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1
00:00:00,377 --> 00:00:02,909
PREVIOUSLY ON "BETRAYAL"...
2
00:00:02,909 --> 00:00:04,111
FRANK PERKINS.
3
00:00:04,111 --> 00:00:05,812
LOU'S PARTNER?
IS HE HERE?
4
00:00:05,812 --> 00:00:08,248
NO. HE'S IN HONG KONG
ON BUSINESS.
5
00:00:08,248 --> 00:00:09,983
THATCHER KARSTEN THOUGHT YOUR
HUSBAND WAS STEALING FROM HIM.
6
00:00:09,983 --> 00:00:12,853
THAT'S WHY KARSTEN SENT T.J.
TO TAKE CARE OF HIM.
7
00:00:12,853 --> 00:00:15,655
IF ANYONE ASKS,
YOU WERE WITH BRANDY.
8
00:00:15,655 --> 00:00:17,924
T.J. KARSTEN,
YOU'RE UNDER ARREST.
9
00:00:17,924 --> 00:00:20,594
WHAT HAPPENED WAS A MISTAKE,
AND I'LL NEVER FORGIVE MYSELF.
10
00:00:20,594 --> 00:00:23,130
IT ISN'T LIKE THAT.
WE'LL FIGURE OUT WHAT THIS IS.
11
00:00:23,130 --> 00:00:24,965
MEET ME TONIGHT,
8:00, HERE.
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00:00:24,965 --> 00:00:28,368
IF YOU DON'T COME,
I WILL NEVER BOTHER YOU AGAIN.
13
00:01:43,443 --> 00:01:46,446
-- Captions by VITAC --
14
00:02:21,448 --> 00:02:23,049
GOD, I HATE THIS.
15
00:02:23,049 --> 00:02:25,352
I MEAN, I DON'T KNOW
HOW CAN THEY HOLD T.J.
16
00:02:25,352 --> 00:02:26,653
WITH SO LITTLE EVIDENCE.
17
00:02:26,653 --> 00:02:29,589
SINCE WHEN HAS THE LEGAL PROCESS
EVER BEEN ABOUT FAIRNESS?
18
00:02:29,589 --> 00:02:31,491
SINCE WHEN
DID YOU GET SO CYNICAL?
19
00:02:31,491 --> 00:02:33,159
I THINK
IT WAS THE FIRST TIME
20
00:02:33,159 --> 00:02:34,928
I EVER WALKED
INTO A COURTROOM.
21
00:02:34,928 --> 00:02:37,464
YEAH, IT DOESN'T HELP
THAT AUNT CONNIE TOLD THEM
22
00:02:37,464 --> 00:02:40,066
THAT SHE SAW T.J. AND LOU
ARGUE THAT NIGHT.
23
00:02:40,066 --> 00:02:42,168
WELL,
WHAT ELSE COULD SHE DO?
24
00:02:42,168 --> 00:02:43,904
ANYWAY,
HE'S INNOCENT.
25
00:02:43,904 --> 00:02:45,839
YEAH,
HE'S ALSO A KARSTEN.
26
00:02:47,007 --> 00:02:49,042
SO T.J.'s BEING USED
AS A SCAPEGOAT
27
00:02:49,042 --> 00:02:50,277
FOR ALL OF THE PEOPLE
28
00:02:50,277 --> 00:02:52,746
THAT MY FATHER HAS PISSED OFF
OVER THE YEARS?
29
00:02:52,746 --> 00:02:54,548
WE SHOULD HAVE GOTTEN AWAY
FROM THIS SCREWED-UP FAMILY
30
00:02:54,548 --> 00:02:55,549
WHEN WE HAD A CHANCE.
31
00:02:55,549 --> 00:02:58,385
WHEN WAS THAT,
EXACTLY?
32
00:02:58,385 --> 00:02:59,553
CAN YOU ZIP ME?
33
00:02:59,553 --> 00:03:01,521
WE COULD STILL DO IT,
YOU KNOW.
34
00:03:01,521 --> 00:03:03,523
ESCAPE,
SHOW THE KIDS THE WORLD.
35
00:03:03,523 --> 00:03:04,758
WE SHOULD GET GOING.
36
00:03:04,758 --> 00:03:05,959
WE COULD DRIVE UP
THE AMALFI COAST.
37
00:03:05,959 --> 00:03:07,460
THAT WOULD REALLY GIVE THEM
SOME PERSPECTIVE.
38
00:03:07,460 --> 00:03:10,363
WE HAVE A BAIL HEARING
IN AN HOUR.
39
00:03:13,767 --> 00:03:17,304
THAT SLEAZE McALLISTER
HAS A HOOKER AS AN ALIBI.
40
00:03:17,304 --> 00:03:18,838
I HAVE
A WIDOW'S SWORN STATEMENT
41
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PLACING T.J. KARSTEN
AT THE SCENE.
42
00:03:20,473 --> 00:03:21,708
WHAT'S A HOOKER?
43
00:03:21,708 --> 00:03:23,543
NOTHING, HONEY.
EAT YOUR CEREAL.
44
00:03:23,543 --> 00:03:24,844
WHAT'S A SLEAZE?
45
00:03:24,844 --> 00:03:27,714
A SLEAZE IS SOMEBODY
WHO DOESN'T PLAY BY THE RULES.
46
00:03:27,714 --> 00:03:28,748
LIKE A CHEATER?
47
00:03:28,748 --> 00:03:30,483
EXACTLY.
WHY DO THEY CHEAT?
48
00:03:30,483 --> 00:03:32,319
OLIVER,
YOU'RE GONNA BE LATE.
49
00:03:32,319 --> 00:03:33,553
HONEY, NO,
LOOK, THERE'S --
50
00:03:33,553 --> 00:03:35,322
THERE'S CERTAIN HARSH TRUTHS
IN THIS WORLD
51
00:03:35,322 --> 00:03:36,590
THAT YOU
JUST CAN'T AVOID,
52
00:03:36,590 --> 00:03:38,024
YOU CAN'T SWEEP
UNDER THE RUG.
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00:03:38,024 --> 00:03:40,694
HE'S TOO SMART FOR IT.
54
00:03:40,694 --> 00:03:42,395
SLEAZES CHEAT
BECAUSE THEY THINK
55
00:03:42,395 --> 00:03:43,630
THEY'RE BETTER
THAN EVERYBODY ELSE,
56
00:03:43,630 --> 00:03:47,100
AND IT'S MY JOB
TO TELL THEM THEY AREN'T.
57
00:03:47,100 --> 00:03:48,735
SO SLEAZES
ARE BAD GUYS.
58
00:03:48,735 --> 00:03:50,437
RIGHT.
59
00:03:50,437 --> 00:03:52,839
BUT I NEED TO MAKE SURE THEY
DON'T GET AWAY WITH BEING BAD.
60
00:03:52,839 --> 00:03:53,840
SO YOU'RE A GOOD GUY.
61
00:03:53,840 --> 00:03:56,776
LIKE I SAID,
THE KID'S A GENIUS.
62
00:03:56,776 --> 00:03:58,945
GO GET YOUR STUFF,
BABY.
63
00:03:58,945 --> 00:04:00,614
OKAY.
64
00:04:00,614 --> 00:04:03,583
MY CLIENT IS A YOUNG MAN
WITH ROOTS IN THIS COMMUNITY.
65
00:04:03,583 --> 00:04:05,318
AND THE MEANS TO FLEE,
YOUR HONOR.
66
00:04:05,318 --> 00:04:07,354
FURTHERMORE,
THE STATE HAS NO DIRECT EVIDENCE
67
00:04:07,354 --> 00:04:08,622
LINKING HIM TO THIS CRIME.
68
00:04:08,622 --> 00:04:09,756
WE HAVE THE MOTIVE
OF RETRIBUTION
69
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OVER THE MISSING MONEY
AND THE WIDOW'S STATEMENT.
70
00:04:12,459 --> 00:04:13,727
WHICH STATEMENT?
71
00:04:13,727 --> 00:04:14,828
THE FIRST OR THE SECOND ONE
YOU PRESSURED HER INTO?
72
00:04:14,828 --> 00:04:17,130
SHE PLACES HIM
AS THE LAST KNOWN PERSON
73
00:04:17,130 --> 00:04:18,498
TO SEE THE VICTIM ALIVE.
74
00:04:18,498 --> 00:04:21,668
THERE'S NO GUN, YOUR HONOR,
AND HE HAS A STRONG ALIBI.
75
00:04:21,668 --> 00:04:22,836
HIS GIRLFRIEND,
BRANDY KORSKAYA,
76
00:04:22,836 --> 00:04:24,437
WILL TESTIFY THAT
AT THE TIME OF THE MURDER --
77
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A GIRLFRIEND? IS THAT
WHAT WE'RE CALLING HER NOW?
78
00:04:26,106 --> 00:04:28,608
PUT AWAY THE SWORDS,
BOYS.
79
00:04:28,608 --> 00:04:30,543
CONSIDERING THE SERIOUSNESS
OF THE CRIME
80
00:04:30,543 --> 00:04:32,278
AND THE DEFENDANT'S RISK
OF FLIGHT,
81
00:04:32,278 --> 00:04:34,047
I FIND FOR THE STATE.
82
00:04:34,047 --> 00:04:35,582
BAIL DENIED.
YOUR HONOR --
83
00:04:35,582 --> 00:04:38,385
COUNSELOR, YOU'RE FREE TO
PETITION FOR ANOTHER HEARING.
84
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WE'LL GET YOU OUT,
SON.
85
00:04:49,396 --> 00:04:50,997
YOU BE STRONG.
86
00:04:50,997 --> 00:04:52,832
LIKE YOU WERE,
RIGHT, DAD?
87
00:04:52,832 --> 00:04:55,335
WHEN YOU WENT AWAY
WHEN I WAS LITTLE.
88
00:04:55,335 --> 00:04:58,004
THAT'S RIGHT.
89
00:04:58,004 --> 00:05:00,507
JUST LIKE THAT.
90
00:05:02,842 --> 00:05:05,412
YOU TAKE CARE OF YOURSELF,
"TEEJ," OKAY?
91
00:05:10,784 --> 00:05:13,420
HE SHOULDN'T BE IN THERE
WITH REGULAR CRIMINALS.
92
00:05:13,420 --> 00:05:15,822
THE ONLY ALTERNATIVE
WAS A PSYCHIATRIC FACILITY.
93
00:05:15,822 --> 00:05:17,357
WOULD THAT
HAVE BEEN BETTER?
94
00:05:17,357 --> 00:05:19,959
AT SOME POINT, YOU ARE
GOING TO HAVE TO ACKNOWLEDGE
95
00:05:19,959 --> 00:05:21,061
THAT HE'S DIFFERENT.
96
00:05:21,061 --> 00:05:22,328
HE HAS DIFFERENT NEEDS.
97
00:05:22,328 --> 00:05:24,931
WHAT HE NEEDS IS FOR US
TO GET THE COPS OFF HIS BACK
98
00:05:24,931 --> 00:05:25,932
AND BRING HIM HOME.
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JACK.
100
00:05:28,234 --> 00:05:29,335
I JUST GOT AN E-MAIL
101
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SAYING PERKINS IS BACK
FROM HONG KONG.
102
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WHO'S PERKINS?
103
00:05:32,372 --> 00:05:34,074
LOU'S PARTNER
ON THE LOFTS PROJECT.
104
00:05:34,074 --> 00:05:36,776
WE THINK HE STOLE SOME MONEY,
LOU FOUND OUT ABOUT IT.
105
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PERKINS MAY HAVE KILLED LOU
TO KEEP IT QUIET.
106
00:05:39,212 --> 00:05:41,448
SO, AS LONG THIS GUY PERKINS
IS OUT THERE,
107
00:05:41,448 --> 00:05:43,249
T.J. IS GONNA BE STUCK
IN JAIL.
108
00:05:43,249 --> 00:05:44,317
YOU FIND HIM.
109
00:05:44,317 --> 00:05:46,152
GIVE THESE BASTARDS
A BETTER THEORY
110
00:05:46,152 --> 00:05:47,721
THAN THE ONE
THEY'VE GOT.
111
00:05:53,460 --> 00:05:55,562
I ONLY SOLD THREE?
112
00:05:55,562 --> 00:05:58,264
AND TWO
WERE TO THE SAME GUY
113
00:05:58,264 --> 00:06:00,300
WHO SPENT THREE HOURS
IN THE BACK ROOM DECIDING.
114
00:06:00,300 --> 00:06:03,770
TURNS OUT MOST OF OUR CLIENTS
AREN'T SO INTO STAGED REALISM.
115
00:06:03,770 --> 00:06:06,606
OKAY, WELL, I HAVE A NEW IDEA
I'VE BEEN THINKING ABOUT.
116
00:06:06,606 --> 00:06:08,708
IT'S A SERIES
ON OBSESSION.
117
00:06:08,708 --> 00:06:10,877
I'M --
I'M TRYING TO CAPTURE
118
00:06:10,877 --> 00:06:14,614
HOW THINGS CAN TAKE OVER
YOUR THOUGHTS AND CONSUME YOU.
119
00:06:14,614 --> 00:06:16,449
SARA, YOUR PORTRAITS
ARE STUNNING.
120
00:06:16,449 --> 00:06:18,485
BUT YOUR WORK
IS TOO COMMERCIAL FOR US,
121
00:06:18,485 --> 00:06:20,186
TOO CONTROLLED,
TOO VANITY FAIR.
122
00:06:20,186 --> 00:06:21,988
YEAH, BUT THIS NEW
OBSESSION STORY,
123
00:06:21,988 --> 00:06:23,323
IT'S A DIFFERENT DIRECTION.
124
00:06:23,323 --> 00:06:24,390
IT'S MORE CONCEPTUAL.
125
00:06:24,390 --> 00:06:25,792
WHEN YOU HAVE SOMETHING
TO SHOW ME,
126
00:06:25,792 --> 00:06:26,993
I'M HAPPY
TO TAKE A LOOK.
127
00:06:26,993 --> 00:06:28,795
BUT IN THE MEANTIME,
MY TWO CENTS -- DON'T FORCE IT.
128
00:06:28,795 --> 00:06:29,963
YOU'RE GOOD WITH GLOSSY.
129
00:06:29,963 --> 00:06:31,865
YOU COULD BE
THE NEXT ANNIE LEIBOVITZ.
130
00:06:31,865 --> 00:06:33,299
RUN WITH THAT.
131
00:06:37,437 --> 00:06:38,671
YEAH,
MR. PERKINS,
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00:06:38,671 --> 00:06:40,774
I'D REALLY APPRECIATE
YOU GETTING BACK TO ME.
133
00:06:40,774 --> 00:06:42,275
IT'S URGENT.
134
00:06:57,657 --> 00:06:59,492
NUMBERS CAME IN
ON THE RIVER PROJECT.
135
00:06:59,492 --> 00:07:00,527
OH, THANKS, FRED.
136
00:07:00,527 --> 00:07:01,661
BREAK THEM DOWN FOR ME,
WILL YOU?
137
00:07:01,661 --> 00:07:03,196
HEY, JACK,
A COUPLE OF THINGS --
138
00:07:03,196 --> 00:07:04,564
YOUR 3:00 GOT PUSHED
TO 4:00
139
00:07:04,564 --> 00:07:07,167
AND OSHA IS DROPPING ALL CHARGES
AGAINST THE PARK DEVELOPMENT.
140
00:07:07,167 --> 00:07:08,668
I HOPE
THEY BUY US FLOWERS, TOO.
141
00:07:08,668 --> 00:07:11,070
THAT'LL PROBABLY DEPEND ON
WHETHER YOU WERE CHARMING JACK
142
00:07:11,070 --> 00:07:12,572
OR BALL-BUSTER JACK.
143
00:07:12,572 --> 00:07:14,507
CAN'T I BE BOTH?
NOT AT THE SAME TIME.
144
00:07:14,507 --> 00:07:16,476
HEY, MR. McALLISTER,
DO YOU HAVE A SEC?
145
00:07:16,476 --> 00:07:17,977
I'M JULES WHITMAN
FROM I.T.
146
00:07:17,977 --> 00:07:19,179
IT'S THAT CLOSET
FULL OF NERDS
147
00:07:19,179 --> 00:07:20,513
OVER THERE
BY THE SERVICE ELEVATOR.
148
00:07:20,513 --> 00:07:21,514
HOW OLD ARE YOU?
149
00:07:21,514 --> 00:07:23,883
20...IN APRIL.
150
00:07:23,883 --> 00:07:25,151
CHECK IT OUT.
151
00:07:25,151 --> 00:07:26,853
I WAS LOOKING INTO REORGANIZING
OUR CORPORATE DATABASE,
152
00:07:26,853 --> 00:07:28,555
AND THERE'S A MAJOR ISSUE.
OH, JACK, I FORGOT --
153
00:07:28,555 --> 00:07:29,989
SOMEONE WAITING
IN THE CONFERENCE ROOM.
154
00:07:29,989 --> 00:07:30,990
BEEN HERE A WHILE.
155
00:07:30,990 --> 00:07:32,325
I'M A TECHNOPHOBE,
ACTUALLY.
156
00:07:32,325 --> 00:07:34,460
IF YOU HAVE A COMPUTER ISSUE,
YOU TAKE IT UP WITH --
157
00:07:34,460 --> 00:07:35,562
SIR,
THIS IS REALLY IMPORTANT.
158
00:07:35,562 --> 00:07:38,431
I CAN'T TALK NOW.
SOMEBODY'S WAITING.
159
00:07:38,431 --> 00:07:41,100
JACK.
160
00:07:41,100 --> 00:07:42,402
SORRY ABOUT
THE SHORT NOTICE.
161
00:07:42,402 --> 00:07:44,103
I JUST GOT IN
FROM HONG KONG.
162
00:07:44,103 --> 00:07:46,172
I AM SO SORRY
ABOUT YOUR LOSS.
163
00:07:46,172 --> 00:07:47,173
AND YOU ARE?
164
00:07:47,173 --> 00:07:49,008
OH, GOD,
WHAT A DUMMY.
165
00:07:49,008 --> 00:07:51,578
MY NAME'S PERKINS --
FRANK PERKINS.
166
00:07:53,146 --> 00:07:54,647
I HEAR
YOU'RE LOOKING FOR ME.
167
00:08:48,416 --> 00:08:49,550
■
168
00:08:49,550 --> 00:08:51,645
SO, WERE YOU
AND UNCLE LOU CLOSE?
169
00:08:51,645 --> 00:08:54,381
NO, NOT REALLY.
YOU KNOW, I'M A MONEY GUY.
170
00:08:54,381 --> 00:08:57,952
I WENT IN AS A SILENT PARTNER
ON THE LOFTS PROJECT
171
00:08:57,952 --> 00:09:00,021
LOU WAS MANAGING
FOR YOU GUYS.
172
00:09:00,021 --> 00:09:02,431
I MET HIM SIX MONTHS AGO
TO HAMMER OUT A DEAL.
173
00:09:02,431 --> 00:09:04,650
DEALT WITH HIM VIA PHONE
MOSTLY SINCE THEN.
174
00:09:04,650 --> 00:09:07,220
I'VE GOT A BOOKKEEPING ISSUE
YOU MIGHT HAVE HEARD ABOUT?
175
00:09:08,287 --> 00:09:10,323
I'M HOPING YOU CAN HELP
CLEAR THINGS UP.
176
00:09:10,323 --> 00:09:12,558
SURE.
ANYTHING I CAN DO.
177
00:09:12,558 --> 00:09:16,462
A MILLION DOLLARS ALLOCATED
FOR THE LOFTS PROJECT VANISHED.
178
00:09:16,462 --> 00:09:18,931
I THOUGHT WE MIGHT BE ABLE
TO ANSWER SOME QUESTIONS
179
00:09:18,931 --> 00:09:21,434
BY COMPARING LOU'S RECORDS
WITH YOURS.
180
00:09:21,434 --> 00:09:22,869
ABSOLUTELY.
LOOK, NO PROBLEM.
181
00:09:22,869 --> 00:09:25,004
I'LL HAVE MY GUYS
SEND THE FINANCIALS RIGHT OVER.
182
00:09:26,606 --> 00:09:28,141
OH,
I BROUGHT YOU SOMETHING.
183
00:09:30,643 --> 00:09:33,246
THIS WAS TAKEN ON THE DAY
WE BROKE GROUND ON THE LOFTS.
184
00:09:33,246 --> 00:09:36,416
I GUESS YOU KNEW LOU
WAS A BIG BULLS FAN.
185
00:09:36,416 --> 00:09:38,351
WELL, HE ENDED
EVERY PHONE CALL SAYING,
186
00:09:38,351 --> 00:09:40,153
"JUST WAIT TILL ROSE
COMES AROUND."
187
00:09:41,320 --> 00:09:42,321
THANKS.
188
00:09:42,321 --> 00:09:44,190
THATCHER
WILL APPRECIATE IT.
189
00:09:44,190 --> 00:09:47,827
LEAST I CAN DO.
190
00:09:47,827 --> 00:09:49,695
IT'S A TERRIBLE TRAGEDY,
WHAT HAPPENED.
191
00:09:49,695 --> 00:09:51,264
YEAH, IT IS.
192
00:09:52,799 --> 00:09:55,701
ANY IDEA WHY SOMEONE
WOULD WANT LOU DEAD?
193
00:09:55,701 --> 00:09:58,371
NO, NOT AT ALL.
194
00:09:58,371 --> 00:10:00,773
BUT, YOU KNOW,
THE WAY STREET CRIME IS,
195
00:10:00,773 --> 00:10:03,276
IT COULD'VE JUST BEEN
A MUGGING GONE BAD.
196
00:10:03,276 --> 00:10:05,511
I APPRECIATE YOUR TIME,
MR. PERKINS.
197
00:10:05,511 --> 00:10:07,280
PLEASE --
"FRANK" IS FINE.
198
00:10:07,280 --> 00:10:09,382
AND IF YOU THINK
OF ANY OTHER WAY
199
00:10:09,382 --> 00:10:11,717
I CAN BE HELPFUL,
LET ME KNOW.
200
00:10:23,262 --> 00:10:25,231
LOU WOULDN'T PAY
A CONTRACTOR.
201
00:10:25,231 --> 00:10:27,333
WANTED TO MANAGE IT
ALL HIMSELF.
202
00:10:27,333 --> 00:10:31,537
I'LL HAVE TO FIND SOMEONE
TO FINISH THE WORK, I GUESS.
203
00:10:31,537 --> 00:10:34,574
I DON'T THINK T.J.
DID IT.
204
00:10:34,574 --> 00:10:36,142
HE LOVED LOU.
205
00:10:36,142 --> 00:10:38,845
BUT I COULDN'T KEEP LYING,
206
00:10:38,845 --> 00:10:40,413
EVEN THOUGH I PROMISED JACK
AND YOUR FATHER.
207
00:10:40,413 --> 00:10:42,849
THEY ASKED YOU
TO LIE TO THE COPS?
208
00:10:42,849 --> 00:10:45,251
THEY WERE JUST LOOKING OUT
FOR T.J.
209
00:10:45,251 --> 00:10:47,420
THEY THOUGHT
LOU WAS STEALING.
210
00:10:47,420 --> 00:10:48,721
HE GOT SCARED.
211
00:10:48,721 --> 00:10:51,958
THAT'S THE ONLY REASON
HE AGREED TO WORK WITH THE FEDS.
212
00:10:51,958 --> 00:10:54,026
AND AFTER THATCHER
TALKED TO HIM,
213
00:10:54,026 --> 00:10:56,629
HE PROMISED HE WOULDN'T
GO THROUGH WITH IT.
214
00:10:56,629 --> 00:10:57,730
A FEW HOURS LATER...
215
00:10:57,730 --> 00:10:59,232
OH, CONNIE,
THAT'S CRAZY.
216
00:10:59,232 --> 00:11:00,967
DAD WOULDN'T DO THIS.
THEN WHO?
217
00:11:00,967 --> 00:11:02,034
I'LL TAKE THIS.
218
00:11:02,034 --> 00:11:03,970
I DON'T KNOW.
WHAT ABOUT THAT PERKINS GUY?
219
00:11:03,970 --> 00:11:05,972
MAYBE HE'S INVOLVED.
PERKINS?
220
00:11:05,972 --> 00:11:07,940
NO,
I CAN'T IMAGINE.
221
00:11:07,940 --> 00:11:10,176
LOU LIKED HIM.
222
00:11:10,176 --> 00:11:13,079
GOD, I FEEL LIKE A BIRD
IN A CAGE.
223
00:11:13,079 --> 00:11:15,381
THAT'S CHARLIE.
224
00:11:15,381 --> 00:11:16,549
HE WORKS DAYS.
225
00:11:16,549 --> 00:11:19,585
IS ALL THIS PROTECTION
REALLY NECESSARY?
226
00:11:19,585 --> 00:11:23,155
THE PROSECUTOR
THOUGHT I NEEDED IT.
227
00:11:23,155 --> 00:11:26,158
LAINIE,
I-I WANT TO GO.
228
00:11:26,158 --> 00:11:28,628
JUST...GO.
229
00:11:28,628 --> 00:11:30,263
WHAT DO YOU MEAN?
WHERE?
230
00:11:30,263 --> 00:11:32,431
ESCAPE.
SEE THE WORLD.
231
00:11:32,431 --> 00:11:33,900
I-I...
232
00:11:33,900 --> 00:11:36,068
I CAN'T SPEND MY LIFE AFRAID.
233
00:11:36,068 --> 00:11:39,005
CONNIE, NO ONE IS TRYING
TO HURT YOU.
234
00:11:39,005 --> 00:11:41,574
YOU DON'T KNOW THAT.
235
00:11:41,574 --> 00:11:44,110
MY FATHER IS CAPABLE
OF A LOT OF THINGS,
236
00:11:44,110 --> 00:11:46,445
BUT NOTHING LIKE
WHAT YOU'RE SAYING.
237
00:11:46,445 --> 00:11:48,681
HE THREATENED ME, TOO,
LAINIE.
238
00:11:48,681 --> 00:11:51,017
AT LOU'S MEMORIAL.
CONNIE --
239
00:11:51,017 --> 00:11:53,452
I KNOW
IT'S HARD TO HEAR.
240
00:11:53,452 --> 00:11:59,792
BUT SOMETIMES PEOPLE ARE CAPABLE
OF THINGS WE NEVER IMAGINE.
241
00:12:36,963 --> 00:12:39,699
SORRY.
242
00:12:39,699 --> 00:12:42,802
HOTSHOT ARGENTINEAN PIANIST
IS DOING A SERIES OF CONCERTS
243
00:12:42,802 --> 00:12:43,803
AT THE CONSERVATORY.
244
00:12:43,803 --> 00:12:45,137
WE'RE RUNNING
A FEATURE.
245
00:12:45,137 --> 00:12:48,307
YOU ARE GOING TO PHOTOGRAPH
HIS REHEARSAL TODAY.
246
00:12:48,307 --> 00:12:50,843
DO YOU THINK
WAGNER COULD DO IT?
247
00:12:50,843 --> 00:12:52,278
WAGNER
IS SHOOTING MILKSHAKES.
248
00:12:52,278 --> 00:12:53,346
IT'S JUST
I WAS HOPING
249
00:12:53,346 --> 00:12:55,047
TO SPEND THE DAY
ON MY OBSESSION SERIES.
250
00:12:55,047 --> 00:12:56,248
COOL. WHEN YOU'RE DONE
WITH THE MUSICIAN,
251
00:12:56,248 --> 00:12:57,450
YOU CAN OBSESS
ALL YOU LIKE.
252
00:12:57,450 --> 00:13:00,553
WELL, I-I DON'T KNOW ANYTHING
ABOUT CLASSICAL MUSIC.
253
00:13:00,553 --> 00:13:02,555
SO?
254
00:13:02,555 --> 00:13:04,790
SO I'M THINKING IT MIGHT NOT BE
A GREAT FIT FOR ME.
255
00:13:04,790 --> 00:13:06,192
WHAT ARE YOU
TALKING ABOUT?
256
00:13:06,192 --> 00:13:07,727
THIS IS TOTALLY
UP YOUR ALLEY.
257
00:13:07,727 --> 00:13:09,662
IT'S -- IT'S PERSONALITIES
AND PORTRAITS.
258
00:13:09,662 --> 00:13:10,830
IT'S WHAT YOU DO.
259
00:13:10,830 --> 00:13:11,931
EXACTLY.
260
00:13:11,931 --> 00:13:14,433
I'M THINKING THAT MAYBE
I SHOULD JUST GET AWAY
261
00:13:14,433 --> 00:13:16,335
FROM PORTRAITS
FOR A WHILE.
262
00:13:16,335 --> 00:13:20,006
SARA, WHAT'S GOING ON
WITH YOU TODAY?
263
00:13:22,174 --> 00:13:24,410
NATALIA STARK
FROM THE GALLERY
264
00:13:24,410 --> 00:13:26,045
SAID MY STUFF
IS TOO COMMERCIAL.
265
00:13:26,045 --> 00:13:29,048
NATALIA STARK
IS A SNOB.
266
00:13:29,048 --> 00:13:30,650
SHE ONLY SOLD
THREE OF MY PRINTS.
267
00:13:30,650 --> 00:13:33,419
WELL, SO YOU HAVE TO BE EDGY
AND EXPERIMENTAL
268
00:13:33,419 --> 00:13:34,453
AND SELL STUFF?
269
00:13:34,453 --> 00:13:36,222
DID I MENTION
I HATE ART?
270
00:13:37,256 --> 00:13:38,891
LOOK,
I ADORE YOU,
271
00:13:38,891 --> 00:13:40,526
BUT IF YOU ARE BECOMING
SOMEHOW DISILLUSIONED
272
00:13:40,526 --> 00:13:41,861
WITH THE WORK
THAT WE'RE DOING HERE,
273
00:13:41,861 --> 00:13:43,462
THEN WE NEED TO HAVE
A BIGGER CONVERSATION.
274
00:13:45,498 --> 00:13:48,901
AURELIO VOLTAN --
HE'S GOT A GOOD FACE.
275
00:13:50,403 --> 00:13:51,637
AND SHE'S BACK.
276
00:13:51,637 --> 00:13:52,738
HALLELUJAH.
277
00:13:52,738 --> 00:13:54,407
THEY'RE EXPECTING YOU
IN AN HOUR.
278
00:14:00,579 --> 00:14:01,947
GET OFF ME!
279
00:14:02,982 --> 00:14:04,216
STOP IT!
280
00:14:08,788 --> 00:14:10,089
HEY!
281
00:14:10,089 --> 00:14:11,424
COME ON!
282
00:14:11,424 --> 00:14:13,059
THAT'S IT --
TO THE OFFICE!
283
00:14:13,059 --> 00:14:15,061
WHY DID YOU HAVE TO
FIGHT HIM, VIC?
284
00:14:15,061 --> 00:14:18,030
YOU WANT ME TO LET SOME JERK
SAY STUFF ABOUT OUR FAMILY?
285
00:14:21,667 --> 00:14:23,736
I'M SORRY, BUT THIS IS NOW
AN ACTUAL EMERGENCY.
286
00:14:23,736 --> 00:14:25,404
KARSTEN ALLIED
HAS A SECURITY BREACH.
287
00:14:25,404 --> 00:14:27,707
A BIG, FAT WORM IS WORKING
ITS WAY THROUGH YOUR SYSTEM.
288
00:14:27,707 --> 00:14:29,408
IT'S WHAT WE CALL
A BLENDED THREAT --
289
00:14:29,408 --> 00:14:32,411
A WORM/VIRUS/TROJAN HORSE
WITH A TIME-TO-LIVE FIELD
290
00:14:32,411 --> 00:14:34,346
THAT'S GETTING SHORTER
BY THE MINUTE.
SPEAK ENGLISH, PLEASE.
291
00:14:34,346 --> 00:14:35,915
I SEARCHED
OUR SYSTEM ALGORITHMS,
292
00:14:35,915 --> 00:14:37,917
AND WE ARE NOW T-MINUS 12
FROM TOTAL TAKEOVER.
293
00:14:37,917 --> 00:14:38,984
GUESS WHAT HAPPENS THEN.
294
00:14:38,984 --> 00:14:40,052
THE COMPUTERS SHUT DOWN?
295
00:14:40,052 --> 00:14:41,220
AND THE WATER
AND THE ELECTRICITY
296
00:14:41,220 --> 00:14:42,388
AND PRETTY MUCH
EVERYTHING ELSE.
297
00:14:42,388 --> 00:14:43,989
IT'S GONNA LOOK LIKE
"THE WALKING DEAD" IN HERE.
298
00:14:43,989 --> 00:14:45,324
WHAT CAN YOU DO
TO FIX IT?
299
00:14:45,324 --> 00:14:47,393
I NEED YOUR AUTHORIZATION
TO MODIFY THE A.C.L.
300
00:14:47,393 --> 00:14:48,694
I DON'T KNOW
WHAT YOU'RE SAYING.
301
00:14:48,694 --> 00:14:50,496
JUST -- YOU HAVE
MY AUTHORIZATION. JUST FIX IT.
302
00:14:50,496 --> 00:14:51,831
ALL RIGHT,
I'M GONNA RUN WITH THAT.
303
00:14:52,932 --> 00:14:54,233
HEY.
I GOT YOUR MESSAGE.
304
00:14:54,233 --> 00:14:55,968
YOU TELL YOUR FATHER
WHAT HAPPENED.
305
00:14:55,968 --> 00:14:57,303
I NEED
TO TALK TO MY DAD.
306
00:14:57,303 --> 00:14:59,505
VIC,
WHAT'S GOING ON?
307
00:14:59,505 --> 00:15:00,673
THERE WAS A FIGHT,
308
00:15:00,673 --> 00:15:02,808
BUT IN HIS DEFENSE,
THE KID WAS TALKING CRAP.
309
00:15:02,808 --> 00:15:04,243
ABOUT WHAT?
310
00:15:04,243 --> 00:15:06,812
ABOUT UNCLE T.J.,
ABOUT US, AND OUR FAMILY.
311
00:15:06,812 --> 00:15:09,348
LOOK, I DON'T WANT
TO TALK ABOUT THIS HERE.
312
00:15:10,382 --> 00:15:12,218
DAD, HE'S, LIKE,
TOTALLY LOSING IT.
313
00:15:12,218 --> 00:15:13,786
LOOK,
I'LL BE RIGHT IN.
314
00:15:13,786 --> 00:15:16,155
WE JUST HAVE
A BIT OF A SITUATION HERE.
315
00:15:16,155 --> 00:15:17,323
OKAY.
316
00:15:17,323 --> 00:15:18,724
HEY.
317
00:15:18,724 --> 00:15:21,927
HEY.
318
00:15:21,927 --> 00:15:25,231
SHOULDN'T YOU BE
AVERTING A CRISIS?
319
00:15:25,231 --> 00:15:27,967
I DID NOT
THREATEN HER -- EVER!
320
00:15:27,967 --> 00:15:29,435
THEN WHY
IS SHE SO SCARED?
321
00:15:29,435 --> 00:15:31,504
HOW THE HELL
SHOULD I KNOW?
322
00:15:31,504 --> 00:15:32,972
BECAUSE SHE'S SENILE.
323
00:15:32,972 --> 00:15:34,406
HER MEMORY'S FADING.
324
00:15:34,406 --> 00:15:36,408
SHE NEVER COULD KEEP
ANYTHING STRAIGHT ANYWAY.
325
00:15:36,408 --> 00:15:38,144
DAD, COME ON.
CONNIE'S FINE.
326
00:15:38,144 --> 00:15:39,178
YEAH?
327
00:15:39,178 --> 00:15:41,147
THEN WHY DID SHE
CHANGE HER STORY?
328
00:15:41,147 --> 00:15:43,415
AND WHY IS SHE FEEDING YOU
ALL THIS CRAP
329
00:15:43,415 --> 00:15:45,151
ABOUT US
FORCING HER TO LIE?
330
00:15:45,151 --> 00:15:47,186
GUYS, I CAN HEAR YOU
DOWN THE HALL.
331
00:15:47,186 --> 00:15:48,821
CONNIE'S DOING A NUMBER
ON ELAINE.
332
00:15:48,821 --> 00:15:49,855
WELL, SHE'S TERRIFIED.
333
00:15:49,855 --> 00:15:51,624
YOU KNOW,
SHE'S HOLED UP IN HER HOUSE.
334
00:15:51,624 --> 00:15:52,958
SHE'S GOT POLICE
GUARDING HER.
335
00:15:52,958 --> 00:15:54,160
WELL, DID SHE
TELL YOU WHY?
336
00:15:54,160 --> 00:15:56,195
BECAUSE SHE DIDN'T DO
WHAT YOU ASKED HER TO,
337
00:15:56,195 --> 00:15:58,531
BECAUSE SHE THINKS DAD
IS INVOLVED IN LOU'S MURDER.
338
00:15:58,531 --> 00:16:01,100
NOW SHE'S NOT PLAYING ALONG,
HE'S GONNA GO AFTER HER, TOO.
339
00:16:01,100 --> 00:16:03,836
THAT'S ABSURD.
JUST LISTEN TO YOURSELF!
340
00:16:03,836 --> 00:16:07,006
LOOK, WE ONLY ASKED CONNIE
TO BE SELECTIVE.
341
00:16:07,006 --> 00:16:12,111
JACK...WHEN DID YOU BECOME
THAT GUY?
342
00:16:12,111 --> 00:16:14,113
PRESSURING PEOPLE --
MY OWN AUNT --
343
00:16:14,113 --> 00:16:15,614
INTO LYING
TO THE POLICE?
344
00:16:15,614 --> 00:16:19,018
WHEN I STARTED TRYING
TO GET YOUR BROTHER OUT OF JAIL.
345
00:16:22,154 --> 00:16:24,190
WOW.
346
00:16:24,190 --> 00:16:27,860
WOW, DAD.
347
00:16:27,860 --> 00:16:30,196
YOU REALLY DO KNOW
HOW TO TURN PEOPLE
348
00:16:30,196 --> 00:16:33,265
INTO EXACTLY WHAT
YOU NEED THEM TO BE, DON'T YOU?
349
00:16:33,265 --> 00:16:36,869
OH, DO I KNOW
THAT LOOK.
350
00:16:36,869 --> 00:16:40,706
SO CRITICAL.
SO ABSOLUTE.
351
00:16:40,706 --> 00:16:44,443
EVERYTHING'S BLACK AND WHITE,
ISN'T IT?
352
00:16:44,443 --> 00:16:47,246
NO SHADES OF GRAY
FOR YOU.
353
00:16:47,246 --> 00:16:49,114
PEOPLE ARE EITHER GOOD
OR THEY'RE ROTTEN.
354
00:16:49,114 --> 00:16:51,317
YOU LOVE OR YOU HATE.
355
00:16:52,518 --> 00:16:55,254
I DON'T KNOW
WHEN OUR RELATIONSHIP SWITCHED
356
00:16:55,254 --> 00:17:01,026
FROM ONE TO THE OTHER, LAINIE,
BUT...I MISS IT.
357
00:17:01,026 --> 00:17:04,830
I MISS BEING THE FATHER
WHO LOVES YOU.
358
00:17:06,232 --> 00:17:09,435
I'M SURPRISED
YOU REMEMBER THAT...
359
00:17:09,435 --> 00:17:12,171
BECAUSE I SURE DON'T.
360
00:17:24,965 --> 00:17:26,677
I THOUGHT
YOU WERE GONNA PREVENT THIS.
361
00:17:26,677 --> 00:17:28,145
WELL, IF YOU'D LISTENED TO ME
IN THE FIRST PLACE --
362
00:17:28,145 --> 00:17:30,004
DAD, WHAT'S GOING ON?
363
00:17:30,004 --> 00:17:32,740
UH, SLIGHT POWER OUTAGE --
WE'RE WORKING ON IT.
364
00:17:32,740 --> 00:17:33,974
DON'T WORRY ABOUT IT, BOSS.
I'M ALL OVER IT.
365
00:17:33,974 --> 00:17:35,909
DON'T CALL ME "BOSS."
YOU GOT IT, CHIEF.
366
00:17:35,909 --> 00:17:38,212
OR THAT, EITHER.
367
00:17:39,747 --> 00:17:41,482
SO, HE'S YOUR DAD,
HUH?
368
00:17:41,482 --> 00:17:42,616
YEAH.
369
00:17:42,616 --> 00:17:43,951
NICE GUY.
370
00:17:45,586 --> 00:17:47,988
THESE THINGS
CAN BE PRETTY PESKY.
371
00:17:47,988 --> 00:17:50,024
YOU EVER HEAR
OF THE MORRIS WORM?
372
00:17:50,024 --> 00:17:51,358
CODE RED?
MAFIABOY?
373
00:17:51,358 --> 00:17:53,427
NO IDEA
WHAT YOU'RE TALKING ABOUT.
374
00:17:53,427 --> 00:17:54,428
ILOVEYOU?
375
00:17:54,428 --> 00:17:55,996
WHAT?
376
00:17:55,996 --> 00:17:58,271
ILOVEYOU --
IT WAS THIS WORM
377
00:17:58,271 --> 00:17:59,883
THAT SPREAD THROUGHOUT
THE WHOLE WORLD IN A DAY,
378
00:17:59,883 --> 00:18:01,133
DISGUISED
AS A LOVE LETTER.
379
00:18:01,133 --> 00:18:03,536
PROVING LOVE
REALLY DOES SUCK, I GUESS.
380
00:18:03,536 --> 00:18:05,171
YEAH.
381
00:18:05,171 --> 00:18:07,573
SO DO WORMS.
382
00:18:07,573 --> 00:18:09,709
LET'S GO ON A MISSION
TO MAKE THEM BOTH OBSOLETE.
383
00:18:14,046 --> 00:18:16,048
MY FOOTWORK STUNK,
384
00:18:16,048 --> 00:18:17,450
BUT I HAD
A HELL OF A RIGHT HAND
385
00:18:17,450 --> 00:18:20,086
AND I COULD ALWAYS
TAKE A PUNCH.
386
00:18:20,086 --> 00:18:22,221
THEY USED TO CALL BOXING
THE MANLY ART.
387
00:18:22,221 --> 00:18:23,789
YOU KNOW WHY?
388
00:18:23,789 --> 00:18:29,262
BECAUSE IT FORCES YOU TO DEAL
WITH YOUR FEAR AND YOUR RAGE,
389
00:18:29,262 --> 00:18:33,032
NOT JUST PHYSICALLY,
BUT ALSO UP HERE.
390
00:18:33,032 --> 00:18:36,302
YOU NEED
TO ANSWER THE QUESTION,
391
00:18:36,302 --> 00:18:38,838
"WHAT'S THE BALANCE
BETWEEN SELF-DEFENSE
392
00:18:38,838 --> 00:18:39,939
AND NAKED AGGRESSION?"
393
00:18:39,939 --> 00:18:41,107
I THOUGHT IT WAS ABOUT
394
00:18:41,107 --> 00:18:43,342
HITTING THE OTHER GUY
HARDER THAN HE HITS YOU.
395
00:18:43,342 --> 00:18:44,543
NO.
396
00:18:44,543 --> 00:18:47,280
IF YOU WANT TO BE POWERFUL --
REALLY POWERFUL --
397
00:18:47,280 --> 00:18:49,548
YOU NEED TO DEVELOP
SELF-RESTRAINT.
398
00:18:49,548 --> 00:18:54,720
POWER WITHOUT SELF-CONTROL
COUNTS FOR NOTHING.
399
00:18:57,490 --> 00:18:59,592
VIC,
WE HAVE TO FINISH OUR TALK.
400
00:18:59,592 --> 00:19:01,460
I DON'T WANT TO TALK.
401
00:19:01,460 --> 00:19:04,163
YOU CAN'T HIT PEOPLE.
402
00:19:04,163 --> 00:19:06,132
IT DOESN'T MATTER
WHAT THEY SAY.
403
00:19:06,132 --> 00:19:08,567
YOU TAKE THINGS
TOO PERSONALLY.
404
00:19:08,567 --> 00:19:10,102
YOU CAN TAKE THINGS
AS PERSONALLY AS YOU WANT, VIC,
405
00:19:10,102 --> 00:19:11,537
IF YOU CAN HANDLE
YOURSELF.
406
00:19:11,537 --> 00:19:13,572
YEAH, THATCHER,
I'VE GOT THIS, REALLY.
407
00:19:13,572 --> 00:19:17,209
OH, COME ON, JACK.
408
00:19:17,209 --> 00:19:19,111
HE'S BECOMING A MAN.
409
00:19:19,111 --> 00:19:21,213
DON'T BABY HIM.
410
00:19:26,452 --> 00:19:28,888
POWER'S BACK.
411
00:20:07,693 --> 00:20:09,995
VAL, COME ON.
WE'RE GOING.
412
00:20:21,207 --> 00:20:23,843
YOU NEED
TO SHORE UP THE SECURITY SYSTEM
413
00:20:23,843 --> 00:20:25,911
SO THAT
DOESN'T HAPPEN AGAIN.
414
00:20:25,911 --> 00:20:27,113
TOTALLY. WILL DO.
415
00:20:27,113 --> 00:20:30,015
I'M ASSUMING,
WITH YOUR PARTICULAR SKILL SET,
416
00:20:30,015 --> 00:20:32,218
YOU'D KNOW HOW TO HACK
INTO SOMEONE'S FINANCIAL RECORDS
417
00:20:32,218 --> 00:20:33,686
WITHOUT THEM KNOWING.
IN MY SLEEP.
418
00:20:33,686 --> 00:20:36,188
ALL RIGHT,
CHECK THIS GUY OUT.
419
00:20:36,188 --> 00:20:38,958
SEE WHAT HIS DEAL IS,
HIS HISTORY.
420
00:20:38,958 --> 00:20:39,959
DIG DEEP.
421
00:20:39,959 --> 00:20:42,528
FRANK PERKINS --
YOU GOT IT, BIG MAC.
422
00:20:42,528 --> 00:20:45,865
THAT'S NOT WORKING FOR YOU,
EITHER, IS IT?
423
00:20:45,865 --> 00:20:47,032
GOT IT.
424
00:21:55,968 --> 00:21:58,404
ARE YOU ALL RIGHT?
425
00:21:58,404 --> 00:22:01,273
MR. VOLTAN?
426
00:22:05,611 --> 00:22:09,281
THE FIRST MOVEMENT
ALWAYS MAKES ME FEEL SICK.
427
00:22:09,281 --> 00:22:12,218
WHAT DO YOU MEAN?
428
00:22:12,218 --> 00:22:17,122
THE BROODING PROGRESSIONS,
THE UNRESOLVED DISSONANCE,
429
00:22:17,122 --> 00:22:20,626
THE RELENTLESS TUMULT --
IT'S TORTURE.
430
00:22:20,626 --> 00:22:25,264
BUT I THOUGHT THIS WAS ONE OF
YOUR FAVORITE SONATAS TO PLAY.
431
00:22:25,264 --> 00:22:26,932
IT'S A CONCERTO.
432
00:22:26,932 --> 00:22:29,502
SORRY. CONCERTO.
433
00:22:31,437 --> 00:22:34,240
WHY PLAY SOMETHING
THAT MAKES YOU WANT TO THROW UP?
434
00:22:37,076 --> 00:22:39,411
IN ARGENTINA,
WE SAY,
435
00:22:39,411 --> 00:22:43,983
"EL QUE ALGO QUIERE,ALGO LE CUESTA."
436
00:22:43,983 --> 00:22:46,752
"IF YOU WANT THE FRUIT,
YOU MUST CLIMB THE TREE."
437
00:22:46,752 --> 00:22:49,088
OKAY.
438
00:22:49,088 --> 00:22:53,359
THE FIRST MOVEMENT
OF THE BRAHMS -- IT IS TORTURE.
439
00:22:53,359 --> 00:22:55,427
BUT IT IS THE STRUGGLE
THAT MAKES --
440
00:22:55,427 --> 00:22:58,764
MAKES THE JOY OF THE REST
SO SWEET.
441
00:22:58,764 --> 00:23:01,667
ISN'T THAT SOMETHING
ONE TELLS ONESELF
442
00:23:01,667 --> 00:23:04,169
JUST TO JUSTIFY
BEING MISERABLE?
443
00:23:04,169 --> 00:23:06,472
I DON'T HAVE TO
JUSTIFY ANYTHING.
444
00:23:06,472 --> 00:23:08,774
YOU ARE AN ARTIST,
RIGHT?
445
00:23:08,774 --> 00:23:10,843
I MEAN, DO YOU NOT
SOMETIMES SEE THINGS
446
00:23:10,843 --> 00:23:13,112
THAT BOTH INSPIRE YOU
AND HURT YOU?
447
00:23:13,112 --> 00:23:15,614
THE FANTASY
THAT YOU HAVE TO MAKE REAL?
448
00:23:15,614 --> 00:23:21,687
THERE'S NO --
NO PASSION WITHOUT PAIN.
449
00:23:21,687 --> 00:23:25,991
I SUPPOSE I ALWAYS THOUGHT
IT WAS A BIT OF A CLICHé.
450
00:23:27,927 --> 00:23:32,831
YOU WOULD MAKE
A VERY LAZY PIANIST.
451
00:23:36,335 --> 00:23:39,972
YOUR BOY PERKINS
IS A COLORFUL DUDE.
452
00:23:39,972 --> 00:23:43,242
BUNCH OF FISCAL INCONSISTENCIES,
THE FINANCIALS ARE WHACK,
453
00:23:43,242 --> 00:23:44,977
NO CELLPHONE,
NO UTILITIES.
454
00:23:44,977 --> 00:23:47,146
YOU ASK ME, HIS COMPANY
ISN'T A COMPANY AT ALL.
455
00:23:47,146 --> 00:23:48,781
CAN YOU GET ME
SOME PAPER COPIES, PLEASE?
456
00:23:48,781 --> 00:23:51,183
PAPER IS SO 2010,
JACK.
457
00:23:51,183 --> 00:23:53,419
CONSIDER THE ENVIRONMENT.
458
00:24:00,225 --> 00:24:02,061
SO HE'S A CON MAN?
459
00:24:02,061 --> 00:24:03,162
TOTAL SHELL.
460
00:24:03,162 --> 00:24:06,365
HIS BUSINESS ADDRESS --
IT'S A P.O. BOX.
461
00:24:06,365 --> 00:24:09,602
FRANKIE BOY'S RUNNING THIS THING
OUT OF A POST OFFICE.
462
00:24:09,602 --> 00:24:12,371
SON OF A BITCH.
463
00:24:12,371 --> 00:24:14,740
HELLO, FRANK.
464
00:24:14,740 --> 00:24:16,041
JACK.
465
00:24:16,041 --> 00:24:17,042
WHAT A SURPRISE.
466
00:24:17,042 --> 00:24:18,744
HOW ABOUT WE TAKE A RIDE?
467
00:24:18,744 --> 00:24:20,279
YOU KNOW WHAT?
I'M RIGHT AROUND THE CORNER.
468
00:24:20,279 --> 00:24:21,380
WHERE YOU GOING?
469
00:24:21,380 --> 00:24:24,516
LOOK, I KNOW YOU THINK
I STOLE YOUR MONEY.
470
00:24:24,516 --> 00:24:26,685
DID YOU?
I-I -- NO! I -- HEY!
471
00:24:26,685 --> 00:24:28,654
DID YOU KILL LOU
TO COVER IT UP?
472
00:24:28,654 --> 00:24:30,322
I DIDN'T KILL ANYBODY!
473
00:24:30,322 --> 00:24:32,257
LOOK,
TIMES ARE TOUGH, OKAY?
474
00:24:32,257 --> 00:24:33,359
MY BUSINESS WENT UNDER.
475
00:24:33,359 --> 00:24:35,194
I GOT IN
ON THE LOFTS PROJECT WITH LOU
476
00:24:35,194 --> 00:24:36,762
TO HELP ME
GET BACK ON MY FEET.
477
00:24:36,762 --> 00:24:37,930
SHUT UP.
478
00:24:37,930 --> 00:24:39,231
I DON'T WANT
TO HEAR YOUR LIFE STORY.
479
00:24:39,231 --> 00:24:41,867
WHERE'S OUR MONEY?
I DON'T HAVE IT, JACK.
480
00:24:41,867 --> 00:24:44,303
ME AND LOU,
WE WERE ON THE UP-AND-UP.
481
00:24:44,303 --> 00:24:46,672
ALL RIGHT, ALL RIGHT,
I WAS SKIMMING A LITTLE, OKAY?
482
00:24:46,672 --> 00:24:47,806
BUT LET'S WORK TOGETHER.
483
00:24:47,806 --> 00:24:49,174
I CAN HELP YOU FIGURE OUT
WHERE IT WENT.
484
00:24:49,174 --> 00:24:50,275
WHAT ABOUT
WHO KILLED LOU?
485
00:24:50,275 --> 00:24:52,645
I GOT NOTHING
FOR YOU THERE.
486
00:24:52,645 --> 00:24:54,546
HONESTLY.
487
00:24:57,583 --> 00:24:59,385
YOU HAVE A CELLPHONE?
488
00:24:59,385 --> 00:25:00,519
YEAH, YEAH.
489
00:25:00,519 --> 00:25:01,520
I'M TAKING IT.
HEY, HEY!
490
00:25:01,520 --> 00:25:02,955
I'M GONNA SEE
WHAT YOU'VE BEEN UP TO.
491
00:25:02,955 --> 00:25:04,890
IN THE MEANTIME,
YOU STAY IN TOUCH,
492
00:25:04,890 --> 00:25:06,291
OR I SWEAR,
I WILL TRACK YOU DOWN,
493
00:25:06,291 --> 00:25:07,826
AND I WON'T BE SO FRIENDLY
NEXT TIME.
494
00:25:07,826 --> 00:25:11,096
ALL RIGHT, ALL RIGHT.
GET OFF MY CAR.
495
00:25:14,466 --> 00:25:15,534
LET GO OF ME!
496
00:25:15,534 --> 00:25:17,269
HEY, HEY!
CALM DOWN, CONNIE.
497
00:25:17,269 --> 00:25:18,337
WHAT'S GOING ON?
498
00:25:18,337 --> 00:25:20,406
WHEN THEY
OFFERED ME PROTECTION,
499
00:25:20,406 --> 00:25:21,674
I DIDN'T THINK
IT MEANT HOUSE ARREST.
500
00:25:21,674 --> 00:25:22,941
YOU'RE UNDER A LOT OF STRESS
RIGHT NOW.
501
00:25:22,941 --> 00:25:24,576
YOU DON'T UNDERSTAND.
502
00:25:24,576 --> 00:25:25,678
NO, I DO.
503
00:25:25,678 --> 00:25:27,279
WELL,
THEN MAKE THESE COPS GO AWAY,
504
00:25:27,279 --> 00:25:28,714
BECAUSE I CAN'T LIVE
LIKE THIS.
505
00:25:28,714 --> 00:25:31,350
OKAY, LET ME GO WITH HER,
AND IF YOU REALLY NEED TO,
506
00:25:31,350 --> 00:25:33,052
YOU CAN JUST FOLLOW
BEHIND US.
507
00:25:33,052 --> 00:25:34,386
MA'AM,
I HAVE MY ORDERS.
508
00:25:34,386 --> 00:25:36,055
I KNOW, BUT PLEASE --
IT'S GONNA BE FINE.
509
00:25:36,055 --> 00:25:37,890
ALL I WANT TO DO
IS GET MILK FOR MY TEA.
510
00:25:37,890 --> 00:25:39,058
I FEEL TRAPPED,
ELAINE.
511
00:25:39,058 --> 00:25:40,759
I CAN'T EVEN BREATHE.
512
00:26:01,668 --> 00:26:03,537
OH, IT'S LIKE A CHESS GAME,
VIC.
513
00:26:03,537 --> 00:26:06,139
GOT TO HAVE A STRATEGY,
GOT TO USE YOUR HEAD.
514
00:26:06,139 --> 00:26:09,409
UNH-UNH.
GET YOUR FEET UNDER YOU.
515
00:26:10,878 --> 00:26:12,397
WE TIE THE CAR BOMB
TO KARSTEN,
516
00:26:12,397 --> 00:26:13,732
WE GET HIM
ON ATTEMPTED MURDER,
517
00:26:13,732 --> 00:26:14,800
INTIMIDATING A WITNESS,
518
00:26:14,800 --> 00:26:16,694
IMPEDING
A CRIMINAL INVESTIGATION.
519
00:26:16,694 --> 00:26:19,196
COME ON, DREW,
I ALREADY HAVE A PHONE SHEET
520
00:26:19,196 --> 00:26:21,198
LITTERED WITH CALLS
FROM THE FBI.
521
00:26:21,198 --> 00:26:22,967
LET'S TURN IT AROUND,
THEN.
522
00:26:22,967 --> 00:26:26,604
MAKE THE FEDS
WANT TO WORK WITH US.
523
00:26:26,604 --> 00:26:28,372
IT'S NOT ALL ABOUT
THROWING PUNCHES, YOU KNOW.
524
00:26:28,372 --> 00:26:29,740
YOU'VE GOT TO BE
IN CONTROL.
525
00:26:34,145 --> 00:26:35,846
JUST AS IMPORTANT TO KNOW
WHEN NOT TO PUNCH.
526
00:26:35,846 --> 00:26:37,515
IT'S ALL WRAPPED TOGETHER,
LARRY --
527
00:26:37,515 --> 00:26:40,551
THE OLD MAN'S DEATH,
THE ATTEMPT ON THE WIDOW,
528
00:26:40,551 --> 00:26:43,421
THE EMBEZZLEMENT SCHEME,
THE FEDERAL PROBE.
529
00:26:43,421 --> 00:26:47,992
YOU PICK THAT FIGHT,
YOU EITHER WIN OR YOU LOSE BAD.
530
00:26:47,992 --> 00:26:51,195
CONTROL YOURSELF.
CONTAIN YOUR EMOTION.
531
00:26:51,195 --> 00:26:52,530
DON'T GET CARRIED AWAY,
DREW.
532
00:26:52,530 --> 00:26:54,865
FEEL THAT ANGER,
THAT RAGE?
533
00:26:54,865 --> 00:26:57,735
GOOD. NOW USE IT.
DON'T LET IT USE YOU.
534
00:26:57,735 --> 00:27:01,706
LARRY, YOU'RE RETIRING IN,
WHAT, A FEW WEEKS, RIGHT?
535
00:27:01,706 --> 00:27:02,940
CUT OFF THE RING.
536
00:27:02,940 --> 00:27:05,376
WHY NOT BRING DOWN THE
KARSTEN EMPIRE ON YOUR WATCH...
537
00:27:05,376 --> 00:27:07,511
BUT DON'T FORCE IT.
538
00:27:07,511 --> 00:27:09,313
...SPEND YOUR LAST DAY
SIGNING THE ARREST WARRANT
539
00:27:09,313 --> 00:27:10,881
FOR THE GREAT MAN HIMSELF?
540
00:27:20,124 --> 00:27:21,993
IF YOU'RE GONNA GO
FOR THE KNOCKOUT...
541
00:27:21,993 --> 00:27:23,661
YOU TAKE A SHOT
AT THE KING...
542
00:27:23,661 --> 00:27:25,296
...YOU BETTER KNOW
HOW TO LAND IT.
543
00:27:25,296 --> 00:27:27,765
...BE SURE
YOU DON'T MISS.
544
00:27:27,765 --> 00:27:28,833
A SAFE HOUSE?
545
00:27:28,833 --> 00:27:31,435
WE CAN'T RISK
ANYTHING HAPPENING TO YOU.
546
00:27:31,435 --> 00:27:34,238
OUR ENTIRE CASE DEPENDS
ON YOUR TESTIFYING AT TRIAL.
547
00:27:34,238 --> 00:27:40,211
YOU WANT
TO M-MOVE ME SOMEWHERE?
548
00:27:40,211 --> 00:27:41,712
YES --
549
00:27:41,712 --> 00:27:43,381
UNDER THE CLOAK
OF PROTECTION.
550
00:27:43,381 --> 00:27:45,783
WHAT HAPPENED YESTERDAY
WILL NEVER HAPPEN AGAIN.
551
00:27:45,783 --> 00:27:49,553
I NEED TIME
TO SAY GOODBYE TO MY FAMILY
552
00:27:49,553 --> 00:27:52,123
AND GET THINGS
IN ORDER.
553
00:27:52,123 --> 00:27:53,924
NOW IS BETTER.
NOW IS SAFEST.
554
00:27:53,924 --> 00:27:56,193
I NEED A DAY.
555
00:28:20,785 --> 00:28:22,553
WHAT'S ALL THIS?
556
00:28:22,553 --> 00:28:24,622
I'M A DEDICATED GUY,
YOU KNOW THAT.
557
00:28:24,622 --> 00:28:27,124
BUT THIS KARSTEN CASE,
THIS GUY McALLISTER --
558
00:28:27,124 --> 00:28:29,827
IT'S LIKE NOTHING
I'VE EVER EXPERIENCED.
559
00:28:29,827 --> 00:28:32,029
I CAN'T EAT,
I CAN'T SLEEP,
560
00:28:32,029 --> 00:28:34,398
I CAN'T THINK
ABOUT ANYTHING ELSE.
561
00:28:34,398 --> 00:28:39,203
WELL, I-I AM TAKING PHOTOS
OF A CLASSICAL CONCERT TONIGHT.
562
00:28:39,203 --> 00:28:41,372
I HAVE TWO V.I.P. PASSES.
563
00:28:41,372 --> 00:28:44,608
AND I WAS THINKING
WE COULD BOTH GO.
564
00:28:44,608 --> 00:28:46,143
DREW?
565
00:28:46,143 --> 00:28:49,580
I WOULD LOVE TO, BABE,
BUT I AM ON A ROLL HERE.
566
00:28:49,580 --> 00:28:52,349
IT'S RIGHT NEXT
TO THAT SUSHI PLACE.
567
00:28:52,349 --> 00:28:53,784
WE COULD GET
A BITE FIRST.
568
00:28:53,784 --> 00:28:55,653
I HAVE JANEY COMING OVER
TO BABYSIT.
569
00:28:55,653 --> 00:28:57,221
HONEY,
I KNOW MY WORK CRAZINESS
570
00:28:57,221 --> 00:28:58,923
MAY BE HARD
FOR YOU TO UNDERSTAND.
571
00:28:58,923 --> 00:29:00,758
NO. NO, IT'S NOT.
572
00:29:00,758 --> 00:29:03,761
SO WHY IS THIS
SO IMPORTANT TO YOU, SARAH?
573
00:29:03,761 --> 00:29:05,729
IT'S JUST A CONCERT.
574
00:29:05,729 --> 00:29:09,433
AND BESIDES,
WE HATE CLASSICAL MUSIC.
575
00:29:16,574 --> 00:29:18,375
LOU WAS GONNA TESTIFY
TO THE FEDS.
576
00:29:18,375 --> 00:29:20,311
YOU THREATENED HIM
THE NIGHT HE DIED.
577
00:29:20,311 --> 00:29:21,645
WHO TOLD YOU THAT?
578
00:29:21,645 --> 00:29:23,914
ELAINE,
WHO GOT IT FROM CONNIE.
579
00:29:23,914 --> 00:29:25,249
OF COURSE SHE DID.
580
00:29:25,249 --> 00:29:26,750
SO WHAT DOES ELAINE THINK?
581
00:29:26,750 --> 00:29:27,918
SHE'S SHOOK UP.
582
00:29:27,918 --> 00:29:29,286
SHE THINKS
YOU'RE BEHIND IT ALL.
583
00:29:32,523 --> 00:29:34,158
I KNEW ABOUT LOU
AND THE FEDS.
584
00:29:34,158 --> 00:29:37,428
AND I DID HAVE A FIGHT WITH HIM
THAT NIGHT, AND THAT'S IT.
585
00:29:37,428 --> 00:29:41,398
AND WHY DID YOU FAIL
TO MENTION ANY OF THIS TO ME?
586
00:29:41,398 --> 00:29:44,168
LOU WAS DEAD.
WHAT WAS THE POINT?
587
00:29:44,168 --> 00:29:47,304
IF YOU'RE LYING, IF YOU'RE
LETTING T.J. TAKE THE HEAT --
588
00:29:47,304 --> 00:29:49,573
IT WOULDN'T BE THE FIRST TIME
WE LIED TO THE POLICE
589
00:29:49,573 --> 00:29:52,910
AFTER A FAMILY TRAGEDY,
NOW, WOULD IT, JACK?
590
00:29:55,112 --> 00:29:57,348
THE ACCIDENT WITH T.J.,
THAT WAS -- THAT WAS DIFFERENT.
591
00:29:57,348 --> 00:30:01,051
WHY?
BECAUSE IT INVOLVED YOU?
592
00:30:01,051 --> 00:30:05,723
DO YOUR JOB, JACK,
OKAY?
593
00:30:05,723 --> 00:30:09,460
SO, WHERE DO WE STAND
WITH FRANK PERKINS?
594
00:30:09,460 --> 00:30:13,230
HIS COMPANY WAS A SHELL.
595
00:30:13,230 --> 00:30:14,865
THEN HE STOLE
THE MONEY?
596
00:30:14,865 --> 00:30:17,101
HE WAS SKIMMING A LITTLE
OFF THE TOP BUT NOT MUCH --
597
00:30:17,101 --> 00:30:18,135
NOT A MILLION.
598
00:30:18,135 --> 00:30:20,771
THE GUY'S CROOKED,
BUT HE'S SMALL-TIME,
599
00:30:20,771 --> 00:30:22,673
AND I DOUBT
HE'S A KILLER.
600
00:30:22,673 --> 00:30:25,609
ANYONE CAN BE A KILLER,
JACK.
601
00:30:25,609 --> 00:30:28,846
YOU JUST NEED
TO MAKE THE EFFORT.
602
00:30:28,846 --> 00:30:31,715
I'M NOT A KILLER,
LAINIE.
603
00:30:31,715 --> 00:30:33,350
YOU GOT TO
TELL THEM THAT.
604
00:30:33,350 --> 00:30:36,187
WE ARE GONNA GET YOU
OUT OF HERE VERY SOON.
605
00:30:36,187 --> 00:30:39,056
I HEARD AUNT CONNIE
TOLD THEM THAT I DID IT.
606
00:30:39,056 --> 00:30:42,860
NO. N-- SHE TOLD THEM
THAT SHE SAW YOU THAT NIGHT
607
00:30:42,860 --> 00:30:44,562
BEFORE IT HAPPENED.
608
00:30:44,562 --> 00:30:47,231
THEY SAID MY OWN AUNT
RATTED ME OUT.
609
00:30:47,231 --> 00:30:49,466
NO, T.J.,
IT'S NOT LIKE THAT.
610
00:30:49,466 --> 00:30:51,569
LOOK -- SHE HAD TO
TELL THE TRUTH.
611
00:30:51,569 --> 00:30:53,037
THERE'S A NEW TRUTH.
612
00:30:53,037 --> 00:30:54,672
DID SHE TELL THEM ABOUT THAT,
THE NEW TRUTH?
613
00:30:54,672 --> 00:30:56,607
DON'T -- DON'T -- DON'T --
LET'S NOT TALK ABOUT THAT.
614
00:30:56,607 --> 00:31:00,511
DON'T TALK ABOUT THAT
WITH ANYONE.
615
00:31:02,513 --> 00:31:04,381
WHAT HAPPENED
TO YOUR EYE, T.J.?
616
00:31:06,717 --> 00:31:08,152
I CAN TAKE CARE OF MYSELF,
LAINIE.
617
00:31:08,152 --> 00:31:10,454
I KNOW HOW TO.
618
00:31:10,454 --> 00:31:13,090
OF COURSE YOU DO.
619
00:31:13,090 --> 00:31:15,559
YOU'RE A KARSTEN,
AFTER ALL.
620
00:31:15,559 --> 00:31:17,861
WE BOTH ARE.
621
00:31:19,096 --> 00:31:21,966
TILL THE DAY WE DIE.
622
00:31:31,991 --> 00:31:36,663
WHISKEY NEAT --
A GIRL AFTER MY OWN HEART.
623
00:31:36,663 --> 00:31:40,233
I'VE NEVER SEEN YOU
IN HERE BEFORE.
624
00:31:40,233 --> 00:31:42,335
JUST PASSING THROUGH.
625
00:31:42,335 --> 00:31:45,805
ON VACATION?
626
00:31:48,441 --> 00:31:50,310
NO. WORK.
627
00:31:50,310 --> 00:31:51,878
WHAT DO YOU DO?
628
00:31:54,180 --> 00:31:58,117
I'M A CLASSICAL PIANIST.
I'M ON TOUR.
629
00:31:58,117 --> 00:32:01,287
I'VE NEVER REALLY UNDERSTOOD
CLASSICAL MUSIC.
630
00:32:01,287 --> 00:32:04,424
WELL, IT'S LIKE
ANY OTHER KIND OF MUSIC.
631
00:32:04,424 --> 00:32:08,628
THERE'S TINY VIBRATIONS
THAT MAKE YOU FEEL THINGS.
632
00:32:10,697 --> 00:32:14,500
AND IF YOU'RE REALLY
LISTENING,
633
00:32:14,500 --> 00:32:19,172
IT CAN MAKE YOU FEEL JOY...
OR PAIN.
634
00:32:26,679 --> 00:32:28,648
OR BOTH.
635
00:33:02,415 --> 00:33:04,450
LATER, MOM.
636
00:33:04,450 --> 00:33:06,552
WAIT. WAIT.
WHERE ARE YOU GOING?
637
00:33:06,552 --> 00:33:08,187
UH, BATTING CAGE
WITH MIKE.
638
00:33:08,187 --> 00:33:10,857
OH, OKAY. COME HERE.
FIRST THINGS FIRST.
639
00:33:13,626 --> 00:33:15,561
I LOVE YOU, KID.
640
00:33:18,931 --> 00:33:20,633
YOU KNOW THAT,
RIGHT?
641
00:33:25,204 --> 00:33:26,773
BE CAREFUL.
642
00:33:28,708 --> 00:33:29,842
MOM?
643
00:33:29,842 --> 00:33:31,110
YEAH.
644
00:33:31,110 --> 00:33:34,180
IS EVERYTHING OKAY?
645
00:33:34,180 --> 00:33:35,481
YEAH.
646
00:33:35,481 --> 00:33:38,251
BECAUSE YOU'RE ACTING
KIND OF WEIRD.
647
00:33:38,251 --> 00:33:42,388
OH, I'M JUST WORRIED
ABOUT UNCLE T.J.
648
00:33:42,388 --> 00:33:43,823
HE'LL BE FINE.
649
00:33:43,823 --> 00:33:45,792
DAD WILL GET HIM OUT.
650
00:33:45,792 --> 00:33:48,294
YEAH.
YES, HE WILL.
651
00:33:52,799 --> 00:33:55,401
I'LL BE BACK
IN A MINUTE.
652
00:33:55,401 --> 00:33:56,903
WHAT?
653
00:33:56,903 --> 00:34:00,840
WHERE ARE YOU GOING?
654
00:34:42,114 --> 00:34:44,517
IF YOU'RE GONNA GO
FOR THE KNOCKOUT,
655
00:34:44,517 --> 00:34:46,652
YOU BETTER KNOW
HOW TO LAND IT.
656
00:35:12,178 --> 00:35:13,913
A TREASURE TROVE.
657
00:35:13,913 --> 00:35:15,882
HE'S GOT THE RACETRACK
ON SPEED DIAL,
658
00:35:15,882 --> 00:35:18,217
A SERIOUS RELATIONSHIP
WITH A HEMP CLINIC IN SKOKIE,
659
00:35:18,217 --> 00:35:19,352
AND CHECK THIS OUT.
660
00:35:19,352 --> 00:35:21,153
THE PHONE WAS REGISTERED
TO AN M. HENDRICKS.
661
00:35:21,153 --> 00:35:22,989
PERKINS ISN'T EVEN
THE GUY'S REAL NAME.
662
00:35:22,989 --> 00:35:24,190
SO WHO WAS PERKINS?
663
00:35:24,190 --> 00:35:26,759
NOBODY. AN ALIAS.
BUT GET THIS.
664
00:35:26,759 --> 00:35:29,295
HENDRICKS
MAKES 87 PHONE CALLS
665
00:35:29,295 --> 00:35:31,063
IN THE PAST MONTH
TO ONE NUMBER.
666
00:35:31,063 --> 00:35:32,098
WHO WAS HE CALLING?
667
00:35:32,098 --> 00:35:33,766
LOU MROZEK.
668
00:35:33,766 --> 00:35:34,934
BINGO.
669
00:35:34,934 --> 00:35:36,469
BUT HERE'S
WHERE IT GETS WEIRD.
670
00:35:36,469 --> 00:35:38,504
THE CALLS GET MORE FREQUENT
IN THE PAST WEEK
671
00:35:38,504 --> 00:35:39,539
AFTER YOUR UNCLE DIED.
672
00:35:39,539 --> 00:35:41,240
YOU KNOW WHY?
673
00:35:41,240 --> 00:35:45,444
BECAUSE HE WASN'T
CALLING UNCLE LOU.
674
00:35:45,444 --> 00:35:48,881
CONNIE?
675
00:35:54,787 --> 00:35:58,391
CONNIE?
676
00:36:30,156 --> 00:36:32,625
CONNIE?
677
00:36:32,625 --> 00:36:33,926
I'M SORRY, JACK.
678
00:36:33,926 --> 00:36:36,495
I DIDN'T WANT IT
TO BE LIKE THIS.
679
00:36:44,470 --> 00:36:48,407
FRANK PERKINS.
680
00:36:52,768 --> 00:36:54,323
SHE EMBEZZLED
THE MILLION DOLLARS
681
00:36:54,323 --> 00:36:56,648
FROM THE LOFTS PROJECT.
LOU HAD NO IDEA.
682
00:36:56,648 --> 00:36:59,584
HE LET THATCHER TAKE ADVANTAGE
OF HIM FOR 30 YEARS.
683
00:36:59,584 --> 00:37:00,986
I HAD TO GET US OUR DUE.
684
00:37:00,986 --> 00:37:02,187
SHE HAD AN ACCOMPLICE,
685
00:37:02,187 --> 00:37:04,656
A SMALL-TIME ACCOUNTANT
NAMED MATTHEW HENDRICKS.
686
00:37:04,656 --> 00:37:07,726
SHE PAID HIM A CUT
TO HELP SIPHON THE MONEY.
687
00:37:07,726 --> 00:37:10,095
I CAME UP
WITH THE NAME FRANK PERKINS.
688
00:37:10,095 --> 00:37:13,165
A SHELL COMPANY THAT
ALLOWED THEM UNMONITORED ACCESS
689
00:37:13,165 --> 00:37:15,834
TO OUR PROJECT MONEY.
690
00:37:15,834 --> 00:37:19,537
PERKINS WAS A SILENT PARTNER,
ALMOST NEVER AROUND.
691
00:37:19,537 --> 00:37:21,746
HENDRICKS --
WELL, HE PLAYED THE ROLE
692
00:37:21,746 --> 00:37:23,381
AT THE OCCASIONAL
PROJECT MEETING.
693
00:37:23,381 --> 00:37:26,184
AND AFTER I TRACKED HIM DOWN,
HENDRICKS GOT PANICKY.
694
00:37:26,184 --> 00:37:28,786
HE TALKED TO CONNIE.
695
00:37:28,786 --> 00:37:31,689
SHE KNEW
IT WAS ONLY A MATTER OF TIME
696
00:37:31,689 --> 00:37:34,992
BEFORE IT ALL
FELL APART.
697
00:37:37,261 --> 00:37:39,797
SO SHE CONVINCED HENDRICKS
698
00:37:39,797 --> 00:37:43,801
TO HELP HER
DO SOMETHING DRASTIC.
699
00:37:47,739 --> 00:37:50,641
WHY WOULD SHE STAGE
THIS ELABORATE PIECE OF THEATER
700
00:37:50,641 --> 00:37:51,976
JUST FOR ELAINE?
701
00:37:51,976 --> 00:37:55,446
TO CONVINCE ELAINE THAT HER LIFE
WAS IN IMMINENT DANGER.
702
00:37:55,446 --> 00:37:57,715
CONNIE NEEDED HER HELP
TO ESCAPE.
703
00:38:00,318 --> 00:38:03,488
SHE STOLE A MILLION DOLLARS
OF YOUR FATHER'S MONEY.
704
00:38:03,488 --> 00:38:05,289
HE'S NOT GONNA MISS IT.
705
00:38:05,289 --> 00:38:06,390
ELAINE, WHY?
706
00:38:06,390 --> 00:38:07,925
WHY WOULD YOU
AGREE TO HELP HER
707
00:38:07,925 --> 00:38:09,660
AFTER SHE MANIPULATED YOU
LIKE THAT?
708
00:38:09,660 --> 00:38:13,131
JA-- I'M USED TO BEING
MANIPULATED, JACK.
709
00:38:13,131 --> 00:38:14,132
HANDLED.
710
00:38:14,132 --> 00:38:15,967
THAT'S NORMAL
TO ME NOW.
711
00:38:15,967 --> 00:38:18,369
YOU KNOW,
CONNIE WAS A GOOD PERSON.
712
00:38:18,369 --> 00:38:21,439
SHE JUST GOT ALL TURNED AROUND
BY THIS FAMILY.
713
00:38:21,439 --> 00:38:23,407
AND MY BROTHER
IS INNOCENT.
714
00:38:23,407 --> 00:38:25,843
HE'S GONNA GET EATEN ALIVE
IN JAIL.
715
00:38:25,843 --> 00:38:29,714
SO WITH CONNIE GONE,
THEY'RE BOTH FREE.
716
00:38:31,749 --> 00:38:34,952
TWO BIRDS, ONE STONE,
JACK.
717
00:38:34,952 --> 00:38:38,756
YOU REALLY ARE A KARSTEN
AFTER ALL.
718
00:38:39,824 --> 00:38:45,596
UNTIL THE DAY I DIE.
719
00:38:45,596 --> 00:38:48,299
DO YOU EVER THINK ABOUT
720
00:38:48,299 --> 00:38:50,101
HOW THINGS
COULD HAVE BEEN DIFFERENT?
721
00:38:50,101 --> 00:38:51,169
OH, COME ON.
722
00:38:51,169 --> 00:38:53,137
NO. DO YOU?
723
00:38:58,476 --> 00:39:02,613
YEAH, I DO SOMETIMES.
724
00:39:07,185 --> 00:39:10,121
CONNIE HAD A SHOT AT ESCAPE
AND A CHANCE TO START OVER.
725
00:39:10,121 --> 00:39:15,593
I MEAN, THAT'S -- THAT'S MORE
THAN I CAN SAY FOR US.
726
00:39:32,476 --> 00:39:34,879
WHOA.
727
00:39:34,879 --> 00:39:36,013
YOU'RE WORKING HARD.
728
00:39:36,013 --> 00:39:37,849
WHAT ARE YOU DOING HERE
SO LATE?
729
00:39:37,849 --> 00:39:41,452
CLEARANCE ISSUES,
THE BANE OF MY EXISTENCE.
730
00:39:41,452 --> 00:39:43,487
HOW WAS THE CONCERT?
731
00:39:43,487 --> 00:39:46,891
IT WAS, UM --
IT WAS KIND OF INCREDIBLE.
732
00:39:46,891 --> 00:39:48,125
LOOK.
733
00:39:51,863 --> 00:39:54,732
SARA. WOW.
734
00:40:06,544 --> 00:40:10,214
IT WAS LIKE NOTHING
I'D EVER SEEN BEFORE.
735
00:40:10,214 --> 00:40:12,617
HE WAS
TOTALLY CONSUMED,
736
00:40:12,617 --> 00:40:15,653
TRANSPORTED TO
THIS OTHER PLANE.
737
00:40:15,653 --> 00:40:19,891
AND SUDDENLY EVERYTHING
HE SAID TO ME MADE SENSE.
738
00:40:19,891 --> 00:40:23,127
I'VE BEEN LAZY.
739
00:40:23,127 --> 00:40:25,563
LAZY? HOW?
740
00:40:25,563 --> 00:40:27,398
AVOIDANT. AFRAID.
741
00:40:27,398 --> 00:40:30,401
WHAT ARE YOU
TALKING ABOUT?
742
00:40:30,401 --> 00:40:32,336
W-WHAT ARE YOU AFRAID OF?
743
00:40:32,336 --> 00:40:36,274
JOY, PAIN,
ALL OF IT.
744
00:40:38,109 --> 00:40:40,645
I WANT TO DO A SERIES
ON OBSESSION,
745
00:40:40,645 --> 00:40:42,747
BUT WHAT DO I KNOW
ABOUT IT?
746
00:40:42,747 --> 00:40:45,016
WHAT DO I KNOW
ABOUT ANYTHING?
747
00:40:45,016 --> 00:40:47,652
ALL I'VE EVER DONE
THROUGHOUT MY LIFE
748
00:40:47,652 --> 00:40:51,322
IS BE ON THE OUTSIDE OBSERVING
BECAUSE I'M JUST AFRAID.
749
00:40:51,322 --> 00:40:53,724
I'M AFRAID OF FEELING.
750
00:40:53,724 --> 00:40:56,227
FEELING WHAT?
751
00:40:56,227 --> 00:40:59,230
THE MAGNITUDE
OF THINGS.
752
00:41:11,309 --> 00:41:15,846
SOMETHING HAPPENED TO ME
A WEEK AGO,
753
00:41:15,846 --> 00:41:17,882
AND IT CHANGED ME.
754
00:41:17,882 --> 00:41:20,051
CHANGED YOU HOW?
755
00:41:20,051 --> 00:41:24,488
I'VE BEEN TRYING
TO MAKE IT GO AWAY, BUT I CAN'T.
756
00:41:27,992 --> 00:41:29,193
IT'S LIKE
THERE'S THIS DOOR,
757
00:41:29,193 --> 00:41:32,763
AND ONCE I OPENED IT,
EVERYTHING SHIFTED.
758
00:41:32,763 --> 00:41:36,000
WHAT HAPPENED
A WEEK AGO?
759
00:41:37,068 --> 00:41:38,970
I MET SOMEONE.
760
00:41:43,808 --> 00:41:47,945
AND NOW
THERE'S NO GOING BACK.
54481
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