All language subtitles for Finding creative lighting opportunities

second scout let's do it and this is for Casey yeah

and so Casey's head Brewer got to do it in the brewery

take a walk be careful by the way Greg

you know what this place is like careful um

so we're thinking over here right

think so this is where most of the action happens

so it would be

appropriate for his interview to be over here

see some overheads

we've got the fluorescence

let me just go ahead and take a quick reading

and quickly test that out

see what we got

so about 37

30 800 Kelvin

that's obviously not

the color temperature we're dealing with

with our ambiance right

so from that standpoint

I would say

let's try to get those turned off

we already know what the audio issues are gonna be

no music turn the equipment off yeah

I've been told that we can do Casey's interview

at around 4 to 5:00 okay

so I know you were checking out the sun

and what's happening at that time of day

what do you

what do you see in

so our sun's gonna be setting over in that area okay

over there part of the world yeah

and so we've got some windows on that west side

facing of the building yep

we're gonna have some of that sun coming in

so we might have to just block that off okay

we also have some pretty big windows out here yeah

this is gonna

get pretty bright by the end of the day yep

so and depending to

if we're seeing into this world

we've got so much chrome here um

we might wanna talk about either soaking it

blacking it out

definitely don't wanna black it out um

but I don't wanna see the cars passing yeah

so I'd say silk is a great way to do it cool

and we'll have to figure out

how many frames have to be built up for that okay

it can also be a huge benefit for us when we go around

and we shoot the B roll yeah

because we're gonna be looking in every direction here

so you know

it's important for us to be thinking about that

when we're doing things

so we could kill two birds and one stone by getting

the silks up on those windows outside yeah

um I assume you're gonna be setting a lot of flags

and we're gonna be doing things like that yeah

with all the chrome

we're gonna have to do larger sources yeah

um and also lots of flagging um

so you're talking about a big key light

yeah like a big key

soft wrapped

huge catch light in the eye

we've got so much ambience here that you know

we're bouncing off of a lot of stuff anyway

so it would make sense to me right

I'd also like to

try to change the mood of it a little bit

even though we're

later in the day

maybe read it as a little earlier or more amber light

and I think that you know

talking to your point about

how much light we have in here

it's bigger gun

so it might be some HMI

so we might even use an HMI for the key bounce

and then setting one or two of them in the back there

that can move around to use for both the B roll

but also for the interview right

play off of this chrome and stuff

do you think that would make sense

that makes sense yeah

we can fake some sunlight coming in yeah

so I think we can build this up

and then in terms of the interview itself um

I'm thinking maybe Casey sitting right here

uh huh and let's just quickly take a look

at what it would look like

let's go and look at the camera left first okay

yeah to see what that look like

I'm seeing a lot of that window there

and even if we block it out

it's just gonna look similar to that yeah

but it's going to

that's your sort of more B

but let's go back to the a again

um so that's

let's say that's my wide

and let's go in for a tight

and it's gonna look sort of like that with the silk

but it's gonna obviously be

a little lower in terms of intensity

yeah I think it's a lot of white there yeah um

so let's go ahead and look at the camera right here

and maybe even get rid of a little bit of yeah okay

so that's feeling a little bit better to me

and then let's look at our tight shot there

and actually

it'll be really great if we see a little bit of this

yeah tiny bit

just you know

on that wider shot yeah

we'll figure out where it is

it might be a little bit over there

not let's see our tighter

and yeah okay

that feels pretty good

let's go into a

B camera position

yeah there you go

so now you're seeing a little bit of this

a little bit this in the foreground

which I really like yeah

at least on the wider

and then we go in for the tight so um

I think that's pretty much it

we've acknowledged

we're gonna do something there

we're gonna turn off the lights

we might have to block some light

coming in through those windows

got a big skylight here

but based on where you're saying the lights gonna be

I think we're just gonna have to leave that alone

and I'm not going up on the roof yeah

we can do some interior flagging if we have to

in order to block that off okay

good and then something

I think coming from behind

just to create a little separation

uh unless it's already being done by the environment

yeah I'd like to reinforce that warmth

if we go that round

we can push a little warmer

barfly or something like that

or a low caster

perfectly there

yeah alright

so there you go

scout No. 2 done

decisions made

we got to get into there

the tasting room

slash bar area

and figure out how we're gonna go ahead and set up

our other interviews

alright game plan