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These are the user uploaded subtitles that are being translated: 1 00:00:21,472 --> 00:00:23,474 [SHRIEK] 2 00:00:23,474 --> 00:00:23,474 [SHRIEK] 3 00:01:15,326 --> 00:01:17,828 AH HA HA HA! 4 00:01:18,329 --> 00:01:18,329 AH HA HA HA! 5 00:01:23,667 --> 00:01:26,670 YES, THAT'S BETTER. 6 00:01:26,670 --> 00:01:28,672 OH, HELLO, BOORSANDGHOULS. 7 00:01:28,672 --> 00:01:32,176 I HOPE YOU'LL EXCUSE ME IF I DON'T GET UP. 8 00:01:32,176 --> 00:01:34,178 I'M A LITTLE STIFF TODAY. 9 00:01:34,178 --> 00:01:37,681 THEN AGAIN, I'M A LITTLE STIFF EVERY DAY. 10 00:01:38,182 --> 00:01:38,182 THEN AGAIN, I'M A LITTLE STIFF EVERY DAY. 11 00:01:39,183 --> 00:01:43,687 ACTUALLY, I TWISTED MY NECK PLAYINGCROAK-ET, 12 00:01:43,687 --> 00:01:46,190 BUT IT WASN'T HURTING THE WAY I THOUGHT IT SHOULD, 13 00:01:46,690 --> 00:01:48,692 SO I CALLED MYCHIRO-HACK-TOR. 14 00:01:49,193 --> 00:01:53,197 OF COURSE, SOME PEOPLE LOOK ELSEWHERE FOR THEIR PAIN, 15 00:01:53,197 --> 00:01:56,200 LIKE THE OLD MAN IN TONIGHT'S TERROR TALE. 16 00:01:56,200 --> 00:01:59,203 HIS IDEA OF ANANTI-DIE-OTIC 17 00:01:59,203 --> 00:02:01,205 WAS TO MARRY A YOUNGER WOMAN. 18 00:02:01,205 --> 00:02:02,706 HEE HEE HEE HEE! 19 00:02:02,706 --> 00:02:03,707 AAH! 20 00:02:03,707 --> 00:02:06,710 [BONES CRACKING] 21 00:02:06,710 --> 00:02:08,712 AHH! 22 00:02:08,712 --> 00:02:14,151 I CALL THIS PLASMA PLAY... STRUNG ALONG. 23 00:02:14,151 --> 00:02:14,151 I CALL THIS PLASMA PLAY... STRUNG ALONG. 24 00:02:17,655 --> 00:02:20,157 [CARNIVAL MUSIC PLAYS] 25 00:02:20,157 --> 00:02:20,157 [CARNIVAL MUSIC PLAYS] 26 00:02:32,069 --> 00:02:34,538 HEY, CLYDE, WHAT'S THE MATTER? 27 00:02:34,538 --> 00:02:37,041 I KIND OF LEFT MY DOG HERE, KOKO. 28 00:02:37,541 --> 00:02:39,543 YOU LEFT YOUR DOG HERE? 29 00:02:39,543 --> 00:02:42,046 HEY, CLYDE, CAN'T YOU READ? 30 00:02:42,046 --> 00:02:44,048 THIS IS A NO BARKING ZONE. 31 00:02:44,482 --> 00:02:45,983 OH, NO. 32 00:02:45,983 --> 00:02:47,952 OH, YEAH, KIDDO. 33 00:02:48,452 --> 00:02:50,421 I BET THE COPS COLLARD HIM. 34 00:02:50,421 --> 00:02:52,423 WELL, WE BETTER GET TO THE POUND. 35 00:02:52,423 --> 00:02:52,923 WELL, WE BETTER GET TO THE POUND. 36 00:02:54,425 --> 00:02:58,429 [KIDS YELLING] 37 00:02:58,429 --> 00:03:01,932 HOPE YOU HAD A GOOD TIME, KIDS, AND REMEMBER, 38 00:03:01,932 --> 00:03:04,935 WHEREVER YOU MAY GO, WHATEVER YOU MAY SEEK, 39 00:03:04,935 --> 00:03:07,938 WE'LL ALL GET TOGETHER SAME TIME NEXT WEEK. 40 00:03:07,938 --> 00:03:07,938 WE'LL ALL GET TOGETHER SAME TIME NEXT WEEK. 41 00:03:22,853 --> 00:03:23,821 [LAUGHTER] 42 00:03:23,821 --> 00:03:25,322 [SPLASHING] 43 00:03:25,322 --> 00:03:25,322 [SPLASHING] 44 00:03:37,501 --> 00:03:41,038 OH, WHAT A DAY! IT'S PERFECT. 45 00:03:41,038 --> 00:03:43,007 COME ON BACK IN. 46 00:03:43,007 --> 00:03:43,007 COME ON BACK IN. 47 00:03:44,508 --> 00:03:45,910 OH! 48 00:03:45,910 --> 00:03:48,345 WHY DON'T YOU GET BACK OUT? 49 00:03:48,345 --> 00:03:48,846 WHY DON'T YOU GET BACK OUT? 50 00:04:01,525 --> 00:04:02,893 [LAUGHTER] 51 00:04:02,893 --> 00:04:02,893 [LAUGHTER] 52 00:04:06,597 --> 00:04:08,098 HI, HONEY. 53 00:04:08,098 --> 00:04:08,098 HI, HONEY. 54 00:04:11,502 --> 00:04:13,504 I CAN'T GET HIM OUT OF THE HOUSE. 55 00:04:13,504 --> 00:04:13,504 I CAN'T GET HIM OUT OF THE HOUSE. 56 00:04:17,374 --> 00:04:18,876 [APPLAUSE] 57 00:04:18,876 --> 00:04:21,812 RADIO CITY MUSIC HALL PRESENTS 58 00:04:21,812 --> 00:04:25,115 JOSEPH RENFIELD AND KOKO THE CLOWN. 59 00:04:25,649 --> 00:04:27,651 O.K., LET'S GIVE A BIG HAND 60 00:04:28,152 --> 00:04:29,587 FOR KOKO THE CLOWN 61 00:04:29,587 --> 00:04:31,021 AND COWBOY CLYDE. 62 00:04:31,021 --> 00:04:33,357 HERE THEY ARE, LADIES AND GENTLEMEN, 63 00:04:33,357 --> 00:04:34,858 KOKO AND CLYDE. 64 00:04:34,858 --> 00:04:35,326 KOKO AND CLYDE. 65 00:04:40,030 --> 00:04:41,932 WANT MY OPINION? 66 00:04:41,932 --> 00:04:43,934 NOT ESPECIALLY. 67 00:04:43,934 --> 00:04:43,934 NOT ESPECIALLY. 68 00:04:45,369 --> 00:04:48,872 HOW ABOUT TAKING A LITTLE MORE OFF THE TOP? 69 00:04:48,872 --> 00:04:50,374 NOBODY ASKED YOU, KOKO. 70 00:04:50,374 --> 00:04:53,377 YOU'VE CARVED THAT HEAD FOR TWO MONTHS. 71 00:04:53,377 --> 00:04:55,879 YOU MAKE THOSE CHEEKBONES ANY HIGHER... 72 00:04:55,879 --> 00:04:57,381 OH, DAMN IT! 73 00:04:57,881 --> 00:04:58,882 DON'T SAY IT. 74 00:04:58,882 --> 00:05:01,885 I DON'T WANT TO HEAR "I TOLD YOU SO." 75 00:05:01,885 --> 00:05:02,886 [SIGHING] 76 00:05:02,886 --> 00:05:05,389 KOKO BEEN BOTHERING YOU AGAIN? 77 00:05:05,389 --> 00:05:07,891 KOKO BOTHERING ME? ARE YOU KIDDING? 78 00:05:07,891 --> 00:05:10,194 I BROUGHT YOU YOUR MAIL. 79 00:05:10,194 --> 00:05:10,194 I BROUGHT YOU YOUR MAIL. 80 00:05:12,696 --> 00:05:14,198 WHY DON'T YOU COME FOR A SWIM? 81 00:05:14,198 --> 00:05:14,198 WHY DON'T YOU COME FOR A SWIM? 82 00:05:15,699 --> 00:05:17,701 I DON'T WANT TO TAKE YOU AWAY FROM YOUR FRIEND. 83 00:05:17,701 --> 00:05:19,203 LUCY WENT HOME. 84 00:05:19,203 --> 00:05:20,704 FOR CHRIST SAKES, JOE, 85 00:05:21,205 --> 00:05:23,140 YOU GOING TO JEALOUS OF MY FEMALE FRIENDS TOO? 86 00:05:23,641 --> 00:05:25,643 I'M SORRY, I GUESS I'M JUST DEPRESSED. 87 00:05:25,643 --> 00:05:28,646 OF COURSE YOU'RE DEPRESSED YOU SIT IN THIS DARK LITTLE ROOM 88 00:05:28,646 --> 00:05:31,148 TALKING TO YOURSELF, IT'S NOT HEALTHY. 89 00:05:31,148 --> 00:05:31,148 TALKING TO YOURSELF, IT'S NOT HEALTHY. 90 00:05:33,083 --> 00:05:34,084 DID YOU TAKE YOUR MEDICATION TODAY? 91 00:05:34,084 --> 00:05:35,886 I FEEL FINE, REALLY. 92 00:05:35,886 --> 00:05:38,789 WHAT COLOR SHOULD I WEAR TO YOUR FUNERAL? 93 00:05:38,789 --> 00:05:42,660 IF YOU WANT ANOTHER HEART ATTACK, GO AHEAD. 94 00:05:42,660 --> 00:05:42,660 IF YOU WANT ANOTHER HEART ATTACK, GO AHEAD. 95 00:05:43,661 --> 00:05:46,163 DON'T BE ANGRY WITH ME, KIDDO. 96 00:05:46,664 --> 00:05:50,167 I'M NOT ANGRY WITH YOU. I'M JUST FRUSTRATED. 97 00:05:50,167 --> 00:05:53,604 YOU'VE GOT TO TAKE BETTER CARE OF YOURSELF. 98 00:05:53,604 --> 00:05:54,104 YOU'VE GOT TO TAKE BETTER CARE OF YOURSELF. 99 00:06:03,580 --> 00:06:06,517 SHE'S MAGNIFICENT, ISN'T SHE, KOKO? 100 00:06:07,017 --> 00:06:09,520 SHE'S A REAL PIECE OF WORK, ALL RIGHT. 101 00:06:10,020 --> 00:06:11,021 [SIGHING] 102 00:06:11,522 --> 00:06:11,522 [SIGHING] 103 00:06:35,679 --> 00:06:37,681 WHAT IS IT? 104 00:06:37,681 --> 00:06:40,684 YOU WON'T BELIEVE IT. THIS IS INCREDIBLE. 105 00:06:40,684 --> 00:06:42,686 THEY WANT ME FOR A TRIBUTE 106 00:06:42,686 --> 00:06:44,688 TO THE GOLDEN AGE OF TELEVISION. 107 00:06:44,688 --> 00:06:45,689 WHAT? 108 00:06:46,190 --> 00:06:50,227 THEY WANT ME TO DO ONE OF THE OLD KOKO AND CLYDE ROUTINES. 109 00:06:50,227 --> 00:06:53,731 NOW, WAIT A MINUTE. ARE YOU UP FOR THIS? 110 00:06:53,731 --> 00:06:54,732 THERE'S NOT MUCH NOTICE. 111 00:06:54,732 --> 00:06:57,234 UP TO IT, WHY I COULD DO IT IN MY SLEEP. 112 00:06:57,234 --> 00:06:58,736 THIS IS WHAT I NEED. 113 00:06:58,736 --> 00:07:00,237 I'M GOING OUT OF MY HEAD. 114 00:07:00,738 --> 00:07:03,741 THIS COULD BE THE BEGINNING OF A COMEBACK. 115 00:07:03,741 --> 00:07:05,709 DON'T BLOW IT OUT OF PROPORTION. 116 00:07:05,709 --> 00:07:07,177 IT'S JUST A TV SHOW. 117 00:07:07,177 --> 00:07:07,177 IT'S JUST A TV SHOW. 118 00:07:10,180 --> 00:07:11,682 BUT WHO KNOWS? 119 00:07:11,682 --> 00:07:15,185 MAYBE IT'LL GET YOU OUT OF THE HOUSE. 120 00:07:15,185 --> 00:07:18,188 OH, YEAH...WELL, THERE'S SO MUCH TO DO. 121 00:07:18,188 --> 00:07:20,691 THERE'S A TON OF PEOPLE TO CALL. 122 00:07:20,691 --> 00:07:22,893 KIDDO, I'VE BEEN THINKING. 123 00:07:22,893 --> 00:07:26,396 INSTEAD OF AN OLD ROUTINE, I'LL DO SOMETHING NEW. 124 00:07:26,897 --> 00:07:26,897 INSTEAD OF AN OLD ROUTINE, I'LL DO SOMETHING NEW. 125 00:07:27,898 --> 00:07:29,399 NOW, WAIT A MINUTE. 126 00:07:29,900 --> 00:07:31,902 I DON'T WANT YOU PUSHING YOURSELF. 127 00:07:31,902 --> 00:07:33,904 I WON'T LET YOU GET SICK AGAIN. 128 00:07:34,404 --> 00:07:36,907 SICK? I HAVEN'T FELT THIS GOOD IN YEARS. 129 00:07:37,407 --> 00:07:40,911 LET'S HAVE DR. LITTMAN CHECK YOU OUT IN CASE. 130 00:07:40,911 --> 00:07:43,413 WHY? I'M ON ENOUGH MEDICATION ALREADY. 131 00:07:43,413 --> 00:07:43,413 WHY? I'M ON ENOUGH MEDICATION ALREADY. 132 00:07:44,915 --> 00:07:46,416 ALL RIGHT, NO MORE DOCTORS. 133 00:07:46,917 --> 00:07:49,419 COULD WE GET SOMEONE TO HELP YOU? 134 00:07:49,920 --> 00:07:51,922 WOULD YOU DO THAT FOR ME? 135 00:07:52,422 --> 00:07:54,424 OH, I DON'T KNOW ANYBODY ANYMORE. 136 00:07:54,925 --> 00:07:58,929 WELL, MAYBE I'LL CALL THE TRADES TOMORROW 137 00:07:58,929 --> 00:08:00,931 AND PLACE A CLASSIFIED. 138 00:08:01,398 --> 00:08:02,432 CLASSIFIEDS. 139 00:08:02,933 --> 00:08:05,936 YOU NEVER KNOW WHO YOU'LL GET FROM THOSE. 140 00:08:06,436 --> 00:08:06,436 YOU NEVER KNOW WHO YOU'LL GET FROM THOSE. 141 00:08:07,938 --> 00:08:09,940 I'LL TALK TO MY ACTING TEACHER. 142 00:08:10,440 --> 00:08:12,943 HE MIGHT KNOW SOMEONE WHO COULD HELP YOU. 143 00:08:13,443 --> 00:08:14,444 ALL RIGHT. 144 00:08:14,444 --> 00:08:14,444 ALL RIGHT. 145 00:08:20,450 --> 00:08:21,952 WHAT'S THAT ALL ABOUT? 146 00:08:21,952 --> 00:08:21,952 WHAT'S THAT ALL ABOUT? 147 00:08:23,954 --> 00:08:26,957 I DON'T KNOW I GUESS I FEEL INSPIRED. 148 00:08:26,957 --> 00:08:26,957 I DON'T KNOW I GUESS I FEEL INSPIRED. 149 00:08:29,960 --> 00:08:31,461 INSPIRED AYE. 150 00:08:31,461 --> 00:08:31,461 INSPIRED AYE. 151 00:08:40,938 --> 00:08:42,439 AND THIS IS JOSEPH'S WORKSHOP. 152 00:08:42,439 --> 00:08:44,374 I CAN'T TELL YOU HOW EXCITED I AM. 153 00:08:44,374 --> 00:08:46,343 I GREW UP ON THIS STUFF AS A KID. 154 00:08:46,343 --> 00:08:47,344 DIDN'T WE ALL. 155 00:08:47,344 --> 00:08:47,344 DIDN'T WE ALL. 156 00:08:50,347 --> 00:08:51,348 OH, WOW! 157 00:08:51,348 --> 00:08:51,348 OH, WOW! 158 00:08:55,352 --> 00:08:56,854 JOSEPH, DAVID IS HERE. 159 00:08:56,854 --> 00:08:56,854 JOSEPH, DAVID IS HERE. 160 00:08:59,289 --> 00:09:01,792 THAT'S FUNNY. HE KNEW YOU WERE COMING. 161 00:09:01,792 --> 00:09:05,295 WAIT HERE. I'LL GO FIND HIM. 162 00:09:05,295 --> 00:09:06,797 O.K. THANKS. 163 00:09:06,797 --> 00:09:06,797 O.K. THANKS. 164 00:09:27,818 --> 00:09:29,286 DON'T TOUCH HIM! 165 00:09:29,286 --> 00:09:31,788 YOU DON'T KNOW WHERE HE'S BEEN. 166 00:09:31,788 --> 00:09:33,290 WHO IS THAT? 167 00:09:33,290 --> 00:09:35,759 WHO DO YOU WANT IT TO BE? 168 00:09:35,759 --> 00:09:35,759 WHO DO YOU WANT IT TO BE? 169 00:09:54,077 --> 00:09:56,480 HOW THE HELL DID YOU DO THAT? 170 00:09:56,480 --> 00:10:00,484 THAT'S FOR ME TO KNOW AND YOU TO FIND OUT. 171 00:10:00,484 --> 00:10:01,985 JOSEPH, COME ON OUT. 172 00:10:01,985 --> 00:10:04,988 THERE'S A GUY OUT HERE SPYING ON US. 173 00:10:04,988 --> 00:10:07,991 KOKO, TRY BEING NICER TO THE YOUNG MAN. 174 00:10:07,991 --> 00:10:10,961 YOU DON'T WANT TO SCARE HIM AWAY. 175 00:10:11,428 --> 00:10:13,430 I DON'T FRIGHTEN EASY, MR. RENFIELD. 176 00:10:13,931 --> 00:10:15,899 FOR STARTERS, IT'S NOT MR. RENFIELD. 177 00:10:15,899 --> 00:10:17,901 IT'S JOSEPH, O.K.? 178 00:10:17,901 --> 00:10:19,403 YES, SIR. 179 00:10:19,403 --> 00:10:21,872 THIS IS A REAL HONOR FOR ME. 180 00:10:21,872 --> 00:10:21,872 THIS IS A REAL HONOR FOR ME. 181 00:10:22,839 --> 00:10:24,274 DID ELLEN TELL YOU 182 00:10:24,274 --> 00:10:26,777 KISSING MY ASS WAS PART OF THE JOB? 183 00:10:26,777 --> 00:10:29,279 NO, SIR. ACTUALLY, THAT WAS MY IDEA. 184 00:10:29,279 --> 00:10:30,781 UH-HUH. 185 00:10:30,781 --> 00:10:30,781 UH-HUH. 186 00:10:36,186 --> 00:10:38,689 SO, HOW DO YOU KNOW ELLEN? 187 00:10:39,189 --> 00:10:42,693 SHE TAKES ACTING CLASS FROM A FRIEND OF MINE. 188 00:10:43,193 --> 00:10:45,696 AND DO YOU KNOW EACH OTHER VERY WELL? 189 00:10:46,196 --> 00:10:48,632 ACTUALLY, WE'VE NEVER MET. 190 00:10:48,632 --> 00:10:51,134 I HAD TO STOP TAKING THE CLASS. 191 00:10:51,635 --> 00:10:52,636 OH. IN THAT CASE, 192 00:10:53,136 --> 00:10:55,138 LET'S GET TO THE GOOD STUFF. 193 00:10:55,639 --> 00:10:58,041 HAVE YOU WORKED WITH MARIONETTES BEFORE? 194 00:10:58,041 --> 00:11:00,911 I HAVE DONE SOME WORK IN ANIMATRONICS. 195 00:11:00,911 --> 00:11:04,414 UH, MECHANICAL PUPPETS, USING REMOTE CONTROLS 196 00:11:04,915 --> 00:11:07,384 AND COMPUTER CIRCUITS, THAT SORT OF THING. 197 00:11:07,384 --> 00:11:10,354 I'VE GOT SOME PICTURES I'D LOVE TO SHOW YOU. 198 00:11:10,854 --> 00:11:11,855 NO, NO. PUPPETS AREN'T MACHINES. 199 00:11:11,855 --> 00:11:13,857 THEY'RE AN EXTENSION OF THE PUPPETEER. 200 00:11:14,358 --> 00:11:15,359 THEY'RE A PART OF YOU. 201 00:11:15,859 --> 00:11:17,861 YOU BECOME PART OF THEM. 202 00:11:17,861 --> 00:11:20,364 IF THAT'S A PROBLEM FOR YOU, 203 00:11:20,364 --> 00:11:21,732 YOU SHOULDN'T DO IT. 204 00:11:21,732 --> 00:11:23,233 MR. RENFIELD--JOSEPH, 205 00:11:23,734 --> 00:11:25,202 I WANT TO LEARN. 206 00:11:25,202 --> 00:11:27,170 THAT'S WHY I'M HERE. 207 00:11:27,170 --> 00:11:30,674 I'VE GOT THE CHANCE TO LEARN THE CRAFT FROM A MASTER. 208 00:11:30,674 --> 00:11:30,674 I'VE GOT THE CHANCE TO LEARN THE CRAFT FROM A MASTER. 209 00:11:33,677 --> 00:11:34,644 I WANT THAT CHANCE. 210 00:11:34,644 --> 00:11:35,645 I DO. 211 00:11:35,645 --> 00:11:35,645 I DO. 212 00:11:41,451 --> 00:11:42,452 GREAT. 213 00:11:42,452 --> 00:11:43,420 THANKS. 214 00:11:43,420 --> 00:11:43,420 THANKS. 215 00:11:46,556 --> 00:11:48,558 I TOLD YOU I WOULD. 216 00:11:48,558 --> 00:11:48,558 I TOLD YOU I WOULD. 217 00:11:50,060 --> 00:11:51,561 YES, I KNOW. 218 00:11:52,062 --> 00:11:52,062 YES, I KNOW. 219 00:11:53,063 --> 00:11:54,931 WE'LL TALK ABOUT IT LATER. 220 00:11:55,432 --> 00:11:56,433 RICK, 221 00:11:56,433 --> 00:12:00,437 I SAID WE'LL TALK ABOUT IT LATER. 222 00:12:00,437 --> 00:12:01,938 I HAVE TO GO. 223 00:12:01,938 --> 00:12:01,938 I HAVE TO GO. 224 00:12:02,939 --> 00:12:03,940 WHO'S THAT? 225 00:12:04,374 --> 00:12:06,877 A FRIEND FROM CLASS. 226 00:12:06,877 --> 00:12:06,877 A FRIEND FROM CLASS. 227 00:12:08,378 --> 00:12:10,881 SO, HOW'S WHAT'S-HIS-NAME WORKING OUT? 228 00:12:11,348 --> 00:12:12,816 DAVID. 229 00:12:12,816 --> 00:12:14,818 I THINK HE'LL BE FINE. 230 00:12:14,818 --> 00:12:14,818 I THINK HE'LL BE FINE. 231 00:12:17,320 --> 00:12:18,789 GREAT. 232 00:12:18,789 --> 00:12:20,257 WHAT? 233 00:12:20,257 --> 00:12:22,692 HE JUST SEEMED TOO EAGER. 234 00:12:22,692 --> 00:12:24,194 YOU DON'T LIKE HIM? 235 00:12:24,194 --> 00:12:26,196 NO, HE'S FINE. 236 00:12:26,196 --> 00:12:27,697 HE COMES HIGHLY RECOMMENDED. 237 00:12:27,697 --> 00:12:30,200 HE JUST STRUCK ME AS TOO PUSHY. 238 00:12:30,200 --> 00:12:30,200 HE JUST STRUCK ME AS TOO PUSHY. 239 00:12:33,670 --> 00:12:36,673 BUT IF HE HELPS YOU GET YOUR SHOW TOGETHER, 240 00:12:36,673 --> 00:12:38,642 HE'S O.K. BY ME. 241 00:12:38,642 --> 00:12:40,577 I'M GLAD TO SEE YOU SO PLEASED. 242 00:12:40,577 --> 00:12:40,577 I'M GLAD TO SEE YOU SO PLEASED. 243 00:12:46,483 --> 00:12:48,985 I LEFT SOME DINNER FOR YOU. 244 00:12:48,985 --> 00:12:50,921 WHERE ARE YOU GOING? 245 00:12:50,921 --> 00:12:53,390 WHERE I GO EVERY TUESDAY NIGHT, MY ACTING CLASS. 246 00:12:53,390 --> 00:12:54,391 DO YOU HAVE TO GO? 247 00:12:54,391 --> 00:12:55,892 WHY CAN'T WE HAVE DINNER AT HOME? 248 00:12:55,892 --> 00:12:58,795 IT'S THE ONLY CHANCE I GET TO GET OUT OF THE HOUSE. 249 00:12:58,795 --> 00:12:58,795 IT'S THE ONLY CHANCE I GET TO GET OUT OF THE HOUSE. 250 00:13:00,197 --> 00:13:01,098 YOU MAY LIKE BEING SHUT IN, 251 00:13:01,598 --> 00:13:02,599 BUT I DON'T. 252 00:13:02,599 --> 00:13:02,599 BUT I DON'T. 253 00:13:18,081 --> 00:13:20,584 ARE YOU THINKING WHAT I'M THINKING? 254 00:13:20,584 --> 00:13:20,584 ARE YOU THINKING WHAT I'M THINKING? 255 00:13:22,586 --> 00:13:24,521 IT DEPENDS, KOKO. 256 00:13:24,521 --> 00:13:26,022 WHAT ARE YOU THINKING? 257 00:13:26,022 --> 00:13:26,022 WHAT ARE YOU THINKING? 258 00:13:29,526 --> 00:13:32,529 SHE WOULDN'T DO THAT TO US... 259 00:13:32,529 --> 00:13:36,032 NOT AFTER THINGS HAVE FINALLY STARTED HAPPENING AGAIN. 260 00:13:36,032 --> 00:13:36,032 NOT AFTER THINGS HAVE FINALLY STARTED HAPPENING AGAIN. 261 00:13:38,034 --> 00:13:39,536 SHE WOULDN'T. 262 00:13:39,536 --> 00:13:41,037 [HEART BEATING] 263 00:13:41,037 --> 00:13:43,540 TELL ME YOU AGREE WITH ME. 264 00:13:43,540 --> 00:13:43,540 TELL ME YOU AGREE WITH ME. 265 00:14:01,491 --> 00:14:03,527 OH, THERE YOU ARE, CLYDE. 266 00:14:03,527 --> 00:14:05,529 I LOST YOU IN THAT WAVE. 267 00:14:05,529 --> 00:14:08,999 I LOST ME IN THAT WAVE, TOO. 268 00:14:08,999 --> 00:14:10,500 BY THE WAY, CLYDE, 269 00:14:11,001 --> 00:14:13,003 DAMN IT, I KEEP GETTING THE STRINGS TANGLED. 270 00:14:13,003 --> 00:14:13,003 DAMN IT, I KEEP GETTING THE STRINGS TANGLED. 271 00:14:14,504 --> 00:14:16,506 WELL, NOW, IT'S OKAY. 272 00:14:17,007 --> 00:14:17,974 DON'T GET FRUSTRATED. 273 00:14:17,974 --> 00:14:20,477 YOU'RE USING TO MUCH WRIST. 274 00:14:20,477 --> 00:14:23,980 NOW JUST THINK OF THE ARMS AND HANDS AS A LONG APPENDAGE 275 00:14:23,980 --> 00:14:25,482 REACHING DOWN THROUGH THE CONTROLLER. 276 00:14:26,016 --> 00:14:27,517 INTO THE PUPPET'S TOES. 277 00:14:27,517 --> 00:14:30,987 SEE, JUST BACK AND FORTH REALLY EASY. 278 00:14:30,987 --> 00:14:32,489 LIKE THIS. 279 00:14:32,489 --> 00:14:36,426 JUST DON'T FORCE IT. 280 00:14:36,426 --> 00:14:38,495 IT'S AMAZING HOW YOU DO THAT. 281 00:14:38,495 --> 00:14:38,495 IT'S AMAZING HOW YOU DO THAT. 282 00:14:40,463 --> 00:14:41,965 THANKS, KIDDO. 283 00:14:42,232 --> 00:14:44,000 I'VE BEEN IN THIS BUSINESS A LONG TIME. 284 00:14:44,501 --> 00:14:46,002 IT SHOULD BE AMAZING. 285 00:14:46,002 --> 00:14:46,002 IT SHOULD BE AMAZING. 286 00:14:47,070 --> 00:14:49,072 OH, I'M SORRY, HERE YOU TRY A LITTLE. 287 00:14:49,072 --> 00:14:50,073 [DOOR CLOSING] 288 00:14:50,073 --> 00:14:50,073 [DOOR CLOSING] 289 00:14:55,445 --> 00:14:56,947 OH, THERE YOU ARE, CLYDE. 290 00:14:56,947 --> 00:14:58,915 I LOST YOU IN THAT LAST WAVE. 291 00:14:58,915 --> 00:15:02,352 I LOST ME IN THAT LAST WAVE TOO. 292 00:15:02,352 --> 00:15:04,354 OH, AND BY THE WAY, CLYDE. 293 00:15:04,354 --> 00:15:05,855 WHEN YOU GET ON THE BOARD, 294 00:15:05,855 --> 00:15:07,857 YOU'RE SUPPOSED TO YELL "COWABUNGA," 295 00:15:07,857 --> 00:15:09,359 NOT "HELP ME, MOMMY." 296 00:15:09,359 --> 00:15:10,860 THANKS, KOKO. 297 00:15:10,860 --> 00:15:13,997 WHAT DO I YELL WHEN THE BOARD GETS ON TOP OF ME? 298 00:15:13,997 --> 00:15:17,867 THAT'S WHEN YOU YELL "HELP ME, MOMMY." 299 00:15:18,368 --> 00:15:20,737 OH, THAT'S MUCH BETTER, MUCH BETTER. 300 00:15:20,737 --> 00:15:22,739 COME ON, COME ON. 301 00:15:22,739 --> 00:15:22,739 COME ON, COME ON. 302 00:15:23,740 --> 00:15:24,741 [DOOR OPENS] 303 00:15:25,242 --> 00:15:27,744 HELLO, DARLING. WASN'T DAVID GREAT? 304 00:15:27,744 --> 00:15:29,246 LUNCHTIME. 305 00:15:29,246 --> 00:15:32,249 HE LEARNED IN TWO WEEKS WHAT TOOK ME TWO YEARS. 306 00:15:32,249 --> 00:15:34,751 DID YOU CATCH THE SCENE? 307 00:15:34,751 --> 00:15:35,752 LOOKED O.K. 308 00:15:35,752 --> 00:15:37,721 FOR HER THAT'S A RAVE REVIEW. 309 00:15:37,721 --> 00:15:40,190 WHAT'D YOU THINK OF THE NEW LINES? 310 00:15:40,190 --> 00:15:41,124 THEY'RE O.K. 311 00:15:41,124 --> 00:15:42,626 I THOUGHT THEY WERE GREAT. 312 00:15:42,626 --> 00:15:44,995 DAVID WROTE THEM. 313 00:15:45,495 --> 00:15:46,496 WHO TOLD DAVID TO DO THAT? 314 00:15:46,496 --> 00:15:49,466 HE CAME UP WITH THE IDEA AND I LIKED IT. 315 00:15:49,466 --> 00:15:51,968 JOE, YOU'VE BEEN WINNING EMMYS FOR WRITING 316 00:15:51,968 --> 00:15:53,470 SINCE BEFORE HE WAS BORN. 317 00:15:53,970 --> 00:15:56,439 WE HIRED HIM TO HELP, NOT CHANGE THE ACT. 318 00:15:56,940 --> 00:15:58,942 ALL I DID WAS UPDATE THE MATERIAL 319 00:15:58,942 --> 00:16:01,945 FROM THE FIFTIES TO THE NINETIES. 320 00:16:01,945 --> 00:16:05,915 GREAT, BUT THE SHOW IS A TRIBUTE TO THE FIFTIES. 321 00:16:05,915 --> 00:16:08,351 I SUGGEST YOU CHANGE IT BACK. 322 00:16:08,852 --> 00:16:10,353 THE CHANGES WORK BETTER. 323 00:16:10,353 --> 00:16:13,356 WHO'S RUNNING THE SHOW, YOU OR HIM? 324 00:16:13,356 --> 00:16:13,356 WHO'S RUNNING THE SHOW, YOU OR HIM? 325 00:16:15,325 --> 00:16:16,826 [HEART BEATING] 326 00:16:16,826 --> 00:16:16,826 [HEART BEATING] 327 00:16:19,796 --> 00:16:21,765 [HEARTBEAT GROWS LOUDER] 328 00:16:21,765 --> 00:16:21,765 [HEARTBEAT GROWS LOUDER] 329 00:16:25,735 --> 00:16:26,736 YOU O.K., JOE? 330 00:16:27,203 --> 00:16:28,705 [HEARTBEAT FADES AWAY] 331 00:16:28,705 --> 00:16:29,706 YEAH, I'M FINE. 332 00:16:30,206 --> 00:16:30,206 YEAH, I'M FINE. 333 00:16:31,708 --> 00:16:32,709 WANT ME TO GO GET HER? 334 00:16:33,209 --> 00:16:33,209 WANT ME TO GO GET HER? 335 00:16:34,711 --> 00:16:37,213 NO, NO, I'LL BE O.K. 336 00:16:37,213 --> 00:16:39,716 JUST GOT TO CATCH MY BREATH. 337 00:16:39,716 --> 00:16:39,716 JUST GOT TO CATCH MY BREATH. 338 00:16:41,117 --> 00:16:42,585 WHAT'S GOING ON, JOE? 339 00:16:42,585 --> 00:16:42,585 WHAT'S GOING ON, JOE? 340 00:16:44,054 --> 00:16:46,056 NOTHING. 341 00:16:46,056 --> 00:16:49,526 COME ON THIS IS ME, DAVID YOU CAN TALK TO ME. 342 00:16:49,526 --> 00:16:49,526 COME ON THIS IS ME, DAVID YOU CAN TALK TO ME. 343 00:16:52,028 --> 00:16:53,997 IS THERE SOME KIND OF PROBLEM BETWEEN YOU AND ELLEN 344 00:16:53,997 --> 00:16:55,498 YOU WANT TO TALK ABOUT? 345 00:16:55,498 --> 00:16:55,498 YOU WANT TO TALK ABOUT? 346 00:16:58,935 --> 00:17:01,938 I THINK THERE'S SOMEONE IN HER ACTING CLASS. 347 00:17:01,938 --> 00:17:01,938 I THINK THERE'S SOMEONE IN HER ACTING CLASS. 348 00:17:02,872 --> 00:17:04,874 YOU THINK SHE'S HAVING AN AFFAIR? 349 00:17:04,874 --> 00:17:04,874 YOU THINK SHE'S HAVING AN AFFAIR? 350 00:17:07,877 --> 00:17:09,379 WELL, UH, I'M BEING RIDICULOUS. 351 00:17:09,379 --> 00:17:11,381 LET'S GET BACK TO WORK. 352 00:17:11,381 --> 00:17:13,316 I CAN SWING BY HER ACTING CLASS 353 00:17:13,316 --> 00:17:15,819 ON WEDNESDAY NIGHT AND CHECK IT OUT. 354 00:17:16,319 --> 00:17:17,320 IT'D BE NO PROBLEM. 355 00:17:17,821 --> 00:17:17,821 IT'D BE NO PROBLEM. 356 00:17:19,322 --> 00:17:21,324 WEDNESDAY NIGHT? 357 00:17:21,825 --> 00:17:24,828 HER ACTING CLASS IS ON TUESDAY NIGHT. 358 00:17:24,828 --> 00:17:26,763 IT USED TO BE TUESDAY NIGHT, 359 00:17:26,763 --> 00:17:29,766 BUT THEY CHANGED IT A YEAR AGO. 360 00:17:29,766 --> 00:17:32,769 THAT'S WHY I HAD TO DROP OUT. 361 00:17:32,769 --> 00:17:34,270 OH, YEAH. 362 00:17:34,270 --> 00:17:34,270 OH, YEAH. 363 00:17:44,614 --> 00:17:45,615 SORRY, JOE. 364 00:17:45,615 --> 00:17:47,617 REALLY. 365 00:17:47,617 --> 00:17:49,619 THAT'S OKAY. 366 00:17:49,619 --> 00:17:52,088 THAT'S OKAY, I'M ALL RIGHT. 367 00:17:52,088 --> 00:17:52,422 THAT'S OKAY, I'M ALL RIGHT. 368 00:17:56,693 --> 00:17:59,629 I DON'T THINK YOU SHOULD COME BACK TOMORROW. 369 00:17:59,629 --> 00:18:02,632 WHAT HAVE YOU GOT AGAINST ME? 370 00:18:02,632 --> 00:18:05,602 I DON'T UNDERSTAND WHY YOU HATE ME SO MUCH. 371 00:18:05,602 --> 00:18:09,105 I'D LIKE TO DO THIS AS QUIETLY AS POSSIBLE, 372 00:18:09,606 --> 00:18:12,108 BUT IF IT'S A MATTER OF MONEY, 373 00:18:12,609 --> 00:18:15,612 I'M SURE WE CAN COME TO SOME AGREEMENT. 374 00:18:15,612 --> 00:18:15,612 I'M SURE WE CAN COME TO SOME AGREEMENT. 375 00:18:18,081 --> 00:18:21,084 IS THAT WHAT YOU THINK THIS IS ABOUT? 376 00:18:21,084 --> 00:18:22,585 YOU ARE DISGUSTING. 377 00:18:22,585 --> 00:18:24,554 DO YOU KNOW THAT? 378 00:18:24,554 --> 00:18:24,554 DO YOU KNOW THAT? 379 00:18:28,057 --> 00:18:29,526 BY THE WAY, 380 00:18:29,526 --> 00:18:32,529 HOW LONG HAVE YOU BEEN CHEATING ON YOUR HUSBAND? 381 00:18:32,529 --> 00:18:34,030 HOW DARE YOU! 382 00:18:34,464 --> 00:18:35,398 STOP IT, YOU TWO. 383 00:18:35,899 --> 00:18:37,400 DID YOU HEAR WHAT HE SAID? 384 00:18:37,901 --> 00:18:40,403 I WANT YOU TO FIRE HIM! 385 00:18:40,403 --> 00:18:43,273 I CAN'T DO THE SHOW WITHOUT HIM. I NEED HIM. 386 00:18:43,273 --> 00:18:45,775 YOU NEED ME. I DON'T WANT HIM HERE. 387 00:18:45,775 --> 00:18:48,278 JOE, IT'S NOT WORTH UPSETTING YOU. 388 00:18:48,278 --> 00:18:51,281 THE SHOW'S THE MOST IMPORTANT THING. 389 00:18:51,281 --> 00:18:52,782 WE'LL BE IN TOUCH. 390 00:18:52,782 --> 00:18:55,218 I PROMISE. 391 00:18:55,218 --> 00:18:58,621 DAVID, DON'T GO, PLEASE. 392 00:18:58,621 --> 00:19:00,623 WHAT'S THE MATTER WITH YOU, DAVID IS MY FRIEND. 393 00:19:00,623 --> 00:19:02,125 OH, HE'S YOUR FRIEND, IS HE? 394 00:19:02,125 --> 00:19:04,127 YOU CAN HAVE FRIENDS BUT I CAN'T? 395 00:19:04,127 --> 00:19:05,628 I NEVER SAID YOU CAN'T HAVE FRIENDS. 396 00:19:06,095 --> 00:19:07,597 THAT'S NEWS, IN THE PAST 8 YEARS 397 00:19:07,597 --> 00:19:09,599 I'VE LOST EVERY FRIEND BECAUSE OF YOU. 398 00:19:09,599 --> 00:19:11,501 I SICK OF YOUR JEALOUSY. 399 00:19:11,501 --> 00:19:14,437 I'M SICK OF YOU CONTROLLING ME LIKE ONE OF YOU DAMN PUPPETS. 400 00:19:14,437 --> 00:19:15,939 WHERE ARE YOU GOING? 401 00:19:16,439 --> 00:19:17,941 TO SEE A FRIEND. 402 00:19:17,941 --> 00:19:17,941 TO SEE A FRIEND. 403 00:19:23,780 --> 00:19:26,783 I NEVER DID TRUST THAT DAME. 404 00:19:26,783 --> 00:19:29,285 [HEART BEATING] 405 00:19:29,285 --> 00:19:30,787 TAKE MY ADVICE. 406 00:19:30,787 --> 00:19:30,787 TAKE MY ADVICE. 407 00:19:32,288 --> 00:19:33,289 ALL I'M SAYING IS 408 00:19:33,790 --> 00:19:36,292 MAYBE YOU SHOULD JUST CHECK INTO IT. 409 00:19:36,793 --> 00:19:36,793 MAYBE YOU SHOULD JUST CHECK INTO IT. 410 00:19:38,294 --> 00:19:39,796 DO IT! 411 00:19:39,796 --> 00:19:39,796 DO IT! 412 00:19:51,307 --> 00:19:52,308 AHA! 413 00:19:52,809 --> 00:19:52,809 AHA! 414 00:20:19,269 --> 00:20:20,770 I SHOULD'VE LISTENED TO YOU KOKO. 415 00:20:20,770 --> 00:20:20,770 I SHOULD'VE LISTENED TO YOU KOKO. 416 00:20:24,774 --> 00:20:25,775 YOU KNEW. 417 00:20:25,775 --> 00:20:27,176 YOU KNEW. 418 00:20:27,176 --> 00:20:28,678 IT WASN'T EXACTLY HARD TO SEE COMING. 419 00:20:29,178 --> 00:20:30,680 SHE'S YOUNG AND BEAUTIFUL. 420 00:20:30,680 --> 00:20:33,182 YOU'RE JUST A TIRED OLD MAN. 421 00:20:33,182 --> 00:20:33,182 YOU'RE JUST A TIRED OLD MAN. 422 00:20:35,018 --> 00:20:37,520 WHAT AM I GOING TO DO? 423 00:20:37,520 --> 00:20:41,958 YOU MEAN IF YOU WERE YOU OR IF YOU WERE ME? 424 00:20:41,958 --> 00:20:41,958 YOU MEAN IF YOU WERE YOU OR IF YOU WERE ME? 425 00:20:43,459 --> 00:20:44,961 I'LL DIVORCE HER... 426 00:20:44,961 --> 00:20:44,961 I'LL DIVORCE HER... 427 00:20:45,962 --> 00:20:48,464 CALL MY LAWYER IN THE MORNING. 428 00:20:48,464 --> 00:20:48,464 CALL MY LAWYER IN THE MORNING. 429 00:20:50,400 --> 00:20:53,236 I NEVER WANT TO SEE HER AGAIN. 430 00:20:53,236 --> 00:20:54,737 DIVORCE WILL COST YOU. 431 00:20:54,737 --> 00:20:58,708 I SAY YOU TAKE MATTERS INTO YOUR OWN HANDS. 432 00:20:58,708 --> 00:21:00,476 NO, I... 433 00:21:00,476 --> 00:21:02,478 NO. NO. 434 00:21:02,478 --> 00:21:02,478 NO. NO. 435 00:21:03,479 --> 00:21:06,449 NO, I CAN'T. I CAN'T. 436 00:21:06,449 --> 00:21:06,449 NO, I CAN'T. I CAN'T. 437 00:21:07,884 --> 00:21:09,385 SURE, YOU CAN. 438 00:21:09,385 --> 00:21:09,385 SURE, YOU CAN. 439 00:21:14,857 --> 00:21:15,858 NO. 440 00:21:15,858 --> 00:21:15,858 NO. 441 00:21:17,293 --> 00:21:18,227 NO. 442 00:21:18,227 --> 00:21:18,227 NO. 443 00:21:20,229 --> 00:21:21,731 NO, I-- 444 00:21:21,731 --> 00:21:21,731 NO, I-- 445 00:21:36,913 --> 00:21:39,415 [CAR ENGINE REVS] 446 00:21:39,415 --> 00:21:40,917 [ENGINE STOPS] 447 00:21:40,917 --> 00:21:40,917 [ENGINE STOPS] 448 00:21:47,924 --> 00:21:49,425 KOKO? 449 00:21:49,425 --> 00:21:49,425 KOKO? 450 00:21:58,901 --> 00:21:59,902 KOKO? 451 00:22:00,436 --> 00:22:00,436 KOKO? 452 00:22:01,404 --> 00:22:03,439 AAH! 453 00:22:03,439 --> 00:22:03,439 AAH! 454 00:22:04,807 --> 00:22:05,775 AAH! ELLEN! 455 00:22:05,775 --> 00:22:05,775 AAH! ELLEN! 456 00:22:10,213 --> 00:22:12,548 AAH! AAH! 457 00:22:12,548 --> 00:22:13,583 [HEART BEATING] 458 00:22:13,583 --> 00:22:15,084 HA HA HA! 459 00:22:15,084 --> 00:22:16,586 [HEARTBEAT GROWS FASTER] 460 00:22:16,586 --> 00:22:16,586 [HEARTBEAT GROWS FASTER] 461 00:22:21,057 --> 00:22:23,526 [MOANING] 462 00:22:23,526 --> 00:22:27,030 [HEARTBEAT GROWS SLOWER] 463 00:22:27,030 --> 00:22:27,030 [HEARTBEAT GROWS SLOWER] 464 00:22:33,403 --> 00:22:36,906 [HEART BEATING VERY SLOWLY] 465 00:22:36,906 --> 00:22:36,906 [HEART BEATING VERY SLOWLY] 466 00:22:53,289 --> 00:22:54,791 SORRY, OLD MAN. 467 00:22:55,291 --> 00:22:55,291 SORRY, OLD MAN. 468 00:23:00,263 --> 00:23:01,764 [BEEP] 469 00:23:01,764 --> 00:23:01,764 [BEEP] 470 00:23:17,780 --> 00:23:20,283 HA HA HA! HA HA HA! 471 00:23:20,283 --> 00:23:22,285 IS HE DEAD YET? 472 00:23:22,285 --> 00:23:23,286 ALMOST. 473 00:23:23,286 --> 00:23:23,286 ALMOST. 474 00:23:28,758 --> 00:23:31,260 JOSEPH, THIS IS RICK. 475 00:23:31,761 --> 00:23:34,263 HE'S A PUPPETEER, JUST LIKE YOU. 476 00:23:34,263 --> 00:23:34,263 HE'S A PUPPETEER, JUST LIKE YOU. 477 00:23:36,265 --> 00:23:37,266 AREN'T YOU, BABY? 478 00:23:37,266 --> 00:23:38,267 MMM. 479 00:23:38,267 --> 00:23:38,267 MMM. 480 00:23:46,776 --> 00:23:48,778 WHAT DO YOU THINK, JOE? 481 00:23:48,778 --> 00:23:51,280 I KNOW IT'S NOT AS GRACEFUL 482 00:23:51,280 --> 00:23:52,782 AS WHAT YOU DO, 483 00:23:52,782 --> 00:23:54,784 BUT I THINK WITH A LITTLE MONEY-- 484 00:23:54,784 --> 00:23:56,285 YOUR MONEY-- 485 00:23:56,285 --> 00:24:00,289 I THINK HE'LL END UP PRETTY DAMN GOOD. 486 00:24:00,289 --> 00:24:01,290 BYE, JOE. 487 00:24:01,290 --> 00:24:01,290 BYE, JOE. 488 00:24:09,966 --> 00:24:11,467 YOU SHOULD GET CLEANED UP. 489 00:24:11,467 --> 00:24:12,969 CALL 911. 490 00:24:12,969 --> 00:24:15,471 WHERE'D YOU PUT THE REAL KOKO? 491 00:24:15,471 --> 00:24:16,973 HE'S UNDER THERE. 492 00:24:16,973 --> 00:24:19,475 COME ON. WE DON'T HAVE THAT MUCH TIME. 493 00:24:19,976 --> 00:24:20,476 O.K. 494 00:24:20,977 --> 00:24:20,977 O.K. 495 00:24:42,131 --> 00:24:43,599 UHH! 496 00:24:44,066 --> 00:24:44,066 UHH! 497 00:24:45,568 --> 00:24:46,569 RICK? 498 00:24:46,569 --> 00:24:46,569 RICK? 499 00:24:50,072 --> 00:24:53,075 RICK, WHAT ARE YOU DOING THE PARAMEDICS ARE COMING. 500 00:24:53,075 --> 00:24:53,075 RICK, WHAT ARE YOU DOING THE PARAMEDICS ARE COMING. 501 00:25:00,016 --> 00:25:01,484 RICK, WHAT ARE YOU DOING? 502 00:25:01,484 --> 00:25:04,987 YOU HAVE TO GET OUT OF HERE. 503 00:25:04,987 --> 00:25:04,987 YOU HAVE TO GET OUT OF HERE. 504 00:25:07,924 --> 00:25:08,858 THIS ISN'T FUNNY. 505 00:25:09,358 --> 00:25:09,358 THIS ISN'T FUNNY. 506 00:25:12,328 --> 00:25:14,330 UP HERE, KIDDO. 507 00:25:14,831 --> 00:25:14,831 UP HERE, KIDDO. 508 00:25:18,301 --> 00:25:19,769 AAH! 509 00:25:19,769 --> 00:25:20,269 AAH! 510 00:25:22,705 --> 00:25:24,140 YOU'RE NOT GOING TO BELIEVE THIS. 511 00:25:24,640 --> 00:25:26,142 YEAH, I'VE SEEN JUST ABOUT EVERYTHING. 512 00:25:26,142 --> 00:25:26,142 YEAH, I'VE SEEN JUST ABOUT EVERYTHING. 513 00:25:28,144 --> 00:25:29,145 NOT LIKE THIS YOU HAVEN'T. 514 00:25:29,645 --> 00:25:29,645 NOT LIKE THIS YOU HAVEN'T. 515 00:25:51,667 --> 00:25:53,169 HA HA HA! 516 00:25:53,169 --> 00:25:53,169 HA HA HA! 517 00:25:58,674 --> 00:26:01,177 KOKO MAY HAVE BEEN THE PUPPET, 518 00:26:01,677 --> 00:26:02,678 BUT IN THE END, 519 00:26:02,678 --> 00:26:06,682 JOSEPH WAS THE ONE WHO PAID FORMARRYING-ETTE. 520 00:26:06,682 --> 00:26:06,682 JOSEPH WAS THE ONE WHO PAID FORMARRYING-ETTE. 521 00:26:08,184 --> 00:26:10,186 AS FOR ME, KIDDIES, 522 00:26:10,186 --> 00:26:12,688 IT SEEMS MY PAIN IN THE NECK 523 00:26:12,688 --> 00:26:14,690 WAS MORE SERIOUS THAN I THOUGHT, 524 00:26:14,690 --> 00:26:19,195 BUT I'M ALMOST FINISHED WITH MYSCARE-APY. 525 00:26:19,195 --> 00:26:23,199 ONE MORE ADJUSTMENT, AND I'LL BE OUT OF HERE. 526 00:26:23,199 --> 00:26:26,202 ANY TIME YOU'RE READY, BONES. 527 00:26:26,202 --> 00:26:26,202 ANY TIME YOU'RE READY, BONES. 528 00:26:31,574 --> 00:26:33,075 HEE HEE HEE! 529 00:26:33,075 --> 00:26:37,079 NOW, THAT'S WHAT I CALL PAININ FULL! 530 00:26:37,079 --> 00:26:37,079 NOW, THAT'S WHAT I CALL PAININ FULL! 531 00:26:42,084 --> 00:26:44,887 CAPTIONING MADE POSSIBLE BY WARNER BROS. 532 00:26:45,388 --> 00:26:48,391 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 533 00:26:48,391 --> 00:26:48,391 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 534 00:26:50,893 --> 00:26:54,397 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 535 00:26:54,397 --> 00:26:54,397 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 35221

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