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All language subtitles for Caddie Woodlawn (1989) DVDrip x265 AC3-MarkW.en

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:30,390 --> 00:00:32,360 ... 2 00:00:57,750 --> 00:00:59,190 [BARKS] 3 00:01:06,060 --> 00:01:07,490 [BARKS] 4 00:01:16,000 --> 00:01:17,440 COME ON, NERO. 5 00:01:17,540 --> 00:01:19,240 [BARKS] 6 00:01:19,340 --> 00:01:20,840 COME ON, BOY. 7 00:01:23,880 --> 00:01:25,250 CADDIE!! 8 00:01:25,350 --> 00:01:26,750 CADDIE WOODLAWN!! 9 00:01:26,850 --> 00:01:29,350 COME ON, NERO. COME ON. 10 00:02:02,850 --> 00:02:04,080 DO HURRY, CHILD. 11 00:02:04,190 --> 00:02:07,190 WE'LL BE LATE FOR UNCLE EDMUND. 12 00:02:07,290 --> 00:02:09,720 CADDIE, KEEP YOUR DRESS CLEAN. 13 00:02:09,830 --> 00:02:13,260 IT'S IMPORTANT TO MAKE A GOOD IMPRESSION. 14 00:02:13,360 --> 00:02:16,260 HOW COME TOM GETS TO GO? 15 00:02:16,370 --> 00:02:17,730 I'M THE OLDEST. 16 00:02:17,830 --> 00:02:20,170 GOOD FOR YOU, TOM WOODLAWN. 17 00:02:29,280 --> 00:02:30,340 BYE! 18 00:02:30,450 --> 00:02:32,850 STAY OUT OF THOSE COOKIES! 19 00:02:32,950 --> 00:02:37,880 UNCLE EDMUND KNOWS THE BEST TRICKS IN THE WHOLE WORLD. 20 00:02:37,990 --> 00:02:39,350 OH, NO. 21 00:02:39,460 --> 00:02:41,720 MOTHER'S FLOWERS FOR COUSIN ANNABELLE. 22 00:02:41,820 --> 00:02:43,320 SHE FORGOT THEM. 23 00:02:43,430 --> 00:02:44,920 COME ON, WARREN. 24 00:02:53,870 --> 00:02:56,300 WHOA! WHAT ARE YOU DOING? 25 00:02:56,410 --> 00:02:59,170 I'VE GOT TO CATCH THE WAGON. 26 00:02:59,280 --> 00:03:01,280 BLACKIE THREW A SHOE. 27 00:03:01,380 --> 00:03:04,280 HE'S GETTING A NEW ONE NOW. 28 00:03:04,380 --> 00:03:05,780 CRANK THAT, WARREN. 29 00:03:06,920 --> 00:03:09,780 I'LL JUST HAVE TO TAKE BETSY. 30 00:03:09,890 --> 00:03:12,890 YOU KNOW BETSY DOESN'T LIKE RIDERS. 31 00:03:12,990 --> 00:03:16,060 SHE WOULDN'T TRY ANYTHING WITH ME. 32 00:03:16,160 --> 00:03:18,560 WE HAVE AN UNDERSTANDING. 33 00:03:20,060 --> 00:03:23,760 IT'S NOT SAFE WITH ALL THESE INDIANS. 34 00:03:23,870 --> 00:03:25,800 MOTHER WOULDN'T FORGIVE HERSELF 35 00:03:25,900 --> 00:03:27,800 FOR FORGETTING ANNABELLE'S BOUQUET. 36 00:03:27,900 --> 00:03:30,970 WE MUST MAKE A GOOD IMPRESSION. 37 00:03:31,070 --> 00:03:32,470 LET'S GO, WARREN. 38 00:03:32,570 --> 00:03:37,110 BUT I WANT TO STAY WITH MR. IRETON. 39 00:03:37,210 --> 00:03:41,650 THANK YOU, MR. IRETON. BE GOOD NOW, BETSY. 40 00:04:04,870 --> 00:04:07,410 OH, NO, BETSY! 41 00:04:07,510 --> 00:04:09,380 NO! 42 00:04:11,410 --> 00:04:12,810 THANKS, BETSY. 43 00:04:12,910 --> 00:04:16,780 DON'T EXPECT EXTRA OATS FROM ME AGAIN EVER. 44 00:04:16,890 --> 00:04:18,750 DO YOU HEAR? 45 00:04:18,850 --> 00:04:21,490 [NEIGHS] 46 00:04:21,590 --> 00:04:24,090 [BARKS] 47 00:04:24,190 --> 00:04:25,730 [WHISTLE BLOWS] 48 00:04:49,950 --> 00:04:50,950 OH! 49 00:04:52,520 --> 00:04:53,790 EDMUND. 50 00:04:53,890 --> 00:04:56,260 IT'S LOVELY TO SEE YOU. 51 00:04:56,360 --> 00:04:57,660 MY BEAUTIFUL SISTER. 52 00:04:57,760 --> 00:04:59,130 JOHN. 53 00:04:59,230 --> 00:05:00,630 HI, EDMUND. 54 00:05:00,730 --> 00:05:03,330 TOM, YOU'VE GROWN A FOOT. 55 00:05:03,430 --> 00:05:05,630 WHAT DO YOU EAT? 56 00:05:05,730 --> 00:05:07,430 HELLO, CADDIE! 57 00:05:07,540 --> 00:05:09,070 IS THAT NERO? 58 00:05:09,170 --> 00:05:10,700 [NERO BARKS] 59 00:05:11,870 --> 00:05:14,310 COME ON, BOY. COME ON. 60 00:05:14,410 --> 00:05:16,910 GOOD BOY. GOOD BOY. 61 00:05:17,010 --> 00:05:18,310 UNCLE EDMUND! 62 00:05:18,410 --> 00:05:20,180 CADDIE, LOOK AT YOU. 63 00:05:20,280 --> 00:05:22,320 YOU FORGOT YOUR FLOWERS 64 00:05:22,420 --> 00:05:24,180 FOR COUSIN... 65 00:05:28,760 --> 00:05:30,360 COUSIN ANNABELLE. 66 00:05:37,270 --> 00:05:40,100 OH, DARLING AUNT HARRIET. 67 00:05:40,200 --> 00:05:42,340 WHAT A PERFECT PLEASURE. 68 00:05:42,440 --> 00:05:45,340 AND THIS MUST BE UNCLE JOHN... 69 00:05:45,440 --> 00:05:47,970 JUST AS I IMAGINED YOU. 70 00:05:48,080 --> 00:05:52,150 OH, AND THESE MUST BE MY DARLING COUSINS. 71 00:05:52,250 --> 00:05:54,380 OH, HOW ABSOLUTELY DIVINE! 72 00:05:54,480 --> 00:05:55,950 OH. 73 00:05:56,050 --> 00:05:58,390 ONE, TWO, THREE, FOUR, 74 00:05:58,490 --> 00:06:00,090 FIVE, SIX, SEVEN. 75 00:06:00,190 --> 00:06:01,560 IT'S ALL YOURS? 76 00:06:01,660 --> 00:06:04,920 OF COURSE, COUSIN CAROLINE. 77 00:06:05,030 --> 00:06:06,790 CALL ME CADDIE. 78 00:06:06,900 --> 00:06:09,100 GLAD TO MEET YOU. 79 00:06:09,200 --> 00:06:11,130 THESE ARE FOR YOU. 80 00:06:11,230 --> 00:06:14,100 HOW THOUGHTFUL. 81 00:06:14,200 --> 00:06:16,170 I ABSOLUTELY ADORE FLOWERS. 82 00:06:16,270 --> 00:06:18,240 DON'T YOU? 83 00:06:18,340 --> 00:06:21,380 WON'T YOU CARRY THEM FOR ME? 84 00:06:21,480 --> 00:06:25,110 CADDIE, I BROUGHT SOMETHING SPECIAL FOR YOU. 85 00:06:29,180 --> 00:06:31,720 THANK YOU, UNCLE EDMUND. 86 00:06:38,990 --> 00:06:40,590 [SNAKE SQUEALS] 87 00:06:40,700 --> 00:06:43,060 IT'S FROM ENGLAND. 88 00:06:43,160 --> 00:06:45,970 BY GUM! IT WAS WORTH IT. 89 00:06:46,070 --> 00:06:47,500 [LAUGHTER] 90 00:06:47,600 --> 00:06:49,070 UNCLE EDMUND, REALLY. 91 00:06:52,270 --> 00:06:55,640 NERO, SHOW UNCLE EDMUND OUR NEW TRICK. 92 00:06:55,740 --> 00:06:57,740 COVER YOUR EYES. 93 00:06:57,850 --> 00:06:59,780 HA HA. 94 00:06:59,880 --> 00:07:02,250 GOOD BOY. UP, UP. SHAKE. 95 00:07:02,350 --> 00:07:03,780 HE'LL DO FINE. 96 00:07:03,890 --> 00:07:06,290 JOHN, HOW'S THE SQUIRREL-HUNTING? 97 00:07:06,390 --> 00:07:08,720 DON'T DO MUCH OF THAT. 98 00:07:08,820 --> 00:07:12,430 FATHER SAYS INDIANS ONLY HUNT FOR FOOD. 99 00:07:12,530 --> 00:07:14,290 THAT SHOULD BE A LESSON. 100 00:07:14,400 --> 00:07:17,800 HE SAYS SPORT HUNTING IS FOR FOOLS PASTTIME. 101 00:07:17,900 --> 00:07:19,330 CADDIE, COME HERE. 102 00:07:19,430 --> 00:07:22,840 ANNABELLE IS BRIMMING WITH NEWS FROM BOSTON. 103 00:07:22,940 --> 00:07:24,770 I WORE THIS DRESS, 104 00:07:24,870 --> 00:07:28,810 AND WE GOT TO BED AT 1:00 IN THE MORNING. 105 00:07:28,910 --> 00:07:30,810 YOU DESCRIBE IT PERFECTLY. 106 00:07:30,910 --> 00:07:32,780 HOW IS GRANDMOTHER GREY? 107 00:07:32,880 --> 00:07:34,310 WELL-- 108 00:07:34,420 --> 00:07:36,780 MOTHER, I HAVE A BIG ACHE. 109 00:07:36,890 --> 00:07:39,290 ANYONE WHO GOBBLES 16 COOKIES 110 00:07:39,390 --> 00:07:40,820 IN ONE AFTERNOON 111 00:07:40,920 --> 00:07:43,290 WON'T GET SYMPATHY FROM ME. 112 00:07:43,390 --> 00:07:45,830 SIT WITH YOUR UNCLE EDMUND. 113 00:07:45,930 --> 00:07:48,130 FOR HER 96th BIRTHDAY, 114 00:07:48,230 --> 00:07:51,000 MOTHER AND FATHER HELD A SOIREE. 115 00:07:51,100 --> 00:07:52,870 IT WAS DIVINE. 116 00:07:52,970 --> 00:07:54,770 YOUR BOSTON DOES SOUND 117 00:07:54,870 --> 00:07:56,800 A BIT LIKE HEAVEN. 118 00:07:56,910 --> 00:08:01,010 IT'S ONE OF THE MOST ABSOLUTELY DIVINE CITIES, 119 00:08:01,110 --> 00:08:02,540 CAROLINE-- 120 00:08:02,640 --> 00:08:04,110 THE ONLY PLACE 121 00:08:04,210 --> 00:08:06,980 THAT I COULD BEAR TO LIVE. 122 00:08:07,080 --> 00:08:08,310 DUNNVILLE'S PRETTY NICE. 123 00:08:08,420 --> 00:08:10,280 DUNNVILLE? 124 00:08:10,390 --> 00:08:13,850 OH, IT ISN'T EVEN ON THE MAPS. 125 00:08:13,960 --> 00:08:15,890 HOW CAN THAT BE? 126 00:08:15,990 --> 00:08:18,260 WE ALL LIVE HERE. 127 00:08:18,360 --> 00:08:21,260 ♪ DID YOU EVER SEE A LASSIE ♪ 128 00:08:21,360 --> 00:08:23,300 ♪ GO THIS WAY AND THAT WAY ♪ 129 00:08:23,400 --> 00:08:25,460 ♪ AND THIS WAY AND THAT WAY ♪ 130 00:08:25,570 --> 00:08:28,130 ♪ AND THIS WAY AND THAT? ♪ 131 00:08:28,240 --> 00:08:31,810 ♪ DID YOU ♪ 132 00:08:31,910 --> 00:08:33,270 ♪ EVER SEE A LASSIE ♪ 133 00:08:33,370 --> 00:08:34,240 ♪ GO THIS WAY AND THAT WAY... ♪ 134 00:08:34,340 --> 00:08:36,280 SHE'S NEARLY 12 YEARS OLD 135 00:08:36,380 --> 00:08:39,810 YET BARELY KNOWS HOW TO BOIL WATER. 136 00:08:39,920 --> 00:08:43,320 BUT LIFE'S A TREASURE HUNT FOR CADDIE. 137 00:08:43,420 --> 00:08:46,290 SHE'S DISCOVERING NEW THINGS EVERY DAY. 138 00:08:46,390 --> 00:08:47,820 DON'T WORRY. 139 00:08:47,920 --> 00:08:51,830 THERE WILL BE PLENTY OF TIME FOR BOILING WATER. 140 00:08:51,930 --> 00:08:55,330 THERE'S SO MUCH MORE TO LEARN, JOHN... 141 00:08:55,430 --> 00:08:57,060 COOKING, SEWING, HOUSEKEEPING. 142 00:08:57,170 --> 00:09:00,170 DID YOU SEE ANNABELLE'S LOVELY MANNERS? 143 00:09:00,270 --> 00:09:05,070 I HOPE CADDIE CAN LEARN SOMETHING FROM HER. 144 00:09:05,170 --> 00:09:09,610 I SO WANT HER TO UNDERSTAND THE SOCIAL GRACES. 145 00:09:09,710 --> 00:09:11,610 IS THAT REALLY IMPORTANT? 146 00:09:11,710 --> 00:09:14,250 THIS IS DUNNVILLE, NOT BOSTON. 147 00:09:14,350 --> 00:09:16,350 IT'S ALWAYS BEEN IMPORTANT, 148 00:09:16,450 --> 00:09:18,820 NO MATTER WHERE ONE IS. 149 00:09:18,920 --> 00:09:22,860 CADDIE WILL BE A WIFE AND MOTHER SOON. 150 00:09:22,960 --> 00:09:26,090 CADDIE WILL LEARN WHEN SHE'S READY. 151 00:09:26,190 --> 00:09:28,260 SHE'LL BE A LADY. 152 00:09:28,360 --> 00:09:29,860 I WANT HER 153 00:09:29,970 --> 00:09:32,870 TO SPEND HER SUMMER WITH ANNABELLE. 154 00:09:34,000 --> 00:09:35,530 COUSIN CAROLINE? 155 00:09:35,640 --> 00:09:37,100 WHAT? 156 00:09:37,210 --> 00:09:39,170 SINCE I APPEAR FATED 157 00:09:39,270 --> 00:09:42,010 TO WASTE MY ENTIRE SUMMER HERE, 158 00:09:42,110 --> 00:09:45,710 I WAS THINKING HOW MUCH I'D LIKE 159 00:09:45,810 --> 00:09:49,720 TO LEARN THE WAYS OF THE WILD WEST. 160 00:09:49,820 --> 00:09:55,620 CAROLINE, I WOULD LIKE YOU TO TEACH ME ALL ABOUT YOUR FARM. 161 00:09:55,720 --> 00:09:57,160 YOU WOULD? 162 00:09:57,260 --> 00:09:59,130 OH, YES. 163 00:09:59,230 --> 00:10:01,630 WHEN I TELL MY FRIENDS, 164 00:10:01,730 --> 00:10:03,500 THEY WILL BE OVERCOME 165 00:10:03,600 --> 00:10:06,670 WITH THE AMUSEMENT OF IT ALL. 166 00:10:06,770 --> 00:10:08,570 I'M SURE THEY WILL. 167 00:10:08,670 --> 00:10:12,540 I WILL PUT MY WHOLE MIND TO IT, 168 00:10:12,640 --> 00:10:13,840 COUSIN ANNABELLE. 169 00:10:16,280 --> 00:10:17,640 GOOD NIGHT. 170 00:10:17,750 --> 00:10:19,410 GOOD NIGHT. 171 00:10:23,020 --> 00:10:26,490 I'M GOING INTO TOWN FOR THE DAY. 172 00:10:26,590 --> 00:10:29,490 CADDIE, SHOW ANNABELLE AROUND THE FARM. 173 00:10:29,590 --> 00:10:32,490 SHE'LL BE DOWNSTAIRS IN A MOMENT. 174 00:10:32,590 --> 00:10:34,090 YES, MA. 175 00:10:49,440 --> 00:10:52,380 I WANT YOU TO SHOW ME 176 00:10:52,480 --> 00:10:54,910 EVERYTHING IN YOUR SAVAGE COUNTRY. 177 00:10:55,020 --> 00:10:57,750 I WANT TO RIDE HORSEBACK, 178 00:10:57,850 --> 00:11:00,190 AND I WANT TO FEED 179 00:11:00,290 --> 00:11:02,160 THOSE ADORABLE LITTLE SHEEP... 180 00:11:02,260 --> 00:11:04,560 AND EVERYTHING ELSE. 181 00:11:04,660 --> 00:11:07,960 I AM YOURS FOR THE TEACHING, CAROLINE. 182 00:11:08,060 --> 00:11:11,900 WHAT IS THAT YOU'RE WEARING? 183 00:11:12,000 --> 00:11:14,830 WHAT'S WRONG WITH IT? 184 00:11:14,940 --> 00:11:16,870 IT'S ABSOLUTELY THE LATEST 185 00:11:16,970 --> 00:11:18,340 IN SPORTING COSTUMES. 186 00:11:18,440 --> 00:11:22,740 GRANDMOTHER GREY INSISTS THAT I AM WELL TURNED OUT. 187 00:11:22,840 --> 00:11:27,380 HOW DO YOU MANAGE WITHOUT A DRESSING TABLE UPSTAIRS? 188 00:11:27,480 --> 00:11:28,820 WELL, IT'S HARD, 189 00:11:28,920 --> 00:11:31,350 BUT WE MAKE DO SOMEHOW. 190 00:11:31,450 --> 00:11:33,550 DON'T WE, CADDIE? 191 00:11:34,790 --> 00:11:38,220 WHY DO YOU NEED ALL THESE BUTTONS? 192 00:11:38,330 --> 00:11:41,590 ALL THE BOSTON GIRLS ARE WEARING THEM. 193 00:11:41,700 --> 00:11:43,430 IT'S THE LATEST DECORATION. 194 00:11:43,530 --> 00:11:46,400 NOBODY HAS AS MANY AS I-- 195 00:11:46,500 --> 00:11:48,370 8 AND 80-- 196 00:11:48,470 --> 00:11:51,340 NOT EVEN BESSY BEASLEY HAS THAT MANY AND SHE'S ALREADY BEEN PRESENTED TO SOCIETY. 197 00:11:51,440 --> 00:11:52,810 ONE, TWO, THREE... 198 00:11:52,910 --> 00:11:56,280 DO YOU WANT TO PLAY WITH US 199 00:11:56,380 --> 00:11:58,610 WEARING THAT? 200 00:11:59,880 --> 00:12:01,350 WHY NOT? 201 00:12:01,450 --> 00:12:04,320 I AM PERFECTLY PREPARED TO BE 202 00:12:04,420 --> 00:12:06,520 AS UNCIVILIZED AS YOU. 203 00:12:06,620 --> 00:12:09,790 I JUST HAPPEN TO BE NICELY DRESSED. 204 00:12:09,890 --> 00:12:12,830 ...57, 58, 59, 60, 205 00:12:12,930 --> 00:12:16,160 61, 62, 63, 206 00:12:16,260 --> 00:12:18,530 64, 65... 207 00:12:18,630 --> 00:12:20,430 NOT BETSY! 208 00:12:20,540 --> 00:12:21,970 BE QUIET! 209 00:12:22,070 --> 00:12:23,970 YOU KNOW ABOUT BETSY. 210 00:12:24,070 --> 00:12:25,570 SHH! 211 00:12:29,950 --> 00:12:32,380 GIDDY-UP. 212 00:12:36,080 --> 00:12:37,480 I LOVE IT. 213 00:12:37,590 --> 00:12:39,020 I LOVE RIDING. 214 00:12:39,120 --> 00:12:43,020 I KNEW I SHOULD BE GOOD AT THIS. 215 00:12:43,120 --> 00:12:44,520 LOOK AT ME! 216 00:12:44,630 --> 00:12:47,390 TOUCH HER WITH YOUR HEELS. 217 00:12:48,230 --> 00:12:50,360 UH-OH! 218 00:12:50,470 --> 00:12:52,170 THERE SHE GOES! 219 00:12:52,270 --> 00:12:55,730 HOW DO YOU MAKE IT TURN AROUND? 220 00:12:55,840 --> 00:12:56,970 AAH! 221 00:12:57,070 --> 00:12:58,700 AAH! 222 00:13:05,210 --> 00:13:07,650 ARE YOU ALL RIGHT? 223 00:13:07,750 --> 00:13:13,090 I'D MUCH PREFER TO TRY SOMETHING ELSE NOW. 224 00:13:13,190 --> 00:13:14,650 LET'S... 225 00:13:14,760 --> 00:13:16,220 LET'S FEED SHEEP. 226 00:13:16,320 --> 00:13:17,660 [BLEATING] 227 00:13:17,760 --> 00:13:19,090 THEY LOOK EXACTLY 228 00:13:19,190 --> 00:13:22,360 LIKE GUESTS AT A RECITAL. 229 00:13:22,460 --> 00:13:25,600 BETTER PUT THE BASKET DOWN, ANNABELLE. 230 00:13:25,700 --> 00:13:28,130 SHEEP LIKE OATS A LOT. 231 00:13:28,240 --> 00:13:30,700 I WANT THOSE ADORABLE LAMBS 232 00:13:30,810 --> 00:13:33,610 EATING RIGHT OUT OF MY HAND. 233 00:13:48,760 --> 00:13:50,420 [GIGGLING] 234 00:13:52,430 --> 00:13:53,890 THEY'RE--THEY'RE-- 235 00:13:54,000 --> 00:13:56,000 THEY'RE EATING MY BUTTONS. 236 00:13:56,100 --> 00:13:58,160 HA HA! 237 00:13:58,270 --> 00:14:01,030 THEY'RE EATING MY BUTTONS. 238 00:14:20,560 --> 00:14:23,520 ANNABElLE'S GOING TO TELL ON US, AS SURE AS SHOOTING. 239 00:14:26,560 --> 00:14:28,460 WE'RE DEAD PETUNIAS. 240 00:14:30,130 --> 00:14:32,530 I HEARD YOU CHILDREN HAD QUITE A DAY. 241 00:14:32,630 --> 00:14:34,300 HA HA. 242 00:14:36,700 --> 00:14:39,640 IT WAS AN UNBELIEVABLY QUAINT EXPERIENCE. 243 00:14:39,740 --> 00:14:41,640 THEY'LL HARDLY BELIEVE IT 244 00:14:41,740 --> 00:14:44,710 WHEN I TELL THEM IN BOSTON. 245 00:14:44,810 --> 00:14:47,980 I'M GLAD YOU ARE GETTING ALONG. 246 00:14:48,080 --> 00:14:49,480 SUPPER'S READY. 247 00:14:49,580 --> 00:14:52,590 GET YOUR FATHER AND UNCLE EDMUND. 248 00:15:03,560 --> 00:15:06,470 BUT THEN, MY FRIENDS IN BOSTON 249 00:15:06,570 --> 00:15:09,600 CAN HARDLY BE EXPECTED TO UNDERSTAND 250 00:15:09,700 --> 00:15:13,210 THE UTTER CRUDENESS OF FRONTIER LIFE. 251 00:15:14,540 --> 00:15:16,440 TAKE IT FROM ME, 252 00:15:16,540 --> 00:15:17,940 THERE'S NOTHING LIKE SMALL-GAME HUNTING 253 00:15:18,050 --> 00:15:19,950 TESTS A GENTLEMAN'S MARKSMANSHIP. 254 00:15:20,050 --> 00:15:21,980 WHO WANTS TO HELP? 255 00:15:22,080 --> 00:15:23,480 ME! 256 00:15:23,580 --> 00:15:24,820 ME! 257 00:15:24,920 --> 00:15:27,890 WHO'S THE BEST BUSHWHACKER HERE? 258 00:15:27,990 --> 00:15:30,460 YOU LET THAT SQUIRREL ESCAPE. 259 00:15:30,560 --> 00:15:32,690 I DIDN'T HAVE A GUN. 260 00:15:32,790 --> 00:15:35,630 WHO HAS AN EAGLE EYE 261 00:15:35,730 --> 00:15:37,660 TO SPOT THE CRITTERS? 262 00:15:37,770 --> 00:15:38,760 ME! 263 00:15:38,870 --> 00:15:41,330 BUT YOU'RE THE LITTLE CHATTERBOX. 264 00:15:41,440 --> 00:15:44,100 BESIDES, YOU EAT TOO MUCH. 265 00:15:44,210 --> 00:15:47,240 I WOULDN'T EAT. I WOULDN'T TALK. 266 00:15:47,340 --> 00:15:49,880 HONEST, I WOULDN'T TALK, JUST... 267 00:15:49,980 --> 00:15:52,410 HA HA HA. 268 00:15:52,510 --> 00:15:55,710 WARREN, YOU'RE FAR TOO YOUNG. 269 00:15:57,150 --> 00:16:01,690 I WOULD BE THE BEST PAIR OF EYES. 270 00:16:01,790 --> 00:16:04,720 THAT COULD BE, CADDIE, BUT LOOK HERE. 271 00:16:04,830 --> 00:16:06,960 YOU'RE A GIRL. 272 00:16:07,060 --> 00:16:10,030 THAT'S NOT FAIR. 273 00:16:10,130 --> 00:16:12,000 I SUPPOSE IT ISN'T. 274 00:16:12,100 --> 00:16:13,870 WELL, ALL RIGHT, THEN. 275 00:16:13,970 --> 00:16:16,240 COULD I, PLEASE? 276 00:16:16,340 --> 00:16:19,670 OH, CADDIE. 277 00:16:19,770 --> 00:16:22,280 WOULDN'T YOU RATHER HELP ANNABELLE? 278 00:16:22,380 --> 00:16:26,280 SHE HAS LOVELY IDEAS ABOUT WHAT TO DO 279 00:16:26,380 --> 00:16:28,250 TO ARRANGE YOUR HAIR. 280 00:16:28,350 --> 00:16:30,320 WITHOUT CADDIE, I MIGHT 281 00:16:30,420 --> 00:16:32,650 SHOOT THE COW BY MISTAKE. 282 00:16:32,750 --> 00:16:35,290 HA HA! 283 00:16:35,390 --> 00:16:37,920 SQUIRRELS DON'T LOOK LIKE COWS. 284 00:16:38,030 --> 00:16:38,890 THEY DON'T? 285 00:16:38,990 --> 00:16:40,430 HA HA! 286 00:16:40,530 --> 00:16:41,890 PLEASE, MOTHER. 287 00:16:42,000 --> 00:16:44,900 UNCLE EDMUND CAN'T SEE HIS NOSE. 288 00:16:45,000 --> 00:16:48,000 WELL, THAT IS WHAT FATHER SAID. 289 00:16:48,100 --> 00:16:49,900 PERHAPS YOU SHOULD BUY SOME SPECTACLES. 290 00:16:50,010 --> 00:16:53,470 THEN YOU CAN TELL COWS FROM SQUIRRELS. 291 00:16:53,570 --> 00:16:55,740 OH, NO, AUNTY HARRIET. 292 00:16:55,840 --> 00:16:58,780 GRANDMA GREY SAYS A TRUE GENTLEMAN 293 00:16:58,880 --> 00:17:00,810 WOULD NEVER WEAR THEM. 294 00:17:05,190 --> 00:17:07,650 OH, LET HER GO, HARRIET. 295 00:17:07,760 --> 00:17:11,960 YOU CAN CATCH UP ON ANNABELLE'S NEWS. 296 00:17:12,060 --> 00:17:13,390 WELL, ALL RIGHT. 297 00:17:13,490 --> 00:17:18,460 LATER I EXPECT YOU TO SPEND YOUR TIME WITH ANNABELLE. 298 00:17:21,740 --> 00:17:23,300 HA HA HA. 299 00:17:26,870 --> 00:17:28,870 [THUD] 300 00:17:31,710 --> 00:17:35,750 THESE QUARTERS ARE REALLY NOT WHAT I EXPECTED. 301 00:17:35,850 --> 00:17:37,320 [GROWLS] 302 00:17:37,420 --> 00:17:38,880 DOWN, NERO. 303 00:17:45,190 --> 00:17:47,360 HA HA. 304 00:17:50,170 --> 00:17:51,630 AAH! 305 00:17:51,730 --> 00:17:54,230 SOMETHING TRIED TO BITE ME. 306 00:17:54,340 --> 00:17:56,170 IT'S A WILD ANIMAL. 307 00:17:56,270 --> 00:17:58,470 THEY'RE JUST PORCUPINES, COUSIN ANNABELLE. 308 00:17:58,570 --> 00:18:01,240 PORCUPINE! 309 00:18:01,340 --> 00:18:03,810 HA HA. 310 00:18:05,710 --> 00:18:07,380 HA HA. 311 00:18:08,720 --> 00:18:11,820 COUSIN WARREN, WHAT A CHILDISH TRICK. 312 00:18:11,920 --> 00:18:13,190 HA HA. 313 00:18:13,290 --> 00:18:15,290 HA HA. 314 00:18:15,390 --> 00:18:18,290 I SHALL NOT SLEEP A WINK 315 00:18:18,390 --> 00:18:20,260 IN THIS FORSAKEN WILDERNESS. 316 00:18:20,360 --> 00:18:22,200 I KNOW IT. 317 00:18:22,300 --> 00:18:25,300 SWEET DREAMS, COUSIN ANNABELLE. 318 00:18:25,400 --> 00:18:26,670 GOOD NIGHT. 319 00:18:31,640 --> 00:18:33,310 [BARKS] 320 00:18:33,410 --> 00:18:35,810 HEEL, NERO. HEEL! 321 00:18:35,910 --> 00:18:37,280 NERO! 322 00:18:37,380 --> 00:18:38,980 CONFOUND THAT DOG! 323 00:18:39,080 --> 00:18:40,380 NERO! 324 00:18:40,480 --> 00:18:42,880 HAVEN'T YOU TAUGHT HIM ANYTHING? 325 00:18:42,980 --> 00:18:46,890 HE'LL CHASE OFF THE GAME WITH HIS SHENANIGANS. 326 00:18:48,390 --> 00:18:50,290 WHAT IS THIS CONTRAPTION? 327 00:18:50,390 --> 00:18:54,690 IT'S AN INDIAN CANOE THAT FATHER TOOK IN TRADE. 328 00:18:54,800 --> 00:18:56,560 WHAT'S WRONG WITH IT? 329 00:18:56,660 --> 00:18:58,330 IT'S NOT STABLE. 330 00:18:58,430 --> 00:19:01,870 I'LL PUT MY FAITH IN THAT RAFT. 331 00:19:01,970 --> 00:19:06,810 I'LL BEAT YOU TO THE OTHER SIDE OF THE RIVER. 332 00:19:06,910 --> 00:19:09,070 WE'LL SEE ABOUT THAT. 333 00:19:09,180 --> 00:19:10,780 GOOD BOY, NERO. 334 00:19:12,410 --> 00:19:14,850 AHH. OK. 335 00:19:14,950 --> 00:19:16,420 GOOD BOY. 336 00:19:20,490 --> 00:19:23,360 THERE WE GO. LOOK AT ME! 337 00:19:23,460 --> 00:19:26,360 I'M GOING TO BEAT YOU, CADDIE. 338 00:19:26,460 --> 00:19:30,830 YOU DON'T HAVE A CHANCE! I'VE GOT YOU NOW! 339 00:19:30,930 --> 00:19:32,370 WHAT'S GOING ON? 340 00:19:32,470 --> 00:19:36,840 I'LL SEE YOU ON THE OTHER SIDE, UNCLE EDMUND. 341 00:19:36,940 --> 00:19:38,340 I'LL BEAT YOU! 342 00:19:38,440 --> 00:19:41,310 I'LL GET YOU IN THE STRETCH! 343 00:19:41,410 --> 00:19:43,380 I'M ON MY WAY! 344 00:19:43,480 --> 00:19:45,380 GOOD BOY, NERO. STAY. 345 00:19:45,480 --> 00:19:48,080 WE'RE COMING THROUGH! COMING THROUGH! 346 00:19:48,180 --> 00:19:49,780 THAT'S IT. 347 00:19:49,880 --> 00:19:52,250 STAY THERE, NERO. GOOD BOY. 348 00:19:52,350 --> 00:19:53,820 ARGH. 349 00:19:53,920 --> 00:19:55,790 WHOOP! WHOOP! 350 00:19:55,890 --> 00:19:57,320 OHH! 351 00:19:57,430 --> 00:19:59,560 HA HA HA! 352 00:19:59,660 --> 00:20:00,730 HA HA HA! 353 00:20:00,830 --> 00:20:02,260 IT'S COLD! 354 00:20:02,360 --> 00:20:04,760 GOOD BOY, NERO! IT'S OK! 355 00:20:04,870 --> 00:20:06,270 GOOD BOY! 356 00:20:06,370 --> 00:20:08,000 HA HA HA! 357 00:20:08,100 --> 00:20:11,270 UNCLE EDMUND! 358 00:20:11,370 --> 00:20:14,270 CONFOUND IT. GOOD BOY. IT'S OK. 359 00:20:14,380 --> 00:20:18,780 GOOD BOY. WE'LL GET IT ON THE WAY BACK. 360 00:20:18,880 --> 00:20:20,880 HA HA HA! 361 00:20:27,990 --> 00:20:29,320 WHAT IS IT? 362 00:20:29,420 --> 00:20:31,590 THE DAKOTAS' NEW HUNTING CAMP. 363 00:20:31,690 --> 00:20:34,430 THEY MOVED BACK ACROSS THE RIVER. 364 00:20:34,530 --> 00:20:36,900 LET'S GET OUT OF HERE. 365 00:20:37,000 --> 00:20:46,370 I'D LIKE TO KEEP MY SCALP FIRMLY ON MY HEAD. 366 00:20:46,470 --> 00:20:48,870 DOWN, NERO, YOU SILLY THING. 367 00:20:48,980 --> 00:20:50,380 NERO, GET DOWN. 368 00:20:50,480 --> 00:20:52,310 GET DOWN! GET DOWN! 369 00:20:52,410 --> 00:20:54,850 YOU SHOULD PUT HIM OUTSIDE. 370 00:20:54,950 --> 00:20:56,210 OH, NEVER MIND. 371 00:20:56,320 --> 00:20:59,250 I DID WANT TO DISCUSS NERO 372 00:20:59,350 --> 00:21:00,850 WITH YOU, HARRIET. 373 00:21:00,960 --> 00:21:03,790 I APPRECIATE YOUR LOOKING AFTER HIM. 374 00:21:03,890 --> 00:21:06,160 THE COUNTRY IS A BETTER PLACE 375 00:21:06,260 --> 00:21:09,700 TO RAISE A DOG THAN THE CITY. 376 00:21:09,800 --> 00:21:11,430 HE'S BECOME FAMILY. 377 00:21:11,530 --> 00:21:14,670 IT GIVES ME SATISFACTION 378 00:21:14,770 --> 00:21:17,040 TO KNOW HE'S WITH THE CHILDREN. 379 00:21:17,140 --> 00:21:21,370 I THOUGHT HE'D HAVE BEEN TRAINED DIFFERENTLY, 380 00:21:21,480 --> 00:21:24,340 THE SORT OF THING HE DESERVES. 381 00:21:24,450 --> 00:21:28,010 I'D LIKE TO TAKE NERO BACK WITH ME. 382 00:21:31,320 --> 00:21:34,520 BUT WHAT ABOUT THE CHILDREN, ESPECIALLY CADDIE? 383 00:21:36,360 --> 00:21:37,620 JOHN. 384 00:21:37,730 --> 00:21:39,360 HE'S YOUR DOG, EDMUND. 385 00:21:39,460 --> 00:21:41,960 DO AS YOU SEE FIT. 386 00:21:42,060 --> 00:21:45,260 I'LL BRING HIM BACK THIS FALL. 387 00:21:45,370 --> 00:21:49,400 YOU'RE GOING TO TAKE NERO? 388 00:21:49,500 --> 00:21:50,470 OH, EDMUND. 389 00:21:50,570 --> 00:21:53,370 HE'S SUCH A RESPONSIBILITY. 390 00:21:53,470 --> 00:21:55,940 LOOK AFTER HIM, WON'T YOU? 391 00:21:56,040 --> 00:21:58,410 DON'T GIVE IT ANOTHER THOUGHT. 392 00:21:58,510 --> 00:22:02,480 NERO WILL BE FINE AND DANDY WITH ME. 393 00:22:02,580 --> 00:22:04,550 YOU CAN'T TAKE NERO. 394 00:22:06,120 --> 00:22:07,050 TOM. 395 00:22:07,150 --> 00:22:08,120 EDMUND. 396 00:22:08,220 --> 00:22:09,020 JOHN. 397 00:22:09,120 --> 00:22:10,220 BYE, CADDIE. 398 00:22:12,990 --> 00:22:14,360 GOOD-BYE, NERO. 399 00:22:14,460 --> 00:22:18,260 I SHOULDN'T HAVE TAUGHT YOU BAD HABITS. 400 00:22:18,370 --> 00:22:20,730 I'LL THINK ABOUT YOU EVERY DAY. 401 00:22:20,840 --> 00:22:23,300 I'LL WAIT FOR YOU. 402 00:22:25,270 --> 00:22:28,140 YOU'RE THE BEST DOG IN THE WORLD. 403 00:22:28,240 --> 00:22:29,980 ALL ABOARD! 404 00:22:33,880 --> 00:22:35,310 COME ON, NERO. 405 00:22:36,950 --> 00:22:38,320 HEEL! 406 00:22:52,930 --> 00:22:54,370 [CLUCKING] 407 00:23:02,140 --> 00:23:06,180 NOTHING'S ANY FUN ANYMORE WITHOUT NERO. 408 00:23:06,280 --> 00:23:08,710 WHY IS EVERYBODY MOPING 409 00:23:08,820 --> 00:23:10,220 ABOUT A DOG? 410 00:23:10,320 --> 00:23:13,850 BOSTON LADIES FIND ANGORA CATS TO BE DIVINE. 411 00:23:13,950 --> 00:23:17,420 YOU DON'T UNDERSTAND ANYTHING, DO YOU? 412 00:23:35,340 --> 00:23:37,940 I WAS COMING TO SAY GOOD NIGHT. 413 00:23:40,420 --> 00:23:44,780 DOES SHE REALLY HAVE TO STAY THE WHOLE SUMMER? 414 00:23:44,890 --> 00:23:46,820 THAT'S THE PLAN. 415 00:23:46,920 --> 00:23:49,720 THAT'S SURE A LONG TIME. 416 00:23:49,820 --> 00:23:51,890 YOU'LL MAKE IT. 417 00:23:51,990 --> 00:23:55,390 MOTHER LIKES ANNABELLE A LOT, DOESN'T SHE? 418 00:23:55,500 --> 00:23:58,460 SHE THINKS ANNABELLE'S A FINE YOUNG LADY. 419 00:23:58,570 --> 00:24:00,500 WHAT DO YOU THINK? 420 00:24:00,600 --> 00:24:06,240 THERE'S NO DOUBT THAT SHE'LL FIT INTO BOSTON SOCIETY, 421 00:24:06,340 --> 00:24:09,910 BUT, CADDIE, I DON'T THINK IT WOULD HARM 422 00:24:10,010 --> 00:24:12,780 TO MAKE HER FEEL WELCOME. 423 00:24:12,880 --> 00:24:15,610 SHE'S MOTHER'S GUEST, NOT MINE. 424 00:24:15,720 --> 00:24:16,850 CADDIE. 425 00:24:17,280 --> 00:24:19,180 I WISH COUSIN ANNABELLE 426 00:24:19,290 --> 00:24:22,190 WOULD HIGHTAIL IT BACK TO BOSTON 427 00:24:22,290 --> 00:24:26,420 AS FAST AS THOSE LITTLE BOOTS CAN CARRY HER. 428 00:24:26,530 --> 00:24:28,890 I CAN'T DO IT, FATHER! 429 00:24:29,000 --> 00:24:31,600 I CAN'T BE LIKE HER. 430 00:24:37,910 --> 00:24:39,300 HERE YOU ARE. 431 00:24:39,410 --> 00:24:43,310 I WAS AFRAID YOU'D BEEN CARRIED OFF BY SAVAGES. 432 00:24:43,410 --> 00:24:46,480 I KNEW THAT WARREN COULD FIND YOU. 433 00:24:46,580 --> 00:24:48,550 WHAT ARE YOU DOING? 434 00:24:48,650 --> 00:24:49,980 TURNING SOMERSAULTS. 435 00:24:50,080 --> 00:24:54,150 HARDLY SOMETHING A PROPER YOUNG LADY WOULD DO. 436 00:24:54,250 --> 00:24:57,120 I'D NEVER DO IT AT HOME. 437 00:24:57,220 --> 00:24:59,160 SINCE THERE'S NOBODY IMPORTANT HERE, 438 00:24:59,260 --> 00:25:00,530 I'LL JOIN IN. 439 00:25:00,630 --> 00:25:02,960 SHOW ME HOW. 440 00:25:03,060 --> 00:25:04,160 OH. 441 00:25:13,910 --> 00:25:17,240 I DARE YOU TO DO THAT MANY. 442 00:25:17,340 --> 00:25:18,840 JUST WATCH ME. 443 00:25:18,950 --> 00:25:21,610 MY WALTZING INSTRUCTOR SAYS I HAVE 444 00:25:21,720 --> 00:25:25,280 THE FINEST SENSE OF BALANCE HE'S EVER SEEN. 445 00:25:25,390 --> 00:25:28,790 OH! THIS IS ACTUALLY RATHER FUN! 446 00:25:28,890 --> 00:25:32,560 I CAN DO TWICE AS MANY AS YOU. 447 00:25:32,660 --> 00:25:35,430 OH, BY THE WAY... 448 00:25:35,530 --> 00:25:39,400 KEEP YOUR FEET TOGETHER. IT LOOKS NICER. 449 00:25:41,440 --> 00:25:42,300 AAH! 450 00:25:42,400 --> 00:25:43,140 AAH! 451 00:25:43,240 --> 00:25:44,140 AAH! 452 00:25:44,240 --> 00:25:45,370 AAH! 453 00:25:45,470 --> 00:25:47,670 THERE'S SOMETHING SQUISHY! 454 00:25:47,780 --> 00:25:49,410 HA HA! 455 00:25:50,980 --> 00:25:53,880 YOU DID IT! YOU'RE HORRID. 456 00:25:53,980 --> 00:25:56,880 I DIDN'T MIND THE STUPID PORCUPINES 457 00:25:56,980 --> 00:25:59,380 OR FALLING OFF THE HORSE 458 00:25:59,490 --> 00:26:01,390 OR BEING ATTACKED BY SHEEP, 459 00:26:01,490 --> 00:26:04,260 BUT THIS-- 460 00:26:04,360 --> 00:26:07,090 THIS IS SQUISHY. 461 00:26:07,190 --> 00:26:08,460 AN EGG? 462 00:26:08,560 --> 00:26:12,560 WHATEVER POSSESSED YOU TO DO A THING LIKE THAT? 463 00:26:12,670 --> 00:26:15,530 IT WAS ONLY A JOKE, MOTHER. 464 00:26:15,640 --> 00:26:17,100 YOU SCARED HER INTO A TIZZY. 465 00:26:17,200 --> 00:26:19,670 IS THAT A JOKE? 466 00:26:19,770 --> 00:26:21,970 IT'S MY FAULT, TOO. 467 00:26:22,080 --> 00:26:25,110 YOUR FATHER WILL DEAL WITH YOU. 468 00:26:25,210 --> 00:26:28,780 SHAME ON BOTH OF YOU FOR BEING MEAN. 469 00:26:28,880 --> 00:26:31,050 CAROLINE, GO TO YOUR ROOM. 470 00:26:31,150 --> 00:26:35,350 STAY THERE UNTIL I TELL YOU TO COME OUT. 471 00:26:35,460 --> 00:26:36,920 FORGET ABOUT SUPPER. 472 00:26:44,400 --> 00:26:46,970 I DON'T WANT TO TALK. 473 00:26:59,010 --> 00:27:02,410 I DID NOT INTEND TO BE MEAN. 474 00:27:02,520 --> 00:27:05,920 I JUST WANTED TO HAVE SOME FUN. 475 00:27:06,020 --> 00:27:09,420 YOU FIND IT FUN TO TEASE OTHERS? 476 00:27:09,520 --> 00:27:13,490 I JUST DIDN'T THINK ABOUT IT, I SUPPOSE. 477 00:27:16,000 --> 00:27:18,560 SO YOU LEARNED SOMETHING TODAY. 478 00:27:18,670 --> 00:27:20,530 THINK BEFORE YOU ACT, 479 00:27:20,640 --> 00:27:24,370 ESPECIALLY IF IT MIGHT HURT SOMEBODY. 480 00:27:24,470 --> 00:27:26,470 I PROMISE. 481 00:27:35,950 --> 00:27:39,380 YOU SHOULD MAKE IT UP WITH ANNABELLE. 482 00:27:39,490 --> 00:27:40,450 HOW? 483 00:27:40,550 --> 00:27:43,260 BE A LITTLE NICER TO HER. 484 00:27:43,360 --> 00:27:45,260 I'LL TRY. 485 00:27:45,360 --> 00:27:48,560 DOES SHE BOTHER YOU THAT MUCH, CADDIE? 486 00:27:48,660 --> 00:27:51,600 MOTHER LIKES ANNABELLE BETTER THAN ME, 487 00:27:51,700 --> 00:27:53,400 DOESN'T SHE? 488 00:27:53,500 --> 00:27:54,930 THAT'S NOT TRUE. 489 00:27:55,040 --> 00:27:58,370 YOUR MOTHER LOVES YOU AND THE BOYS MORE THAN ANYTHING. 490 00:27:58,470 --> 00:28:01,870 IF MOTHER DOESN'T LIKE ANNABELLE BETTER THAN ME, 491 00:28:01,980 --> 00:28:06,210 WHY DOES SHE WANT ME TO BE LIKE HER? 492 00:28:06,310 --> 00:28:09,380 I CAN'T PRETEND TO ALWAYS BE SO POLITE. 493 00:28:09,480 --> 00:28:14,420 I JUST CAN'T BE ANOTHER ANNABELLE. 494 00:28:14,520 --> 00:28:18,490 WELL, ONE ANNABELLE'S PROBABLY ENOUGH AROUND THIS HOUSE. 495 00:28:19,830 --> 00:28:22,930 WHAT DOES MOTHER WANT ME TO BE? 496 00:28:23,030 --> 00:28:25,860 UNDERSTANDING OF OTHER PEOPLE... 497 00:28:25,970 --> 00:28:28,770 WISE, RESPONSIBLE. 498 00:28:28,870 --> 00:28:32,340 ISN'T THAT WHAT GOOD MANNERS REALLY ARE? 499 00:28:36,980 --> 00:28:40,950 YOUR MOTHER WORRIES ABOUT YOU. 500 00:28:41,050 --> 00:28:46,280 SHE WANTS YOU TO BE READY TO TAKE CARE OF YOURSELF 501 00:28:46,390 --> 00:28:50,790 AND LOOK AFTER A FAMILY OF YOUR OWN, SOMEDAY. 502 00:28:50,890 --> 00:28:54,560 WHAT DO YOU WANT ME TO BE? 503 00:28:54,660 --> 00:28:57,500 OH, SWEETHEART, I WANT YOU TO BE YOU, 504 00:28:57,600 --> 00:29:00,870 THE REAL CADDIE THAT'S DEEP DOWN INSIDE. 505 00:29:00,970 --> 00:29:02,170 FATHER. 506 00:29:05,470 --> 00:29:06,970 AHH. 507 00:29:08,980 --> 00:29:11,480 [PLAYING AMAZING GRACE ON PIANO] 508 00:29:29,500 --> 00:29:30,800 AH, MRS. WOODLAWN. 509 00:29:35,040 --> 00:29:38,440 MR. WOODLAWN, CADDIE, THANK YOU FOR ATTENDING. 510 00:29:38,540 --> 00:29:40,140 REVEREND, THANK YOU. 511 00:29:40,240 --> 00:29:42,540 THANKS AGAIN FOR ANOTHER FINE SERVICE. 512 00:29:42,640 --> 00:29:44,040 ALWAYS A PLEASURE. 513 00:29:44,140 --> 00:29:47,410 YOU CAN RAISE THE RAFTERS WITH THEM SERMONS. 514 00:29:47,510 --> 00:29:52,550 PUT MORE THOUGHTS IN MY HEAD THAN A HANDSOME WOMAN. 515 00:29:52,650 --> 00:29:55,420 HOPEFULLY, MY WORDS WILL INSPIRE EVERYBODY. 516 00:29:55,520 --> 00:29:56,790 ABOUT THEM INDIANS-- 517 00:29:56,890 --> 00:30:00,590 YOU REALLY FIGURE THEY'RE GETTING READY FOR WARRING? 518 00:30:00,690 --> 00:30:04,400 THOSE INDIANS ARE ON THE WARPATH AGAIN. 519 00:30:04,500 --> 00:30:06,260 I HOPE NOT, MR. SKEEL. 520 00:30:06,370 --> 00:30:10,400 YOU HAVE AN EYE FOR TROUBLE, SAM HANKINSON. 521 00:30:10,500 --> 00:30:12,400 KEEP OUT OF THIS. 522 00:30:12,510 --> 00:30:14,870 LOOK AFTER BUSINESS AT HOME. 523 00:30:14,980 --> 00:30:17,980 THANKS FOR THE ADVICE, REVEREND. 524 00:30:27,520 --> 00:30:28,720 HI, PETE. 525 00:30:29,120 --> 00:30:31,320 HOW HAVE YOU BEEN? 526 00:30:34,460 --> 00:30:38,000 WHAT ARE YOU DOING BACK THERE, OLAF? 527 00:30:39,500 --> 00:30:41,470 OH, NOTHING. 528 00:30:43,940 --> 00:30:47,240 THAT SHIPMENT OF SUPPLIES FOR THE SAWMILL 529 00:30:47,340 --> 00:30:48,610 COME IN YESTERDAY. 530 00:30:48,710 --> 00:30:50,840 ONE OF MY MEN... 531 00:30:50,950 --> 00:30:54,150 ELLA MAE PLAYED THE PIANO BEAUTIFULLY TODAY. 532 00:30:54,250 --> 00:30:57,650 NICE TO SEE HER UP AND AROUND. 533 00:30:57,750 --> 00:31:01,490 I'LL TRY AND GET HER MUSIC LESSONS. 534 00:31:01,590 --> 00:31:03,760 SHE HAS A GIFT. 535 00:31:03,860 --> 00:31:05,790 YOU MUST BE PROUD. 536 00:31:05,890 --> 00:31:09,730 SHE TAKES AFTER HER FATHER, REST HIS SOUL. 537 00:31:09,830 --> 00:31:12,660 THOSE NEW FABRICS ARE COMING IN. 538 00:31:12,770 --> 00:31:16,170 WE COULD FIT THE CHILDREN FOR SCHOOL. 539 00:31:16,270 --> 00:31:18,400 I'LL PLAN ON THAT, MAYBELLINE. 540 00:31:18,510 --> 00:31:19,470 MOTHER. 541 00:31:23,540 --> 00:31:26,380 SAM HANKINSON LEAVES HIS BOYS OUTSIDE 542 00:31:26,480 --> 00:31:28,580 WHILE HE'S IN CHURCH. 543 00:31:28,680 --> 00:31:29,850 WHY? 544 00:31:29,950 --> 00:31:34,490 IT'S A SHAME FOR THE BOYS, BUT THERE ARE RULES. 545 00:31:34,590 --> 00:31:36,320 WHAT KIND OF RULES? 546 00:31:36,420 --> 00:31:38,960 IT'S COMPLICATED, CADDIE. 547 00:31:39,060 --> 00:31:40,960 THEIR MOTHER WAS AN INDIAN. 548 00:31:41,060 --> 00:31:42,290 SHE WAS? 549 00:31:42,400 --> 00:31:44,030 SAM MARRIED THEIR MOTHER 550 00:31:44,130 --> 00:31:47,030 WHEN THERE WERE FEW SETTLERS HERE. 551 00:31:47,130 --> 00:31:48,570 NOBODY CARED. 552 00:31:51,440 --> 00:31:54,240 WOULD FATHER BE ASHAMED OF US 553 00:31:54,340 --> 00:31:56,640 IF YOU WERE AN INDIAN? 554 00:31:56,740 --> 00:31:59,440 HOW CAN I ANSWER THAT, CADDIE? 555 00:31:59,550 --> 00:32:02,610 WOULD HE LEAVE US OUTSIDE DURING CHURCH? 556 00:32:02,720 --> 00:32:04,720 OF COURSE NOT. 557 00:32:17,000 --> 00:32:18,900 TOM, MRS. HYMAN'S HERE 558 00:32:19,000 --> 00:32:21,400 TO DO OUR SCHOOL CLOTHES. 559 00:32:21,500 --> 00:32:23,470 I'LL BE RIGHT THERE. 560 00:32:27,470 --> 00:32:29,370 WHAT ARE YOU DOING? 561 00:32:29,480 --> 00:32:30,380 NOTHING. 562 00:32:30,480 --> 00:32:32,740 YOU'RE COMBING YOUR HAIR. 563 00:32:32,850 --> 00:32:34,380 SO? 564 00:32:34,480 --> 00:32:37,450 AND YOU'RE WEARING YOUR SUNDAY SHIRT. 565 00:32:39,350 --> 00:32:41,490 EXCUSE ME. 566 00:32:45,230 --> 00:32:48,460 I'LL POKE YOU AGAIN IF YOU DON'T STAND STILL. 567 00:32:48,560 --> 00:32:49,860 OW! 568 00:32:49,960 --> 00:32:53,300 I SAID IT WAS SURE HAPPEN. 569 00:32:53,400 --> 00:32:55,870 HE'S GROWING LIKE A WEED. 570 00:32:55,970 --> 00:32:58,870 MAKE A HOOP SKIRT FOR CAROLINE. 571 00:32:58,970 --> 00:33:00,870 IT WOULD BE DARLING. 572 00:33:00,980 --> 00:33:03,840 I DO NOT LIKE HOOP SKIRTS. 573 00:33:03,940 --> 00:33:08,380 WHEN I SIT DOWN, THEY HIT ME IN THE NOSE. 574 00:33:08,480 --> 00:33:11,780 YOU DON'T KNOW HOW TO WEAR THEM. 575 00:33:11,890 --> 00:33:13,890 I LOVE HOOP SKIRTS. 576 00:33:13,990 --> 00:33:16,890 IT'S NICE TO SEE THE ROSES 577 00:33:16,990 --> 00:33:19,390 BACK IN ELLA MAE'S CHEEKS. 578 00:33:19,490 --> 00:33:22,860 THE DOCTOR'S COMING AROUND TO CHECK HER. 579 00:33:22,960 --> 00:33:24,760 I LIKE THIS COLOR. 580 00:33:37,940 --> 00:33:39,410 IT'S FOR YOU. 581 00:33:39,510 --> 00:33:41,380 OH. 582 00:33:41,480 --> 00:33:43,880 A LETTER FROM UNCLE EDMUND. 583 00:33:56,830 --> 00:33:58,360 MOTHER? 584 00:33:58,470 --> 00:33:59,860 OH. 585 00:33:59,970 --> 00:34:04,440 TOM... GO GATHER EVERYBODY INTO THE PARLOR. 586 00:34:09,810 --> 00:34:13,210 UNCLE EDMUND'S LETTER IS ABOUT NERO. 587 00:34:13,310 --> 00:34:17,450 HE WRITES THAT NERO HAS RUN AWAY. 588 00:34:18,990 --> 00:34:22,450 EDMUND HAS SCOURED ST. LOUIS LOOKING FOR HIM. 589 00:34:22,560 --> 00:34:24,120 NERO WAS LOST? 590 00:34:31,500 --> 00:34:33,100 "BUT SAY, 591 00:34:33,200 --> 00:34:36,130 "WHEN I COME IN THE FALL, 592 00:34:36,240 --> 00:34:40,570 I INTEND TO BRING A PUPPY TO TAKE HIS PLACE." 593 00:34:43,310 --> 00:34:45,410 A PUPPY? 594 00:34:45,510 --> 00:34:48,980 OH, YOU'LL LOVE A PUPPY, CAROLINE. 595 00:34:49,080 --> 00:34:52,420 WHAT PUPPY COULD TAKE THE PLACE OF NERO? 596 00:34:52,520 --> 00:34:54,290 OH, CADDIE! 597 00:34:54,390 --> 00:34:56,420 I'M SO SORRY. 598 00:34:56,520 --> 00:34:59,390 UNCLE EDMUND IS SO CARELESS! 599 00:34:59,490 --> 00:35:03,930 I SHOULD NEVER HAVE LET HIM TAKE HIM. 600 00:35:04,030 --> 00:35:05,360 [SOBBING] 601 00:35:09,270 --> 00:35:10,670 LOOK! 602 00:35:10,770 --> 00:35:11,800 NERO! 603 00:35:11,910 --> 00:35:14,010 ARE YOU SURE? 604 00:35:14,110 --> 00:35:17,110 IT'S HIM! I SAW HIM! 605 00:35:17,210 --> 00:35:18,940 WHY DOESN'T HE COME? 606 00:35:19,050 --> 00:35:20,580 MAYBE HE'S HURT. 607 00:35:20,680 --> 00:35:23,150 HE'S GOING INTO THE MARSH! 608 00:35:23,250 --> 00:35:25,620 MA WILL TAN OUR HIDES 609 00:35:25,720 --> 00:35:29,620 IF SHE LEARNS WE WENT INTO THE MARSH. 610 00:35:29,720 --> 00:35:31,060 WE CAN'T SWIM! 611 00:35:31,160 --> 00:35:32,890 WE'VE GOT TO SAVE NERO! 612 00:35:34,260 --> 00:35:37,130 HE'S HEADED FOR THE INDIAN CAMP! 613 00:35:37,230 --> 00:35:40,470 THEY MIGHT MAKE STEW OUT OF HIM! 614 00:35:40,570 --> 00:35:43,100 I HATE DRESSES! 615 00:35:47,140 --> 00:35:49,110 HOLD ON TIGHT, WARREN. 616 00:35:49,210 --> 00:35:51,280 YEAH. DON'T LET GO. 617 00:35:51,380 --> 00:35:54,710 WE SHOULDN'T BE DOING THIS. 618 00:36:00,490 --> 00:36:02,220 WHAT ABOUT QUICK MIRES? 619 00:36:02,320 --> 00:36:03,860 YOU MEAN QUAGMIRES. 620 00:36:03,960 --> 00:36:05,320 OR QUICKSAND. 621 00:36:05,430 --> 00:36:06,860 WHAT ABOUT THEM? 622 00:36:06,960 --> 00:36:10,330 WHAT'S THE MATTER? ARE YOU AFRAID? 623 00:36:10,430 --> 00:36:13,800 DON'T BE A 'SCAREDY CAT', WARREN. 624 00:36:13,900 --> 00:36:15,230 MY DRESS! 625 00:36:15,340 --> 00:36:17,130 YOU'RE IN TROUBLE NOW! 626 00:36:17,240 --> 00:36:21,210 WE'RE GLAD YOU COULD COME FOR DINNER, REVEREND. 627 00:36:21,310 --> 00:36:22,810 I MUST APOLOGIZE. 628 00:36:22,910 --> 00:36:26,810 THE CHILDREN ARE USUALLY SO GOOD ABOUT MEALTIMES. 629 00:36:26,910 --> 00:36:29,450 NO NEED TO APOLOGIZE, MRS. WOODLAWN. 630 00:36:30,980 --> 00:36:34,250 YOU MAY AS WELL SAY GRACE, REVEREND. 631 00:36:34,350 --> 00:36:38,620 AS WE GATHER HERE AMONG OUR BELOVED FRIENDS AND FAMILY, 632 00:36:38,730 --> 00:36:40,560 WE COUNT OUR BLESSINGS. 633 00:37:43,320 --> 00:37:44,720 [HORSE WHINNIES] 634 00:37:59,070 --> 00:38:01,040 THAT'S NOT NERO. 635 00:38:01,140 --> 00:38:02,610 I WAS SURE. 636 00:38:02,710 --> 00:38:05,210 WHAT IF THEY CATCH US? 637 00:38:05,310 --> 00:38:08,980 THEY'LL HAVE THREE NEW SCALPS FOR THEIR COLLECTION. 638 00:38:09,080 --> 00:38:12,580 THEY DON'T EVEN KNOW WE'RE HERE. 639 00:38:12,690 --> 00:38:15,790 YOU LEAVE MY BROTHERS ALONE! 640 00:38:15,890 --> 00:38:17,560 KEHTANA! 641 00:38:17,660 --> 00:38:18,590 KEHTANA! 642 00:38:18,690 --> 00:38:21,090 LET ME GO! 643 00:38:24,100 --> 00:38:25,700 [SPEAKING INDIAN LANGUAGE] 644 00:38:57,700 --> 00:39:01,100 YOU THINK WE'RE GOING TO GET SCALPED? 645 00:39:01,200 --> 00:39:05,540 I'M SORRY FOR EVERYTHING I EVER SAID TO YOU. 646 00:39:05,640 --> 00:39:07,670 ME, TOO. 647 00:39:17,720 --> 00:39:19,950 YOU ARE ON DAKOTA LAND. 648 00:39:20,050 --> 00:39:22,150 WHO ARE YOU? 649 00:39:24,190 --> 00:39:27,860 CAROLINE AUGUSTA WOODLAWN, SIR. 650 00:39:27,960 --> 00:39:31,430 THESE ARE MY BROTHERS, TOM AND WARREN. 651 00:39:31,530 --> 00:39:33,600 WE COME IN PEACE. 652 00:39:34,630 --> 00:39:38,240 YOU ARE THE CHILD OF JOHN WOODLAWN? 653 00:39:40,210 --> 00:39:41,710 YES. 654 00:39:43,080 --> 00:39:45,940 WE'D LIKE TO GO HOME NOW. 655 00:39:55,350 --> 00:39:58,790 YOU HAVE HAIR LIKE FIRE. 656 00:40:30,090 --> 00:40:35,330 I AM TUKENBHESKA, CHIEF OF THE DAKOTA. 657 00:40:35,430 --> 00:40:38,960 PLEASE, DO NOT HURT US, CHIEF. 658 00:40:39,070 --> 00:40:44,000 FEAR IS YOUR ONLY ENEMY, CAROLINE AUGUSTA WOODLAWN, 659 00:40:44,100 --> 00:40:47,840 AS FEAR BECOMES THE ENEMY OF MY PEOPLE. 660 00:40:47,940 --> 00:40:51,610 WE NEED NOT FEAR CHILDREN. 661 00:40:53,150 --> 00:40:55,050 HMM. 662 00:41:12,770 --> 00:41:15,330 HOW ARE THINGS AT THE MILL? 663 00:41:15,430 --> 00:41:18,170 IT'S A YEAR-ROUND OPERATION, REVEREND. 664 00:41:18,270 --> 00:41:21,340 WE'VE KEPT THE MEN WORKING THIS SUMMER. 665 00:41:21,440 --> 00:41:25,010 THE GOOD LORD HAS BESTOWED HIS GRACE. 666 00:41:26,280 --> 00:41:27,980 CADDIE. 667 00:41:30,280 --> 00:41:34,150 CAROLINE AUGUSTA WOODLAWN. 668 00:41:34,250 --> 00:41:36,120 GOOD EVENING, REVEREND TANNER. 669 00:41:36,220 --> 00:41:39,460 NICE TO SEE YOU AGAIN. 670 00:41:39,560 --> 00:41:44,000 THESE HAZELNUTS ARE FOR YOU, MOTHER. 671 00:41:44,100 --> 00:41:45,400 I'M SORRY. 672 00:41:45,500 --> 00:41:47,630 WHERE HAVE YOU BEEN? 673 00:41:47,730 --> 00:41:49,200 AN INDIAN CAMP. 674 00:41:49,300 --> 00:41:52,070 I SAW CHIEF TUKENBHESKA. 675 00:41:52,170 --> 00:41:54,040 YOU SAW TUKENBHESKA? 676 00:41:54,140 --> 00:41:57,410 YOU'RE LUCKY TO BE ALIVE, GIRL. 677 00:41:57,510 --> 00:41:58,810 AND YOUR BROTHERS? 678 00:41:58,910 --> 00:42:00,540 TOM! 679 00:42:00,650 --> 00:42:02,950 AND WHAT ARE YOU WEARING? 680 00:42:03,050 --> 00:42:05,080 WHERE ARE YOUR CLOTHES? 681 00:42:05,180 --> 00:42:07,650 WELL, I SORT OF LOST THEM... 682 00:42:07,750 --> 00:42:10,090 CROSSING THE MARSH. 683 00:42:10,190 --> 00:42:12,790 THE MARSH? 684 00:42:12,890 --> 00:42:15,360 THE CHIEF GAVE ME THIS SKIRT 685 00:42:15,460 --> 00:42:17,190 AND THIS VEST. 686 00:42:17,300 --> 00:42:19,330 I FEEL LIKE AN INDIAN. 687 00:42:19,430 --> 00:42:22,370 NOT IN THIS HOUSE, YOUNG LADY. 688 00:42:22,470 --> 00:42:23,840 GET WASHED. 689 00:42:23,940 --> 00:42:26,440 GET IN A DRESS IMMEDIATELY. 690 00:42:28,740 --> 00:42:32,040 REVEREND, I'M SO SORRY. 691 00:42:32,150 --> 00:42:35,410 I HOPE YOU WILL NOT CONSIDER THIS 692 00:42:35,510 --> 00:42:38,350 A REFLECTION ON THE BOSTON FAMILY. 693 00:42:38,450 --> 00:42:43,490 IT SEEMS YOUNG ANNABELLE WOULD BE AN EXCELLENT TUTOR 694 00:42:43,590 --> 00:42:48,190 IF WE'RE EVER GOING TO MAKE A LADY OUT OF CAROLINE. 695 00:42:48,290 --> 00:42:49,690 WOULDN'T YOU AGREE? 696 00:42:49,800 --> 00:42:50,860 I AGREE COMPLETELY. 697 00:42:50,960 --> 00:42:52,930 YOU'LL HAVE TO SPEAK 698 00:42:53,030 --> 00:42:55,430 WITH MY HUSBAND ABOUT THAT. 699 00:42:55,530 --> 00:42:59,070 YES, PERHAPS IT IS MY FAULT, REVEREND. 700 00:42:59,170 --> 00:43:02,570 I LET CADDIE RUN WITH THE BOYS 701 00:43:02,680 --> 00:43:05,510 INSTEAD OF STAYING IN THE HOUSE, 702 00:43:05,610 --> 00:43:07,880 BAKING BREAD, DIPPING CANDLES. 703 00:43:07,980 --> 00:43:11,380 PERHAPS YOU REMEMBER HOW FRAIL CADDIE WAS 704 00:43:11,480 --> 00:43:14,920 WHEN WE FIRST MOVED HERE FROM BOSTON, 705 00:43:15,020 --> 00:43:18,860 EVEN PALER AND THINNER THAN HER POOR SISTER. 706 00:43:18,960 --> 00:43:22,090 WHEN WE LOST LITTLE MARY SO SUDDENLY, 707 00:43:22,200 --> 00:43:27,560 I DECIDED CADDIE SHOULD BE OUT IN THE FRESH AIR. 708 00:43:27,670 --> 00:43:33,870 I'D RATHER SHE LEARN STRENGTH OF CHARACTER AND INDEPENDENCE. 709 00:43:33,970 --> 00:43:37,640 NOW SHE IS SO HEALTHY AND FIT-- 710 00:43:37,740 --> 00:43:40,010 MAYBE A LITTLE HEADSTRONG-- 711 00:43:40,110 --> 00:43:42,210 BUT SHE IS HAPPY... 712 00:43:42,320 --> 00:43:44,680 ENJOYING HER LIFE. 713 00:43:48,220 --> 00:43:49,650 [HARRIET] WARREN... 714 00:43:49,760 --> 00:43:51,960 ONE MOUTHFUL AT A TIME. 715 00:43:52,060 --> 00:43:55,630 LITTLE CROW HAS STAGED BRUTAL ATTACKS 716 00:43:55,730 --> 00:43:58,030 ACROSS THE MISSISSIPPI RIVER. 717 00:43:58,130 --> 00:43:59,500 HE SAYS HOMESTEADERS 718 00:43:59,600 --> 00:44:02,030 ARE MOVING ON HIS LANDS. 719 00:44:02,140 --> 00:44:03,370 ARE THEY? 720 00:44:03,470 --> 00:44:04,740 YES, UNFORTUNATELY. 721 00:44:04,840 --> 00:44:06,300 TROUBLE'S EVEN CLOSER. 722 00:44:06,410 --> 00:44:09,410 THE McCLARENS IN THE NEXT COUNTY 723 00:44:09,510 --> 00:44:12,180 HAD THEIR BARN BURNED. 724 00:44:12,280 --> 00:44:14,580 FOLKS UP NORTH GOT KILLED. 725 00:44:14,680 --> 00:44:16,910 THAT DOESN'T SURPRISE ME. 726 00:44:17,020 --> 00:44:21,250 EVERY TOWN I VISIT IN WISCONSIN IS NERVOUS. 727 00:44:22,890 --> 00:44:25,820 IF SETTLERS HERE STAYED OFF DAKOTA GROUNDS 728 00:44:25,930 --> 00:44:27,860 THERE WON'T BE TROUBLE. 729 00:44:27,960 --> 00:44:30,860 INDIANS ARE THE ROOT OF IT-- 730 00:44:30,960 --> 00:44:33,000 SPREADING FEAR AND DREAD. 731 00:44:33,100 --> 00:44:34,470 CHIEF TUKENBHESKA SAID-- 732 00:44:34,570 --> 00:44:36,130 YOUNG LADIES LISTEN. 733 00:44:36,240 --> 00:44:37,270 THEY DON'T SPEAK 734 00:44:37,370 --> 00:44:39,640 UNLESS THEY'RE SPOKEN TO. 735 00:44:39,740 --> 00:44:43,680 THE CHIEF SAID FEAR IS OUR ONLY ENEMY. 736 00:44:43,780 --> 00:44:45,440 CADDIE! 737 00:44:45,540 --> 00:44:47,850 ALL THINGS CONSIDERED, 738 00:44:47,950 --> 00:44:51,020 WE SHOULD STAY CLEAR OF THEM. 739 00:44:51,120 --> 00:44:52,450 LET THOSE SAVAGES 740 00:44:52,550 --> 00:44:54,390 TEND TO THEIR OWN BUSINESS. 741 00:44:54,490 --> 00:44:57,020 WE'LL TAKE CARE OF OURS. 742 00:45:01,430 --> 00:45:03,030 [OWL HOOTING] 743 00:45:07,370 --> 00:45:08,870 [KNOCK ON DOOR] 744 00:45:19,510 --> 00:45:21,050 JOHN WOODLAWN. 745 00:45:32,890 --> 00:45:34,390 CHIEF TUKENBHESKA. 746 00:45:41,370 --> 00:45:42,830 [HORSE NEIGHS] 747 00:45:42,940 --> 00:45:46,340 THERE'S ANOTHER JUST LIKE HIM OUT THERE. 748 00:45:46,440 --> 00:45:49,470 IT'S ALL RIGHT. PUT YOUR GUN AWAY. 749 00:45:49,580 --> 00:45:51,680 I'LL BE OUTSIDE KEEPING AN EYE ON THINGS. 750 00:45:56,250 --> 00:45:57,850 HMM. 751 00:45:59,790 --> 00:46:01,220 UM. 752 00:46:01,320 --> 00:46:04,860 GIRLS, GO ON UP TO BED NOW. 753 00:46:07,560 --> 00:46:08,960 PLEASE. 754 00:46:09,060 --> 00:46:10,630 PLEASE, SIT DOWN. 755 00:46:24,180 --> 00:46:26,780 I'M HONORED BY YOUR VISIT. 756 00:46:28,110 --> 00:46:31,050 WHAT CAN I DO FOR YOU? 757 00:46:31,990 --> 00:46:33,550 WHEN SETTLERS COME... 758 00:46:35,090 --> 00:46:37,150 THEY TAKE DAKOTA LAND. 759 00:46:37,260 --> 00:46:40,960 THEY HUNT OUR GAME. 760 00:46:41,060 --> 00:46:44,500 NOW WE MUST TRAVEL FAR FOR FOOD. 761 00:46:44,600 --> 00:46:46,600 OUR GUNS ARE OLD. 762 00:46:48,370 --> 00:46:49,830 NOT GOOD. 763 00:46:58,380 --> 00:47:00,310 THE SPRING LOCK IS BROKEN 764 00:47:00,410 --> 00:47:03,110 ON THIS MUSKET, CHIEF. 765 00:47:03,220 --> 00:47:08,820 I DON'T BELIEVE IT'S EVEN SAFE TO FIRE THIS GUN. 766 00:47:09,790 --> 00:47:11,160 IT'S ALL RIGHT. 767 00:47:15,830 --> 00:47:17,830 MY CHILD WAS TAKEN 768 00:47:17,930 --> 00:47:21,300 IN THE MOON OF THE WHITE EARTH. 769 00:47:21,400 --> 00:47:23,970 WE HAD NO FOOD. 770 00:47:24,070 --> 00:47:26,770 SHE DIED FROM STARVATION? 771 00:47:26,870 --> 00:47:28,070 MM-HMM. 772 00:47:29,480 --> 00:47:31,580 [SPEAKS INDIAN LANGUAGE] 773 00:47:31,680 --> 00:47:34,650 MY HEART IS ON THE GROUND. 774 00:47:34,750 --> 00:47:38,150 SOON MANY MORE DAKOTA WILL ANSWER 775 00:47:38,250 --> 00:47:41,290 THE CALL OF THE GREAT SPIRIT 776 00:47:41,390 --> 00:47:43,960 AND FOLLOW MY DAUGHTER... 777 00:47:46,260 --> 00:47:48,330 UNLESS WE HAVE BETTER GUNS. 778 00:47:48,430 --> 00:47:52,660 YOU WANT ME TO FIX YOUR GUNS. 779 00:47:55,870 --> 00:47:59,640 THE SIOUX UP NORTH ARE ON THE WARPATH. 780 00:47:59,740 --> 00:48:01,670 SETTLERS ARE AFRAID 781 00:48:01,770 --> 00:48:04,210 THAT THE DAKOTAS MIGHT ATTACK 782 00:48:04,310 --> 00:48:06,240 THEIR HOMESTEADS HERE. 783 00:48:06,350 --> 00:48:07,810 PEACE-- 784 00:48:07,910 --> 00:48:09,450 [SPEAKS INDIAN LANGUAGE]-- 785 00:48:09,550 --> 00:48:11,580 IS MY WISH. 786 00:48:11,680 --> 00:48:14,350 BUT ONE OF MY BRAVES, KEHTANA-- 787 00:48:14,590 --> 00:48:16,420 HE HAS FEAR. 788 00:48:16,520 --> 00:48:20,520 HE SAYS TO LIVE IN PEACE WITH WHITE SETTLERS 789 00:48:20,630 --> 00:48:22,160 IS TO DIE. 790 00:48:22,260 --> 00:48:25,330 DO MANY OF YOUR PEOPLE AGREE? 791 00:48:25,430 --> 00:48:29,600 DO YOU THINK THEY WOULD FOLLOW KEHTANA? 792 00:48:29,700 --> 00:48:32,270 I AM CHIEF OF DAKOTA. 793 00:48:32,370 --> 00:48:34,670 THERE WILL BE NO WAR. 794 00:48:34,770 --> 00:48:36,640 [SPEAKS INDIAN LANGUAGE] 795 00:48:37,980 --> 00:48:39,340 IT IS MY WORD. 796 00:48:39,450 --> 00:48:42,710 I'M SURE HE MEANS IT, FATHER. 797 00:48:44,580 --> 00:48:46,220 THANK YOU. 798 00:48:46,320 --> 00:48:49,990 HARRIET, PLEASE ASK IRETON TO GET A DOZEN TURKEYS 799 00:48:50,090 --> 00:48:53,490 FOR THE CHIEF TO TAKE WITH HIM. 800 00:48:53,590 --> 00:48:57,930 IT ISN'T MUCH, BUT IT'LL HELP NOW-- 801 00:48:58,030 --> 00:49:01,030 AND A COUPLE OF BUSHELS OF POTATOES. 802 00:49:01,130 --> 00:49:02,400 NOW... 803 00:49:02,500 --> 00:49:07,000 I'LL TAKE A BETTER LOOK AT THIS GUN. 804 00:49:10,240 --> 00:49:13,640 ARE THEY ALL AS BAD AS THIS? 805 00:49:18,950 --> 00:49:21,490 BRING YOUR GUNS TO ME. 806 00:49:21,590 --> 00:49:25,020 I WILL TRY TO FIX THEM. 807 00:49:25,120 --> 00:49:27,860 I CAN'T TURN THEM INTO CARBINES, 808 00:49:27,960 --> 00:49:31,860 BUT THEY'LL BE MORE DEPENDABLE THAN THIS. 809 00:49:31,960 --> 00:49:49,080 HMM. 810 00:49:49,580 --> 00:49:52,280 WHOA. WHOA. COME ON. COME ON. 811 00:49:52,390 --> 00:49:57,720 COME ON. COME. 812 00:49:57,820 --> 00:49:59,160 CADDIE. 813 00:49:59,260 --> 00:50:01,090 MORNING, MR. TORGORSON. 814 00:50:01,190 --> 00:50:03,030 MORNING, OSKAR. 815 00:50:03,130 --> 00:50:05,130 JOHN. 816 00:50:06,130 --> 00:50:07,930 ROBERT. 817 00:50:08,030 --> 00:50:10,870 HOW ABOUT A COOKIE, CADDIE? 818 00:50:10,970 --> 00:50:12,240 STOP THAT, OLAF, 819 00:50:12,340 --> 00:50:14,240 OR I'LL FLATTEN YOU. 820 00:50:14,340 --> 00:50:16,840 JUST TRY, WHY DON'T YOU? 821 00:50:16,940 --> 00:50:18,910 OLAF, BACK TO YOUR CHORES. 822 00:50:19,010 --> 00:50:21,510 AND STOP BOTHERING PEOPLE. 823 00:50:30,160 --> 00:50:33,460 BOY, IF I HAD A SILVER DOLLAR, 824 00:50:33,560 --> 00:50:37,090 I'D SURE KNOW HOW TO SPEND IT. 825 00:50:39,730 --> 00:50:41,600 HEY, HOW ABOUT THAT? 826 00:50:41,700 --> 00:50:43,600 OH, MY. 827 00:50:44,900 --> 00:50:48,410 YOU WANT TO SEE THE MUSIC BOX? 828 00:50:48,510 --> 00:50:49,540 YES. 829 00:50:53,250 --> 00:50:54,680 [MUSIC PLAYS] 830 00:50:57,480 --> 00:51:00,280 HOW DOES IT WORK? 831 00:51:00,390 --> 00:51:03,290 IT HAS MANY GEARS INSIDE. 832 00:51:03,390 --> 00:51:05,990 IS VERY COMPLICATED. 833 00:51:06,090 --> 00:51:08,990 OLAF, HAVEN'T YOU FINISHED FILLING THOSE BINS? 834 00:51:09,100 --> 00:51:10,690 BUT, FATHER... 835 00:51:10,800 --> 00:51:13,760 I DON'T WANT TO HEAR ANOTHER EXCUSE! 836 00:51:13,870 --> 00:51:16,930 I BET ANY GIRL WOULD LIKE THIS. 837 00:51:17,040 --> 00:51:18,870 SURE WOULD, 838 00:51:18,970 --> 00:51:22,510 BUT I CAN'T MAKE UP MY MIND. 839 00:51:22,610 --> 00:51:25,480 I WANT TO BE SURE. 840 00:51:25,580 --> 00:51:27,640 YOU'RE NEVER GOING TO SPEND THAT DOLLAR. 841 00:51:27,750 --> 00:51:30,050 HEY! 842 00:51:30,150 --> 00:51:33,220 WHAT ARE YOU DOING HERE? 843 00:51:33,320 --> 00:51:35,290 [CADDIE] IT'S ONE OF THE HANKINSONS. 844 00:51:36,220 --> 00:51:38,720 WHY CAN'T HE STAY? 845 00:51:39,830 --> 00:51:41,530 [BELL CLANGING] 846 00:51:42,860 --> 00:51:44,760 OH, HOW EXCITING. 847 00:51:44,860 --> 00:51:48,770 THE FIRST DAY OF SCHOOL IN THE WILD WEST. 848 00:51:48,870 --> 00:51:51,400 WHY DO YOU GO IN SUMMER? 849 00:51:51,500 --> 00:51:55,410 MISS PARKER TEACHES IN DURAND IN THE SPRING. 850 00:51:55,510 --> 00:51:57,770 THERE'S ONLY ONE TEACHER? 851 00:51:57,880 --> 00:52:00,080 HOW MANY DO YOU NEED? 852 00:52:00,180 --> 00:52:02,580 HOW CAN ONE PERSON KNOW 853 00:52:02,680 --> 00:52:04,150 EVERYTHING THERE IS TO LEARN? 854 00:52:04,250 --> 00:52:06,720 THAT'S TRUE. 855 00:52:06,820 --> 00:52:09,690 FOR ONCE YOU'RE RIGHT, COUSIN ANNABELLE. 856 00:52:09,790 --> 00:52:10,950 CADDIE. 857 00:52:11,060 --> 00:52:12,660 TOM. 858 00:52:12,760 --> 00:52:16,930 LITTLE WARREN, YOU'LL BE WITH US THIS YEAR. 859 00:52:17,030 --> 00:52:18,330 AND THIS IS? 860 00:52:18,430 --> 00:52:21,500 THIS IS MY COUSIN, ANNABELLE, FROM BOSTON 861 00:52:21,600 --> 00:52:25,540 SHE WANTS TO SEE OUR QUAINT LITTLE SCHOOL. 862 00:52:25,640 --> 00:52:28,740 I SHALL BE STARTING FINISHING SCHOOL IN BOSTON. 863 00:52:28,840 --> 00:52:33,440 WE'RE HONORED TO HAVE YOU HERE, MISS GREY. 864 00:52:33,550 --> 00:52:34,650 DO COME IN. 865 00:52:44,060 --> 00:52:45,920 OH. 866 00:52:46,020 --> 00:52:48,560 ONLY ONE ROOM? 867 00:52:48,660 --> 00:52:51,430 OH, HOW ABSOLUTELY PRIMITIVE. 868 00:52:51,530 --> 00:52:53,660 WHERE SHALL WE SIT? 869 00:52:53,770 --> 00:52:55,970 I SIT WITH MY FRIENDS. 870 00:52:56,070 --> 00:52:58,770 YOU CAN SIT ANYWHERE YOU WANT. 871 00:52:58,870 --> 00:53:02,570 WHAT? NO APPLE FOR THE TEACHER, CADDIE? 872 00:53:07,750 --> 00:53:15,250 HI, PETE. 873 00:53:15,350 --> 00:53:19,460 WHERE DO YOU THINK YOU'RE SITTING, INJUN? 874 00:53:19,560 --> 00:53:21,990 GET OUT OF MY SEAT. 875 00:53:22,090 --> 00:53:24,060 I SPOKE FOR IT. 876 00:53:24,160 --> 00:53:26,900 YOU BETTER GET BACK THERE 877 00:53:27,000 --> 00:53:29,270 WHERE YOU WON'T WRECK MY VIEW. 878 00:53:29,370 --> 00:53:30,970 NOW! 879 00:53:31,070 --> 00:53:32,570 YOU, TOO. 880 00:53:34,270 --> 00:53:36,670 OLAF TORGORSON, HOW DARE YOU? 881 00:53:49,820 --> 00:53:52,320 AHEM. 882 00:53:59,230 --> 00:54:00,100 [ANNABELLE] HELLO. 883 00:54:00,830 --> 00:54:03,470 I'M ANNABELLE GREY FROM BOSTON. 884 00:54:03,570 --> 00:54:07,470 MOST PLEASED TO MAKE YOUR ACQUAINTANCE, I'M SURE. 885 00:54:11,010 --> 00:54:12,510 HA HA. 886 00:54:12,610 --> 00:54:15,050 GIVE ME BACK MY CHAPEAU. 887 00:54:15,410 --> 00:54:17,110 YOUR WHAT? 888 00:54:17,220 --> 00:54:20,550 HER HAT, OLAF TORGORSON. GIVE IT BACK. 889 00:54:20,650 --> 00:54:22,190 GIVE IT BACK. 890 00:54:22,290 --> 00:54:24,390 GIVE IT BACK! 891 00:54:24,490 --> 00:54:25,260 MISS PARKER! 892 00:54:25,360 --> 00:54:28,690 CADDIE, YOU'RE STRONGER THAN THAT. 893 00:54:28,790 --> 00:54:29,530 LET HER GO. 894 00:54:29,630 --> 00:54:33,330 WHO ASKED YOU, HALF-BREED? 895 00:54:33,430 --> 00:54:34,930 [MISS PARKER] OLAF TORGORSON! 896 00:54:35,030 --> 00:54:36,070 CAROLINE WOODLAWN! 897 00:54:38,470 --> 00:54:41,340 SHE STARTED IT. SHE HIT ME. 898 00:54:41,440 --> 00:54:43,340 HE TOOK ANNABELLE'S HAT. 899 00:54:43,440 --> 00:54:45,780 I'M GLAD I SMACKED HIM. 900 00:54:45,880 --> 00:54:49,380 I DON'T HAVE TO LISTEN TO GIRLS, 901 00:54:49,480 --> 00:54:51,010 NOT EVEN YOU! 902 00:54:51,120 --> 00:54:51,880 OH! 903 00:54:51,980 --> 00:54:55,450 OLAF TORGORSON, THAT IS ENOUGH. 904 00:54:55,550 --> 00:54:59,490 NOW I'LL SHOW YOU WHO'S IN CHARGE. IN THE WOODSHED! 905 00:54:59,590 --> 00:55:03,230 AS FOR YOU, CAROLINE WOODLAWN, 906 00:55:03,330 --> 00:55:06,460 YOUR MOTHER WILL HEAR ABOUT THIS. 907 00:55:06,570 --> 00:55:08,400 "SHE AND OLAF TORGORSON 908 00:55:08,500 --> 00:55:09,930 "HAD A SCUFFLE. 909 00:55:10,040 --> 00:55:12,470 "WE MUST ATTEND TO THIS. 910 00:55:12,570 --> 00:55:14,000 MISS PARKER." 911 00:55:14,110 --> 00:55:16,010 BEING A RUFFIAN AT SCHOOL? 912 00:55:16,110 --> 00:55:17,940 I'M ASHAMED OF YOU. 913 00:55:18,040 --> 00:55:19,180 HE STARTED IT. 914 00:55:19,280 --> 00:55:21,180 OLAF TOOK MY HAT. 915 00:55:21,280 --> 00:55:23,250 IT WAS RATHER HEROIC. 916 00:55:23,350 --> 00:55:26,480 THERE IS NO EXCUSE FOR SCRAPPING. 917 00:55:26,590 --> 00:55:29,490 A YOUNG LADY NEVER RESORTS TO FIGHTING. 918 00:55:29,590 --> 00:55:31,490 EVEN WHEN SOMEONE'S DOING 919 00:55:31,590 --> 00:55:33,390 WHAT THEY SHOULDN'T? 920 00:55:33,490 --> 00:55:35,390 UNDER ANY CIRCUMSTANCES. 921 00:55:35,490 --> 00:55:37,530 NOW PUT THIS ON. 922 00:55:37,630 --> 00:55:41,300 ANNABELLE WILL TEACH YOU TO ROLL OUT DOUGH. 923 00:55:41,400 --> 00:55:44,940 I CAN KEEP AN EYE ON YOU HERE. 924 00:55:49,740 --> 00:55:53,080 IT'S QUITE SIMPLE, REALLY. 925 00:55:56,980 --> 00:56:00,480 I GOT YOU IN TROUBLE, DIDN'T I? 926 00:56:00,590 --> 00:56:03,220 NEVER MIND. IT'S NOT YOUR FAULT. 927 00:56:03,320 --> 00:56:05,190 MY WORD. 928 00:56:05,290 --> 00:56:08,120 YOU STOOD UP TO THAT BULLY. 929 00:56:08,230 --> 00:56:11,430 WHEN I'M FEELING LOW, 930 00:56:11,530 --> 00:56:12,930 I GO OUT 931 00:56:13,030 --> 00:56:15,430 AND BUY MYSELF SOMETHING NICE. 932 00:56:15,530 --> 00:56:17,730 MAYBE A NEW HAT. 933 00:56:18,740 --> 00:56:21,940 I DON'T WANT A NEW HAT, 934 00:56:22,040 --> 00:56:24,440 BUT MAYBE I WILL BUY MYSELF SOMETHING. 935 00:56:24,540 --> 00:56:26,310 TAKE COVER! GET DOWN! 936 00:56:26,610 --> 00:56:28,410 WHAT IS IT, ROBERT? 937 00:56:28,510 --> 00:56:32,550 INDIANS-- HUNDREDS OF THEM. 938 00:56:32,650 --> 00:56:34,380 WHAT'S GOING ON? 939 00:56:36,090 --> 00:56:38,350 [CADDIE] FATHER'S OUT THERE. 940 00:56:38,460 --> 00:56:40,620 GOOD HEAVENS! 941 00:56:44,000 --> 00:56:46,330 ROBERT, PUT THAT THING AWAY. 942 00:56:46,630 --> 00:56:47,400 STAY THERE, CADDIE! 943 00:56:47,500 --> 00:56:49,770 LET ME GO! 944 00:56:49,870 --> 00:56:51,870 LET HER GO, IRETON. 945 00:57:18,600 --> 00:57:19,730 [SPEAKS INDIAN LANGUAGE] 946 00:57:20,100 --> 00:57:22,470 JOHN WOODLAWN. 947 00:57:22,570 --> 00:57:24,870 [SPEAKS INDIAN LANGUAGE] 948 00:57:41,890 --> 00:57:42,950 KEHTANA. 949 00:57:43,060 --> 00:57:45,520 [SPEAKS INDIAN LANGUAGE] 950 00:57:55,470 --> 00:57:59,240 [SPEAKS INDIAN LANGUAGE] 951 00:58:24,100 --> 00:58:27,060 IT'LL TAKE ME A FEW DAYS. 952 00:58:27,170 --> 00:58:29,630 [SPEAKS INDIAN LANGUAGE] 953 00:58:32,240 --> 00:58:34,740 ROBERT, HELP ME GET THESE TO THE BARN. 954 00:58:39,880 --> 00:58:44,010 COULD JUST AS EASY HAVE BEEN A WAR PARTY. 955 00:58:44,120 --> 00:58:47,950 YOU KNEW I AGREED TO FIX THEIR GUNS. 956 00:58:55,590 --> 00:58:57,890 OSKAR? 957 00:58:58,000 --> 00:59:01,830 DO YOU HAVE TWO DOZEN MUSKET SPRING LOCKS? 958 00:59:01,930 --> 00:59:03,130 I'LL HAVE TO CHECK. 959 00:59:03,240 --> 00:59:06,600 NOT MUCH CALL FOR THEM. 960 00:59:10,410 --> 00:59:12,480 I KNOW YOU'RE GOING TO REGRET THIS. 961 00:59:12,580 --> 00:59:16,780 I JUST FEEL IT IN MY BONES. 962 00:59:16,880 --> 00:59:18,980 THAT'S A LOT. YOU STARTING A WAR? 963 00:59:19,080 --> 00:59:23,550 I'M GIVING THEM TO THE DAKOTAS. 964 00:59:25,290 --> 00:59:26,760 YOU'RE WHAT? 965 00:59:26,860 --> 00:59:29,960 THEY'VE BARELY BEEN ABLE TO BAG ENOUGH GAME SURVIVE. 966 00:59:30,060 --> 00:59:32,730 IS THAT SO? 967 00:59:35,770 --> 00:59:39,540 I CAN'T LET YOU HAVE THOSE, JOHN, 968 00:59:39,640 --> 00:59:41,540 TO GIVE THEM TO SAVAGES. 969 00:59:41,640 --> 00:59:44,140 THE DAKOTAS ARE PEACEFUL. 970 00:59:44,240 --> 00:59:46,510 WE GIVE OUR NEIGHBORS HELP 971 00:59:46,610 --> 00:59:48,980 WHEN TIMES ARE HARD. 972 00:59:49,080 --> 00:59:50,710 THEY ARE SAVAGES. 973 00:59:50,820 --> 00:59:53,520 PUT THOSE BACK ON THE COUNTER. 974 00:59:53,620 --> 00:59:57,650 NO, OSKAR. PUT THESE ON MY ACCOUNT. 975 00:59:57,760 --> 00:59:59,820 GOOD DOING BUSINESS WITH YOU. 976 00:59:59,930 --> 01:00:01,860 COME ON, CADDIE. 977 01:00:13,640 --> 01:00:16,070 PETE, IT'S YOUR PA. 978 01:00:22,410 --> 01:00:24,080 HA HA. HA HA. 979 01:00:24,880 --> 01:00:26,520 I CAN'T SEE. 980 01:00:27,190 --> 01:00:29,320 [MISS PARKER] CHILDREN! 981 01:00:29,420 --> 01:00:30,890 CHILDREN! 982 01:00:30,990 --> 01:00:32,760 PA, WHAT ARE YOU DOING? 983 01:00:32,860 --> 01:00:35,630 I'M TAKING THE MULE! 984 01:00:35,730 --> 01:00:37,390 GET AWAY! 985 01:00:38,500 --> 01:00:40,360 WE HAVE BUSINESS 986 01:00:40,470 --> 01:00:42,000 OF OUR OWN, CHILDREN. 987 01:00:42,100 --> 01:00:44,200 HOW WILL WE GET TO SCHOOL? 988 01:00:44,300 --> 01:00:47,200 YOU HAVE FEET, WALK! 989 01:00:47,310 --> 01:00:50,210 PLEASE SIT DOWN. 990 01:00:50,310 --> 01:00:54,040 GRADE ONE, I'LL CHECK YOUR ALPHABET NEXT. 991 01:00:54,150 --> 01:00:56,580 GRADE TWO, YOU SHOULD FINISH 992 01:00:56,680 --> 01:00:58,510 YOUR ARITHMETIC. 993 01:00:58,620 --> 01:00:59,820 CAROLINE! 994 01:00:59,920 --> 01:01:02,490 WOULD YOU PLEASE BE SEATED? 995 01:01:02,590 --> 01:01:04,090 CAROLINE. 996 01:01:08,760 --> 01:01:09,860 HA HA. 997 01:01:15,230 --> 01:01:16,400 [STUDENT] HE'S CRYING. 998 01:01:22,670 --> 01:01:24,240 HA HA HA. HA HA HA. 999 01:01:24,340 --> 01:01:26,040 EYES ON YOUR WORK. 1000 01:01:26,140 --> 01:01:28,180 NOW I SEEN EVERYTHING. 1001 01:01:28,280 --> 01:01:30,750 I SEEN AN INJUN CRYING. 1002 01:01:30,850 --> 01:01:32,680 THAT'S ENOUGH, OLAF. 1003 01:01:35,390 --> 01:01:37,590 PETE? 1004 01:01:39,290 --> 01:01:41,060 PETE. 1005 01:01:41,160 --> 01:01:42,960 PA TOOK OUR MULE. 1006 01:01:51,440 --> 01:01:53,870 [CLOCK CHIMES 3:00] 1007 01:02:06,580 --> 01:02:07,950 CADDIE? 1008 01:02:08,050 --> 01:02:09,950 HEAD BACK WITHOUT ME. 1009 01:02:10,060 --> 01:02:11,960 I HAVE STUFF TO DO. 1010 01:02:12,060 --> 01:02:14,020 AGAIN? 1011 01:02:14,130 --> 01:02:18,490 SO? 1012 01:02:18,600 --> 01:02:20,930 I'LL SEE YOU AT SUPPERTIME. 1013 01:02:21,030 --> 01:02:22,500 HEY, PETE! 1014 01:02:22,600 --> 01:02:24,870 ARE YOU WALKING HOME? 1015 01:02:24,970 --> 01:02:26,500 YEAH. 1016 01:02:26,600 --> 01:02:31,040 WHERE DID YOUR FATHER TAKE YOUR MULE? 1017 01:02:31,140 --> 01:02:33,040 MINNESOTA OR SOMEPLACE. 1018 01:02:33,150 --> 01:02:37,510 MY UNCLE TOOK MY DOG, NERO, TO ST. LOUIS. 1019 01:02:37,620 --> 01:02:40,450 IT'S A LONG WALK TO SCHOOL. 1020 01:02:40,550 --> 01:02:43,290 YOUR PA COMING BACK SOON? 1021 01:02:43,390 --> 01:02:45,890 DEPENDS. 1022 01:02:51,330 --> 01:02:53,930 HE JUST TOOK THEIR MULE 1023 01:02:54,030 --> 01:02:55,500 TO MINNESOTA OR SOMEWHERE. 1024 01:02:55,600 --> 01:02:59,540 WHO WATCHES AFTER THEM, MOTHER? 1025 01:02:59,640 --> 01:03:03,640 THEY DON'T EVEN HAVE SHOES. 1026 01:03:03,740 --> 01:03:06,140 EVERYBODY AT SCHOOL IS MEAN TO THEM. 1027 01:03:06,240 --> 01:03:09,510 THEY EVEN LAUGHED AT THEM. 1028 01:03:09,610 --> 01:03:11,480 THE MISFORTUNE OF OTHERS 1029 01:03:11,580 --> 01:03:13,980 MAKES PEOPLE FEEL NERVOUS, 1030 01:03:14,090 --> 01:03:17,020 AFRAID OF THINGS THEY DON'T UNDERSTAND. 1031 01:03:17,120 --> 01:03:19,660 WATCH WHAT YOU'RE DOING, DEAR. 1032 01:03:19,760 --> 01:03:22,530 THERE'S NOTHING TO BE AFRAID OF! 1033 01:03:22,630 --> 01:03:24,630 THEY'RE ONLY LITTLE BOYS. 1034 01:03:24,730 --> 01:03:26,860 WELL, SOMETIMES PEOPLE ARE AFRAID 1035 01:03:26,970 --> 01:03:30,530 OF WHAT OTHERS MAY THINK. 1036 01:03:30,640 --> 01:03:32,270 I'M NOT AFRAID. 1037 01:03:32,370 --> 01:03:36,010 ARE YOU? 1038 01:03:36,110 --> 01:03:38,010 CADDIE WOODLAWN... 1039 01:03:38,110 --> 01:03:41,710 YOU CERTAINLY ARE YOUR FATHER'S DAUGHTER. 1040 01:03:44,080 --> 01:03:45,980 NO, YOU'RE RIGHT. 1041 01:03:46,080 --> 01:03:49,720 NEVER BE AFRAID TO BE KIND TO PEOPLE, 1042 01:03:49,820 --> 01:03:52,290 NO MATTER WHO THEY ARE. 1043 01:03:52,390 --> 01:03:54,220 IF ANYBODY CRITICIZES YOU, 1044 01:03:54,330 --> 01:03:58,060 TURN THE OTHER CHEEK AND CARRY ON. 1045 01:04:02,470 --> 01:04:03,870 AFTERNOON, CADDIE. 1046 01:04:03,970 --> 01:04:05,040 HELLO. 1047 01:04:07,470 --> 01:04:10,210 MIGHT TAKE ANOTHER LOOK AT THAT MUSIC BOX. 1048 01:04:19,850 --> 01:04:21,080 [MUSIC PLAYING] 1049 01:04:21,190 --> 01:04:23,320 OH, MY! 1050 01:04:23,420 --> 01:04:26,360 CAN WE TAKE A LOOK INSIDE? 1051 01:04:26,460 --> 01:04:28,290 WELL... 1052 01:04:28,390 --> 01:04:31,860 LET'S SEE IF WE CAN OPEN IT. 1053 01:04:31,960 --> 01:04:33,230 AH! 1054 01:04:33,330 --> 01:04:35,400 ISN'T THAT SOMETHING? 1055 01:04:35,500 --> 01:04:38,800 IT HAS GEARS JUST LIKE A CLOCK. 1056 01:04:38,900 --> 01:04:40,440 SO IT DOES. 1057 01:04:40,540 --> 01:04:42,940 THAT'S WHY IT'S SO DEAR. 1058 01:04:43,040 --> 01:04:46,380 AS COSTLY AS ANYTHING IN THE STORE. 1059 01:04:46,480 --> 01:04:48,110 EXCUSE ME, CADDIE. 1060 01:04:50,980 --> 01:04:54,380 [I'M HERE TO PICK UP MY ORDER.] 1061 01:04:54,490 --> 01:04:56,620 [CASH REGISTER RINGS] 1062 01:05:03,500 --> 01:05:05,200 NOW, WHERE WERE WE? 1063 01:05:05,300 --> 01:05:08,400 I'VE CHANGED MY MIND, MR. TORGORSON. 1064 01:05:08,500 --> 01:05:12,970 I'D LIKE TO BUY THREE PAIR OF THESE BOOTS. 1065 01:05:13,070 --> 01:05:16,070 I DON'T HAVE THREE IN YOUR SIZE. 1066 01:05:16,170 --> 01:05:18,140 THEY'RE NOT FOR ME. 1067 01:05:19,510 --> 01:05:23,110 WHAT SIZE WOULD SAM HANKINSON'S BOYS TAKE? 1068 01:05:23,220 --> 01:05:25,180 YOU'RE BUYING SHOES FOR HALF-BREEDS? 1069 01:05:25,280 --> 01:05:28,350 THEY NEED THEM. 1070 01:05:28,450 --> 01:05:30,620 THESE SHOULD BE ABOUT RIGHT. 1071 01:05:30,720 --> 01:05:33,260 SEE THAT THEY GET THEM. 1072 01:05:33,360 --> 01:05:35,760 DON'T SAY ANYBODY BOUGHT THEM. 1073 01:05:35,860 --> 01:05:37,290 SAY THEY'RE EXTRAS. 1074 01:05:57,520 --> 01:05:59,150 TOM WOODLAWN! 1075 01:05:59,250 --> 01:06:01,920 WHAT ARE YOU DOING HERE? 1076 01:06:02,020 --> 01:06:04,190 I GOT A JOB. 1077 01:06:04,290 --> 01:06:06,690 WHY DIDN'T YOU TELL ME? 1078 01:06:06,790 --> 01:06:09,020 I DON'T KNOW. 1079 01:06:09,130 --> 01:06:12,530 GOOD-BYE, MR. TORGORSON. 1080 01:06:18,600 --> 01:06:21,870 I'D LIKE TO SEE THREE NAPKINS RETURNED. 1081 01:06:21,970 --> 01:06:24,470 DO YOU EAT THEM OR SOMETHING? 1082 01:06:24,580 --> 01:06:27,980 WE WERE CATCHING TOADS IN THEM. 1083 01:06:28,080 --> 01:06:29,710 COME HOME AFTER SCHOOL. 1084 01:06:29,810 --> 01:06:33,250 COUSIN ANNABELLE IS GOING TO SHOW US SOME NEEDLEPOINT. 1085 01:06:33,350 --> 01:06:36,720 BOYS, TIME FOR SCHOOL! 1086 01:06:36,820 --> 01:06:40,020 PUT YOUR LUNCH IN YOUR BAG. 1087 01:06:40,130 --> 01:06:42,960 WARREN, NO RUNNING AROUND TODAY. 1088 01:06:43,060 --> 01:06:45,060 SIT DOWN AND EAT. 1089 01:06:45,160 --> 01:06:47,500 I TOLD YOU I WOULD. 1090 01:06:51,640 --> 01:06:53,040 GOOD-BYE, MOTHER. 1091 01:06:53,140 --> 01:06:54,500 GOOD-BYE. 1092 01:06:54,610 --> 01:06:56,010 BYE, MOTHER. 1093 01:06:56,110 --> 01:06:57,210 BYE. 1094 01:06:57,310 --> 01:06:59,040 GOOD-BYE, MOTHER. 1095 01:06:59,140 --> 01:07:00,610 GOOD-BYE. 1096 01:08:02,970 --> 01:08:05,040 HEY! NEW SHOES. 1097 01:08:05,140 --> 01:08:07,610 THINK THEY FOUND SOME MONEY? 1098 01:08:17,420 --> 01:08:19,560 INJUN LOVER! 1099 01:08:21,190 --> 01:08:25,060 I'M JUST GOING TO IGNORE YOU, OLAF TORGORSON. 1100 01:08:25,160 --> 01:08:28,000 THERE WILL BE AN EXAM... 1101 01:08:33,140 --> 01:08:34,540 BYE! 1102 01:08:34,640 --> 01:08:39,480 BYE, CADDIE! 1103 01:08:39,580 --> 01:08:42,980 DON'T WAIT FOR ME. I'LL CATCH UP. 1104 01:08:43,080 --> 01:08:44,580 ELLA MAE? 1105 01:08:46,120 --> 01:08:49,350 I HEARD IT WAS YOUR BIRTHDAY TOMORROW. 1106 01:08:49,450 --> 01:08:52,490 YES. I'LL BE 14. 1107 01:08:52,590 --> 01:08:58,490 I'VE NEVER GIVEN A BIRTHDAY PRESENT TO A GIRL BEFORE, 1108 01:08:58,600 --> 01:09:01,500 EXCEPT CADDIE, 1109 01:09:01,600 --> 01:09:03,370 BUT THAT DOESN'T COUNT. 1110 01:09:03,470 --> 01:09:06,600 WELL, I HAD THIS HANGING AROUND, 1111 01:09:06,700 --> 01:09:09,740 AND I THOUGHT YOU MIGHT LIKE IT. 1112 01:09:15,110 --> 01:09:16,550 [MUSIC PLAYING] 1113 01:09:16,650 --> 01:09:18,250 MAKE SURE IT'S WOUND. 1114 01:09:18,350 --> 01:09:20,580 NOTHING HAPPENS IF IT'S NOT. 1115 01:09:20,690 --> 01:09:22,620 TOM... 1116 01:09:23,820 --> 01:09:26,890 THIS IS THE MOST BEAUTIFUL THING 1117 01:09:26,990 --> 01:09:28,620 I'VE EVER RECEIVED. 1118 01:09:31,930 --> 01:09:34,460 I'LL TREASURE IT ALWAYS. 1119 01:09:36,570 --> 01:09:39,000 THANK YOU. 1120 01:09:39,100 --> 01:09:41,470 I'VE GOT TO GO NOW. 1121 01:09:41,570 --> 01:09:43,510 MOTHER'S COME FOR ME. 1122 01:09:43,610 --> 01:09:45,240 UM... 1123 01:09:55,590 --> 01:09:58,920 PULL IT TIGHT, BUT NOT TOO TIGHT. 1124 01:10:02,630 --> 01:10:03,990 COMME CA? 1125 01:10:04,100 --> 01:10:05,600 OUI. 1126 01:10:13,640 --> 01:10:17,540 CADDIE, COME AND SEE THIS LOVELY PETIT POINT 1127 01:10:17,640 --> 01:10:20,540 THAT COUSIN ANNABELLE HAS SHOWN ME. 1128 01:10:20,650 --> 01:10:23,050 I'LL TEACH YOU, TOO, CAROLINE. 1129 01:10:23,150 --> 01:10:25,110 IT'S SO SIMPLE, DEAR. 1130 01:10:26,650 --> 01:10:28,580 COME. JUST TRY. 1131 01:10:32,660 --> 01:10:34,120 NO. 1132 01:10:43,100 --> 01:10:44,970 OW! 1133 01:10:45,070 --> 01:10:47,940 BETTER NOT TRY IT JUST NOW. 1134 01:10:48,040 --> 01:10:50,570 I CAN DO IT, MOTHER. 1135 01:10:52,110 --> 01:10:56,010 WHY DON'T I GO MAKE US SOME TEA? 1136 01:10:57,580 --> 01:11:00,080 CADDIE, COME HERE. 1137 01:11:05,120 --> 01:11:06,720 WHAT'S WRONG? 1138 01:11:06,820 --> 01:11:10,130 TOM GAVE ELLA MAE A PRESENT. 1139 01:11:11,630 --> 01:11:13,230 I KNOW. 1140 01:11:14,630 --> 01:11:16,030 YOU KNOW? 1141 01:11:16,130 --> 01:11:18,500 HE ASKED PERMISSION TO WORK 1142 01:11:18,600 --> 01:11:22,040 IN MR. TORGORSON'S STORE TO BUY IT. 1143 01:11:22,140 --> 01:11:26,040 WHY WOULD HE KEEP A SECRET LIKE THAT FROM ME? 1144 01:11:26,140 --> 01:11:30,050 WELL, CADDIE, TOM IS GROWING UP. 1145 01:11:30,150 --> 01:11:33,580 I THINK HE'S SWEET ON ELLA MAE. 1146 01:11:33,690 --> 01:11:35,050 SHE'S NO FUN. 1147 01:11:35,150 --> 01:11:37,950 SHE'S AFRAID OF SNAKES AND HORSES. 1148 01:11:38,060 --> 01:11:40,990 SHE JUST ALWAYS PRACTICES HER MUSIC. 1149 01:11:41,090 --> 01:11:42,990 SHE NEVER SAYS ANYTHING. 1150 01:11:43,090 --> 01:11:46,460 IT'S NOT LIKE YOU TO JUDGE HARSHLY. 1151 01:11:46,560 --> 01:11:49,970 ELLA MAE IS A LOVELY YOUNG LADY. 1152 01:11:50,070 --> 01:11:52,030 YOUNG MEN LIKE THAT. 1153 01:11:52,140 --> 01:11:55,510 YOU MEAN TOM? HE'S NOT A MAN. 1154 01:11:55,610 --> 01:11:59,510 ANYHOW, I'M LOADS MORE FUN THAN HER. 1155 01:12:00,610 --> 01:12:02,550 WHEN YOU GET OLDER, 1156 01:12:02,650 --> 01:12:05,250 YOU'LL FIND SOMEBODY SPECIAL, TOO. 1157 01:12:09,620 --> 01:12:11,850 MAY I GO NOW? 1158 01:12:11,960 --> 01:12:13,760 YES, DEAR. 1159 01:12:16,630 --> 01:12:18,090 CADDIE. 1160 01:12:29,870 --> 01:12:32,340 IT WOULD LOOK RAVISHING. 1161 01:12:32,440 --> 01:12:34,980 THAT'S ALL RIGHT. NO, THANK YOU. 1162 01:12:36,250 --> 01:12:38,580 IF I WERE YOU, 1163 01:12:38,680 --> 01:12:42,690 I WOULDN'T WORRY ABOUT TOM AND ELLA MAE. 1164 01:12:42,790 --> 01:12:45,190 MEN--THEY'RE ALL THE SAME. 1165 01:12:45,290 --> 01:12:48,660 WHO CAN TELL WHAT THEY'RE UP TO? 1166 01:12:48,760 --> 01:12:52,460 I'M DYING TO SEE WHAT YOU LOOK LIKE 1167 01:12:52,560 --> 01:12:53,930 IN SOMETHING PRETTY. 1168 01:12:54,030 --> 01:12:55,900 YOU HAVE PERFECT POSTURE. 1169 01:12:56,000 --> 01:12:57,300 I DO? 1170 01:12:57,400 --> 01:13:00,100 I KNOW GIRLS WHO WOULD DIE 1171 01:13:00,200 --> 01:13:02,610 TO HAVE SUCH REGAL BEARING. 1172 01:13:02,710 --> 01:13:04,070 AND YOUR EYES, 1173 01:13:04,180 --> 01:13:06,640 THEY ARE SENSATIONAL. 1174 01:13:06,740 --> 01:13:08,380 THEY ARE? 1175 01:13:08,480 --> 01:13:11,650 PUT THIS ON FOR A MOMENT. 1176 01:13:11,750 --> 01:13:14,850 IT'LL FRAME YOUR FACE LIKE A HALO. 1177 01:13:14,950 --> 01:13:17,220 YOU LOOK DIVINE. 1178 01:13:18,960 --> 01:13:20,960 SEE WHAT I MEAN? 1179 01:13:23,260 --> 01:13:25,090 OH, MY! 1180 01:13:25,200 --> 01:13:28,230 HA HA! 1181 01:13:30,030 --> 01:13:32,230 [LAUGHING] 1182 01:13:53,530 --> 01:13:54,920 MMM. 1183 01:14:52,250 --> 01:14:54,150 THE GUNS ARE GOOD. 1184 01:14:54,250 --> 01:14:55,850 THANK YOU, JOHN WOODLAWN. 1185 01:14:55,950 --> 01:14:58,250 THE EYE OF THE HAWK, 1186 01:14:58,360 --> 01:15:01,760 CE-TAN, IS CLOSED. 1187 01:15:28,290 --> 01:15:30,720 WHERE'S YOUR LITTLE DARLING, TOM? 1188 01:15:30,820 --> 01:15:32,350 HA HA HA! 1189 01:15:34,990 --> 01:15:38,630 ARE YOU ALL RIGHT, MISS PARKER? 1190 01:15:42,330 --> 01:15:47,470 AS MANY OF YOU KNOW, ELLA MAE HAYMAN 1191 01:15:47,570 --> 01:15:52,210 HAS BEEN QUITE ILL, UM, THESE LAST FEW MONTHS. 1192 01:15:52,310 --> 01:15:55,710 I'M AFRAID THAT I HAVE TO TELL YOU 1193 01:15:55,810 --> 01:15:59,780 THAT ELLA MAE WON'T BE HERE WITH US ANYMORE. 1194 01:15:59,880 --> 01:16:02,580 SHE PASSED AWAY LAST EVENING. 1195 01:16:08,790 --> 01:16:11,130 ELLA MAE HAYMAN BROUGHT JOY 1196 01:16:11,230 --> 01:16:15,100 INTO THE HEARTS OF ALL SHE KNEW. 1197 01:16:15,200 --> 01:16:18,800 HER CHILDHOOD WAS LIKE A PIECE OF MUSIC. 1198 01:16:18,900 --> 01:16:21,570 HER MEMORY WILL BE CAUGHT 1199 01:16:21,670 --> 01:16:24,540 AS LIGHT IN A PRISM. 1200 01:16:24,640 --> 01:16:29,040 NOW HER HYMNS RISE UP AND SWELL 1201 01:16:29,150 --> 01:16:32,210 TO JOIN IN HARMONY WITH THE SPHERES, 1202 01:16:32,320 --> 01:16:37,690 BUT THE MUSIC OF HER SHORT LIFE WILL NEVER FADE AWAY. 1203 01:16:37,790 --> 01:16:39,990 MAY THE LORD TAKE THIS CHILD 1204 01:16:40,090 --> 01:16:43,160 AND PROTECT HER IN HIS EVERLASTING GOODNESS. 1205 01:16:43,260 --> 01:16:45,700 AMEN. 1206 01:16:50,570 --> 01:16:52,170 I'M SO SORRY. 1207 01:16:54,270 --> 01:16:56,410 TOM WOODLAWN. 1208 01:16:56,510 --> 01:16:58,940 I HAVE SOMETHING FOR YOU. 1209 01:16:59,040 --> 01:17:00,280 I-- 1210 01:17:00,380 --> 01:17:05,410 I KNOW ELLA MAE WOULD WANT YOU TO KEEP THIS. 1211 01:17:28,810 --> 01:17:32,210 SAM HANKINSON SHOULDN'T HAVE GONE UP THERE 1212 01:17:32,310 --> 01:17:35,710 WITH LITTLE CROW ON THE RAMPAGE. 1213 01:17:35,810 --> 01:17:40,180 THAT'S WHAT HAPPENS WHEN YOU ARM INDIANS WITH GUNS. 1214 01:17:40,280 --> 01:17:41,720 HIS POOR CHILDREN. 1215 01:17:41,820 --> 01:17:44,720 I WARNED HIM TO STAY AWAY. 1216 01:17:44,820 --> 01:17:46,720 THEY LEFT HIM DEAD. 1217 01:17:46,820 --> 01:17:48,720 LITTLE CROW'S ESCAPED CUSTODY. 1218 01:17:48,830 --> 01:17:51,190 THERE WILL BE NO JUSTICE. 1219 01:17:51,300 --> 01:17:55,130 THEM SIOUX COULD LINK UP WITH THE DAKOTAS. 1220 01:17:55,230 --> 01:17:58,430 THEY SAY LITTLE CROW LEFT 200 DEAD. 1221 01:17:58,540 --> 01:18:02,300 YOU CAN'T TRUST INDIANS. THAT'S HOW IT WILL BE HERE. 1222 01:18:02,410 --> 01:18:04,240 THE DAKOTAS ARE DIFFERENT. 1223 01:18:04,340 --> 01:18:06,310 I'VE MET WITH TUKENBHESKA. 1224 01:18:06,410 --> 01:18:09,950 HE AND HIS PEOPLE RESPECT US NOW. 1225 01:18:10,050 --> 01:18:14,680 THAT WASN'T RESPECT I SAW ON THE FACE OF KEHTANA. 1226 01:18:14,790 --> 01:18:17,990 THAT WAS HATE I SAW IN HIS EYES. 1227 01:18:18,090 --> 01:18:19,990 IT'S GOT ME WORRIED. 1228 01:18:20,090 --> 01:18:22,020 WE CAN'T UNDERSTAND THEM. 1229 01:18:22,130 --> 01:18:24,030 THEY'LL NEVER UNDERSTAND US. 1230 01:18:24,130 --> 01:18:26,630 THAT'S WHAT I'M TRYING TO CHANGE. 1231 01:18:26,730 --> 01:18:29,130 THERE WON'T BE ANY UNDERSTANDING 1232 01:18:29,230 --> 01:18:31,900 IF WE DON'T TREAT EACH OTHER AS NEIGHBORS. 1233 01:18:32,000 --> 01:18:34,200 I DON'T FEEL LIKE COUNTING 1234 01:18:34,310 --> 01:18:37,110 NO INDIANS AMONGST MY NEIGHBORS! 1235 01:18:40,880 --> 01:18:42,080 TOM? 1236 01:18:42,180 --> 01:18:43,710 HMM? 1237 01:18:43,820 --> 01:18:46,720 WHAT IF WE GET AMBUSHED TONIGHT? 1238 01:18:46,820 --> 01:18:49,750 WE'D BE ASLEEP. WE WOULDN'T KNOW. 1239 01:18:49,850 --> 01:18:54,160 SOME WOULD BE IF THE REST WOULD QUIT TALKING. 1240 01:18:54,260 --> 01:18:56,160 I'M SO AFRAID, CAROLINE. 1241 01:18:56,260 --> 01:18:58,160 INDIANS ON THE WARPATH. 1242 01:18:58,260 --> 01:19:01,160 YOU SAID THE WEST WASN'T WILD. 1243 01:19:01,270 --> 01:19:03,630 THEY'RE NOT ON THE WARPATH. 1244 01:19:03,730 --> 01:19:06,170 FATHER'S RIGHT ABOUT THE DAKOTAS. 1245 01:19:06,270 --> 01:19:09,240 HE KNOWS THEM BETTER THAN ANYBODY. 1246 01:19:15,710 --> 01:19:18,110 MR. WOODLAWN! 1247 01:19:18,220 --> 01:19:19,680 MR. WOODLAWN! 1248 01:19:22,790 --> 01:19:25,190 MR. WOODLAWN! 1249 01:19:25,290 --> 01:19:26,760 MR. WOODLAWN! 1250 01:19:28,190 --> 01:19:30,590 MR. WOODLAWN, THIS IS IT! 1251 01:19:30,690 --> 01:19:32,090 THIS IS IT! 1252 01:19:32,200 --> 01:19:33,700 WHAT? WHAT? 1253 01:19:33,800 --> 01:19:36,400 IT'S STARTED! I SAW IT. 1254 01:19:36,500 --> 01:19:38,400 I WENT TO WARN EVERYBODY. 1255 01:19:38,500 --> 01:19:40,400 OTHERS HAD HEARD IT. 1256 01:19:40,500 --> 01:19:41,940 CALM DOWN, ROBERT. 1257 01:19:42,040 --> 01:19:43,940 WHAT DID YOU HEAR? 1258 01:19:44,040 --> 01:19:45,770 AT THE TAVERN, 1259 01:19:45,880 --> 01:19:49,340 THIS FELLOW SAYS THE INDIANS ARE GATHERING FOR AN UPRISING. 1260 01:19:49,450 --> 01:19:50,980 WHAT INDIANS? WHERE? 1261 01:19:51,080 --> 01:19:52,680 THE DAKOTAS! WHO ELSE? 1262 01:19:52,780 --> 01:19:55,650 I SAW IT WITH MY OWN EYES. 1263 01:19:55,750 --> 01:19:57,990 THE SKEEL HOUSE... ALL AFLAME. 1264 01:19:58,090 --> 01:20:00,920 THE SKEELS? OH, NO. 1265 01:20:01,030 --> 01:20:04,190 THICK BLACK SMOKE POURING OUT THE DOORS, 1266 01:20:04,300 --> 01:20:06,460 REDSKINS DRAGGING BODIES OUT. 1267 01:20:06,560 --> 01:20:10,570 I HIGHTAILED IT TO TOWN TO SOUND THE ALARM! 1268 01:20:10,670 --> 01:20:13,540 THE MASSACRE HAS STARTED. FOLKS ARE COMING. 1269 01:20:13,640 --> 01:20:15,800 THEY'RE COMING HERE? 1270 01:20:15,910 --> 01:20:17,540 WE NEED A SOLID FRONT. 1271 01:20:17,640 --> 01:20:19,070 WE'LL NEED FOOD. 1272 01:20:19,180 --> 01:20:21,540 JOHN, WE'LL NEED TURKEYS. 1273 01:20:21,650 --> 01:20:24,250 ANNABELLE, HELP ME START BAKING. 1274 01:20:50,940 --> 01:20:55,310 YOU AND THE CHILDREN WILL SLEEP IN THE PARLOR. 1275 01:20:55,410 --> 01:20:58,680 MRS. JAMIESON, TAKE YOUR THINGS UPSTAIRS. 1276 01:20:58,780 --> 01:21:02,650 STAY CALM. NO ONE KNOWS WHAT'S HAPPENED. 1277 01:21:02,750 --> 01:21:06,090 I KNOW WHAT I SAW, MR. WOODLAWN. 1278 01:21:06,190 --> 01:21:09,290 TUKENBHESKA WAS ALWAYS ALLIED WITH LITTLE CROW. 1279 01:21:09,390 --> 01:21:13,700 ARE WE GOING TO WAIT UNTIL THEY KILL US? 1280 01:21:13,800 --> 01:21:19,500 I'D LIKE TO RIDE OUT TO THE SKEEL PLACE AND LOOK AROUND. 1281 01:21:19,600 --> 01:21:22,140 I AIN'T GOING, 1282 01:21:22,240 --> 01:21:25,170 NOT WITH THE SKEEL FAMILY SHOT, 1283 01:21:25,280 --> 01:21:29,710 AND PROBABLY WITH THEM GUNS YOU MADE UP, WOODLAWN. 1284 01:21:36,250 --> 01:21:39,690 I'LL GO, FATHER. 1285 01:21:39,790 --> 01:21:42,460 ALL RIGHT. SADDLE UP, SON. 1286 01:21:48,000 --> 01:21:51,970 OH, UNCLE JOHN IS VERY BRAVE, ISN'T HE? 1287 01:21:52,070 --> 01:21:54,970 YOU'RE NOT GOING IN THAT HOUSE! 1288 01:21:55,070 --> 01:21:56,470 GRAB THEM! 1289 01:21:56,570 --> 01:21:57,970 AHH! LET GO! 1290 01:21:58,080 --> 01:21:59,240 LET ME GO! 1291 01:21:59,340 --> 01:22:00,840 LET ME GO! 1292 01:22:00,940 --> 01:22:03,310 LEAVE THEM ALONE, MR. IRETON! 1293 01:22:03,410 --> 01:22:04,810 THEY'RE INDIANS! 1294 01:22:04,920 --> 01:22:08,220 THEY HAPPEN TO BE MY FRIENDS! 1295 01:22:08,320 --> 01:22:10,250 INDIANS GOT NO FRIENDS! 1296 01:22:10,350 --> 01:22:11,750 ROBERT! ROBERT! 1297 01:22:11,860 --> 01:22:13,160 ROBERT! 1298 01:22:13,260 --> 01:22:15,620 YOU LET GO OF ME! 1299 01:22:17,630 --> 01:22:21,360 WHAT HAS COME OVER YOU? THEY'RE ONLY CHILDREN! 1300 01:22:21,470 --> 01:22:23,000 REDSKINS ARE REDSKINS! 1301 01:22:23,100 --> 01:22:26,140 THEY'RE GOING BACK WHERE THEY BELONG. 1302 01:22:26,240 --> 01:22:27,600 LET ME GO! 1303 01:22:27,700 --> 01:22:32,670 PUT THAT GUN DOWN UNLESS YOU'LL USE IT ON ME. 1304 01:22:32,780 --> 01:22:36,080 DON'T YOU DARE STAND UP TO ME! 1305 01:22:38,150 --> 01:22:40,420 BOYS, GO INTO THE HOUSE. 1306 01:22:40,520 --> 01:22:43,590 CADDIE, WHAT ARE YOU WAITING FOR? 1307 01:22:50,860 --> 01:22:53,200 COME ON. 1308 01:22:57,700 --> 01:23:01,140 I'VE NEVER SEEN MR. IRETON LIKE THAT. 1309 01:23:01,240 --> 01:23:02,600 IT'S FRIGHTENING. 1310 01:23:02,710 --> 01:23:04,910 DON'T WORRY, CADDIE. 1311 01:23:05,010 --> 01:23:06,910 THEY'RE SAFE IN HERE. 1312 01:23:07,010 --> 01:23:09,810 WHAT'S GOING TO HAPPEN TO THEM 1313 01:23:09,910 --> 01:23:12,110 NOW THAT SAM'S BEEN KILLED? 1314 01:23:12,220 --> 01:23:17,620 WE'LL HAVE TO SEE THAT THEY'RE TAKEN CARE OF, WON'T WE? 1315 01:23:17,720 --> 01:23:20,160 YES, AND LIKE YOU SAID, 1316 01:23:20,260 --> 01:23:24,660 WE DON'T CARE WHAT OTHER PEOPLE THINK, DO WE? 1317 01:23:24,760 --> 01:23:26,730 NO, WE DON'T. 1318 01:23:45,280 --> 01:23:47,180 NOW LISTEN TO ME! 1319 01:23:47,280 --> 01:23:49,950 WELL, I'M TIRED OF WAITING! 1320 01:23:50,050 --> 01:23:54,620 I'LL TELL YOU WHAT THE INDIANS DO. THEY AMBUSH. 1321 01:23:54,730 --> 01:23:56,190 WE SHOULD ATTACK FIRST, 1322 01:23:56,290 --> 01:23:59,530 WIPE OUT THE LOT OF THEM. 1323 01:23:59,630 --> 01:24:03,060 IT'S THE ELEMENT OF SURPRISE THAT COUNTS. 1324 01:24:03,170 --> 01:24:05,730 I KNOW WHERE THEY'RE CAMPED. 1325 01:24:05,840 --> 01:24:09,400 MORE WILL COME, FROM ALL OVER THE TERRITORY. 1326 01:24:09,510 --> 01:24:11,710 THAT'S WHERE YOU'RE WRONG. 1327 01:24:11,810 --> 01:24:16,310 MASSACRE THESE DAKOTAS, THAT WILL SEND A MESSAGE THAT WE MEAN BUSINESS. 1328 01:24:16,410 --> 01:24:19,850 YOU FELLOWS WORK FOR JOHN WOODLAWN. 1329 01:24:19,950 --> 01:24:21,880 HE'S A REASONABLE MAN. 1330 01:24:21,990 --> 01:24:24,390 WE SHOULD WAIT FOR HIM. 1331 01:24:24,490 --> 01:24:28,160 IF WE DO IT, WE DO IT NOW. 1332 01:24:28,260 --> 01:24:29,590 ALL IN? 1333 01:24:51,280 --> 01:24:53,050 [ANIMAL HOWLS] 1334 01:25:05,230 --> 01:25:06,730 [OWL HOOTING] 1335 01:25:19,440 --> 01:25:21,080 HEY, IRETON, 1336 01:25:21,180 --> 01:25:24,680 MRS. WOODLAWN'S BEEN LOOKING FOR YOU. 1337 01:25:33,490 --> 01:25:35,160 AAH! 1338 01:25:35,260 --> 01:25:36,190 AAH! 1339 01:25:36,290 --> 01:25:38,890 AAH! NO! 1340 01:25:39,000 --> 01:25:40,930 WHAT'S THAT? 1341 01:25:41,030 --> 01:25:42,330 THERE'S SOMEBODY COMING 1342 01:25:42,430 --> 01:25:45,700 DOWN THE SOUTH ROAD! 1343 01:25:45,800 --> 01:25:47,070 HEY! 1344 01:25:47,170 --> 01:25:48,940 HOLD YOUR FIRE! 1345 01:25:49,040 --> 01:25:50,810 THEY'VE GOT CADDIE. 1346 01:25:59,180 --> 01:26:02,050 CADDIE, ARE YOU ALL RIGHT? 1347 01:26:03,320 --> 01:26:04,520 YES. 1348 01:26:04,620 --> 01:26:07,060 LET HER GO, TUKENBHESKA. 1349 01:26:07,160 --> 01:26:09,290 I'M ALL RIGHT. 1350 01:26:09,390 --> 01:26:12,430 DON'T YOU SEE? HE'S OUR FRIEND. 1351 01:26:18,740 --> 01:26:22,770 IT LOOKS LIKE HE BROUGHT SOME FRIENDS. 1352 01:26:22,870 --> 01:26:24,440 LOOK WHAT YOU'VE DONE! 1353 01:26:24,540 --> 01:26:26,310 THEY'RE ONLY PROTECTING HIM! 1354 01:26:26,410 --> 01:26:28,580 YOU DON'T UNDERSTAND! 1355 01:26:32,220 --> 01:26:33,980 OH, NO! PLEASE, DON'T! 1356 01:26:34,080 --> 01:26:35,680 CHIEF TUKENBHESKA-- 1357 01:26:35,790 --> 01:26:37,620 PLEASE... 1358 01:26:37,720 --> 01:26:40,220 LET HER COME TO ME, PLEASE. 1359 01:26:40,320 --> 01:26:42,260 HOLD IT! 1360 01:26:42,360 --> 01:26:43,690 FATHER! 1361 01:26:43,790 --> 01:26:45,060 STOP THEM! 1362 01:26:45,160 --> 01:26:46,230 JOHN! 1363 01:26:50,600 --> 01:26:52,500 HOLD IT. 1364 01:26:52,600 --> 01:26:55,540 NOW, WHAT ARE YOU PEOPLE DOING? 1365 01:26:55,640 --> 01:26:58,210 LOOK OVER THERE! 1366 01:26:58,310 --> 01:26:59,740 LOOK OVER THERE! 1367 01:26:59,840 --> 01:27:02,080 MAX SKEEL! YOU'RE ALIVE! 1368 01:27:02,180 --> 01:27:06,080 THERE HAS BEEN NO INDIAN ATTACK. 1369 01:27:06,180 --> 01:27:08,580 IRETON SAID YOU WAS MURDERED. 1370 01:27:08,690 --> 01:27:11,520 WE'RE ALIVE AS WE EVER BEEN. 1371 01:27:11,620 --> 01:27:14,320 WE'RE ALL JUST FINE. 1372 01:27:14,430 --> 01:27:16,830 YOU SAW A SOAP KETTLE FIRE. 1373 01:27:16,930 --> 01:27:19,490 TALLOW SPILLED IN THE FIRE. 1374 01:27:19,600 --> 01:27:22,560 WIND BLEW SMOKE THROUGH THE HOUSE. 1375 01:27:22,670 --> 01:27:24,930 THANK GOD SOME DAKOTAS CAME. 1376 01:27:25,040 --> 01:27:29,940 WITHOUT THEIR HELP, WE NEVER WOULD HAVE GOT THAT FIRE OUT. 1377 01:27:30,040 --> 01:27:33,380 YOU SAW WHAT YOU WANTED. 1378 01:27:33,480 --> 01:27:35,680 WE KNOW THE TRUTH NOW. 1379 01:27:35,780 --> 01:27:38,550 THESE PEOPLE HAVE PLEDGED THEIR RESPECT. 1380 01:27:38,650 --> 01:27:40,920 THEY'VE SHOWN THEIR FRIENDSHIP. 1381 01:27:41,020 --> 01:27:43,750 THEY WANT TO LIVE IN PEACE. 1382 01:27:43,850 --> 01:27:45,520 WE ALL WANT PEACE. 1383 01:28:15,420 --> 01:28:18,450 YOU ARE A GOOD FRIEND. 1384 01:28:20,290 --> 01:28:21,820 BLESS YOU. 1385 01:28:23,660 --> 01:28:25,660 THANK YOU. 1386 01:28:55,660 --> 01:28:59,790 CADDIE, YOU SURE WERE BRAVE. 1387 01:29:01,670 --> 01:29:04,000 WELL, SO WERE YOU, TOM. 1388 01:29:34,200 --> 01:29:36,770 PLEASE DON'T BE ANGRY, MOTHER. 1389 01:29:38,470 --> 01:29:41,670 I WAS SO SCARED. 1390 01:29:44,110 --> 01:29:46,170 SO WAS I, DARLING. 1391 01:29:49,650 --> 01:29:54,350 I AM SO PROUD THAT YOU'RE MY DAUGHTER, CADDIE. 1392 01:29:58,090 --> 01:30:00,960 YOU LISTENED TO YOUR CONSCIENCE. 1393 01:30:02,830 --> 01:30:06,030 YOU DID WHAT YOU HAD TO DO. 1394 01:30:07,660 --> 01:30:11,630 THERE ARE MANY THINGS I COULD TEACH YOU, 1395 01:30:11,740 --> 01:30:15,840 BUT I COULD NEVER TEACH YOU THAT. 1396 01:30:19,510 --> 01:30:21,980 OH, BABY. 1397 01:30:26,780 --> 01:30:29,580 [WHISTLE BLOWS] 1398 01:30:32,190 --> 01:30:34,160 EDMUND! 1399 01:30:35,690 --> 01:30:38,090 IT'S GOOD TO SEE YOU! 1400 01:30:38,190 --> 01:30:39,560 WELCOME BACK. 1401 01:30:39,660 --> 01:30:41,600 HOW ARE YOU DOING? 1402 01:30:43,700 --> 01:30:47,340 BUT WHERE IS CADDIE AND ANNABELLE? 1403 01:30:49,710 --> 01:30:51,070 LOOK AT THIS! 1404 01:30:51,170 --> 01:30:53,940 DO MY EYES DECEIVE ME, 1405 01:30:54,040 --> 01:30:56,580 OR IS THIS CADDIE AND ANNABELLE? 1406 01:31:02,350 --> 01:31:03,850 HELLO, UNCLE EDMUND. 1407 01:31:03,950 --> 01:31:06,720 HELLO, UNCLE EDMUND. 1408 01:31:06,820 --> 01:31:11,860 I WISH YOU DIDN'T HAVE TO TAKE ME HOME. 1409 01:31:11,960 --> 01:31:15,830 I HAVE A LOT TO CATCH UP ON. 1410 01:31:15,930 --> 01:31:18,170 SAY... 1411 01:31:18,270 --> 01:31:21,870 I HAVE A SURPRISE FOR YOU, CADDIE. 1412 01:31:23,240 --> 01:31:25,170 A NICE LADY IN HANNIBAL 1413 01:31:25,280 --> 01:31:27,710 FOUND HIM WANDERING THE STREETS. 1414 01:31:27,810 --> 01:31:29,640 HE'S PERFECTLY TRAINED NOW. 1415 01:31:29,750 --> 01:31:31,650 HE'LL SIT FOR HOURS. 1416 01:31:31,750 --> 01:31:33,410 NERO! 1417 01:31:33,520 --> 01:31:35,550 [BARKING] 1418 01:31:40,090 --> 01:31:41,720 NERO! 1419 01:32:17,590 --> 01:32:19,690 GET THE OTHER STICK! 1420 01:32:25,970 --> 01:32:28,600 I GUESS... 1421 01:32:28,710 --> 01:32:33,640 SOME THINGS DON'T CHANGE THAT EASILY AFTER ALL, DO THEY? 1422 01:32:33,740 --> 01:32:35,080 OH, WELL. 1423 01:32:35,180 --> 01:32:38,580 I CAN'T IMAGINE US BEING ANY HAPPIER 1424 01:32:38,680 --> 01:32:42,150 THAN WE ARE RIGHT AT THIS MOMENT. 1425 01:32:55,700 --> 01:32:57,170 NERO! 1426 01:33:57,930 --> 01:33:59,590 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1427 01:33:59,700 --> 01:34:01,660 CAPTIONS COPYRIGHT 1990 WONDERWORKS, LTD. 86006