to shit with Katie,
765
00:36:09,410 --> 00:36:11,405
and I feel like if I don't...
766
00:36:11,410 --> 00:36:13,410
If I wait, I don't know
what's gonna happen.
767
00:36:16,410 --> 00:36:18,405
Yeah. That's fine. That's...
768
00:36:18,410 --> 00:36:20,405
You go take care of Katie,
769
00:36:20,410 --> 00:36:22,410
and I'll handle the girlfriend.
770
00:36:27,410 --> 00:36:30,405
I'm sorry for that nonsense
at the car dealership.
771
00:36:30,410 --> 00:36:33,405
That was, you don't
need to up your game.
772
00:36:33,410 --> 00:36:34,406
Your game is up.
773
00:36:34,411 --> 00:36:38,405
Don't worry about it. You should go.
774
00:36:38,410 --> 00:36:40,405
Yeah. Four hours.
775
00:36:40,410 --> 00:36:44,405
And it's bullshit that they
brought on another writer. It is.
776
00:36:44,410 --> 00:36:46,405
Just stick around, Lou.
We'll find something else
777
00:36:46,410 --> 00:36:48,405
for you to do on the movie, okay?
778
00:36:48,410 --> 00:36:49,410
It's up to you.
779
00:36:51,410 --> 00:36:53,405
So, wait, wait, wait, now...
780
00:36:53,410 --> 00:36:55,405
What am I telling this woman?
781
00:36:55,410 --> 00:36:56,410
You're the writer.
782
00:36:57,410 --> 00:37:00,410
(DOOR OPENS AND CLOSES)
783
00:37:22,410 --> 00:37:24,410
(LINE RINGING)
784
00:37:27,410 --> 00:37:29,410
Just had dinner at Molly's.
785
00:37:31,410 --> 00:37:33,410
Guess who I'm lookin' at right now?
786
00:37:35,410 --> 00:37:36,406
WOMAN: (ON TV) My
question is to you,
787
00:37:36,411 --> 00:37:38,405
is how do you find your inspiration?
788
00:37:38,410 --> 00:37:41,029
(KNOCK ON THE DOOR)
789
00:37:41,187 --> 00:37:43,405
Who is it?
790
00:37:43,410 --> 00:37:45,410
LOUIS: Louis. Uh, you don't know me.
791
00:37:46,410 --> 00:37:48,410
I, I'm a friend of Owen's.
792
00:37:54,410 --> 00:37:55,406
Caroline?
793
00:37:55,411 --> 00:37:57,405
Yeah.
794
00:37:57,410 --> 00:37:58,406
I know that you're looking for Owen,
795
00:37:58,411 --> 00:38:02,405
and I owe you an explanation.
796
00:38:02,410 --> 00:38:03,406
How'd you get my address?
797
00:38:03,411 --> 00:38:05,405
Well, from your phone
number. I tried call you...
798
00:38:05,410 --> 00:38:07,405
How'd you get my phone number?
799
00:38:07,410 --> 00:38:10,405
You gave it to the production office.
800
00:38:10,410 --> 00:38:13,405
That Louis. Your name
is on the screenplay.
801
00:38:13,410 --> 00:38:14,406
You know where Owen is?
802
00:38:14,411 --> 00:38:17,405
Uh, can I come inside and we'll talk?
803
00:38:17,410 --> 00:38:18,410
Mm, no.
804
00:38:19,410 --> 00:38:23,204
Well, so I'm, I'm a screenwriter.
805
00:38:23,210 --> 00:38:25,083
- Uh-huh.
- And Owen was a friend of mine.
806
00:38:25,099 --> 00:38:26,405
And I used to give
him all my screenplays
807
00:38:26,410 --> 00:38:31,405
so that he could read them and
just tell me what he thought, and...
808
00:38:31,410 --> 00:38:34,410
(SIGHS) I found out that Owen was...
809
00:38:37,410 --> 00:38:40,410
He was taking my scripts, and
he was giving them to girls.
810
00:38:41,410 --> 00:38:44,405
You know, to get laid...
811
00:38:44,410 --> 00:38:45,406
What?
812
00:38:45,411 --> 00:38:47,410
So when you called
the production office,
813
00:38:48,410 --> 00:38:50,410
I just figured I should tell you.
814
00:38:52,410 --> 00:38:56,405
Okay, then. All right, sorry. Take care.
815
00:38:56,410 --> 00:38:58,405
Wait. You came here
to give me that story?
816
00:38:58,410 --> 00:39:02,405
I mean, that is fucking ridiculous.
817
00:39:02,410 --> 00:39:04,405
I'm just telling you what happened.
818
00:39:04,410 --> 00:39:08,410
Well, then I have questions.
819
00:39:20,410 --> 00:39:21,410
(KNOCKING)
820
00:39:34,410 --> 00:39:36,410
- (WHISPERS) Come outside.
- No.
821
00:39:37,410 --> 00:39:39,044
I drove from LA.
822
00:39:43,410 --> 00:39:45,405
What the fuck?
823
00:39:45,410 --> 00:39:47,405
I didn't wanna wake Emma.
824
00:39:47,410 --> 00:39:48,410
Jeffrey is here.
825
00:39:49,410 --> 00:39:50,406
He's in bed?
826
00:39:50,411 --> 00:39:52,405
Yes, in bed. He's sleeping.
827
00:39:52,410 --> 00:39:54,410
I didn't see his car.
828
00:39:55,410 --> 00:39:57,405
Come outside and talk to me, will ya?
829
00:39:57,410 --> 00:39:58,410
No.
830
00:40:00,410 --> 00:40:03,410
Well, I'm not going
anywhere until you do.
831
00:40:10,410 --> 00:40:12,405
- Whose car is this?
- I leased it.
832
00:40:12,410 --> 00:40:13,406
(SCOFFS)
833
00:40:13,411 --> 00:40:15,410
Call this, seemed like
a good idea at the time.
834
00:40:16,410 --> 00:40:17,406
And the suit?
835
00:40:17,411 --> 00:40:19,405
I was at a fund-raiser in Malibu.
836
00:40:19,410 --> 00:40:22,405
And tomorrow, I have a photoshoot
for the Trades which is like with...
837
00:40:22,410 --> 00:40:24,410
- Miles.
- I'm sorry about Jeffrey.
838
00:40:26,410 --> 00:40:27,406
- He's traumatized.
- Yeah.
839
00:40:27,411 --> 00:40:30,405
Takes him two milligrams of
Xanax just to fall asleep.
840
00:40:30,410 --> 00:40:32,405
- And that's terrible.
- Yes.
841
00:40:32,410 --> 00:40:35,405
Which is why you and
Emma should come to LA,
842
00:40:35,410 --> 00:40:36,406
to get away from lunatics like Yago.
843
00:40:36,411 --> 00:40:40,410
It's not about Nevada. It's about you.
844
00:40:45,410 --> 00:40:46,410
(KATIE SIGHS)
845
00:40:52,410 --> 00:40:56,405
I always thought we'd make it.
846
00:40:56,410 --> 00:40:59,405
You know, even when I moved out
I thought, "No, they'll be...
847
00:40:59,410 --> 00:41:01,410
"It'll all fuckin'..."
848
00:41:05,410 --> 00:41:08,405
You want me to stay out
of your way, I'll do it.
849
00:41:08,410 --> 00:41:10,405
I promise, I will.
850
00:41:10,410 --> 00:41:12,405
But just know that everything I'm doing,
851
00:41:12,410 --> 00:41:15,405
all I'm going through right now
is so that you can tell people
852
00:41:15,410 --> 00:41:17,410
what Emma's dad does for a living.
853
00:41:18,410 --> 00:41:21,410
And I'm sorry about Jeffrey, I am.
854
00:41:22,410 --> 00:41:23,946
I don't know what to do.
855
00:41:26,410 --> 00:41:28,410
Maybe I could send him a gift basket.
856
00:41:30,410 --> 00:41:32,410
- A gift basket would be nice.
- (CHUCKLES)
857
00:41:34,410 --> 00:41:36,405
If you're in love with this guy
858
00:41:36,410 --> 00:41:39,405
then I don't wanna be
the one who fucks it up.
859
00:41:39,410 --> 00:41:42,410
In love? (SCOFFS)
860
00:41:48,410 --> 00:41:49,410
Aren't you?
861
00:41:50,410 --> 00:41:52,410
I'm just trying to get over you.
862
00:41:58,410 --> 00:42:00,100
So, you're not over me?
863
00:42:07,410 --> 00:42:09,405
Should we make out now?
864
00:42:09,410 --> 00:42:11,405
Or is it a bit strange
with your boyfriend in bed?
865
00:42:11,410 --> 00:42:13,410
- Hold on, Katie? Katie?
- Goodnight.
866
00:42:15,410 --> 00:42:16,410
Can you just give
this to Emma, will you?
867
00:42:18,410 --> 00:42:19,406
What is it?
868
00:42:19,411 --> 00:42:21,405
Acting lessons.
869
00:42:21,410 --> 00:42:25,082
Thought it would, you know, help
her confidence before the movie.
870
00:42:26,410 --> 00:42:27,879
It's in LA.
871
00:42:30,410 --> 00:42:33,410
Acting lessons are a bit
limited around here, so...
872
00:42:34,410 --> 00:42:36,410
We'll talk about it later.
873
00:42:42,410 --> 00:42:46,405
I think when he found out
that my movie was getting made,
874
00:42:46,410 --> 00:42:48,405
he knew the jig was up.
875
00:42:48,410 --> 00:42:51,405
And that you were gonna find
out the truth. So he split.
876
00:42:51,410 --> 00:42:54,405
When did he start showing your
scripts around, do you know?
877
00:42:54,410 --> 00:43:00,405
Oh. Yeah. It's been
happening for years. Years.
878
00:43:00,410 --> 00:43:04,405
I mean, there'd be a, a different
script for a different girl.
879
00:43:04,410 --> 00:43:08,405
You know. Oh, God. I'm sor, I'm sorry.
880
00:43:08,410 --> 00:43:10,405
I didn't mean to offend you.
881
00:43:10,410 --> 00:43:14,410
I'm sure that whatever was between
you and him that was really special.
882
00:43:15,410 --> 00:43:17,405
What a psychopath.
883
00:43:17,410 --> 00:43:21,405
I mean, if you'd seen him
talking about character arcs
884
00:43:21,410 --> 00:43:25,405
and research. So creepy.
885
00:43:25,410 --> 00:43:26,406
I blame myself.
886
00:43:26,411 --> 00:43:28,405
Why?
887
00:43:28,410 --> 00:43:30,405
Because I knew what was happening,
888
00:43:30,410 --> 00:43:33,405
and I called him on it. But
I just thought, you know,
889
00:43:33,410 --> 00:43:35,405
as long as he's just giving
the scripts to these girls,
890
00:43:35,410 --> 00:43:40,405
eh, you know, I mean...
What's it matter?
891
00:43:40,410 --> 00:43:44,410
But I see now that it
was really causing damage.
892
00:43:45,410 --> 00:43:47,410
Real damage.
893
00:43:49,410 --> 00:43:51,410
I just hope you can forgive me.
894
00:43:53,410 --> 00:43:55,405
Okay.
895
00:43:55,410 --> 00:43:57,405
Well, I'm glad you came by.
896
00:43:57,410 --> 00:44:01,410
I still don't know where my
car is, if you can believe that.
897
00:44:02,410 --> 00:44:04,410
But, um... Thank you.
898
00:44:07,410 --> 00:44:09,405
Okay. (CHUCKLES)
899
00:44:09,410 --> 00:44:10,406
All right. Be well, Caroline.
900
00:44:10,411 --> 00:44:12,410
Okay. Okay, you too.
901
00:44:18,410 --> 00:44:19,410
(SIGHS)
902
00:44:23,410 --> 00:44:24,406
Hey.
903
00:44:24,411 --> 00:44:26,405
My grandmother used to say,
904
00:44:26,410 --> 00:44:29,405
"Choices are like the
branches of an oak tree."
905
00:44:29,410 --> 00:44:32,405
Ah, that's nice.
906
00:44:32,410 --> 00:44:33,406
Yeah, it's in the script.
907
00:44:33,411 --> 00:44:38,410
I mean, Owen got that from
me. So, like, how did it...
908
00:44:41,410 --> 00:44:42,410
(DOGS BARKING)
909
00:45:03,410 --> 00:45:07,410
(GROANS, SIGHS)
910
00:45:17,410 --> 00:45:18,410
(GRUNTS)
911
00:45:30,410 --> 00:45:31,406
(BREATHING HEAVILY)
912
00:45:31,411 --> 00:45:33,405
Still alive?
913
00:45:33,410 --> 00:45:35,410
I thought you wanted to speak to him.
914
00:45:37,410 --> 00:45:39,410
If you don't, I'll, I'll finish up.
915
00:45:41,410 --> 00:45:42,406
I come in.
916
00:45:42,411 --> 00:45:44,405
(GRUNTS)
917
00:45:44,410 --> 00:45:45,405
(YAGO SPEAKS SPANISH)
918
00:45:45,410 --> 00:45:46,410
(COUGHS)
919
00:45:48,410 --> 00:45:50,410
YAGO: Someone's here to see you.
920
00:45:57,410 --> 00:45:59,405
I tell you I love the script.
921
00:45:59,410 --> 00:46:01,410
Muy romantico.
922
00:46:02,227 --> 00:46:04,136
And what did you do?
923
00:46:05,410 --> 00:46:06,405
You push me out.
924
00:46:06,410 --> 00:46:07,406
No.
925
00:46:07,411 --> 00:46:09,405
But Rick tell me...
926
00:46:09,410 --> 00:46:12,405
She's the first to put money
into your movie, stupid.
927
00:46:12,410 --> 00:46:13,406
Before the studio.
928
00:46:13,411 --> 00:46:17,410
No. I, I didn't know it
myself until recently.
929
00:46:19,410 --> 00:46:22,410
I don't think that they sorted
out the details yet, Amara.
930
00:46:23,410 --> 00:46:25,405
George?
931
00:46:25,410 --> 00:46:28,405
We verified with Business
Affairs at Gravity Pictures,
932
00:46:28,410 --> 00:46:30,405
the budget is now 30 million.
933
00:46:30,410 --> 00:46:32,431
They're planning a
full buyout of Amara's
934
00:46:32,437 --> 00:46:34,405
distribution rights at 16 percent
935
00:46:34,410 --> 00:46:36,405
above her initial investment.
936
00:46:36,410 --> 00:46:37,406
You made money.
937
00:46:37,411 --> 00:46:39,410
But I don't want to be out.
938
00:46:40,410 --> 00:46:41,406
You did it behind my back.
939
00:46:41,411 --> 00:46:45,912
I didn't. I just, I didn't have a say.
940
00:46:46,410 --> 00:46:48,405
AMARA: George?
941
00:46:48,410 --> 00:46:49,406
GEORGE: As executive producers,
942
00:46:49,411 --> 00:46:53,410
you and your partner formed
an LLC. It's your decision.
943
00:46:54,410 --> 00:46:56,410
Well, I wasn't aware of that George.
944
00:46:59,410 --> 00:47:01,410
I'm pretty new to this, you know?
945
00:47:03,410 --> 00:47:04,410
YAGO: Are we done?
946
00:47:06,410 --> 00:47:08,405
We're done.
947
00:47:08,410 --> 00:47:09,410
- (YAGO CHUCKLES)
- No.
948
00:47:10,410 --> 00:47:12,405
Amara?
949
00:47:12,410 --> 00:47:14,410
(SCATTING)
950
00:47:16,410 --> 00:47:21,405
Fuck! Stamos! I got a
photograph of John Stamos.
951
00:47:21,410 --> 00:47:23,405
He, he, he signed it
for you and everything.
952
00:47:23,410 --> 00:47:24,406
Amara?
953
00:47:24,411 --> 00:47:26,410
Huh. Give me the knife.
954
00:47:28,410 --> 00:47:30,222
AMARA: You got a photo?
955
00:47:31,410 --> 00:47:34,410
Yeah. In my pocket.
956
00:47:40,410 --> 00:47:42,410
(COUGHS)
957
00:47:46,410 --> 00:47:48,410
Autografo.
958
00:47:50,410 --> 00:47:54,405
"Amara, can't wait to meet you.
959
00:47:54,410 --> 00:47:58,405
"Rick..." What's this?
960
00:47:58,410 --> 00:48:00,405
- "Sings your praises."
- Sing your praises.
961
00:48:00,410 --> 00:48:03,410
"Rick sings praises. All my love,
962
00:48:05,410 --> 00:48:06,410
"John Stamos."
963
00:48:13,410 --> 00:48:14,410
I like this.
964
00:48:15,410 --> 00:48:18,410
(SIGHS) I'm glad.
965
00:48:19,410 --> 00:48:20,410
(COUGHS)
966
00:48:24,410 --> 00:48:26,405
Movie is 30 million now.
967
00:48:26,410 --> 00:48:29,410
How come I only can put in two million?
968
00:48:30,410 --> 00:48:32,405
I don't follow.
969
00:48:32,410 --> 00:48:33,410
I want to put in four.
970
00:48:34,410 --> 00:48:36,410
- YAGO: Tia, you joking?
- Shh!
971
00:48:39,410 --> 00:48:41,914
Yes or no?
972
00:48:43,410 --> 00:48:45,410
Bigger budget, you could lose money.
973
00:48:46,410 --> 00:48:48,410
I don't lose money.
974
00:48:50,410 --> 00:48:52,405
All right, then.
975
00:48:52,410 --> 00:48:54,405
Yeah. I mean, if it's
up to me like you say
976
00:48:54,410 --> 00:48:59,405
then I'll just call the studio
and I'll say Amara's back on,
977
00:48:59,410 --> 00:49:02,405
and now she's in for
four million. No problem.
978
00:49:02,410 --> 00:49:04,405
Seriously, you gonna throw away
your money like that, Tia?
979
00:49:04,410 --> 00:49:06,405
(SPEAKS SPANISH)
980
00:49:06,410 --> 00:49:09,405
(SPEAKS SPANISH)
981
00:49:09,410 --> 00:49:11,410
(SPEAKS SPANISH)
982
00:49:32,410 --> 00:49:34,410
John Stamos is a nice man.
983
00:49:36,410 --> 00:49:38,430
He's a sweetheart.
984
00:49:47,410 --> 00:49:50,405
Morning. You looking for Rick?
985
00:49:50,410 --> 00:49:52,405
Mm.
986
00:49:52,410 --> 00:49:54,405
Rick!
987
00:49:54,410 --> 00:49:55,410
RICK: Huh? What?
988
00:49:56,410 --> 00:49:58,405
Oh, hey! Okay.
989
00:49:58,410 --> 00:49:59,406
Well, look, you don't gotta apologize.
990
00:49:59,411 --> 00:50:01,410
- We've all been there.
- APRIL: Apologize for what?
991
00:50:02,410 --> 00:50:04,405
You don't remember?
992
00:50:04,410 --> 00:50:05,406
What little I remember is plenty.
993
00:50:05,411 --> 00:50:08,405
Yeah, well... Uh, oh. Uh, the poster?
994
00:50:08,410 --> 00:50:10,656
Yeah, yeah, in that office. Right there.
995
00:50:10,662 --> 00:50:11,405
Okay.
996
00:50:11,410 --> 00:50:14,405
Guy holding a rooster. Get
it the hell outta there.
997
00:50:14,410 --> 00:50:18,405
- Okay...
- Hafdis Snaejornsson.
998
00:50:18,410 --> 00:50:20,405
- What?
- Director Snaejornsson?
999
00:50:20,410 --> 00:50:22,405
Uh, no one says it right.
1000
00:50:22,410 --> 00:50:23,406
He hasn't made a movie in 10 years,
1001
00:50:23,411 --> 00:50:27,405
but the last one he did it got
a standing ovation at Cannes
1002
00:50:27,410 --> 00:50:29,405
and won the Palme d'Or.
1003
00:50:29,410 --> 00:50:30,406
Okay. Well, from the sound
of it I don't think he...
1004
00:50:30,411 --> 00:50:32,410
He asked for the script.
1005
00:50:33,410 --> 00:50:35,405
- No kidding.
- Hmm.
1006
00:50:35,410 --> 00:50:38,405
Miles pitched it to him yesterday
on the beach according to CAA.
1007
00:50:38,410 --> 00:50:42,405
Hafdis thinks it's
something he might direct.
1008
00:50:42,410 --> 00:50:43,410
Can you follow up?
1009
00:50:44,410 --> 00:50:46,410
- Okay.
- Ah, thanks.
1010
00:50:47,410 --> 00:50:48,410
Hmm.
1011
00:50:50,410 --> 00:50:53,410
Oh. Good. Good. Good.
1012
00:50:56,410 --> 00:50:58,405
Should we call CAA?
1013
00:50:58,410 --> 00:51:00,405
No. Oh, not now. Not now.
1014
00:51:00,410 --> 00:51:02,405
You're working on pitches
for movies that aren't set up
1015
00:51:02,410 --> 00:51:03,406
and this director could move on.
1016
00:51:03,411 --> 00:51:05,405
No, he's never gonna do our movie.
1017
00:51:05,410 --> 00:51:07,405
He won the Palme d'Or.
1018
00:51:07,410 --> 00:51:09,405
- So?
- So, so I have work to do.
1019
00:51:09,410 --> 00:51:11,405
Call CAA.
1020
00:51:11,410 --> 00:51:12,410
No.
1021
00:51:15,410 --> 00:51:16,405
Don't hit me in front of the guy.
1022
00:51:16,410 --> 00:51:17,406
Albert, would you excuse us?
1023
00:51:17,411 --> 00:51:19,405
No. Don't, I want that down.
1024
00:51:19,410 --> 00:51:21,362
And would you please close the door?
1025
00:51:24,410 --> 00:51:26,405
Come on.
1026
00:51:26,410 --> 00:51:28,405
You made an ambitious movie a
hundred years ago and it shit the bed.
1027
00:51:28,410 --> 00:51:30,405
So what?
1028
00:51:30,411 --> 00:51:32,384
You should be proud that you tried.
1029
00:51:33,410 --> 00:51:37,405
Now call the famous director
and stop being a pussy.
1030
00:51:37,410 --> 00:51:41,405
Hey. Hey, hey, hey. You
work for me. You got that?
1031
00:51:41,410 --> 00:51:42,405
So don't talk to me like that.
1032
00:51:42,410 --> 00:51:43,406
- Pussy.
- Don't. Stop that.
1033
00:51:43,411 --> 00:51:46,405
Stop. Stop! All right, stop it!
1034
00:51:46,410 --> 00:51:48,405
I'll call!
1035
00:51:48,410 --> 00:51:52,405
I'll call, okay? I'm
calling. I'm dialing. See?
1036
00:51:52,410 --> 00:51:54,405
Yeah. Good.
1037
00:51:54,410 --> 00:51:57,410
You can stop with the
guidance counselor bullshit.
1038
00:51:59,410 --> 00:52:00,406
Get the guy.
1039
00:52:00,411 --> 00:52:02,405
Albert!
1040
00:52:02,410 --> 00:52:03,410
Please, continue.
1041
00:52:05,410 --> 00:52:09,405
Hello. This is Rick
Moreweather for Manny Yablonz.
1042
00:52:09,410 --> 00:52:10,410
Uh-huh, I'll hold.
1043
00:52:22,410 --> 00:52:26,410
Hey, yeah, yeah. You
know what, just leave it.
1044
00:52:27,410 --> 00:52:30,405
Leave it. It's okay.
1045
00:52:30,410 --> 00:52:33,410
Yeah, yeah. Let's just, let's
just leave it there. Thank you.
1046
00:52:35,410 --> 00:52:37,410
(DOOR OPENS AND CLOSES)
1047
00:52:53,410 --> 00:52:55,405
Food's good here.
1048
00:52:55,410 --> 00:52:58,405
What do you like, uh, the cabeza tacos?
1049
00:52:58,410 --> 00:53:01,405
Probably exactly why you came, ain't it?
1050
00:53:01,410 --> 00:53:02,410
I wanna make a deal.
1051
00:53:09,410 --> 00:53:11,405
You wanna make a deal?
1052
00:53:11,410 --> 00:53:14,405
You know last time we sat down,
1053
00:53:14,410 --> 00:53:17,410
Amara was talking about
cutting all of our legs off.
1054
00:53:19,410 --> 00:53:21,410
So far, so good though, right?
1055
00:53:22,410 --> 00:53:24,405
Except for your boy.
1056
00:53:24,410 --> 00:53:26,405
You know, the one down
there slingin' on Oakridge.
1057
00:53:26,410 --> 00:53:29,405
He ain't doing too good, is he?
1058
00:53:29,410 --> 00:53:30,410
I'll give you Amara.
1059
00:53:36,410 --> 00:53:40,251
If she's gone, most
of her men will flip.
1060
00:53:41,410 --> 00:53:44,405
I hand over business and the crew.
1061
00:53:44,410 --> 00:53:46,410
But I need a sit down with Josias.
1062
00:53:48,410 --> 00:53:50,410
Work out my side of this.
1063
00:53:56,410 --> 00:53:58,410
I can't sit here all day.
1064
00:53:59,410 --> 00:54:00,840
What's it gonna be?
1065
00:54:04,410 --> 00:54:06,410
Just do the best you can with it.
1066
00:54:09,410 --> 00:54:11,410
Mr. Daly, have a seat.
1067
00:54:20,410 --> 00:54:22,410
PHOTOGRAPHER: I should
see the other guy, right?
1068
00:54:24,410 --> 00:54:26,405
I was tied up. The other guy's fine.
1069
00:54:26,410 --> 00:54:28,405
PHOTOGRAPHER: Let's try those glasses.
1070
00:54:28,410 --> 00:54:30,410
Move that light over a little bit.
1071
00:54:32,410 --> 00:54:34,410
(CAMERA CLICKING)
1072
00:54:37,410 --> 00:54:38,406
PHOTOGRAPHER: Movie
sounds great by the way.
1073
00:54:38,411 --> 00:54:41,410
- Yeah?
- PHOTOGRAPHER: Congratulations.
1074
00:54:44,904 --> 00:54:49,705
- Synced & Corrected by Dragoniod -
www.addic7ed.com
1075
00:54:49,755 --> 00:54:54,305
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
77777
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
