All language subtitles for Betrayal.S01E05.Nice.Photos.1080p.DSNP.WEB-DL.DDP5.1.H.264-FLUX_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,136 --> 00:00:03,136 I HAVE A 1962 IMPALA. IT'S ALL ORIGINAL. 2 00:00:03,136 --> 00:00:04,438 PREVIOUSLY ON "BETRAYAL"... 3 00:00:04,438 --> 00:00:06,345 T.J. WAS WITH ME THAT NIGHT. 4 00:00:06,345 --> 00:00:08,675 HOW MUCH IS THATCHER KARSTEN PAYING YOU TO SAY THAT? 5 00:00:10,082 --> 00:00:12,926 IT'S NOT OVER, NOT BY A LONG SHOT. 6 00:00:12,926 --> 00:00:16,863 THEY BROUGHT THE BATTLE TO US, SO THIS IS WAR. 7 00:00:16,863 --> 00:00:17,864 UNH! 8 00:00:22,169 --> 00:00:23,236 WHAT DO YOU WANT, ZAREK? 9 00:00:23,236 --> 00:00:25,305 I WANT TO BE A FULL MEMBER OF THE TEAM. 10 00:00:25,305 --> 00:00:26,540 THAT'S BETWEEN YOU AND THATCHER. 11 00:00:26,540 --> 00:00:27,707 IT'S MORE COMPLICATED NOW. 12 00:00:27,707 --> 00:00:30,077 DON'T THREATEN ME. 13 00:00:35,015 --> 00:00:37,517 I'LL TAKE IT. 14 00:00:37,517 --> 00:00:39,953 IT'S A LOT OF SPACE FOR ONE PERSON. 15 00:00:39,953 --> 00:00:41,421 IT IS JUST YOU, RIGHT? 16 00:00:42,489 --> 00:00:44,458 YES. 17 00:00:44,458 --> 00:00:45,892 I'M A LONE WOLF. 18 00:00:45,892 --> 00:00:50,630 FREE. UNENCUMBERED. 19 00:00:50,630 --> 00:00:52,265 VERY GREEDY. 20 00:00:52,265 --> 00:00:53,834 HMM. 21 00:00:53,834 --> 00:00:55,702 I'M NOT SURE YOU'RE THE RIGHT BUYER FOR THIS. 22 00:00:57,337 --> 00:01:00,540 OH, WELL, I FLEW ALL THE WAY HERE FROM LISBON. 23 00:01:00,540 --> 00:01:03,577 OH, I'M SORRY THAT YOU WENT TO SO MUCH TROUBLE. 24 00:01:07,781 --> 00:01:08,915 ARE YOU, UH, 25 00:01:08,915 --> 00:01:12,219 ARE YOU SURE THERE'S NOTHING I CAN DO... 26 00:01:12,219 --> 00:01:15,288 TO CHANGE YOUR MIND? 27 00:01:15,288 --> 00:01:17,290 LIKE WHAT? 28 00:01:21,428 --> 00:01:23,130 I'M SORRY, 29 00:01:23,130 --> 00:01:24,664 BUT WHAT DO YOU THINK YOU'RE DOING? 30 00:01:28,802 --> 00:01:31,671 MISS, THIS IS HIGHLY INAPPROPRIATE. 31 00:01:31,671 --> 00:01:34,074 I JUST REALLY... 32 00:01:34,074 --> 00:01:36,510 WANT... 33 00:01:36,510 --> 00:01:38,245 THIS APARTMENT. 34 00:01:56,463 --> 00:01:59,466 -- Captions by VITAC -- 35 00:02:07,574 --> 00:02:08,875 JACK McALLISTER -- LEAVE A MESSAGE. 36 00:02:08,875 --> 00:02:10,877 HOT WINE GUY IS HERE FOR THE TASTING. 37 00:02:13,847 --> 00:02:17,684 UH, HAVE HIM COME BACK TOMORROW WHEN PAULETTE'S IN. 38 00:02:17,684 --> 00:02:19,152 HE WANTS YOU. 39 00:02:19,152 --> 00:02:23,723 HE ALWAYS WANTS YOU. 40 00:02:23,723 --> 00:02:25,825 HE KNOWS YOU'RE MARRIED. WHAT'S THE HARM? 41 00:02:25,825 --> 00:02:27,928 PART OF BEING MARRIED IS KNOWING 42 00:02:27,928 --> 00:02:30,764 WHEN NOT TO PUT YOURSELF IN CERTAIN SITUATIONS. 43 00:02:31,965 --> 00:02:33,900 JACK McALLISTER -- LEAVE A MESSAGE. 44 00:02:33,900 --> 00:02:38,471 HEY, UH, THE FATHER OF SOME KID IN VIC'S CLASS CALLED FOR YOU. 45 00:02:38,471 --> 00:02:40,373 MAYBE IT'S A DAD'S-NIGHT-OUT THING. 46 00:02:40,373 --> 00:02:42,008 I KNOW HOW YOU LOVE THOSE. 47 00:02:42,008 --> 00:02:45,278 UM, ALL RIGHT. TALK LATER. 48 00:02:50,951 --> 00:02:53,587 AIDAN! 49 00:02:53,587 --> 00:02:56,256 YOU KNOW, I-I ACTUALLY DO HAVE A FEW MINUTES NOW. 50 00:02:58,191 --> 00:03:00,427 USING THE LATEST IN SUSTAINABLE DESIGN, 51 00:03:00,427 --> 00:03:02,329 KARSTEN ALLIED WILL BUILD A MIXED-USE ENTERPRISE... 52 00:03:02,329 --> 00:03:03,964 IS THAT FOR THE INVESTOR PRESENTATION? 53 00:03:03,964 --> 00:03:05,198 ...INCLUDING HOTELS, RETAIL SPACE... AND THE CITY COUNCIL. 54 00:03:05,198 --> 00:03:07,167 THEY'RE OBSESSED WITH GREEN BUILDINGS. 55 00:03:07,167 --> 00:03:11,171 ...4,500 RESIDENTIAL UNITS... SO I GOT US A SHIPMENT OF SOLAR PANELS OUT OF CHINA. 56 00:03:11,171 --> 00:03:13,139 CHINA? MM-HMM. 57 00:03:13,139 --> 00:03:15,208 NO, NO, NO. LET'S WAIT ON THAT. 58 00:03:15,208 --> 00:03:17,544 LOOK, IF WE CAN GET SOME MORE OUT OF OUR U.S. SUPPLIERS -- 59 00:03:17,544 --> 00:03:19,846 LOOK, THATCHER. 60 00:03:19,846 --> 00:03:21,815 I'M WORKING ON IT WITH A CUSTOMS OFFICIAL. 61 00:03:21,815 --> 00:03:23,116 WE'RE NOT GOING THROUGH CUSTOMS. 62 00:03:24,684 --> 00:03:26,653 SO, WHAT, WE SMUGGLE THEM IN? 63 00:03:26,653 --> 00:03:28,955 10,000 PANELS ARE ARRIVING TONIGHT. 64 00:03:28,955 --> 00:03:31,191 I WANT YOU TO BE THERE TO RECEIVE THEM. 65 00:03:32,225 --> 00:03:34,094 THAT IS NOT PART OF MY JOB DESCRIPTION. 66 00:03:34,094 --> 00:03:36,730 WELL, YOUR JOB DESCRIPTION IS CHANGING. 67 00:03:36,730 --> 00:03:39,899 NEED SOME HELP WITH THAT, JACK? 68 00:03:39,899 --> 00:03:41,434 NO, I DON'T THINK THAT WILL BE NECESSARY. 69 00:03:41,434 --> 00:03:43,270 OH, LOOK AT HIM -- 70 00:03:43,270 --> 00:03:46,773 SUCH A STAND-UP GUY, EVERYTHING ABOVE BOARD. 71 00:03:46,773 --> 00:03:48,975 ON SECOND THOUGHT, MAYBE YOU SHOULD COME. 72 00:03:50,110 --> 00:03:51,478 GOOD. 73 00:03:51,478 --> 00:03:53,580 THE PANELS SHOULD BE THERE AROUND 10:00. 74 00:03:53,580 --> 00:03:55,915 YOU'LL NEED TO BREAK THE SEAL. 75 00:03:55,915 --> 00:03:58,018 ONCE YOU'VE CHECKED OUT THE SAMPLE, 76 00:03:58,018 --> 00:03:59,719 I WANT YOU TO GET THOSE TRUCKS 77 00:03:59,719 --> 00:04:02,522 IN AND OUT OF THERE AS FAST AS YOU CAN. 78 00:04:02,522 --> 00:04:03,957 TARIFF EVASION, 79 00:04:03,957 --> 00:04:07,027 TRADE EXPLOITATION, COMMERCIAL FRAUD. 80 00:04:07,027 --> 00:04:08,928 HERE WE GO. 81 00:04:08,928 --> 00:04:10,597 SARA. 82 00:04:10,597 --> 00:04:12,966 JANET, HI. 83 00:04:12,966 --> 00:04:15,468 MY NAME'S SARA HANLEY. I'M SO PLEASED TO MEET YOU. 84 00:04:15,468 --> 00:04:16,770 SARA'S SHOOTING THE PHOTOS 85 00:04:16,770 --> 00:04:17,771 FOR THE BOYD PIECE. 86 00:04:17,771 --> 00:04:18,872 OH. 87 00:04:18,872 --> 00:04:21,041 I'M REALLY LOOKING FORWARD TO WORKING WITH YOU. 88 00:04:21,041 --> 00:04:23,243 I LOVED YOUR SERIES ON THE REVOLUTION IN EGYPT. 89 00:04:23,243 --> 00:04:26,846 I THINK IT WAS IN NEWSWEEK. IT WAS -- IT WAS SO POWERFUL. 90 00:04:26,846 --> 00:04:29,115 TWO YEARS AGO, I WAS COVERING REBELS IN TAHRIR SQUARE. 91 00:04:29,115 --> 00:04:32,419 NOW I'M DOING A PROFILE OF A LOCAL C.E.O. 92 00:04:32,419 --> 00:04:34,120 FOR A LOCAL MAGAZINE. 93 00:04:34,120 --> 00:04:36,356 UH, WELL, YOU KNOW, 94 00:04:36,356 --> 00:04:39,392 BOYD'S ACTUALLY MORE COMPLICATED THAN I EXPECTED. 95 00:04:39,392 --> 00:04:41,294 COULD BE GOOD FOR THE STORY, SO... 96 00:04:41,294 --> 00:04:44,030 I'M HEADING OVER THERE NOW IF YOU WANT TO SHARE A CAB. 97 00:04:44,030 --> 00:04:46,266 THAT'S OKAY. I HAVE A CAR. 98 00:04:47,600 --> 00:04:51,204 SHE IS TALENTED BUT REQUIRES SPECIAL HANDLING. 99 00:04:51,204 --> 00:04:53,340 ALL RIGHT, THEN. I'LL HANDLE HER. 100 00:04:53,340 --> 00:04:55,008 I LIKE IT, BUT WHAT'S WITH YOU? 101 00:04:55,008 --> 00:04:56,509 YOU'RE SO AGREEABLE LATELY. 102 00:04:56,509 --> 00:04:58,978 I DON'T KNOW. NEW SHAMPOO? 103 00:04:58,978 --> 00:05:00,847 REALLY? MM. 104 00:05:00,847 --> 00:05:02,549 SEE YOU LATER. MM-HMM. 105 00:05:02,549 --> 00:05:06,286 THE WINE GUY'S GOT A CRUSH ON ME. 106 00:05:08,488 --> 00:05:09,489 THE WINE GUY? 107 00:05:09,489 --> 00:05:11,358 HIS NAME'S AIDAN. 108 00:05:11,358 --> 00:05:12,792 HE'S 29. 109 00:05:12,792 --> 00:05:14,661 HMM. REALLY? 110 00:05:14,661 --> 00:05:16,629 AIDAN? 111 00:05:16,629 --> 00:05:18,565 IS THAT A MAN'S NAME? 112 00:05:19,699 --> 00:05:20,867 IS IT SO HARD TO BELIEVE? 113 00:05:20,867 --> 00:05:23,403 WHAT, A CRUSH ON YOU? OF COURSE NOT. 114 00:05:26,239 --> 00:05:28,208 THANKS FOR TELLING ME, I GUESS. 115 00:05:28,208 --> 00:05:30,477 WELL, WOULDN'T YOU TELL ME 116 00:05:30,477 --> 00:05:32,178 IF SOME HOT, YOUNG THING HAD A CRUSH ON YOU? 117 00:05:36,616 --> 00:05:39,219 SO HE'S HOT AND YOUNG. 118 00:05:39,219 --> 00:05:40,520 MM-HMM. 119 00:05:40,520 --> 00:05:42,188 AND HE'S GOT GOOD TASTE. 120 00:05:42,188 --> 00:05:43,423 IMPECCABLE. 121 00:05:43,423 --> 00:05:45,058 HE'S A WINE GUY. 122 00:05:45,058 --> 00:05:47,026 HMM. 123 00:05:47,026 --> 00:05:48,261 I GOT TO GO TO WORK. 124 00:05:48,261 --> 00:05:51,398 UH, DON'T WAIT UP. 125 00:05:56,569 --> 00:06:01,241 IT'S A BUNCH OF SUN PANELS, NOT HEROIN, NOT C-4. 126 00:06:01,241 --> 00:06:02,542 WHAT'S THE BIG DEAL? 127 00:06:02,542 --> 00:06:04,444 TRADE RULES ARE COMPLICATED. 128 00:06:04,444 --> 00:06:06,613 IT SHOULDN'T BE ILLEGAL, BUT IT IS. 129 00:06:06,613 --> 00:06:08,848 IT'S ALL GOOD. I'LL GET MY TRUCKS IN. 130 00:06:10,250 --> 00:06:11,684 DOES IT MAKE YOU SLEEP BETTER AT NIGHT 131 00:06:11,684 --> 00:06:13,052 THINKING THIS SHOULDN'T BE ILLEGAL? 132 00:06:13,052 --> 00:06:15,655 DRIVE IN. WE'RE GOOD TO GO. 133 00:06:18,558 --> 00:06:19,692 SOUNDS LIKE SOMEONE 134 00:06:19,692 --> 00:06:21,428 DOESN'T HAVE THE STOMACH FOR HIS JOB ANYMORE. 135 00:06:21,428 --> 00:06:23,463 WELL, AT LEAST I STILL HAVE THE BRAINS FOR IT. 136 00:06:25,732 --> 00:06:27,233 HEY, HENRY. HEY. 137 00:06:27,233 --> 00:06:28,568 HOW'S YOUR LITTLE GIRL? 138 00:06:28,568 --> 00:06:31,070 BETTER. SHE'S IN REHAB NOW. 139 00:06:31,070 --> 00:06:34,707 THANKS FOR YOUR HELP WITH THE COPS. 140 00:06:34,707 --> 00:06:36,242 YOU DOING OKAY? 141 00:06:38,144 --> 00:06:39,846 IT'S A BAD NIGHT, JACK. 142 00:06:39,846 --> 00:06:41,147 YOU UNDER THE WEATHER? 143 00:06:41,147 --> 00:06:42,582 REAL BAD NIGHT. 144 00:06:44,451 --> 00:06:46,286 YOU SHOULD GO HOME. 145 00:06:49,522 --> 00:06:50,557 WE'RE BEING WATCHED. 146 00:06:50,557 --> 00:06:52,158 WE HAVE TO TURN THE TRUCKS AROUND. 147 00:06:52,158 --> 00:06:53,259 TURN AROUND! 148 00:06:53,259 --> 00:06:55,495 TURN AROUND! OUT OF HERE, OUT OF HERE! 149 00:07:02,869 --> 00:07:04,471 WHERE ARE THEY GOING? 150 00:07:04,471 --> 00:07:06,039 WHY ARE THEY TURNING AROUND? 151 00:07:06,039 --> 00:07:08,074 IF THEY DON'T MOVE THE CONTRABAND, WE'VE GOT NOTHING. 152 00:07:19,819 --> 00:07:20,820 HOW DID THEY KNOW? 153 00:07:20,820 --> 00:07:21,821 I'LL FIGURE IT OUT, 154 00:07:21,821 --> 00:07:23,490 BUT WE HAVE TO STAY WITHIN THE LINES 155 00:07:23,490 --> 00:07:26,092 AND MAKE SURE NOTHING COULD BE USED AGAINST US. 156 00:07:26,092 --> 00:07:27,760 WE HAVE A RAT, JACK. 157 00:07:27,760 --> 00:07:29,529 SOMEONE INSIDE THIS COMPANY HAS TURNED ON US. 158 00:07:31,431 --> 00:07:33,666 THEY'RE GUILTY. IT'S OBVIOUS. 159 00:07:33,666 --> 00:07:35,935 SNEAKING AROUND IN THE MIDDLE OF THE NIGHT, 160 00:07:35,935 --> 00:07:37,103 COVERING THEIR TRACKS. 161 00:07:37,103 --> 00:07:39,305 A FLEET OF TRUCKS DROVE IN AND OUT, EMPTY. 162 00:07:39,305 --> 00:07:40,940 THAT'S ENOUGH FOR A WARRANT, YOUR HONOR. 163 00:07:40,940 --> 00:07:43,142 THERE WAS A TIME NO ONE HAD THE BALLS TO CROSS ME. 164 00:07:43,142 --> 00:07:44,711 THIS IS THE TIME TO STRIKE. 165 00:07:44,711 --> 00:07:46,446 WE HAVE TO STAY A STEP AHEAD. 166 00:07:46,446 --> 00:07:47,947 WE HAVE TO CATCH THEM NOW. 167 00:07:47,947 --> 00:07:49,649 THIS WHOLE THING'S ABOUT TO BLOW UP. 168 00:08:15,975 --> 00:08:17,577 WE'VE GOT NOTHING. 169 00:08:17,577 --> 00:08:19,612 THEY DESTROYED IT ALL. 170 00:08:22,215 --> 00:08:23,783 I LOVE YOU. 171 00:09:13,441 --> 00:09:16,011 ANYTHING MISSING? 172 00:09:22,517 --> 00:09:23,752 OH, YEAH. 173 00:09:25,554 --> 00:09:26,688 THE BULB FROM THE LID. 174 00:09:26,688 --> 00:09:28,390 OTHER THAN THAT? 175 00:09:28,390 --> 00:09:31,326 ANYTHING WRONG WITH THIS PICTURE? 176 00:09:32,961 --> 00:09:35,297 YEAH, I REPLACED THE CARDBOARDS 177 00:09:35,297 --> 00:09:37,699 FOR A 1960, NOT '62. 178 00:09:37,699 --> 00:09:39,234 KEEN EYE. 179 00:09:41,203 --> 00:09:44,172 YOU'RE GOOD TO GO. 180 00:09:45,941 --> 00:09:49,711 HEY, Y-YOU DON'T NEED ANY EXTRA HELP AROUND HERE, DO YOU? 181 00:09:49,711 --> 00:09:52,747 I CAN PULL ENGINES OUT AND -- AND TAKE OFF HOODS. 182 00:09:52,747 --> 00:09:55,016 SERIOUSLY? 183 00:09:55,016 --> 00:09:57,018 KNOW A HELL MORE ABOUT CARS THAN YOU DO. 184 00:09:57,018 --> 00:09:58,253 I'M HAPPY TO CLEAN TIRES. 185 00:09:58,253 --> 00:10:00,689 I KNOW HOW TO USE THAT GEL TO MAKE THEM LOOK NEW. 186 00:10:03,058 --> 00:10:04,226 I GUESS WE COULD TRY IT OUT. 187 00:10:04,226 --> 00:10:06,595 OH, THAT'D BE GREAT. THANKS. 188 00:10:06,595 --> 00:10:08,029 THANKS. 189 00:10:08,029 --> 00:10:09,931 I'VE HIRED A NEW SECURITY TEAM 190 00:10:09,931 --> 00:10:11,166 TO SWEEP THE OFFICE FOR BUGS. 191 00:10:11,166 --> 00:10:12,467 WE'LL HAVE THEM START IN THATCHER'S OFFICE -- 192 00:10:12,467 --> 00:10:13,969 McALLISTER, JACK McALLISTER. IS HE IN? 193 00:10:13,969 --> 00:10:15,003 SIR, IF YOU DON'T HAVE AN APPOINTMENT -- 194 00:10:15,003 --> 00:10:16,538 UH, W-WHAT'S THE TROUBLE? 195 00:10:16,538 --> 00:10:18,006 MR. McALLISTER, DO YOU KNOW THIS MAN? 196 00:10:18,006 --> 00:10:19,708 YOU VIC'S DAD? YEAH. WHO ARE YOU? 197 00:10:19,708 --> 00:10:22,110 VIC ATTACKED MY SON WITH A BASEBALL BAT. WHAT? 198 00:10:22,110 --> 00:10:23,545 WE NEED SECURITY ON -- RICKY'S IN THE HOSPITAL! 199 00:10:23,545 --> 00:10:24,779 LOOK, I KNOW THEY HAD A FIGHT, BUT HE -- 200 00:10:24,779 --> 00:10:25,847 AFTER THAT! 201 00:10:25,847 --> 00:10:27,082 YOUR KID HIT HIM WITH A BAT 202 00:10:27,082 --> 00:10:28,750 AND LEFT HIM BLEEDING ON THE SIDEWALK! 203 00:10:28,750 --> 00:10:30,185 HEY. EASY NOW, PAL. 204 00:10:30,185 --> 00:10:31,553 YEAH, LOOK, I DON'T KNOW WHAT YOU'RE TALKING ABOUT, ALL RIGHT? 205 00:10:31,553 --> 00:10:32,554 HEY! 206 00:10:32,554 --> 00:10:33,555 HEY! 207 00:10:33,555 --> 00:10:34,623 I'M NOT LETTING HIM OFF THE HOOK, 208 00:10:34,623 --> 00:10:36,925 AND I'M NOT LETTING YOU OFF THE HOOK! 209 00:10:36,925 --> 00:10:38,126 WOW. 210 00:10:38,126 --> 00:10:39,995 YOU SCREWING HIS WIFE, TOO? 211 00:10:39,995 --> 00:10:42,697 SHUT UP. 212 00:10:42,697 --> 00:10:44,165 HEY. 213 00:10:44,165 --> 00:10:45,300 HEY. 214 00:10:45,300 --> 00:10:47,769 I GOT SOME REALLY INTERESTING STUFF TODAY. 215 00:10:47,769 --> 00:10:49,971 AND I GOT A CALL FROM THE COMPANY'S PUBLICIST. 216 00:10:49,971 --> 00:10:52,674 I HEAR YOU'RE TAKING UP A LOT OF THEIR TIME. 217 00:10:52,674 --> 00:10:54,776 WELL, BOYD'S A DIFFICULT GUY. 218 00:10:54,776 --> 00:10:57,145 THERE ARE A LOT OF ANGLES HERE, LIKE HIS EX-C.T.O. 219 00:10:57,145 --> 00:10:58,313 YOU PHOTOGRAPHED HER? 220 00:10:58,313 --> 00:11:00,949 WELL, SHE SUED HIM FOR HOSTILE WORK ENVIRONMENT 221 00:11:00,949 --> 00:11:01,950 AND WON. 222 00:11:01,950 --> 00:11:03,685 HER STORY'S PRETTY INTENSE. 223 00:11:03,685 --> 00:11:06,221 THIS IS YOUR FIRST COVER, ISN'T IT? 224 00:11:08,223 --> 00:11:09,224 YOU KNOW WHAT? 225 00:11:09,224 --> 00:11:10,759 I'LL LEAVE MY PRINTS ON YOUR DESK. 226 00:11:10,759 --> 00:11:12,327 I THINK YOU MIGHT FIND THEM USEFUL. 227 00:11:12,327 --> 00:11:13,962 LET'S SEE. 228 00:11:13,962 --> 00:11:16,164 MY STORY WILL BE IN THE MAGAZINE QUEUE 229 00:11:16,164 --> 00:11:17,432 BY THE END OF THE DAY. 230 00:11:17,432 --> 00:11:18,433 READ IT. 231 00:11:19,868 --> 00:11:23,104 AFTER WE BROKE UP, I MOVED HERE, BUT SHE KEPT THE RING, 232 00:11:23,104 --> 00:11:24,439 WHICH WOULD HAVE COME IN HANDY 233 00:11:24,439 --> 00:11:25,573 FOR FIRST AND LAST MONTH'S RENT. 234 00:11:25,573 --> 00:11:27,742 OH. YEAH, THAT'S ROUGH. 235 00:11:27,742 --> 00:11:29,144 HOW LONG WERE YOU TOGETHER? 236 00:11:29,144 --> 00:11:30,578 SIX MONTHS. 237 00:11:30,578 --> 00:11:31,980 SIX MONTHS? 238 00:11:31,980 --> 00:11:34,349 WHAT, THEN IT WASN'T MEANT TO BE? 239 00:11:34,349 --> 00:11:35,684 WELL, I MEAN, YOU REALLY SHOULD 240 00:11:35,684 --> 00:11:37,385 STILL BE IN THE HONEYMOON PHASE AT THAT POINT. 241 00:11:37,385 --> 00:11:39,254 YOU KNOW, YOU -- YOU WANT TO BE TOGETHER ALL THE TIME. 242 00:11:39,254 --> 00:11:40,755 YOU CAN'T KEEP YOUR HANDS OFF EACH OTHER. 243 00:11:40,755 --> 00:11:42,924 AND AFTER THE HONEYMOON PHASE? 244 00:11:44,926 --> 00:11:48,129 THE MYSTERY TURNS INTO SECURITY. 245 00:11:48,129 --> 00:11:50,999 AND YOU HAVE KIDS, AND THEN YOU JUST STOP... 246 00:11:50,999 --> 00:11:53,368 NEEDING SO MUCH. 247 00:11:53,368 --> 00:11:54,869 WOW. 248 00:11:54,869 --> 00:11:56,371 MARRIAGE SOUNDS AWESOME. 249 00:12:02,310 --> 00:12:04,412 OH, SORRY. 250 00:12:04,412 --> 00:12:06,848 THIS IS ABOUT MY SON. 251 00:12:06,848 --> 00:12:11,052 TEENAGE BOYS -- THAT'S ANOTHER AWESOME THING. 252 00:12:13,655 --> 00:12:15,623 LOOK, WE NEED TO MONITOR EVERYONE COMING IN AND OUT. 253 00:12:15,623 --> 00:12:16,791 MORE CAMERAS... 254 00:12:16,791 --> 00:12:18,526 ...ACCESS CONTROL POINTS. 255 00:12:18,526 --> 00:12:20,395 WHY IS THAT BEEPING? 256 00:12:20,395 --> 00:12:22,697 WELL, THE COMPUTER AND PHONE MAY BE SETTING IT OFF. 257 00:12:22,697 --> 00:12:25,500 WE'LL REMOVE THEM AFTER WE'VE FINISHED THE GENERAL SCAN 258 00:12:25,500 --> 00:12:26,968 AND SWEEP THE AREA AGAIN. 259 00:12:26,968 --> 00:12:28,470 HEY, CAN WE TALK? 260 00:12:28,470 --> 00:12:30,205 HI. UH, I'M SORRY. 261 00:12:30,205 --> 00:12:31,573 COULD YOU EXCUSE US, PLEASE? 262 00:12:31,573 --> 00:12:32,574 OH. NO PROBLEM. 263 00:12:32,574 --> 00:12:34,576 BE HERE ALL WEEK. 264 00:12:37,445 --> 00:12:38,680 ARE YOU ALL RIGHT? 265 00:12:38,680 --> 00:12:43,051 WELL, AFTER I, UH, GOT YOUR TEXT, I TALKED TO VIC, 266 00:12:43,051 --> 00:12:45,620 AND HE SAYS HE DIDN'T DO IT. 267 00:12:45,620 --> 00:12:46,821 YOU BELIEVE HIM? 268 00:12:46,821 --> 00:12:48,857 I WANT TO BELIEVE HIM. 269 00:12:48,857 --> 00:12:51,793 I-I MEAN, I DO, BUT, UH -- 270 00:12:51,793 --> 00:12:53,695 HE'S BEEN BOXING. DID YOU KNOW THAT? 271 00:12:53,695 --> 00:12:54,863 NO. WITH MY FATHER? 272 00:12:54,863 --> 00:12:56,564 NO, I DIDN'T. 273 00:12:58,566 --> 00:13:01,302 I JUST FEEL LIKE WE'RE LIVING IN SEPARATE WORLDS. 274 00:13:01,302 --> 00:13:03,004 WE HAVE NO IDEA WHAT'S GOING ON WITH EACH OTHER. 275 00:13:03,004 --> 00:13:04,272 WELL, YOU KNOW, THEY'RE TEENAGERS. 276 00:13:04,272 --> 00:13:05,407 I MEAN, THIS IS WHAT HAPPENS. 277 00:13:05,407 --> 00:13:08,643 NOT JUST THEM. US, TOO. YOU AND ME. 278 00:13:11,679 --> 00:13:13,281 YOU FORGOT THE SPRINKLERS. 279 00:13:13,281 --> 00:13:15,984 THE TOMATOES ARE DRIED UP. THE TURNIPS ARE DEAD. 280 00:13:17,218 --> 00:13:20,522 WELL, I NEVER REALLY LIKED TURNIPS ANYWAY. 281 00:13:20,522 --> 00:13:22,524 I'M SORRY. 282 00:13:22,524 --> 00:13:24,926 UH, I'VE BEEN DISTRACTED -- YOU KNOW, T.J.'s CASE. 283 00:13:24,926 --> 00:13:27,262 THIS A.S.A. GUY'S ALL OVER US. 284 00:13:30,265 --> 00:13:33,668 ARE WE OKAY? 285 00:13:38,273 --> 00:13:41,776 LOOK, I-I'M STUCK HERE LATE WITH SECURITY, BUT... 286 00:13:41,776 --> 00:13:45,447 HOW ABOUT WE, UH, GO OUT TOMORROW NIGHT TOGETHER? 287 00:13:45,447 --> 00:13:46,815 DOES THAT SOUND GOOD? 288 00:13:46,815 --> 00:13:48,349 YEAH. I WOULD LIKE THAT. 289 00:13:50,351 --> 00:13:52,787 I'LL TALK TO VIC. 290 00:13:55,590 --> 00:13:58,159 SHE IGNORED EVERYTHING I GAVE HER. 291 00:13:58,159 --> 00:13:59,961 I MEAN, HER ARTICLE COULD HAVE BEEN WRITTEN 292 00:13:59,961 --> 00:14:00,995 BY BOYD'S P.R. FLACK. 293 00:14:00,995 --> 00:14:03,164 GUESS I SHOULDN'T BE SO SURPRISED. 294 00:14:03,164 --> 00:14:05,400 I MEAN, PHOTOGRAPHERS CAN SEE THINGS 295 00:14:05,400 --> 00:14:06,768 THAT REPORTERS DON'T. 296 00:14:07,936 --> 00:14:09,003 WHY? 297 00:14:09,003 --> 00:14:10,071 I DON'T KNOW. 298 00:14:10,071 --> 00:14:13,107 WE JUST GET AT STUFF FROM A DIFFERENT ANGLE. 299 00:14:16,244 --> 00:14:18,046 CAREFUL, BUDDY. 300 00:14:18,046 --> 00:14:20,248 GO WASH YOUR HANDS. 301 00:14:23,818 --> 00:14:25,386 HEY, DO YOU THINK IT'S OKAY 302 00:14:25,386 --> 00:14:27,822 THAT OLLIE EATS MAC AND CHEESE EVERY DAY? 303 00:14:27,822 --> 00:14:30,925 I MEAN, JOELLE'S TURNED HER WHOLE FAMILY VEGAN. 304 00:14:30,925 --> 00:14:32,961 GROWS THEIR OWN VEGGIES IN THE BACKYARD. 305 00:14:32,961 --> 00:14:35,430 IT'S A THING NOW. 306 00:14:35,430 --> 00:14:38,633 McALLISTER'S WIFE DOES TURNIPS AND TOMATOES. 307 00:14:41,669 --> 00:14:44,105 OLIVER, DINNER'S READY! 308 00:14:44,105 --> 00:14:46,841 I LOVE THIS PICTURE. 309 00:14:46,841 --> 00:14:49,344 REMEMBER? 310 00:14:49,344 --> 00:14:51,279 YOU COULD GET HIM TO STOP CRYING BY HANDING HIM A BALLOON. 311 00:14:55,783 --> 00:14:57,819 WE NEED TO GO AT THIS FROM A DIFFERENT ANGLE. 312 00:14:57,819 --> 00:14:59,354 OUR WARRANT EXPIRES IN 24 HOURS. 313 00:14:59,354 --> 00:15:00,588 LOOK, THE PROBLEM IS, 314 00:15:00,588 --> 00:15:02,524 WE'VE BEEN TRYING TO GET KARSTEN ON THE BIG STUFF, 315 00:15:02,524 --> 00:15:04,125 THE HARD STUFF -- RACKETEERING, CORRUPTION. 316 00:15:04,125 --> 00:15:05,827 INSTEAD, WE NEED TO GO AFTER SOMETHING EASIER, 317 00:15:05,827 --> 00:15:06,828 MORE ATTAINABLE. 318 00:15:06,828 --> 00:15:07,829 LIKE WHAT? 319 00:15:07,829 --> 00:15:10,164 WITNESS TAMPERING. 320 00:15:10,164 --> 00:15:12,834 WE GET THE HOOKER TO GO TO KARSTEN WEARING A WIRE. 321 00:15:12,834 --> 00:15:15,270 SHE GETS HIM TO ADMIT HE PAID HER TO BE T.J.'s ALIBI. 322 00:15:15,270 --> 00:15:16,504 THAT'S ASKING A LOT. 323 00:15:16,504 --> 00:15:18,006 SHE ALREADY PLANTED A BUG FOR US. 324 00:15:18,006 --> 00:15:20,308 AND IT'S TOO DANGEROUS. WE CAN'T TRAIN HER IN 24 HOURS. 325 00:15:20,308 --> 00:15:21,576 LARRY, YOU ARE RETIRING. 326 00:15:21,576 --> 00:15:23,811 WE NEED TO GET YOU ONE BIG VICTORY TO RIDE OUT ON. 327 00:15:23,811 --> 00:15:25,580 THE PARTY TONIGHT'S MORE THAN ENOUGH. 328 00:15:25,580 --> 00:15:27,649 LOOK, THIS GIRL HAS SPENT HER ENTIRE LIFE 329 00:15:27,649 --> 00:15:30,151 PRETENDING SHE THINKS AND FEELS THINGS SHE DOESN'T. 330 00:15:30,151 --> 00:15:32,186 SHE CAN DO THIS. SHE'S GREAT AT LYING. 331 00:15:32,186 --> 00:15:34,289 BUSINESS, WHERE ARE WE WITH THE MICHAEL BOYD ARTICLE? 332 00:15:34,289 --> 00:15:35,390 COVER LINE -- 333 00:15:35,390 --> 00:15:37,992 MR. COOL." 334 00:15:37,992 --> 00:15:39,494 PHOTOS? 335 00:15:39,494 --> 00:15:41,029 UH, FINE. I'M STILL WORKING ON THEM. 336 00:15:41,029 --> 00:15:42,363 CULTURE? 337 00:15:42,363 --> 00:15:45,533 COLUMN ON WHY THE NATIONAL MEDIA LOVES TO BEAT UP ON CHICAGO. 338 00:15:45,533 --> 00:15:46,868 WOW. THAT OLD CHESTNUT. 339 00:15:49,537 --> 00:15:51,906 ALISSA, COULD THE THREE OF US TALK AFTER? 340 00:15:51,906 --> 00:15:53,841 IS THERE A PROBLEM? 341 00:15:53,841 --> 00:15:56,110 NO. 342 00:15:56,110 --> 00:15:57,946 I'LL TELL YOU LATER. 343 00:15:57,946 --> 00:16:00,982 TELL ME NOW. THAT'S WHAT THIS MEETING IS FOR. 344 00:16:05,520 --> 00:16:06,654 IT'S JUST, I DON'T THINK 345 00:16:06,654 --> 00:16:08,289 THAT THE PHOTOS AND THE STORY MATCH UP. 346 00:16:08,289 --> 00:16:10,758 DEAR GOD. 347 00:16:10,758 --> 00:16:12,961 YOU'RE LIKE A LITTLE WIND-UP TOY THAT WON'T STOP. 348 00:16:12,961 --> 00:16:14,963 WHAT'S THE PROBLEM? 349 00:16:14,963 --> 00:16:17,465 OKAY. 350 00:16:20,134 --> 00:16:21,736 THIS IS BOYD ACCEPTING THE AWARD 351 00:16:21,736 --> 00:16:24,405 FOR MOST ECO-FRIENDLY C.E.O. IN CHICAGO. 352 00:16:24,405 --> 00:16:28,476 AND THIS IS THE HUMMER THAT HE KEEPS AT HIS LAKE HOUSE. 353 00:16:28,476 --> 00:16:29,978 WE'RE ALL HYPOCRITES. SO? 354 00:16:29,978 --> 00:16:32,480 THIS IS BOYD SCREAMING AT HIS HEAD OF H.R. 355 00:16:32,480 --> 00:16:35,083 ALISSA, THIS IS RIDICULOUS. 356 00:16:35,083 --> 00:16:37,251 THE WOMAN IN ACCOUNTING HE FIRED 357 00:16:37,251 --> 00:16:39,420 AFTER SHE REFUSED TO GO OUT WITH HIM. 358 00:16:39,420 --> 00:16:41,556 BOYD'S NOT THE BEST ANYTHING IN CHICAGO. 359 00:16:41,556 --> 00:16:44,025 HE'S JUST A PHONY JERK WHO MADE A LOT OF MONEY. 360 00:16:44,025 --> 00:16:46,327 FOR HIS COMPANY AND HIS SHAREHOLDERS... SO HE'S TALENTED. 361 00:16:46,327 --> 00:16:48,062 ...WHICH IS HOW WE JUDGE C.E.O. PERFORMANCE! 362 00:16:48,062 --> 00:16:50,064 DOES THAT MEAN HE GETS AWAY WITH WHATEVER HE WANTS?! 363 00:16:50,064 --> 00:16:52,066 IT'S NOT OUR JOB TO PROTECT HIS IMAGE, 364 00:16:52,066 --> 00:16:54,068 AND I WOULD HAVE THOUGHT YOU OF ALL PEOPLE 365 00:16:54,068 --> 00:16:56,170 WOULD AGREE WITH THAT. 366 00:17:07,448 --> 00:17:10,585 I'M GONNA NEED A DIFFERENT PHOTOGRAPHER. 367 00:17:18,824 --> 00:17:20,088 WHO WAS THAT IN THERE? 368 00:17:20,088 --> 00:17:22,204 OKAY, MAYBE I WAS OUT OF LINE, 369 00:17:22,204 --> 00:17:24,606 BUT WEREN'T YOU A LITTLE BIT GLAD I SAID WHAT I SAID? 370 00:17:24,606 --> 00:17:26,342 BUT WHAT CAME OVER YOU? 371 00:17:26,342 --> 00:17:28,051 I THOUGHT I WAS DOING MY JOB. 372 00:17:28,051 --> 00:17:29,686 JANET'S WRITING A TOTAL PUFF PIECE. 373 00:17:29,686 --> 00:17:31,521 AND WE RUN THOSE SOMETIMES. 374 00:17:31,521 --> 00:17:32,400 WHY? 375 00:17:32,400 --> 00:17:35,046 DOES BOYD'S COMPANY BUY A LOT OF ADS OR SOMETHING? 376 00:17:35,046 --> 00:17:37,948 LOOK, SARA, WE CAN'T USE THESE PICTURES, OKAY? 377 00:17:37,948 --> 00:17:40,351 BUT THEY ARE FANTASTIC, 378 00:17:40,351 --> 00:17:41,752 SO I'M GONNA CALL MY FRIEND AT THE NEW YORK TIMES 379 00:17:41,752 --> 00:17:43,354 AND SEE IF THEY WANT TO ORDER UP REPORTING. 380 00:17:43,354 --> 00:17:45,356 ARE YOU SERIOUS?! 381 00:17:45,356 --> 00:17:46,991 THANK YOU! 382 00:17:46,991 --> 00:17:49,694 THIS NEW SARA, THIS -- THIS WHOLE TRANSFORMATION, 383 00:17:49,694 --> 00:17:50,928 IT'S BECAUSE OF HIM, ISN'T IT? 384 00:17:50,928 --> 00:17:51,996 IT'S NOT JUST THAT. 385 00:17:51,996 --> 00:17:53,130 THE CRAZY FLING THAT YOU'RE HAVING. 386 00:17:53,130 --> 00:17:55,633 IT'S NOT A FLING. THEN WHAT IS IT? 387 00:17:57,535 --> 00:17:59,370 I TOLD HIM I LOVED HIM. 388 00:18:00,738 --> 00:18:02,306 DAMN. 389 00:18:02,306 --> 00:18:04,141 YOU ARE IN TROUBLE. 390 00:18:07,378 --> 00:18:08,446 AGH! 391 00:18:08,446 --> 00:18:09,814 UNH! 392 00:18:09,814 --> 00:18:11,349 AGH! 393 00:18:11,349 --> 00:18:13,150 WHAT THE HELL? I'M IN THE MIDDLE OF A GAME. 394 00:18:13,150 --> 00:18:14,685 RICKY'S FATHER CAME TO SEE ME. 395 00:18:14,685 --> 00:18:16,887 YEAH, I KNOW. MOM SAID. 396 00:18:16,887 --> 00:18:18,089 DID YOU DO IT? 397 00:18:19,023 --> 00:18:20,024 NO! 398 00:18:20,024 --> 00:18:21,392 I DIDN'T DO IT! 399 00:18:21,392 --> 00:18:23,627 I MEAN, RICKY'S GOT LIKE A MILLION ENEMIES. 400 00:18:23,627 --> 00:18:25,029 YOU BETTER NOT BE LYING TO ME. 401 00:18:25,029 --> 00:18:27,398 WHY? 'CAUSE YOU NEVER LIE? 402 00:18:27,398 --> 00:18:29,700 I MEAN, YOU'RE NEVER HOME. 403 00:18:29,700 --> 00:18:31,469 IT'S LIKE YOU DON'T EVEN LIVE HERE ANYMORE. 404 00:18:35,106 --> 00:18:37,775 I SLEEP LESS, BUT I HAVE MORE ENERGY. 405 00:18:37,775 --> 00:18:40,644 COLORS ARE BRIGHTER. EVERYTHING IS CLEARER. 406 00:18:40,644 --> 00:18:42,313 IT'S LIKE... 407 00:18:42,313 --> 00:18:43,748 I CAN FINALLY SEE, 408 00:18:43,748 --> 00:18:46,183 AND I DON'T EVER REMEMBER FEELING THIS WAY. 409 00:18:46,183 --> 00:18:47,518 NOT EVEN WITH DREW? 410 00:18:47,518 --> 00:18:49,186 WITH DREW, IT WAS DIFFERENT. 411 00:18:49,186 --> 00:18:51,222 IT WAS -- IT WAS NEVER LIKE THIS. 412 00:18:51,222 --> 00:18:54,191 WHAT'S THE DEAL WITH HIS MARRIAGE? 413 00:18:54,191 --> 00:18:56,627 I MEAN, DOES HE EVER TALK ABOUT HIS WIFE? 414 00:18:59,930 --> 00:19:04,001 WELL, IT'S LIKE WE'VE BEEN LIVING IN A -- 415 00:19:04,001 --> 00:19:06,137 A BUBBLE. 416 00:19:06,137 --> 00:19:09,340 THERE ARE A LOT OF THINGS WE DON'T TALK ABOUT. 417 00:19:13,811 --> 00:19:14,845 T.J. 418 00:19:15,846 --> 00:19:19,049 I THOUGHT YOU WERE COMING BACK TO THE OFFICE. 419 00:19:19,049 --> 00:19:21,652 NO, DAD, I -- 420 00:19:21,652 --> 00:19:24,722 I WORK HERE NOW. I TOLD YOU. 421 00:19:24,722 --> 00:19:26,724 T.J., GET IN THE CAR. 422 00:19:26,724 --> 00:19:29,126 BUT I'M IN THE MIDDLE OF MY JOB. 423 00:19:30,795 --> 00:19:32,630 THIS ISN'T A JOB. 424 00:19:32,630 --> 00:19:34,231 YES, IT IS! 425 00:19:34,231 --> 00:19:37,835 I'M FIXING A BROKEN SPRING. 426 00:19:37,835 --> 00:19:39,537 WHY DO YOU THINK THEY WANT YOU HERE? 427 00:19:39,537 --> 00:19:43,007 BECAUSE I KNOW ABOUT THIS STUFF, AND I'M GOOD AT IT. 428 00:19:43,007 --> 00:19:45,209 NO, BECAUSE YOU COME FROM MONEY. 429 00:19:45,209 --> 00:19:46,811 THAT'S WHAT THEY WANT. 430 00:19:46,811 --> 00:19:48,612 THEY'RE JUST USING YOU. 431 00:19:48,612 --> 00:19:50,948 Y-YEAH, TO REPLACE A FRONT SUSPENSION. 432 00:19:50,948 --> 00:19:53,484 IT DOESN'T MAKE ANY SENSE! 433 00:19:55,319 --> 00:19:59,290 LOOK, SON, I-I JUST DON'T WANT TO SEE YOU GET HURT. 434 00:19:59,290 --> 00:20:00,624 THAT'S ALL. 435 00:20:00,624 --> 00:20:02,226 NOW, COME ON. 436 00:20:02,226 --> 00:20:06,397 NO, I-I-I HAVE TO ALIGN IT AFTER I REPAIR IT. 437 00:20:06,397 --> 00:20:08,332 T.J., USE YOUR HEAD. 438 00:20:08,332 --> 00:20:11,402 OF ALL THE PEOPLE IN CHICAGO WHO CAN FIX A CAR, 439 00:20:11,402 --> 00:20:13,504 WHY DO YOU THINK THEY WOULD HIRE YOU?! 440 00:20:25,182 --> 00:20:27,084 GET IN THE CAR. 441 00:20:48,205 --> 00:20:49,273 DO YOU EVER FEEL 442 00:20:49,273 --> 00:20:51,642 WE DON'T KNOW ENOUGH ABOUT EACH OTHER? 443 00:20:51,642 --> 00:20:53,777 MM, NO, I THINK I'VE DONE A PRETTY THOROUGH, 444 00:20:53,777 --> 00:20:55,112 HEAD-TO-TOE EXAMINATION OF -- 445 00:20:55,112 --> 00:20:56,847 YOU KNOW WHAT I MEAN. 446 00:20:56,847 --> 00:21:00,117 YOU HAVE A WHOLE LIFE, A HOME. I WANT TO HEAR ABOUT IT. 447 00:21:02,653 --> 00:21:06,056 I CAN'T ALWAYS PRETEND I'M A NYMPHOMANIAC FROM LISBON. 448 00:21:08,225 --> 00:21:09,393 OKAY. WHAT DO YOU WANT TO KNOW? 449 00:21:09,393 --> 00:21:11,295 YOUR DAUGHTER. WHAT'S SHE INTO? 450 00:21:11,295 --> 00:21:13,964 UH, FOLK MUSIC WITH LOTS OF SHOUTING. 451 00:21:14,965 --> 00:21:16,166 LESBIAN COMPUTER NERDS. 452 00:21:16,166 --> 00:21:19,136 WELL, SHE SOUNDS COOL. 453 00:21:19,136 --> 00:21:21,672 AND YOUR SON? 454 00:21:21,672 --> 00:21:24,842 OH, VIC -- HE'S GOING THROUGH A BIT OF A ROUGH TIME. 455 00:21:24,842 --> 00:21:26,343 UH, WE'RE WORKING THROUGH IT. 456 00:21:26,343 --> 00:21:30,447 TEENAGERS. 457 00:21:30,447 --> 00:21:31,749 AND ELAINE? 458 00:21:35,019 --> 00:21:36,720 YOU WANT TO TALK ABOUT ELAINE? 459 00:21:36,720 --> 00:21:38,188 YEAH, I DO. 460 00:21:40,457 --> 00:21:42,426 UM... 461 00:21:42,426 --> 00:21:45,796 OKAY, WELL, SHE'S 462 00:21:45,796 --> 00:21:47,898 SHE'S STRONG, SMART. 463 00:21:47,898 --> 00:21:51,035 UM, SHE'S A GREAT MOTHER. 464 00:21:51,035 --> 00:21:52,536 UM... 465 00:21:52,536 --> 00:21:53,604 SHE HAS A-A RESTAURANT 466 00:21:53,604 --> 00:21:55,973 THAT SHE'S DOING REALLY WELL WITH. 467 00:21:55,973 --> 00:21:58,409 SHE, UH, SHE GARDENS, RIGHT? 468 00:21:58,409 --> 00:22:00,444 TURNIPS AND TOMATOES? 469 00:22:02,146 --> 00:22:03,180 HOW DID YOU KNOW THAT? 470 00:22:03,180 --> 00:22:06,050 UH, DREW. 471 00:22:06,050 --> 00:22:07,585 HE WAS TALKING ABOUT THE CASE. 472 00:22:07,585 --> 00:22:10,020 WHY WAS DREW TALKING ABOUT MY WIFE? 473 00:22:13,190 --> 00:22:14,725 I DON'T KNOW. 474 00:22:14,725 --> 00:22:16,694 UM... 475 00:22:16,694 --> 00:22:17,795 I SHOULDN'T HAVE SAID ANYTHING. 476 00:22:17,795 --> 00:22:20,931 NO. I DON'T THINK I LIKE THIS GAME. 477 00:22:23,867 --> 00:22:25,202 KEEP AN EYE ON T.J. 478 00:22:25,202 --> 00:22:27,171 I DON'T WANT HIM GOING BACK TO THAT GARAGE. 479 00:22:27,171 --> 00:22:29,440 I'M ON IT. 480 00:22:29,440 --> 00:22:32,977 JACK, THAT LITTLE SNAFU WITH THE SOLAR PANELS 481 00:22:32,977 --> 00:22:34,445 IS COSTING ME $20,000 A DAY. 482 00:22:34,445 --> 00:22:36,213 GOT ANY IDEAS? 483 00:22:39,950 --> 00:22:41,251 YOU KNOW WHAT WE SHOULD DO? 484 00:22:41,251 --> 00:22:45,255 GO TO THAT PROSECUTOR, RAID HIS HOUSE. RIGHT, JACK? 485 00:22:52,062 --> 00:22:54,765 THERE YOU GO. PROBLEM SOLVED. 486 00:23:37,429 --> 00:23:41,266 NUMBER SEVEN WITH THE PIGTAILS. SHE'S YOURS, RIGHT? 487 00:23:41,266 --> 00:23:43,168 AMY? 488 00:23:43,168 --> 00:23:45,203 WHAT ARE YOU DOING HERE? 489 00:23:45,203 --> 00:23:46,805 I LOVE SOCCER. 490 00:23:46,805 --> 00:23:49,341 GO, GO, GO, GO! 491 00:23:49,341 --> 00:23:50,842 I ALREADY DID YOU A FAVOR. 492 00:23:50,842 --> 00:23:52,844 THIS WILL BE THE LAST TIME I ASK. 493 00:23:52,844 --> 00:23:54,646 THEY WILL KILL ME. 494 00:23:54,646 --> 00:23:56,348 WE CAN PROTECT YOU. 495 00:23:56,348 --> 00:23:57,482 WE CAN ENSURE YOUR SAFETY. 496 00:23:57,482 --> 00:23:58,917 NO. I'M DONE. 497 00:23:58,917 --> 00:24:00,619 LOOK. 498 00:24:00,619 --> 00:24:01,920 IF YOU HELP US WITH THIS, 499 00:24:01,920 --> 00:24:03,455 WE CAN PUT KARSTEN AWAY FOR GOOD, 500 00:24:03,455 --> 00:24:06,725 AND HE WON'T EVER BE ABLE TO HURT YOU. 501 00:24:06,725 --> 00:24:08,460 MEN LIKE YOU. 502 00:24:08,460 --> 00:24:11,763 YOU WANT WHAT YOU WANT, LIKE MY CLIENTS, 503 00:24:11,763 --> 00:24:15,167 ONLY THEY DON'T PRETEND TO BE ANYTHING. 504 00:24:15,167 --> 00:24:17,035 BUT YOU -- YOU PRETEND TO BE GOOD. 505 00:24:18,804 --> 00:24:20,605 I'LL TAKE AN HONEST THIEF ANY DAY. 506 00:24:24,876 --> 00:24:27,112 HAPPY ANNIVERSARY, YOU TWO. 507 00:24:27,112 --> 00:24:28,647 DMITRI, TABLE 24 IS READY FOR DESSERT, 508 00:24:28,647 --> 00:24:31,450 BUT YOU NEED TO CRUMB THAT TABLE FIRST, PLEASE. 509 00:24:31,450 --> 00:24:32,951 OH, ROMY, THAT REMINDS ME, 510 00:24:32,951 --> 00:24:35,520 I PACKED THAT CHOCOLATE CAKE FOR YOUR MOM'S BIRTHDAY. 511 00:24:35,520 --> 00:24:37,589 AND NOW YOUR PRESENT'S BETTER THAN MINE. 512 00:24:39,358 --> 00:24:41,059 OH, EXCUSE ME. 513 00:24:41,059 --> 00:24:42,761 WOULD YOU MIND GIVING THAT A TRY? 514 00:24:42,761 --> 00:24:45,197 IT'S NOT ON THE MENU YET. 515 00:24:45,197 --> 00:24:48,667 UH, SURE. I-I DON'T MIND. 516 00:24:48,667 --> 00:24:50,469 THANKS, BUT PROMISE ME YOU'LL BE HONEST. 517 00:24:59,144 --> 00:25:00,645 IT'S DELICIOUS. 518 00:25:00,645 --> 00:25:02,381 YOU DON'T LIKE IT. 519 00:25:02,381 --> 00:25:03,882 NO, IT'S GOOD. 520 00:25:03,882 --> 00:25:05,951 NOW, YOU DON'T HAVE TO LIE JUST TO BE NICE. 521 00:25:05,951 --> 00:25:07,819 ISN'T IT CRAZY HOW WOMEN ALWAYS DO THAT? 522 00:25:09,354 --> 00:25:10,889 YEAH, IT REALLY IS. 523 00:25:10,889 --> 00:25:13,492 I WONDER IF MAYBE IT NEEDS A LITTLE CILANTRO. 524 00:25:13,492 --> 00:25:17,362 HONESTLY, I HAVE NO IDEA. I CAN'T COOK. 525 00:25:17,362 --> 00:25:18,997 MY SON EATS MAC AND CHEESE 526 00:25:18,997 --> 00:25:20,565 OUT OF THE BOX EVERY NIGHT, SO... 527 00:25:21,700 --> 00:25:23,902 WELL, YOU KNOW THAT COOKING IS JUST 528 00:25:23,902 --> 00:25:25,704 ABOUT PRACTICE AND FAMILIARITY. 529 00:25:25,704 --> 00:25:27,706 MY MOTHER SPENT HER LIFE IN THE KITCHEN, 530 00:25:27,706 --> 00:25:29,741 SO IF I WANTED TO TALK TO HER, THAT'S WHERE I HAD TO GO. 531 00:25:29,741 --> 00:25:32,177 WELL, MY MOTHER WAS A PERFECTIONIST. 532 00:25:32,177 --> 00:25:34,446 SHE HATED MESS, SO THE KITCHEN WAS OFF-LIMITS. 533 00:25:34,446 --> 00:25:35,580 YOU KNOW WHAT, THOUGH? 534 00:25:35,580 --> 00:25:37,516 I MADE NUTRITIOUS MEALS FOR MY KIDS 535 00:25:37,516 --> 00:25:38,917 FROM THE TIME THAT THEY WERE VERY LITTLE, 536 00:25:38,917 --> 00:25:41,119 AND I REALLY DON'T THINK IT MADE MUCH OF A DIFFERENCE AT ALL. 537 00:25:43,755 --> 00:25:45,590 HI. YOU'RE BACK SOON. 538 00:25:45,590 --> 00:25:48,160 YEAH, WELL, YOU KNOW, I HAD TO BRING YOU 539 00:25:48,160 --> 00:25:49,928 THIS '09 SYRAH FROM NAPA. 540 00:25:49,928 --> 00:25:51,563 OKAY. 541 00:25:51,563 --> 00:25:53,165 I HEARD IT HAS A SMOOTH FINISH. 542 00:25:53,165 --> 00:25:54,933 YEAH, AND NICE LEGS. 543 00:25:56,935 --> 00:25:59,237 MAYBE WE SHOULD GIVE IT A TASTE. OKAY. 544 00:25:59,237 --> 00:26:00,572 I NEED TO GET GOING, SO -- 545 00:26:00,572 --> 00:26:03,575 OH, I'M ELAINE, BY THE WAY. I OWN THE PLACE. 546 00:26:03,575 --> 00:26:05,877 OH. SARA. 547 00:26:05,877 --> 00:26:07,712 YOU LOOK FAMILIAR. HAVE WE MET? 548 00:26:07,712 --> 00:26:09,448 NO, I DON'T THINK SO. 549 00:26:09,448 --> 00:26:10,882 WELL, IT'S NICE TO MEET YOU NOW. 550 00:26:10,882 --> 00:26:13,218 YEAH, YOU TOO. BYE. BYE. 551 00:26:13,218 --> 00:26:15,387 HEY, LISTEN, IF YOU GET THAT WHOLE-WHEAT MAC AND CHEESE 552 00:26:15,387 --> 00:26:17,489 AND YOU THROW IN EGG WHITES AND CARROT PUREE, 553 00:26:17,489 --> 00:26:18,590 VOILà, HEALTHY MEAL. 554 00:26:18,590 --> 00:26:19,624 KIND OF. 555 00:26:19,624 --> 00:26:21,226 THANK YOU. 556 00:26:21,226 --> 00:26:22,928 OKAY. 557 00:26:25,964 --> 00:26:29,134 SNACK MOM. IT'S A THANKLESS JOB. 558 00:26:29,134 --> 00:26:31,103 KIDS -- THEY WANT CANDY. PARENTS WANT FRUIT. 559 00:26:32,604 --> 00:26:34,239 GET AWAY FROM MY CAR. 560 00:26:34,239 --> 00:26:36,575 YEAH, I USED TO PLAY T-BALL HERE -- 561 00:26:36,575 --> 00:26:39,744 WELL, BACK WHEN IT WAS A FIELD, NOT A PARKING LOT. 562 00:26:39,744 --> 00:26:41,113 LET ME GET THAT FOR YOU. 563 00:26:42,114 --> 00:26:43,748 I GREW UP OVER IN HUMBOLDT PARK. 564 00:26:43,748 --> 00:26:45,417 I USED TO SPEND MY SUMMERS 565 00:26:45,417 --> 00:26:47,219 READING ALL DAY AT THE PULASKI LIBRARY, 566 00:26:47,219 --> 00:26:49,287 THEN I'D GO OVER TO NEBBIE'S WHERE MY MOM WORKED 567 00:26:49,287 --> 00:26:51,523 TO HELP HER SERVE RED-HOTS. 568 00:26:51,523 --> 00:26:53,391 YOU SEEM LIKE A GOLD COAST KID. 569 00:26:53,391 --> 00:26:56,394 NOPE. SINGLE MOM, FOUR KIDS. 570 00:26:56,394 --> 00:26:58,663 SHE STRUGGLED, BUT SHE WAS TOUGH. 571 00:26:58,663 --> 00:27:00,165 LIKE YOU. 572 00:27:00,165 --> 00:27:01,700 WE GO TO NEBBIE'S ALL THE TIME. 573 00:27:01,700 --> 00:27:03,835 MM. KONSTANTINE IS STILL THERE. 574 00:27:03,835 --> 00:27:05,470 GOOD, OLD KONSTANTINE. 575 00:27:05,470 --> 00:27:07,339 YOU KNEW HIM? YEAH, OF COURSE. 576 00:27:07,339 --> 00:27:09,941 'CAUSE THERE IS NO KONSTANTINE THERE. 577 00:27:09,941 --> 00:27:12,978 NOT ONLY ARE YOU A LIAR, YOU'RE NOT EVEN GOOD AT IT. 578 00:27:15,113 --> 00:27:16,948 THE THING ABOUT MY FAMILY, THAT'S ALL TRUE. 579 00:27:20,152 --> 00:27:22,687 WHAT'S WRONG WITH YOU? LOOK. 580 00:27:22,687 --> 00:27:24,623 THERE IS ONE THING THAT I CARE ABOUT, 581 00:27:24,623 --> 00:27:25,957 ONE THING I NEED, AND TIME IS RUNNING OUT. 582 00:27:25,957 --> 00:27:27,993 WELL, I CAN'T HELP YOU! WHY NOT? 583 00:27:27,993 --> 00:27:30,495 WHY ARE YOU GONNA LET KARSTEN USE YOU LIKE THIS? 584 00:27:30,495 --> 00:27:32,531 WHAT, I SHOULD BE YOUR PAWN INSTEAD OF HIS? 585 00:27:35,534 --> 00:27:36,735 YOU GOT TO HAVE DREAMS, RIGHT? 586 00:27:36,735 --> 00:27:39,504 SOMETHING YOU ASPIRE TO. 587 00:27:39,504 --> 00:27:43,175 HAVEN'T YOU EVER WANTED ANYTHING THAT BADLY? 588 00:27:48,680 --> 00:27:51,216 YEAH, I WANT THINGS. 589 00:27:58,390 --> 00:28:00,158 A PLACE IN A GOOD SCHOOL DISTRICT, 590 00:28:00,158 --> 00:28:02,394 MY RECORD CLEANED, A GREEN CARD. 591 00:28:02,394 --> 00:28:04,095 NO QUESTIONS ASKED. 592 00:28:05,697 --> 00:28:08,433 YOU MAKE ME AN AMERICAN, I'LL BE WHATEVER YOU WANT. 593 00:28:17,209 --> 00:28:19,444 WHOO! 594 00:28:22,881 --> 00:28:24,115 YOU DID SUCH A GOOD JOB. 595 00:28:24,115 --> 00:28:25,116 THANK YOU. 596 00:28:25,116 --> 00:28:27,686 YES, AND YOU WERE RUNNING SO FAST. 597 00:28:31,486 --> 00:28:33,088 SO, THEY'RE NOT GONNA USE THE PHOTOS? 598 00:28:33,088 --> 00:28:35,224 NO, BUT ALISSA'S SENDING THEM TO THE NEW YORK TIMES. 599 00:28:35,224 --> 00:28:39,159 WOW. THAT WOULD BE A STEP UP. 600 00:28:39,159 --> 00:28:41,962 STANDING UP TO JANET LIKE THAT COULD HAVE BEEN A DISASTER, 601 00:28:41,962 --> 00:28:43,230 BUT IT FELT KIND OF GOOD. 602 00:28:43,230 --> 00:28:45,465 MIGHT EVEN WORK OUT BETTER IN THE END. 603 00:28:45,465 --> 00:28:47,450 WHAT DO YOU THINK OF THIS TIE? 604 00:28:47,450 --> 00:28:48,651 IT'S FINE. 605 00:28:48,651 --> 00:28:51,223 YOU LOOK PRETTY, MOMMY. WHERE ARE YOU GOING? 606 00:28:51,223 --> 00:28:52,991 MY BOSS' RETIREMENT PARTY. 607 00:28:56,061 --> 00:28:58,597 OLIVER, WHAT ARE YOU DOING? 608 00:28:58,597 --> 00:28:59,932 WHAT ARE YOU DOING? 609 00:28:59,932 --> 00:29:02,267 WHAT ARE YOU DOING?! 610 00:29:07,172 --> 00:29:08,340 HERE IT COMES! 611 00:29:08,340 --> 00:29:09,741 I'M NOT DONE! 612 00:29:15,113 --> 00:29:18,951 LARRY, YOU ARE TOTALLY IRREPLACEABLE. 613 00:29:18,951 --> 00:29:20,218 THAT BEING SAID, 614 00:29:20,218 --> 00:29:22,187 I AM ON THE LIST OF PEOPLE TO REPLACE YOU, RIGHT? 615 00:29:22,187 --> 00:29:24,056 HOW CLOSE TO THE TOP OF THAT LIST AM I? 616 00:29:24,056 --> 00:29:25,791 CLOSER THAN YOU WERE YESTERDAY. 617 00:29:25,791 --> 00:29:28,827 YOU GOT BRANDY KORSKAYA TO THANK FOR THAT. 618 00:29:28,827 --> 00:29:30,462 SHE'S GONNA DRIVE THIS THING HOME. 619 00:29:30,462 --> 00:29:31,630 HOPE YOU'RE RIGHT. 620 00:29:31,630 --> 00:29:33,265 I KNOW I'M RIGHT 621 00:29:33,265 --> 00:29:34,833 'CAUSE I'M GONNA PUT HER IN TRAINING FIRST. 622 00:29:34,833 --> 00:29:36,234 THAT'S A CHANGE. 623 00:29:36,234 --> 00:29:39,338 UH, SHE'S NOT AS READY AS I THOUGHT, AND... 624 00:29:39,338 --> 00:29:41,640 SHE'S GOT THIS LITTLE KID. 625 00:29:41,640 --> 00:29:43,342 NO REASON TO PULL THE TRIGGER TONIGHT. 626 00:29:43,342 --> 00:29:45,944 THERE HE IS -- THE LAST GOOD MAN! 627 00:29:45,944 --> 00:29:49,047 CONGRATULATIONS, LARRY. 628 00:29:49,047 --> 00:29:51,316 I HEAR YOU'RE TAKING YOUR WIFE TO RIO. 629 00:29:51,316 --> 00:29:52,684 10-DAY CRUISE. 630 00:29:52,684 --> 00:29:53,785 GOOD FOR YOU. 631 00:29:53,785 --> 00:29:55,754 I LOVE THIS SONG. 632 00:29:55,754 --> 00:29:57,289 WE'RE DANCING, LARRY. 633 00:30:07,466 --> 00:30:09,935 YOU LOOK GREAT TONIGHT. 634 00:30:09,935 --> 00:30:11,136 YOU SEEM GOOD LATELY. 635 00:30:11,136 --> 00:30:13,171 HAPPY. 636 00:30:13,171 --> 00:30:14,940 YEAH, I GUESS I HAVE BEEN. 637 00:30:16,141 --> 00:30:19,344 IT'S BEEN A LONG TIME SINCE WE'VE DONE THIS. 638 00:30:19,344 --> 00:30:20,512 WHAT, DANCE? 639 00:30:20,512 --> 00:30:21,880 GONE OUT. 640 00:30:21,880 --> 00:30:24,149 HAD A GOOD TIME TOGETHER. 641 00:30:24,149 --> 00:30:26,284 LET'S TRY AND MAKE IT HAPPEN MORE OFTEN. 642 00:30:26,284 --> 00:30:28,120 YEAH, THAT WOULD BE NICE. 643 00:30:43,468 --> 00:30:45,370 I WANTED TO APOLOGIZE FOR THIS MORNING. 644 00:30:45,370 --> 00:30:47,873 I DIDN'T KNOW WHO YOU WERE OR WHAT REALLY HAPPENED. 645 00:30:47,873 --> 00:30:50,776 AGH! 646 00:30:55,681 --> 00:30:57,315 OHH! 647 00:30:58,483 --> 00:31:00,485 OKAY. OKAY. 648 00:31:00,485 --> 00:31:01,486 THAT'S ENOUGH. 649 00:31:01,486 --> 00:31:03,555 GET THE HELL OUT OF HERE! 650 00:31:03,555 --> 00:31:06,558 LOOK I HOPE RICKY'S FEELING BETTER. 651 00:31:06,558 --> 00:31:08,760 THIS SHOULD COVER YOUR EXPENSES. 652 00:31:08,760 --> 00:31:09,928 HEY, MY SON IS IN HERE 653 00:31:09,928 --> 00:31:11,830 DRINKING HIS DINNER THROUGH A STRAW! 654 00:31:11,830 --> 00:31:13,565 I AIN'T TAKING YOUR BLOOD MONEY! 655 00:31:13,565 --> 00:31:15,333 I KNOW WHO YOU ARE, MAN! 656 00:31:15,333 --> 00:31:17,302 YOU'RE THATCHER KARSTEN'S BITCH! 657 00:31:19,371 --> 00:31:22,174 DON'T COME BACK HERE AGAIN! 658 00:31:29,381 --> 00:31:31,283 OUR WARRANT DIES IN 15 HOURS. 659 00:31:31,283 --> 00:31:32,317 WE'LL GET ANOTHER ONE. 660 00:31:32,317 --> 00:31:34,386 THE WHOLE POINT -- SHE'S NOT READY. 661 00:31:34,386 --> 00:31:36,354 I SEE THAT NOW. THANK YOU. 662 00:31:36,354 --> 00:31:38,457 I DON'T UNDERSTAND. 663 00:31:38,457 --> 00:31:40,759 WHAT HAPPENED? 664 00:31:40,759 --> 00:31:43,995 THIS GIRL GOT TO YOU, DIDN'T SHE? 665 00:31:43,995 --> 00:31:46,598 WHAT WE ARE ASKING HER TO DO IS DANGEROUS. 666 00:31:46,598 --> 00:31:47,999 I DON'T WANT TO RUSH INTO ANYTHING. 667 00:32:21,233 --> 00:32:23,034 THANKS, GUYS. THANK YOU. 668 00:32:31,276 --> 00:32:32,477 YEAH! 669 00:32:32,477 --> 00:32:33,478 OH, YEAH! 670 00:32:33,478 --> 00:32:35,580 THANKS, GUYS. THANK YOU. 671 00:32:35,580 --> 00:32:37,115 THANKS A LOT. THANK YOU ALL. 672 00:33:17,222 --> 00:33:18,990 SARA. 673 00:33:18,990 --> 00:33:21,059 SARA, WHAT'S WRONG?! WHAT -- WHAT IS IT? 674 00:33:21,059 --> 00:33:22,861 HEY. 675 00:33:22,861 --> 00:33:24,329 HEY. 676 00:33:25,831 --> 00:33:30,168 WHAT -- WHAT -- WHAT IS IT? WHAT ARE YOU SAYING? 677 00:33:30,168 --> 00:33:31,503 I WANT TO GO. 678 00:33:31,503 --> 00:33:33,171 I JUST WANT TO GO HOME, OKAY? 679 00:33:33,171 --> 00:33:34,172 WHAT? WHAT? 680 00:33:34,172 --> 00:33:35,340 I JUST WANT TO GO HOME. OKAY. 681 00:33:35,340 --> 00:33:36,441 I WANT TO GO HOME. OKAY. 682 00:33:36,441 --> 00:33:37,442 I WANT TO GO HOME. ALL RIGHT. 683 00:33:37,442 --> 00:33:38,743 WANT TO GO HOME. WE'LL GO HOME, BABY. 684 00:33:38,743 --> 00:33:39,878 WE'LL GO HOME. WANT TO GO HOME. WANT TO GO HOME. 685 00:33:44,631 --> 00:33:47,152 NEVER KNEW SO MUCH COULD COME OUT OF SUCH A LITTLE PERSON. 686 00:33:48,286 --> 00:33:49,621 TAKE BLUE BEAR, MOMMY. 687 00:33:49,621 --> 00:33:51,156 OH, THANKS, LOVE BUG. 688 00:33:51,156 --> 00:33:52,357 I'LL BE FINE, OKAY? 689 00:33:52,357 --> 00:33:54,876 YOU JUST GO BACK TO BED, OKAY? 690 00:33:54,876 --> 00:33:56,511 SO, NIGHT-NIGHT. 691 00:33:56,511 --> 00:33:58,080 OKAY. 692 00:34:02,918 --> 00:34:05,754 I'LL GO GET YOU SOME WATER. THANKS. 693 00:34:30,746 --> 00:34:32,047 THERE YOU GO. 694 00:34:33,382 --> 00:34:34,883 THANKS. 695 00:34:34,883 --> 00:34:37,452 I LOVE YOU, BABE. 696 00:34:40,856 --> 00:34:43,658 OH, THANKS FOR TAKING SUCH GOOD CARE OF ME. 697 00:34:54,336 --> 00:34:57,806 DAMN. WHAT HAPPENED? 698 00:35:00,142 --> 00:35:01,971 I WENT TO VISIT RICKY'S FATHER. 699 00:35:12,881 --> 00:35:16,919 YOU COULD HAVE A LIFE FULL OF... 700 00:35:16,919 --> 00:35:19,054 LYING AND CHEATING AND GUILT. 701 00:35:19,054 --> 00:35:22,558 YOU COULD LOOK LIKE A GOOD PERSON, 702 00:35:22,558 --> 00:35:25,961 AND YOU COULD FOOL EVERYBODY. 703 00:35:25,961 --> 00:35:29,031 YOU COULD GET SO GOOD AT DECEIVING PEOPLE 704 00:35:29,031 --> 00:35:31,033 THAT YOU'D NEVER GET CAUGHT. 705 00:35:33,235 --> 00:35:34,737 BUT YOU WOULD KNOW. 706 00:35:37,139 --> 00:35:38,641 AND YOU WOULDN'T BE ABLE 707 00:35:38,641 --> 00:35:40,843 TO LOOK AT YOURSELF IN THE MIRROR. 708 00:35:43,646 --> 00:35:46,348 AND I DON'T WANT THAT LIFE FOR YOU. 709 00:35:56,625 --> 00:35:57,793 YOU'RE GROUNDED. 710 00:35:57,793 --> 00:36:01,864 YOU CAN USE THE KITCHEN COMPUTER FOR SCHOOL. 711 00:36:07,336 --> 00:36:08,671 WHEN DO I GET MY STUFF BACK? 712 00:36:10,139 --> 00:36:11,507 WHEN YOU TELL ME THE TRUTH. 713 00:36:13,242 --> 00:36:15,577 HEY, VIC, I -- 714 00:36:15,577 --> 00:36:18,180 WHAT HAPPENED TO YOUR FACE? 715 00:36:21,583 --> 00:36:24,987 JACK. WHAT'S GOING ON? 716 00:36:24,987 --> 00:36:26,588 HUH? LET ME SEE THIS. WHERE WERE YOU? 717 00:36:26,588 --> 00:36:28,457 I WENT TO SEE THE KID'S FATHER -- 718 00:36:28,457 --> 00:36:30,192 THE KID THAT VIC PUT IN THE HOSPITAL. 719 00:36:30,192 --> 00:36:32,328 JACK, WE DON'T KNOW THAT VIC PUT THAT KID -- 720 00:36:32,328 --> 00:36:34,530 WE KNOW. COME ON. 721 00:36:34,530 --> 00:36:36,065 WE KNOW. 722 00:36:37,199 --> 00:36:39,001 WHY WOULD YOU GO TO SEE HIM? 723 00:36:40,169 --> 00:36:41,170 TO FIX IT. 724 00:36:41,170 --> 00:36:43,105 WHAT DOES THAT MEAN? 725 00:36:43,105 --> 00:36:45,240 I FIX THINGS. 726 00:36:45,240 --> 00:36:47,710 THAT'S WHAT I DO. 727 00:36:47,710 --> 00:36:50,079 GOT TO GO CLEAN THE YARD. 728 00:37:01,757 --> 00:37:03,659 BABE, WHERE'S YOUR CAMERA? 729 00:37:03,659 --> 00:37:05,761 I WANT TO SEE THOSE PICTURES OLIVER TOOK. 730 00:37:05,761 --> 00:37:09,598 UH... ON THE DRESSER. 731 00:37:10,966 --> 00:37:12,801 DREW SAID IT WOULD BE NEXT WEEK. 732 00:37:12,801 --> 00:37:14,269 CHANGE OF PLAN. 733 00:37:14,269 --> 00:37:17,373 NOW, IF ANYTHING GOES WRONG, 734 00:37:17,373 --> 00:37:19,174 SLIP THE WORD "FRIDAY" INTO THE CONVERSATION, 735 00:37:19,174 --> 00:37:20,476 AND WE'LL GET YOU OUT. 736 00:37:28,684 --> 00:37:31,153 WE WON'T LET ANYTHING HAPPEN TO YOU. 737 00:37:36,392 --> 00:37:39,528 SORRY. 738 00:37:39,528 --> 00:37:40,829 HEY. 739 00:37:43,198 --> 00:37:45,501 I'M SORRY I -- 740 00:37:45,501 --> 00:37:48,003 I TOOK THIS BY ACCIDENT. 741 00:37:48,003 --> 00:37:50,739 AND I'M SORRY I LEFT IN THE MIDDLE OF MY SHIFT. 742 00:37:50,739 --> 00:37:51,807 WHATEVER, MAN. 743 00:37:51,807 --> 00:37:53,575 IF I WERE YOU, I'D BE SIPPING CRISTAL 744 00:37:53,575 --> 00:37:55,344 AND SAILING AROUND ON MY YACHT. 745 00:37:55,344 --> 00:37:58,447 JUST DO WHATEVER YOU GOT TO DO, MAN. 746 00:37:59,882 --> 00:38:03,018 RODNEY, I-I CAN TELL YOU'RE A GOOD PERSON. 747 00:38:03,018 --> 00:38:05,287 I-I TRUST YOU. 748 00:38:05,287 --> 00:38:07,222 YOU KNOW, I-I PROMISE YOU 749 00:38:07,222 --> 00:38:10,025 I-I'LL BE HERE EVERY DAY ON TIME, 750 00:38:10,025 --> 00:38:12,928 READY TO WORK IF YOU'LL STILL LET ME. 751 00:38:12,928 --> 00:38:14,396 WHAT ABOUT YOUR OLD MAN? 752 00:38:14,396 --> 00:38:17,266 HE DIDN'T SEEM TO WANT YOU HANGING AROUND HERE. 753 00:38:17,266 --> 00:38:18,834 NO. 754 00:38:18,834 --> 00:38:21,804 BUT I'M NOT GONNA LET HIM TELL ME WHAT TO DO ANYMORE. 755 00:38:23,839 --> 00:38:25,240 LET'S GO GET YOU A LOCKER. 756 00:38:50,232 --> 00:38:51,733 HELLO, BRANDY. 757 00:38:53,001 --> 00:38:55,170 SORRY TO BOTHER YOU SO LATE. 758 00:38:55,170 --> 00:38:57,473 IT'S OKAY. 759 00:38:57,473 --> 00:38:59,608 I ASSUMED WHEN YOU CALLED, 760 00:38:59,608 --> 00:39:01,176 YOU MUST HAVE THOUGHT IT WAS IMPORTANT. 761 00:39:03,345 --> 00:39:04,913 PLEASE. 762 00:39:04,913 --> 00:39:06,081 WOULD YOU LIKE A DRINK? 763 00:39:06,081 --> 00:39:08,417 NO, THANK YOU. 764 00:39:11,119 --> 00:39:12,788 HOW CAN I HELP YOU? 765 00:39:14,556 --> 00:39:17,192 THINGS HAVE BEEN A LITTLE SLOW, MR. KARSTEN. 766 00:39:17,192 --> 00:39:19,361 I-I LOST A DAY OF WORK 767 00:39:19,361 --> 00:39:21,263 GIVING MY STATEMENT TO THE POLICE, AND -- 768 00:39:21,263 --> 00:39:22,531 WHAT STATEMENT WAS THAT? 769 00:39:24,233 --> 00:39:27,503 THE ONE SAYING I WAS WITH T.J. THE NIGHT OF LOU'S MURDER. 770 00:39:29,505 --> 00:39:31,406 NOW THE PROSECUTOR IS THREATENING TO -- 771 00:39:31,406 --> 00:39:34,042 TO DEPORT ME AND TAKE AWAY MY DAUGHTER. 772 00:39:34,042 --> 00:39:38,280 I'M UNDER A LOT OF PRESSURE. 773 00:39:38,280 --> 00:39:41,383 I'M VERY SORRY TO HEAR THAT. 774 00:39:44,653 --> 00:39:46,255 SO... 775 00:39:46,255 --> 00:39:47,956 HOW CAN I HELP YOU? 776 00:39:50,726 --> 00:39:51,927 I NEED MORE MONEY 777 00:39:51,927 --> 00:39:55,097 FOR BEING T.J.'s ALIBI. 778 00:39:55,097 --> 00:39:56,698 HOW ARE THINGS AT THE CLUB? 779 00:39:56,698 --> 00:40:00,235 AND YOUR DAUGHTER. WHAT'S HER NAME? 780 00:40:00,235 --> 00:40:02,437 AMY. 781 00:40:02,437 --> 00:40:04,206 LOOK, MR. KARSTEN, I -- 782 00:40:04,206 --> 00:40:06,542 WOULD YOU DO SOMETHING FOR ME? 783 00:40:08,544 --> 00:40:09,678 WHAT? 784 00:40:09,678 --> 00:40:12,915 TAKE YOUR CLOTHES OFF. 785 00:40:15,717 --> 00:40:18,186 WHAT'S THE MATTER? 786 00:40:18,186 --> 00:40:19,988 ISN'T THAT WHAT MEN PAY YOU TO DO? 787 00:42:15,971 --> 00:42:18,306 NICE PHOTOS. 54480

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