Original subtitles

- CAROL, WHAT ARE YOU DOING?

- I'M MAKING SOME NOTES FOR A JOB.

- OH, THANK GOD.

I THOUGHT YOU WERE WRITING DOWN YOUR FEELINGS

SO YOU COULD READ THEM ALOUD AGAIN.

- NO, DADDY, PATRICK AND I HAVE THIS INCREDIBLE OPPORTUNITY

TO WORK TOGETHER.

- YOU BOTH HAVE A CHANCE TO WORK?

TAKE IT!

- WELL, DON'T YOU WANT TO KNOW WHAT IT IS?

- NO!

- DO YOU REMEMBER DIANE BREWSTER?

- THE LAWYER WHO HANDLED YOUR DIVORCE.

- WELL, SHE'S NOT JUST A LAWYER, DADDY.

SHE'S ALSO A CLOSE, PERSONAL FRIEND.

ANYWAY, SHE'S OPENING UP A NEW OFFICE--

- TAKE IT.

- AND SHE NEEDS A SCULPTURE FOR HER LOBBY

AND A CATERER FOR THE GRAND OPENING.

- TAKE IT!

- HAVE A GOOD LOOK WESTONS.

BEFORE YOU STANDS THE MOST MISERABLE,

HUMAN BEING IN FLORIDA.

- DOES THIS MEAN YOU GO TO THE NATIONALS?

- ALL RIGHT, CHARLEY, COME ON, WHAT'S THE MATTER?

- AW, I'M WORKING A CRUISE FOR TEN DAYS

WITH A BUNCH OF RELIGIOUS NUTS

AND THEIR LEADER, KRISHNA BABA.

- KRISHNA BABA, THE PUNDIT OF THE DIVINE WAY?

- DIVINE WAY,

TRANSLATION-- NO TEQUILA NIGHT.

- CHARLEY, COME ON,

LOOK AT IT AS A CHALLENGE TO YOUR INTELLECT,

TO YOUR SPIRIT. - [laughs]

GET REAL, COLLEGE BOY.

THE ONLY ASPECT OF RELIGION I'M INTERESTED IN

IS FINDING A BELIEVER AND SLIPPIN' HER THE BISHOP.

- LET'S--LET'S MOVE WHILE HE'S GONE.

- LIFE GOES ON

AND SO DO WE

JUST HOW WE DO IT IS NO MYSTERY

ONE BY ONE

WE FILL THE DAYS

WE FIND A THOUSAND DIFFERENT WAYS

SOMETIMES THE ANSWER CAN BE HARD TO FIND

THAT'S SOMETHING I WILL NEVER BE

I'M ALWAYS HERE

FOR ANYTHING YOU NEED

RAIN OR SHINE, I'LL BE THE ONE

TO SHARE IT ALL AS LIFE GOES ON

WE SHARE IT ALL

AS LIFE GOES ON

- PATRICK, WHAT ARE YOU DOING?

DIANE BREWSTER'S COMING THURSDAY MORNING.

YOU'RE SUPPOSED TO BE WORKING ON YOUR IDEA.

- I AM WORKING. - YOU'RE WATCHING TELEVISION.

- CAROL, WHEN I'M WATCHING TELEVISION, I'M WORKING.

WHEN I'M TAKING A WALK, I'M WORKING.

WHEN WE'RE MAKING LOVE, I'M WORKING.

- PATRICK, DIANE BREWSTER IS A VERY--

"WHEN WE'RE MAKING LOVE"?

- YOU DON'T UNDERSTAND THE ARTISTIC PROCESS.

IDEAS DON'T JUST MAGICALLY APPEAR.

- OH, I SEE WHAT'S GOING ON HERE.

YOU'RE BLOCKED.

- I AM NOT BLOCKED.

I JUST HAVEN'T FOUND THE IDEA

THAT WILL SATISFY THE INTEGRITY OF THE SPACE.

- PATRICK, IT'S A LAWYER'S OFFICE.

THEY HAVE NO INTEGRITY.

- WELL, I DO. AND I'M NOT GONNA DO SOMETHING

JUST TO PLEASE DIANE BREWSTER-- THAT'S NOT THE WAY I WORK.

- NO, YOU WATCH TELEVISION.

PATRICK, IN THE REAL WORLD, WHERE I LIVE...

ONE HAS TO LEARN TO COMPROMISE.

FOR INSTANCE, I ONCE HAD A CLIENT

WHO WANTED CAJUN SHRIMP.

I WANTED OSSO BUCO.

SO WE SETTLED ON CAJUN BUCO.

PATRICK, I'M WILLING TO HELP YOU.

I HAVE IDEAS, THOUGHTS.

I KNOW--PERHAPS I CAN READ YOU SOME OF MY FEELINGS.

- NO, NO, NO, NO, NO, NO, NO, NO.

LOOK, CAROL, I KNOW HOW I HAVE TO WORK.

- ALL RIGHT, BUT JUST REMEMBER--

BRILLIANT IDEAS, 9:00 THURSDAY MORNING.

- DON'T YOU WORRY ABOUT ANYTHING.

I GOT IT ALL UNDER CONTROL.

I HAVEN'T GOT A CLUE!

- DADDY? - MM-HMM?

- ARE YOU WATCHING TV OR WORKING?

I'D LIKE TO TALK ABOUT SOMETHING PERSONAL.

- WORKING.

- DADDY, I DON'T KNOW WHAT TO DO.

I THINK PATRICK'S BLOCKED.

- WELL, THERE ARE SOME EXCELLENT OVER-THE-COUNTER REMEDIES.

- NO!

NO, DADDY, WE'RE MEETING DIANE BREWSTER TOMORROW.

MY PROPOSAL'S IN, BUT PATRICK HASN'T DONE A THING YET.

I DON'T KNOW WHAT TO DO, DADDY. WHAT DO YOU THINK I SHOULD DO?

- [stammering] THERE'S A PICTURE-- THAT'S CHARLEY'S SHIP!

- THE UNEXPECTED SQUALL SWEPT TWO MEN OVERBOARD.

THEY WERE IDENTIFIED AS ANIAT SINGH, A PASSENGER,

AND THE SHIP'S PORT PURSER, CHARLES DIETZ.

- [gasps] OH, MY GOD! - CHARLEY!

- THEY WERE LAST SEEN ON A RAFT,

BUT DENSE FOG IS HINDERING RESCUE EFFORTS.

NOW, TONIGHT'S TOP SPORTS STORY...

- OH, CHARLEY, POOR DEAR CHARLEY.

- I KNOW, I MEAN, THEY'LL FIND HIM.

THEY GOT TO FIND HIM. BUT, GOD, POOR CHARLEY.

- DADDY, I JUST REMEMBERED ALL THOSE AWFUL THINGS

WE'VE SAID TO HIM OVER THE YEARS.

- I KNOW WE'VE BEEN PRETTY HARD ON HIM.

BUT LET'S NOT--LET'S NOT TALK ABOUT THAT NOW.

- OF COURSE NOT.

- LET'S--LET'S TALK ABOUT THE THINGS CHARLEY HAS DONE

THAT ARE GOOD.

- GOOD IDEA. - OKAY.

HEY! GREAT NEWS--

I JUST TALKED TO THE CRUISE LINE.

CHARLEY'S FINE.

COAST GUARD SPOTTED HIM. THEY'RE ON THEIR WAY.

- GREAT! - OH, THANK GOD!

NOW I CAN STOP TRYING TO THINK OF A GOOD THING HE'S DONE.

- LISTEN, I'M LATE. I'M LATE, I'M LATE.

GOOD LUCK WITH DIANE BREWSTER.

- THANKS, DADDY. [doorbell rings]

OOH, THERE SHE IS.

I KNOW YOU'RE GONNA LIKE DIANE.

DURING MY HORRIBLY PAINFUL DIVORCE,

SHE WAS REALLY THERE FOR ME.

WE BONDED LIKE SISTERS.

- HELLO, I'M DIANE BREWSTER.

WOULD YOU TELL CAROL WESTON I'M HERE?

- DIANE, IT'S ME, CAROL.

- OH, CAROL, I DIDN'T RECOGNIZE YOU.

YOU'RE NOT WEEPING.

AND YOU MUST BE PATRICK.

- HI. - HELLO.

- HAVE A SEAT. - THANK YOU.

I'M SORRY WE COULDN'T MEET AT MY OFFICE.

THE PAINTERS WERE SUPPOSED TO FINISH TEN DAYS AGO.

I'M SLAPPING A LIEN ON THEIR TRUCK.

[laughs]

SO, PATRICK, I GOT YOUR DRAWINGS THIS MORNING,

AND I'M VERY IMPRESSED.

- YES, YES, YES, YES!

YES.

- I LIKED EVERYTHING BUT THE IRON PEDESTAL.

MAKE IT MARBLE. NOW-- - WHOA, WHOA, WHOA, MARBLE?

- PATRICK, SWEETIE,

MARBLE IS THE MATERIAL OF COMPROMISE.

- BUT MARBLE WOULD VIOLATE

THE INTEGRITY OF THE ENTIRE PIECE.

- BUT I LIKE MARBLE. - BUT IRON SPEAKS.

SEE, IT'S A METAPHOR

FOR THE MARRIAGES YOU DEAL WITH.

ALTHOUGH IRON IS STRONG AND HEAVY,

IT RUSTS, CORRODES, AND DISINTEGRATES

INTO A PILE OF CRAP.

- BUT SHE LIKES MARBLE. - I HEARD HER, CAROL.

DIANE, THANK YOU FOR GIVING ME A SHOT AT THIS,

BUT MAYBE I'M JUST NOT THE ARTIST YOU'RE LOOKING FOR.

I'M GONNA BE IN THE GARAGE WORKING.

DO YOU KNOW WHERE THE TV GUIDE IS?

- WAIT.

IT WONDERFUL TO SEE SOMEONE WITH SUCH STRONG CONVICTIONS.

DO IT YOUR WAY.

- OKAY. GREAT.

- OKAY, NOW, CAROL,

ABOUT YOUR PROPOSAL FOR A BOEUF EN CROUTE,

I WAS THINKING OF SOMETHING SIMPLER,

LIKE FINGER SANDWICHES.

- OH. FINGER SANDWICHES? [chuckles]

BOEUF EN CROUTE SPEAKS.

ANYTHING ELSE WOULD VIOLATE

THE INTEGRITY OF THE ENTIRE AMBIANCE.

- BUT I WANT FINGER SANDWICHES.

- WELL, DIANE, THANKS FOR GIVING ME A SHOT AT THIS,

BUT MAYBE I'M JUST NOT THE CATERER

YOU'RE LOOKING FOR.

I'M GOING UPSTAIRS NOW.

YOU KNOW ME, DIANE.

I'M A CULINARY ARTIST WHO HAS STRONG CONVICTIONS.

[stomps feet]

- [clears throat] AND I ADMIRE YOU FOR THAT.

- THANK YOU.

- GOOD LUCK, CAROL. IT WAS NICE SEEING YOU.

- WAIT. WHAT? - SO, PATRICK--

- WAIT A MINUTE.

IF CAROL IS NOT CATERING,

THEN YOU CAN COUNT ME OUT TOO-- WE'RE IN THIS TOGETHER.

- OH, PATRICK, THAT'S NOT NECESSARY.

- BUT, CAROL--

- PATRICK, THIS COULD BE THE PIECE THAT LAUNCHES YOU

INTO GREATNESS.

I INSIST THAT YOU NOT SACRIFICE YOUR FUTURE FOR ME.

- I DON'T KNOW WHAT TO SAY.

OKAY, I GUESS.

- VERY WELL, THEN.

PATRICK, WHY DON'T YOU COME BY THE OFFICE TOMORROW?

- GREAT. THANK YOU. - MM-HMM.

CAROL.

- ARE YOU SURE YOU'RE ALL RIGHT WITH THIS?

- ABSOLUTELY. I CAN BE SUPPORTIVE.

ALL I CAN THINK OF IS HOW HAPPY I AM FOR YOU.

- I'M SO LUCKY TO HAVE YOU.

- "ONCE AGAIN, I FEEL...

ANGUISH, PAIN, BETRAYAL."

OH, DADDY?

I WANT TO READ YOU SOME OF MY FEELINGS.

- UM, I'M KIND OF BUSY...

[doorbell rings] I'LL GET IT!

[mumbling]

- "ONCE AGAIN, I FEEL DADDY'S REJECTION."

- OH GOD.

CHARLEY! CHAR--CHARLEY.

- THANK GOD.

CHARLEY, WHAT ARE YOU WEARING?

- WHAT YOU SEE BEFORE YOU IS THE NEW CHARLEY.

COMING SO CLOSE TO DEATH HAS BROUGHT ME CLOSER TO LIFE.

- OH, COME ON, CHARLEY, YOU'RE PULLING OUR LEG.

- NO, I DON'T PULL ANYTHING ANYMORE.

- HEY, CHARLEY, YOU'RE BACK! GREAT TO SEE YOU.

- CHARLEY, CHARLEY, COME ON, SIT DOWN.

TELL US WHAT HAPPENED.

- WELL, AFTER I FELL OFF THE SHIP,

I SPENT TO DAYS ON A RAFT WITH BROTHER ANIAT SINGH,

WHO MADE ME REALIZE WHAT A WASTE MY LIFE WAS

AND HOW I COULD LIVE IN A BETTER PLACE.

YES, MY FURRY BROTHER?

- UH, YOU'RE ON HIS SPOT.

- SORRY, MY FURRY BROTHER.

BY THE WAY, I, UH, BORROWED YOUR DOG COLLAR

A COUPLE OF YEARS AGO FOR OTHER PURPOSES.

- CHARLEY, NO ONE IS BUYING THIS.

- CAROL, COME ON, NOW, GIVE HIM A CHANCE.

CHARLEY, WHY DON'T YOU STAY FOR DINNER?

- OH, NO. I COULDN'T IMPOSE.

- OH, THIS IS GETTING SCARY.

- THINK WHAT YOU WILL, BUT I'M--I'M NO LONGER A TAKER.

IN FACT, I'VE BEGUN TO RID MYSELF

OF ALL WORLDLY GOODS.

EVERY DAY I PRACTICE THE RITUAL OF THE BURNING OF MY MONEY.

HERE, WATCH HOW EASY IT IS FOR ME.

I MEAN NO DISRESPECT TO YOU, BROTHER ABE.

COOL.

WELL, IF YOU'LL EXCUSE ME...

- ALL RIGHT, CHARLEY, THAT WAS A VERY GOOD SHOW,

BUT I AM NOT BUYING THIS ACT FOR ONE MINUTE.

- I LOVE YOU, MY SISTER.

I UNDERSTAND YOUR PESSIMISM AND ANGER,

BUT THERE'S NOTHING YOU CAN SAY

THAT WILL DISRUPT THE CALM I FEEL WITHIN MYSELF.

- OH, YEAH?

THE GIRLS AT THE HEALTH CLUB CALL YOU "TINY TIM."

- OOH, THAT WAS A CLOSE ONE.

- GOOD MORNING. - GOOD MORNING, HONEY.

- DID YOU HEAR THAT?

HE COULDN'T JUST SAY, "GOOD MORNING."

HE HAD TO TOP ME WITH, "GOOD MORNING, HONEY."

IT WAS THE WAY HE SAID IT,

AS--AS IF HE HAS A JOB AND I DON'T.

- CAROL, WHY DON'T YOU JUST TELL PATRICK HOW YOU FEEL--

THAT YOU'RE ANGRY

BECAUSE HE GOT THE JOB AND YOU DIDN'T?

- I AM NOT ANGRY!

YOU'RE ABSOLUTELY RIGHT.

I KNOW THIS FROM THERAPY.

I'M MISDIRECTING MY ANGER.

I'M TAKING IT OUT ON PEOPLE IN THE WRONG WAY.

WELL, I'M NOT GOING TO DO THAT ANYMORE.

- THAT'S GOOD, DEAR. - OH, SHUT UP, DADDY!

I'M SORRY. I'M DOING IT AGAIN.

I'M GONNA GO IN THERE RIGHT NOW

AND TELL PATRICK EXACTLY HOW I FEEL.

- [stammering]

LEAVE THE KNIFE.

- HI. - HI, HONEY.

- "HI, HONEY"? GIVE IT A REST.

PATRICK, THERE'S SOMETHING VERY IMPORTANT

I WANT TO TALK TO YOU ABOUT.

- WHAT?

- I JUST CAME IN HERE TO SAY THAT...

YOUR FEET ARE ON THE COFFEE TABLE.

- THAT'S WHAT YOU WANTED TO TALK TO ME ABOUT?

- NO.

I JUST WANTED TO TELL YOU...

YOU'RE GETTING ERASER SCHMUTZ ALL OVER!

- WHAT?

- YOU KNOW VERY WELL THAT ERASER BITS

ARE IMPOSSIBLE TO GET OUT OF THE CARPET.

- CAROL, WHAT'S GOING ON HERE?

- THERE'S NO COASTER UNDER THIS SODA CAN.

YOU'RE GONNA LEAVE A RING ON THE TABLE.

AND YOU'RE ALWAYS CHANGING THE MIRROR IN MY CAR!

AND I'LL HAVE YOU KNOW THAT SOUTH PACIFIC

WAS A ROTTEN SHOW!

- WHAT THE HELL ARE YOU TALKING ABOUT?

- OH, WOULDN'T YOU LIKE TO KNOW?

- YOU TWO TALK?

- I DON'T UNDERSTAND HER. SHE MAKES NO SENSE AT ALL.

SHE'S COMPLETELY IRRATIONAL. SHE'S INSANE!

- GOOD. YOU TALKED.

LAVERNE, I'M GETTING TIRED OF THIS.

- COME ON, DOCTOR!

I GOTTA LEARN THESE NEW INSURANCE CODES.

ASK ME ANOTHER.

- WHOOPING COUGH. - 1017.

- VERY GOOD. SINUSITIS. - 1878.

- CORRECT. - OKAY, KEEP THEM COMIN'.

- NO, COME ON, LAVERNE, SOME OTHER TIME.

- COME ON, I AIN'T DONE YET--

JUST TWO MORE. - THAT'S IT. THAT'S ENOUGH.

- ALL RIGHT.

I HOPE YOU GET A 107 ON YOUR 2311.

- YOU, WATCH YOUR LANGUAGE. JEEZ.

- HELLO, LAVERNE. HELLO, HARRY.

- WELL, LOOK WHO'S HERE...

GUNGA DIN.

- HI, CHARLEY. WHAT BRINGS YOU HERE?

- JUST CONTINUING TO GET MY LIFE IN ORDER.

HERE, I BROUGHT YOU THIS. - OH, THANKS. WHAT IS IT?

- THESE ARE THE ASHES OF THE $300 I OWE YOU.

- IF YOU WANNA WAIT, I'LL BURN YOU A RECEIPT.

- THIS IS JUST THE BEGINNING.

MY NEXT STEP IS TO GET RID OF ALL MY WORLDLY POSSESSIONS.

- CHARLEY, I DON'T KNOW IF IT'S SUCH A GOOD IDEA

FOR YOU TO GIVE AWAY EVERYTHING YOU HAVE.

BESIDES, MOST OF YOUR WORLDLY POSSESSIONS ARE...

MY WORLDLY POSSESSIONS.

- THEN YOU'RE BECOMING A BETTER PERSON, TOO, HARRY.

CONGRATULATIONS.

- LOOK, UH, CHARLEY,

I THINK IT'S GREAT THAT YOU'RE TURNING OVER

A NEW LEAF, BUT...

I MEAN, IS THIS THE WAY TO DO IT--

BURNING MONEY AND GIVING EVERYTHING AWAY?

- HARRY, ALL I KNOW

IS I NEVER FELT SO GOOD ABOUT MYSELF.

HERE, LAVERNE,

IF YOU'RE GOING UP TO THE THIRD FLOOR,

WOULD YOU MIND TAKING THOSE TO THE NURSES' LOUNGE?

KIND OF AN APOLOGY FOR PAST INDISCRETIONS

- WHO DO YOU WANT ME GIVE THESE TO?

- BETTER MAKE IT THE WHOLE THIRD FLOOR.

- WOULD YOU KEEP IT DOWN IN HERE?

- WHAT?

- OH, MR. INNOCENT.

YOU'RE DRIVING ME CRAZY

WITH YOUR INCESSANT POLISHING, POLISHING--

AS IF PEOPLE DON'T HAVE TO GET UP

AND GO TO WORK IN THE MORNING.

- I AM NOT GONNA GO THROUGH THIS AGAIN.

YOU'RE JUST MAD AT ME BECAUSE I GOT THAT JOB

AND YOU DIDN'T, RIGHT?

- NO, NO, NO, NO.

YES.

YES, I AM MAD.

I'M MISERABLE.

- CAROL, I FELT TERRIBLE ABOUT WHAT HAPPENED.

I WAS READY TO WALK.

YOU'RE THE ONE WHO TOLD ME TO TAKE THE JOB.

- WELL, IF YOU REALLY LOVED ME,

YOU WOULDN'T HAVE LISTENED TO ME.

WHAT ARE YOU DOING? - I'M CALLING DIANE BREWSTER.

AND TELLING HER I QUIT.

IF YOU'RE UNHAPPY, I'M UNHAPPY.

BELIEVE ME.

- YOU WOULD DO THAT FOR ME?

- CAROL, I WOULDN'T EVEN HAVE THIS JOB

IF IT WEREN'T FOR YOU.

I WOULDN'T BE AS HAPPY AS I AM IF IT WEREN'T FOR YOU.

WE'RE A TEAM.

- OH, PATRICK.

I AM SO MOVED.

I AM SO TOUCHED.

I'M SO FULL OF EMOTION RIGHT NOW.

DO YOU HAVE SOMETHING I CAN WRITE ON?

- OH, SORRY. I FORGOT TO KNOCK.

[knocking on door]

- WH--WHO IS IT?

- IT'S ME, CHARLEY.

- COME IN!

SO, CHARLEY...

HOW--

HOW'S IT GOING?

- I GOT A BIG PROBLEM, AND I DON'T KNOW HOW TO TELL YOU.

- JUST SAY IT. - WELL, ALL RIGHT.

HARRY, IT'S JUST THAT I...

SAW A TOASTER TODAY.

- I'M GONNA NEED A LITTLE MORE THAN THAT.

- WELL, WHAT DOES A TOASTER REMIND YOU OF?

TOAST.

AND WHAT DOES TOAST REMIND YOU OF?

MORNING, GETTING UP, LOOKING OVER

AND SEEING SOMEONE IN BED

AND NOT REMEMBERING HOW SHE GOT THERE.

THEN REMEMBERING HOW SHE GOT THERE

AND WONDERING HOW FAST YOU CAN GET RID OF HER.

YOU KNOW. - RIGHT.

both: A TOASTER. - YOU GOT IT.

- WELL, CHARLEY, YOU HAVE TO HAVE SOME PATIENCE.

I-I GUESS IT'S NATURAL TO SLIP A LITTLE.

- NO, HARRY, I'M SLIPPING A LOT.

LAST NIGHT I FOUND MYSELF STANDING ON TOP OF YOUR TV

TRYING TO LOOK DOWN CONNIE CHUNG'S BLOUSE.

- I'M SURE OTHERS HAVE HAD LAPSES.

NONE LIKE THAT, I'M SURE.

CHARLEY, WHY DON'T YOU TALK TO ONE OF THE MEMBERS

OF YOUR GROUP ABOUT THIS?

- WELL, AS A MATTER OF FACT, THEY DO HAVE COUNSELORS

TO HELP PEOPLE WITH THIS KIND OF TEMPTATION.

I DON'T KNOW. WHAT DO YOU THINK I SHOULD DO?

- WELL, CHARLEY, IT SEEMS LIKE A LOT OF THE THINGS

YOU'RE STRIVING FOR ARE ADMIRABLE,

SO YOU HAVE TO ASK YOURSELF ONE QUESTION.

DO YOU REALLY WANT TO GO BACK TO THAT LIFE OF DEPRAVITY

YOU WERE LIVING BEFORE?

- WELL...

MY BOTTOM HALF DOES.

I'M NOT GONNA MAKE IT, HARRY.

EVERYWHERE I LOOK I'M REMINDED OF SEX.

- CHARLEY, THE PLACE IS EMPTY.

YOU GOT RID OF ALL YOUR CALENDARS AND MAGAZINES

AND YOUR VIDEOS AND MOVIES--

60 MILLIMETER, 8 MILLIMETER--

LITTLE TELESCOPES WITH GIRLIES INSIDE.

- STOP IT. STOP IT. YOU'RE TEARING ME APART.

- EASY, EASY, EASY, NOW. YOU'RE GONNA MAKE IT.

THE GUY FROM THE DIVINE WAY IS GONNA BE HERE ANY MINUTE.

- I'M NOT GONNA MAKE IT. I'M NOT GONNA MAKE IT.

- OH. [knocking on door]

ALL RIGHT, EASY, EASY. HERE'S YOUR COUNSELOR.

HEY.

- WHO WAS THAT? - THAT? NO ONE. WRONG HOUSE.

[knocking on door] STOP IT, YOU DARN KIDS!

[mumbling]

- HELLO, I'M SISTER SASHA.

- AAH.

AAH.

- DON'T WORRY, BROTHER CHARLES.

I HAVE A PERFECT RECORD. I'LL TAKE CARE OF YOU.

- AND I'M AFRAID I'M GONNA WANT TO DO THE SAME.

- NO, NO. COME ON, CHARLEY. CHARLEY, LISTEN TO ME NOW.

YOU CAN DO THIS. I HAVE FAITH IN YOU.

- OH. - YEAH, OKAY, OKAY.

ALL RIGHT. ALL RIGHT.

NICE MEETING MEETING YOU, SISTER SASHA.

UH, BE GENTLE. THIS IS HIS FIRST TIME.

- I KNOW WHAT YOU'RE THINKING.

BECAUSE OF THE WAY I LOOK, YOU THINK YOU WILL BE TEMPTED.

- DOES IT SHOW?

- MY LOOKS ARE ONE OF THE REASONS

I CAN DO THIS WORK SO EFFECTIVELY.

I WILL HELP YOU ELIMINATE TEMPTATION.

NOW, BROTHER CHARLES,

PLEASE ASSUME THE POSITION.

- COULD YOU USE A DIFFERENT EXPRESSION?

- WHEN WE FINISH OUR WORK,

YOU WILL BE ABLE TO LOOK AT ME COMPLETELY UNCLOTHED,

YET SEE ONLY MY SPIRIT.

- AS YOU WISH, OH, SPIRITUAL LEADER.

- NOW, CLOSE YOUR EYES AND TRUST ME.

- THAT'S WHAT I USUALLY SAY.

- THINK OF YOURSELF HAVING A PEACEFUL, LOVELY DREAM.

NOW, PICTURE A STORM, LIKE THE ONE AT SEA.

THE STORM IS COMING FROM INSIDE YOU

AND WILL DESTROY THAT PEACEFUL FEELING.

DO YOU WANT THAT?

- NO?

- DO YOU WANT TO LEAD A LIFE OF TRANQUILITY

AND FULFILLMENT?

- I THINK SO.

- THEN KEEP THE THOUGHT OF PEACE.

DO NOT LET THE STORM RUIN IT.

- HEY, I THINK I'M STARTING TO GET THIS.

- LET US CONTINUE.

LET US GO DEEPER INTO THE PEACEFUL STATE.

- YES.

- DADDY, DO YOU ACTUALLY THINK CHARLEY CAN DO THIS THING?

- WELL, THE WOMAN HAS A PERFECT RECORD,

AND THEY'VE BEEN WORKING SOME TIME NOW,

AND CHARLEY HASN'T GIVEN UP YET.

- WELL? CHARLEY, HOW DID IT GO?

- OH, IT WAS QUITE WONDERFUL.

- BROTHER CHARLES.

- IN HERE, SISTER SASHA.

- SISTER SASHA...

I THOUGHT YOU NEVER FAILED.

- SO I'M 37-1. SUE ME.

- HMM.

- CHARLEY, THIS DOESN'T WORK AT ALL.

- YOU GOT TO STAND A LITTLE CLOSER.

- I'M TELLING YOU. IT'S TECHNICALLY IMPOSSIBLE!

- HERE, USE THE FOOTSTOOL.

- THIS DOESN'T MAKE ANY SENSE WHATSO--

WELL HELLO, CONNIE CHUNG!

- MY TURN, MY TURN, MY TURN.

- OKAY, THAT'S ENOUGH. MY TURN!

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