All language subtitles for Empty Nest s05e13.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,547 --> 00:00:02,280 - GOOD MORNING. - GOOD MORNING, DOCTOR. 2 00:00:02,316 --> 00:00:03,782 OH, THIS COME IN FOR YOU OVERNIGHT. 3 00:00:03,817 --> 00:00:05,650 IT'S, UH, ONE OF YOUR DAUGHTERS. 4 00:00:05,686 --> 00:00:07,586 SHE FAXED HER FACE. 5 00:00:10,691 --> 00:00:13,925 - WHICH DAUGHTER? IT'S BLURRY. 6 00:00:13,961 --> 00:00:17,429 - WELL, SHE LOOKS HAPPY, SO THAT RULES OUT CAROL. 7 00:00:20,267 --> 00:00:22,934 AND IF IT WERE BARBARA, KNOWIN' HER SENSE OF HUMOR, 8 00:00:22,970 --> 00:00:26,972 YOU'D BE STARIN' AT THE OTHER END OF THE HORSE. 9 00:00:26,974 --> 00:00:28,874 SO THE SMART MONEY'S ON EMILY. 10 00:00:28,909 --> 00:00:30,475 - EMILY, EMILY-- I HAVEN'T HEARD A WORD 11 00:00:30,511 --> 00:00:31,953 FROM HER IN OVER TWO MONTHS, 12 00:00:31,979 --> 00:00:33,979 AND ALL SHE SENDS ME IS A FUZZY FAX FROM GOD KNOWS WHERE. 13 00:00:34,014 --> 00:00:36,667 WHEN I GET A HOLD OF HER, I'M GONNA STRAIGHTEN HER RIGHT OUT. 14 00:00:36,706 --> 00:00:39,534 - SHE'S REMINDS ME OF EMMABELLE SWEENEY. 15 00:00:40,287 --> 00:00:43,955 - LET ME GUESS. RABBI FRIEND OF YOURS? 16 00:00:43,991 --> 00:00:47,259 - ANYWAY, EMMABELLE COULD DRINK AN ENTIRE MARTINI 17 00:00:47,294 --> 00:00:50,195 THROUGH HER NOSE. 18 00:00:50,230 --> 00:00:52,164 - WILL YOU STOP IT? THAT'S--THAT'S NONSENSE. 19 00:00:52,199 --> 00:00:53,498 - I'VE SEEN IT MYSELF. 20 00:00:53,534 --> 00:00:55,467 COUPLE OF YEARS AGO, SHE INHALED THE OLIVE, TOO, 21 00:00:55,502 --> 00:00:56,568 SO NOW WHENEVER SHE SNEEZES, 22 00:00:56,597 --> 00:00:59,554 SHE PASSES OUT FOR A MINUTE OR TWO. 23 00:01:03,208 --> 00:01:05,542 SHE LIKED TO SHOW OUT AT PARTIES TOO. 24 00:01:05,579 --> 00:01:08,847 DRINK, SNEEZE, PASS OUT, DRINK, SNEEZE, PASS OUT-- 25 00:01:08,882 --> 00:01:11,750 YOU KNOW, LIKE THEM LITTLE FAINTIN' GOATS. 26 00:01:11,785 --> 00:01:13,620 - FAINTING GOATS? 27 00:01:13,654 --> 00:01:15,086 - YEAH, YOU KNOW THEM CUTE LITTLE GOATS 28 00:01:15,122 --> 00:01:17,422 THAT FAINT IF YOU SCARE 'EM. 29 00:01:17,458 --> 00:01:20,759 BUDDY HICKSON HAD ONE, NAMED IT SCARE-ME-BOB. 30 00:01:20,794 --> 00:01:24,095 NOW YOU GET EMMABELLE AND THAT GOAT AT A PARTY, 31 00:01:24,131 --> 00:01:25,530 EMMA'D SNEEZE, SCARE BOB, 32 00:01:25,566 --> 00:01:28,400 THEY'D BOTH BE ON A FLOOR WITH THEIR FEET IN THE AIR. 33 00:01:31,405 --> 00:01:34,506 OH, I WISH I WAS AT HOME. 34 00:01:34,541 --> 00:01:36,908 - ME TOO. 35 00:01:42,749 --> 00:01:44,115 - LIFE GOES ON 36 00:01:44,151 --> 00:01:46,685 AND SO DO WE 37 00:01:46,720 --> 00:01:49,955 JUST HOW WE DO IT IS NO MYSTERY 38 00:01:49,990 --> 00:01:52,491 ONE BY ONE 39 00:01:52,526 --> 00:01:54,526 WE FILL THE DAYS 40 00:01:54,561 --> 00:01:58,430 WE FIND A THOUSAND DIFFERENT WAYS 41 00:01:58,465 --> 00:02:01,867 SOMETIMES THE ANSWER CAN BE HARD TO FIND 42 00:02:01,902 --> 00:02:05,537 THAT'S SOMETHING I WILL NEVER BE 43 00:02:05,572 --> 00:02:08,206 I'M ALWAYS HERE 44 00:02:08,242 --> 00:02:11,943 FOR ANYTHING YOU NEED 45 00:02:14,147 --> 00:02:15,814 RAIN OR SHINE 46 00:02:15,849 --> 00:02:17,415 I'LL BE THE ONE 47 00:02:17,451 --> 00:02:21,887 TO SHARE IT ALL AS LIFE GOES ON 48 00:02:21,922 --> 00:02:24,289 WE SHARE IT ALL 49 00:02:24,324 --> 00:02:29,294 AS LIFE GOES ON 50 00:02:54,596 --> 00:02:55,962 - DADDY? 51 00:02:55,998 --> 00:02:57,230 - HMM? 52 00:02:57,266 --> 00:02:59,232 - WITH BARBARA AND EMILY AWAY, 53 00:02:59,268 --> 00:03:02,803 DOES IT REMIND YOU OF THE TIME WHEN I WAS YOUR ONLY CHILD? 54 00:03:02,838 --> 00:03:06,406 JUST YOUR ONE HELPLESS LITTLE MEWLING BABY GIRL 55 00:03:06,442 --> 00:03:09,843 TO TAKE CARE OF DAY AND NIGHT? 56 00:03:09,878 --> 00:03:13,180 - IT DOES HAVE ITS SIMILARITIES, DEAR. 57 00:03:13,215 --> 00:03:16,049 - WELL, PARDON ME FOR BEING A DADDY HOG, 58 00:03:16,085 --> 00:03:17,384 BUT HAVING YOU TO MYSELF 59 00:03:17,419 --> 00:03:19,820 IS THE ONE THING THAT MAKES ME TRULY HAPPY. 60 00:03:19,855 --> 00:03:20,987 - ALL RIGHT, ALL RIGHT. 61 00:03:21,023 --> 00:03:23,890 - HEY, YOU GUYS, I'M HOME. 62 00:03:23,926 --> 00:03:25,459 - EMILY? 63 00:03:25,494 --> 00:03:27,127 - DAD! 64 00:03:27,129 --> 00:03:28,762 - OH, EMILY! 65 00:03:28,797 --> 00:03:30,564 [both laughing] 66 00:03:31,294 --> 00:03:32,513 - EMILY? 67 00:03:32,554 --> 00:03:33,820 - AUNT SUSAN? 68 00:03:36,939 --> 00:03:38,538 OH, I'M JUST KIDDING, CAROL. 69 00:03:38,574 --> 00:03:41,475 YOU LOOK GREAT. OH. 70 00:03:41,510 --> 00:03:44,378 - EMILY, I WAS JUST SAYING HOW MUCH I'VE MISSED YOU. 71 00:03:44,413 --> 00:03:45,879 - OH. 72 00:03:45,914 --> 00:03:48,215 IT IS SO GOOD TO BE BACK HOME AGAIN. 73 00:03:48,250 --> 00:03:50,784 - EMILY, WHERE HAVE YOU BEEN? 74 00:03:50,819 --> 00:03:53,186 WHY HAVEN'T YOU CALLED? HOW CAN YOU DO THIS TO ME? 75 00:03:53,222 --> 00:03:54,988 - I DIDN'T MEAN TO. 76 00:03:55,023 --> 00:03:56,890 - WELL... 77 00:03:56,925 --> 00:03:58,558 OKAY. 78 00:04:00,763 --> 00:04:02,929 - AND THERE AREN'T MANY WORKING PHONES IN VIETNAM. 79 00:04:02,965 --> 00:04:04,564 - NO. WELL, I UNDERSTAAA-- 80 00:04:04,600 --> 00:04:06,099 VIETNAM? 81 00:04:06,135 --> 00:04:07,567 WHATEVER HAPPENED TO MOUNT HOLYOKE? 82 00:04:07,603 --> 00:04:09,035 - DO YOU KNOW WHAT IT'S LIKE TO SPEND 83 00:04:09,071 --> 00:04:10,804 FOUR YEARS AT AN ALL-GIRLS SCHOOL? 84 00:04:10,839 --> 00:04:12,606 I MEAN, IF I SEE HONE MORE K.D. LANG CONCERT, 85 00:04:12,641 --> 00:04:14,207 I'M GONNA BARF. 86 00:04:14,243 --> 00:04:17,043 - CAN WE GET BACK TO SOUTHEAST ASIA, PLEASE? 87 00:04:17,079 --> 00:04:19,246 - RIGHT. WELL, WHEN THEY TOLD ME ABOUT THIS PROGRAM 88 00:04:19,281 --> 00:04:20,614 TO WORK IN A CLINIC THERE, 89 00:04:20,649 --> 00:04:23,417 I COULD NOT WAIT TO PUT COLLEGE ON HOLD AND GO TO VIETNAM. 90 00:04:23,452 --> 00:04:27,421 - SOMEHOW THAT SENTENCE SOUNDED DIFFERENT IN MY DAY. 91 00:04:27,456 --> 00:04:30,390 - ANYWAY, AFTER THAT, I TOOK AN OLD MOPED OVER THE HIMALAYAS 92 00:04:30,426 --> 00:04:31,558 UNTIL IT CAUGHT FIRE. 93 00:04:31,593 --> 00:04:32,759 THEN FLEW TO ITALY, 94 00:04:32,795 --> 00:04:34,461 WHERE I WORKED AS A HAND MODEL FOR TWO WEEKS. 95 00:04:34,496 --> 00:04:35,695 THEN I MET THIS OPERA SINGER 96 00:04:35,731 --> 00:04:37,197 WHO WAS PERFORMING IN DON JUAN IN HELL, 97 00:04:37,232 --> 00:04:41,134 BUT THEN HE CAUGHT ON FIRE, BUT JUST BRIEFLY. 98 00:04:41,170 --> 00:04:43,570 GOD, WOULD YOU LISTEN TO ME RATTLE ON? 99 00:04:43,605 --> 00:04:46,473 SO, CAROL, WHAT HAVE YOU BEEN UP TO? 100 00:04:49,645 --> 00:04:53,880 - WELL, I'VE LEARNED HOW TO CRACK AN EGG WITH ONE HAND. 101 00:04:53,916 --> 00:04:56,616 - OH, IT'S GREAT TO HAVE YOU HOME. 102 00:04:56,652 --> 00:04:58,218 AND--AND I'M SO PROUD OF YOU 103 00:04:58,253 --> 00:05:00,854 FOR THE GOOD WORK YOU'RE DOING AT THAT CLINIC, 104 00:05:00,889 --> 00:05:02,856 AND I JUST--I JUST HAVE ONE LITTLE QUESTION FOR YOU. 105 00:05:02,891 --> 00:05:04,124 - OKAY. 106 00:05:04,159 --> 00:05:07,093 - ARE YOU TRYING TO KILL ME? 107 00:05:07,129 --> 00:05:09,129 - DADDY, SHE'S TOO YOUNG TO KNOW BETTER. 108 00:05:09,164 --> 00:05:11,198 SHE'S THE BABY, REMEMBER? 109 00:05:11,233 --> 00:05:14,301 MAY I SAY SOMETHING? - NO. 110 00:05:14,336 --> 00:05:17,304 I MEAN, IT'S ONE THING TO HAVE SOME FUN IN COLLEGE, YOUNG LADY. 111 00:05:17,306 --> 00:05:20,307 I MEAN, I WASN'T ABOVE A LITTLE TOMFOOLERY MYSELF, 112 00:05:20,342 --> 00:05:22,263 INVOLVING THE STATUE OF THE FOUNDER 113 00:05:22,302 --> 00:05:24,878 AND SOME BRIGHT-RED LIPSTICK. 114 00:05:24,913 --> 00:05:26,980 BUT RISKING LIFE AND LIMB? 115 00:05:27,015 --> 00:05:28,648 - BUT I'M HERE SAFE AND SOUND. 116 00:05:28,684 --> 00:05:30,250 THAT'S ALL THAT MATTERS, ISN'T IT? 117 00:05:30,285 --> 00:05:32,185 - WELL... 118 00:05:32,221 --> 00:05:34,154 I GUESS YOU'RE RIGHT. 119 00:05:34,189 --> 00:05:35,922 OOH, HOPE YOU CAN STAY FOR A WHILE. 120 00:05:35,958 --> 00:05:37,924 - YEAH, WELL, I FIGURED I'D STAY FOR A WEEK OR SO. 121 00:05:37,960 --> 00:05:39,559 I'VE BEEN WORKING THROUGH SOME PROBLEMS-- 122 00:05:39,595 --> 00:05:40,994 YOU KNOW, BOYFRIEND STUFF. 123 00:05:41,029 --> 00:05:43,597 - OOH! BOYFRIEND PROBLEMS? 124 00:05:43,632 --> 00:05:45,198 BOYFRIEND PROBLEMS? 125 00:05:45,234 --> 00:05:48,235 OH, EMILY, THERE'S SO MUCH I CAN TEACH YOU 126 00:05:48,270 --> 00:05:50,804 ABOUT SERIOUS RELATIONSHIPS. 127 00:05:50,839 --> 00:05:53,406 I'VE HAD 37 OF THEM. 128 00:05:55,677 --> 00:05:58,879 - ANYWAY, I THOUGHT IT'D BE NICE TO COME HOME FOR A LITTLE BIT. 129 00:05:58,914 --> 00:06:01,348 - I AM SO GLAD YOU'RE HERE. 130 00:06:01,383 --> 00:06:03,850 - OH, ME TOO, HARRY. [laughs] 131 00:06:06,188 --> 00:06:08,121 - HARRY... [laughing] 132 00:06:08,123 --> 00:06:10,318 I FORGOT HOW CUTE THAT SOUNDS FROM YOU. 133 00:06:10,359 --> 00:06:11,525 - OH. 134 00:06:11,560 --> 00:06:13,693 - AND IT'S-- IT'S WONDERFUL 135 00:06:13,729 --> 00:06:16,696 HAVING MY BABY SISTER BACK AGAIN. 136 00:06:16,732 --> 00:06:19,566 ISN'T THAT RIGHT, HARRY? 137 00:06:19,601 --> 00:06:21,334 - STICK WITH "DADDY," HONEY. 138 00:06:21,370 --> 00:06:23,703 MWAH! [both laughing] 139 00:06:26,441 --> 00:06:28,041 - I WISH EMILY WOULD WAKE UP ALREADY. 140 00:06:28,076 --> 00:06:29,509 I CAN'T WAIT TO MEET HER. 141 00:06:29,545 --> 00:06:33,079 - DADDY, I'VE BEEN THINKING ABOUT OUR POOR LITTLE EMILY 142 00:06:33,115 --> 00:06:34,881 AND THIS BOYFRIEND PROBLEM SHE'S HAVING. 143 00:06:34,917 --> 00:06:36,550 - YEAH, YEAH, HONE I-I WAS HOPING 144 00:06:36,585 --> 00:06:39,486 THAT YOU WOULD TAKE HER ASIDE AND FIND OUT WHAT'S GOING ON. 145 00:06:39,521 --> 00:06:40,987 - WELL, IT'S OBVIOUS SHE'S BEEN DUMPED, 146 00:06:41,023 --> 00:06:42,589 BY SOME WORTHLESS LOUT. 147 00:06:42,624 --> 00:06:43,957 BUT LUCKILY, SHE HAS ME 148 00:06:43,992 --> 00:06:45,992 TO TAKE HER HAND AND PULL HER THROUGH THIS. 149 00:06:46,028 --> 00:06:49,429 YOU SEE, I HAVE ONE OF MY PATENTED PLANS. 150 00:06:49,464 --> 00:06:51,831 - ON SECOND THOUGHT, LEAVE HER ALONE. 151 00:06:51,867 --> 00:06:54,267 - NO, NO. 152 00:06:54,303 --> 00:06:56,403 I'M GOING TO GET HER DATING LIFE GOING AGAIN, 153 00:06:56,438 --> 00:06:57,571 STARTING WITH STABLE, 154 00:06:57,606 --> 00:07:00,106 TRUSTWORTHY, HIGHLY SENSITIVE MEN. 155 00:07:00,142 --> 00:07:02,142 - GEEKS. 156 00:07:03,212 --> 00:07:06,046 - I WAS THINKING OF YOUR CHILDHOOD FRIEND GEORGE. 157 00:07:06,081 --> 00:07:07,581 - THE ONE THAT WAS OVER HERE LAST WEEK? 158 00:07:07,616 --> 00:07:08,682 - YEAH. 159 00:07:08,717 --> 00:07:11,017 - THE MAN'S A GEEK. 160 00:07:11,053 --> 00:07:14,621 - DADDY, TRUST ME. I KNOW WHAT'S BEST FOR EMILY. 161 00:07:14,656 --> 00:07:17,424 I MEAN, WE TEND TO FORGET THAT SHE'S HARDLY MORE THAN A CHILD. 162 00:07:17,459 --> 00:07:19,025 - [mutters] 163 00:07:19,061 --> 00:07:20,627 - MORNING. - HI. 164 00:07:20,662 --> 00:07:23,229 - GOOD MORNING. - EMILY, PLEASE. 165 00:07:23,265 --> 00:07:27,200 THIS ISN'T BREAKFAST AT THE FOLLIES BERGERE. 166 00:07:27,235 --> 00:07:28,602 - HI, I'M EMILY. 167 00:07:28,626 --> 00:07:30,586 - PATRICK, I LIVE IN THE GARAGE. 168 00:07:30,606 --> 00:07:32,405 - OH, YOU POOR THING. 169 00:07:32,874 --> 00:07:35,404 - PATRICK'S MY BOYFRIEND, EMILY. 170 00:07:35,444 --> 00:07:38,370 - YOU POOR THING. 171 00:07:40,182 --> 00:07:41,459 HE'S CUTE. 172 00:07:41,514 --> 00:07:43,917 - NO, HE'S NOT. HE'S OLD AND BROKE. 173 00:07:43,952 --> 00:07:45,819 - THANK YOU. 174 00:07:45,854 --> 00:07:47,988 - SAY, I JUST THOUGHT OF SOMETHING. 175 00:07:48,023 --> 00:07:49,923 WHAT IF JUST US KIDS WENT OUT TONIGHT 176 00:07:49,958 --> 00:07:52,559 TO A FUN, EXCITING, NEW PLACE I KNOW, HMM? 177 00:07:52,594 --> 00:07:54,227 - OH, NO. THE LAST TIME YOU SAID THAT, 178 00:07:54,262 --> 00:07:55,762 I WAS DRAGGED TO A COFFEE HOUSE 179 00:07:55,797 --> 00:07:59,165 TO HEAR THIS BALD LADY RECITE A POEM CALLED INVERTED NIPPLE. 180 00:08:02,504 --> 00:08:04,337 - I'M DONE. - CHECK, PLEASE. 181 00:08:04,373 --> 00:08:06,549 - NO, NO, NO. 182 00:08:07,009 --> 00:08:09,976 THIS WILL BE GREAT-- JUST THE THREE OF US. 183 00:08:10,012 --> 00:08:12,646 [gasps] HOLD THE PHONE. 184 00:08:12,681 --> 00:08:15,682 I JUST HAD ANOTHER NUTSY, FUN IDEA. 185 00:08:15,717 --> 00:08:18,251 - SHE'S GONNA FIX ME UP WITH SOME GEEK, ISN'T SHE? 186 00:08:18,286 --> 00:08:20,353 - YEAH, BUT HE'S ACTUALLY A REALLY NICE GUY. 187 00:08:20,389 --> 00:08:24,891 - WELL, SINCE PATRICK LIKES HIM, OKAY, I'LL DO IT. 188 00:08:24,926 --> 00:08:26,593 - MORNING, WESTONS. 189 00:08:26,628 --> 00:08:28,395 I-- 190 00:08:28,430 --> 00:08:31,231 EMILY! [laughing] 191 00:08:31,266 --> 00:08:33,333 EMILY, YOU'VE COME HOME. 192 00:08:33,368 --> 00:08:36,202 OH, GOD, I MISSED YOU. 193 00:08:37,839 --> 00:08:40,373 - WHO ARE YOU? 194 00:08:43,223 --> 00:08:45,412 - EMILY, THIS IS OUR NEIGHBOR, CHARLEY DIETZ. 195 00:08:45,447 --> 00:08:46,713 - HAVE WE MET? 196 00:08:46,748 --> 00:08:49,683 - I MET YOUR PICTURE IN HARRY'S BEDROOM. 197 00:08:49,718 --> 00:08:52,085 - WHAT EVER HAPPENED TO THAT PICTURE? 198 00:08:52,120 --> 00:08:55,661 - ANYWAY... 199 00:08:57,092 --> 00:08:59,793 EMILY, I WANT YOU TO KNOW YOU CAN ALWAYS COME OVER 200 00:08:59,828 --> 00:09:02,896 TO BORROW A CUP OF SUGAR A WARM GLASS OF MILK, 201 00:09:02,931 --> 00:09:07,734 OR A RECIPE FOR ECSTASY ECLAIRS FROM THE LOVE CHEF HIMSELF. 202 00:09:07,769 --> 00:09:09,776 - CHARLEY, IT'S... 203 00:09:09,863 --> 00:09:11,296 THAT TIME AGAIN. 204 00:09:11,331 --> 00:09:12,931 - I HEAR YOU, PAPA DOC. 205 00:09:12,966 --> 00:09:15,300 - WELL, IT WAS REALLY NICE MEETING YOU, CHARLEY. 206 00:09:15,335 --> 00:09:19,137 - HOOK, LINE, AND SINKER. 207 00:09:19,172 --> 00:09:21,906 - I MEAN, I DIDN'T KNOW GUYS LIKE YOU STILL EXIST. 208 00:09:21,942 --> 00:09:26,044 YOU'RE LIKE A SKETCH FROM LOVE, AMERICAN STYLE. 209 00:09:26,079 --> 00:09:28,413 - STAY TUNED, BABY. 210 00:09:34,187 --> 00:09:36,921 LA CUCARACHA, LA CUCARACHA 211 00:09:36,957 --> 00:09:38,690 YA NO...CAMINAR 212 00:09:38,725 --> 00:09:41,693 - SEE? NOW, ISN'T THIS FUN? 213 00:09:41,728 --> 00:09:44,629 THIS IS CALLED A KARAOKE BAR, EMILY. 214 00:09:44,665 --> 00:09:47,699 I THOUGHT YOU SHOULD EXPERIENCE THE LATEST RAGE FROM JAPAN. 215 00:09:47,734 --> 00:09:49,334 - I'LL HAVE A LIGHT BEER, PLEASE. 216 00:09:49,369 --> 00:09:50,669 - OH, I'LL HAVE A DIET COKE. 217 00:09:50,704 --> 00:09:52,684 - [speaking Japanese] 218 00:09:59,246 --> 00:10:01,212 I WAS A KARAOKE WAITRESS IN KYOTO. 219 00:10:01,248 --> 00:10:02,681 - EMILY, DEAR... 220 00:10:02,716 --> 00:10:04,916 DON'T MAKE THE MISTAKE OF THINKING YOU KNOW THE WORLD 221 00:10:04,951 --> 00:10:08,153 JUST BECAUSE YOU'VE BEEN ALL OVER IT. 222 00:10:08,188 --> 00:10:10,789 - HEY, THERE'S GEORGE. - SIT UP STRAIGHT. 223 00:10:10,824 --> 00:10:14,492 - HI, PATRICK. CAROL. WHAT A WACKY PLACE. 224 00:10:14,528 --> 00:10:15,894 - HOW YOU DOING, GEORGE? 225 00:10:15,929 --> 00:10:19,364 - GEORGE, I'D LIKE YOU TO MEET MY BABY SISTER, EMILY. 226 00:10:19,399 --> 00:10:21,266 - HEY, GEORGE. - THE PLEASURE'S MINE. 227 00:10:21,301 --> 00:10:24,402 - GEORGE IS AN ACTUARY. 228 00:10:26,273 --> 00:10:28,506 - WELL, THAT SOUNDS LIKE STEADY WORK. 229 00:10:28,542 --> 00:10:30,942 - OH, YES, I'LL BE PROJECTING WHEN PEOPLE ARE GONNA DIE 230 00:10:30,977 --> 00:10:33,178 UNTIL THE DAY I DIE-- 231 00:10:33,213 --> 00:10:35,880 OCTOBER 7, 2042. 232 00:10:35,916 --> 00:10:37,315 IT'S NOT MINE. 233 00:10:37,351 --> 00:10:40,051 - I'M SENSING A CHEMISTRY HERE. 234 00:10:40,087 --> 00:10:43,188 - THAT'S WHAT THEY SAID AT THREE MILE ISLAND. 235 00:10:43,223 --> 00:10:44,622 - GEORGE, ARE YOU PAINTER? 236 00:10:44,658 --> 00:10:47,125 - EMILY, PUT YOUR LISTENING CAP ON. 237 00:10:47,160 --> 00:10:49,027 HE JUST SAID HE'S AN ACTUARY. 238 00:10:49,062 --> 00:10:51,162 - YEAH, BUT HE'S GOT PAINT UNDERNEATH HIS FINGERNAILS. 239 00:10:51,198 --> 00:10:53,431 I THINK THERE'S A HIDDEN SIDE TO GEORGE. 240 00:10:53,467 --> 00:10:56,701 - CAUGHT. MY HOBBY IS PAINTING WESTERN SCENES. 241 00:10:56,737 --> 00:10:58,470 - YOU'RE KIDDING. I DIDN'T KNOW THAT. 242 00:10:58,505 --> 00:11:01,473 - SOMETHING IN GEORGE'S EYES TELLS ME IT'S MORE THAN A HOBBY. 243 00:11:01,508 --> 00:11:02,907 WHY DO YOU PAINT THE WEST? 244 00:11:02,943 --> 00:11:05,343 - I DON'T KNOW. MAYBE BECAUSE I'M 1/8 CHEROKEE. 245 00:11:05,379 --> 00:11:07,479 - REALLY? - YEAH. 246 00:11:07,514 --> 00:11:09,080 - GEORGE, I THINK YOUR INDIAN BLOOD 247 00:11:09,116 --> 00:11:10,648 IS TELLING YOU TO BE A PAINTER. 248 00:11:10,684 --> 00:11:12,484 - OH. - YOU DON'T BELONG IN AN OFFICE. 249 00:11:12,519 --> 00:11:14,285 - NOW, EMILY, DON'T GET CARRIED AWAY. 250 00:11:14,321 --> 00:11:15,920 - YOU KNOW, SOMETIMES I DO FEEL 251 00:11:15,956 --> 00:11:18,089 LIKE JUMPING IN MY TAURUS WAGON, 252 00:11:18,125 --> 00:11:20,158 TAKING OFF WITH THE DOORS UNLOCKED, 253 00:11:20,193 --> 00:11:24,863 AND SETTING THE CRUISE CONTROL AT 57 MILES PER HOUR. 254 00:11:24,898 --> 00:11:26,598 - JUST THINK OF ALL THE NATIVE AMERICANS 255 00:11:26,633 --> 00:11:28,266 YOU COULD TOUCH IF YOU COULD DEVOTE 256 00:11:28,301 --> 00:11:30,068 ALL OF YOUR TIME TO YOUR ART. - EMILY. 257 00:11:30,103 --> 00:11:31,403 - BOY, WOULDN'T THAT BE NICE? 258 00:11:31,438 --> 00:11:33,471 - HE'S AN INDIAN. I LOVE THIS. 259 00:11:33,507 --> 00:11:34,773 - SHUT UP, PATRICK. 260 00:11:34,808 --> 00:11:36,975 - JUST IMAGINE HOW TERRIBLE IT WOULD BE 261 00:11:37,010 --> 00:11:40,445 IF ON OCTOBER 6, 2042, YOU SAID TO YOURSELF, 262 00:11:40,480 --> 00:11:42,013 "I NEVER EVEN GAVE IT A TRY." 263 00:11:42,048 --> 00:11:44,716 - NEVER EVEN GAVE IT A TRY. 264 00:11:44,751 --> 00:11:48,386 57 MILES PER HOUR. 265 00:11:48,422 --> 00:11:50,455 EXCUSE ME. 266 00:11:50,490 --> 00:11:53,725 - EMILY, YOU'VE UPSET HIM. - NAH, GEORGE CAN HANDLE IT. 267 00:11:53,760 --> 00:11:56,461 - I'VE KNOWN HIM FOR 20 YEARS. I NEVER KNEW THAT HE PAINTED. 268 00:11:56,496 --> 00:11:58,463 - WELL, WHO KNOWS? MAYBE NOW HE'LL DEVOTE 269 00:11:58,498 --> 00:12:00,865 THE REST OF HIS LIFE TO HIS ART. 270 00:12:00,901 --> 00:12:03,435 GEE, I HOPE HE DOESN'T SUCK. 271 00:12:03,470 --> 00:12:05,804 - OH, THIS IS NONSENSE. 272 00:12:05,839 --> 00:12:08,807 GEORGE STRINGER IS A STABLE SOLID FELLOW 273 00:12:08,842 --> 00:12:11,676 WHO DOESN'T GET HIS HEAD TURNED BY FLIGHTS OF FANCY. 274 00:12:11,711 --> 00:12:15,246 - I'D LIKE TO DEDICATE THIS TO EMILY WESTON, 275 00:12:15,282 --> 00:12:17,449 WHO JUST GAVE ME THE COURAGE TO QUIT MY JOB. 276 00:12:17,484 --> 00:12:20,452 [rock music plays] 277 00:12:20,487 --> 00:12:23,988 278 00:12:24,024 --> 00:12:26,579 WILD THING 279 00:12:28,328 --> 00:12:31,747 YOU MAKE MY HEART SING 280 00:12:32,866 --> 00:12:35,681 YOU MAKE EVERYTHING... 281 00:12:39,148 --> 00:12:43,317 - IT IS 4:00 IN THE MORNING. YOU'RE JUST GETTING HOME NOW? 282 00:12:43,353 --> 00:12:45,986 WHERE'S EMILY? - WE'RE NOT SURE. 283 00:12:46,022 --> 00:12:49,156 - WE LOST HER AT THE GAY BAR. 284 00:12:58,835 --> 00:13:00,735 - GAY BAR? 285 00:13:00,770 --> 00:13:02,837 - EMILY HEARD ABOUT SOME PARTY THERE. 286 00:13:02,872 --> 00:13:04,472 WE DIDN'T KNOW IT WAS A GAY BAR 287 00:13:04,507 --> 00:13:08,676 UNTIL PATRICK REALIZED THE HAND IN HIS REAR POCKET WASN'T MINE. 288 00:13:09,946 --> 00:13:12,546 - IT WAS SO GENTLE. 289 00:13:14,217 --> 00:13:16,751 - YOU LOST YOUR SISTER AT A GAY BAR 290 00:13:16,786 --> 00:13:18,853 AT 4:00 IN THE MORNING. 291 00:13:18,888 --> 00:13:20,325 - DADDY, IT'S EMILY'S FAULT. 292 00:13:20,348 --> 00:13:22,122 WE WERE TIRED AND WANTED TO COME HOME. 293 00:13:22,146 --> 00:13:24,246 - HEY! GREAT! EVERYBODY'S UP. 294 00:13:24,282 --> 00:13:25,648 - HEY, HEY, HEY, HEY. 295 00:13:25,683 --> 00:13:27,349 IT IS 4:00 IN THE MORNING. 296 00:13:27,385 --> 00:13:29,118 I'VE BEEN WORRIED SICK ABOUT YOU. 297 00:13:29,153 --> 00:13:31,821 - WELL, I WAS CAREFUL, HARRY. I TOOK A CAB HOME. 298 00:13:31,856 --> 00:13:34,957 - WELL, I GUESS IT'S OKAY THIS TIME. 299 00:13:34,992 --> 00:13:37,226 - DADDY, YOU'RE JUST GONNA LET HER GET AWAY WITH THAT? 300 00:13:37,261 --> 00:13:39,128 - I THINK SHE'S LEARNED HER LESSON. 301 00:13:39,163 --> 00:13:40,396 - WHAT HAPPENED TO GEORGE? 302 00:13:40,431 --> 00:13:42,164 - OH, WELL HE MET A GALLERY OWNER NAMED ELLIOT, 303 00:13:42,200 --> 00:13:43,666 AND THE TWO OF THEM WENT OFF TOGETHER 304 00:13:43,686 --> 00:13:45,353 AND WATCHED THE SUN RISE. 305 00:13:45,636 --> 00:13:47,803 - GEORGE IS GAY? 306 00:13:47,839 --> 00:13:49,029 - INCREDIBLE-- 307 00:13:49,073 --> 00:13:53,342 A GAY CHEROKEE ACTUARY ARTIST. 308 00:13:53,377 --> 00:13:54,710 WHAT ARE THE ODDS? 309 00:13:54,746 --> 00:13:56,445 - ALL RIGHT, COME ON, THAT'S IT. LET'S GO. 310 00:13:56,447 --> 00:13:58,063 IT'S TIME FOR CAROL AND PATRICK TO GO TO BED. 311 00:13:58,098 --> 00:14:00,560 I NEED TO TALK TO EMILY. - WELL, IT'S ABOUT TIME. 312 00:14:00,600 --> 00:14:02,033 - FINE. YOU. COME, YOU. 313 00:14:02,068 --> 00:14:03,201 - GOOD NIGHT. - SIT. 314 00:14:03,236 --> 00:14:05,570 - GOOD NIGHT. 315 00:14:05,605 --> 00:14:07,605 - [sighs] 316 00:14:12,145 --> 00:14:13,278 - YOU'RE STILL ANGRY. 317 00:14:13,313 --> 00:14:15,380 - NO. 318 00:14:15,415 --> 00:14:17,415 IT'S... 319 00:14:17,451 --> 00:14:19,617 IT'S JUST I FEEL THAT WE HAVEN'T REALLY TALKED 320 00:14:19,653 --> 00:14:21,953 IN SUCH A LONG TIME. 321 00:14:23,557 --> 00:14:27,492 HONEY, WHEN THE DAY COMES AND YOU HAVE YOUR OWN CHILD... 322 00:14:27,527 --> 00:14:29,427 THAT DAY HAS NOT ARRIVED YET, RIGHT? 323 00:14:29,463 --> 00:14:31,830 - DAD! 324 00:14:31,865 --> 00:14:35,767 - THE DAY YOU HAVE THAT CHILD, YOU'LL BE FILLED WITH LOVE-- 325 00:14:35,802 --> 00:14:39,604 A LOVE YOU NEVER KNEW YOU WERE CAPABLE OF. 326 00:14:39,639 --> 00:14:42,807 THAT'S WHY IT HURTS SO MUCH. I FEEL CUT OFF. 327 00:14:42,843 --> 00:14:45,743 - DAD, YOU'VE ALWAYS ENCOURAGED ME TO BE INDEPENDENT. 328 00:14:45,779 --> 00:14:48,146 THERE'S NO WAY I COULD EVER CUT YOU OFF. 329 00:14:48,181 --> 00:14:51,282 COME ON, I LOVE YOU MORE THAN ANYONE ELSE IN THE WHOLE WORLD. 330 00:14:51,318 --> 00:14:53,785 - OKAY, I HOPE THAT MEANS YOU'RE GONNA INCLUDE ME. 331 00:14:53,820 --> 00:14:55,186 IN YOUR LIFE A LITTLE MORE. 332 00:14:55,222 --> 00:14:56,821 - OF COURSE. 333 00:14:56,857 --> 00:14:59,691 - ALRIGHT. NOW... 334 00:14:59,693 --> 00:15:02,293 LET'S TALK ABOUT THIS BOYFRIEND TROUBLE YOU'RE HAVING 335 00:15:02,329 --> 00:15:03,461 - SURE. 336 00:15:03,497 --> 00:15:06,063 HIS NAME IS GIANNI, AND I MET HIM IN ITALY. 337 00:15:06,095 --> 00:15:07,620 'NIGHT. 338 00:15:14,174 --> 00:15:16,741 - COCK-A-DOODLE-DOO! 339 00:15:16,776 --> 00:15:20,245 IT'S YOUR BIG-SISTER ALARM CLOCK. 340 00:15:20,280 --> 00:15:21,913 - GO AWAY. 341 00:15:21,948 --> 00:15:23,748 - EMILY... 342 00:15:23,783 --> 00:15:25,984 LAST NIGHT I SENSED THAT YOU HAD 343 00:15:26,019 --> 00:15:28,520 THIS DEEP-SEATED NEED TO UNBURDEN YOURSELF 344 00:15:28,555 --> 00:15:30,054 ABOUT THE PROBLEM WITH YOUR BOYFRIEND. 345 00:15:30,090 --> 00:15:32,690 - YOU GOT ALL THAT FROM "SHUT UP, CAROL"? 346 00:15:32,726 --> 00:15:34,092 - EMILY... 347 00:15:34,127 --> 00:15:37,128 YOU'RE SQUANDERING AN INCREDIBLE RESOURCE HERE. 348 00:15:37,163 --> 00:15:41,432 I'M LIKE A FEDERAL RESERVE BANK OF DISAPPOINTMENT. 349 00:15:41,468 --> 00:15:42,600 MAKE A WITHDRAWAL. 350 00:15:42,636 --> 00:15:44,235 - CAROL... 351 00:15:44,271 --> 00:15:46,437 - EMILY, YOU CAN TALK TO ME. 352 00:15:46,473 --> 00:15:48,039 I MEAN, IT WASN'T THAT LONG AGO 353 00:15:48,074 --> 00:15:50,275 THAT I WAS CHANGING YOUR DIAPERS, FOR GOD'S SAKE. 354 00:15:50,310 --> 00:15:51,609 - WELL, IT ALL EVENS OUT. 355 00:15:51,645 --> 00:15:54,779 IT WON'T BE LONG BEFORE I'LL BE CHANGING YOURS. 356 00:15:56,950 --> 00:15:58,616 - HE SLEPT WITH YOUR BEST FRIEND, DIDN'T HE?' 357 00:15:58,652 --> 00:16:00,952 - JUST LET IT GO, CAROL. - OKAY, OKAY. 358 00:16:00,987 --> 00:16:02,987 BUT WHEN YOU FEEL IT'S TIME TO TALK, 359 00:16:03,023 --> 00:16:06,291 I'LL BE HERE, AND I WON'T BOTHER YOU UNTIL THEN. 360 00:16:06,326 --> 00:16:07,792 - OKAY I APPRECIATE IT. 361 00:16:07,827 --> 00:16:10,161 - HE KNOCKED YOU UP, DIDN'T HE? - CAROL! 362 00:16:10,196 --> 00:16:12,964 - I'LL RAISE THE CHILD. - OUT! 363 00:16:15,468 --> 00:16:17,035 - DADDY... 364 00:16:17,070 --> 00:16:19,103 DON'T YOU THINK IT SELFISH OF EMILY 365 00:16:19,139 --> 00:16:21,039 TO KEEP HER BOYFRIEND PROBLEM TO HERSELF? 366 00:16:21,074 --> 00:16:22,607 I MEAN, WHENEVER I HAVE A PROBLEM, 367 00:16:22,642 --> 00:16:25,376 I BRING IT TO YOU, DON'T I? 368 00:16:25,412 --> 00:16:29,080 - FOR AS LONG AS I CAN REMEMBER, DEAR. 369 00:16:29,115 --> 00:16:31,716 AH, GREAT. EMILY, PLEASE, COME, SIT DOWN. 370 00:16:31,751 --> 00:16:33,818 - YES. LET'S HAVE A TALK. JUST THE THREE OF US. 371 00:16:33,853 --> 00:16:35,687 - EMILY! 372 00:16:35,722 --> 00:16:37,055 - GIANNI? 373 00:16:37,090 --> 00:16:40,592 - [speaking Italian] 374 00:16:47,801 --> 00:16:50,935 - [speaking Italian] 375 00:16:52,205 --> 00:16:55,740 - EMILY, NO! YOU CRUSH-A MY HEART. 376 00:16:55,775 --> 00:16:57,742 FOR THE LAST TIME, 377 00:16:57,777 --> 00:16:59,410 PLEASE, MARRY ME. 378 00:16:59,446 --> 00:17:02,947 BECOME A QUEEN OF MY VILLA IN THE AMALFI COAST. 379 00:17:02,983 --> 00:17:06,584 - THIS IS HER PROBLEM? 380 00:17:06,620 --> 00:17:09,954 - GIANNI, YOU'RE A WONDERFUL MAN AND AN EXCELLENT SHIP BUILDER, 381 00:17:09,990 --> 00:17:13,391 BUT I'M JUST TOO YOUNG TO TIE MYSELF DOWN. 382 00:17:13,426 --> 00:17:16,394 - BUT I LOVE YOU AS NEVER A MAN HAS LOVED A WOMAN. 383 00:17:16,429 --> 00:17:17,695 I MEAN, ONE CALL, 384 00:17:17,731 --> 00:17:19,931 AND I WILL MAKE YOU THE MOST FAMOUS MODEL IN EUROPE. 385 00:17:19,966 --> 00:17:22,200 OH--CLICK-- THOSE EYES, I TUMBLE 386 00:17:22,235 --> 00:17:24,869 INTO--CLICK-- OF THAT GORGEOUS MANE OF HAIR. 387 00:17:24,904 --> 00:17:26,070 CLICK-- THOSE SUMPTUOUS-- 388 00:17:26,106 --> 00:17:29,407 - THAT'S-- THAT'S ENOUGH CLICKING. 389 00:17:29,442 --> 00:17:31,342 EMILY, WOULD YOU CARE TO INTRODUCE US? 390 00:17:31,378 --> 00:17:33,144 - OH, SORRY. GIANNI, THIS IS MY FATHER, HARRY, 391 00:17:33,179 --> 00:17:34,512 AND MY SISTER CAROL. 392 00:17:34,547 --> 00:17:37,215 - HARRY, PLEASE, I BEG OF YOU. 393 00:17:37,250 --> 00:17:40,585 IF EVER THE FIRE OF LOVE HAS BURNED IN YOU AS HOT AS THE... 394 00:17:40,620 --> 00:17:41,753 HOW DO YOU CALL IT? 395 00:17:41,788 --> 00:17:44,088 THE BIG BALL IN THE SKY. 396 00:17:44,124 --> 00:17:45,256 - SUN. 397 00:17:45,291 --> 00:17:47,025 - PAPA! 398 00:17:50,497 --> 00:17:52,497 I KNEW YOU WOULD UNDERSTAND. 399 00:17:52,532 --> 00:17:54,966 HARRY, I HAVE MILLIONS. 400 00:17:55,001 --> 00:17:59,270 I HAVE DEGREE IN PHILOSOPHY, PHYSICS, AND HOTEL MANAGEMENT. 401 00:17:59,305 --> 00:18:00,938 AND, HARRY... 402 00:18:00,974 --> 00:18:03,441 BECAUSE I KNEW THAT ONE DAY I WAS GOING TO MEET MY EMILY, 403 00:18:03,476 --> 00:18:06,511 I PRESERVED MY CHASTITY FOR HER. 404 00:18:06,546 --> 00:18:10,181 - THIS IS HER PROBLEM? 405 00:18:10,216 --> 00:18:11,649 - GIANNI, I'M SORRY. 406 00:18:11,685 --> 00:18:13,651 LOOK, I'M SURE SOMEDAY YOU'LL FIND THE RIGHT PERSON, 407 00:18:13,687 --> 00:18:14,819 BUT IT'S NOT ME. 408 00:18:14,854 --> 00:18:16,487 - NO, NO! 409 00:18:16,523 --> 00:18:18,990 I WILL NEVER LEAVE-A THIS HOUSE. 410 00:18:19,025 --> 00:18:22,360 - WELL, YOU'D FIT RIGHT INTO THE FAMILY. 411 00:18:23,863 --> 00:18:25,830 BUT, GIANNI... 412 00:18:25,865 --> 00:18:28,166 CIAO. 413 00:18:28,201 --> 00:18:30,802 - THEN I LEAVE-A TO JOIN THE CHURCH. 414 00:18:30,837 --> 00:18:33,004 ONLY LOVE FOR THE HOLY SPIRIT 415 00:18:33,039 --> 00:18:35,573 CAN POSSIBLY REPLACE-A MY LOVE FOR YOU. 416 00:18:35,608 --> 00:18:39,107 [sighing] 417 00:18:40,880 --> 00:18:44,449 - THIS IS YOUR PROBLEM? 418 00:18:44,484 --> 00:18:45,883 - YES. I'VE BEEN TRYING 419 00:18:45,919 --> 00:18:47,351 TO DECIDE IF I SHOULD KEEP SEEING HIM, 420 00:18:47,387 --> 00:18:48,853 BUT THEN FINALLY I REALIZED I COULDN'T, 421 00:18:48,888 --> 00:18:50,555 BECAUSE THAT WOULD BE STRINGING HIM ALONG. 422 00:18:50,590 --> 00:18:52,490 LOOK, I'VE BEEN HAVING A REALLY BAD TIME WITH THIS. 423 00:18:52,525 --> 00:18:55,359 - BAD? BAD? 424 00:18:55,395 --> 00:18:57,862 NO, EMILY, THAT'S YOUR PROBLEM. 425 00:18:57,897 --> 00:19:00,498 YOU'VE ALWAYS BEEN SO BLESSED, YOU DON'T KNOW GOOD FROM BAD. 426 00:19:00,533 --> 00:19:03,367 LET ME EXPLAIN. 427 00:19:03,403 --> 00:19:05,203 I SPENT THE ENTIRE MORNING 428 00:19:05,238 --> 00:19:08,206 ROLLING LITTLE FISH BALLS FOR THE FINKELSTEIN BAR MITZVAH, 429 00:19:08,241 --> 00:19:10,141 WHILE YOU HAVE BEEN TRYING TO FIGURE OUT 430 00:19:10,176 --> 00:19:12,310 HOW TO DUMP MARCELLO MASTROIANNI. 431 00:19:12,345 --> 00:19:14,078 NOW, LISTEN VERY CAREFULLY. 432 00:19:14,114 --> 00:19:16,047 FISH BALLS, BAD. 433 00:19:16,082 --> 00:19:18,316 MASTROIANNI, GOOD. 434 00:19:18,351 --> 00:19:21,185 STILL LIVING IN MY CHILDHOOD BEDROOM, BAD. 435 00:19:21,221 --> 00:19:22,954 AMALFI COAST, GOOD. 436 00:19:22,989 --> 00:19:25,089 BEING 30-SOMETHING AND DIVORCED, BAD. 437 00:19:25,125 --> 00:19:28,893 BEING 23 AND THE PERSONAL PET PROJECT OF GOD, GOOD. 438 00:19:30,388 --> 00:19:33,067 NOW EXCUSE ME, WHILE I GO UPSTAIRS 439 00:19:33,099 --> 00:19:34,799 WHERE I WILL SPEND THE REST OF MY LIFE 440 00:19:34,834 --> 00:19:36,560 ADOPTING HUNDREDS OF STRAY CATS 441 00:19:36,603 --> 00:19:39,103 WATCHING MY BREASTS DROP. 442 00:19:43,065 --> 00:19:45,978 BAD. 443 00:19:46,268 --> 00:19:47,400 - OKAY, SEE YOU LATER. 444 00:19:47,436 --> 00:19:50,003 - WHOA, JUST WAIT A MINUTE, YOUNG LADY. 445 00:19:50,038 --> 00:19:51,905 I THINK YOU TEED TO TALK TO YOUR SISTER. 446 00:19:51,940 --> 00:19:54,340 - BUT, DAD, SHE'S SCARY. 447 00:19:55,477 --> 00:19:56,976 OKAY. 448 00:19:57,012 --> 00:19:59,245 BUT, LOOK, IT'S NOT LIKE MY PROBLEMS ARE NOT REAL, YOU KNOW? 449 00:19:59,281 --> 00:20:01,247 I MEAN, EVEN THOUGH I WANTED GIANNI OUT OF MY LIFE, 450 00:20:01,283 --> 00:20:02,949 I FEEL MORE CONFUSED NOW THAN EVER. 451 00:20:02,984 --> 00:20:04,350 - HONEY... 452 00:20:04,386 --> 00:20:08,021 MAYBE FAMILY IS EXACTLY WHAT YOU NEED RIGHT NOW. 453 00:20:08,056 --> 00:20:10,690 WHY DON'T YOU STAY HOME? 454 00:20:10,726 --> 00:20:13,460 IT'D BE NICE FOR ME TO GET TO KNOW MY DAUGHTER AGAIN. 455 00:20:13,495 --> 00:20:15,829 - CAROL STAYS? 456 00:20:15,864 --> 00:20:19,866 - SHE KIND OF HAS SQUATTER'S RIGHTS. 457 00:20:19,901 --> 00:20:22,168 - YOU REALLY WANT ME HERE? 458 00:20:22,204 --> 00:20:24,104 - MORE THAN ANYTHING. 459 00:20:24,139 --> 00:20:26,139 - OH. 460 00:20:28,076 --> 00:20:30,076 [knocking on door] 461 00:20:31,341 --> 00:20:32,911 HEY, CAROL. 462 00:20:32,959 --> 00:20:33,992 - EMILY... 463 00:20:34,027 --> 00:20:35,894 IT'S NICE OF YOU TO COME UP. 464 00:20:35,929 --> 00:20:37,529 - WELL, DAD MADE ME. 465 00:20:39,933 --> 00:20:42,200 LOOK, I'M SORRY IF I'VE BEEN A DRAG TO HAVE AROUND LATELY. 466 00:20:42,235 --> 00:20:44,703 - NO, IT'S NOT YOUR FAULT. 467 00:20:44,738 --> 00:20:46,671 I THOUGHT YOU NEEDED ME TO FIX YOUR LIFE, 468 00:20:46,707 --> 00:20:48,373 BUT THEN WHEN I SAW WHAT YOUR LIFE REALLY IS, 469 00:20:48,408 --> 00:20:52,243 I FELT LIKE DUKAKIS TELLING CLINTON HOW TO RUN A CAMPAIGN. 470 00:20:54,681 --> 00:20:56,214 - DON'T BE SILLY, CAROL. 471 00:20:56,249 --> 00:20:57,949 LOOK, MY LIFE IS NOT THAT GREAT. 472 00:20:57,984 --> 00:21:00,051 LOOK HOW MUCH YOU'VE GOT GOING FOR YOU. 473 00:21:00,087 --> 00:21:01,319 YOU LOVE YOUR CATERING. 474 00:21:01,354 --> 00:21:03,054 YOU'VE GOT A REALLY TERRIFIC BOYFRIEND-- 475 00:21:03,090 --> 00:21:04,322 - NO, I DON'T. 476 00:21:04,357 --> 00:21:06,091 OH, WAIT. YOU'RE RIGHT. I DO. 477 00:21:06,126 --> 00:21:09,494 SORRY. KNEE-JERK RESPONSE. 478 00:21:09,529 --> 00:21:12,230 - CAROL, DAD ASKED ME TO STAY FOR A LITTLE WHILE, 479 00:21:12,265 --> 00:21:13,898 BUT I KNOW IT MIGHT BE HARD FOR YOU-- 480 00:21:13,934 --> 00:21:16,701 - NO. EMILY, I WANT YOU HERE. 481 00:21:16,703 --> 00:21:19,061 REALLY, I DO. 482 00:21:19,107 --> 00:21:21,232 THE HARD PART IS GETTING IT THROUGH MY HEAD 483 00:21:21,274 --> 00:21:22,574 THAT YOU'VE GROWN UP. 484 00:21:22,609 --> 00:21:25,410 YOU DON'T NEED A BIG SISTER ANYMORE. 485 00:21:25,445 --> 00:21:27,245 - HEY, COME ON, CAROL. 486 00:21:27,280 --> 00:21:29,013 I'VE BEEN LIVING ALONE FOR SO LONG, 487 00:21:29,049 --> 00:21:31,783 IT MIGHT BE NICE HAVING A BIG SISTER AROUND FOR A WHILE. 488 00:21:31,818 --> 00:21:33,184 - REALLY? 489 00:21:33,220 --> 00:21:35,420 - YEAH, YOU KNOW, SOMEONE TO LEAN MY HEAD ON 490 00:21:35,455 --> 00:21:36,588 OR STEAL CLOTHES FROM, 491 00:21:36,623 --> 00:21:38,490 TEACH ME HOW TO CRACK AN EGG WITH ONE HAND-- 492 00:21:38,525 --> 00:21:42,127 YOU KNOW, ALL THAT STUFF. - OH, EMILY. 493 00:21:42,129 --> 00:21:45,597 AND I PROMISE, I WON'T TRY TO RUN YOUR LIFE. 494 00:21:45,639 --> 00:21:47,011 - I MISSED YOU. 495 00:21:47,033 --> 00:21:48,433 - OH. 496 00:21:48,468 --> 00:21:50,034 POOR GIANNI. 497 00:21:50,070 --> 00:21:52,270 THAT MAN LOST THE GREATEST CATCH OF HIS LIFE, 498 00:21:52,305 --> 00:21:54,973 YOU MADE THE RIGHT DECISION ABOUT HIM. 499 00:21:55,008 --> 00:21:56,775 YOU NEED A MAN WHO'S-- 500 00:21:56,810 --> 00:21:59,310 WHO'S GONNA ALLOW YOU TO BREATH FOR A WHILE, 501 00:21:59,346 --> 00:22:01,780 A MAN WHO HAS A STRONG SENSE OF SELF 502 00:22:01,815 --> 00:22:06,451 COMBINED WITH AN INSATIABLE APPETITE FOR ADVENTURE. 503 00:22:06,486 --> 00:22:08,553 KIMMEL THE PIANO TUNER. 504 00:22:08,588 --> 00:22:10,955 I'LL GO GET HIS NUMBER. 505 00:22:10,991 --> 00:22:13,224 - [sighs] 506 00:22:13,260 --> 00:22:16,327 HELP ME, DREYF. I'M HOME. 507 00:22:22,819 --> 00:22:24,365 - EMILY. 508 00:22:24,710 --> 00:22:26,610 OH, EMILY. 509 00:22:28,814 --> 00:22:30,080 PLEASE... 510 00:22:30,116 --> 00:22:33,917 PLEASE, BEFORE I LEAVE-A TO SERVE-A GOD, 511 00:22:33,953 --> 00:22:37,621 I NEED A-ONE MORE LOOK AT YOUR PRICELESS-A FACE, 512 00:22:37,657 --> 00:22:41,091 ONE LAST WHIFF OF THOSE GORGEOUS HAIR, 513 00:22:41,127 --> 00:22:45,763 ONE FINAL LOOK AT THAT-- BEAUTIFUL... 514 00:22:45,798 --> 00:22:47,097 OH, HELLO, PAPA. 515 00:22:47,133 --> 00:22:49,266 [laughing] CIAO. 516 00:22:49,316 --> 00:22:53,866 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 37201

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