All language subtitles for Albert.Brooks.Defending.My.Life.2023.1080p.AMZN.WEB-DL.DDP5.1.H.264-FLUX

I think there comes a time

in all of our lives,
no matter what we do.

Well, doctor, lawyer,

homemaker, unemployed, comedian,
it really makes no difference.

There comes a time, and I think
it's when we get out of school

and begin... well, let's say,
begin to work within reality.

He's one of the most
original thinkers that will...

we've ever seen
and will ever see.

We look into ourselves,
all of us, and we say,

"How much talent
do I really have?"

You know that feeling?

I didn't realize
someone could be funny that way.

In other words,
"Do I really have enough

to get me
through an entire life?"

Always something,
like, just different.

"Will I become
an actual old person

that I see walking
on the street now? Me?

And what kind of an old person
will I become?"

That's very important.

"Will I be someone
who's loved and respected

and known to have led an honest,
positive kind of life?"

He was the first kind
of alternative comic.

We know what talent
we're starting out with

and we devise a game plan.

A game plan for living,
so to speak.

I don't think
there's anybody like him.

Where do I fit into all of this?

My game plan is all off.

Here I am,
five years into my career,

I have no more material left.

He was speaking directly to me.

I could've fooled you
to get laughs,

but that's not
what it's all about.

I'm trying
to be honest with you.

And what, I couldn't resort
to cheap tricks? Come on.

I could drop my pants as easy
as anyone in the business.

You know what I mean?
What? Boom.

Right? Okay.

I can get the comedy shorts
from Sears.

I can stop a makeup man
in the hall and say,

"Do me a favor. Draw a funny,
uh, face on my chest."

You know what I mean?

He was like a...
he was like a comedic tornado.

Can I buy a pie?
You bet your life I can.

I can break eggs on my head
as easily as anyone

in the business.

But that's not
what I'm all about.

If I was all about that,
I'd go out and get seltzer.

What? I can do this all day.

And put whipped cream
all over me.

Because this...

...this isn't me.
It's not the real me.

Doc.

This...

...is the real me.

♪ (JAZZ MUSIC PLAYING) ♪

I've been a fan of Albert Brooks
for a number of years now.

And nobody will argue
that he's this country's

fastest-rising
young comic performer.

He's different.

He... he has a great sense
of the ridiculous

and can satirize
just about anything.

Albert was a shining God
of comedy.

The sharpest,
wittiest, funniest.

There's, like,
30 things inside of each joke.

He's the funniest man
in the world.

I think of him
as the caviar of comedy.

It is about time
for a Hollywood reassessment

of the gift to moving pictures
and television

that Albert Brooks is.

Here is comedian Albert Brooks.

Albert Brooks.

- Our friend, Albert Brooks.
- Sir Albert Brooks.

I think he's the funniest man
in the world. Albert Brooks.

♪ (UPBEAT MUSIC PLAYING) ♪

♪ (MUSIC CONCLUDES) ♪

♪ (SOFT JAZZ MUSIC PLAYING) ♪

Exactly. See?
You'd have known.

You'd have known.
It didn't matter to you.

- So, listen, here's the thing.
- We're rolling?

Well, of course we are.
- All right.

Why wouldn't we be?
- All right.

We've been friends for,
like, almost 60 years and it's--

Which is ridiculous
in and of itself.

Yeah, it is ridiculous.

But I'm gonna do something
to embarrass the hell out of you

at the beginning
and then we'll go from there.

- M'kay.
- I've always looked up to you.

I'm...
I'm telling you the truth.

Oh, my God.

I've always looked up to you
because to me,

there was nobody that did...
did what you could do,

you know, with comedy. I just--

And I've always been kind of
a little bit intimidated.

Oh, well, look at this.
But--

It took-- it took this
to finally hear a compliment.

Yeah,
I'm just telling you.

Jesus Christ.
No, I know.

I can't wait till I'm dead.

The idea that Albert
and you were friends

in high school, to me,
is like some,

superhero origin story
type of shit.

I remember when, uh,
when I first met you...

- Yeah.
- ...which was...

- Well, it was in high school.
- Yeah.

We were in high school
and had drama class together.

And it was
a pretty amazing drama class.

There were a lot of sons-of
and daughters-of.

There was Julie Cobb,
who was Lee J. Cobb's daughter.

There was Melinda Marx,
who was Groucho Marx's daughter.

- Yeah.
- There was Larry Bishop,

who was Joey Bishop's son. Yes.

And Richard Dreyfuss
was in the thing.

And then you and me... Yeah.

...were in the show.
And I remember you

coming up to me and you said,
"I know Carl Reiner."

And did you not know
that my name was Reiner?

No! When we introduced ourselves
in a big class,

I didn't hear your last name.

I came up to you and said,
"I know Carl Reiner."

And what'd you say?
"Yeah, me too. He's my dad."

"Oh, gee."

Everybody knows
or most people know

that your real name
is Albert Einstein.

People know that.

I'm surprised
how many people don't,

but I used to keep that

because...
...it was, you know,

such a discussion
my whole life...

Yeah. Yeah.
- ...until I changed it.

I never wanted to have
that discussion again.

Right.
- But now, as I'm aging out...

...I don't-- I don't mind it.

- Yeah. Okay.
- And there's some free things.

The government sent me
two extra COVID tests.

- So it has its--
- There are perks.

It has its positives.
- There's perks.

Right. So--
But here's the thing,

your father, Harry Einstein...
Mm-hmm.

...he had four sons.

You have a half-brother...
Charles.

...Charlie,
who was a sportswriter.

Mm-hmm.
Then he had Cliff

and then Bob. Bob.

And then you.
And, yes.

So, he had three chances
before you were born...

Mm-hmm.

...to name one
of his sons Albert.

He was waiting to see
if the theory of relativity

would be proven wrong.

- And once--
- And once I was born,

it looked like it was for real.

It's for real?
- Yeah.

He figured, "Okay, it's safe."
Yeah, yeah.

So you're the one
that gets stuck with that.

Right. He did name my brother
"Adolf Hitler"

but they wouldn't put it
on the birth certificate.

I see. Yeah.

The stones on those parents

to name their kid
"Albert Einstein."

Did they just want him
to get beaten up for lunch money

for the rest of his life?

It was my mom's doing

'cause she never
wasted anything.

She would give you wine
that was six years old,

half-opened,

'cause it was good wine. Yeah.

"It's vinegar, Mom."
"It's very good wine."

So she's not
gonna waste Albert Einstein.

They owned it.

She's not gonna waste that. Right.

Welcome, Mr. Carl Reiner.

Well,
the greatest thrill

that I've had as a young person

when I was still in high school
at that age,

your dad was on The Tonight Show
in New York

and Johnny said to him,

"Who's the funniest person
you know?"

And your dad said,

"A 16-year-old high school kid
named Albert Einstein."

Yeah.
And, you know, that was

on The Johnny Carson Show.
Right, right.

Thanks to my son, Rob,

who was Albert's friend
and teenage schoolmate,

I was privileged to be present
when he exhibited a talent

we had no idea he possessed.

I know the story about how, like,

when he's young
and he did the...

the-- Like, behind
the curtain trick with your dad

and all that famous story.
Oh, yeah. He was 16.

And out of the blue,
you said-- you said,

um, "I've been working
on this escape artist routine.

I think I've perfected it.

I'm like the best escape artist
of all time."

And I think you had--
you had like this or something.

Yeah. A napkin.
It was like a--

I said, "Put it over my hands."
A napkin.

"Put it over my hands."

I said,
"You don't have to tie it."

All right. That's good enough.

Okay. Yeah.
That's good enough.

He says, "I can't get out of--"

"I can't get out of this."

"Can't get out of that."

And then you had me put,
or somebody put--

I stuffed some Kleenex
in my mouth.

And the fact that you could
breathe out of your nose.

Well, the fact that
I could take it out.

Take it out. Yeah.
- Nothing was tied.

So then, with that,
you go behind a curtain.

Yeah.

You say you're gonna get out
from behind the curtain...

- Right.
- ...with this.

- Yeah.
- And it goes on, it goes on

and there's rustling
behind the curtain--

- Struggling.
- Struggling.

- Yelling for help.
- And yelling, "I can't breathe!"

Yeah.
-"I can't breathe!

I can't--" And it's like this
and struggling.

And my father literally
screaming with laughter.

And finally,
somebody opens the curtain.

You fall out and you're saying,
"Untie me, untie me!"

I not only remember it
to this day

but say without equivocation,
that in my life,

there are but a handful of times
that I ever laughed as hard.

But at age 16,
you could make those people,

those people we looked up to,
my dad, Mel,

those kinds of--
You could make them laugh.

And that to me was--
It was like a prodigy.

As a kid with my nose pressed up
against the glass,

okay, so, I watched television
a tad too close to the screen,

I so badly wanted to know
what he was like as a friend,

as a-- as a neighbor, as a pal,
as a guy to hang around with.

Now,
we shared a house together

for a year or so
off Benedict Canyon.

You had an entrance down below,
I had an entrance above.

We each had our own, uh, phones.
We had our own phones.

Anytime I would bring
a girl over,

uh, I would, you know,
enjoy myself with the girl.

I mean, I...

They would make love
and I would--

- You can say it.
- And you would listen!

I just said it.

They would...
...make love...

...and what's wrong with that?

It's natural to...
...make love and--

It wasn't that
we made love, Albert.

It's that when we finished
making love,

you used to call me
on the telephone

and say, "Are you finished?"

"Would you like
to get something to eat?"

- And you wanna know the beauty?
- What?

It was always 20 seconds.

I would time it. He's starting.

See how long I could
hold my breath. Let's eat.

I was a huge comedy fan.

I was used
to people standing up and...

delivering their bit and...

Alan King and all the guys
that would do straight stand-up.

And then there's this guy.

And he would come out

and he would
do the wildest shit.

Ladies and gentlemen,

would you welcome, please,
a new face in an ancient art,

the exciting, Albert Brooks.

You had a routine
that you did,

which was brilliant,
which was a mime.

And you came out
in black leotard

with the white face
and you never stopped talking.

I call this piece

"Walking The Dog,
Albert Brooks."

Good morning, Poochie.
How are you this morning?

You feeling good this morning?

I hope you are, Poochie.
It is a lovely day.

I know, isn't it?
Let's go upstairs, Poochie.

See, there are no stairs.
I create that for you. You see?

We'll go upstairs, Poochie.

Ah, here we are at the--
Oh, good morning, Mrs. Brown.

How are you?
Have you seen my dog, Poochie?

He's lovely, isn't he? Yes.

You'd like help with your rope?
I'll help you pull the rope.

All right, Mrs. Brown.
All right now, Mrs.--

No rope.
I'm just making this mime.

And then I just went

into a bad stand-up.
Yeah, yeah.

I'm married now, of course.

And my wife-- Take my wife,
please, you know?

Oh, she's wonderful.
She's a wonderful lady.

She's on a reducing diet.

Any of you husbands know
what that's like, you know?

She come home the other day,

she says,
"Honey, I lost 35 pounds."

I said, "Look behind you.
You'll find it."

CONAN O'BRIEN: Albert kind
of broke a sound barrier.

I was used
to watching television

and seeing funny people.

And then suddenly, there's,
you know, Chuck Yeager proves

that there's this other place
you can go.

There's a sonic boom

and then you're going faster
than sound.

Ladies and gentlemen,

I'd like to reaffirm
that the art of ventriloquism

is not dead.

Would you welcome the very funny
Mr. Albert Brooks?

I do remember
the ventriloquist bit.

Yeah.

It's kind of an iconic bit now, right?

Well, good evening, everybody.
Yes, hello, everybody!

I'm Dave. And I'm Danny.

You know, Danny,
I'm a little nervous being here

on television and everything.

Well, why don't you have
a cigarette?

That always calms you down.

Well, I just can't have a smoke

and leave everybody
sitting here.

They might get bored.

I'll sing a song
while you have a cigarette.

Great idea.
What are you gonna sing?

One of my favorites,
"Swanee River."

Great.

He's so good,
you can't steal it.

Yeah, I mean like,
if you stole it,

you wouldn't know
what to do with it.

All right, Danny.

Why don't you have a glass
of water?

And so the audience
doesn't get bored, I'll sing.

♪ Lady of Spain, I adore you
Lady of Spain, I adore you ♪

♪ Lady of Spain, I adore you ♪

I was doing, you know,

I was doing conceptual pieces. Yes.

I had the world's
worst pickpocket.

Have I ever met you before ever?

- No, you haven't.
- No? What's your name, please?

- My name's Lou Rawls.
- I knew what it was, of course.

- We have your albums over there.
- Wonderful.

Wouldn't you know? It's amazing.

Look at-- look at this dress.
Isn't he a wonderful dresser?

What, did you-- Do you have this
tailor-made or something?

- Yes, I do.
- Isn't that wonderful?

You know, I always wanted
to have clothes like that.

I never-- I never thought
I could get it, of course.

Hey, what-- what?

Wait a minute.
Just hold it a second.

- Wait a minute.
- Wait a minute!

My first time
I ever saw Albert Brooks,

he was an elephant trainer

and the elephant
was gonna do all the tricks,

except the elephant got sick

and couldn't come out.

So Albert is going
to continue the show

as the elephant trainer
with no elephant...

Yeah.
- ...in the room.

But he had a frog.
- But he had a frog.

I will do my same act

and you people
will please use your imagination

and picture the frog
as my majestic elephant, Bimbo.

I'll help you along
by making a noise

my elephant makes such as...

I thought it was wacky
and wonderful.

Now, ladies and gentlemen,
my elephant, Bimbo...

...all right, quiet...

...will count for you,

will tell you how old he is.

I'll give you a hint.

He's four years old,
so you know.

All right, Bimbo.
How old are you, boy?

Come on. One...

...two, three, four.

Stop, stop! Hold it, hold it!

And it was unlike
any kind of comedy I had seen.

I will put my face on this
and my elephant, Bimbo,

will stand on my head
and I trust the elephant.

All right, boy?
All right, boy? Okay, boy.

All right, boy. Ready, boy? Go.

I feel the elephant
gave me a wart in my ear.

Have a peanut.

When was the first time
you ever saw Albert?

Probably, The Tonight Show.

The Tonight Show?
- I think so. Yeah.

If you've seen Albert work, uh...

you still don't know
what he does.

He's a very inventive young man.
Um, and he does--

He takes premises
that he nurtures in his mind

and then he takes them,
plays around with them

and it's always fun to see
what he's gonna do.

Before I did Carson,
I did A hundred variety shows.

Sullivan, Johnny Cash,
Helen Reddy, Glen Campbell,

Hollywood Palace,
Everly Brothers, Flip Wilson,

- Merv Griffin, all of them.
- Yep. Right.

So, I came to Carson late,
so I didn't have that fear.

I-- I had already
been established.

He was happy to see me.

I was happy to see him. Wow.

Not until you do Carson
do you realize what that was.

- Everyone you knew saw it.
- Watched it, yeah.

- So, your next day...
- Right.

...you pick up your cleaning,
"Hey, great bit!"

You go to the market.

"Great bit!" It's like living

in a-- in Carson world. Right.

I was gonna take the time
that I usually do a spot

and show a film.

Not comedy
but a serious film that I made.

It was punk rock,

almost, for comedy.

He saw what was going on.

He saw the old Hollywood way.
And instead of just saying,

"This is bad. This is corny,"
he showed them.

And I spent my own money,
took a film crew,

took me a whole year and made

The History
of the Animal Kingdom

in Two and a Half Minutes.
And, uh...

the film is not here.
So, uh, I've got this.

I got together a few props
that I could at the last minute.

This is, uh,

History of the Animal Kingdom
in Two and a Half Minutes.

It was exciting.

Didn't feel planned
and it was absurdist.

You couldn't believe
the nerve of it.

♪ (UP-TEMPO GUITAR PLAYING) ♪

There was a certain
Wallenda aspect.

I got no more pictures left!

♪ (PEPPY MUSIC PLAYING) ♪

♪ (MUSIC CONCLUDES) ♪

Every comedian I know,
and to this day,

they won't go
on national television

unless they've worked it out
through in a club,

they've tried it out many times.

I know.
You're the only guy I know

who would go
on national television

with a routine
that you had never tried out

and you would do it
for the first time

- on national television.
- No, I went in the bathroom,

I would look in the mirror,
I would come up with something

and I would go do it.

Your brain has to work
on such a level

to do comedy
without trying it out.

Carson was encouraging
to do something new every time

because he used to say to me,

"If you don't have to,
don't rehearse

because I wanna be surprised."
Yeah.

And he's the first dude
I ever seen,

uh, at least,
make a marijuana joke

and, like, light it up on TV.

And he was sitting
next to Johnny Carson.

You know, Johnny,
this is my tenth year

on the show and I brought
something to celebrate.

And he had
these elaborate impression,

uh, kits.

There are certain foods
that when they interact

with the normal body chemistry,
produce the impressions.

We're gonna show you.
It's uncanny.

I don't do any of this stuff,
so, you know,

maybe it won't work,
but it probably will.

I mean, it's just really
over-the-top stuff that if he

pitched it to you in hi--
you know, your kitchen,

which I'm sure
he did many times,

you probably would go...

"That doesn't sound
like a real idea."

A hot potato?
- A hot potato.

Go on.
- All right.

Curly, as you take
a little bit of pepper...

a little bit-- You know, Curly,
the great Three Stooge?

Hard to do. Not now.
Take a pepper.

Put it-- put it like that.

Okay, now...

...you begin
to make a child's train noise.

Whoo! Whoo!

And with the potato. Whoo!

And I just-- I can remember
just watching that going like...

"Who is this man?"

I wanna say something seriously.

Yeah?

I'm joking tonight
for a little boy

who...

...is very ill in a hospital
in Northern California.

I promised him
I would get big laughs.

If I do, he lives.
If I don't, he's gone.

He did one routine with, um,

that '80s toy,
the Speak Spell.

I am premiering tonight
the second ingredient

in the Home Comedy Kit,
the electronic dummy.

You don't need to be able
to throw your voice.

Would you welcome Buddy?

All right.

Buddy, say hi to the audience.

I.
- All right.

Happy to be here,
aren't you, Buddy?

S.
- Yes, I know you are.

Buddy, do you know
where you are?

Look around.
Do you know where you are?

TV.
- Very good, Buddy. Very good.

To me, genius is
you have the idea

and then the courage
to execute it.

Buddy just got back from Mexico.
Did you have a good time, Buddy?

C.
- All right.

Buddy has a party to go to
later tonight, Johnny,

he's very excited.

He and his girlfriend
have been going for two years.

You're gonna exchange gifts, right?

S.
- Uh-huh.

You're gonna give her a car, right?

S.
- What are you gonna
give her, Buddy?

X-K-E.
- Ooh, a Jaguar. Very nice.

What's she gonna give you,
Buddy?

VD.
- All right.

Albert was one of those people
that from day one,

we tried to persuade
to come and do the show.

The thing that appealed
to me about Letterman

and the way he did talk shows

was the thing that appealed
to me about Albert,

the way that he did talk shows
as a guest.

They were both these sort
of deconstructionist geniuses.

What's happening here?

Uh, this is not
what it looks like.

Yeah?

Let me explain to you something.

I made this movie,
Defending Your Life.

Right.

And it is just so important
to me,

that when my publicist said that

you don't show clips anymore,
I just had to get a clip on.

- Yeah. But you know...
- You'd understand that.

...we show clips all the time.

The first time I saw Albert
was on David Letterman Show

and he had called in
to Letterman,

or somebody called him?
You called him!

It was you!

Is he a nice man
to talk to on the phone?

Yes. Absolutely.

Nice man to talk to on the phone
or off the phone.

Hello?
- Albert?

Listen, I'm here with David
and he...

- Tell him I said hello.
- He's-- David says hello.

Yes. I'm on the air
with David Letterman.

- Yeah.
- Yes?

- Yes?
- Yeah, he can hear you.

Hello?
- Oh, you can't hear him?
Hold on a sec.

Hello, Albert. How are you?

Yeah. Sure, Albert.
Whatever you want.

He's doing his stupid pet trick
over the phone?

Maybe we got him
at a bad time.

Yeah. What's he doing, Albert?

Hello?
Can you hear that?

Ladies and gentlemen,

I have a wonderful surprise
for you.

It's a gentleman
who is so uninteresting,

so unintelligent,
and so unsuccessful,

you would hardly believe it.
Ladies and gentlemen, it's me.

♪ (PEPPY MUSIC PLAYING) ♪

Okay, so, Harry Einstein
was known as--

Parkyakarkus.

My name's Parkyakarkus.

Parkyakarkus?
What are you doing here?

Well, I really meant to join
the Foreign Legion to forget,

but I forgot
where the Foreign Legion was,

so I wound up here

and now I forgot
what I wanted to forget.

He was a comedian.
He had his own radio show.

Meet Me At Parky's.
He was a Greek restaurant owner.

From Hollywood, California,

- Meet Me At Parky's!
- ♪ (UPBEAT MUSIC PLAYING) ♪

I remember going
over to your house.

You were very proud of him
and you had these old, big,

- like, acetate...
- Sixteen-inch records

that contained his radio shows. Yeah.

- You played 'em for me.
- Yeah.

And I don't know
if you can still do it

but he used to do a list
of the menu.

The opening of his show,

the woman who ran
the restaurant, Betty Rhodes,

she was late.
So he was there alone,

"Oh, my God. I gotta type out
the menu myself. What the--"

And so, he would do the--
He'd start with the typewriter.

"Roast beef. R-U-S-T B-I-F.
Doesn't look right. Two Ts."

- You know, he would do that.
- Yeah.

And then Betty arrived and said,
"What are you doing, Parky?"

"Well, I gotta type out
the menu. Somebody has to--"

"Oh, Parky,
you're not gonna do it.

Here, just give it to me,
give it to me fast.

I got a lot to do."
"Okay. You want it fast?"

Oh, my goodness.
I haven't done it in a while.

He'll do it better but he says,
"Okay, we're gonna have...

...sirloin steak
and tenderloin steak,

good peas, lamb chop,
great big pork chop,

large fried onions,
fresh peeled scallions,

french-fried potatoes,
lettuce and tomatoes,

string beans, baked beans,
hup beans too..."

Cookeral,
hookeral, chicken stew,

mackerel, pickerel,
haddock, tripe,

lobster, oyster, shrimp or pike,

hot pie, cold pie,
soft pie, mud pie,

ickleberry, bloomberry,
stroomberry too,

stiff cream, whipped cream,
plain cream, no cream...

"...squashed-up apple,
mustard, custard,

ketchup, chili, salt and pepper,
and piccalilli!"

Forty-five cents.

It's amazing that you remember.

But that just tells me
that you loved him, obviously,

and you, you know, adored him.

And you always
told me the story--

- How he died?
- At the Friars Club.

He had a famous death.

By the time I was born,

he was ill, he had a disorder
of the spinal cord.

He had a lot of surgeries.
He could barely walk.

And he sort of retired
from show business.

But he loved the Friars Club
and he was always on the dais.

Well, in 1958,
it was a big deal.

They filled up
the Beverly Hilton Hotel

and they were letting in
Lucy and Desi.

They had never let in a woman.

And it was this gigantic event
and everybody was on the dais.

Milton Berle and George Jessel

and Art Linkletter
was the emcee and Sinatra.

Everybody was there.

And my dad did ten minutes
and I helped him with it.

We had a wire recorder.

I would rewind it
and then rewind it again.

And then-- and then,
you know--

And he would work
on the routine.

He did a routine
about the Friars Club,

which was the hit of the show.

The audience just stood up,
not because

he was in a wheelchair,
because he was funny.

And I'm telling you...

...it knocked the house down.

- Right.
- You don't even hear laughing,

you hear...

That's what--
that's what the Friars Club

used to do
when they liked something.

...he must first satisfy us,
beyond any question of a doubt

And he finished and went back
to the dais and died.

Put his head right down

- like that.
- Jesus.

They stopped the show
as soon as they realized it.

Panicked. "What do we do?"
Art Linkletter said,

"Is there a doctor
in the house?"

At the Beverly Hilton.

Right. Half the audience
came on stage.

They took him backstage,
they cut him open,

they shocked him
with a lamp cord.

They couldn't bring him
back to life.

No.
- One of the funny moments

of that is that
they were panicking,

trying to see
what they could even do,

if they could save the dinner
but before it ended,

Tony Martin,
who was a big singer

and had a number one hit
at the time,

Milton Berle said,

"Get up there!
Sing something! Get up there!"

And he went up
and he sang his hit,

which was called,
"There Will Be No Tomorrow."

Oh, Jesus.

♪ ("THERE'S NO TOMORROW"
BY TONY MARTIN PLAYING) ♪

♪ There's no tomorrow ♪

And Milton Berle's going,

"Maybe that's not good advice."

So, everybody laughed.
Yeah, yeah.

He was sick my whole life

and I always thought
he was dying.

So every time,
when I was home alone with him

and he called me,
I would think, "Uh-oh, uh-oh."

So it really wasn't a surprise
because I expected it every day.

Yeah. Yeah.

I would go to sleep
with my radio on

and my mother used
to turn off my radio.

That was the little thing
she did for me.

Right.

And I woke up at 2:00
in the morning

and my radio was on.

- And I said, "Daddy's dead."
- Oh, wow. Wow.

And in that case, it was true. Wow.

This is where my dad is.

A lot of famous
old show business people here.

Louis B. Mayer.
Really?

Jack Warner. Wow.

And then look at this.
What?

Right near my dad... Wow.

One of the original
Three Stooges.

- Wow.
- Shemp.

No. Wait a minute. No, no.
Curly was the original.

No. Shemp.

No, I thought
Shemp replaced Curly.

No. Curly replaced Shemp.

Really?
- Yeah. Yeah.

I always thought
it was the other way around.

No. No. Woo, woo, woo, woo.

Well, "woo, woo, woo" was Curly.

- That I know.
- It doesn't matter!

- He'd still like it.
- He didn't do "woo, woo, woo."

Shemp never did.

- He'd still like it.
- All right.

Wow. And look at that.
Right there.

"Harry Einstein."

Aw.
Here he is.

- I miss him.
- Yeah.

I feel I wanna be cremated.

My mother was cremated
and she said,

"Honey, you know,
I wanna be cremated."

I said, "Of course,
I could tell by your cooking."

So, you didn't get to live
a long time with your father

but your mom lived to 94.

And what kind of relationship
did you have with her?

Well, see my movie, Mother.

Mother...
Yeah?

- ...the ice cream is colorless.
- Look under the protective ice.

The protective ice?

You've actually named
the clear hard crap

that sits on the top?

I very much relate to Albert
seeking approval from his mom.

But you didn't like
the book, right?

You don't think
it deserves a sequel?

Well, no, honey.
I love the book.

But are you sure you wanna
bring back all those characters?

That is so what a mom
would say of just,

"Really? You're gonna do that?
You're gonna wear that?

- Really? Okay."
- I'll talk to you later.

Honey, I love you.
- I know you think you do.

That's not
the kindest thing to say

but it does acknowledge
that I know you think you do.

Yeah, yeah.
- And that's something

and I'll give it credit. Yeah.

'Cause if I tell my mom
she doesn't love me--

Of course she does.
Yeah, yeah, yeah.

Of course she says she does.
Seems insane to her.

But now I know
what to say to her.

"I know you think you do.
And I love you too, Mom."

How many times
were you on Carson or--

- How many times?
- Thirty.

Thirty times? Yeah.

You were always trying
to get your mother

to acknowledge the fact
that you were killing

- on these shows.
- The standard conversation,

I would call her.

She wouldn't call me
after a show.

If I waited
for that phone to ring,

it would be a month later.
So I would call her.

"Hi."

"Oh, honey, you're done?"
That was the first thing.

"No, we're on the show.
Here's Johnny.

Yes, I'm done."

"So, uh, what did you think?"

And you know, she went,
"Oh, honey, it was--

What did Johnny think?"
Wow.

And that was every--

And I was gonna call
my autobiography

What Did Johnny Think?
Wow.

Because that's what--
"What did Johnny think?

What did Johnny think?"

♪ (CINEMATIC MUSIC PLAYING) ♪

And your mother was a singer.

My mother was a great singer.

Right.
- My mother had a career.

She met my father
on a movie set.

New Faces of 1937.

Where is that cheap
chiseling grafter?

- Where is he?
- There he is.

- Parky, speak to the lady.
- Hello.

♪ We do in gay Paris ♪

♪ 'Cause it's gay and it's fun
And it's done ♪

♪ Ooh, la, la! ♪

Ooh, la, la.

And she stopped
and became a mother,

and would sing at parties.

And it took me a long time
to realize that, you know,

maybe she didn't wanna
talk about

The Johnny Carson Show too much

because she wanted
to be on it...

To be on The Johnny Carson Show.

...which is a normal feeling.
Yeah, yeah, yeah.

You could still love your son

- and still think, "God damn it."
- Yeah. Right.

"I can sing better than her."
I could be on there, yeah.

You were looking
for validation from her

and she was
only gonna validate you

if Johnny Carson did.
That's right.

And I tell you, the closest
my life ever came where that

was an actual shift

was when I got nominated
for an Oscar.

And the nominees are
Albert Brooks in Broadcast News.

I took a date,
her and her sister.

And that evening was,
"Oh, my God!"

Because, you know,

it's so crazy there.
Yeah, yeah.

So, she had to accept
the fact that you--

Yes. I think she did.
I think she did.

But I also think that
she had normal feelings of,

"I wonder what I could've done."

Yes, yes.

And that's what Mother
was about because he discovers

that his mother was a writer. Right.

How much have you written?

Did you ever get
anything published?

No. I never published.
Your father talked me out of it.

Why would he do that?

You know, dear, in those days,

a woman didn't have a career.
You know, she just...

Raised children who she hated
for ruining her life

and killing her chances of doing
the one thing she loved.

Our dads were both comedians

and our mothers
were both singers.

My mother was a singer too.

And also parked her career

to raise children
and always wanted

to get on stage.

Now, I would notice at parties,
the happiest she was

is when somebody
would play the piano

- and she would sing.
- Right.

And you naively think
that your parents

or your siblings
automatically support you

a hundred percent. Right.

But human beings have qualities
like jealousy and being envious.

And it doesn't matter
if it's a father or a son.

Right, right, right.
- It's like, "Jesus,

I never got to play
baseball like that."

-"Good! Good hit!" You know?
- Yeah, yeah.

I mean, it's just the brain.

So, your mother is seeing
that you're starting

in show business,
you're starting to succeed,

and she's a little jealous.
She wanted to have--

I know my mother loved me
and I know she was happy for me,

but I knew that I couldn't--

I didn't talk very much
when something great happened

because there was just--

'Cause you didn't want her
to feel--

Yes. I could feel a limit.
Yeah. Yeah.

And I didn't want to--

I could feel it.
Yeah, yeah, yeah.

For the first time,
I don't see you as my mother.

I see you as a failure...

and it's wonderful.

I'm a failure
and that's wonderful?

All right, honey...

if that's what you need.

The last time
I saw my mother alive,

the last thing she says--

And Bob-- Was Bob there?
Bob there.

The brothers were there,
coming and going.

Right, right.
- It was in her apartment.

And a few days before,
there was no more communication.

She was already
on morphine but, you know--

Right.
- And she was sitting in a chair.

And I looked, and she looked up.
I said, "Mom, Mom. Hi."

And she looked up,

and the last words
she said to me was...

"You've lost a little weight."

And my brother, Bob, goes,

"I told you she always thought
you were fat."

- Right to the end.
- To the end,

the last words.
Right to the end.

I remember the albums. Yeah.

Right? And those were great.

But they were still like sort of

meta and absurdist.

I made this album,
Comedy Minus One.

And that was recorded
at the Troubadour.

♪ (UPBEAT MUSIC PLAYING) ♪

But really, for me the big thing

was when A Star is Bought
album came out.

I mean, it was life-changing.

And I did that
with Harry Shearer.

And that was like a movie,
but it was a record.

We did a mock documentary
about my life.

This character, "Albert Brooks."

Yeah.
- The idea of the album was, uh,

that he's gonna make a cut
for every type of radio station

so that the album can't fail
because it's gonna appeal

to every different
radio demographic.

So, on classical music,

I supposedly found
the lost words to "Boléro"

and sang that
with a symphony orchestra.

♪ ("LOVE SONG"
BY ALBERT BROOKS PLAYING) ♪

♪ (MUSIC CONCLUDES) ♪

When I made my first album,

I got very cocky and said,
"I'm not touring."

And I watched the record
just die.

Good night,
ladies and gentlemen.

Like a rock band
coming out with an album,

- you gotta promote the record...
- That's right. And--

- ...by going on tour.
- And I realized this

after a month, it was dead,
and I did too little too late.

♪ (JAZZ MUSIC PLAYING) ♪
I booked these clubs.

And there was a circuit... Right.

...in the early '70s.
Right.

The Bitter End, Troubadour,
Paul's Mall, The Cellar Door.

Right. Mr. Kelly's.
Mr. Kelly's.

- Right.
- And I never loved it.

What happened on the stage
at Paul's Mall in...

Boston. Yeah.
- ...in Boston?

Where you said,
"I just can't do this"?

It didn't happen on the stage.

I went back to my hotel
in between shows,

and I don't know,
it just sort of--

The world changed. Yeah.

It just sort of--
I had an explosion.

He called me. He said,

"The elephants are moving
on the wall

of the wallpaper in my motel."

I said, "So, you should
probably come home now.

That's a bad sign."

What I think it was,
and I could say this now.

Yeah, yeah, yeah.
- I couldn't tell you then.

I think I got so good
at not getting close.

As a very little kid,
two, three, and four,

I was gonna outsmart God.

I'm not gonna get close
to the sky

and then you're just
gonna take him.

Uh, I'm smarter than that.

And I learned how
to keep distance.

Hmm.
And that not getting close,

that being detached
from everything,

I almost feel like
that was waiting.

"Hello. Excuse me.

Here's 15 years
you never dealt with."

- Wow.
- And it was all of that at once.

Could it have been
the fact that that coincided

with the fact that your father
died on stage?

Yes. Yes.

It still plays in my head.
Yeah, yeah. Yeah.

NBC's Saturday Night.

You were approached
by Lorne Michaels

to host Saturday Night Live.
Okay, yeah. Yes.

I'll tell you the story.

And this is a true story
and I never tell it

because nobody wants
to hear it, but--

- I wanna hear it.
- No, I'm just saying.

They called me in 1974.

I went to an office
with Dick Ebersol

and Lorne Michaels.

Right.
And they said,

"We're gonna do
an original show."

Fantastic.

"We'd like it to be
The Albert Brooks Show."

Wow.

And I said, "You know what?
Every show has a regular host.

You should do revolving hosts.
That's what I would do."

Right.

Then four months later,
they didn't have anybody

and they wanted my name.

At that time, they liked
what my name represented,

and they wanted my name,
and they said,

"What do you want to do?"

And I had made a short film
years earlier for PBS,

The Great American
Dream Machine,

where I took an article
I wrote in Esquire,

"The Albert Brooks'
Famous School for Comedians,"

to teach you to be a comedian.

Right.
Like a commercial.

"Hello!
Do you think you can be funny?"

How many times have you gotten
nice laughs at a party?

Had a friend turn to you
and say,

"You know something?
That was pretty funny.

You should think
about being a comedian."

Well, your friend was right.

First today,
we'll visit comedy take class.

Here, the students practice
all kinds of takes.

The double take, the elbow take.

And today, they're working
on the spit take,

made so famous by Danny Thomas
on Make Room for Daddy.

Remember when Danny
would be drinking coffee,

his agent, Sid, would come in
with some surprising news?

Danny would spit the coffee
all over Sid and the furniture.

Let's see
how these kids are doing.

All right.
Now that was pretty good

but I'd like to try it
just one more time

in the same way.

Now remember,
I just walked into the room.

Now, start to drink.

Good. Now, I speak.

Guess what?
I just heard from the bank,

and not only don't you have
any money,

but your sister is dead!

That's good.

That's much better,
except, again,

Carol, you didn't put
the liquid in your mouth

and you gargled instead of spit
for the fifth straight time.

That was funny.

So, I said,
"Let me make short films."

So, they made an agreement.
I would make six short films

and I would do it
from Los Angeles.

He shaped the trajectory
of Saturday Night Live

in two ways.

It's because of him
that they have guest hosts

every week,
and it's because of him

that they have film pieces.

In an unprecedented move

- to ease world tension...
- ♪ (CELEBRATORY MUSIC PLAYING) ♪

...the country of Israel
and the state of Georgia

have agreed to change places.

This is indeed
an auspicious occasion

of the 20th century.

And I hope that New Orleans
will be easier

to deal with than Cairo.

I know-- I know
that my entire state

is looking forward
to heat without humidity.

I thought it would be funny

to dress up as a cow

and try and purchase
an airline ticket.

Those shorts
were mind-blowing to me.

Yeah, yeah.
- Like, they were like,

the most punk comedy thing
I had ever seen at that point.

This is my favorite part

of the show
because it gives me a chance

to introduce a film written, directed,

and starring my best friend,
Albert Brooks.

The show that you were on.

Yeah,
that was the third show.

He-- I made a film
that ran too long for his taste.

- Yeah.
- And Lorne said,

"Um, we're not running it.
It's too long."

Yeah.
- And thank God you hosted...

Yeah.
- ...and you said,

"I wanna run that."

So many of us go through life

doing one thing,
wanting to do something else.

I'm one of those people.
I'm a comedian.

Show business
has been good to me.

But quite frankly,
if I had the grades in school,

I would have become a surgeon.

Well, on July 22nd of this year,
I did something about it.

I took out the following ad

in ten of the nation's
leading newspapers.

"I, Albert Brooks,
professional entertainer,

wish to perform
open heart surgery,

coronary bypass operation
preferred."

Here we go.

No, no, no, no.

You stay-- Okay. All right.

I pray it doesn't hurt.
I pray it doesn't hurt.

The hell is going on?
- I pray it doesn't hurt.

Why is he awake?
Where is the anesthesiologist?

I don't know.
You're the chief.

Look,
I have been up for a week,

I have a very bad sore throat.

- Don't start with me.
- He don't feel very well.

Leave him alone.
That's all right.

You didn't know what show Albert

would have a film on. Right.

So, it always felt to me, like,

there was this weird
J.D. Salinger comedy guy

that every once in a while
would offer something up,

and you didn't know
when it was gonna come.

♪ (UPBEAT MUSIC PLAYING) ♪

Hi, Albert.
- You got it?

Yes.
It's new.

I know that you use to hang out
with Steven Spielberg.

- Yeah.
- And he would film you.

I think he just liked
to always run the camera.

Yeah, but he didn't run it
with everybody. He just ran--

No,
because I was giving him stuff.

Yeah, yeah.
- Yeah.

I started filming Albert
in 1973.

We'd go down, like, Sunset
or go up La Cienega

just so Albert
could lean out the window

and interview people
at a red light.

Aha!

I mean, in a way,
he predated Sacha Baron Cohen.

What Sacha did with Borat
and all of his brilliant work...

Right.
- ...Albert was doing that stuff

on the streets
with my eight-millimeter camera

in the 1970s.
Wow. Wow.

I can't think
of any American filmmaker

whose movies
I more eagerly await.

Directing my first movie,

Real Life,
which beats Spinal Tap by...

Which is the first one?
- ...five years in mockumentary.

I've just completed
a motion picture so exciting

that the following announcement
will be presented in 3D,

so you can literally
"feel" the excitement.

Real Life tells the story
of what happens

when a real family's life

is turned
into a major motion picture.

That family could have been you,
or you, or you!

If you remember some years ago,

I think it was on PBS,
they did it.

Was it on national television?

They covered a family
called the Loud family.

The idea was exciting
to do because, you know,

other than the Loud family,
no one had sort of

made fun of this yet. Yeah.

It was so ahead of the curve.

Everything he was talking about
is what television turned into.

I saw Real Life and I thought,

"Oh, you know, this guy's...

...he's-- He is really special."

The moment that we realize
that we were gonna

wanna follow real people
and they'd be more interesting

than fictionalized people...
Yeah, yeah, yeah.

...Albert satirized that,
but he was very aware

that people will be obsessed
with making it

entertaining enough...

Right.
- ...and that show business

would ruin it
and make it impure.

Honey, do you think it's safe
for you to be eating

with your heating pad
in your lap?

I have terrible cramps,
I am bleeding profusely,

and I wanna vomit on the table.

What are you doing?

No, I just wanna let them know
that this is not the way

we usually talk,
especially at the dinner table.

This actually, uh, had
some reflection of society

that are still relevant today.

I made an appointment
with my gynecologist

for a quarter to 10:00
tomorrow morning.

And if you want to,
you and the crew

can feel free to join me.

Film the gynecologist?

It became, for me,
the test movie for--

If I was dating a girl,
it'd be like,

"Let's watch Real Life."

- What are these?
- These are cameras.

Oh, no. Oh, God damn it.

What's going on here?
I was clear.

Now, come on.
Get out of here, you!

Wait, wait, wait!
I don't need you here.

This is a big motion picture.
I'm Albert Brooks. How are you?

I don't care
who the hell you are.

Talk to my lawyer.
I was cleared.

Get out. Out, out!

Dr. Rennert,
these people are with me.

They're filming my life.
Mrs. Yeager, I'm sorry

but I've had
some bad experiences

with the 60 Minutes people.
No, no.

Huh...

There's four of us here, okay?
He wants an abortion, all right?

Two. Make it two.

I'll take a hysterectomy.
She'll have the same.

How about this for parking?
You think 500 might do it?

I just wanna film her life.
Please, don't make trouble.

Oh, my God. Maxwell Rennert,
the baby broker.

- Oh, God damn it! Come on.
- Oh, I can't believe it.

Was it tough to get that made?

I have found nothing easy
to get made.

Getting made
was the hard part of the life.

I was dating Linda Ronstadt.

One of her managers,
he had a cousin,

who at the time
owned the Chicago Bulls.

- Okay.
- I sat in a steam room with him,

and pitched this thing.

And he said to me,

"I'll give you
half a million dollars.

You have to take a letter
of credit out at a bank

and anything over is yours."

That you have to pay for?

I have to pay for.
- Right.

And it made every moment tense.

But I wanna take
this opportunity, Rob.

The man in Chicago,
he keeps calling me and saying,

"Well, I-- I don't care
if the picture makes money,

I just don't want you
to go over budget.

I don't want a call
in the middle of the night

saying, 'I need more money.
I need more money.

I need more money.'"
They're worried?

- They're worried about it?
- Yeah. They're worried.

Taking a chance
with a first-time director?

Yeah, but I mean,
I'm a nice guy.

I'm not gonna spend his money.

So, I thought
maybe I could swear to God

to him on television.
Go ahead.

Would that be all right?
Go ahead. Go ahead.

Can I get a-- Okay.
Yeah, give him a close-up.

Mr. Culver is the name.

I, Albert Brooks, swear to God
I won't go over budget.

If I do, I will pay every penny
out of my own pocket,

or Rob and Penny
will pay for it.

Real Life was made independently,

and Paramount Pictures
bought it.

This was my introduction.

It was like a Broadway show.
Right, right.

And I get a call that said,
"We're rethinking this.

We're not gonna go to New York.
Let's not do the critics now.

Let's open in Honolulu,
in Dallas, and New Orleans."

I said, "I'm gonna do better
with critics than I'm gonna do

with people in Honolulu."
Right, right.

If you pull it out
of the critics' screenings,

it says to the critics,

the film is flawed.
Right, right.

And I said,

"If you do this,
I won't do one show,

and if I talk to any press,
I will tell them

that you've ruined my life."

And they said, "Well, let us
call you back in 15 minutes."

Thank God that for whatever
threat, it worked.

And you know, I got the reviews
that started my career.

Yes.
If that didn't happen,

I don't know where I'd be.

So, you mentioned Harry Shearer,
that you worked

- on A Star Is Bought.
- And Real Life,

- Harry, worked. Yeah.
- And Real Life.

He was one of the writers. Yeah.

Along with Monica Johnson. Yes.

You worked with Monica...

- On many pictures.
- ...on other pictures.

Tell me about your relationship
with Monica.

Well, Monica was great.

Monica understood
the Albert Brooks character

like nobody else.
She was so funny.

I wanted to be in a room
or in a car with her

because back and forth,

I think it made me better. Right.

She got everything.
And then she could

throw out a line...
Yeah, yeah.

...and you know,
just something really--

She-- she got it.

I became aware of Albert
on The Tonight Show.

I became obsessed with Albert
with Modern Romance.

- Modern Romance.
- Modern Romance.

It's my life.

God, there's something
wrong with you.

No, there isn't. I'm in love.

- That's not it.
- Yes.

- No.
- Yes, I'm in love. I love you.

I called the number, okay?
A guy answered.

Obviously, a guy
isn't your brother's girlfriend.

So, who is he?
You slept with him? Twice?

- I'm going home.
- I've been this guy.

I've been this guy
a lot of times.

I'm, you know, much older now.
I can still be that guy.

Modern Romance was, you know,
me willing to look completely

like a psychopath
and how jealousy works.

I don't think
that we should go out anymore.

I mean, I just think it's over.

You've heard
of a no-win situation,

- haven't you?
- No.

No? Really no?
You've never heard of one?

Vietnam, this?
I'm telling you, they're around.

I think we're in one of them.

So, the jealousy,
all of that feeling of jealousy,

that was just something...
That's--

...you felt, but you didn't--

I felt and it was weird,
and I wanted to show it.

Yeah.

Look, you two didn't get along.
You said it yourself,

all you ever did was fight.

You're right. Thank you.
Thank you.

That's all we ever did.

I'm telling you,
we fought and fought

and then we had great sex.

We never really could talk.

Do you need to talk?

The whole thing
made me so uncomfortable

because I was at the time,

in a very unpleasant relationship.

And I thought,
"Well, this is admirable."

If you can go and do a movie
and it makes you feel...

it magnifies
what you're feeling already.

The head of Columbia said,

"You have to add
a psychiatrist scene

and explain this behavior."

- Right. Right.
-"And if you don't add

a psychiatrist scene,
you won't have a second week,"

which basically meant,
we're not gonna advertise.

Wow. Wow.
- And Stanley Kubrick called me.

And he said,
"You're blaming yourself.

It's not your fault.

Studios make a decision
of whether a movie

is gonna be a hit.
It's their decision.

I've watched your movie play
in front of 25 people.

It's killer."

And then he said,
"How did you do this?"

"This is the jealousy movie
I've always wanted to make."

And I'm going,
"Hello. How did I do it?

How did the guy
walk upside down in 2001?"

"You tell me and I'll tell you
how I screwed up the girl."

The roller coaster ride
of Modern Romance,

that really always connected
with me. It just--

Wow.

I'm still looking
for my Albert Brooks.

And to America,
look out, here we come!

♪ ("BORN TO BE WILD"
BY STEPPENWOLF PLAYING) ♪

♪ Get your motor runnin'... ♪

The Jupiter
with all the gravitational pull

is, for me, Lost in America.

♪ Racing with the wind... ♪

What was the inspiration
for Lost in America?

People who make
gigantic decisions

and are wrong.

This is what we talked about
when we were 19.

Remember? We kept saying,
"Let's find ourselves."

But we didn't have a dollar

so we watched
television instead.

I mean, we can drop out

and we can still have
our nest egg.

So, these people
really did everything.

They sold their house.

They-- they, you know,
made the unfortunate mistake

of stopping in Vegas

and then it was done. Yeah.

♪ (SWING MUSIC PLAYING) ♪

- We're up! We're up!
- No. We're still down.

- How down? How down?
- Down. Twenty-two down.

- Twenty-two.
- How down is she?

Down.

- Come on! Twenty-two!
- How down are you?

- Down, down!
- How much have you lost?

- Everything!
- What does that mean?

- Everything!
- What do you mean?

- Everything on 22...
- What do you mean?

What is happening?
What are you doing?

...and make it happen for me.

How much is left
of the nest egg?

Nothing. Well, give--
give or take, 1,000.

- Give or take 1,000?
- Yeah.

As the boldest experiment
in advertising history,

- you give us our money back.
- I beg your pardon?

- I understood the nest egg--
- Please do me a favor.

Don't use the word.
You may not use that word.

It's off limits to you.

Only those in this house
who understand nest egg,

may use it. And don't use
any part of it either.

Don't use "nest,"
don't use "egg."

If you're out in the forest,
you can point,

that bird lives
in a "round stick."

And-- and-- and you have
"things" over-easy with toast.

It also spoke to the stuff

that we all go through

when we have to find ourselves. Right.

So, the movie is really a story
about his search

for who he is as a man
and also as a husband.

♪ (SOFT MUSIC PLAYING) ♪

♪ (WHIMSICAL MUSIC PLAYING) ♪

Good afternoon
and welcome to Judgment City.

You've just had quite
the little journey, so for now,

relax and enjoy the ride.
What made you think about

afterlife and those ideas?
How'd you come up with that?

Well, one of the things
when your father exits early,

you wonder, "Where does he go

and what's going on here?"
Yeah.

Well, in a nutshell,
you're here to defend your life.

Defend my life?

I didn't like movies
about Heaven.

I don't like the clouds.

Right.
- I don't like the harps.

I don't-- And--
And this movie has no religion.

No.

So, what this movie
is really about is fear,

which, you know,
I've dealt with my whole life.

And so, if you could live
a life without fear,

then you would be able
to move on. And that the fear

- is what's holding you back.
- That's right.

There are multiple movies
on this topic,

from, like, the '40s and on.

"You die. You're suspended.
Where are you going?

You're going to Heaven.
Is there a Heaven?

Is there a God?
Is there an afterlife?"

To me, Defending Your Life

is the finest piece of work
on that topic.

Look what I found?
- Come on. Give me that.

Make me.

Wow.

Come on, chicken.

You stick up for yourself,
low-life chicken.

You see,
every second of every lifetime

is always recorded.

And as each one ends,
we sort of look at it.

Look at a few of the days,
examine it,

and then if everybody agrees,
you move forward.

What do you mean "move forward"?

As an astrophysicist,

Defending Your Life was one
of the most insightful films

I had ever seen.

I measure the value
of a movie to me

by how much influence it has
over my thoughts.

The claim is that
as a human being on Earth,

we're using some small percent
of our total brain power.

His attorney,
who's defending his life,

is using, like,
45 or 50 percent

of his brain power.

But there's still
higher levels beyond that.

For example,
I use 48 percent of my brain.

Do you know how much you use?

Forty-seven?

- Three.
- I'm sorry?

And the lawyer says,
"I am deeply simplifying

my communication,
so that you can understand me."

Where were you?
I'm just curious.

I'd tell you
but you wouldn't understand.

Don't treat me like a moron.
Try me.

I was trapped
near the inner circle

of thought.

- I don't understand.
- I told you.

And it's because of that scene,
I've always been thinking

about how stupid
we may actually be

on the spectrum of intelligence
in the universe.

- Hi. How'd you die?
- On stage, like you.

You and Meryl Streep
are incredible together.

How did she wind up
in that movie?

Well, I was friends
with Carrie Fisher.

And she had a party,
and Meryl Streep was there,

and I was surprised
how easygoing she was.

And I said,
"I just finished something

I'm really excited about it."

And I don't know
if it was half-joking or real,

she said,
"Is there a part in it for me?"

I said, "Yeah. Right. Okay."

And I went home
and I thought, "God, yes!"

Yeah, yeah.

I don't know what this is.

But it's...

well, it's...

- effortless.
- Effortless.

You can tell
that everything

that's real in his personality
is coming out.

But I've been defending myself
so hard these last few days

and I just don't wanna be judged anymore.

I have this wonderful feeling
inside of me but I'm af--

I'm just tired of being judged.

It's hilarious
and I cry at the end every time.

Julia! No!

Daniel!
I love you!

♪ (EMOTIONAL MUSIC PLAYING) ♪

It's an emotional movie,
and it's about personal growth,

and that's not something
that was in the other movies.

Right.
But this time,

he finds a way
to overcome his fear.

He finds love.
He wins at the end,

and it felt like a big choice
from Albert to show the lessons

that I assumed
he was trying to learn in life.

♪ (MUSIC CONCLUDES) ♪

Do you have any thoughts about
what happens after you die?

I don't mind being taken
out of the game.

I just don't wanna see anymore
of the game.

- Yeah, yeah.
- So that, to me, would be agony.

Yes.
- To be taken away

but you get a little peek at...

"Oh, Rob's still doing well,"
you know?

And by the way, on nights
you sleep and you don't dream,

how do you know,
what if you don't wake up?

- How would you know?
- Yeah.

I mean, God, the first time
I had a colonoscopy,

it was-- I wanted one every day.

It's the greatest sleep
in the world.

And if you woke me up
a thousand years later,

I wouldn't have any idea. Right.

So, I imagine that's what it is.

What? Like having a colonoscopy?

Yes.
Yeah.

Yeah. A big one.

So, you're feeling
your way through the world

of relationships with,
uh, women.

And I'm sure, there were
a lot of women, come in and out

- of your life and all that.
- Yes.

And so that I'm sure gives birth
to things like Modern Romance,

like Defending Your Life,
like Lost in America,

all of those pictures
that have these relationships.

We're seeing
Albert Brooks struggling

with the opposite sex.

So, how did you eventually find
your way?

Well, I lucked out
because I waited long enough

where I had reached a point,

and if anybody ever asks me
advice about it,

you know,
"How do you find someone?"

I mean,
the answer is you stop looking.

Albert, you were one of the last
bachelors to go in Hollywood.

- You waited a long time.
- That's right.

Warren Beatty and I
used to huddle in the corner.

What was it about this lady
that set her apart

from all those nymphet starlets

- you'd been with?
- Yes!

I guess this wasn't
the romantic way to put it,

but after two days,
I looked right in her eyes

and I said,
"You're the first woman

I'm willing
to be divorced from."

I met Kimberly
and it was just right.

Yeah. How did you meet her?

I was set up by friends. Yeah.

And she called it a blind date,

and yet Defending Your Life
was her favorite movie,

so I said,
"Well, it was a one-eyed date."

Yes.

I thought the movie was amazing.
And I said,

"This man wrote,
directed, and starred in this?

That's the kind of guy
I wanna marry."

I swear to God I said that.

Really?
- Yeah.

But I was filming
in San Francisco, Mother.

Right.
- So, we talked on the phone

for ages.
But I'll tell you, one of these,

I'm not a big coincidence guy.

Yeah.
- But this was interesting.

I wrote Mother before I met her,
and she came from Marin,

and I set the character
in Marin.

More importantly...
That's why--

...I set the character
at Tam High,

- where she went to high school.
- Oh, my God. Oh, my God.

So, that was weird!

Our hour-long conversations
became, you know,

eight-hour long conversations

and he made me laugh
till I cried

but this was
before the internet.

He had no idea
what I looked like.

So, we kind of fell in love
by talking.

And we talked on the phone

and it was great, great,
great, great, great.

We met and it was great.

And, you know, I had waited
and knew that I couldn't--

shouldn't be waiting
too much longer.

Yeah, yeah, yeah, yeah.

Yeah.
Yeah, yeah.

My line was,

"I'm gonna have to look
for high schools with ramps."

"Is Dad coming?"

"He's wheeling up.
He's wheeling up."

The chemistry,
everything was there

the minute we met.

Somehow,
I don't know how it happened,

but we were, like, making out

to the soundtrack
of Schindler's List.

That's true.

It was worth waiting for.

Yeah, yeah.
- That's all I can say.

And I said,
"Well, look,

I don't know why you've waited
but this is what I want.

I wanna get married,
you know, have kids.

The whole nine yards."

So, then he kept saying,
"Well, why don't you move in?"

Like, when we were dating.

And I kept going like this,
"It's so empty there, isn't it?

Like, do you see anything?"
You know, like, every time.

And then he said, "Okay,
I'll take you to Tiffany's."

And I was like, "Ah, ah, I need
to hear the whole sentence.

Like, you need to get on a knee.
Like, you need to do it."

And so then he did it. Wow.

She thinks I proposed.
I actually tripped.

- You were on your knees--
- That's right.

I dropped a contact lens,
bent down to pick it up

- and she said, "Yes."
- And you got married.

Yeah.

I've known you so long,

and when you met Kimberly
and you got married

and you had kids,

I thought, "This is a big thing
for Albert,"

because you didn't see
that evolution for you.

I was sick of me.

I mean, if I couldn't do this
for somebody,

I think I would never have

left my home past fifty.
Right, right.

And so you have Jake,
you have Claire,

and now all of a sudden
you're a father.

How are you adjusting to that?

I couldn't imagine
a life without it.

Now, do your kids know
that you're that Albert Brooks?

I-- I haven't really shown them
the movies yet

because they--

I don't wanna see them
not like it.

'Cause then I'd have
to punish them severely.

In my will, David,

I have a detailed questionnaire
about my movies.

And if they can't answer it...

- Very shrewd.
- There's nothing.

- There's nothing.
- I think you're on

- to something there.
- Right. There's nothing.

- A only mark.
- All right, and action!

She's a muse.

Come on.

No. I-- I met her at a party
a couple of years ago.

- Rob Reiner introduced us.
- Rob Reiner?

The idea of the film

is that there's this woman
who's a muse

who can get the best things
out of people,

so they can do their best work.

That's right.
When you start believing that,

it becomes something.
Right, right.

It's the ultimate placebo.

I can see why you need me.

When he called me,
I was just, like...

"Oh, my God,
it's Albert Brooks!"

You have a lot of talent.

It's just that
you're losing your edge.

Jesus, I am hearing this
from everybody.

That's because it's true.

And I said, "Oh, I'm in!"
And he goes,

"You don't even need
to see the script?"

And I'm like, "No."

Sharon was so receptive.

And so much fun to work with.
Yeah, yeah. Yeah.

Just really, ideas and energy.
I was crazy about her.

- Say that to them.
- Everything is her.

Everything.

We had
this really wonderful trust

right from the start.

There's this scene
where I get in bed

with Andie MacDowell.

So, what side of the bed
do you want?

Oh, you're gonna sleep
in the bed too?

And I said,
"So, I wanna be naked."

And he went,
"I don't know. I don't know."

He kept covering his eyes.
His eyes?

Yeah, like, "I-- I don't know
if I can--

I don't know if I can see that."

You want the whole bed?

Well, hey, it's your house,
you know? Whatever you wanna do.

Oh, my God.
You want the whole bed?

Take it.

And then you had Scorsese.

Yeah, we have
these famous directors

all thinking that they might
get help from this fraud.

Just tell him
Marty was here, okay?

'Cause I gotta get
this thing figured out.
I'm right in the middle of it.

- I gotta get it figured out.
- What are you working on?

- Promise you won't tell anybody?
- Yeah.

I'm working on a remake
of Raging Bull.

- Really?
- Yeah. Only this time,

I'm doing it with
a real thin guy. Real thin.

- Can you see it?
- Yeah. I see it.

- Thin. Thin. Thin.
- Thin and angry. Thin and angry.

Thin and angry.
Is there a Starbucks near here?

Oh, gee, I'd be careful
if I were you.

- You might have had your quota.
- Yeah. I guess I'd-- Quota?

That gives me an idea
for something else entirely.

Thank you.
We never had this conversation.

I don't know who you are.
We never spoke.

Jim Cameron.

I just don't see you going back
to the water anytime soon.

So... no sequel?

No.

Stay away from the water.
Don't go near the water.

And me. I was-- Yeah. Yeah.
And you.

- Sarah!
- Oh!

- It's so good to see you.
- Oh, hey! Oh!

♪ (TENSE MUSIC PLAYING) ♪

For the rest of your life

you're gonna be looking
over your shoulder.

I'm just telling you this because

- I want you to know the truth.
- ♪ (MUSIC FADES) ♪

Albert
is a totally trained actor.

He has all that technique.
He has all those tools.

He can do anything.

- Notice anything?
- No.

Then put your glasses on.

Okay. Just a minute. All right.

That taxi driver
has been staring at us.

What taxi driver?

That one.
The one that's sitting there.

How long
has he been there?

I don't know
but it feels like a long time.

My first acting movie
was Taxi Driver.

Right. Scorsese.

That was a hell
of a movie to have starred in.

Why did they think
Albert Brooks would be perfect

for a movie about Travis Bickle?

You know, I think
Scorsese had seen plenty of me

on the variety shows.
And he loved comedy

and he sensed
that I could do it.

But to me, just going to the set
on days I wasn't working

and watching Marty,
it was a thrilling experience.

Why won't you talk to me?

- Come on.
- Why won't you talk to me?

Why don't you answer my calls
when I call you?

You think I don't know
you're here?

- Let's not have any trouble.
- You think I don't know?

You think I don't know?
Would you please leave?

- Get your hands off me.
- Okay. Then leave.

I just want you to know
that I know and I'm here.

Come on.
Let's not have any trouble.

Please. Just please.
This isn't the place to do this.

Get your hands--
Okay.

- Get your hands off!
- Okay. Then just leave!

- Take 'em off!
- All right. Just leave then.

What made you decide

that he was the guy you wanted
for Broadcast News?

Oh, not decision. Just--

We talked about it
through the writing.

I mean, there was nobody else.

You can't end up with Tom

because it totally goes
against everything

that you're about.

I know you care about him.

I've never seen you
like this with anybody.

So, don't get me wrong
when I tell you that Tom,

while being a very nice guy...

is the devil.

I wanna talk
about this very specific moment

in Broadcast News,

and it's famous because anybody
who gets nervous,

they say, "You're sweating
just like Albert Brooks."

Tell me how
that moment came to be.

In the original script,
Jim didn't have sweating.

It was Aaron
has a horrible failure.

Right. Yeah.

You're anchoring it,
taking William Hurt's place.

Right. And one night,

I saw at midnight,
a new guy on CNN.

Albert called me one day,
so excited,

and he said, "I just saw a guy
on CNN sweating bullets."

I woke Jim up.
"Jim! Jim! Turn on CNN!

I know what we-- This is it!"
And it worked.

It worked.
Wow, wow, wow.

The British foreign secretary
today, pounced on what he termed

"The nest of professional spies
and amateur traders

who are turning
NATO headquarters

into an instrument

whose only true function
is folly."

Just how noticeable
is this, huh?

Albert really trashed

the shirt and the jacket
that night.

But for years afterward,

and after anyone sees it now,
contemporaneously today...

Five seconds!

...people will find a way
to ask you,

"Were you more like
the William Hurt character

or were you
the sweaty intellectual?"

A hundred and twenty people
were reported injured.

At least 22 people dead.

Commercial.
- I wish I were one of them.

I think that his performance
in Broadcast News

is just the North Star
for almost everything.

There's a lot of people
that feel like,

"I'm kind of a decent person,

and why do I always get
passed over?"

Wouldn't this be a great world
if insecurity and desperation

made us more attractive?
If needy were a turn-on?

- Call if you get weird.
- Mm.

We thought we were Albert Brooks
in that relationship.

No comedy people thought
they were William Hurt.

I thought Albert and Holly
sort of stole the show.

Hey, Aaron!
I think you're the devil!

- You know I'm not!
- How?

Because I think
we have the kind of friendship

where if I were the devil,

you'd be the only one
I would tell.

Well, you were awfully quick
to run after Tom's help

- when you wanted help!
- All right. Fine. Yes!

And if things had gone well
for me tonight,

then I probably
wouldn't be saying any of this.

I grant you everything...
but give me this.

He personifies everything that
you've been fighting against.

And I'm in love with you.

How do you like that?

I buried the lede.

I love seeing him play villains.
I've seen Drive a million times.

Kid, I want you to meet
Mr. Bernie Rose.

Nice to meet you.

♪ (TENSE MUSIC PLAYING) ♪

My hands are a little dirty.

So are mine.

And Nicolas Refn said,

"Why would I believe
he was a bad guy?"

And I pinned them up
against the door.

I mean, I really did. Yeah.

And I said quietly,
"There's no convincing Nicolas."

I said, "If I now took a gun,
and put it in your ear

and shot a bullet
through your brain

and smiled and left,
I'd be a bad guy."

I think we would have made
a go with this business.

Don't worry. Don't worry.

That's it. It's done.

There's no pain.
It's over. It's over.

I mean, he's a beautiful actor.

His character parts
that he would do.

The NFL owns
the day of the week.

The same day the church
used to own. Now, it's theirs.

You're a bank robber.

It's not a very marketable skill.

We don't see a lot
of old bank robbers

walking around
with a pension plan, now do we?

I don't anticipate a problem.

God knows they've given money
to bigger crooks than us.

Daddy,
you never play with me.

I do, but right now,
look who I'm talking to!

- Hi.
- It's your brother!

Hi.

- Say--
- You don't look like my brother.

I told you, honey,
that's 'cause of the egg donor.

I am so excited.

I can't believe I'm in a car
with Albert Brooks,

Lucy Liu, and Jerry David.

I just can't believe

- we're all going--
- Oh, you're so funny.

I got my Jews confused
a little bit.

"I got my Jews confused"?

- She's funny, Albert.
- She's funny.

- Yeah.
- Yeah.

- Anti-Semitic, but funny.
- Yeah.

He was actually a little nervous
the first day.

He-- he was?
- Yeah.

Why?
- I could tell.

I know when somebody
is nervous, yeah.

The premise, to me,
is terrific.

The idea of doing a eulogy
or doing a memorial service

for somebody before they die.

Welcome, everyone.
Thank you for coming.

Albert inspired me to become
a stand-up comedian.

And that more than anything,

makes me wish
he was really dead.

I hate him.

Thanks to Larry David,

we learned
he was a COVID hoarder.

- ♪ (LIVELY MUSIC PLAYING) ♪
- Oh, my God.

Albert Brooks
is a COVID hoarder.

- He's a fucking COVID hoarder.
- He's a COVID hoarder.

- Albert's a COVID hoarder.
- Are you kidding?

This is unacceptable.

What's going on here?

The fuck is wrong with you?
You're sitting over there

with a closet full
of fucking toilet paper?

I just moved in here.
This used to be a CVS.

- Shame on you, Albert Brooks.
- Come back! I've got flu shots!

You've done a lot of voices
for animated stuff.

I did a lot
of Simpsons characters.

Everybody on The Simpsons,

when Albert came in,
it was New Year's Eve for them.

Homer, on your way out,

if you wanna kill somebody,
it would help me a lot.

The key to motivation is trust.
Let me show you what I mean.

I want you to close your eyes
and fall backwards

and I'll catch you.

That's gonna show you what trust
is all about.

- Ready?
- All right.

Three, two--

One second. Hello?

Oh, my God.

A guy's on the floor.

You never saw
writers aggressively

not care about their script...

...because of what Albert
would do when he came in.

- Meet me tomorrow for brunch.
- What's brunch?

You'd love it.
It's not quite breakfast,

it's not quite lunch.

But it comes with a slice
of cantaloupe at the end.

You don't get completely
what you would at breakfast

but you get a good meal.

- Nemo!
- Daddy!

Nemo! I'm coming, Nemo!

Dad!

Nemo!
- Dad!

Thank goodness.
It's all right, son.

How did you come
to Finding Nemo?

How would--
how did that come about?

They contacted me,
and to convince me,

they flew me up to Pixar.

And they did the cutest thing
I've ever seen.

They took a scene
from Defending Your Life

and put it in the fish's mouth.

Look, I'm guilty. I didn't make
enough money, okay?

Call me a hippie,
send me to hell. I give up.

I said, "All right. I'm in."

Hey, you're a clownfish.
You're funny, right?

Hey, tell us a joke.

Yeah, come on.
Give us a funny one.

Well, actually,
that's a common misconception.

Clownfish are no funnier
than any other fish.

There's a story I heard that, uh,

when you went
to the first preview--

It was the premier.
And I think Jake was maybe four.

- Right.
- And after that fish

killed everybody but my one son,
he ran out of the theater.

I was old enough
to kind of understand

that, like,
that was my dad's voice.

But I was young enough to--
to not understand what I was.

And my mom would say,

"That's you. That's Daddy.
That's you. That's you."

Then I go to the movie.

And in my mind,
I'm genuinely Nemo.

Like, I'm the fish.
There's no difference.

And then one scene in,

the mom gets, like,
murdered by this fish.

You know,
I'm processing the death.

And I'm crying,
and we had to leave.

Then my mom had to be like,
"No, no, no!

I'm here. I'm here.
It's not real."

Finding Nemo kind of took
the world by storm.

I remember I was, like, nine.

It was my first time
going to sleepaway camp

and I was so homesick
and nervous.

I would cry a lot.
And then all of a sudden,

Finding Nemo was playing
on the bus.

I didn't know anyone.

I was just sitting there,
watching my dad,

like, "It's gonna be okay."

There, there, there.
It's okay. Daddy's here.

♪ (SENTIMENTAL MUSIC PLAYING) ♪

Daddy's got you.

And then you also wrote a book?

I did. I was very proud
of that book,

called Twenty Thirty,

The Real Story
of What Happens to America.

And I wanted to do
a real near future story.

The main conflict of this

is the olds
versus the younger generations.

Yes. I feel and I can see it
in my own children

that in a number of years,
these younger people

are gonna try to kill us.

You mind
if I would do something?

- No, please.
- 'Cause I know, in this--

in the mass world of media,
things don't get attention

- unless they go viral.
- Right. Right.

Would you mind if I hold this up
and kiss you on the lips?

Please?

The president, as you know,

has a pretty darn good
sense of humor.

And he felt that maybe
the only way

to really understand somebody

was to see
what makes them laugh.

Looking for Comedy
in the Muslim World

was an interesting experience.

We'd like for you
to head up a project.

Take a month,
go to India and Pakistan,

write a 500-page report,

and tell us what makes
the Muslims laugh.

You'd be doing a hell
of a service for your country.

Things were getting crazy
in our world.

Right.
- And... I sort of wanted to show

that you could say the word
"Muslim" and not be killed.

Tonight's a very special night
because by what you laugh at,

you're gonna teach me
who you are.

Why is there no Halloween
in India?

'Cause they took away
the Gandhi.

All right. I've been, you know,

touring around
your lovely country.

I was in Kashmir last weekend.

Went to visit
one of my sweaters.

You know what I'm thinking here?
And possibly this is our fault

because we put a couple
of different languages

on the fliers.

How many understand me?

If you speak English,
would you raise your hand?

How many? All of you? Oh, God.

The picture was supposed
to come out in the fall.

They had made all the posters.
They had made everything.

Then the Danish cartoons happened.

- Oh, yes, yes.
- And Sony said,

"We can't release a movie
with the word 'Muslim' in it."

And they said,
"If you don't change it

to Looking for Comedy,
we're not gonna release it."

And I said, "I made the movie
for the title. It's the point."

So, after a big studio drops you
for a specific reason,

other studios start to go,
"Maybe they know something.

- Why do we wanna--"
- Yeah, yeah.

So, anyway,
they threw us to the curb

and we went
with Warner Independent.

- Right.
- I remember, we had a meeting.

You know, these meetings

where they give you
the advertising plan.

And I came in
and I was waiting for, you know,

what television stations, what--

And they were trying
to make it a good thing.

"We're not gonna go TV."

"Really?"

"No, no. The world's changing.

We're gonna do something
much more interesting."

"What?"

"Well, we're gonna do
a little thing on Jdate."

"Oh, God!" And you leave saying,

"It's dead.
There's nothing I can do."

Wow. Wow.

Now, let me tell you
the funny thing.

You know where
the movie premiered?

At the Dubai Film Festival. Wow.

They asked me to watch it
with the head, the sheikh.

Right.

So, I went up there
into this little balcony.

It's five of his friends

and five women sitting
in the other section.

And people were just
on the phone the whole time.

- Wow. Yeah, yeah.
- But I had a joke in that movie

that I was waiting to see
what they would do.

And that's when I was in India
interviewing assistants.

I interviewed one after another
after another.

And this one woman came

and I asked her
all these questions.

"Do you think you know--
Do you know the city?

Can you type?"

And then she said,
"I can do all of that.

I have a question for you."

You're not a Jew, are you?

Um... not... this minute.

I mean, sometimes I-- I am.

How much of the time?

Part-time.

And I was waiting for that,
sitting next to the sheikh.

You know,
and he got off his phone.

"You're not a Jew, are you?"
Off the phone.

Looked up at the screen.
"Not all the time."

Big laugh. Wow.

Big laugh from the women. Wow.

Back to the phones.

I mean,
I'm listening to all of this

and I'm getting a person
who's been defending his life.

You've been defending yourself
against--

Every goddamn minute. Yeah.

And it still doesn't stop.
Yeah. Yeah.

It just enters another phase
of defending.

Yeah.

I had a very famous agent
and he said to me,

"I don't know why
you always take the hard road."

Yeah, yeah.
- And my answer was,

"You think I see two roads...

and I don't."
Wow.

"If there was an easy road,
I'd have a house there."

I said,
"What do you think, I get up,

I can't wait
for the goddamn trouble

I'm gonna get into?"

I said,
"I don't see-- I see one road!"

This... is the real me.

Thank you very much.

I hope to see you again
some time.

♪ (BRIGHT MUSIC PLAYING) ♪

♪ (MUSIC CONCLUDES) ♪

- ♪ (SOFT JAZZ MUSIC PLAYING) ♪
- I remember,

the first time
I met him was here.

At-- at our house?
- Yeah.

And he came up, and he said some
nice complimentary things to me.

And I thought,
"Oh, well--" I mean, that was--

that was a big night for me...
Yeah. Yeah.

...that I had
Albert Brooks's approval.

Wow.
- That really meant a lot to me.

I-- I met Albert
with Garry Shandling.

And we went out
to dinner with him.

I remember I went home

and wrote down
everything Albert said.

I think my main memory of him
is, like, him in the house

in a bathrobe, like,
kind of just moseying around,

but he had this, like,
lion brain where he would just,

like, you know,
he's so freaking smart.

I am, like, the hardest
to get a laugh out of,

so he always likes to imitate me
when he tells jokes

and it's like--
You know?

That's it.

He's such a mensch, you know?
Such a mensch.

When I was, like, invited
to go on a walk with him,

it was like-- I felt like
I had done something right

in my comedic career.

He suggested,
"Well, we could get together."

And he said, "You know,

if that's not a good time
for you, you can say 'No.'"

He said, "You won't be hurting
my feelings."

He said, "I left my feelings

on the Warner Brothers lot
in 1978."

I think he unapologetically
played to the band,

you know, which was cool.

If you're watching it,
you enjoyed it.

Because if you got it,
you really felt special.

Just fearless, funny.

He's so fucking hot.

He got a wife?
Yes.

Yeah. Okay.

Well, you know, I was gonna
offer up my uterus but...

I see.
- ...I'm cool.

If I could get one tattoo,

maybe I'd get the nest egg
tattooed somewhere on my body.

He will always be
a filmmaker's filmmaker.

You had to put him with Woody
and Chaplin and those people

who controlled all parts
of their film,

who made it
an extension of themselves.

And what you didn't want
to happen

watching an Albert Brooks movie,

you'd never wanted the scenes

to ever end. Wow.

It's just a body
of work over time

that is so singular,
and impressive, and hilarious,

and heartbreaking.

I would rather have
Albert's career than my career.

Wow.

♪ (MUSIC CONCLUDES) ♪