All language subtitles for Beauty lighting

another lighting set up to break down

for another interview

and this is something

you can use on a lot of jobs as well

so Greg and I came in again

this whole space blacked out and tasting room

and we wanted to go with a more sort of traditional

beauty lighting approach

kind of classic lighting

and I wanna break down all the stuff that we did

Greg is hiding under there

and he's gonna walk around and turn lights on and off

and we'll audition things

so first of all

we actually wind up using some of the practicals

so they're being used in the space

we control some of them

so I'll talk about that and call out some things

and this is our key light

sometimes we'll call this butterfly lighting

on the other side of this 4 by 6 half grid cloth

we have a 4 foot Kino

how many of the bulbs are we using right now

so this is two of the four bulbs

and it's coming straight through here

and it's just creating this really nice soft light

it's really beautiful

obviously it's not super contrasty

and that's not the whole point

we get a little bit of that shadow underneath the nose

that's the butterfly lighting and again

this is our sort of key source that we're using

some other things to point out

while we do have these practicals on

we didn't like what we were seeing coming from this one

in terms of how it was hitting over here

and also down on the bar

we wanted to control that

so we have some black wrap with some C40

Sevens on there to control it

and then in the back

all the way in the back

our background light is a 1 by 2 bi color

it's the same one we use for a key on Jack's interview

we have that coming down with a topper

which is a piece of black wrap

which is just kind of taking

off some of that light from the top part of the frame

which you can see in a camera over here

is not only lighting that little set in the background

but it's also creating

the light that's coming down the bar

let's let everybody see what that's doing

sure because I think it's important

and then boom

that's it off

and then bring it back up to the level we are

it's doing a huge job

lots of jobs actually

and our hair light

rim light our back light

that's a lowcaster

and we can dial that up or down

we can tweak the color temperature if we want

we could wrap it with some diff if we wanted to

to make it even softer

but it reads pretty soft anyway

and Aaron has

hair unlike me

so we wanna kind of create a little bit of that

back edge there

we've got a little card here

which is just helping create a little bit of a lift

and it really

the main reason it's doing

what it's doing here is for this right here

so we wanted to just even it out

and actually Greg

why don't you go ahead and turn

on and off this little matchbox light

which we wrapped with a cutting board

and it's just a plastic

cutting board that's wrapped around the barn doors of

the matchbox

and we'll bring that back up

and you can see what it's doing over here

it's giving a little bit of light there

we actually are flagging it off here so that it's not

creating a second catch light in the talent's eye

and then again

Greg brought in this little foam board

this foam core board

and I don't know if you wanna take it away

and it's you know

it's doing it's doing a job

and you see how it's lifting over here

it's obviously gonna fill

the talent in a little bit as well

but that's what we're doing there um

why don't we take this away

now what we originally had was a piece of foam core

but it's just

the other side of a poster

and watch what happens when we bring that in

see that little lift

out in Fantasimo

and that's our lighting breakdown for this interview

classic beauty lighting