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alright so we're inside of Topa
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Topa now in the brewery
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and we know we're gonna be shooting stuff here
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and I always like to scout a location
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before we're going to shoot
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especially if it's local
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so make sure that's in your budget
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that you can get at least the producer
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director to scout the location
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ideally the DP as well
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and if you can
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get the sound recorders to come out with you
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and even if you can only come out for
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two or three hours to walk to space
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and get a sense of it
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then that's gonna help tremendously
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in terms of deciding
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first of all
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if you can shoot in a location from a sound perspective
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and I'll talk to you about that in a minute
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and also visually
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where you might have your setups
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in an ideal situation
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you'd have a full day
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to do your scout
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so you could actually come to the location
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and look at the location at different times of day
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that's gonna tell you a lot of stuff in terms of
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where the sun is
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it's also gonna tell you
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how it bounces off of different places in the space
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and it's definitely gonna tell
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you what happens from an audio standpoint
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in the morning
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afternoon and evening
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when you might be shooting in that
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space so um
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let's first talk about the camera
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and of course
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is a lighting course
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but we need to talk about some of these things
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cause they're important
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the camera we're using is the C100 Mark 2
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it's actually a great
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scouting camera with something like a 20
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four to 1:05 lens on it
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but if you have a mirrorless camera
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just try to get something with a similar focal range
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or even a DSLR
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those work great for scouting cameras
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and the beautiful thing is that if
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you're using something like a mirrorless um
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camera that also does stills or a DSLR
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you can take still shots for reference
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and you can also take video
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but it's I mean
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that we have access to all the stuff
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we might as well use it
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from an audio standpoint
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what I like to do is I like to
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bring two microphones
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especially if I don't have a sound recorder
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who will just walk into the space and know
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I have this mic right here
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which is called the smartlove plus
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it's made by road
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it's a little lavalier mic
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and what's awesome about it
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is that it plugs directly into
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a smartphone
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and it can be an iOS device
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an Android device
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they have their own
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app that you can use to record to it
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but you can use another audio recording app if you want
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and this is gonna give you a pretty good sense of what
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the audio is gonna be like if you record to a lavalier
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and then I also bring
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on almost every Scout
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and these things are in my bag
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all the time anyway
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it's just sort of backups
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I have this Road Video Micro
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and it'll play as a shotgun mic
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will use a better quality one
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usually in production
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but what's cool about it is
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if you put it on one of these nano stands
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and you put a little ball head on it
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you can position it where you need it to be
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to get a good sense
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of what's gonna be your audio
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if you're using a boomed mic
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something like a shotgun mic
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so this is actually
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attached to an extension
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cable that's plugged into the camera
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I can get it away from the camera
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because I'm not a big fan of a camera
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mounted microphone
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I wanna get that microphone as close as possible
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and in a space like this
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where I know we're gonna have some audio issues
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I wanna know what that audio is gonna sound like
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when it's as close to the person as possible
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a lot of people will use an on camera mic
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that's not really realistic
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unless you're doing Eng stuff
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so we wanna make sure that we're
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getting a sense of what
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the audio is gonna be like in a real
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environment
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when we are doing production
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and I'm not saying that
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Eng is not real production
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but when we're shooting interviews
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and doing this type of work
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we're generally using a lavalier
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a boom mic or
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combination of both
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so we got our basic
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scouting equipment
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I'm gonna go find Greg
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we're gonna walk through
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all of these spaces
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we're gonna figure out where we're gonna shoot
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all of these interviews
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and then I can break down all of that stuff for you
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so you can see
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how we go about solving
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all of the problems that we encounter
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and you can see exactly
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how we light
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each of these setups
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at topatoba
9272
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