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Let's see some images that I took with different lenses and on different cameras.
Some are wheat crop frame camera and other star with full-frame camera.
I also want to demonstrate the difference between different focal lengths.
Here on this image we see a tree photos.
They're all taken with a crop frame camera.
The first two are with a kit lenses 18 to 55 millimeters in different for Garland.
And the third one is with 40 millimeters.
All images are taken in the same place and with the same lighting conditions,
nature of light from the right.
I have changed a little bit settings just because
it's different cameras and different lenses have different light sensitivity.
So it was not possible to keep
the same settings without the image look or overexposed or underexposed.
The editing is also absolutely the same,
except the exposure which was adjusted accordingly.
So we see the kit lenses on the left,
the first two images from 28 millimeter to 35 millimeter,
and compared to the 40 millimeter lenses which are on the right,
the images look more or less similar.
I would say that the colors of the 40 millimeters
are slightly sharp or slightly nicer maybe or maybe it's just my impression.
We see a little bit yellowish on the kit lenses,
but for the untrained eye,
I believe there is nothing that can say how this introduced.
So what they come, what kind of lenses or use?
Moving to the next example,
this is a full-frame camera with different lenses, 40 millimeters,
50 millimeters, and a 100 millimeters for the same 40 millimeter lenses were,
had been used here on a full frame camera.
And next to it is the 50 millimeter lens,
which is just slightly larger.
And then we see the a 100 millimeter lens here also,
the shooting angle is slightly different just because with the same shooting angle,
we cannot take the same photo with a 100 millimeter lens.
Therefore, changing lenses changes a little bit the style of your shooting
because you simply cannot shoot at the same angle with our focal lengths.
One thing we can notice here is that with a 100 millimeter lenses,
the strawberries on the back look a little bit larger than with a 40 millimeter lens.
And with the 50 millimeter lens.
Also, there is a slight bucket with a 100 millimeter lens.
You see in front the fork and the strawberries on debate,
it is more noticeable than in the 50 millimeter
and significantly more noticeable than the 40 millimeter.
I want to show you also closer difference between crop frame
with 440 millimeters and full-frame with 40 millimeters, there is a difference,
obviously in the colors because normally with different cameras you should differently
the colors and the sharpness is different for
phone cameras have also higher sensitivity to light.
If we zoom in the two images,
obviously on the crop frame,
we see slightly more noise than with the full-frame,
but that is not really significant.
More or less the two images are similar,
so there is not such a big difference
between shooting with a crop frame camera and with a full frame.
And by the way, my crop frame camera is really an old model,
but the images he takes are quite nice.
Still, let's observe here the difference between the different focal lens.
So these two images or daikon from
the same distance and with the same lessons but there zoom lens 55 to 250 millimeters.
The first image is at 55 millimeters.
And absolutely the same settings,
absolutely the same distance on 250 millimeters.
We're already having quite an increase of the image.
So basically, if you want to shoot food photography with 250 millimeters,
you really need space.
Here.
I will do a little bit backwards in order to be able to photograph
the whole slice of cake with 250 millimeter or setting.
And after changing it to 96 millimeter,
which is almost a 100 basically,
you see that the size of the cake is significantly smaller.
And the bottom line of this comparison between the different focal lens is
that over a 100 millimeters is simply not practical to use for food photography,
you need an enormous space and it's not
convenient to go so much far away from the object when you shoot.
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