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Hey guys it's Ricky here I am doing a reshoot of my original video that
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Add something like 1.8 million
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I'm wondering if I could get it down in less time and also be a little bit more conc
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Myself had a few
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List to be able to
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Just go over the information and the questions
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When's the evidence
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I just
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Explain a few things
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Yeah about the nature
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Picture of the Frat
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We have
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What's the South
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East and west
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Best quality to the Fret
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But it is a two-dimensional
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Framework that we have to visual
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It's not as easy on guitar as it is on piano
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Piano has an easy
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Time for us to know where the notes are not
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Take your time but there are
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Watson's in here they are hidden in here
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That is my mission
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When is to find these hidden Pat
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And Cher
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I'm with you guys
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Now in my original video
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Some people did not see the value in
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But there are a couple of lessons that are going to be coming up
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They're going to show you the value of understanding
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Is CNY
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Super
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Want to learn
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So what we're going to do is we're going to move from the thick strings
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Over to the thin strings but first I need to talk about how the guitar is
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Is tuned if we look at our standard
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Set tuning
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And we look
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The
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Two
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What's the e to the
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If I go e
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You can see I've gone through my
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Musical alphabet and I've gone
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Answer the air
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Which is the next note in the
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Christopher guitar
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This distance
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Difference between the
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Be on the air
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This is
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Put a perfect
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I'm
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Put
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I'd like to show you that that
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For in between there that e and that
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We have a
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That's always going to be the case no matter where you go
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Turn on the string look at this a
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This is going to happen
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Again look
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Let's just write it out
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Play this framework
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Exist
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What's the pay
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You can't just ignore it
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Because what this is going to do
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It's going to give you a way to navigate
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Across the
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Play not just down this way and up this way remember
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This is down cuz
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This is pitch these are the low
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Is she fat
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Can you press on
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You go higher than what
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Google find is the sound
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And look at the letters the
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What is it going to
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Sequence as well so this is up
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This is down
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We can see the a to the D it's always going to be
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Play a fourth as well so we'll put that
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At 4:00 then you can see
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Be there on the E&E
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Is Andy
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It's just
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Repeat yourself it's a reliable
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Thumbs up all the time
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Let's move from the D to the G here you got a d e
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What's the end of our Musical
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Alphabet that
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That's a g
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D
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And you can see that go
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Is it for again
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That's another perfect
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Four
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But here's
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Set the problem
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If I start on
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Turn on the G and I got a g back to the beginning of the musical alphabet a
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Over
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I don't get
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I go up three
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That's because the G
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What is the bee is tuned in a
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We're just going to put that there
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What we need to do is we need to
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Need to
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To keep
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Is perfect
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Set moving
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What's the
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And we do that by adding
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Put frat when we
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Turn the G to the
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You'll see why that's important as we go through
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Let's do the lost two strings and they are
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CD
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You can see it's
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You can fall to get there cuz we are back on
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The perfect
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Pizza G is a
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What's g2b is
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Is a major third
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On B2
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Who's the fourth this introduces what I call
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The king in the tuning
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The reason we want to iron out the kink in the TuneIn so that it works like a fourth is so that we can maintain
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Change something called
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The circle of
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And then you will see how the Guitar Works
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Books in the
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The cycle of fifths
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Can Liverpool
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Hood people say yeah well you can think of it that way but we will be coming from
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From the thin
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When we usually work
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With scales
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We generally start on the lower strings and work
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Across from
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Six strings to
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So the cycle
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Let's just live there but it's not
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What's it called if we think about the
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Are the circular
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As working
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Put guitar
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Can you will not go far wrong
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So now that we have established
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Then what I want to do is show you
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Patton what we're going to do
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Is use all these
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Natural notes now there is one key that has all the
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Natural notes in it which means
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Is no
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Stop all Flats
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What's the key of
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Off C
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If we have C major
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Is C
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E f g a b
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We get these
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Specific note say a notice no Sharps no Flats
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Get to those
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By using just these natural not
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But we should be able to build all the cars and all the scales
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Was that you need
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Need to build the key of
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The manager everything is included in these
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Natural notes but what's happened is those notes have been shuffled up
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Buy this circle of fourths and if we take these notes in the circle
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And we put them into a more useful pattern using these seven letters then we get
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A a
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Little mnemonic here
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This little pattern
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Become super important
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Because
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This is also the
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What's in order in a key signatures
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And if we go this way it is the order of the sharps in
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So this little mnemonic that I'm going to show you is absolutely wonderful let me explain the mnemonic it's
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Story and the story is
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Battle
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Charles
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Some people
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Don't seem to like
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Play story but there's a reason I tell it because it is
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Is a palindrome
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Please explain that
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Set the
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Let's go in this order battle ends and down
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Most Charles's father
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If we say the mnemonic backwards we get Father Charles goes down and
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Don't end
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Will we get a story
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When we say forwards and when we say backward
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So that is the order of
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The Champs going
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The book for the purposes of
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My Guitar
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Navigation what we need to do is apply battle ends and down goes Charles's father across the neck
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Make strings
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To thin Str
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We have some rules
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And you will find those rules in the PDF that you can download in the video
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Description
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But the main thing is
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Place that you memorize this mnemonic
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Shuffle ends on down
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Most Charles's father
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It will become apparent when you
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Start to go across
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Connect bottle ends and down goes
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Closest father
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Is the cool way for you to remember
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You can see there's no shops off Lots in here so this
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Completely relating
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Link to the guitar
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So the first rule is
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When we go from
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Need to be
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We compensate by going
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What fret
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We compensate and that means we go up one fret
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To get back in line with our perfect
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The second rule is
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Is when we get to the end of the mnemonic
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How to put
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A compensation on there so end of the demon
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When we go from the F to the B again we have to add one
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This means that we get an anomaly where we have to
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What to do a double compensation that will throw you out if you don't see it and I will show you that in a moment the next thing
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Sing I need to show you is where all these live
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I mean it makes sense
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To pick
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A really obvious
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Is spots that is already
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Repeat spelling out a mnemonic
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And we can see it here at the 7th fret of mentioned
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Is the seventh fret help
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I want you to get a
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Repeat on where you are halfway up the neck
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So if we do that one there we get B
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Fossil ends and down now look
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Here is the king king the tuning in
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G2
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We we have to compensate
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It's stay on track
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That means I get this little angle that goes off there that helps me to compensate but it means I can keep my
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Scotland's I'm down goes
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Who is Father Naman
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Take to help
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Play go all the way across
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Battle
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On down
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I'm back on track again because I'm back on
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A perfect
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False
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Sing wonderful
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But what happens when you don't start on a b
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Good question let me just start on this G here goes Charles's father you can see
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Because we're in between
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The D and the
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Repeat string and that is a perfect fourth we have to compensate once
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But because we are going from the
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Beats the b-string here what we have to do is
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What is compensate again
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And that means we go down here and if you notice girls Charles's father
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Can you start the mnemonic again we go battle
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And then scooting over there we get
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Say all begin
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Ends again
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Let's start on this 5th
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I'm down goes Charles
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Is compensate to get their father
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We've got
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Open say
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Thanks again now so we got I'm down
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Is father I just highlight this on its own there
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Just to show you that
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Just starting
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Is the same on this string in the Stream because
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Easter eggs in the mirror
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Here's a nice easy one to spot at the
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American Freight bottle ends
287
00:09:37,279 --> 00:09:38,815
We've got a compensate because we're going
288
00:09:39,071 --> 00:09:44,959
In between the G and the B string but then we're back on track with anemic battle ends and down goes
289
00:09:45,727 --> 00:09:47,775
Sometimes you get these little or
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00:09:48,031 --> 00:09:49,055
Listen to notes and you think to
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00:09:49,311 --> 00:09:50,847
Where the heck is that come from
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00:09:51,103 --> 00:09:51,871
Well that's just
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00:09:52,127 --> 00:09:52,895
Father
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00:09:53,151 --> 00:09:55,711
You can see the father of that to get back on track
295
00:09:55,967 --> 00:09:58,271
We have to do this second compensation which is
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00:09:58,527 --> 00:09:59,807
Which is f2b without
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00:10:00,063 --> 00:10:00,575
Is one
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00:10:01,087 --> 00:10:01,599
Play crossover
299
00:10:01,855 --> 00:10:04,415
The tuning of the guitar itself
300
00:10:04,671 --> 00:10:09,023
Actually spells this out because if we start on the B string here battle
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00:10:09,279 --> 00:10:11,839
And because this is an e and it's in that
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00:10:14,143 --> 00:10:16,191
Ends and down
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00:10:16,447 --> 00:10:17,471
Does we get the Naman
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00:10:17,727 --> 00:10:19,519
What's going all the way across there
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00:10:19,775 --> 00:10:20,799
Turn on down
306
00:10:21,055 --> 00:10:21,823
What do we have to
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00:10:22,079 --> 00:10:23,103
Open set crossing over
308
00:10:23,615 --> 00:10:25,407
From the G to the B string
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00:10:25,663 --> 00:10:27,199
Finish the mnemonic off by
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00:10:27,455 --> 00:10:30,783
Just get into the end their ends and down
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00:10:31,551 --> 00:10:32,063
Who is Father
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00:10:32,319 --> 00:10:33,855
It's always going to be the same case
313
00:10:34,111 --> 00:10:35,647
Let's do the same thing here
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00:10:35,903 --> 00:10:36,927
Charles's father
315
00:10:37,439 --> 00:10:41,279
Got to the end of the mnemonic when we get to the end of the Monarch we have to add one so
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00:10:41,535 --> 00:10:42,559
Charles's father
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00:10:42,815 --> 00:10:43,327
Add
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00:10:43,583 --> 00:10:48,447
Now let's orphan not there and let's start the mnemonic again we can see if we get back l
319
00:10:48,959 --> 00:10:51,775
G to the B string let's compensate we get
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00:10:52,031 --> 00:10:54,591
And then we can say we got battle ends and down
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00:10:54,847 --> 00:10:55,359
Goes
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00:10:55,615 --> 00:10:57,151
What's down goes Charles
323
00:10:57,407 --> 00:10:58,175
What's wonderful
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00:10:59,199 --> 00:11:04,831
Your father now let me just plot this one out here now if you remember what I said in one of my other lessons
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00:11:05,087 --> 00:11:06,111
Is the zero
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00:11:06,367 --> 00:11:06,879
Is the same as
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00:11:07,391 --> 00:11:07,903
Play 12
328
00:11:08,415 --> 00:11:12,767
Once we've learned the first
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00:11:13,023 --> 00:11:14,303
12 fretz we've learned the
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00:11:14,559 --> 00:11:15,071
Maxwell
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00:11:15,839 --> 00:11:19,935
If we go here e a d g and Sundown goes Charles
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00:11:20,191 --> 00:11:21,471
Father what you'll not
333
00:11:21,727 --> 00:11:23,775
This is to finish this off here and
334
00:11:24,031 --> 00:11:25,823
I just want to show you where that double compensation
335
00:11:26,847 --> 00:11:28,895
When I switch over from the f
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00:11:29,151 --> 00:11:30,943
Back to the B on the G and the
337
00:11:31,455 --> 00:11:35,039
I have to add both of these rules together because I'm crossing
338
00:11:35,551 --> 00:11:39,135
From the G to the B but I'm also crossing over from an F
339
00:11:39,391 --> 00:11:43,231
Play so it means I have to do a double compensation which is
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00:11:43,487 --> 00:11:44,511
Two
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00:11:45,023 --> 00:11:46,047
I got to go
342
00:11:46,303 --> 00:11:47,327
Two and
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00:11:47,583 --> 00:11:48,095
This is
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00:11:48,351 --> 00:11:48,863
That
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00:11:49,119 --> 00:11:49,887
Compens
346
00:11:50,143 --> 00:11:52,959
Mission happens we're always going to have these little compensation
347
00:11:53,215 --> 00:11:55,775
Let me draw all these little single compensations in
348
00:11:57,311 --> 00:11:58,591
And then there's the other one
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00:11:58,847 --> 00:11:59,615
That's the other one
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00:11:59,871 --> 00:12:00,639
You will be able to
351
00:12:00,895 --> 00:12:06,783
What's the spot these as you work through this because as well as this in a handout that you can download for free in the video
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00:12:07,039 --> 00:12:08,319
The description there will also be
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00:12:08,575 --> 00:12:10,111
Play a spare fretboard like this
354
00:12:10,367 --> 00:12:14,975
Is for you to work out get your highlighters get a pencil do what you need to do to work
355
00:12:15,231 --> 00:12:17,791
Did they slow out and you will start to see how this
356
00:12:18,047 --> 00:12:24,191
Pattern emerges on the next Ricky here with a quick message if you didn't know I have written a book this link
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00:12:24,447 --> 00:12:24,959
Books for how to get
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00:12:25,215 --> 00:12:31,359
What's that in the video description below and I put a little card up here so that you can click on that if you want to support my work here
359
00:12:31,615 --> 00:12:34,431
Get on the channel
23047
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