All language subtitles for Empty Nest s07e05 The Woman Who Came to Dither.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,703 --> 00:00:04,109 - "DATELINE MIAMI. 2 00:00:04,140 --> 00:00:05,206 "THE STADIUM CHEERED 3 00:00:05,241 --> 00:00:07,208 "AS THE GALLANT GLADIATORS OF THE GRIDIRON 4 00:00:07,243 --> 00:00:09,923 "TRIUMPHANTLY RAN OFF THE FOOTBALL DIAMOND. 5 00:00:11,714 --> 00:00:13,614 "THE FELLOWS WITH THE FISH ON THEIR HELMETS-- 6 00:00:13,649 --> 00:00:17,842 "I BELIEVE THEY'RE CALLED THE MIAMI PESCADORS-- 7 00:00:18,221 --> 00:00:19,620 "WORE LIGHT-COLORED UNIFORMS 8 00:00:19,655 --> 00:00:22,356 "AND GOT MUCH DIRTIER THAN THE OTHER TEAM, 9 00:00:22,391 --> 00:00:25,159 WHO HAD THE GOOD SENSE TO WEAR A DARKER COLOR." 10 00:00:27,363 --> 00:00:30,280 WHO SAYS WOMEN CAN'T WRITE SPORTS? 11 00:00:31,979 --> 00:00:33,067 - HEY, CAROL. 12 00:00:33,102 --> 00:00:34,869 - HI, SOPHIA. ARE YOU GOING ON A TRIP? 13 00:00:34,904 --> 00:00:37,771 - NO. I'M TRAINING FOR THE BELLHOP OLYMPICS. 14 00:00:39,842 --> 00:00:42,076 CAN I CRASH HERE A FEW DAYS TIL I FIND A NEW PLACE? 15 00:00:42,111 --> 00:00:43,711 - OF COURSE. WHAT'S THE MATTER? 16 00:00:43,746 --> 00:00:45,946 - IT'S LEMPKE, THE NEW MANAGER AT SHADY PINES. 17 00:00:45,982 --> 00:00:47,181 HE TREATS US LIKE CHILDREN. 18 00:00:47,216 --> 00:00:48,577 HERE. LOOK AT THIS. 19 00:00:49,633 --> 00:00:51,352 - "LIGHTS OUT AT 9:00. 20 00:00:51,387 --> 00:00:54,922 "NO MORE BUS TRIPS TO ST. GENEVIEVE FOR BINGO. 21 00:00:54,957 --> 00:00:57,658 NO DESSERTS. NO MORE SODA." 22 00:00:57,693 --> 00:01:00,646 - PLUS, HE BLOCKED THE PLAYBOY CHANNEL. 23 00:01:07,169 --> 00:01:09,236 - SOPHIA, HE JUST ARBITRARILY CAME 24 00:01:09,272 --> 00:01:10,838 AND TOOK THESE THINGS AWAY FROM YOU? 25 00:01:10,873 --> 00:01:12,306 WELL, YOU HAVE TO FIGHT BACK. 26 00:01:12,341 --> 00:01:13,507 YOU HAVE TO STAND UP FOR YOUR RIGHTS. 27 00:01:13,542 --> 00:01:15,910 - I DID. I ORGANIZED A PROTEST RALLY. 28 00:01:15,945 --> 00:01:17,278 - WELL, GOOD. WHAT HAPPENED? 29 00:01:17,313 --> 00:01:19,246 - NOTHING. THE RALLY WAS AT 8:00, 30 00:01:19,282 --> 00:01:21,489 AND BY 7:30 EVERYBODY WAS ASLEEP. 31 00:01:21,817 --> 00:01:26,053 32 00:01:26,088 --> 00:01:27,588 - LIFE GOES ON 33 00:01:27,623 --> 00:01:29,490 AND SO DO WE 34 00:01:29,525 --> 00:01:33,360 JUST HOW WE DO IT IS NO MYSTERY 35 00:01:33,396 --> 00:01:35,329 ONE BY ONE 36 00:01:35,364 --> 00:01:37,164 WE FILL THE DAYS 37 00:01:37,199 --> 00:01:41,669 WE FIND A THOUSAND DIFFERENT WAYS 38 00:01:41,704 --> 00:01:45,606 SOMETIMES THE ANSWER CAN BE HARD TO FIND 39 00:01:45,641 --> 00:01:48,375 THAT'S SOMETHING I WILL NEVER BE 40 00:01:48,411 --> 00:01:51,245 I'M ALWAYS HERE 41 00:01:51,280 --> 00:01:56,250 FOR ANYTHING YOU NEED 42 00:01:56,285 --> 00:01:58,585 RAIN OR SHINE 43 00:01:58,621 --> 00:02:01,088 I'LL BE THE ONE 44 00:02:01,123 --> 00:02:05,459 TO SHARE IT ALL AS LIFE GOES ON 45 00:02:05,494 --> 00:02:08,062 WE SHARE IT ALL 46 00:02:08,097 --> 00:02:11,065 AS LIFE GOES ON 47 00:02:13,167 --> 00:02:15,061 [phone ringing] 48 00:02:24,341 --> 00:02:26,675 [ringing continues] 49 00:02:35,269 --> 00:02:36,435 - CANAL STREET CLINIC. 50 00:02:36,470 --> 00:02:38,971 YES, LAVERNE. I KNOW IT RANG TEN TIMES, 51 00:02:39,006 --> 00:02:40,572 BUT I COULDN'T GET MR. JENKINS' BLOOD 52 00:02:40,608 --> 00:02:42,293 TO CLOT ANY FASTER. 53 00:02:43,711 --> 00:02:45,456 SO HOW ARE THINGS IN HICKORY? 54 00:02:46,135 --> 00:02:48,566 THE TRIAL'S BEEN POSTPONED AGAIN? 55 00:02:48,980 --> 00:02:50,546 ALL RIGHT. KEEP US POSTED. 56 00:02:50,581 --> 00:02:53,382 - DID SHE SAY WHEN SHE'S COMING BACK? 57 00:02:53,418 --> 00:02:55,418 - SHE HASN'T EVEN TESTIFIED YET. 58 00:02:55,453 --> 00:02:57,486 SEEMS THERE'S BEEN A DELAY. 59 00:02:57,522 --> 00:02:59,255 APPARENTLY, THEY NEEDED THE JUDGE'S ROBE 60 00:02:59,290 --> 00:03:01,372 FOR THE HIGH SCHOOL GRADUATION. 61 00:03:03,363 --> 00:03:05,436 - HI, EVERYONE. I'M BACK. 62 00:03:09,867 --> 00:03:11,968 - HAVE--HAVE-- HAVE WE MET? 63 00:03:12,003 --> 00:03:13,970 - SURE WE HAVE. DON'T YOU REMEMBER ME? 64 00:03:14,005 --> 00:03:15,271 I WAS A VOLUNTEER HERE. 65 00:03:15,306 --> 00:03:17,640 - OH, OF COURSE. MAXINE, LOOK. 66 00:03:17,675 --> 00:03:19,308 IT'S DOLORES. 67 00:03:19,344 --> 00:03:20,910 - DORIS. 68 00:03:22,061 --> 00:03:23,093 - RIGHT. 69 00:03:23,348 --> 00:03:25,791 - OH, YEAH, DORIS. 70 00:03:26,718 --> 00:03:28,965 IT'S ALL COMING BACK TO ME NOW. 71 00:03:29,706 --> 00:03:31,640 - SO, WHAT--WHAT BRINGS YOU INTO THE NEIGHBORHOOD? 72 00:03:31,856 --> 00:03:34,056 - MY JOB. - REALLY? WHERE DO YOU WORK? 73 00:03:34,092 --> 00:03:35,378 - HERE. 74 00:03:36,728 --> 00:03:38,260 THE AGENCY SENT ME. 75 00:03:39,501 --> 00:03:41,097 both: OH. 76 00:03:41,132 --> 00:03:43,966 - YEAH, I--I JUST GRADUATED FROM NURSING SCHOOL. 77 00:03:44,002 --> 00:03:45,634 THIS IS MY FIRST JOB. 78 00:03:45,670 --> 00:03:47,436 - OH, WELL! WELL, CONGRATULATIONS. 79 00:03:47,472 --> 00:03:48,971 - HOW LUCKY FOR US. 80 00:03:49,007 --> 00:03:52,472 WE GET YOU BEFORE YOU'RE TARNISHED BY EXPERIENCE. 81 00:03:53,244 --> 00:03:54,443 - YOU KNOW, IT WAS LAVERNE 82 00:03:54,479 --> 00:03:56,679 WHO INSPIRED ME TO GO INTO NURSING. 83 00:03:56,714 --> 00:03:58,247 I'LL NEVER FORGET HER WORDS: 84 00:03:58,282 --> 00:04:00,632 "WHITE'S A GOOD COLOR FOR YOU." 85 00:04:01,819 --> 00:04:04,620 I CAN'T BELIEVE I'M GONNA BE WORKING WITH MY MENTOR. 86 00:04:04,655 --> 00:04:06,956 - OH, DORIS. LAVERNE'S NOT HERE. 87 00:04:06,991 --> 00:04:08,324 YOU'LL FILLING IN FOR HER. 88 00:04:08,359 --> 00:04:09,683 - WHAT? 89 00:04:10,372 --> 00:04:14,330 NO. I--I COULD NEVER FILL IN FOR LAVERNE. 90 00:04:14,365 --> 00:04:15,831 SHE'S MY IDOL. 91 00:04:15,867 --> 00:04:17,333 I'M NOT READY FOR THIS. 92 00:04:17,368 --> 00:04:18,968 OH, STUPID, STUPID-- 93 00:04:19,003 --> 00:04:20,870 - NO, NO, COME HERE. COME HERE. NO, NO. 94 00:04:20,905 --> 00:04:22,138 DORIS, DORIS, DON'T DO THAT. 95 00:04:22,173 --> 00:04:24,422 COME HERE. JUST SIT DOWN. 96 00:04:24,515 --> 00:04:25,679 DID YOU, UH-- 97 00:04:25,703 --> 00:04:27,503 DID YOU PASS THE NURSING BOARDS? 98 00:04:27,539 --> 00:04:28,838 - YES, I DID. 99 00:04:28,873 --> 00:04:30,373 I THOUGHT YOU WOULDN'T BELIEVE ME 100 00:04:30,408 --> 00:04:33,028 SO I BROUGHT THEM JUST TO SHOW YOU. 101 00:04:34,112 --> 00:04:36,379 AND HERE ARE SOME PICTURES OF MY GRADUATION. 102 00:04:36,414 --> 00:04:37,637 - OKAY. 103 00:04:40,396 --> 00:04:41,918 THESE ARE PHENOMENAL. 104 00:04:41,953 --> 00:04:43,653 - OH, WELL, THEY'RE A LITTLE OUT OF FOCUS. 105 00:04:43,688 --> 00:04:46,045 IT'S HARD TO TAKE A PICTURE OF YOURSELF. 106 00:04:47,290 --> 00:04:49,692 - NO, NO, NO, NO, DEAR. 107 00:04:49,727 --> 00:04:51,559 THESE SCORES. 108 00:04:51,896 --> 00:04:54,397 I MEAN, I KNOW YOU CAN DO THIS JOB. 109 00:04:54,432 --> 00:04:55,965 AND YOU'LL MAKE LAVERNE VERY PROUD. 110 00:04:56,000 --> 00:04:57,200 RIGHT, MAX? 111 00:04:57,235 --> 00:04:58,568 - WELL, YEAH, BUT-- 112 00:04:58,603 --> 00:05:02,071 - WELL, OKAY THEN. I'LL JUST GO PUT AWAY MY THINGS. 113 00:05:03,441 --> 00:05:05,152 - HARRY... 114 00:05:05,443 --> 00:05:06,809 DORIS? 115 00:05:06,845 --> 00:05:09,078 I MEAN, SHE'S KIND OF A FLAKE. 116 00:05:09,113 --> 00:05:10,680 - SHE IS NOT A FLAKE. 117 00:05:10,715 --> 00:05:12,248 - OH, PLEASE, HARRY. 118 00:05:12,283 --> 00:05:14,738 YOU POUR MILK ON HER, SHE'S BREAKFAST. 119 00:05:16,654 --> 00:05:19,722 I MEAN, I DON'T KNOW IF WE CAN TRUST THIS WOMAN. 120 00:05:19,757 --> 00:05:22,825 - MAXINE, WE NEED SOMEBODY, AND SHE KNOWS THE CLINIC. 121 00:05:22,861 --> 00:05:25,428 BESIDES, LOOK AT THESE SCORES. 122 00:05:25,463 --> 00:05:26,529 [thump] 123 00:05:26,564 --> 00:05:28,631 - UH, COULD SOMEONE HELP ME? 124 00:05:28,666 --> 00:05:31,234 I GOT MY HAIR CAUGHT IN THE LOCKER. 125 00:05:33,705 --> 00:05:35,805 - I GUESS THAT WASN'T ON THE TEST. 126 00:05:41,412 --> 00:05:42,478 - [sniffing] 127 00:05:42,513 --> 00:05:45,314 MM, SOMETHING SMELLS GOOD. 128 00:05:45,350 --> 00:05:46,382 - THANK YOU. 129 00:05:46,417 --> 00:05:48,050 IT'S MY NEW RECIPE. 130 00:05:48,086 --> 00:05:50,245 - I WAS TALKING ABOUT ME. 131 00:05:53,558 --> 00:05:55,258 IT'S MY NEW AFTERSHAVE. 132 00:05:55,293 --> 00:05:57,193 SO, WHEN'S DINNER? I'M STARVED. 133 00:05:57,228 --> 00:05:59,328 - CHARLEY, YOU ARE NOT EATING HERE TONIGHT. 134 00:05:59,364 --> 00:06:00,563 THAT IS SOPHIA'S PLACE. 135 00:06:00,598 --> 00:06:02,298 - OH, MAN, SHE'S STILL HERE? 136 00:06:02,333 --> 00:06:03,833 WHAT A MOOCH. 137 00:06:05,077 --> 00:06:06,369 - HI, SOPHIA. HI, DADDY. 138 00:06:06,404 --> 00:06:07,803 HOW WAS BOWLING? 139 00:06:07,839 --> 00:06:09,572 - PICTURE THIS. 140 00:06:09,607 --> 00:06:10,840 TENTH FRAME. 141 00:06:10,875 --> 00:06:12,074 DEAD-EYE SOPHIA 142 00:06:12,110 --> 00:06:14,877 STARES DOWN THE DREADED SEVEN-TEN SPLIT. 143 00:06:14,913 --> 00:06:16,779 SHE APPROACHES THE LINE, 144 00:06:16,814 --> 00:06:17,980 DRAWS BACK, 145 00:06:18,016 --> 00:06:19,649 FORWARD RELEASE. 146 00:06:19,684 --> 00:06:20,850 POING PWANG. 147 00:06:20,885 --> 00:06:22,704 - NOTHING BUT PIN. 148 00:06:26,357 --> 00:06:27,857 - HEY, HARRY. 149 00:06:27,892 --> 00:06:29,425 HOW COME YOU NEVER TAKE ME BOWLING? 150 00:06:29,460 --> 00:06:30,960 - I TOOK YOU ONCE. 151 00:06:30,995 --> 00:06:32,228 YOU KNOCKED YOURSELF OUT 152 00:06:32,263 --> 00:06:34,590 WHEN YOU STUCK YOUR HEAD IN THE BALL RETURN. 153 00:06:39,437 --> 00:06:40,640 - OH. 154 00:06:41,406 --> 00:06:43,278 MAYBE THAT'S WHY I DON'T REMEMBER. 155 00:06:45,226 --> 00:06:46,409 - MAYBE. 156 00:06:46,444 --> 00:06:47,874 NOW, GO HOME. 157 00:06:47,912 --> 00:06:49,131 - FINE. 158 00:06:49,163 --> 00:06:50,601 I'LL EAT ALONE. 159 00:06:52,593 --> 00:06:54,850 - I MAKING SCONCIGLI, SOPHIA. 160 00:06:54,886 --> 00:06:57,204 AND I THINK IT'S GOING TO BE DELIZIOSO. 161 00:06:57,652 --> 00:06:59,555 - MORE LIKE ALPO. 162 00:07:01,917 --> 00:07:03,636 OUT OF THE WAY. WHERE'S THE GARLIC? 163 00:07:04,162 --> 00:07:06,028 - UH, SOPHIA, I REALLY APPRECIATE 164 00:07:06,064 --> 00:07:07,330 YOUR DOING SO MUCH COOKING, 165 00:07:07,365 --> 00:07:08,898 BUT I HAVE TO BE HONEST WITH YOU. 166 00:07:08,933 --> 00:07:12,168 I'M NOT A BIG FAN OF THE GARLIC. 167 00:07:12,203 --> 00:07:13,769 - BECAUSE YOU DON'T KNOW WHAT'S GOOD FOR YOU. 168 00:07:13,805 --> 00:07:17,273 - BUT THIS MORNING YOU PUT GARLIC IN MY WAFFLES. 169 00:07:19,077 --> 00:07:20,452 - TRUST ME. 170 00:07:20,491 --> 00:07:22,498 IN THREE DAYS, YOUR HAIR WILL BE JET BLACK, 171 00:07:22,522 --> 00:07:25,130 AND YOU'LL BE AS VIRILE AS A BULL. 172 00:07:25,959 --> 00:07:27,892 - OH, THAT REMINDS ME, DADDY. 173 00:07:27,927 --> 00:07:29,427 TRUDY CALLED. 174 00:07:30,264 --> 00:07:31,863 - WHO'S--WHO'S TRUDY? 175 00:07:31,898 --> 00:07:33,598 - JUST, UH-- A LADY I'VE BEEN SEEING. 176 00:07:33,633 --> 00:07:35,433 - DO I KNOW HER? - UH, NO. 177 00:07:35,468 --> 00:07:37,001 WHAT TIME DOES SHE WANT ME TO PICK HER UP? 178 00:07:37,036 --> 00:07:38,069 - WHERE ARE YOU GOING? 179 00:07:39,370 --> 00:07:40,538 - JUST TO THE MOVIES. 180 00:07:40,573 --> 00:07:41,706 - PICK HER UP AT 9:00. 181 00:07:41,741 --> 00:07:43,674 - 9:00? IT'S A WORK NIGHT. 182 00:07:43,710 --> 00:07:46,177 - SOPHIA, YOU SOUND JUST LIKE MY MOTHER. 183 00:07:46,212 --> 00:07:48,813 - AND IF MAMA'S LITTLE BOY ISN'T HOME BY 12:00, 184 00:07:48,848 --> 00:07:50,603 BADA-BING. 185 00:07:52,151 --> 00:07:53,351 - BADA-BING? 186 00:07:53,886 --> 00:07:55,302 - BADA-BING! 187 00:07:57,490 --> 00:07:58,724 - I GET IT. 188 00:07:59,508 --> 00:08:01,551 CAROL, CAN I TALK TO YOU FOR A MINUTE, PLEASE? 189 00:08:06,841 --> 00:08:07,938 HONEY... 190 00:08:08,601 --> 00:08:09,767 I LOVE SOPHIA, 191 00:08:09,802 --> 00:08:11,991 BUT SHE'S MAKING ME A LITTLE CRAZY. 192 00:08:12,372 --> 00:08:14,805 NOW, WHAT'S HAPPENING WITH--WITH SHADY PINES? 193 00:08:14,841 --> 00:08:16,941 - I'M ON IT, DADDY. I'VE ALREADY CONTACTED 194 00:08:16,976 --> 00:08:18,876 THE OLDER WOMEN'S LEAGUE, THE A.A.R.P, 195 00:08:18,912 --> 00:08:20,632 AND THE GRAY PANTHERS. 196 00:08:21,496 --> 00:08:24,567 - HAVE YOU THOUGHT ABOUT CONTACTING SHADY PINES? 197 00:08:25,118 --> 00:08:27,018 - THAT'S WHAT THEY'RE EXPECTING. 198 00:08:27,053 --> 00:08:29,353 INSTEAD, I'M PLANNING TO WRITE A SCATHING EDITORIAL 199 00:08:29,389 --> 00:08:31,856 - FOR NEXT WEEK'S CRIER-- - OH, NEXT WEEK? 200 00:08:31,891 --> 00:08:33,624 NEXT WEEK. CAROL, PLEASE. 201 00:08:33,660 --> 00:08:36,220 SOPHIA NEEDS TO BE WITH HER FRIENDS. 202 00:08:36,584 --> 00:08:37,862 - FIRST THING TOMORROW MORNING 203 00:08:37,897 --> 00:08:39,430 I WILL MARCH DOWN TO SHADY PINES 204 00:08:39,465 --> 00:08:40,998 AND CONFRONT THAT MR. LEMPKE. 205 00:08:41,034 --> 00:08:43,258 WE SHALL OVERCOME. 206 00:08:43,790 --> 00:08:45,202 - HARRY, DO ME A FAVOR. 207 00:08:45,238 --> 00:08:47,255 RUN TO THE STORE. WE'RE OUT OF GARLIC. 208 00:08:50,443 --> 00:08:52,323 - OVERCOME QUICK. 209 00:08:57,116 --> 00:08:58,647 - D-E-A-R SPACE. 210 00:08:58,683 --> 00:09:00,683 S-I-R COLON. RETURN, RETURN TAB. 211 00:09:00,710 --> 00:09:02,710 P-L-E-A-S-E SPACE B-E SPACE. 212 00:09:02,745 --> 00:09:04,345 A-D-V-I-S-E-D SPACE. 213 00:09:04,378 --> 00:09:06,424 - DORIS? - D-O-R-I-S SPA-- 214 00:09:06,459 --> 00:09:07,491 - OOPS. 215 00:09:07,527 --> 00:09:09,604 DELETE, DELETE, DELETE, DELETE, DELETE. 216 00:09:10,196 --> 00:09:12,430 - DO YOU HAVE TO TYPE OUT LOUD? 217 00:09:12,465 --> 00:09:13,497 - YES. 218 00:09:13,822 --> 00:09:14,899 NO. 219 00:09:14,934 --> 00:09:16,211 SORRY. 220 00:09:16,469 --> 00:09:17,935 - I'LL DO THAT. 221 00:09:17,971 --> 00:09:21,716 LOOK, WHY DON'T YOU TAKE MR. SPAULDING TO EXAM ROOM ONE? 222 00:09:21,747 --> 00:09:24,253 - YES, SIR-- MA'AM--DOCTOR. 223 00:09:30,676 --> 00:09:31,983 - MAXINE, WHY ARE YOU TYPING? 224 00:09:32,018 --> 00:09:33,417 WHY ISN'T DORIS DOING IT? 225 00:09:33,453 --> 00:09:35,639 - BECAUSE SHE'S WEIRD, HARRY. 226 00:09:36,823 --> 00:09:38,835 SHE TALKS TO THE COMPUTER. 227 00:09:39,045 --> 00:09:40,944 - SHE GETS THE JOB DONE. 228 00:09:40,994 --> 00:09:43,760 - YEAH, BUT SHE'S WEIRD. 229 00:09:44,297 --> 00:09:46,480 HER LOCKER SMELLS LIKE MUSTARD. 230 00:09:47,706 --> 00:09:49,200 - YOU'RE SNIFFING HER LOCKER, 231 00:09:49,235 --> 00:09:50,883 AND SHE'S WEIRD? 232 00:09:57,777 --> 00:10:00,700 - WELL, YOUR BLOOD PRESSURE IS A LITTLE HIGH. 233 00:10:00,747 --> 00:10:02,029 - THAT'S BECAUSE I'M NERVOUS. 234 00:10:02,275 --> 00:10:03,770 WHERE'S THE OTHER NURSE? 235 00:10:03,802 --> 00:10:05,616 THE ONE WITH ALL THE SOUTHERN STORIES. 236 00:10:05,651 --> 00:10:06,884 THEY CALM ME DOWN. 237 00:10:06,919 --> 00:10:09,020 - OH, I'M FILLING IN FOR HER. 238 00:10:09,055 --> 00:10:10,354 - OKAY. 239 00:10:10,390 --> 00:10:12,733 SO YOU TELL ME A SOUTHERN STORY. 240 00:10:13,359 --> 00:10:14,658 - I'LL TRY. 241 00:10:14,894 --> 00:10:19,330 UH, IT WAS A WARM SPRING DAY WHEN SCARLETT O'HARA 242 00:10:19,365 --> 00:10:22,400 SWEPT DOWN THE STAIRS AND SAID, "FIDDLE-DEE-DEE, 243 00:10:22,435 --> 00:10:24,235 WHAT SHALL I DO?" 244 00:10:24,270 --> 00:10:26,704 - DORIS, WHAT ARE YOU DOING? 245 00:10:26,739 --> 00:10:29,073 - OH, I'M PUTTING THE PATIENT AT EASE. 246 00:10:29,108 --> 00:10:30,474 SEE, AT NURSING SCHOOL THEY TAUGHT US-- 247 00:10:30,510 --> 00:10:33,177 - UH, ALL RIGHT, DORIS. I'LL TAKE OVER FROM HERE. 248 00:10:33,212 --> 00:10:35,079 - OKAY. I WAS AT THE PART 249 00:10:35,114 --> 00:10:36,881 WHERE SCARLETT'S COMING DOWN THE STAIRS. 250 00:10:36,916 --> 00:10:38,069 - UH... 251 00:10:39,452 --> 00:10:41,152 WHY DON'T YOU MAKE SOME COFFEE? 252 00:10:41,187 --> 00:10:43,988 - OH, I'M SORRY. THAT WAS STUPID. 253 00:10:44,023 --> 00:10:45,189 I THOUGHT YOU WERE TALKING ABOUT THE STORY, 254 00:10:45,224 --> 00:10:46,257 BUT OF COURSE YOU WERE TALKING-- 255 00:10:46,292 --> 00:10:47,324 - UH-UH. 256 00:10:47,360 --> 00:10:50,033 JUST MAKE SOME COFFEE AND... 257 00:10:50,175 --> 00:10:52,029 BEFORE YOU DO ANYTHING ELSE, 258 00:10:52,065 --> 00:10:53,438 CHECK WITH ME. 259 00:10:53,927 --> 00:10:55,314 - YES, DOCTOR. 260 00:10:56,135 --> 00:10:57,168 - AND REMEMBER: 261 00:10:57,203 --> 00:10:59,027 EIGHT LEVEL SCOOPS. 262 00:11:01,233 --> 00:11:02,666 OK, MR. SPAULDING, 263 00:11:02,701 --> 00:11:04,167 LET'S CHECK YOUR BLOOD PRESSURE. 264 00:11:04,202 --> 00:11:05,302 - THE NURSE ALREADY DID THAT. 265 00:11:05,337 --> 00:11:07,961 - WELL, IT DOESN'T HURT TO DOUBLE CHECK. 266 00:11:08,573 --> 00:11:12,609 - TWO, THREE, FOUR-- - OH, DORIS, BEFORE-- 267 00:11:12,644 --> 00:11:14,177 - OH, FUDGE. I LOST COUNT. 268 00:11:14,212 --> 00:11:15,578 HERE. 269 00:11:18,317 --> 00:11:19,716 - DORIS, IS--IS SOMETHING WRONG? 270 00:11:19,751 --> 00:11:21,785 - I'M AN INCOMPETENT NURSE. 271 00:11:21,820 --> 00:11:23,920 - DON'T BE SO HARD ON YOURSELF. 272 00:11:23,956 --> 00:11:25,789 A LOT OF NURSES CAN'T MAKE COFFEE. 273 00:11:25,824 --> 00:11:27,157 - IT'S NOT JUST COFFEE, 274 00:11:27,192 --> 00:11:28,391 IT'S EVERYTHING. 275 00:11:28,427 --> 00:11:30,493 - DORIS, WHAT IS WRONG? 276 00:11:30,529 --> 00:11:33,229 - DR. DOUGLAS MAKES ME NERVOUS. 277 00:11:33,265 --> 00:11:34,631 SHE DOESN'T TRUST ME. 278 00:11:34,666 --> 00:11:37,133 I TOOK MRS. VERALIS' TEMPERATURE, SHE RETOOK IT. 279 00:11:37,169 --> 00:11:38,902 I FILED SOME FILES, SHE REFILED THEM. 280 00:11:38,937 --> 00:11:39,970 IN THE WRONG PLACE. 281 00:11:40,005 --> 00:11:41,271 SO I RE-REFILED THEM, 282 00:11:41,306 --> 00:11:42,472 BUT SHE CAUGHT ME. 283 00:11:42,507 --> 00:11:44,641 SO THEN I HAD TO SNEAK BACK IN 284 00:11:44,676 --> 00:11:46,042 AND RE-RE-RE-RE-- 285 00:11:46,078 --> 00:11:47,428 - DORIS, DORIS... 286 00:11:48,386 --> 00:11:51,362 I--I--I-- I SEE WHAT YOU MEAN. 287 00:11:52,184 --> 00:11:53,480 ALL RIGHT, WELL... 288 00:11:53,719 --> 00:11:55,552 MAYBE I SHOULD HAVE A TALK WITH HER. 289 00:11:55,587 --> 00:11:56,653 - NO. 290 00:11:56,688 --> 00:11:59,122 WHEN A NURSE HAS A CONFLICT WITH A DOCTOR, 291 00:11:59,157 --> 00:12:00,924 SHE HAS TO RESOLVE IT BY HERSELF. 292 00:12:00,959 --> 00:12:02,625 I LEARNED THAT IN MY CLASS 293 00:12:02,661 --> 00:12:05,222 "RESOLVING DOCTOR-NURSE CONFLICTS 294 00:12:06,098 --> 00:12:07,480 BY YOURSELF." 295 00:12:08,066 --> 00:12:09,866 - WELL, GOOD FOR YOU. 296 00:12:09,901 --> 00:12:11,167 I KNOW YOU CAN DO IT. 297 00:12:11,203 --> 00:12:12,569 - THANKS. 298 00:12:19,091 --> 00:12:22,012 I AM CAPABLE, I AM CONFIDENT, 299 00:12:22,047 --> 00:12:23,432 I AM STRONG. 300 00:12:23,471 --> 00:12:24,914 - I AM CAPABLE. - DORIS. 301 00:12:24,950 --> 00:12:26,862 - I-- - ARE YOU ALL RIGHT? 302 00:12:28,020 --> 00:12:29,519 - DR. DOUGLAS, UM, 303 00:12:29,554 --> 00:12:30,653 I NEED TO TALK TO YOU ABOUT SOMETHING 304 00:12:30,689 --> 00:12:31,888 THAT'S BEEN BOTHERING ME. 305 00:12:31,923 --> 00:12:33,757 - UH, DORIS, I'M KIND OF BUSY. WHAT IS IT? 306 00:12:33,792 --> 00:12:37,027 - AH, UM, WELL... 307 00:12:37,062 --> 00:12:38,428 - WHAT? 308 00:12:39,658 --> 00:12:41,965 - I FORGOT HOW MANY SCOOPS. 309 00:12:46,304 --> 00:12:48,038 NO, SOPHIA'S NOT MY MOTHER, 310 00:12:48,073 --> 00:12:49,751 SHE'S JUST STAYING WITH US. 311 00:12:51,326 --> 00:12:53,366 SHE SAID YOU'RE AFTER MY MONEY? 312 00:12:55,514 --> 00:12:57,714 WELL, TRUDY, UH, YOU'RE A PLASTIC SURGEON. 313 00:12:57,749 --> 00:13:00,307 MAYBE I'M AFTER YOUR MONEY. 314 00:13:01,702 --> 00:13:02,895 HELLO? 315 00:13:05,054 --> 00:13:06,523 - GOOD. YOU'RE HOME. 316 00:13:06,558 --> 00:13:07,590 THE TIME HAS COME. 317 00:13:07,626 --> 00:13:09,159 WE GOTTA GIVE THE OLD BIDDY THE BOOT. 318 00:13:09,194 --> 00:13:11,127 - CHARLEY... - HARRY, SHE'S GONE TOO FAR. 319 00:13:11,163 --> 00:13:13,163 NOT ONLY HAS SHE TAKEN MY PLACE AT THE DINNER TABLE, 320 00:13:13,198 --> 00:13:15,729 BUT SHE BUYS NON-ALCOHOLIC BEER. 321 00:13:16,535 --> 00:13:17,567 AND LOOK AT THIS. 322 00:13:17,602 --> 00:13:19,739 SHE PUT GARLIC IN MY SPAM. 323 00:13:21,545 --> 00:13:23,662 WOW, THIS IS GREAT. 324 00:13:26,378 --> 00:13:27,931 OKAY, SHE CAN STAY. 325 00:13:28,380 --> 00:13:30,113 - CHARLEY, WHAT AM I GONNA DO? 326 00:13:30,148 --> 00:13:31,448 I MEAN, SOPHIA'S LIKE A MOTHER TO ME. 327 00:13:31,483 --> 00:13:32,816 HOW DO YOU GET RID OF YOUR MOTHER? 328 00:13:32,851 --> 00:13:35,582 - WELL, WHAT I USUALLY DO IS TELL HER I NEED A KIDNEY. 329 00:13:36,555 --> 00:13:38,574 NEXT THING YOU KNOW, SHE'S ON A WORLD CRUISE. 330 00:13:40,633 --> 00:13:42,559 - HEY, DUDES. THE OLD LADY'S HOME. 331 00:13:42,594 --> 00:13:44,412 - UH, CHARLEY, WOULD YOU EXCUSE US? 332 00:13:44,445 --> 00:13:46,563 I--I--I WOULD LIKE TO SPEAK WITH SOPHIA ALONE. 333 00:13:46,592 --> 00:13:48,072 - OH, RIGHT. 334 00:13:48,233 --> 00:13:50,030 TOO BAD ABOUT YOUR KIDNEY. 335 00:13:52,628 --> 00:13:53,694 - UH, SOPHIA, DEAR. 336 00:13:53,730 --> 00:13:55,923 I THINK WE SHOULD HAVE A LITTLE TALK. 337 00:13:56,432 --> 00:13:57,832 - I BROUGHT YOU SOME CANNOLI. 338 00:13:57,867 --> 00:13:59,694 - OH... - NOT BEFORE LUNCH. 339 00:14:00,303 --> 00:14:03,137 - UM, HAVE YOU HEARD FROM SHADY PINES? 340 00:14:03,172 --> 00:14:04,966 - SHADY PINES? 341 00:14:05,174 --> 00:14:06,941 I HAVE NO SHADY PINES. 342 00:14:06,976 --> 00:14:09,710 - WELL, I JUST THOUGHT THAT MAYBE YOU MIGHT HAVE GOTTEN-- 343 00:14:09,746 --> 00:14:10,978 - THANK GOD FOR YOU, HARRY. 344 00:14:11,014 --> 00:14:12,646 YOU TOOK ME IN, NO QUESTIONS ASKED. 345 00:14:12,682 --> 00:14:13,881 - WELL, I MEAN, OF COURSE, SOPHIA. 346 00:14:13,916 --> 00:14:15,182 I MEAN, YOU AND I-- 347 00:14:15,218 --> 00:14:17,184 - HEY, I'M NOT WEARING OUT MY WELCOME, AM I? 348 00:14:17,220 --> 00:14:19,286 - OH, NO, NO, NO. IT'S JUST THAT-- 349 00:14:19,322 --> 00:14:21,017 - BECAUSE SOPHIA PETRILLO 350 00:14:21,056 --> 00:14:22,325 WOULD RATHER BE OUT ON THE STREET 351 00:14:22,372 --> 00:14:23,973 PUSHING A RUSTY OLD SHOPPING CART 352 00:14:24,012 --> 00:14:25,420 THAN BE A BURDEN. 353 00:14:27,430 --> 00:14:28,829 - SOPHIA, YOU'RE NOT A BURDEN. 354 00:14:28,865 --> 00:14:30,064 IT'S JUST THAT I WAS THINKING-- 355 00:14:30,099 --> 00:14:32,130 - THAT'S MY GOOD BOY. 356 00:14:35,213 --> 00:14:36,871 - GOOD NEWS, EVERYONE. 357 00:14:36,906 --> 00:14:38,639 I JUST CAME BACK FROM SHADY PINES. 358 00:14:38,674 --> 00:14:40,610 - DID YOU TALK TO LEMPKE? 359 00:14:40,656 --> 00:14:42,785 - HE WASN'T THERE SO I TOOK SOMETHING, 360 00:14:42,825 --> 00:14:44,793 SOMETHING VERY PRECIOUS TO HIM. 361 00:14:44,840 --> 00:14:46,293 COME ON IN, EVERYBODY. 362 00:14:46,328 --> 00:14:48,428 - [giggling] OH. 363 00:14:48,464 --> 00:14:53,467 [indistinct chatter] 364 00:14:55,271 --> 00:14:56,703 - IT'S A WALK-OUT, DADDY. 365 00:14:56,739 --> 00:15:00,173 WE'RE GONNA BRING LEMPKE TO HIS KNEES! 366 00:15:04,365 --> 00:15:06,636 ENTER BRAVE FREEDOM FIGHTERS, 367 00:15:06,662 --> 00:15:08,741 AND JOIN YOUR BROTHERS AND SISTERS 368 00:15:08,773 --> 00:15:10,378 OF THE RESISTANCE. 369 00:15:11,552 --> 00:15:12,885 - NICE GOING, RED. 370 00:15:12,920 --> 00:15:15,654 LET'S SEE HOW LONG LEMPKE LASTS WITHOUT OUR RENT. 371 00:15:15,690 --> 00:15:18,224 - WE WANT HIM TO CRAWL. - GROVEL. 372 00:15:18,259 --> 00:15:20,512 - GIVE ME A BODY MASSAGE. 373 00:15:21,596 --> 00:15:23,662 WELL, I-- I HAVE A LITTLE CRUSH. 374 00:15:23,931 --> 00:15:25,264 - CAROL, THIS IS RIDICULOUS. 375 00:15:25,299 --> 00:15:26,461 I'M CALLING LEMPKE. 376 00:15:29,170 --> 00:15:31,716 - I'M NOT SURE I HAVE THE AUTHORITY TO DO THIS. 377 00:15:31,748 --> 00:15:33,773 MAYBE YOU'D BETTER WAIT FOR DR. DOUGLAS. 378 00:15:33,808 --> 00:15:36,475 - LADY, ANYBODY CAN SIGN FOR DELIVERY. 379 00:15:36,511 --> 00:15:37,777 I'VE HAD KIDS DO IT. 380 00:15:37,812 --> 00:15:39,405 I'VE HAD PETS DO IT. 381 00:15:40,808 --> 00:15:43,034 - WELL, IF YOU THINK IT'S ALL RIGHT. 382 00:15:43,308 --> 00:15:45,467 UH, YOU'RE NEXT, MR. KOBARA. 383 00:15:46,054 --> 00:15:47,920 - IT'S OKAY IF I GET SOME WATER? 384 00:15:47,955 --> 00:15:51,006 OR WILL THAT EXCEED YOUR AUTHORITY? 385 00:15:51,695 --> 00:15:53,459 - HELP YOURSELF. 386 00:15:55,837 --> 00:15:58,898 UM, DR. DOUGLAS WILL BE WITH YOU IN A MOMENT. 387 00:15:58,933 --> 00:16:01,075 WHILE YOU WAIT, YOU CAN STRIP TO YOUR SHORTS. 388 00:16:01,119 --> 00:16:02,988 YOU KNOW, IF YOU DON'T MIND. 389 00:16:03,438 --> 00:16:04,837 - AREN'T YOU GOING TO WEIGH ME? 390 00:16:04,872 --> 00:16:07,973 - OH, DR. DOUGLAS PREFERS TO DO THAT HERSELF. 391 00:16:08,009 --> 00:16:09,642 - WHAT ABOUT TAKING MY TEMPERATURE? 392 00:16:09,677 --> 00:16:11,210 - SHE'LL DO THAT TOO. 393 00:16:11,245 --> 00:16:12,645 - BUT DO YOU MIND HANGING THIS UP? 394 00:16:12,680 --> 00:16:14,303 - OKAY. 395 00:16:15,016 --> 00:16:16,615 NO, I'D BETTER NOT. 396 00:16:23,374 --> 00:16:24,815 OH, MY GOD. 397 00:16:25,702 --> 00:16:27,226 CAN YOU HEAR ME? 398 00:16:27,784 --> 00:16:29,328 DR. DOUGLAS! 399 00:16:29,745 --> 00:16:30,993 OKAY. 400 00:16:35,636 --> 00:16:37,093 - DORIS, WHAT IS GOING--? 401 00:16:37,140 --> 00:16:38,443 OH, LORD. 402 00:16:38,483 --> 00:16:39,872 - HE'S NOT BREATHING AND HE DOESN'T HAVE A PULSE. 403 00:16:39,907 --> 00:16:40,940 - ALL RIGHT, LET ME IN THERE. 404 00:16:40,975 --> 00:16:42,108 - I'VE GOT THIS. - NO, DORIS. 405 00:16:42,143 --> 00:16:44,443 - I GOT THIS. DAMN IT. YOU GET THE PADDLES. 406 00:16:45,073 --> 00:16:46,319 - YES, MA'AM. 407 00:16:48,987 --> 00:16:50,086 - COME ON, BUDDY. BREATHE. 408 00:16:50,128 --> 00:16:51,794 ONE, TWO, THREE, 409 00:16:51,829 --> 00:16:53,462 FOUR, FIVE, SIX... 410 00:16:54,900 --> 00:16:56,465 - YOU'RE GONNA BE JUST FINE. 411 00:16:56,501 --> 00:16:58,710 I'LL BE BY TO SEE YOU ON MY ROUNDS. 412 00:17:00,004 --> 00:17:01,304 - HEY, NURSEY. 413 00:17:01,339 --> 00:17:02,738 - YES. 414 00:17:02,774 --> 00:17:05,080 - I NEVER THANKED YOU FOR THE WATER 415 00:17:05,510 --> 00:17:08,154 AND... YOU KNOW, EVERYTHING. 416 00:17:08,546 --> 00:17:10,112 - ANYTIME. 417 00:17:19,322 --> 00:17:20,623 DR. DOUGLAS? 418 00:17:20,658 --> 00:17:22,692 I'M SORRY I YELLED AT YOU. 419 00:17:22,727 --> 00:17:24,327 I KNOW IT WAS UNPROFESSIONAL. 420 00:17:24,362 --> 00:17:26,662 - WELL, UNDER THE CIRCUMSTANCES, 421 00:17:26,698 --> 00:17:29,660 I'D SAY IT WAS, UH, VERY PROFESSIONAL. 422 00:17:30,468 --> 00:17:33,369 AND ACTUALLY, I OWE YOU AN APOLOGY. 423 00:17:33,404 --> 00:17:34,470 - YOU DO? 424 00:17:34,505 --> 00:17:36,605 - I HAVEN'T BEEN VERY FAIR TO YOU, DORIS. 425 00:17:36,641 --> 00:17:39,208 I HAVEN'T LET YOU DO A THING SINCE YOU GOT HERE. 426 00:17:39,243 --> 00:17:41,432 - REALLY? I HADN'T NOTICED. 427 00:17:42,847 --> 00:17:45,481 OKAY, I DID NOTICE. YOU WERE A JERK. 428 00:17:47,352 --> 00:17:48,680 SORRY. 429 00:17:49,636 --> 00:17:50,920 - IT'S OKAY. 430 00:17:50,955 --> 00:17:52,241 I WAS A JERK. 431 00:17:52,774 --> 00:17:54,557 WELL, LET'S PUT THIS BEHIND US 432 00:17:54,592 --> 00:17:56,058 AND START OVER, WHAT DO YOU SAY? 433 00:17:56,094 --> 00:17:57,434 - DEAL. 434 00:17:59,828 --> 00:18:01,297 - HEY, IS IT GONNA BE MUCH LONGER? 435 00:18:01,332 --> 00:18:03,401 I'M FREEZING IN THERE. 436 00:18:05,870 --> 00:18:09,808 - MEAN OLD LEMPKE RAN A HOME 437 00:18:09,855 --> 00:18:12,754 DOO-DAH, DOO-DAH 438 00:18:12,801 --> 00:18:15,768 NOW HE SITS THERE ALL ALONE 439 00:18:15,804 --> 00:18:18,705 WE WISH HE WOULD DIE 440 00:18:18,740 --> 00:18:21,774 DIE LEMPKE DIE 441 00:18:21,810 --> 00:18:23,943 DIE LEMPKE DIE 442 00:18:23,979 --> 00:18:25,612 - HEY, HEY, HEY. 443 00:18:25,647 --> 00:18:28,058 PETER, PAUL, AND LAME-O, GIVE IT A REST. 444 00:18:28,717 --> 00:18:30,917 - HEY, HOW'S THIS FOR A CHANT? 445 00:18:30,952 --> 00:18:32,518 "MEANER THAN A PIT-BULL, 446 00:18:32,554 --> 00:18:33,953 "ALWAYS SUCH A HASSLE. 447 00:18:33,989 --> 00:18:35,521 "WE THINK MR. LEMPKE 448 00:18:35,557 --> 00:18:36,589 IS NOTHING BUT A--" 449 00:18:36,625 --> 00:18:39,158 - [mutters] 450 00:18:39,194 --> 00:18:40,827 COME ON NOW, PLEASE. 451 00:18:40,862 --> 00:18:41,995 LET'S BE CIVIL. 452 00:18:42,030 --> 00:18:43,563 THE MAN IS COMING HERE TO NEGOTIATE. 453 00:18:43,598 --> 00:18:44,631 [doorbell ringing] 454 00:18:44,666 --> 00:18:45,865 - HE'S HERE. 455 00:18:45,901 --> 00:18:47,800 HE CAME IN THE SHADY PINES BUS. 456 00:18:47,836 --> 00:18:49,636 - LIKE HE THINKS WE'RE GOING BACK THERE. 457 00:18:49,671 --> 00:18:50,770 WHAT A NITWIT. 458 00:18:50,805 --> 00:18:54,173 all: NITWIT! NITWIT! NITWIT! NITWIT! 459 00:18:54,209 --> 00:18:56,933 - STOP, STOP, STOP THAT. 460 00:18:58,246 --> 00:18:59,612 JUST REMEMBER, CIVIL. 461 00:18:59,648 --> 00:19:01,088 NOW, NO ONE RAISES THEIR VOICE 462 00:19:01,135 --> 00:19:03,303 NO MATTER HOW NASTY HE GETS. 463 00:19:06,288 --> 00:19:08,517 - HI, EVERYONE. I BROUGHT COOKIES. 464 00:19:09,357 --> 00:19:10,690 - THOSE ARE FAT-FREE. 465 00:19:10,725 --> 00:19:12,458 - WE HATE FAT-FREE. 466 00:19:12,494 --> 00:19:13,826 - AND WE HATE YOU. 467 00:19:13,862 --> 00:19:15,528 - WHOA, WHOA, WHOA COME HERE. WAIT, WAIT, WAIT. 468 00:19:15,563 --> 00:19:16,596 WHY SO HOSTILE? 469 00:19:16,631 --> 00:19:18,464 - WE WANT OUR CABLE. 470 00:19:18,500 --> 00:19:20,099 - AND NO MORE CURFEW. 471 00:19:20,135 --> 00:19:21,528 - BITE ME. 472 00:19:23,672 --> 00:19:28,174 all: BITE ME! BITE ME! BITE ME! BITE ME! 473 00:19:28,209 --> 00:19:31,177 - PEOPLE, PEOPLE, CALM YOURSELVES. 474 00:19:31,212 --> 00:19:33,146 YOU'LL HAVE A STROKE. 475 00:19:33,181 --> 00:19:34,681 AND PUT DOWN THOSE SIGNS. 476 00:19:34,716 --> 00:19:36,316 YOU'LL POKE AN EYE OUT. 477 00:19:36,351 --> 00:19:37,951 - ALL RIGHT, MR. LEMPKE, SIR. 478 00:19:37,986 --> 00:19:39,385 COME HERE. LET'S--LET'S TALK. 479 00:19:39,421 --> 00:19:40,586 - WHAT HAVE YOU DONE TO THESE PEOPLE? 480 00:19:40,622 --> 00:19:42,341 THEY'RE NOT WEARING THEIR SWEATERS. 481 00:19:42,381 --> 00:19:44,223 YOU'RE GIVING THEM POPCORN? 482 00:19:44,259 --> 00:19:45,722 THEY COULD CHOKE. 483 00:19:46,315 --> 00:19:47,381 - [choking] 484 00:19:47,417 --> 00:19:49,018 - OH, NO, SOPHIA. 485 00:19:50,498 --> 00:19:51,529 - GOT YA. 486 00:19:53,803 --> 00:19:54,842 - ALL RIGHT. 487 00:19:55,303 --> 00:19:56,607 ALL RIGHT. THAT'S IT, THAT'S IT. 488 00:19:56,662 --> 00:19:58,226 YOU, YOU, IN THE KITCHEN. 489 00:19:58,975 --> 00:20:02,508 - [playing] 490 00:20:02,544 --> 00:20:04,304 - NOT YOU. 491 00:20:07,349 --> 00:20:08,544 - ALL RIGHT, BUSTER. 492 00:20:08,583 --> 00:20:09,735 YOU'RE IN TROUBLE NOW. 493 00:20:09,771 --> 00:20:12,004 - ALL RIGHT. SOPHIA, JUST SIT, PLEASE. 494 00:20:12,044 --> 00:20:13,343 DO NOT SAY A WORD. 495 00:20:13,379 --> 00:20:15,245 MR. LEMPKE, SIR. THANK YOU. 496 00:20:16,032 --> 00:20:20,250 NOW, OBVIOUSLY YOU CARE VERY MUCH ABOUT THESE PEOPLE, 497 00:20:20,286 --> 00:20:23,555 BUT IS IT POSSIBLE THAT YOU'RE BEING A LITTLE TOO... 498 00:20:24,089 --> 00:20:26,657 I DON'T KNOW... OVERPROTECTIVE? 499 00:20:26,692 --> 00:20:28,959 - OVERPROTECTIVE? ARE YOU CRAZY? 500 00:20:28,994 --> 00:20:31,828 THERE'S--THERE'S NO SUCH THING AS OVERPROTECTIVE. 501 00:20:31,864 --> 00:20:33,964 - THESE PEOPLE HAVE EVERY RIGHT TO DECIDE 502 00:20:33,999 --> 00:20:36,233 HOW TO LIVE THEIR LIVES. 503 00:20:36,268 --> 00:20:37,401 THEY ARE ADULTS. 504 00:20:37,436 --> 00:20:39,327 PUT YOURSELF IN THEIR PLACE. 505 00:20:39,872 --> 00:20:41,438 I'M SURE IT'S NO FUN BEING 80 506 00:20:41,473 --> 00:20:42,639 AND BEING TREATED LIKE YOU'RE 8. 507 00:20:42,675 --> 00:20:44,508 - HEY, IT'S NO FUN BEING 80. 508 00:20:46,645 --> 00:20:48,036 - MR. LEMPKE... 509 00:20:48,398 --> 00:20:50,047 YOUR WHOLE RETIREMENT HOME 510 00:20:50,082 --> 00:20:51,933 IS IN MY LIVING ROOM. 511 00:20:52,885 --> 00:20:55,452 - AND UNLESS YOU LIGHTEN UP, WE'LL STAY HERE FOREVER. 512 00:21:00,059 --> 00:21:01,959 - LEMPKE, FOR THE LOVE OF GOD. 513 00:21:01,994 --> 00:21:03,399 LIGHTEN UP. 514 00:21:04,229 --> 00:21:05,635 - SOPHIA... 515 00:21:06,084 --> 00:21:08,209 IF I AGREE TO MAKE SOME CHANGES, 516 00:21:08,248 --> 00:21:09,627 WOULD YOU COME BACK? 517 00:21:10,536 --> 00:21:11,868 - WHAT ABOUT THE PLAYBOY CHANNEL? 518 00:21:11,904 --> 00:21:13,170 - UNBLOCKED. 519 00:21:13,205 --> 00:21:14,271 - CURFEW. - GONE. 520 00:21:14,306 --> 00:21:15,935 - PET MONKEYS FOR EVERYONE? 521 00:21:16,208 --> 00:21:18,675 - SOPHIA, COME ON. BE SERIOUS. 522 00:21:18,711 --> 00:21:20,544 - HEY, I HAD HIM ON THE ROPES. 523 00:21:20,579 --> 00:21:21,778 - COME ON. ALL RIGHT, COME ON. 524 00:21:21,814 --> 00:21:24,175 LET'S GET THOSE FOLKS BACK TO SHADY PINES. 525 00:21:25,045 --> 00:21:26,157 OKAY. 526 00:21:26,752 --> 00:21:28,397 GOOD NEWS, EVERY-- 527 00:21:28,421 --> 00:21:29,720 - WHERE IS EVERYONE? 528 00:21:29,755 --> 00:21:31,388 - ONE, TWO, THREE. 529 00:21:31,423 --> 00:21:32,489 - PUSH. 530 00:21:32,524 --> 00:21:33,811 - ONE, TWO, THREE. 531 00:21:33,843 --> 00:21:35,061 - PUSH! 532 00:21:35,112 --> 00:21:37,260 - OH, MY GOD, DADDY. I'VE CREATED A MONSTER. 533 00:21:37,296 --> 00:21:39,062 THEY'RE TRYING TO TIP OVER THE BUS. 534 00:21:40,369 --> 00:21:41,796 - ONE, TWO, THREE. 535 00:21:41,838 --> 00:21:42,911 - PUSH! 536 00:21:42,955 --> 00:21:44,301 - ONE, TWO, THREE. 537 00:21:44,330 --> 00:21:45,396 - PUSH! 538 00:21:48,374 --> 00:21:50,173 - OH, SOPHIA, I'M REALLY GONNA MISS 539 00:21:50,209 --> 00:21:51,975 HAVING YOU AROUND HERE. 540 00:21:52,011 --> 00:21:54,161 - OH, COME ON, HARRY. I WAS DRIVING YOU NUTS. 541 00:21:54,192 --> 00:21:55,687 - NO, NO. DON'T BE SILLY. - ADMIT IT. 542 00:21:55,708 --> 00:21:57,638 - ALL RIGHT. A LITTLE MAYBE. 543 00:21:58,851 --> 00:22:00,183 - HOW COULD YOU SAY THAT TO ME? 544 00:22:00,219 --> 00:22:01,618 I'M 87 YEARS OLD. 545 00:22:01,653 --> 00:22:04,654 - SOPHIA, COME ON. GIVE ME A KISS GOOD-BYE. 546 00:22:07,117 --> 00:22:09,657 - JEEZ, HARRY. LAY OFF THE GARLIC. 547 00:22:18,949 --> 00:22:21,941 MEAN OLD LEMPKE'S NOT SO BAD 548 00:22:21,983 --> 00:22:24,772 DOO-DAH, DOO-DAH 549 00:22:24,810 --> 00:22:27,528 BUT WE STILL LIKE HARRY'S PAD 550 00:22:27,582 --> 00:22:30,286 WE MIGHT STAY ALL DAY 551 00:22:30,344 --> 00:22:33,122 WE MIGHT STAY ALL NIGHT 552 00:22:33,172 --> 00:22:35,853 WE MIGHT STAY ALL DAY 553 00:22:35,883 --> 00:22:38,790 HE'S STILL GOT SOME LIQUOR LEFT 554 00:22:38,831 --> 00:22:41,441 - PLEASE JUST GO AWAY 555 00:22:41,686 --> 00:22:44,326 - BYE HARRY BYE 556 00:22:44,366 --> 00:22:47,062 BYE HARRY BYE 557 00:22:47,097 --> 00:22:49,431 [singing continues] 558 00:22:49,481 --> 00:22:54,031 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 37584

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