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1
00:00:02,524 --> 00:00:03,699
[DOG BARKING]
2
00:00:03,742 --> 00:00:05,962
[SPRINKLER]
3
00:00:17,887 --> 00:00:19,628
[WHISPERED VOICE]
4
00:00:23,153 --> 00:00:27,766
[INDISTINCT WHISPERS]
5
00:00:37,602 --> 00:00:39,517
[INDISTINCT WHISPER]
6
00:00:44,131 --> 00:00:46,133
[DOOR CLOSES]
7
00:01:25,389 --> 00:01:27,826
[INDISTINCT WHISPER]
8
00:01:34,920 --> 00:01:37,836
[INDISTINCT WHISPER]
9
00:01:52,764 --> 00:01:55,985
[INDISTINCT WHISPER]
10
00:01:58,205 --> 00:01:59,902
REID: SOMETHING WRONG?
11
00:01:59,945 --> 00:02:01,295
OH, IT'’S MY MOM.
12
00:02:01,338 --> 00:02:03,297
A PIPE BURST LAST NIGHT,
13
00:02:03,340 --> 00:02:05,299
AND NOW HER LIVING ROOM
IS FLOODED.
14
00:02:05,342 --> 00:02:06,561
UGH.
15
00:02:06,604 --> 00:02:09,172
YEAH. REPAIRS ARE GONNA
TAKE 3 WEEKS MINIMUM,
16
00:02:09,216 --> 00:02:11,000
AND SHE HAS ASKED
TO STAY WITH ME.
17
00:02:11,043 --> 00:02:13,350
THAT'’S GOOD, RIGHT?
I MEAN, OUT OF ALL
THE PEOPLE IN HER LIFE,
18
00:02:13,394 --> 00:02:14,482
YOU'’RE THE ONE
THAT SHE CHOSE TO--
19
00:02:14,525 --> 00:02:16,440
YEAH, I WAS HER
ONLY OPTION, SPENCE.
20
00:02:16,484 --> 00:02:17,572
AH.
21
00:02:17,615 --> 00:02:20,009
TRUST ME, SHE WOULD
MUCH RATHER
22
00:02:20,052 --> 00:02:22,925
RENT SOMETHING ON HER OWN
CLOSER TO HOME,
23
00:02:22,968 --> 00:02:25,188
BUT APPARENTLY MONEY'’S
A LITTLE TIGHT.
24
00:02:25,232 --> 00:02:27,799
I KNOW OUR RELATIONSHIP
HASN'’T ALWAYS BEEN
SMOOTH SAILING,
25
00:02:27,843 --> 00:02:31,716
BUT I DON'’T KNOW, MAYBE
THIS TIME IT'’LL BE DIFFERENT.
26
00:02:31,760 --> 00:02:33,544
MAYBE IT WILL.
27
00:02:33,588 --> 00:02:34,937
DIDN'’T YOU TELL ME
YOUR HOUSE IS HAVING
28
00:02:34,980 --> 00:02:36,243
A TOP-TO-BOTTOM
PAINT JOB THIS WEEK?
29
00:02:36,286 --> 00:02:38,027
MM-HMM.
AS OF THIS MORNING.
30
00:02:38,070 --> 00:02:39,550
WHAT ARE YOU GONNA DO?
31
00:02:39,594 --> 00:02:42,031
WELL, WILL TOOK
THE BOYS TO FLORIDA
FOR A COUPLE DAYS.
32
00:02:42,074 --> 00:02:44,164
I JUST RENTED
A HOTEL ROOM IN THE CITY.
33
00:02:44,207 --> 00:02:47,254
OOH, I GUESS I BETTER UPGRADE
TO THAT JUNIOR SUITE NOW, HUH?
34
00:02:47,297 --> 00:02:48,690
LET ME KNOW IF
YOU NEED ANYTHING--
35
00:02:48,733 --> 00:02:51,083
BOOKS, FOOD,
SHOULDER TO CRY ON.
36
00:02:51,127 --> 00:02:52,911
MMM. WHAT WAS
THAT LAST ONE?
37
00:02:54,348 --> 00:02:57,177
[CHUCKLES]
ALL RIGHT, JUST PLEASE
KEEP YOUR PHONE HANDY.
38
00:02:59,744 --> 00:03:01,050
SIMMONS: WHAT DO WE HAVE?
39
00:03:01,093 --> 00:03:02,834
GARCIA: LAST NIGHT
3 10-YEAR-OLD KIDS
40
00:03:02,878 --> 00:03:05,185
WENT MISSING FROM
THEIR HOMES IN
WESSER, IOWA.
41
00:03:05,228 --> 00:03:07,317
THE PARENTS DIDN'’T NOTICE
THEY WERE GONE UNTIL THEY
WOKE UP THIS MORNING.
42
00:03:07,361 --> 00:03:09,928
ALVEZ: WELL, ALL
OF THE FAMILIES SLEPT
THROUGH THE ABDUCTIONS.
43
00:03:09,972 --> 00:03:11,452
THERE MUST NOT HAVE
BEEN MUCH OF A STRUGGLE.
44
00:03:11,495 --> 00:03:13,367
NO SIGNS OF FORCED
ENTRY, EITHER.
45
00:03:13,410 --> 00:03:14,716
NEIGHBORS DIDN'’T
HEAR A SOUND.
46
00:03:14,759 --> 00:03:16,239
LEWIS: LOOK, I'’M NOT
MINIMIZING THIS,
47
00:03:16,283 --> 00:03:18,372
BUT IS IT POSSIBLE
THIS WASN'’T AN
ABDUCTION AT ALL?
48
00:03:18,415 --> 00:03:19,938
I MEAN, GROUP OF
10-YEAR-OLDS,
49
00:03:19,982 --> 00:03:21,418
TIP-TOE EXIT IN
THE MIDDLE OF THE NIGHT.
50
00:03:21,462 --> 00:03:22,767
SHE'’S GOT A GOOD POINT.
51
00:03:22,811 --> 00:03:23,942
I MEAN, WHAT IF
THE KIDS JUST MADE
A BAD DECISION
52
00:03:23,986 --> 00:03:25,292
TO SNEAK OUT ON A BIG
ADVENTURE TOGETHER?
53
00:03:25,335 --> 00:03:26,945
PRENTISS: I WAS WONDERING
THAT MYSELF,
54
00:03:26,989 --> 00:03:29,209
BUT IT WAS NEARLY
FREEZING LAST NIGHT,
55
00:03:29,252 --> 00:03:31,950
AND IT APPEARS ALL
THE KIDS LEFT WEARING
THEIR PAJAMAS.
56
00:03:31,994 --> 00:03:33,909
NONE OF THEM TOOK
ANY CLOTHING OR FOOD.
57
00:03:33,952 --> 00:03:35,215
SIMMONS: MAYBE IT'’S
A STRAIGHT-UP KIDNAPPING.
58
00:03:35,258 --> 00:03:36,912
THE RANSOM DEMANDS
COULD BE ON THEIR WAY.
59
00:03:36,955 --> 00:03:39,131
PRENTISS: JJ HAS SOME
PERSONAL BUSINESS
TO ATTEND TO HERE,
60
00:03:39,175 --> 00:03:40,829
BUT SHE WILL BE
CONSULTING BY PHONE.
61
00:03:40,872 --> 00:03:42,744
FOR THE REST OF US,
WHEELS UP.
62
00:03:50,795 --> 00:03:53,189
OH, NO.
63
00:03:53,233 --> 00:03:55,235
GUYS, GUYS, GUYS.
THERE'’S SOMETHING THAT
JUST CAME IN.
64
00:03:55,278 --> 00:03:56,584
YOU NEED TO SEE IT.
65
00:03:56,627 --> 00:03:58,499
IT'’S FROM WESSER P.D.
IT'’S SURVEILLANCE FOOTAGE
66
00:03:58,542 --> 00:04:00,109
FROM A NEIGHBORHOOD PARK.
67
00:04:03,721 --> 00:04:05,680
ALVEZ: THOSE ARE THE KIDS.
68
00:04:07,464 --> 00:04:09,336
WHAT THE HELL
IS GOING ON?
69
00:04:11,947 --> 00:04:13,557
GARCIA, CAN YOU
ZOOM IN ON THAT,
PLEASE?
70
00:05:15,967 --> 00:05:18,666
ROSSI: "THERE IS ALWAYS
ONE MOMENT IN CHILDHOOD
71
00:05:18,709 --> 00:05:22,713
WHEN THE DOOR OPENS
AND LETS THE FUTURE IN."
72
00:05:22,757 --> 00:05:24,889
GRAHAM GREENE.
73
00:05:26,326 --> 00:05:27,762
40 YEARS IN
LAW ENFORCEMENT,
74
00:05:27,805 --> 00:05:29,590
I'’VE NEVER SEEN
AN ABDUCTION LIKE THIS.
75
00:05:29,633 --> 00:05:31,896
THE CHILDREN APPEAR
TO BE COMPLICIT.
76
00:05:31,940 --> 00:05:34,203
I MEAN, THEY WENT TO
THE UNSUB VOLUNTARILY.
77
00:05:34,246 --> 00:05:36,031
REID: YEAH, BUT WATCH
THE LAST CHILD'’S FACE.
78
00:05:36,074 --> 00:05:38,773
IT'’S LIKE HE SENSES
SOMETHING WRONG
AT THE LAST MOMENT.
79
00:05:38,816 --> 00:05:40,644
THERE'’S STILL
NO RANSOM DEMAND.
80
00:05:40,688 --> 00:05:42,211
THAT PLUS THE TAPE,
81
00:05:42,254 --> 00:05:44,126
THIS IS LOOKING LESS
AND LESS LIKE A KIDNAPPING.
82
00:05:44,169 --> 00:05:46,650
NORMALLY I'’D THINK THIS
WAS A SEX OFFENDER,
83
00:05:46,694 --> 00:05:49,871
BUT PEDOPHILES ALMOST
NEVER ABDUCT MORE THAN
ONE CHILD AT A TIME.
84
00:05:49,914 --> 00:05:53,048
IF FOR NO OTHER REASON
THAN IT'’S HARD TO CONTROL
MULTIPLE VICTIMS.
85
00:05:53,091 --> 00:05:54,397
I DON'’T KNOW.
THE KIDS ON THE SWING SET
86
00:05:54,441 --> 00:05:56,225
LOOKED PRETTY DAMN CONTROLLED.
87
00:05:56,268 --> 00:05:59,968
MAYBE THEY WERE
DRUGGED SOMEHOW
EARLIER.
88
00:06:00,011 --> 00:06:01,143
WHAT DO WE KNOW ABOUT
THESE KIDS?
89
00:06:01,186 --> 00:06:02,579
SIMMONS: THEY WERE ALL
GOOD STUDENTS,
90
00:06:02,623 --> 00:06:05,277
STABLE HOMES,
NO BEHAVIORAL ISSUES AT ALL.
91
00:06:05,321 --> 00:06:07,497
PRENTISS: WHEN WE LAND, I'’LL
COORDINATE WITH AGENT CHANNING
92
00:06:07,541 --> 00:06:10,413
WHO'’S ALREADY ON THE GROUND
WITH HER CHILD ABDUCTION
RAPID DEPLOYMENT TEAM.
93
00:06:10,457 --> 00:06:13,155
THE REST OF YOU PAIR UP,
GO TO THE CHILDREN'’S HOMES,
94
00:06:13,198 --> 00:06:14,286
TALK TO THEIR PARENTS.
95
00:06:14,330 --> 00:06:15,766
WE NEED TO GET A SENSE
OF THESE KIDS.
96
00:06:15,810 --> 00:06:19,117
SOMEONE OR SOMETHING
GOT AHOLD OF THEM.
97
00:06:19,161 --> 00:06:21,032
WE NEED TO FIND OUT WHAT.
98
00:06:22,338 --> 00:06:24,340
PRENTISS: OK, CATCH ME
UP, AGENT CHANNING.
99
00:06:24,384 --> 00:06:26,255
WE'’VE GOT LOCAL P.D.
CANVASSING THE NEIGHBORHOOD
100
00:06:26,298 --> 00:06:27,778
LOOKING FOR HOME
SURVEILLANCE CAMERAS.
101
00:06:27,822 --> 00:06:30,520
GOOD. WE'’LL SET UP
MONITORS HERE FOR VIEWING.
102
00:06:30,564 --> 00:06:31,608
OUR CARD TEAM HAS
HANDLED HUNDREDS
103
00:06:31,652 --> 00:06:33,131
OF CHILD ABDUCTION CASES.
104
00:06:33,175 --> 00:06:34,437
BUT SOMETHING LIKE THIS,
105
00:06:34,481 --> 00:06:36,787
WE'’RE IN UNCHARTED
TERRITORY.
106
00:06:38,180 --> 00:06:39,442
HAVE YOU MET
THE MAYOR YET?
107
00:06:39,486 --> 00:06:40,965
NO.BUCKLE UP.
108
00:06:44,316 --> 00:06:46,580
ARE YOU THE OTHER
FBI PERSON?
109
00:06:46,623 --> 00:06:48,320
SSA PRENTISS.
110
00:06:48,364 --> 00:06:49,626
I UNDERSTAND
YOU'’RE THE MAYOR.
111
00:06:49,670 --> 00:06:50,932
ROB TREMAINE.
112
00:06:50,975 --> 00:06:52,629
CAN SOMEONE PLEASE TELL ME
WHAT'’S BEING DONE
113
00:06:52,673 --> 00:06:53,804
TO GET TO THE BOTTOM OF THIS?
114
00:06:53,848 --> 00:06:56,416
OUR BAU TEAM IS
IN PLACE, MAYOR,
115
00:06:56,459 --> 00:06:57,982
AND WE'’RE VERY GOOD
AT WHAT WE DO.
116
00:06:58,026 --> 00:06:59,244
I'’M TALKING ABOUT
SPECIFICS.
117
00:06:59,288 --> 00:07:00,811
WHAT SPECIFICALLY
ARE YOU DOING?
118
00:07:00,855 --> 00:07:03,640
HONEY, I'’M GOING HOME
WITH TIMMY.
119
00:07:03,684 --> 00:07:05,990
TAKE A DEEP BREATH.
120
00:07:08,515 --> 00:07:11,996
LOOK, I'’M SORRY.
I DON'’T MEAN TO
COME ON STRONG,
121
00:07:12,040 --> 00:07:13,171
BUT A THING LIKE THIS.
122
00:07:13,215 --> 00:07:14,608
I UNDERSTAND.
123
00:07:14,651 --> 00:07:17,480
BUT IT IS IMPORTANT
FOR YOU TO PRESENT A CALM
124
00:07:17,524 --> 00:07:19,830
AND CONFIDENT FACE
TO YOUR COMMUNITY
RIGHT NOW.
125
00:07:19,874 --> 00:07:21,397
WELL, THAT'’S EASIER
SAID THAN DONE.
126
00:07:21,441 --> 00:07:23,355
3 KIDS IN ONE NIGHT?
127
00:07:23,399 --> 00:07:26,271
HOW DO WE KNOW THAT
THIS MANIAC ISN'’T
GOING TO TAKE MORE?
128
00:07:26,315 --> 00:07:28,665
WE DON'’T.
129
00:07:28,709 --> 00:07:31,494
[INDISTINCT POLICE RADIO
TRANSMISSIONS]
130
00:07:31,538 --> 00:07:33,714
[SOBS] THIS CAN'’T
BE HAPPENING.
131
00:07:33,757 --> 00:07:37,065
IT'’S LIKE A NIGHTMARE
AND I CAN'’T WAKE UP.
132
00:07:39,197 --> 00:07:41,896
ROSSI: YOUR SON WAS
PLUGGED IN.
133
00:07:41,939 --> 00:07:44,942
JOEY'’S ADDICTED
TO HIS SCREENS.
134
00:07:44,986 --> 00:07:47,728
I HAVE KIDS MYSELF.
I KNOW WHAT YOU MEAN.
135
00:07:47,771 --> 00:07:50,818
DID YOUR SON MAKE THIS?
136
00:07:50,861 --> 00:07:55,300
YES. HE LOVED
DOING PAPIER-MACHE.
137
00:07:55,344 --> 00:07:56,911
IT'’S PRACTICALLY
THE ONLY THING
138
00:07:56,954 --> 00:07:59,653
THAT COULD TEAR HIM AWAY
FROM HIS ELECTRONICS.
139
00:07:59,696 --> 00:08:04,527
DO YOU THINK
THAT THIS IS HOW
THIS PERSON GOT JOEY,
140
00:08:04,571 --> 00:08:06,660
LIKE A CHAT ROOM
OR SOMETHING?
141
00:08:06,703 --> 00:08:09,706
WE'’LL KNOW MORE ONCE WE
HAVE A CHANCE TO LOOK
AT HIS COMPUTER.
142
00:08:09,750 --> 00:08:13,362
'’CAUSE WE MONITORED
HIS ONLINE ACTIVITY
AS BEST WE COULD.
143
00:08:13,405 --> 00:08:16,234
WE PUT IN FILTERS,
SAFEGUARDS.
144
00:08:16,278 --> 00:08:17,888
BUT JOEY AND HIS FRIENDS,
145
00:08:17,932 --> 00:08:20,848
THEY KNOW HOW TO GET
AROUND ALL OF IT.
146
00:08:20,891 --> 00:08:22,545
[SIGHS]
OH, GOD.
147
00:08:22,589 --> 00:08:26,984
THIS CYBER STUFF,
IT'’S THEIR WORLD,
NOT OURS.
148
00:08:33,034 --> 00:08:36,080
PRENTISS: SO WHY THESE
KIDS AND WHY NOW?
149
00:08:36,124 --> 00:08:38,387
THE BEHAVIOR IN THE VIDEO,
IT APPEARS AS THOUGH
THEY'’RE RESPONDING
150
00:08:38,430 --> 00:08:40,215
TO A POST-HYPNOTIC
SUGGESTION.
151
00:08:40,258 --> 00:08:42,739
IF TRUE, THAT'’S
AN AWFULLY ELABORATE RUSE.
152
00:08:42,783 --> 00:08:44,219
THE SEEDS FOR THIS
ABDUCTION MUST HAVE BEEN
153
00:08:44,262 --> 00:08:45,742
PLANTED A LONG TIME AGO.
154
00:08:45,786 --> 00:08:47,788
BUT THE PARENTS HAVE
CONFIRMED THAT THESE KIDS
155
00:08:47,831 --> 00:08:49,224
DIDN'’T REALLY KNOW
ONE ANOTHER.
156
00:08:49,267 --> 00:08:50,921
THEY WENT
TO DIFFERENT SCHOOLS.
157
00:08:50,965 --> 00:08:52,096
THEY DIDN'’T HANG OUT
SOCIALLY.
158
00:08:52,140 --> 00:08:53,228
SO WHERE'’S THE OVERLAP?
159
00:08:53,271 --> 00:08:54,664
MAYBE THERE ISN'’T ANY.
160
00:08:54,708 --> 00:08:56,100
I MEAN, THEY COULD HAVE BEEN
SELECTED RANDOMLY ONLINE.
161
00:08:56,144 --> 00:08:57,580
EXCEPT IF THIS IS
A FORM OF HYPNOSIS,
162
00:08:57,624 --> 00:08:58,886
THE UNSUB WOULD NEED TO KNOW
163
00:08:58,929 --> 00:09:00,191
THAT THE CHILDREN ARE
SUSCEPTIBLE TO SUGGESTION.
164
00:09:00,235 --> 00:09:01,584
[CELL PHONE RINGS]
165
00:09:01,628 --> 00:09:02,846
YOU'’RE ON SPEAKER,
GARCIA.
166
00:09:02,890 --> 00:09:03,760
GARCIA, ON TELEPHONE:
OK, I'’VE GONE THROUGH
167
00:09:03,804 --> 00:09:05,370
THE REGISTERED
SEX OFFENDERS
168
00:09:05,414 --> 00:09:08,025
IN A 50-MILE RADIUS
OF WESSER.
169
00:09:08,069 --> 00:09:10,550
AND AT THE CONCLUSION
OF THIS PHONE CALL,
170
00:09:10,593 --> 00:09:12,595
I AM GOING TO TAKE 3,
MAYBE 4, SHOWERS,
171
00:09:12,639 --> 00:09:13,988
SCRUB MYSELF
WITH STEEL WOOL,
172
00:09:14,031 --> 00:09:15,206
DURING WHICH TIME
I'’M GONNA TENT THE OFFICE,
173
00:09:15,250 --> 00:09:16,599
FUMIGATE IT, AND
WHEN IT CLEARS OUT,
174
00:09:16,643 --> 00:09:17,600
I'’M GONNA FILL
IT WITH KITTENS.
175
00:09:17,644 --> 00:09:18,775
YOU FIND ANYTHING?
176
00:09:18,819 --> 00:09:19,994
HIS NAME IS ARTHUR BRODIE.
177
00:09:20,037 --> 00:09:21,299
WHAT ABOUT HIM?
178
00:09:21,343 --> 00:09:23,693
50 YEARS OLD.
HE'’S GOT A LONG RAP SHEET
179
00:09:23,737 --> 00:09:24,955
OF SEXUAL DEVIANCY,
180
00:09:24,999 --> 00:09:27,697
INCLUDING BUT NOT
LIMITED TO VOYEURISM,
181
00:09:27,741 --> 00:09:30,221
INDECENT EXPOSURE,
POSSESSION OF CHILD
PORNOGRAPHY,
182
00:09:30,265 --> 00:09:33,485
THE STEALING OF YOUNG
WOMEN'’S UNDERGARMENTS.
183
00:09:33,529 --> 00:09:35,487
I'’M DEFINITELY GONNA
NEED 4 SHOWERS.
184
00:09:35,531 --> 00:09:37,707
WHY DID BRODIE POP OUT
MORE THAN ANY OTHERS?
185
00:09:37,751 --> 00:09:40,275
WELL, THING ONE IS
HE WAS RELEASED A MONTH AGO
186
00:09:40,318 --> 00:09:43,234
AFTER SERVING
A 12-YEAR SENTENCE
FOR STATUTORY RAPE.
187
00:09:43,278 --> 00:09:45,628
THING TWO, HE OWNS
A WHITE VAN
188
00:09:45,672 --> 00:09:48,326
THAT IS EERILY LIKE
THE ONE FROM THE
SURVEILLANCE VIDEO.
189
00:09:48,370 --> 00:09:49,632
REID: DOES BRODIE
LIVE IN TOWN?
190
00:09:49,676 --> 00:09:51,242
YES. HE LIVES
WITH HIS MOM.
191
00:09:51,286 --> 00:09:55,246
HE WORKS THE GRAVEYARD SHIFT
AT AN ASSEMBLY PLANT IN TOWN.
192
00:09:55,290 --> 00:09:57,205
AND IF YOU'’D LIKE
ANOTHER POP FOR THIS WEASEL,
193
00:09:57,248 --> 00:09:59,163
LAST NIGHT WHEN THE
KIDS WENT MISSING,
194
00:09:59,207 --> 00:10:02,079
GUESS WHICH BRA THIEF
CALLED IN SICK TO WORK.
195
00:10:11,872 --> 00:10:13,613
[POUNDING ON DOOR]CHILD: LET ME OUT!
196
00:10:13,656 --> 00:10:16,528
LET ME OUT!
PLEASE, LET ME OUT!
197
00:10:18,574 --> 00:10:20,620
LET ME OUT!CHILD 2: LET ME OUT! PLEASE!
198
00:10:20,663 --> 00:10:22,578
[GASPS]
199
00:10:32,109 --> 00:10:34,372
I DON'’T WANT TO DIE.
200
00:10:34,416 --> 00:10:39,116
DON'’T WORRY.
WE'’RE GONNA GET
OUT OF HERE.
201
00:10:39,160 --> 00:10:41,075
[INDISTINCT CHATTER]
202
00:10:42,337 --> 00:10:44,165
[CAMERA SHUTTER CLICKS]
203
00:10:50,911 --> 00:10:52,216
REID: ARTHUR BRODIE?
204
00:10:52,260 --> 00:10:54,915
FBI. YOUR MOTHER
TOLD US WE MIGHT
FIND YOU HERE.
205
00:10:54,958 --> 00:10:56,264
WHAT'’S THE PROBLEM?
206
00:10:56,307 --> 00:10:57,569
I'’M MINDING
MY OWN BUSINESS.
207
00:10:57,613 --> 00:11:01,225
YOU MINDING YOUR
BUSINESS OR THEIRS?
208
00:11:01,269 --> 00:11:05,839
HEH. "ASSEMBLY AND
MAINTENANCE OF YOUR CORVELL
350 VACUUM CLEANER."
209
00:11:05,882 --> 00:11:07,101
COME ON, BRODIE.
210
00:11:07,144 --> 00:11:08,232
YOU WANT TO PRETEND
YOU'’RE HERE TO READ,
211
00:11:08,276 --> 00:11:09,712
YOU GOT TO DO
BETTER THAN THAT.
212
00:11:09,756 --> 00:11:11,366
THAT YOUR WHITE VAN
PARKED OVER THERE?
213
00:11:11,409 --> 00:11:13,063
YOU CAN'’T TOUCH IT
WITHOUT A WARRANT.
214
00:11:13,107 --> 00:11:14,238
I'’VE GOT MY RIGHTS.
215
00:11:14,282 --> 00:11:16,066
YES, WE CAN.
AND NO, YOU DON'’T.
216
00:11:16,110 --> 00:11:17,720
YOU'’RE ON PAROLE.
THAT'’S ALL THE
WARRANT WE NEED.
217
00:11:17,764 --> 00:11:19,156
THE HELL WITH YOU PEOPLE.
218
00:11:19,200 --> 00:11:21,376
WE'’RE NOT DONE YET.
219
00:11:22,725 --> 00:11:24,640
AHH!
220
00:11:26,686 --> 00:11:28,600
[HANDCUFFS CLICK]
221
00:11:28,644 --> 00:11:30,690
NOW WE'’RE DONE.
222
00:11:32,953 --> 00:11:34,955
JAREAU: ALL RIGHT,
MOM, HERE WE ARE.
223
00:11:34,998 --> 00:11:38,045
ALL THESE YEARS,
I CAN'’T BELIEVE
224
00:11:38,088 --> 00:11:40,134
THIS IS THE FIRST
TIME I'’VE SEEN
WHERE YOU WORK.
225
00:11:40,177 --> 00:11:42,353
WOW. HA HA!
226
00:11:42,397 --> 00:11:44,878
YOU'’RE SURE YOU DON'T
WANT ME TO TAKE YOU
TO THE MALL?
227
00:11:44,921 --> 00:11:46,749
YOU COULD SHOP,
WATCH A MOVIE.
228
00:11:46,793 --> 00:11:49,099
NO, RIGHT HERE'’S FINE.
229
00:11:49,143 --> 00:11:51,493
YOU JUST DO WHAT
YOU NEED TO DO,
AND I WILL SIT HERE,
230
00:11:51,536 --> 00:11:53,321
QUIET AS A MOUSE.
231
00:11:53,364 --> 00:11:54,757
OK.
[PHONE BEEPS]
232
00:11:55,976 --> 00:11:57,455
OH.
233
00:11:59,153 --> 00:12:00,763
DON'’T.
234
00:12:00,807 --> 00:12:02,896
OK, UH, HEH!
235
00:12:02,939 --> 00:12:05,289
I'’M SORRY.
I WAS JUST--
236
00:12:05,333 --> 00:12:07,248
DON'’T LOOK IN THE FILES.
237
00:12:07,291 --> 00:12:12,296
IT CAN BE DIFFICULT
TO PROCESS...OK?
238
00:12:12,340 --> 00:12:14,255
OK. SORRY.
239
00:12:14,298 --> 00:12:15,952
IT'’S OK.
240
00:12:15,996 --> 00:12:18,868
[SIGHS]
241
00:12:18,912 --> 00:12:21,262
[EXHALES] OK.
242
00:12:21,305 --> 00:12:23,612
YOU KNOW WHAT I
THOUGHT MIGHT BE FUN?
243
00:12:23,655 --> 00:12:28,269
THE TWO OF US TAKE
A DRIVE OUT TO
OCEAN CITY THIS WEEKEND.
244
00:12:28,312 --> 00:12:31,228
I'’M CONSULTING ON
AN ACTIVE CASE, MOM,
245
00:12:31,272 --> 00:12:35,145
SO UNTIL WE CLOSE IT,
THERE ARE NO WEEKENDS.
246
00:12:35,189 --> 00:12:36,799
I HAVEN'’T BEEN TO
OCEAN CITY
247
00:12:36,843 --> 00:12:40,107
SINCE YOU AND ROZ WERE
JUST LITTLE THINGS.
248
00:12:40,150 --> 00:12:42,718
THAT'’S WHERE YOUR DAD
AND I TOOK YOU GIRLS
249
00:12:42,762 --> 00:12:45,373
TO HAVE LOBSTER
FOR THE FIRST TIME,
REMEMBER?
250
00:12:45,416 --> 00:12:47,070
NO, NOT REALLY.
251
00:12:48,463 --> 00:12:49,812
YEAH, FUNNIEST THING.
252
00:12:49,856 --> 00:12:51,988
THE LOBSTERS WERE
IN A TANK OUT FRONT
253
00:12:52,032 --> 00:12:55,035
SO THE CUSTOMERS COULD
PICK THE ONE THEY WANTED,
254
00:12:55,078 --> 00:13:01,084
BUT WHEN THE MAN
REACHED IN TO GRAB
THE ONE YOU PICKED...
255
00:13:01,128 --> 00:13:02,694
WHAT?
256
00:13:02,738 --> 00:13:05,872
WELL, IT HIT YOU THAT
THAT POOR FISH
257
00:13:05,915 --> 00:13:07,612
WAS ABOUT TO GO
GET COOKED.
258
00:13:07,656 --> 00:13:11,660
SO YOU TOLD THAT MAN
TO PUT IT RIGHT BACK
WHERE IT WAS,
259
00:13:11,703 --> 00:13:14,402
AND WE HAD TO ORDER
YOU A HOT DOG INSTEAD.
260
00:13:14,445 --> 00:13:17,579
THAT'’S FUNNY,
I REALLY--I DON'’T
REMEMBER THAT AT ALL.
261
00:13:17,622 --> 00:13:21,539
WELL, I SHOULD HAVE KNOWN
YOU WERE GONNA BE AN FBI AGENT.
262
00:13:21,583 --> 00:13:25,108
EVEN BACK THEN, YOU WERE
ALL ABOUT SAVING LIVES.
263
00:13:29,069 --> 00:13:31,027
ROSSI: WHAT'’S THAT
ABRASION ON HIS FOREHEAD?
264
00:13:31,071 --> 00:13:33,638
PRENTISS:
APPARENTLY HE GAVE
LEWIS A SHOVE
265
00:13:33,682 --> 00:13:36,076
AND REID WENT A LITTLE
CELL BLOCK "D" ON HIM.
266
00:13:36,119 --> 00:13:37,207
NICE.
267
00:13:37,251 --> 00:13:39,209
MR. BRODIE, WHERE
WERE YOU LAST NIGHT?
268
00:13:39,253 --> 00:13:40,994
I DON'’T GOT TO SAY A THING.
269
00:13:41,037 --> 00:13:43,039
WELL, ACTUALLY, YOU DO.
270
00:13:43,083 --> 00:13:45,215
THAT'’S ONE OF THE RIGHTS
A PERSON GIVES UP
271
00:13:45,259 --> 00:13:47,217
FOR ASSAULTING
UNDERAGE GIRLS.
272
00:13:47,261 --> 00:13:50,003
NOBODY GOT ASSAULTED.
AND IT WAS A GIRL.
273
00:13:50,046 --> 00:13:52,744
ONE. ME AND BRANDI
WERE IN LOVE.
274
00:13:52,788 --> 00:13:54,572
THAT WOULD BE
BRANDI NICHOLS,
275
00:13:54,616 --> 00:13:55,704
EIGHTH GRADER.
276
00:13:55,747 --> 00:13:59,142
WHO WAS ALL OF
13 YEARS OLD IN 2004
277
00:13:59,186 --> 00:14:01,579
WHEN YOU FIRST BEGAN
HAVING SEX WITH HER.
278
00:14:01,623 --> 00:14:02,798
HEY, IF THAT'’S A CRIME,
YOU BETTER GET OUT THERE
279
00:14:02,842 --> 00:14:04,495
AND SLAP THE CUFFS
ON SHAKESPEARE, TOO.
280
00:14:04,539 --> 00:14:05,583
EXCUSE ME?
281
00:14:05,627 --> 00:14:06,671
ROMEO AND JULIET.
282
00:14:06,715 --> 00:14:09,457
YOU KNOW HOW OLD SHE WAS? 13.
283
00:14:09,500 --> 00:14:11,415
SO HOW COME WITH HER,
IT'’S THIS GREAT ROMANCE,
284
00:14:11,459 --> 00:14:14,070
BUT WHEN IT WAS
ME AND BRANDI,
I'’M A PERVERT?
285
00:14:14,114 --> 00:14:15,942
NOW, MY SHAKESPEARE'’S
A LITTLE RUSTY,
286
00:14:15,985 --> 00:14:18,945
BUT I DON'’T REMEMBER ROMEO
BEING A 50-YEAR-OLD DEGENERATE
287
00:14:18,988 --> 00:14:20,903
WHO COLLECTS GIRLS'’ UNDERWEAR.
288
00:14:20,947 --> 00:14:22,818
PRENTISS: YOU DIDN'’T ANSWER
MY QUESTION, MR. BRODIE.
289
00:14:22,862 --> 00:14:26,213
WHERE WERE YOU LAST NIGHT
BETWEEN THE HOURS
OF 9 P.M. AND 4 A.M.?
290
00:14:26,256 --> 00:14:28,955
AT HOME WITH MY MOM.
291
00:14:28,998 --> 00:14:30,782
CALL AND ASK.
292
00:14:30,826 --> 00:14:32,045
NOW, IF YOU'’RE NOT
GONNA CHARGE ME
293
00:14:32,088 --> 00:14:33,524
WITH ANYTHING,
THEN I'’M--
294
00:14:33,568 --> 00:14:35,091
OH, WE'’RE DEFINITELY GONNA
CHARGE YOU WITH SOMETHING.
295
00:14:35,135 --> 00:14:38,312
PAROLE VIOLATION,
ASSAULT ON A FEDERAL AGENT.
296
00:14:38,355 --> 00:14:39,791
THAT SHOULD GET
THE BALL ROLLING.
297
00:14:39,835 --> 00:14:41,097
WAIT.
298
00:14:41,141 --> 00:14:43,273
I'’M GOING TO JAIL?
299
00:14:43,317 --> 00:14:44,535
WELL, LOOK AT IT THIS WAY.
300
00:14:44,579 --> 00:14:46,755
SOMEONE ASKS YOU
WHEREFORE ART THOU,
301
00:14:46,798 --> 00:14:49,018
YOU KNOW WHAT TO SAY.
302
00:14:50,759 --> 00:14:53,196
OK, SO WE HAVE
A CITYWIDE CURFEW
IN PLACE TONIGHT.
303
00:14:53,240 --> 00:14:54,719
I HEARD THE GOOD
NEWS ABOUT BRODIE.
304
00:14:54,763 --> 00:14:56,286
I'’M SCHEDULING
A PRESS CONFERENCE
TO ANNOUNCE
305
00:14:56,330 --> 00:14:58,549
THAT WE HAVE OUR
PRIMARY SUSPECT
IN CUSTODY.
306
00:14:58,593 --> 00:15:00,987
THAT'’S A LITTLE
PREMATURE, MAYOR.
307
00:15:01,030 --> 00:15:02,945
WHY?
308
00:15:02,989 --> 00:15:05,469
WELL, BECAUSE PEOPLE
ARE GONNA THINK
THE DANGER IS PASSED.
309
00:15:05,513 --> 00:15:06,601
IT HASN'’T.
310
00:15:06,644 --> 00:15:07,907
BRODIE'’S STILL
A PERSON OF INTEREST,
311
00:15:07,950 --> 00:15:10,474
BUT HIS VAN CAME BACK
CLEAN AND HE HAS AN ALIBI.
312
00:15:10,518 --> 00:15:13,303
[SCOFFS]
YOU MEAN HIS MOM?
313
00:15:13,347 --> 00:15:15,349
AND THE ONLY REASON
THE VAN IS CLEAN
314
00:15:15,392 --> 00:15:17,481
IS BECAUSE HE
CLEANED IT.
315
00:15:17,525 --> 00:15:19,919
WE'’LL HOLD A PRESS CONFERENCE
WHEN IT'’S APPROPRIATE.
316
00:15:19,962 --> 00:15:21,268
OH, GOOD.
317
00:15:21,311 --> 00:15:22,834
WHEN WOULD THAT BE,
318
00:15:22,878 --> 00:15:26,229
WHEN THE NEXT BATCH
OF KIDS GOES MISSING?
319
00:15:26,273 --> 00:15:28,014
UNBELIEVABLE.
320
00:15:29,363 --> 00:15:31,147
HMM.
321
00:15:31,191 --> 00:15:34,585
LOOK, I KNOW HE WANTS
TO TIE THIS ALL OFF
IN A TIDY BOW, BUT COME ON.
322
00:15:34,629 --> 00:15:36,761
YOU THINK BRODIE'’S
OUR GUY?
323
00:15:36,805 --> 00:15:39,155
NO, NO.
THE GUY'’S A MORON.
324
00:15:39,199 --> 00:15:41,636
AND MORONS DON'’T
GRAB CHILDREN?
325
00:15:41,679 --> 00:15:43,203
YEAH, BUT THIS UNSUB
ISN'’T GRABBING.
326
00:15:43,246 --> 00:15:44,769
THE KIDS ARE GOING TO HIM.
327
00:15:44,813 --> 00:15:46,684
FOR AN OFFENDER TO SINK
IN THEIR HOOKS THAT DEEP
328
00:15:46,728 --> 00:15:48,991
REQUIRES PATIENCE,
PLANNING, AND SMARTS,
329
00:15:49,035 --> 00:15:50,601
NONE OF WHICH IS BRODIE.
330
00:15:50,645 --> 00:15:51,994
AT LEAST THIS TOWN'’S
ON HIGH ALERT.
331
00:15:52,038 --> 00:15:53,648
I DOUBT THERE'’S A DOOR
IN WESSER, IOWA
332
00:15:53,691 --> 00:15:55,476
THAT HASN'’T BEEN DOUBLE-
AND TRIPLE-BOLTED.
333
00:15:55,519 --> 00:15:57,521
LET'’S HOPE THAT'S ENOUGH.
334
00:15:59,741 --> 00:16:02,048
[INDISTINCT WHISPERING]
335
00:16:12,928 --> 00:16:16,105
[INDISTINCT WHISPERING]
336
00:17:36,446 --> 00:17:38,100
THE UNSUB'’S SENDING
A MESSAGE--
337
00:17:38,144 --> 00:17:40,581
"TAKE ALL THE PRECAUTIONS
YOU WANT, I CAN STILL
GET YOUR KIDS."
338
00:17:40,624 --> 00:17:42,887
KATIE'’S FATHER NOT
ONLY DOUBLE-LOCKED
THE FRONT DOOR,
339
00:17:42,931 --> 00:17:44,759
HE BARRICADED IT
WITH A COUCH.
340
00:17:44,802 --> 00:17:46,282
DID THEIR DAUGHTER KNOW ANY
OF THE OTHER MISSING KIDS?
341
00:17:46,326 --> 00:17:47,718
NO, SHE WAS
HOMESCHOOLED.
342
00:17:47,762 --> 00:17:49,459
THESE KIDS ARE LINKED SOMEHOW.
343
00:17:49,503 --> 00:17:52,332
WE NEED TO WIDEN OUT,
LOOK INTO EXTRACURRICULAR
ACTIVITIES--
344
00:17:52,375 --> 00:17:54,986
SPORTS, SUMMER CAMPS.
345
00:17:55,030 --> 00:17:56,814
THE KIDS ON THE
SURVEILLANCE VIDEO,
346
00:17:56,858 --> 00:17:59,513
THEY LOOKED LIKE THEY WERE
ON AUTO-PILOT, RIGHT?
347
00:17:59,556 --> 00:18:00,818
MORE LIKE ZOMBIFIED.
348
00:18:00,862 --> 00:18:03,734
BUT KATIE'’S PARENTS
PUT UP A BARRICADE.
349
00:18:03,778 --> 00:18:08,043
SO SHE WAS FORCED
TO USE IN-THE-MOMENT
COGNITIVE SKILLS
350
00:18:08,087 --> 00:18:09,610
TO CIRCUMVENT THE OBSTACLE.
351
00:18:09,653 --> 00:18:12,178
EVALUATE, PROBLEM-SOLVE,
IMPROVISE.
352
00:18:12,221 --> 00:18:14,005
NOT YOUR AVERAGE
ZOMBIE'’S STRONG SUIT.
353
00:18:14,049 --> 00:18:15,529
MAKING IT EVEN MORE
LIKELY THAT THE UNSUB
354
00:18:15,572 --> 00:18:17,792
HAD PREVIOUS
PERSONAL INTERACTIONS
WITH THE CHILDREN.
355
00:18:17,835 --> 00:18:21,056
THE UNSUB DROPPED
A PACKET OFF AT
THE LOCAL NEWSPAPER.
356
00:18:21,100 --> 00:18:22,275
IT'’S ON ITS WAY HERE NOW.
357
00:18:24,712 --> 00:18:27,323
[SHIVERING]
358
00:18:27,367 --> 00:18:30,239
I'’M SO COLD.
359
00:18:30,283 --> 00:18:32,589
IT'’LL BE WARMER IF WE
SIT CLOSE TOGETHER.
360
00:18:32,633 --> 00:18:34,939
COME ON.
361
00:18:41,903 --> 00:18:43,948
IT WAS FOUND OUTSIDE
THE NEWSPAPER OFFICES.
362
00:18:43,992 --> 00:18:45,385
NOBODY SAW WHO LEFT IT.
363
00:18:45,428 --> 00:18:48,649
NAMES OF
THE FIRST 3 KIDS.
364
00:18:51,391 --> 00:18:53,175
NAIL CLIPPINGS.
365
00:18:53,219 --> 00:18:56,439
SO WHY SEND PROOF OF LIFE
WITH NO RANSOM DEMAND?
366
00:18:56,483 --> 00:18:59,312
THERE WAS A FLASH DRIVE
IN THE ENVELOPE, TOO.
367
00:19:01,575 --> 00:19:05,927
MAN, ON TAPE:
HOW DOES IT FEEL?
368
00:19:05,970 --> 00:19:08,190
WHAT DID HE SAY?
369
00:19:08,234 --> 00:19:09,931
HOW DOES IT FEEL?
370
00:19:09,974 --> 00:19:14,544
OUR UNSUB USED THE EXPRESSION
"HOW DOES IT FEEL?"
371
00:19:14,588 --> 00:19:17,504
THIS INDICATES THAT,
WHILE HE ABDUCTED THE KIDS,
372
00:19:17,547 --> 00:19:19,897
OUR UNSUB'’S ANGER IS
FOCUSED ON SOMEONE ELSE.
373
00:19:19,941 --> 00:19:22,073
ALVEZ: IT ALSO EXPLAINS
WHY THERE APPEARS TO BE
374
00:19:22,117 --> 00:19:23,771
NO DELIBERATE HARM
TO THE CHILDREN.
375
00:19:23,814 --> 00:19:26,208
THE KIDS ARE MERELY
A MEANS TO AN END.
376
00:19:26,252 --> 00:19:28,297
HE'’S NOT A SEXUAL PREDATOR
NOR A KIDNAPPER
377
00:19:28,341 --> 00:19:29,690
IN A TRADITIONAL SENSE.
378
00:19:29,733 --> 00:19:31,996
THIS PERSON IS AN
INJUSTICE COLLECTOR,
379
00:19:32,040 --> 00:19:34,390
AND AS SUCH IS
MOTIVATED BY REVENGE.
380
00:19:34,434 --> 00:19:36,175
REID: NONE OF THE CHILDREN'’S
PARENTS, HOWEVER,
381
00:19:36,218 --> 00:19:39,090
ARE IN PROFESSIONS
THAT TYPICALLY EVOKE
REVENGE-BASED ANGER--
382
00:19:39,134 --> 00:19:41,223
DOCTORS, JUDGES, LAWYERS.
383
00:19:41,267 --> 00:19:42,572
ROSSI: WE BELIEVE THE UNSUB IS
384
00:19:42,616 --> 00:19:44,661
IN HIS MID-30s TO MID-40s.
385
00:19:44,705 --> 00:19:47,577
HE'’S THOROUGH, INTELLIGENT,
AND CALCULATING.
386
00:19:47,621 --> 00:19:49,927
HE MAY HAVE ALSO SUFFERED
THE LOSS OF A CHILD RECENTLY.
387
00:19:49,971 --> 00:19:52,408
THAT COULD BE WHAT'’S
TRIGGERED THESE
CURRENT ABDUCTIONS.
388
00:19:52,452 --> 00:19:54,454
NOW, WHETHER THIS WAS
A LITERAL DEATH,
389
00:19:54,497 --> 00:19:58,327
A PHYSICAL SEPARATION,
OR PURELY A SYMBOLIC LOSS
ISN'’T CLEAR.
390
00:19:58,371 --> 00:19:59,807
SIMMONS: THE CHILDREN
ARE APPARENTLY RESPONDING
391
00:19:59,850 --> 00:20:02,940
TO A FORM OF POST-HYPNOTIC
SUGGESTION.
392
00:20:02,984 --> 00:20:04,594
LEWIS: HE'’S ALSO
TECHNOLOGICAL SAVVY
393
00:20:04,638 --> 00:20:06,379
AND CAPABLE OF BONDING
WITH CHILDREN.
394
00:20:06,422 --> 00:20:08,381
IN FACT, HIS CYBER
EXPERTISE MAY BE
395
00:20:08,424 --> 00:20:09,730
HIS ENTREÉE INTO
THEIR WORLD.
396
00:20:09,773 --> 00:20:11,122
REID: AND THIS PERSON IS
KNOWN TO YOUR CHILDREN,
397
00:20:11,166 --> 00:20:13,168
AND HE MIGHT EVEN
BE KNOWN TO YOU.
398
00:20:13,212 --> 00:20:15,779
HE IS A LOCAL
AND NOT A TRANSIENT,
399
00:20:15,823 --> 00:20:17,825
WHICH WILL MAKE
IDENTIFYING HIM
EVEN MORE DIFFICULT.
400
00:20:17,868 --> 00:20:20,131
HYPERVIGILANCE IS KEY.
401
00:20:20,175 --> 00:20:22,960
IT'’S NOT ENOUGH TO LOCK
THE DOORS AND THE WINDOWS.
402
00:20:23,004 --> 00:20:25,267
ADULTS CANNOT TAKE THEIR
EYES OFF OF CHILDREN,
403
00:20:25,311 --> 00:20:26,399
NOT EVEN FOR A MINUTE.
404
00:20:26,442 --> 00:20:28,575
PRENTISS: EVEN IF YOU
THINK YOUR KIDS
405
00:20:28,618 --> 00:20:30,490
ARE SECURE AND PROTECTED,
406
00:20:30,533 --> 00:20:32,753
THIS UNSUB HAS
DEMONSTRATED TO US
THAT THEY ARE NOT.
407
00:20:32,796 --> 00:20:35,669
THANK YOU.
408
00:20:53,295 --> 00:20:56,298
AHEM.
409
00:20:56,342 --> 00:20:58,126
GOOD.
MM-HMM.
410
00:20:58,169 --> 00:20:59,214
MM-HMM.
411
00:20:59,258 --> 00:21:01,782
SO, UM,
I GOT A CALL
412
00:21:01,825 --> 00:21:04,175
FROM YOUR
INSURANCE ADJUSTOR.
413
00:21:04,219 --> 00:21:05,568
MM-HMM.
414
00:21:05,612 --> 00:21:08,005
HE WAS CALLING TO CONFIRM
415
00:21:08,049 --> 00:21:10,660
THAT YOU HAD
DECLINED A BENEFIT.
416
00:21:10,704 --> 00:21:14,316
YOUR POLICY PROVIDES
A GENEROUS RENTAL ALLOWANCE
417
00:21:14,360 --> 00:21:16,275
IF YOU'’RE DISPLACED
FROM YOUR HOME.
418
00:21:19,495 --> 00:21:20,670
SO NOW YOU KNOW.
419
00:21:20,714 --> 00:21:24,326
MOM, WHY WOULD YOU
MAKE UP THAT STORY
420
00:21:24,370 --> 00:21:26,328
THAT YOU HAD NO
OTHER OPTIONS?
421
00:21:26,372 --> 00:21:29,244
BECAUSE I WANTED TO
SPEND TIME WITH YOU,
422
00:21:29,288 --> 00:21:32,595
AND I WAS AFRAID IF I ASKED,
YOU WOULD TELL ME NO.
423
00:21:32,639 --> 00:21:34,075
WHY WOULD I DO THAT?
424
00:21:34,118 --> 00:21:35,511
OH, COME ON, JJ.
425
00:21:35,555 --> 00:21:38,209
YOU ARE PERFECTLY
HAPPY UP HERE
426
00:21:38,253 --> 00:21:40,603
WITH YOUR LIFE
JUST AS IT IS.
427
00:21:40,647 --> 00:21:42,866
THE SAME WAY YOU
ARE PERFECTLY HAPPY
428
00:21:42,910 --> 00:21:46,043
WITH YOUR LIFE IN
EAST ALLEGHENY, RIGHT?
IT DOES NOT MEAN THAT--
429
00:21:46,087 --> 00:21:47,697
OH, YOU THINK I'’M HAPPY?
430
00:21:47,741 --> 00:21:48,916
YOU THINK I'’M HAPPY
431
00:21:48,959 --> 00:21:51,701
IN THAT HOUSE ALL ALONE,
432
00:21:51,745 --> 00:21:54,704
YOUR DAD OFF WITH
HIS NEW WIFE,
433
00:21:54,748 --> 00:21:57,968
ONE DAUGHTER
WHO NEVER SAW 17,
434
00:21:58,012 --> 00:21:59,622
AND THE OTHER...
435
00:22:02,190 --> 00:22:05,498
THE OTHER WHAT, MOM?
436
00:22:05,541 --> 00:22:07,369
THE OTHER WHAT?
437
00:22:07,413 --> 00:22:09,066
WHO LEFT.
438
00:22:09,110 --> 00:22:11,939
WHO WENT AWAY
AND STAYED AWAY.
439
00:22:11,982 --> 00:22:13,854
I CAME BACK.
440
00:22:13,897 --> 00:22:15,551
YEAH, AFTER 20 YEARS.
441
00:22:15,595 --> 00:22:18,119
CAN YOU BLAME ME? LOOK,
442
00:22:18,162 --> 00:22:20,817
THE TERRIBLE MEMORIES,
WHAT HAPPENED TO ROZ,
443
00:22:20,861 --> 00:22:22,950
THEY'’RE...
444
00:22:22,993 --> 00:22:25,039
IT'’S ALL THERE...
445
00:22:25,082 --> 00:22:27,258
IN THAT PLACE.
446
00:22:27,302 --> 00:22:29,260
WELL, I'’M THERE,
TOO, REMEMBER?
447
00:22:32,873 --> 00:22:36,267
LEWIS: WELL, WE'’RE
CHECKING EVERY INDUSTRIAL
SPACE IN THE AREA.
448
00:22:36,311 --> 00:22:37,921
SO FAR NOTHING.
449
00:22:37,965 --> 00:22:40,141
LOOK AT THIS PHOTO FROM
KATIE LINZ'’S BEDROOM.
450
00:22:40,184 --> 00:22:42,404
SHE WAS MAKING SOMETHING
OUT OF PAPIER-MACHE,
451
00:22:42,448 --> 00:22:44,885
JUST LIKE JOEY PRYOR.
452
00:22:44,928 --> 00:22:46,408
SCHOOL PROJECT, MAYBE.
453
00:22:46,452 --> 00:22:49,063
NO, NO, KATIE
WAS HOMESCHOOLED.
454
00:22:49,106 --> 00:22:50,281
I'’LL HAVE GARCIA
LOOK INTO IT.
455
00:22:50,325 --> 00:22:52,327
YEAH.
456
00:22:52,371 --> 00:22:56,113
[INDISTINCT CONVERSATION
IN ADJACENT ROOM]
457
00:22:56,157 --> 00:22:57,941
WELL, THE SUN'’S GOING DOWN.
458
00:22:57,985 --> 00:23:01,205
EVERY LAST PATROL OFFICER'’S
WALKING THE STREETS.
459
00:23:01,249 --> 00:23:03,773
THIS LITTLE TOWN'’S
TURNED INTO A FORTRESS.
460
00:23:03,817 --> 00:23:06,689
THINK THE UNSUB
WILL BE DISCOURAGED?
461
00:23:06,733 --> 00:23:08,778
YEAH, ME, NEITHER.
462
00:23:10,911 --> 00:23:13,740
WOMAN: WELL, HOW MUCH
LONGER WILL YOU BE?
463
00:23:13,783 --> 00:23:16,917
NO, NO. I'’M JUST
MAKING UP A SPARE BED.
464
00:23:16,960 --> 00:23:18,440
TIMMY'’S SLEEPING IN
OUR ROOM TONIGHT,
465
00:23:18,484 --> 00:23:20,573
WHETHER HE LIKES IT OR NOT.
466
00:23:20,616 --> 00:23:23,358
MOM, WHY CAN'’T
I WATCH TV?
467
00:23:23,402 --> 00:23:26,187
LISTEN, I NEED TO
GET STARTED ON DINNER.
468
00:23:26,230 --> 00:23:28,102
LOVE YOU, TOO.
469
00:23:29,843 --> 00:23:31,584
[HANGS UP]
470
00:23:35,849 --> 00:23:37,372
[KNOCK ON DOOR]
471
00:23:37,416 --> 00:23:39,113
SOMEBODY'’S AT THE DOOR.
472
00:23:41,855 --> 00:23:43,422
[KNOCK ON DOOR]
473
00:23:43,465 --> 00:23:45,336
[SIGHS]
474
00:23:49,428 --> 00:23:51,212
[KNOCK ON DOOR]
475
00:24:01,483 --> 00:24:03,529
WHAT ARE YOU DOING HERE?
476
00:24:05,531 --> 00:24:07,663
[POLICE RADIO TRANSMISSIONS]
477
00:24:07,707 --> 00:24:10,013
WHAT'’S GOING ON?
478
00:24:10,057 --> 00:24:12,189
THERE'’S A DISTURBANCE
AT THE MAYOR'’S HOUSE.
479
00:24:12,233 --> 00:24:14,496
A NEIGHBOR SAID SHE
HEARD A CHILD SCREAM.
480
00:24:14,540 --> 00:24:16,498
[SIZZLING]
481
00:24:40,566 --> 00:24:42,785
REID: CALL AN AMBULANCE.
482
00:24:48,356 --> 00:24:50,053
IT'’S OK.
HELP IS ON THE WAY.
483
00:24:54,101 --> 00:24:57,234
ROSSI: AMBULANCE
IS ALMOST HERE.
484
00:24:57,278 --> 00:24:59,933
IT'’S TOO LATE.
485
00:24:59,976 --> 00:25:01,587
SHE'’S ALREADY DEAD.
486
00:25:10,160 --> 00:25:12,075
[FIRE AND RESCUE RADIO
TRANSMISSIONS]
487
00:25:17,820 --> 00:25:19,692
SIMMONS: WHAT THE
HELL HAPPENED HERE?
488
00:25:19,735 --> 00:25:22,956
MRS. TREMAINE'’S SKULL
WAS CRUSHED,
AND THE BOY'’S MISSING.
489
00:25:22,999 --> 00:25:24,348
THAT'’S A BIG CHANGE
IN M.O.,
490
00:25:24,392 --> 00:25:26,568
BUT THIS HAD TO HAVE
BEEN OUR UNSUB.
491
00:25:26,612 --> 00:25:28,396
JUDGING BY
THE VOLUME OF BLOOD,
492
00:25:28,439 --> 00:25:30,485
SHE WAS MOST LIKELY
ATTACKED HERE
AND LEFT FOR DEAD.
493
00:25:30,529 --> 00:25:32,574
BUT I THOUGHT
MRS. TREMAINE
494
00:25:32,618 --> 00:25:34,141
WAS IN THE KITCHEN
FIXING DINNER.
495
00:25:34,184 --> 00:25:36,709
THAT WAS AFTER THE ATTACK.
496
00:25:36,752 --> 00:25:38,754
COME AGAIN.
497
00:25:38,798 --> 00:25:40,756
HER NEOCORTEX WAS
DESTROYED,
498
00:25:40,800 --> 00:25:43,367
BUT HER PALEOCORTEX
MUST HAVE REMAINED INTACT.
499
00:25:43,411 --> 00:25:45,108
IT'’S THE MORE PRIMITIVE
PART OF THE BRAIN
500
00:25:45,152 --> 00:25:47,241
THAT GUIDES INSTINCT
AND HABITUAL ACTION.
501
00:25:47,284 --> 00:25:51,071
ROSSI: LIKE WHEN IT'’S
DINNERTIME, YOU GO FIX DINNER.
502
00:25:51,114 --> 00:25:55,423
OK. WELL, THAT'’S A SHARP
ESCALATION OF VIOLENCE.
503
00:25:55,466 --> 00:25:59,079
AND THE UNSUB DIDN'’T
TRY TO LURE TIMMY OUT
LIKE HE DID THE OTHERS.
504
00:25:59,122 --> 00:26:00,428
OR HE TRIED AND FAILED.
505
00:26:00,471 --> 00:26:01,603
MAN: MAYOR,
YOU CAN'’T GO IN--
506
00:26:01,647 --> 00:26:03,953
MAYOR: IT'’S MY HOUSE.
LET ME IN.
507
00:26:03,997 --> 00:26:05,651
THEY SAID, UH...
508
00:26:07,348 --> 00:26:09,002
[LABORED BREATHING]
509
00:26:15,356 --> 00:26:16,966
JOAN IS DEAD.
510
00:26:17,010 --> 00:26:18,272
MAYOR--
511
00:26:20,013 --> 00:26:21,754
WHERE'’S MY BOY?
512
00:26:28,543 --> 00:26:29,936
HE'’S GONE, ISN'T HE?
513
00:26:29,979 --> 00:26:32,460
WE'’RE GONNA FIND
YOUR SON.
514
00:26:32,503 --> 00:26:33,940
YOU HAVE MY WORD
ON THAT.
515
00:26:33,983 --> 00:26:36,856
MAYOR TREMAINE, I KNOW
IT'’S DIFFICULT
516
00:26:36,899 --> 00:26:38,379
TO THINK CLEARLY
RIGHT NOW,
517
00:26:38,422 --> 00:26:40,860
BUT IT'’S INCREDIBLY
IMPORTANT THAT WE KNOW
518
00:26:40,903 --> 00:26:42,862
IF TIMMY HAD A CELL PHONE
OR A COMPUTER.
519
00:26:42,905 --> 00:26:44,690
YEAH.
520
00:26:46,300 --> 00:26:48,389
IT'’S UPSTAIRS
IN MY OFFICE.
521
00:26:48,432 --> 00:26:49,608
IT'’S IN YOUR OFFICE?
522
00:26:49,651 --> 00:26:50,826
MAYOR: TIMMY DIDN'’T
DO HIS CHORES,
523
00:26:50,870 --> 00:26:54,047
SO WE TOOK IT AWAY
FOR A FEW DAYS.
524
00:26:54,090 --> 00:26:55,265
SIMMONS: OK.
525
00:26:55,309 --> 00:26:56,876
LET'’S GET YOU
OUT OF HERE.
526
00:26:56,919 --> 00:26:59,400
OK? COME ON.
527
00:27:03,839 --> 00:27:05,624
WELL, THAT EXPLAINS IT.
528
00:27:05,667 --> 00:27:07,147
THE KIDS ARE BEING
LURED VIA THE INTERNET,
529
00:27:07,190 --> 00:27:08,714
BUT TIMMY WAS OFFLINE.
530
00:27:08,757 --> 00:27:13,370
SO THE UNSUB GOT AN AX
AND WENT BACK TO BASICS.
531
00:27:13,414 --> 00:27:16,417
SO THE WIFE AND THE
SON OF THE MAYOR.
532
00:27:16,460 --> 00:27:17,897
THAT CAN'’T BE
A COINCIDENCE.
533
00:27:17,940 --> 00:27:19,855
YEAH, AND THE PACKET WAS
SENT TO THE TOWN NEWSPAPER.
534
00:27:19,899 --> 00:27:21,248
I MEAN, THIS UNSUB'’S
ANGER ISN'’T DIRECTED
535
00:27:21,291 --> 00:27:23,032
[CELL PHONE RINGS]AT ANY SPECIFIC PARENTS.
536
00:27:23,076 --> 00:27:25,208
HE'’S GOT A GRUDGE
AGAINST THE TOWN AS A WHOLE.
537
00:27:25,252 --> 00:27:27,210
GARCIA, WHAT HAVE
YOU GOT?
538
00:27:27,254 --> 00:27:29,865
IT TURNS OUT THAT JOEY PRYOR
AND KATIE LINZ
539
00:27:29,909 --> 00:27:32,259
TOOK A PAPIER-MACHE CLASS
TOGETHER AS PART
540
00:27:32,302 --> 00:27:33,782
OF THIS SUMMER
ACTIVITIES PROGRAM
541
00:27:33,826 --> 00:27:35,784
LOCATED AT
THE COUNTY FAIRGROUNDS.
542
00:27:35,828 --> 00:27:37,656
NOW, I KNOW WHAT YOU'’RE
THINKING, AND BEFORE YOU ASK--
543
00:27:37,699 --> 00:27:40,223
I'’M SORRY--THE INSTRUCTOR
WAS A RETIRED NURSE
544
00:27:40,267 --> 00:27:41,747
IN HER SEVENTIES.
545
00:27:41,790 --> 00:27:43,226
THAT'’S ABOUT AS UN-UNSUBBY
AS THEY COME.
546
00:27:43,270 --> 00:27:45,011
WERE THE OTHER KIDS ENROLLED?
547
00:27:45,054 --> 00:27:46,577
GARCIA: NOT IN THAT CLASS,
548
00:27:46,621 --> 00:27:48,057
BUT IN THAT ACTIVITIES
PROGRAM, YES.
549
00:27:48,101 --> 00:27:50,973
LET'’S SEE. AIDEN LYSON WAS
TAKING A WOODWORKING COURSE.
550
00:27:51,017 --> 00:27:53,628
OLIVIA WOOLSEY
WENT THE 4-H ROUTE,
LEARNING ABOUT CHICKENS.
551
00:27:53,672 --> 00:27:55,412
OK, SO THE UNSUB
CHERRY PICKED THE KIDS
552
00:27:55,456 --> 00:27:56,849
FROM THE OTHER CLASSES.
553
00:27:56,892 --> 00:27:58,851
I THINK WE JUST FOUND
OUR GUY'’S HUNTING GROUNDS.
554
00:27:58,894 --> 00:28:00,374
GARCIA: BUT I'’VE GONE
THROUGH ALL THE INSTRUCTORS,
555
00:28:00,417 --> 00:28:02,289
AND NOBODY MATCHES
THE UNSUB'’S PROFILE.
556
00:28:02,332 --> 00:28:05,422
OK, WHAT ABOUT PARENTS
OR FAIRGROUND EMPLOYEES?
557
00:28:05,466 --> 00:28:06,815
NO, NOBODY.
AND THE THING IS,
558
00:28:06,859 --> 00:28:08,295
THAT PLACE IS OPEN
TO THE PUBLIC.
559
00:28:08,338 --> 00:28:09,731
TONS OF PEOPLE GO
IN AND OUT,
560
00:28:09,775 --> 00:28:12,168
IT COULD BE PRACTICALLY
ANYBODY IN TOWN.
561
00:28:15,258 --> 00:28:18,566
WE FOUND THESE
ENCRYPTED EMAILS
IN TIMMY'’S INBOX.
562
00:28:18,609 --> 00:28:20,133
THE DATE OF
THE FIRST ONE
563
00:28:20,176 --> 00:28:22,004
IS THE NIGHT
THE 3 CHILDREN
VANISHED.
564
00:28:22,048 --> 00:28:27,009
SO TIMMY WAS MEANT
TO BE PART OF THE FIRST
GROUP OF ABDUCTIONS.
565
00:28:27,053 --> 00:28:28,619
[TAPPING]
566
00:28:28,663 --> 00:28:30,491
[INDISTINCT VOICES ON COMPUTER]
567
00:28:36,497 --> 00:28:37,846
THIS IS AN ASMR VIDEO--
568
00:28:37,890 --> 00:28:39,848
AUTONOMOUS SENSORY
MERIDIAN RESPONSE.
569
00:28:39,892 --> 00:28:41,632
IT'’S A TACTILE SENSORY
STIMULATION THAT CAN
570
00:28:41,676 --> 00:28:44,287
EVOKE LOW-GRADE EUPHORIA,
PARTICULARLY IN CHILDREN
AND YOUNG ADULTS.
571
00:28:44,331 --> 00:28:45,854
I'’VE NEVER HEARD OF IT.
572
00:28:45,898 --> 00:28:48,030
EUPHORIA. SO THAT
MUST BE THE DRUG
573
00:28:48,074 --> 00:28:50,206
THAT OUR UNSUB WAS
USING TO INDUCE
574
00:28:50,250 --> 00:28:52,513
A SUGGESTIBLE STATE
TO THE KIDS HE ABDUCTED.
575
00:28:54,341 --> 00:28:56,256
[BEEP]
576
00:28:56,299 --> 00:28:57,605
UH, WHAT JUST HAPPENED?
577
00:28:57,648 --> 00:28:59,215
I WAS AFRAID OF THIS.
578
00:28:59,259 --> 00:29:01,652
THE EMAILS ARE PROGRAMMED
TO SELF-DELETE
AFTER BEING VIEWED.
579
00:29:01,696 --> 00:29:02,958
THAT'’S WHY WE DIDN'T
FIND ANYTHING ON
THE OTHER COMPUTERS.
580
00:29:03,002 --> 00:29:06,222
OK, HE SENT 4 MORE
IDENTICAL EMAILS,
581
00:29:06,266 --> 00:29:08,485
SO WE'’LL JUST FILM
THE NEXT VIDEO
582
00:29:08,529 --> 00:29:09,878
AND HAVE A RECORD OF IT.
583
00:29:09,922 --> 00:29:11,488
TO DO THIS, THE TECHNICAL
LEVEL OF EXPERTISE
584
00:29:11,532 --> 00:29:12,838
WOULD HAVE TO BE
OFF THE CHARTS.
585
00:29:12,881 --> 00:29:14,491
I'’M TALKING
PENELOPE GARCIA LEVEL.
586
00:29:14,535 --> 00:29:16,145
CHANNING:
WELL, THAT NARROWS
THE SUSPECT POOL.
587
00:29:16,189 --> 00:29:17,407
THAT'’S GOOD, RIGHT?
588
00:29:17,451 --> 00:29:18,757
PRENTISS: YEAH, BUT IT
ALSO MEANS OUR UNSUB IS
589
00:29:18,800 --> 00:29:20,323
A LOT MORE FORMIDABLE
THAN WE THOUGHT,
590
00:29:20,367 --> 00:29:23,457
AND THAT'’S BAD.
591
00:29:23,500 --> 00:29:25,328
[TAPPING ON VIDEO]
592
00:29:27,026 --> 00:29:28,679
[CHILDREN SHUDDERING]
593
00:29:45,218 --> 00:29:47,960
[TAPPING ON VIDEO]
594
00:29:49,918 --> 00:29:52,355
EUPHORIA AIN'’T
WHAT IT USED TO BE.
595
00:29:52,399 --> 00:29:55,489
[SIGHS]
OK. WELL, LET'’S WALK
THROUGH IT.
596
00:29:55,532 --> 00:29:58,187
THE KIDS CRAWL INTO BED,
THEY GO TO SLEEP.
597
00:29:58,231 --> 00:30:00,189
PING, THEY GET AN EMAIL.
598
00:30:00,233 --> 00:30:02,191
THEY OPEN IT,
WATCH THE VIDEO,
599
00:30:02,235 --> 00:30:04,715
GO WANDERING OUT INTO
THE NIGHT TO BE TAKEN
BY A STRANGER.
600
00:30:04,759 --> 00:30:06,195
THAT FEELS LIKE
A STRETCH.
601
00:30:06,239 --> 00:30:08,197
PRENTISS: YEAH, I AGREE.
SANDPAPER, WHISPERING.
602
00:30:08,241 --> 00:30:09,982
IT'’S JUST NOT ENOUGH
TO INDUCE THE BEHAVIOR
603
00:30:10,025 --> 00:30:11,505
WE SAW ON THAT
SURVEILLANCE TAPE.
604
00:30:11,548 --> 00:30:14,551
SO SOMETHING MUST BE
ADDED TO THE MIX--
605
00:30:14,595 --> 00:30:16,553
SUBLIMINAL MESSAGING, MAYBE.
606
00:30:16,597 --> 00:30:18,686
YOU MEAN, THE OLD
"EAT POPCORN" THING,
607
00:30:18,729 --> 00:30:20,383
BECAUSE THAT TURNED
OUT TO BE A HOAX.
608
00:30:20,427 --> 00:30:22,211
PRENTISS: WELL, THEY
WEREN'’T ALL HOAXES.
609
00:30:22,255 --> 00:30:25,214
IT'’S A SERIOUS ENOUGH
PHENOMENON THAT
SUBLIMINAL ADVERTISING'’S
610
00:30:25,258 --> 00:30:26,737
BEEN BANNED IN THE U.K.
611
00:30:26,781 --> 00:30:28,870
ALVEZ: THAT MIGHT EXPLAIN
THE PAPIER-MACHE.
612
00:30:28,914 --> 00:30:30,306
IT'’S A TACTILE,
IMMERSIVE ACTIVITY
613
00:30:30,350 --> 00:30:31,655
[CELL PHONE RINGS]
614
00:30:31,699 --> 00:30:32,874
LIKE FINGER-PAINTING
OR WORKING A POTTER'’S WHEEL.
615
00:30:32,918 --> 00:30:34,745
GIVE US SOMETHING
GOOD, GARCIA.
616
00:30:34,789 --> 00:30:37,792
OK, I WENT THROUGH
THE ASMR VIDEO
617
00:30:37,836 --> 00:30:40,577
FOR SUB-VISUAL CLUES. NADA.
618
00:30:40,621 --> 00:30:43,406
THEN I LOOKED FOR
SUB-AUDIO CLUES,
619
00:30:43,450 --> 00:30:44,973
AND I FOUND THIS
RUNNING THROUGHOUT.
620
00:30:45,017 --> 00:30:48,542
[SQUEAKING ON VIDEO]
621
00:30:48,585 --> 00:30:52,154
THAT'’S LIKE THE BACK AND FORTH
OF A PLAYGROUND SWING.
622
00:30:52,198 --> 00:30:54,461
ALVEZ: IT MIGHT BE THE
UNSUB'’S SUBLIMINAL MESSAGE
623
00:30:54,504 --> 00:30:56,245
TO THE KIDS ON
WHERE TO GO.
624
00:30:56,289 --> 00:30:57,464
GARCIA: AND AT
NO ADDITIONAL COST
625
00:30:57,507 --> 00:30:59,031
TO THE AMERICAN TAXPAYER,
626
00:30:59,074 --> 00:31:00,728
I SCANNED FOR BACK MASKING,
627
00:31:00,771 --> 00:31:02,904
WHICH IS MESSAGES
PLAYED BACKWARDS
628
00:31:02,948 --> 00:31:05,037
OR UNDER OTHER AUDIO
TRACKS, YOU KNOW LIKE,
629
00:31:05,080 --> 00:31:06,299
"I BURIED PAUL."
630
00:31:06,342 --> 00:31:08,649
[IMITATES LIVERPOOL ACCENT]
AND I FOUND THIS.
631
00:31:08,692 --> 00:31:12,914
MAN: HAMELIN.
HAMELIN.
632
00:31:12,958 --> 00:31:15,090
HAMELIN.
633
00:31:15,134 --> 00:31:18,485
IS THAT HAMELIN?
634
00:31:18,528 --> 00:31:20,052
OF "PIED PIPER" FAME.
635
00:31:20,095 --> 00:31:22,663
HE PLAYED A FLUTE
AND LURED
THE TOWN'’S CHILDREN
636
00:31:22,706 --> 00:31:24,317
FROM THEIR HOMES.
637
00:31:24,360 --> 00:31:27,233
THE UNSUB MUST SEE HIMSELF
AS A 21st-CENTURY
VERSION OF THAT,
638
00:31:27,276 --> 00:31:29,757
EXCEPT HE TRADED IN
THE FLUTE FOR A LAPTOP.
639
00:31:29,800 --> 00:31:31,019
GARCIA: GUYS, I THINK
I BLOCKED IT OUT
640
00:31:31,063 --> 00:31:32,760
AND I'’M NOT SURE I WANT
TO UNBLOCK IT BACK IN,
641
00:31:32,803 --> 00:31:34,936
BUT WHAT EVENTUALLY
HAPPENED TO THE KIDS
FROM HAMELIN?
642
00:31:34,980 --> 00:31:37,983
THEY WERE ALL LED
TO A RIVERBANK
AND DROWNED.
643
00:31:44,424 --> 00:31:46,948
LEWIS: HE HAD THESE KIDS
RIGHT WHERE HE WANTED THEM.
644
00:31:46,992 --> 00:31:49,646
ASMR, SUSCEPTIBILITY
TO TACTILE STIMULATION,
645
00:31:49,690 --> 00:31:50,952
SUBLIMINAL MESSAGING,
646
00:31:50,996 --> 00:31:52,693
PLUS, THEY'’RE AT
THE MOST VULNERABLE AGE
647
00:31:52,736 --> 00:31:54,303
FOR PSYCHOLOGICAL
MANIPULATION.
648
00:31:54,347 --> 00:31:55,914
A PERFECT STORM.
WHAT HAVE YOU GOT?
649
00:31:55,957 --> 00:31:58,220
EMPLOYMENT RECORDS
FOR THE SUMMER
ACTIVITIES PROGRAM.
650
00:31:58,264 --> 00:32:00,527
THE FIRST SET OF
PAYROLL CHECKS WERE
ISSUED ON JUNE 15th,
651
00:32:00,570 --> 00:32:02,007
EXCEPT FOR ONE.
652
00:32:02,050 --> 00:32:04,487
THE COMPUTER TEACHER
DIDN'’T GET HERS
UNTIL JULY 8th.
653
00:32:04,531 --> 00:32:06,750
I LOOKED BACK,
DISCOVERED THAT
THE ORIGINAL TEACHER,
654
00:32:06,794 --> 00:32:09,188
WAYNE HOLLIS, WAS
FIRED AFTER ONLY
3 WEEKS ON THE JOB
655
00:32:09,231 --> 00:32:11,190
FOR SUSPECTED
INAPPROPRIATE BEHAVIOR
WITH THE STUDENTS.
656
00:32:11,233 --> 00:32:14,323
LEWIS: I THINK THAT
THUD WE JUST HEARD IS A DART
HITTING A BULL'’S-EYE.
657
00:32:14,367 --> 00:32:16,151
WHAT KIND OF
INAPPROPRIATE BEHAVIOR?
658
00:32:16,195 --> 00:32:18,545
REID: UNDETERMINED
AND MAYBE NONEXISTENT.
659
00:32:18,588 --> 00:32:21,504
APPARENTLY, HE WOULD
MEET WITH CHILDREN
AFTER SCHOOL
660
00:32:21,548 --> 00:32:23,680
TO TEACH THEM THINGS,
SOMETIMES AT
THE PARK OR IN THE MALL.
661
00:32:23,724 --> 00:32:26,031
ANYWAY, THE PARENTS
FOUND OUT, THEY
STARTED TALKING,
662
00:32:26,074 --> 00:32:27,946
THINGS SNOWBALLED,
AND PEOPLE WONDERED
663
00:32:27,989 --> 00:32:29,295
IF HE WAS
MOLESTING THEM.
664
00:32:29,338 --> 00:32:31,166
SO ONCE THE GOSSIP
MACHINE REVVED UP,
665
00:32:31,210 --> 00:32:32,689
IT DIDN'’T SLOW DOWN.
666
00:32:32,733 --> 00:32:33,995
I BET YOU THE PARENTS
OF SOME OF THESE
ABDUCTED CHILDREN
667
00:32:34,039 --> 00:32:35,518
WERE RIGHT IN THE MIDDLE,
STIRRING THE POT.
668
00:32:35,562 --> 00:32:36,867
DOES HOLLIS
HAVE A REGULAR JOB?
669
00:32:36,911 --> 00:32:38,260
HE DOES. HE'’S
A RESEARCH CONSULTANT
670
00:32:38,304 --> 00:32:39,522
AT A HI-TECH FIRM
IN DES MOINES.
671
00:32:39,566 --> 00:32:40,654
HE'’S ALSO
A SINGLE FATHER
672
00:32:40,697 --> 00:32:41,916
TO A 15-YEAR-OLD
SON NAMED GARRETT.
673
00:32:41,960 --> 00:32:43,135
GARCIA HAS THE ADDRESS.
674
00:32:43,178 --> 00:32:44,179
I'’LL SEND LUKE AND DAVE.
675
00:32:44,223 --> 00:32:45,920
[SWING SET SQUEAKING]
676
00:33:07,463 --> 00:33:09,770
HOLLIS'’ UTILITY BILL
HASN'’T BEEN PAID
IN TWO MONTHS,
677
00:33:09,813 --> 00:33:12,120
AND THE TEENAGER,
GARRETT, HASN'’T BEEN
TO CLASS IN 3 WEEKS.
678
00:33:12,164 --> 00:33:14,296
FATHER AND SON
JUST PACKED UP AND LEFT?
679
00:33:14,340 --> 00:33:15,819
MAYBE. GARRETT WAS
RIDICULED AT SCHOOL
680
00:33:15,863 --> 00:33:17,865
FOR THE MOLESTATION
RUMORS SURROUNDING
HIS FATHER.
681
00:33:17,908 --> 00:33:19,649
THE ADVISOR SAID HE WAS
WORRIED ABOUT THE KID
682
00:33:19,693 --> 00:33:22,087
THAT HE WAS
SPIRALING DOWN.
683
00:33:26,961 --> 00:33:30,399
OHH, WHAT A CUTE BABY.
684
00:33:30,443 --> 00:33:32,053
THANK YOU.
685
00:33:32,097 --> 00:33:35,404
HOW OLD IS HE?
OR IS IT A SHE?
686
00:33:35,448 --> 00:33:38,103
HE'’S A LITTLE BOY,
AND HE'’S ALMOST 8 MONTHS OLD.
687
00:33:38,146 --> 00:33:42,716
IT'’S HARD TO BELIEVE
THAT PEOPLE WERE
EVER SO INNOCENT,
688
00:33:42,759 --> 00:33:44,500
SO PURE
689
00:33:44,544 --> 00:33:47,329
AND UNTAINTED.
690
00:33:48,983 --> 00:33:50,985
WHY DO YOU HURT HIM?
691
00:33:51,029 --> 00:33:51,986
PARDON ME?
692
00:33:52,030 --> 00:33:53,509
WHY HURT YOUR BOY?
693
00:33:53,553 --> 00:33:55,250
WHY DO SUCH TERRIBLE,
694
00:33:55,294 --> 00:33:59,124
UNTHINKABLE
THINGS TO HIM?
695
00:33:59,167 --> 00:34:01,430
BECAUSE THAT'’S
WHAT I HEARD
696
00:34:01,474 --> 00:34:05,695
FROM YOUR NEIGHBORS,
YOUR FRIENDS,
697
00:34:05,739 --> 00:34:08,176
THE PEOPLE YOU THOUGHT
YOU COULD TRUST,
698
00:34:08,220 --> 00:34:12,180
THE SAME WAY ALL OF YOU
TALKED ABOUT ME.
699
00:34:12,224 --> 00:34:13,616
LEAVE ME ALONE.
700
00:34:13,660 --> 00:34:14,922
[WOMAN SCREAMS]
701
00:34:14,965 --> 00:34:16,097
STAY PUT.
702
00:34:16,141 --> 00:34:18,012
DO NOT MOVE. STOP!
703
00:34:18,056 --> 00:34:19,448
[CRYING]
704
00:34:19,492 --> 00:34:20,971
HOLLIS: ANY OF YOU MOVE,
I KILL HER.
705
00:34:21,015 --> 00:34:22,277
PLEASE DON'’T HURT ME!
706
00:34:22,321 --> 00:34:23,278
HOLLIS: DO NOT MOVE A STEP!
707
00:34:23,322 --> 00:34:24,845
SO THE HOLLIS HOUSE
WAS EMPTY?
708
00:34:24,888 --> 00:34:27,021
YEAH, EXCEPT FOR A CHAIR
THAT WAS KNOCKED OVER
709
00:34:27,065 --> 00:34:28,414
IN THE MIDDLE OF
THE LIVING ROOM.
710
00:34:28,457 --> 00:34:29,806
LIKE THERE'’D BEEN A STRUGGLE?
711
00:34:29,850 --> 00:34:31,199
THAT'’S WHAT WE THOUGHT,
712
00:34:31,243 --> 00:34:33,332
AND THEN LOOKED UP
AT THE CEILING.
713
00:34:33,375 --> 00:34:36,074
IT WAS HUNG OVER
A ROOF BEAM.
714
00:34:36,117 --> 00:34:38,467
MATT SAID THAT HOLLIS'’
SON GARRETT HAD BEEN TEASED
715
00:34:38,511 --> 00:34:41,731
AND TORMENTED
IN SCHOOL OVER RUMORS
SURROUNDING HIS FATHER.
716
00:34:41,775 --> 00:34:43,081
GARRETT MUST HAVE
HUNG HIMSELF.
717
00:34:43,124 --> 00:34:44,647
HIS FATHER FOUND HIM
AND CUT HIM DOWN.
718
00:34:44,691 --> 00:34:45,909
AND BURIED HIM.
719
00:34:45,953 --> 00:34:47,346
THERE WAS FRESHLY
TURNED DIRT IN THE BACKYARD.
720
00:34:47,389 --> 00:34:48,825
IT'’S BEING EXCAVATED
AS WE SPEAK.
721
00:34:48,869 --> 00:34:51,350
WE HAVE
A HOSTAGE SITUATION
IN LEGACY PARK.
722
00:34:51,393 --> 00:34:53,178
TARA AND MATT
ARE IN THE AREA.
723
00:35:00,533 --> 00:35:02,970
HOLLIS: I'’M SERIOUS.
DON'’T MOVE, PEOPLE!
724
00:35:03,013 --> 00:35:06,234
DO NOT MOVE!
RUN AWAY, I KILL HER.
725
00:35:06,278 --> 00:35:08,671
WAYNE HOLLIS, FBI.
726
00:35:08,715 --> 00:35:10,760
LET HER GO.
DROP THE WEAPON.
727
00:35:10,804 --> 00:35:11,935
HOLLIS: NO, NO, NO, NO.
728
00:35:11,979 --> 00:35:14,503
EVERYBODY IN THIS TOWN
TALKS EXCEPT ME.
729
00:35:14,547 --> 00:35:18,028
GOSSIP, RUMOR,
INNUENDO.
730
00:35:18,072 --> 00:35:20,770
YOU THINK I HURT
YOUR CHILDREN,
731
00:35:20,814 --> 00:35:23,164
BUT I DIDN'’T.
732
00:35:23,208 --> 00:35:25,166
IT WAS A LIE.
733
00:35:25,210 --> 00:35:27,821
WE KNOW ABOUT
YOUR SON, WAYNE.
734
00:35:27,864 --> 00:35:29,431
THINK ABOUT GARRETT.
735
00:35:29,475 --> 00:35:31,477
THIS IS NOT HOW HE'’D
WANT YOU TO REACT.
736
00:35:31,520 --> 00:35:33,348
IT DOESN'’T MATTER
WHAT GARRETT WANTS
OR DOESN'’T WANT.
737
00:35:33,392 --> 00:35:34,697
HE'’S DEAD,
738
00:35:34,741 --> 00:35:36,917
BECAUSE OF YOU,
739
00:35:36,960 --> 00:35:38,571
ALL OF YOU.
740
00:35:38,614 --> 00:35:41,356
HE HAD HOPES
AND DREAMS,
741
00:35:41,400 --> 00:35:44,620
AND YOU TOOK IT ALL
AWAY WITH YOUR LIES.
742
00:35:44,664 --> 00:35:46,361
LIES!
743
00:35:46,405 --> 00:35:51,018
WELL, NOW I'’M
TAKING SOMETHING
AWAY FROM YOU.
744
00:35:51,061 --> 00:35:53,934
BY THE TIME YOU FIND
YOUR CHILDREN,
745
00:35:53,977 --> 00:35:56,676
IT'’LL BE TOO LATE.
746
00:35:56,719 --> 00:35:58,721
AND THAT WILL
HAUNT YOU
747
00:35:58,765 --> 00:36:01,637
FOR THE REST
OF YOUR LIVES.
748
00:36:03,291 --> 00:36:04,597
SIMMONS: NO!
[GUNSHOT]
749
00:36:12,561 --> 00:36:14,650
[SIGHS]
NO WALLET.
750
00:36:14,694 --> 00:36:16,391
POCKETS ARE EMPTY.
751
00:36:16,435 --> 00:36:18,567
WHAT IS IT?
752
00:36:18,611 --> 00:36:22,223
WELL, I DON'’T KNOW.
753
00:36:22,267 --> 00:36:24,660
IT'’S UNLIKE ANY MUD
I'’VE EVER SEEN.
754
00:36:24,704 --> 00:36:26,358
LET'’S GET A RUSH
ANALYSIS ON THAT.
755
00:36:32,755 --> 00:36:34,888
WOMAN: HERE YOU GO,
AGENT.
756
00:36:34,931 --> 00:36:36,585
THANK YOU.
757
00:36:36,629 --> 00:36:38,326
LAB RESULTS ON THE MUD.
758
00:36:38,370 --> 00:36:41,242
AND?
SAMPLE CONTAINS LARGE
AMOUNTS OF PROTEASES.
759
00:36:41,286 --> 00:36:42,809
AND?
PROTEOLYTIC ENZYMES.
760
00:36:42,852 --> 00:36:44,506
THEY BREAK DOWN
THE PEPTIDE BONDS
761
00:36:44,550 --> 00:36:46,160
BETWEEN
AMINO ACIDS FOUND
IN COMPLEX PROTEINS.
762
00:36:46,204 --> 00:36:47,901
IT'’S COMMONLY FOUND
IN MEAT TENDERIZERS.
763
00:36:47,944 --> 00:36:49,468
GARCIA.
764
00:36:49,511 --> 00:36:50,860
UH...
765
00:36:50,904 --> 00:36:52,732
GOT IT. GREAT PLAINS
MEAT TENDERIZER.
766
00:36:52,775 --> 00:36:55,517
THE COMPANY WAS BASED
OUT OF WESSER, IOWA,
767
00:36:55,561 --> 00:36:56,997
UNTIL IT WENT OUT
OF BUSINESS 20 YEARS AGO.
768
00:36:57,040 --> 00:36:58,825
I'’M SENDING THE ADDRESS NOW.
769
00:37:12,882 --> 00:37:14,754
ANYBODY IN THERE?
770
00:37:14,797 --> 00:37:16,451
AIDEN, OLIVIA, JOEY.
771
00:37:16,495 --> 00:37:18,148
NOW, THIS UNIT'’S
LOCKED UP TIGHT.
772
00:37:18,192 --> 00:37:19,976
KIDS, WE'’RE THE POLICE.
773
00:37:20,020 --> 00:37:21,413
YOU'’RE OK NOW.
774
00:37:21,456 --> 00:37:22,631
ROSSI: THERE'’S GONNA
BE A LOUD NOISE.
775
00:37:22,675 --> 00:37:24,285
WE NEED TO KNOCK
THE LOCK OFF THE DOOR.
776
00:37:24,329 --> 00:37:26,156
ALL RIGHT. WATCH OUT.
777
00:37:33,207 --> 00:37:35,122
HEY. LOOK AT ME.
778
00:37:35,165 --> 00:37:37,167
WE'’RE HERE TO HELP YOU.
779
00:37:37,211 --> 00:37:39,474
SIMMONS: HEY, JOEY,
WE GOT YOU. COME ON.
780
00:37:39,518 --> 00:37:41,128
ALL RIGHT.
781
00:37:46,873 --> 00:37:48,831
[POLICE RADIO TRANSMISSIONS]
782
00:38:07,197 --> 00:38:10,157
NO CHANCE I CAN
CHANGE YOUR MIND?
783
00:38:10,200 --> 00:38:11,898
MM. NO, SWEETHEART.
784
00:38:11,941 --> 00:38:13,552
I NEED TO GO HOME.
785
00:38:13,595 --> 00:38:15,684
I REALLY WISH YOU'’D STAY.
786
00:38:17,817 --> 00:38:20,950
YOU EVER PROJECT
YOURSELF INTO THE FUTURE?
787
00:38:20,994 --> 00:38:23,431
HOW DO YOU MEAN?
788
00:38:23,475 --> 00:38:26,173
IMAGINE WHAT YOUR
LIFE'’S GONNA LOOK LIKE
789
00:38:26,216 --> 00:38:28,654
DOWN THE ROAD,
BUT REALLY SEE IT,
790
00:38:28,697 --> 00:38:32,701
LIKE IT'’S A MOVIE
AND YOU'’RE SITTING IN
THE THEATER WATCHING.
791
00:38:32,745 --> 00:38:36,009
I GUESS I'’VE ALWAYS
JUST BEEN
792
00:38:36,052 --> 00:38:38,490
TOO WRAPPED UP IN
THE CRAZINESS OF NOW.
793
00:38:38,533 --> 00:38:40,318
YEAH.
794
00:38:40,361 --> 00:38:42,842
WHEN I WAS YOUNGER,
795
00:38:42,885 --> 00:38:47,063
I PLAYED THIS
MOVIE IN MY HEAD
ALL THE TIME.
796
00:38:47,107 --> 00:38:51,154
YOU AND ROZ
ALL GROWN.
797
00:38:51,198 --> 00:38:54,723
YOUR DAD AND I
IN A HOUSE OUT IN
THE COUNTRY,
798
00:38:54,767 --> 00:38:57,770
GRANDKIDS RUNNING
ALL AROUND,
799
00:38:57,813 --> 00:39:00,338
FOOD COOKING
IN THE KITCHEN.
800
00:39:01,774 --> 00:39:03,602
THAT SOUNDS NICE.
801
00:39:03,645 --> 00:39:08,868
YEAH. EXCEPT IT WAS
ALL MAKE-BELIEVE.
802
00:39:08,911 --> 00:39:11,610
AFTER ROZ DIED,
I THREW THAT
STUPID MOVIE
803
00:39:11,653 --> 00:39:14,656
IN THE TRASH FOR GOOD.
804
00:39:14,700 --> 00:39:17,137
I BLAMED YOUR FATHER.
805
00:39:17,180 --> 00:39:19,139
I BLAMED MYSELF.
806
00:39:19,182 --> 00:39:23,448
I BLAMED THE WHOLE
DAMN WORLD.
807
00:39:23,491 --> 00:39:26,320
I GOT SO CAUGHT UP
IN ALL MY TROUBLES
808
00:39:26,364 --> 00:39:30,237
THAT I FORGOT THERE
WAS ANOTHER LITTLE
GIRL UNDER MY ROOF
809
00:39:30,280 --> 00:39:34,415
WHO HAD JUST LOST
HER SISTER.
810
00:39:34,459 --> 00:39:37,157
YOU NEEDED ME,
AND I WASN'’T THERE.
811
00:39:42,205 --> 00:39:43,772
YOU DID THE BEST YOU COULD.
812
00:39:43,816 --> 00:39:47,036
NO. NO, I DID NOT
DO MY BEST,
813
00:39:47,080 --> 00:39:49,082
AND I REALIZE THAT NOW,
814
00:39:49,125 --> 00:39:52,259
AND I AM TRULY SORRY.
815
00:39:52,302 --> 00:39:53,826
MOM.
816
00:39:53,869 --> 00:39:55,436
[SNIFFLES]
817
00:39:55,480 --> 00:39:58,178
NOW WE KNOW THE TRUTH
ABOUT ROZ.
818
00:39:58,221 --> 00:40:00,876
YES. THANKS TO YOU.
819
00:40:00,920 --> 00:40:04,837
I'’M PROUD OF YOU.
820
00:40:04,880 --> 00:40:07,405
I DON'’T THINK I'VE
EVER TOLD YOU THAT.
821
00:40:09,058 --> 00:40:10,669
EVERY MORNING
YOU GET UP
822
00:40:10,712 --> 00:40:12,497
AND YOU GO TO WORK,
AND YOU MAKE
823
00:40:12,540 --> 00:40:14,368
A DIFFERENCE IN
PEOPLE'’S LIVES.
824
00:40:14,412 --> 00:40:18,981
YOU LOOK IN THOSE
FOLDERS SO THE REST
OF US DON'’T HAVE TO.
825
00:40:19,025 --> 00:40:21,201
[SNIFFLES]
826
00:40:21,244 --> 00:40:23,508
THANKS, MOM.
827
00:40:23,551 --> 00:40:27,120
THAT MEANS MORE THAN
YOU'’LL EVER KNOW.
828
00:40:30,732 --> 00:40:31,777
MAN: THIS WAY.
829
00:40:31,820 --> 00:40:34,040
DIFFERENT MAN:
OVER HERE. RIGHT HERE.
830
00:40:34,083 --> 00:40:36,869
[INDISTINCT CONVERSATIONS]
831
00:40:36,912 --> 00:40:41,613
GIRL: DAD, IT'’S OK. I'M OK.
832
00:40:50,839 --> 00:40:52,537
A LOT OF WOUNDS TO HEAL,
833
00:40:52,580 --> 00:40:54,713
BUT IT'’S STARTED.
834
00:40:54,756 --> 00:40:56,497
I MISSED
YOU GUYS!
835
00:41:01,763 --> 00:41:02,938
LET'’S HEAD HOME.
836
00:41:06,681 --> 00:41:08,640
PRENTISS: "IT ISN'’T WHAT
THEY SAY ABOUT YOU,
837
00:41:08,683 --> 00:41:10,250
IT'’S WHAT THEY WHISPER."
838
00:41:10,293 --> 00:41:11,904
ERROL FLYNN.
839
00:41:11,947 --> 00:41:13,471
I'’M SO HAPPY
TO HEAR THAT.
840
00:41:13,514 --> 00:41:14,820
AND WHERE'’S YOUR MOM NOW?
841
00:41:14,863 --> 00:41:16,822
JJ: OH, SHE'’S SAYING
GOOD-BYE TO GARCIA.
842
00:41:16,865 --> 00:41:20,173
SHE WANTS ME
TO DRIVE HER BACK TO
PENNSYLVANIA TONIGHT.
843
00:41:20,216 --> 00:41:21,609
WELL, GIVE HER MY LOVE.
844
00:41:21,653 --> 00:41:23,872
YEAH, I WILL.
845
00:41:23,916 --> 00:41:27,136
UH, SPENCE, HAVE YOU...
846
00:41:27,180 --> 00:41:29,791
HAVE YOU EVER PROJECTED
YOURSELF
847
00:41:29,835 --> 00:41:32,315
INTO AN IMAGINED FUTURE?
848
00:41:32,359 --> 00:41:34,317
YOU KNOW, GIVEN THAT
PARTICLES CAN TRAVEL
849
00:41:34,361 --> 00:41:35,884
FASTER THAN
THE SPEED OF LIGHT,
850
00:41:35,928 --> 00:41:38,017
IT'’S ALWAYS KIND OF
FELT LIKE POINTLESS
SPECULATION.
851
00:41:38,060 --> 00:41:41,194
YOU'’D HAVE TO,
OBVIOUSLY, SOLVE
THAT FIRST.
852
00:41:41,237 --> 00:41:43,370
MM. YEAH, YEAH.
YOU'’RE RIGHT.
853
00:41:43,413 --> 00:41:45,677
WE WOULD DEFINITELY HAVE
TO SOLVE THAT FIRST.
854
00:41:45,720 --> 00:41:48,201
BUT TO ANSWER
YOUR QUESTION,
855
00:41:48,244 --> 00:41:51,726
YES, I ACTUALLY
HAVE 3 OR 4
IMAGINED FUTURES.
856
00:41:51,770 --> 00:41:53,336
REALLY?
857
00:41:53,380 --> 00:41:54,512
YOU SOUND SURPRISED.
858
00:41:54,555 --> 00:41:58,385
I AM.
859
00:41:58,428 --> 00:42:00,605
TELL ME ABOUT
IT SOMEDAY.
860
00:42:00,648 --> 00:42:02,041
IT'’S A DATE.
861
00:42:02,084 --> 00:42:03,956
OK.
862
00:42:06,872 --> 00:42:10,223
SO I HAVE A PROPOSAL.
863
00:42:10,266 --> 00:42:14,183
LET'’S POSTPONE
EAST ALLEGHENY FOR A DAY,
864
00:42:14,227 --> 00:42:17,535
AND WE TAKE THAT DRIVE
TO OCEAN CITY TOMORROW.
865
00:42:17,578 --> 00:42:19,537
YOU SURE?
866
00:42:19,580 --> 00:42:21,060
YEAH. WHY NOT?
867
00:42:21,103 --> 00:42:22,975
LET'’S DO IT.
868
00:42:23,018 --> 00:42:26,021
ALL RIGHT.
869
00:42:26,065 --> 00:42:28,676
DO YOU THINK THAT
SEAFOOD RESTAURANT'’S
STILL THERE?
870
00:42:28,720 --> 00:42:31,200
OH, YEAH,
WE COULD CHECK.
871
00:42:31,244 --> 00:42:34,029
I THINK I'’VE HELPED
SAVE ENOUGH LIVES TODAY.
872
00:42:34,073 --> 00:42:36,641
I WANT A LOBSTER DO-OVER.
873
00:42:51,917 --> 00:42:53,875
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.
874
00:42:53,919 --> 00:42:55,921
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
61281
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