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These are the user uploaded subtitles that are being translated: 3 00:00:18,644 --> 00:00:21,730 (upbeat lively music) 4 00:00:48,715 --> 00:00:52,719 (upbeat lively music continues) 5 00:01:00,727 --> 00:01:04,231 - [Narrator] The compact cassette or compact audio cassette, 6 00:01:04,523 --> 00:01:06,733 also commonly known as the cassette tape 7 00:01:07,025 --> 00:01:09,152 or simply tape or cassette, 8 00:01:09,444 --> 00:01:12,406 is an analog magnetic tape recording format 9 00:01:12,698 --> 00:01:15,242 for audio recording and playback. 10 00:01:15,534 --> 00:01:17,953 It was developed by a company by the name of Phillips 11 00:01:18,245 --> 00:01:21,498 in Belgium and released in 1962. 12 00:01:23,292 --> 00:01:26,378 The compact cassette technology was originally designed 13 00:01:26,670 --> 00:01:30,549 for dictation machine, but improvements in fidelity 14 00:01:30,841 --> 00:01:32,843 led the compact cassette to supplant 15 00:01:33,135 --> 00:01:35,220 the stereo eight-track cartridge 16 00:01:35,512 --> 00:01:37,306 and reel-to-reel tape recording 17 00:01:37,598 --> 00:01:39,766 in most nonprofessional application. 18 00:01:41,018 --> 00:01:44,021 Its uses range from portable audio to home recording 19 00:01:44,313 --> 00:01:46,398 to data storage for early microcomputers. 20 00:01:47,316 --> 00:01:49,151 The first cassette players were designed 21 00:01:49,443 --> 00:01:53,363 for use in car dashboards and was introduced in 1968. 22 00:01:54,281 --> 00:01:57,743 Between the early 1970s and the early 2000s, 23 00:01:58,035 --> 00:02:00,537 the cassette was one of the two most common formats 24 00:02:00,829 --> 00:02:04,791 for recorded music, first alongside the vinyl LP record 25 00:02:05,083 --> 00:02:06,960 and later, the compact disc. 26 00:02:07,252 --> 00:02:11,048 (upbeat lively music continues) 27 00:02:14,384 --> 00:02:16,219 - [Child] Is there vanilla ice cream? 28 00:02:16,511 --> 00:02:17,054 I want some, Mommy. - Oh, yeah. Come down. 29 00:02:17,346 --> 00:02:18,639 I'll have to wash your hands. - Mommy, I know. 30 00:02:18,930 --> 00:02:20,766 - [Child] You already got some. 31 00:02:21,058 --> 00:02:24,186 - [Child] I like green flowers. They're good. 32 00:02:24,478 --> 00:02:26,480 - [Child] Can I have another birthday tomorrow? 33 00:02:26,772 --> 00:02:27,856 - [Announcer] Capture the moment. 34 00:02:28,148 --> 00:02:29,608 The Sony portable Cassette-Corder has 35 00:02:29,900 --> 00:02:31,318 a built-in condenser microphone 36 00:02:31,610 --> 00:02:32,778 and works on batteries or plug in. 37 00:02:33,070 --> 00:02:35,489 - [Child] I wanna- (button clicks) 38 00:02:36,698 --> 00:02:37,741 - [Announcer] The Sony Cassette-Corder, 39 00:02:38,033 --> 00:02:40,077 one of 42 great Sony tape recorders 40 00:02:40,369 --> 00:02:42,412 at your Sony Superscope dealer. 41 00:02:42,704 --> 00:02:45,207 (upbeat lively music) 42 00:02:45,499 --> 00:02:46,708 - [Narrator] Many great memories were recorded 43 00:02:47,000 --> 00:02:49,753 on compact cassettes from childhood banter 44 00:02:50,045 --> 00:02:52,005 to late night underground radio shows 45 00:02:52,297 --> 00:02:55,676 to all the popular hits of the 1980s and '90s. 46 00:02:55,967 --> 00:02:58,261 Even retro video games were stored on cassettes. 47 00:02:59,763 --> 00:03:01,473 The cassette tape as we know it 48 00:03:01,765 --> 00:03:04,393 was originally released in 1968. 49 00:03:04,685 --> 00:03:06,853 It was the perfect combination of versatility, 50 00:03:07,145 --> 00:03:09,690 high quality, and small size. 51 00:03:09,981 --> 00:03:12,984 It was the fit-in-your-pocket, carriable, user friendliness 52 00:03:13,276 --> 00:03:17,155 that drove the miniaturized compact audio market of today. 53 00:03:17,447 --> 00:03:19,825 Your modern day iPhone is just another Walkman 54 00:03:20,117 --> 00:03:21,993 with a phone and camera built into it. 55 00:03:23,036 --> 00:03:26,123 The idea of a pocket-size portable audio system began 56 00:03:26,415 --> 00:03:28,834 with the introduction of the cassette tape Walkman 57 00:03:29,126 --> 00:03:31,795 in 1979 by Sony. 58 00:03:32,087 --> 00:03:35,882 (upbeat lively music continues) 59 00:03:41,346 --> 00:03:44,433 (bright lively music) 60 00:04:10,709 --> 00:04:14,713 (bright lively music continues) 61 00:04:27,934 --> 00:04:32,606 (announcer speaking in foreign language) 62 00:04:40,947 --> 00:04:44,826 (bright lively music continues) 63 00:04:57,714 --> 00:05:02,636 (announcer continues speaking in foreign language) 64 00:05:11,394 --> 00:05:13,480 S Walkman J 65 00:05:14,648 --> 00:05:15,315 (bright lively music) 66 00:05:15,607 --> 00:05:17,818 - [Announcer] It's a Sony. 67 00:05:18,109 --> 00:05:19,736 (gentle upbeat music) 68 00:05:20,028 --> 00:05:22,405 - [Narrator] Exactly 40 years after the Sony Walkman 69 00:05:22,697 --> 00:05:24,866 was introduced, a whole new generation 70 00:05:25,158 --> 00:05:27,953 of portable pocket-sized audio and video gadgets 71 00:05:28,245 --> 00:05:31,706 had popped up to take its place, such as CD players, 72 00:05:31,998 --> 00:05:35,669 mini-disc players, and soon, MP3 players, 73 00:05:35,961 --> 00:05:38,129 and now Cloud-based Bluetooth devices 74 00:05:38,421 --> 00:05:40,799 such as smartphones and streaming services. 75 00:05:41,716 --> 00:05:44,010 The sales of prerecorded cassette tapes 76 00:05:44,302 --> 00:05:48,014 dropped off significantly in the early 1990s, 77 00:05:48,306 --> 00:05:51,351 but surprisingly as of recent, cassette sales 78 00:05:51,643 --> 00:05:54,771 of prerecorded music has actually been increasing. 79 00:05:55,063 --> 00:05:59,860 Cassette tape sales grew 123% in 2018 alone, 80 00:06:00,277 --> 00:06:02,362 a rather surprising fact since the format 81 00:06:02,654 --> 00:06:04,823 is over 50 years old and considered 82 00:06:05,115 --> 00:06:09,411 an ancient relic to many, but many underground record labels 83 00:06:09,703 --> 00:06:12,581 and musicians as well as some popular artists 84 00:06:12,873 --> 00:06:14,708 are starting to release new music 85 00:06:15,000 --> 00:06:17,794 on limited-edition compact cassette tapes, 86 00:06:18,086 --> 00:06:20,797 (gentle upbeat music continues) 87 00:06:21,089 --> 00:06:23,925 But can cassette tape still go on 88 00:06:24,217 --> 00:06:27,470 or will it all come to a definite stop? 89 00:06:28,513 --> 00:06:29,264 Rewind. 90 00:06:30,765 --> 00:06:31,683 (rewinding tape screeching) 91 00:06:31,975 --> 00:06:35,145 No, cassette tapes will go on 92 00:06:35,437 --> 00:06:38,273 as new ideas and uses are conceived. 93 00:06:38,565 --> 00:06:42,110 (gentle upbeat music) 94 00:06:42,402 --> 00:06:45,238 ♩ Music lives on TDK ♩ 95 00:06:46,364 --> 00:06:50,076 (bright lively music) 96 00:06:50,368 --> 00:06:53,246 ♩ Music lives on TDK ♩ 97 00:06:54,164 --> 00:06:57,334 (upbeat lively music) 98 00:06:58,251 --> 00:07:01,254 ♩ Music lives on TDK ♩ 99 00:07:02,380 --> 00:07:06,384 (gentle uplifting music) 100 00:07:06,676 --> 00:07:10,221 ♩ Music lives on TDK ♩ 101 00:07:10,513 --> 00:07:11,681 ♩ TDK, TDK ♩ 102 00:07:11,973 --> 00:07:14,601 - [Narrator] It is said that alternative uses for cassettes 103 00:07:14,893 --> 00:07:18,229 can serve as a computer data backup storage device, 104 00:07:18,521 --> 00:07:21,358 and an average 90-minute cassette can have the capacity 105 00:07:21,650 --> 00:07:24,069 to store over 500 gigabytes of data. 106 00:07:24,361 --> 00:07:25,403 (gentle upbeat music) 107 00:07:25,695 --> 00:07:28,323 Who knew that many tech companies still use cassettes 108 00:07:28,615 --> 00:07:30,533 as a means of long term data storage 109 00:07:30,825 --> 00:07:34,287 simply because the format can last over 20 years? 110 00:07:34,579 --> 00:07:36,289 Now, can your computer last that long? 111 00:07:37,624 --> 00:07:40,460 Hold onto your old decks because the modern cassette tape 112 00:07:40,752 --> 00:07:42,295 could soon be reinvented. 113 00:07:44,673 --> 00:07:47,884 In 1935, almost three decades before the introduction 114 00:07:48,176 --> 00:07:51,262 of the earliest commercially-released cassette tapes, 115 00:07:51,554 --> 00:07:55,183 a German company by the name of AEG developed and released 116 00:07:55,475 --> 00:07:57,268 the first reel-to-reel tape recorders 117 00:07:57,560 --> 00:07:58,979 by the name of Magnetophon. 118 00:08:00,105 --> 00:08:03,108 The Magnetophon was the first magnetic tape recorder used 119 00:08:03,400 --> 00:08:05,610 in professional applications. 120 00:08:05,902 --> 00:08:08,697 To go with the recorder, another German company 121 00:08:08,989 --> 00:08:13,118 by the name of IG Farben produced the magnetic tape reel. 122 00:08:14,244 --> 00:08:16,287 The tape reel was based off the invention 123 00:08:16,579 --> 00:08:20,125 of the magnetic tape in 1928 by German inventor 124 00:08:20,417 --> 00:08:24,295 Fritz Pfleumer which used similar technology, 125 00:08:24,587 --> 00:08:27,215 a long flexible metallic material 126 00:08:27,507 --> 00:08:30,885 that could be wound in a spool to record sound on. 127 00:08:32,053 --> 00:08:36,558 The invention of the phonograph in 1877 by Thomas Edison 128 00:08:36,850 --> 00:08:40,103 was the first commercially released audio recording format. 129 00:08:41,229 --> 00:08:43,523 That invention served as the inspiration 130 00:08:43,815 --> 00:08:46,234 to many other recording innovations to come. 131 00:08:47,318 --> 00:08:48,987 In Fritz Pfleumer's case, 132 00:08:49,279 --> 00:08:52,490 it was a metallic wire wrapped around a spool. 133 00:08:52,782 --> 00:08:55,952 The wire recorder was the first device to record sound 134 00:08:56,244 --> 00:09:00,081 on a substance that could be wounded around a spool. 135 00:09:00,373 --> 00:09:02,751 Although these wire recordings were impressive, 136 00:09:03,043 --> 00:09:04,794 the invention of magnetic tape 137 00:09:05,086 --> 00:09:08,840 or a metal oxide-coated plastic tape wounded 138 00:09:09,132 --> 00:09:13,011 on a spool yielded even higher quality recording results 139 00:09:13,303 --> 00:09:15,597 and became the standard in audio production 140 00:09:15,889 --> 00:09:19,517 of music and voice and even data. 141 00:09:24,064 --> 00:09:27,150 (upbeat lively music) 142 00:09:28,693 --> 00:09:29,903 (door whirring) 143 00:09:30,195 --> 00:09:31,696 (cassette tape whirring) 144 00:09:31,988 --> 00:09:33,448 - [Announcer] A tape of this quality deserves 145 00:09:33,740 --> 00:09:36,743 to be played in the most sophisticated of systems 146 00:09:37,035 --> 00:09:37,619 (cassette tape whirring) 147 00:09:37,911 --> 00:09:40,580 Because Sony premium tape has more music 148 00:09:40,872 --> 00:09:43,041 where other tapes have distortion and hiss. 149 00:09:44,125 --> 00:09:46,669 (cassette tape hissing) 150 00:09:46,961 --> 00:09:51,382 Sony Audio Tape. It's the closest you can get to music. 151 00:09:56,554 --> 00:09:59,099 - [Narrator] When the very first magnetic tape recorder 152 00:09:59,390 --> 00:10:01,643 or the Magnetophon came out, 153 00:10:01,935 --> 00:10:04,229 they were very difficult to use 154 00:10:04,521 --> 00:10:08,233 and were only used by radio stations and recording studios. 155 00:10:09,526 --> 00:10:10,944 Many developments were made 156 00:10:11,236 --> 00:10:13,071 to the magnetic reel recording format 157 00:10:13,363 --> 00:10:17,367 after its initial patent by Fritz Pfleumer in 1928. 158 00:10:17,659 --> 00:10:20,870 In the 1930s, another major breakthrough was added 159 00:10:21,162 --> 00:10:23,748 to the open tape reel format to move it closer 160 00:10:24,040 --> 00:10:25,625 to the awesome sound quality 161 00:10:25,917 --> 00:10:28,086 which the magnetic tape reels could have. 162 00:10:29,921 --> 00:10:33,925 In 1958, following four years of development, 163 00:10:34,217 --> 00:10:36,427 the RCA Victor company introduced 164 00:10:36,719 --> 00:10:40,348 the stereo quarter-inch reversible reel-to-reel RCA 165 00:10:40,640 --> 00:10:42,517 cassette tape cartridge. 166 00:10:42,809 --> 00:10:44,727 However, it was a lot larger 167 00:10:45,019 --> 00:10:47,313 than the standard cassette of recent years. 168 00:10:47,605 --> 00:10:51,442 This initial tape was seven inches wide by five inches long 169 00:10:51,734 --> 00:10:54,821 and offered very few popular album releases. 170 00:10:55,780 --> 00:10:59,033 Despite the multiple attempts in the commercial market, 171 00:10:59,325 --> 00:11:02,120 the initial larger consent format failed. 172 00:11:04,497 --> 00:11:07,041 - [Announcer] The new RCA Victor deluxe models include 173 00:11:07,333 --> 00:11:09,711 the completely automatic features of reversing 174 00:11:10,003 --> 00:11:13,047 and shutting off, playing up to two hours of music 175 00:11:13,339 --> 00:11:14,883 at the push of one button, 176 00:11:15,175 --> 00:11:18,803 making it unnecessary even to turn the cartridge over. 177 00:11:19,095 --> 00:11:23,016 Presto, tape reversed, sound head switch to the B track, 178 00:11:23,308 --> 00:11:25,476 all without the touch of a hand. 179 00:11:25,768 --> 00:11:28,813 (upbeat lively music) 180 00:11:32,859 --> 00:11:35,403 - [Narrator] Consumer use of magnetic tape machines 181 00:11:35,695 --> 00:11:38,239 took off in the early 1960s. 182 00:11:38,531 --> 00:11:39,824 After playback machines reached 183 00:11:40,116 --> 00:11:42,243 a comfortable, user-friendly design, 184 00:11:42,535 --> 00:11:45,288 this was aided by the introduction of transistors 185 00:11:45,580 --> 00:11:47,999 within the electronics that made the machines work, 186 00:11:48,291 --> 00:11:50,001 which replaced the large, bulky, 187 00:11:50,293 --> 00:11:53,504 and costly vacuum tube components of earlier years. 188 00:11:55,131 --> 00:11:57,592 Reel-to-reel tape then became more suitable 189 00:11:57,884 --> 00:12:01,638 for household use, but still remained a rare product. 190 00:12:03,973 --> 00:12:07,936 The invention of the transistor revolutionized the market 191 00:12:08,228 --> 00:12:11,856 for portable audio technology and other electronics. 192 00:12:12,148 --> 00:12:15,735 Now, electronic products could be made smaller 193 00:12:16,027 --> 00:12:18,988 and you could take the music around with you anywhere: 194 00:12:19,280 --> 00:12:22,825 on the boombox, on the Walkman, or simply on a deck 195 00:12:23,117 --> 00:12:25,453 in your home entertainment system. 196 00:12:25,745 --> 00:12:28,581 With the birth of the transistor came the start 197 00:12:28,873 --> 00:12:30,917 of a revolution and smaller, 198 00:12:31,209 --> 00:12:34,128 more manageable home recording technology 199 00:12:34,420 --> 00:12:36,756 like such as the audio cassette tape. 200 00:12:38,591 --> 00:12:41,135 His name was Fritz Pfleumer, 201 00:12:42,095 --> 00:12:44,889 an Austrian-German inventor in the 1920s. 202 00:12:47,100 --> 00:12:50,979 Pfleumer had the innovative idea of coating paper 203 00:12:51,271 --> 00:12:55,358 with iron powder to make a cheap magnetic audio tape. 204 00:12:56,401 --> 00:12:59,570 This paper tape was fragile, but it would replace 205 00:12:59,862 --> 00:13:04,075 the existing expensive magnetic solid-steel tape, 206 00:13:04,367 --> 00:13:07,578 and his new paper tapes could be edited 207 00:13:07,870 --> 00:13:11,207 with a pair of scissors rather than a soldering iron. 208 00:13:12,792 --> 00:13:15,712 First, Pfleumer took his invention to Berlin, 209 00:13:16,004 --> 00:13:18,047 a major industrial city at the time, 210 00:13:18,339 --> 00:13:22,302 to the electric companies AEG and BASF, 211 00:13:22,593 --> 00:13:24,053 which were the leading manufacturers 212 00:13:24,345 --> 00:13:25,763 of electronics at the time. 213 00:13:26,681 --> 00:13:28,349 To Mr. Pfleumer's success, 214 00:13:28,641 --> 00:13:30,893 the companies purchased the patents. 215 00:13:31,185 --> 00:13:35,148 So on from the ideas of Pfleumer's patents in 1932, 216 00:13:35,440 --> 00:13:39,193 four years after Pfleumer initial invention in 1928, 217 00:13:39,485 --> 00:13:42,780 the companies set up a team to work on a commercial device 218 00:13:43,072 --> 00:13:45,533 that could be used with this magnetic paper tape. 219 00:13:45,825 --> 00:13:49,495 AEG teamed up with the German chemical giant, IG Farben, 220 00:13:49,787 --> 00:13:53,207 to produce the world's first magnetic tape recorder 221 00:13:53,499 --> 00:13:55,585 that would revolutionize sound recording, 222 00:13:56,586 --> 00:13:59,839 but disappointingly, when AEG demonstrated 223 00:14:00,131 --> 00:14:04,010 their new invention at the Berlin Radio Fair in 1935, 224 00:14:04,302 --> 00:14:05,636 it was a complete flop. 225 00:14:07,472 --> 00:14:10,183 (gentle upbeat music) 226 00:14:10,475 --> 00:14:14,771 What you hear is what was recorded on April 27, 1935, 227 00:14:17,315 --> 00:14:20,068 in the Ludwigshafen theater using 228 00:14:20,360 --> 00:14:23,279 one of the earliest AEG Magnetophon 229 00:14:23,571 --> 00:14:25,490 prototype magnetic tape recorders. 230 00:14:26,741 --> 00:14:29,535 Four different Magnetophon prototypes were built 231 00:14:29,827 --> 00:14:34,540 between 1932 and 1935, and one was used 232 00:14:34,832 --> 00:14:38,086 in the 1934 Berlin Radio fair. 233 00:14:38,378 --> 00:14:41,672 But these early innovative devices didn't come 234 00:14:41,964 --> 00:14:44,217 without a fair amount of trouble, 235 00:14:44,509 --> 00:14:48,054 especially a major design issue where the tape would break 236 00:14:48,346 --> 00:14:50,598 if you did not wait until the wheel stopped 237 00:14:50,890 --> 00:14:52,850 before playing or rewinding the tape. 238 00:14:54,018 --> 00:14:57,605 There was no fast forward and the cap stand motor 239 00:14:57,897 --> 00:15:00,400 was not spinning at a constant speed, 240 00:15:00,691 --> 00:15:02,902 and because of the inconsistent speed, 241 00:15:03,194 --> 00:15:05,571 it produced audible pitch variations. 242 00:15:06,572 --> 00:15:08,533 More improvements went into the design 243 00:15:08,825 --> 00:15:11,160 and its improved successor became known 244 00:15:11,452 --> 00:15:13,496 as the Magnetophon KA. 245 00:15:13,788 --> 00:15:16,332 (gentle upbeat music continues) 246 00:15:16,624 --> 00:15:21,421 On the 1935 recording, the cuts, pitch variations, 247 00:15:21,712 --> 00:15:25,800 and other sound effects that you hear are authentic, 248 00:15:26,092 --> 00:15:29,220 and that is the original sound quality of the tape. 249 00:15:31,472 --> 00:15:34,517 The original Magnetophon magnetic tape recorder 250 00:15:34,809 --> 00:15:37,395 was not quite the sensation they hoped for. 251 00:15:37,687 --> 00:15:40,857 The machine was heavy, sound quality was poor, 252 00:15:41,149 --> 00:15:44,360 and it took a real professional to operate the machine, 253 00:15:44,652 --> 00:15:47,780 but still the radio engineers didn't give up hope, 254 00:15:48,072 --> 00:15:50,450 and at the time, looked at the Magnetophon 255 00:15:50,741 --> 00:15:52,952 with stars in their eyes and said, 256 00:15:53,244 --> 00:15:56,539 "You know, I think we still have something here 257 00:15:57,999 --> 00:16:00,042 if perfected more." 258 00:16:00,334 --> 00:16:02,879 This magnetic tape would be the ideal format 259 00:16:03,171 --> 00:16:04,464 for recording on. 260 00:16:04,755 --> 00:16:07,175 The tape can be snipped with scissors and tape 261 00:16:07,467 --> 00:16:09,802 or glued back together with ease. 262 00:16:11,095 --> 00:16:14,599 These new capabilities would be a dream come true, 263 00:16:15,933 --> 00:16:20,771 but one problem, the original AEG Magnetophon 264 00:16:21,063 --> 00:16:24,942 in 1935 sounded so terrible that the quality 265 00:16:25,234 --> 00:16:28,070 can only be used for speech and dictation 266 00:16:28,362 --> 00:16:30,948 and not high quality musical performances. 267 00:16:32,492 --> 00:16:35,786 The Nazis used the early Magnetophon to listen in 268 00:16:36,078 --> 00:16:38,581 and to record telephone conversations, 269 00:16:38,873 --> 00:16:42,251 but its commercial potential, as AEG recognized, 270 00:16:42,543 --> 00:16:44,253 was extremely limited. 271 00:16:44,545 --> 00:16:47,256 They instantly saw that there would be no real business 272 00:16:47,548 --> 00:16:49,675 based on dictation purposes alone, 273 00:16:49,967 --> 00:16:52,970 and they had to have the possibility and the technical means 274 00:16:53,262 --> 00:16:56,724 of recording music because even in 1935, 275 00:16:57,016 --> 00:16:59,060 commercial sales of phonograph recordings 276 00:16:59,352 --> 00:17:01,646 of popular music was in the millions, 277 00:17:01,938 --> 00:17:05,024 and a Magnetophon that can record music well, 278 00:17:05,316 --> 00:17:07,276 well, that would be good for business. 279 00:17:07,568 --> 00:17:09,195 (bright uplifting music) 280 00:17:09,487 --> 00:17:14,283 In 1936, as the Nazis consolidated their power in Germany, 281 00:17:14,867 --> 00:17:17,870 the world famous orchestra conductor, 282 00:17:18,162 --> 00:17:21,832 Sir Thomas Beecham, took his orchestra to Berlin 283 00:17:22,124 --> 00:17:24,085 and made this famous recording 284 00:17:24,377 --> 00:17:26,504 on this new Magnetophon equipment. 285 00:17:29,173 --> 00:17:32,510 (bright sprightly music) 286 00:17:55,741 --> 00:18:00,663 But the recording was a disaster and sounded terrible. 287 00:18:02,081 --> 00:18:05,501 In fact, Sir Thomas was so horrified by the quality 288 00:18:05,793 --> 00:18:09,589 of the Magnetophon that he refused to use the Magnetophon 289 00:18:09,880 --> 00:18:11,757 or magnetic tape technology 290 00:18:12,049 --> 00:18:15,094 on his performances again for the next 20 years. 291 00:18:17,221 --> 00:18:20,391 Just as World War II was breaking out in 1939 292 00:18:20,683 --> 00:18:22,101 came an accidental discovery 293 00:18:22,393 --> 00:18:25,605 that changed the career path of the Magnetophon. 294 00:18:25,896 --> 00:18:28,941 A German radio engineer named Walter Weber stumbled 295 00:18:29,233 --> 00:18:32,695 on a signal processing method called AC bias 296 00:18:32,987 --> 00:18:36,741 that enabled the magnetic tape to record high fidelity. 297 00:18:37,033 --> 00:18:39,869 Weber one day was experimenting with circuits, 298 00:18:40,161 --> 00:18:43,080 advanced circuits that would try to get this horrible noise 299 00:18:43,372 --> 00:18:46,834 and distortion to a minimum and make the tape sound better. 300 00:18:47,126 --> 00:18:49,879 He discovered in the lab almost by accident 301 00:18:50,171 --> 00:18:53,591 that AC bias can oscillate a tone that could be used 302 00:18:53,883 --> 00:18:57,053 to superimpose over the tape's recorded information 303 00:18:57,345 --> 00:18:59,930 that would make the recorded information stand out 304 00:19:00,222 --> 00:19:02,391 and sound much better. 305 00:19:02,683 --> 00:19:04,393 A second test was carried out on the new 306 00:19:04,685 --> 00:19:06,354 and improved Magnetophon recorder, 307 00:19:06,646 --> 00:19:09,065 and this revolutionary new breakthrough 308 00:19:09,357 --> 00:19:11,609 that German technicians had been searching for 309 00:19:11,901 --> 00:19:15,821 was the introduction of the high-frequency bias Magnetophon 310 00:19:16,113 --> 00:19:20,910 to the public, and it took place in a huge Berlin cinema, 311 00:19:21,410 --> 00:19:24,580 and the audience was amazed. 312 00:19:24,872 --> 00:19:27,208 That was the moment everybody recognized 313 00:19:27,500 --> 00:19:30,169 that magnetic recording is the best method 314 00:19:30,461 --> 00:19:32,963 for recording music, and hence, 315 00:19:33,255 --> 00:19:36,258 the revolution in magnetic tapes began. 316 00:19:36,550 --> 00:19:39,512 (bright upbeat music) 317 00:19:41,514 --> 00:19:44,141 (explosions booming) 318 00:19:44,433 --> 00:19:47,687 By the 1940s, as Germany launched its assault 319 00:19:47,978 --> 00:19:50,398 on the Soviet Union, the Magnetophon 320 00:19:50,690 --> 00:19:53,776 became a must-have item for wealthy Germans. 321 00:19:54,735 --> 00:19:58,406 An American report at the time described how Hitler himself 322 00:19:58,698 --> 00:20:00,825 at the height of the fighting acquired 323 00:20:01,117 --> 00:20:04,704 his own Magnetophon machines for military use. 324 00:20:04,995 --> 00:20:07,206 Hitler was first introduced to the Magnetophon 325 00:20:07,498 --> 00:20:11,085 at his headquarters on the Russian front in 1942, 326 00:20:11,377 --> 00:20:13,337 and immediately he ordered a plane 327 00:20:13,629 --> 00:20:16,882 to bring additional symphony recordings from Berlin. 328 00:20:17,174 --> 00:20:20,511 The Nazi propaganda machine knew it was a breakthrough 329 00:20:20,803 --> 00:20:24,557 in recording technology and exploited the new possibilities 330 00:20:24,849 --> 00:20:26,767 that the Magnetophon had offered. 331 00:20:27,810 --> 00:20:30,646 Hitler ordered six of these machines and discovered 332 00:20:30,938 --> 00:20:34,066 the Magnetophon could be used to time shift speeches 333 00:20:34,358 --> 00:20:36,986 with a sophisticated radio network passed down 334 00:20:37,278 --> 00:20:40,823 by the Nazis from the previous German democratic regime. 335 00:20:41,991 --> 00:20:44,910 Hitler could now record a speech on a Magnetophon 336 00:20:45,202 --> 00:20:48,289 in one city for transmission in another city. 337 00:20:48,581 --> 00:20:51,333 (bright upbeat music continues) 338 00:20:51,625 --> 00:20:54,462 Hitler used a new technology, 339 00:20:54,754 --> 00:20:57,381 as the recording was almost unidentifiable 340 00:20:57,673 --> 00:20:59,425 from a real person's voice 341 00:20:59,717 --> 00:21:03,304 to deceive US allies as to where he was. 342 00:21:03,596 --> 00:21:07,141 This was one of the first examples of, 343 00:21:07,433 --> 00:21:10,644 "Is it live or is it Memorex?" 344 00:21:10,936 --> 00:21:14,273 Which the phrase presumably came a little later, of course. 345 00:21:18,903 --> 00:21:19,612 (piano note thuds) 346 00:21:19,904 --> 00:21:20,446 - Are you ready? 347 00:21:20,738 --> 00:21:21,614 - We're ready Ella. 348 00:21:21,906 --> 00:21:22,740 - All right, fellas. 349 00:21:23,032 --> 00:21:24,450 - Nelson Riddle, you've been arranging 350 00:21:24,742 --> 00:21:26,786 the Ella Fitzgerald jazz sound for years 351 00:21:27,077 --> 00:21:27,620 - Yes, that's right. 352 00:21:27,912 --> 00:21:30,080 - Can you tell if that's Ella live or a recording 353 00:21:30,372 --> 00:21:32,875 on Memorex cassette tape with MRX2 Oxide? 354 00:21:35,294 --> 00:21:36,170 - No, I can't. 355 00:21:36,462 --> 00:21:38,297 (Ella scatting) 356 00:21:38,589 --> 00:21:39,298 - [All] It's Memorex. 357 00:21:39,590 --> 00:21:41,217 - That sounds live to me. 358 00:21:41,509 --> 00:21:43,886 - [Announcer] Is it live or is it Memorex? 359 00:21:46,972 --> 00:21:50,518 (explosions booming) 360 00:21:50,810 --> 00:21:51,977 - [Narrator] Hitler's speeches were tape-delayed, 361 00:21:52,269 --> 00:21:54,980 and sent around different places in Germany. 362 00:21:55,272 --> 00:21:57,358 The Allied forces reconnaissance monitoring 363 00:21:57,650 --> 00:21:59,819 of German broadcasting and radio stations 364 00:22:00,110 --> 00:22:02,988 would hear him speak in one city, but then soon, 365 00:22:03,280 --> 00:22:05,157 he would be in another city. 366 00:22:05,449 --> 00:22:07,326 All of these quick movements allowed Hitler 367 00:22:07,618 --> 00:22:10,120 to buy more time as Allied forces 368 00:22:10,412 --> 00:22:13,874 couldn't penetrate without knowing exactly where he was. 369 00:22:14,166 --> 00:22:17,461 And this confusion is why they really couldn't pin down 370 00:22:17,753 --> 00:22:19,713 his exact location at the time. 371 00:22:20,965 --> 00:22:23,259 As the war drew to an end, 372 00:22:23,551 --> 00:22:26,971 the invasion and looting of Nazi scientific secrets 373 00:22:27,263 --> 00:22:29,640 by victorious Allies began to incur. 374 00:22:29,932 --> 00:22:31,267 (gentle calm music) 375 00:22:31,559 --> 00:22:34,311 US Army Signals Corps Major Jack Mullin 376 00:22:34,603 --> 00:22:37,314 and his team were given the job of investigating 377 00:22:37,606 --> 00:22:40,943 and finding out new German electronical innovations. 378 00:22:43,028 --> 00:22:45,739 Mullin had heard about and been intrigued 379 00:22:46,031 --> 00:22:49,285 by the audio quality of these German broadcasts. 380 00:22:49,577 --> 00:22:52,371 A few weeks after the German surrender, 381 00:22:52,663 --> 00:22:54,415 Mullin had heard a recording 382 00:22:54,707 --> 00:22:57,835 from one of the newer Magnetophons at the time, 383 00:22:58,127 --> 00:23:01,630 which had the AC bias signal implemented in the machine. 384 00:23:02,923 --> 00:23:06,385 The recording was so great that Jack Mullin 385 00:23:06,677 --> 00:23:09,597 was so greatly impressed by its clean sound 386 00:23:09,889 --> 00:23:13,559 with no background noise or distortion that Mullin shipped 387 00:23:13,851 --> 00:23:16,979 a few of these improvised machines and many rolls 388 00:23:17,271 --> 00:23:21,233 of this German magnetic tape back to the United States, 389 00:23:21,525 --> 00:23:26,322 and in May of 1946, Jack Mullin went public 390 00:23:26,614 --> 00:23:29,658 with these tape recorders and it changed the course 391 00:23:29,950 --> 00:23:33,662 of the broadcast and music industries forever. 392 00:23:36,999 --> 00:23:40,377 The news and sound was a sensation. 393 00:23:40,669 --> 00:23:44,006 In May of 1946, started the boom 394 00:23:44,298 --> 00:23:47,051 of American tape recording technology. 395 00:23:47,343 --> 00:23:50,262 Singer and actor Bing Crosby was the first Hollywood star 396 00:23:50,554 --> 00:23:52,848 to widely use this new technology 397 00:23:53,140 --> 00:23:56,101 from the Nazi archives of electronic innovation. 398 00:23:57,019 --> 00:24:00,564 Bing Crosby was a top performer at the time, and he found 399 00:24:00,856 --> 00:24:04,443 that live radio performances were getting harder, 400 00:24:04,735 --> 00:24:06,779 and he didn't like broadcasting live anymore 401 00:24:07,071 --> 00:24:08,822 because he wanted a way to only deliver 402 00:24:09,114 --> 00:24:12,785 his best performances to the television audience. 403 00:24:13,077 --> 00:24:15,913 Bing heard about these amazing new machines 404 00:24:16,205 --> 00:24:18,707 from Jack Mullin, and he hired Jack Mullin 405 00:24:18,999 --> 00:24:22,252 to be his sound recording engineer for his television show 406 00:24:22,544 --> 00:24:26,799 and to record and edit his show for later broadcast. 407 00:24:27,091 --> 00:24:30,386 It was the first time magnetic tape was used 408 00:24:30,678 --> 00:24:33,472 in a professional televised American broadcast, 409 00:24:34,473 --> 00:24:36,433 and the audience loved it. 410 00:24:36,725 --> 00:24:39,228 ♩ It rains pennies from heaven ♩ 411 00:24:39,520 --> 00:24:41,438 (bright lively music) (audience clapping) 412 00:24:41,730 --> 00:24:46,485 ♩ Don't you know each cloud contains pennies from heaven ♩ 413 00:24:48,487 --> 00:24:53,409 ♩ You'll find your fortune falling all over town ♩ 414 00:24:55,494 --> 00:25:00,416 ♪ Be sure that your umbrella is upside down ♩ 415 00:25:02,376 --> 00:25:07,297 ♩ Trade them for a package of sunshine and flowers ♩ 416 00:25:09,174 --> 00:25:12,678 ♩ If you want you the things you love ♩ 417 00:25:12,970 --> 00:25:16,056 ♩ You must have showers ♩ 418 00:25:19,476 --> 00:25:21,645 - [Narrator] At this time in Bing's career, 419 00:25:21,937 --> 00:25:25,733 he was suffering from a lack of viewership for his TV shows, 420 00:25:26,025 --> 00:25:29,153 but when he started recording on the magnetic tape format, 421 00:25:29,445 --> 00:25:31,739 all of a sudden like a lightning rod, 422 00:25:32,031 --> 00:25:33,991 his ratings shot back up. 423 00:25:34,283 --> 00:25:39,038 Bing's television networks ABC and NBC were flooded 424 00:25:39,329 --> 00:25:40,497 with calls from customers 425 00:25:40,789 --> 00:25:43,083 that mentioned the good quality of the shows, 426 00:25:43,375 --> 00:25:46,420 but the television recording technology didn't change. 427 00:25:46,712 --> 00:25:48,797 It was only just the sound, 428 00:25:49,089 --> 00:25:53,802 lifelike and real, warm and magical. 429 00:25:54,094 --> 00:25:57,598 The benefits of magnetic tape had become awesome. 430 00:25:57,890 --> 00:25:59,349 (upbeat lively music) 431 00:25:59,641 --> 00:26:01,060 Back to the future, 432 00:26:01,351 --> 00:26:03,395 are cassette tapes making a comeback? 433 00:26:03,687 --> 00:26:04,438 (quirky upbeat music) 434 00:26:04,730 --> 00:26:07,816 Call it nostalgia or call it inspiration, 435 00:26:08,108 --> 00:26:09,401 call it whatever you want, 436 00:26:09,693 --> 00:26:12,529 but there is still a nice-sized chunk of the population 437 00:26:12,821 --> 00:26:15,240 that still uses compact cassette tapes 438 00:26:15,532 --> 00:26:17,743 as their recording medium of choice 439 00:26:18,035 --> 00:26:20,537 despite all of the digital options 440 00:26:20,829 --> 00:26:22,456 for recording on the marketplace, 441 00:26:23,707 --> 00:26:26,752 but as top musicians like Ariana Grande 442 00:26:27,044 --> 00:26:30,005 and Justin Bieber release new music on cassette tapes, 443 00:26:30,297 --> 00:26:32,091 the demand continues to climb. 444 00:26:33,133 --> 00:26:36,970 The niche compact cassette tape revival is spreading fast 445 00:26:37,262 --> 00:26:40,099 and quickly and has forced global record companies 446 00:26:40,390 --> 00:26:42,768 to rethink the reproduction plans, 447 00:26:43,060 --> 00:26:45,938 not only releasing music for digital downloading, 448 00:26:46,230 --> 00:26:49,775 but on CD, vinyl, and even cassette as well 449 00:26:50,067 --> 00:26:53,237 as this is 2019, not 1989. 450 00:26:55,030 --> 00:26:57,866 Who would have thought that an ageless relic, 451 00:26:58,158 --> 00:27:02,663 a dinosaur of an age past will still find new usages 452 00:27:02,955 --> 00:27:06,291 and is still on the up and up and still reigns popular 453 00:27:06,583 --> 00:27:08,544 in the underground and collectors' market. 454 00:27:09,503 --> 00:27:13,423 Now two facilities, one in the American Midwest 455 00:27:13,715 --> 00:27:15,384 and the other in Western France, 456 00:27:15,676 --> 00:27:17,094 have stepped in to meet the need. 457 00:27:18,220 --> 00:27:21,098 In the year 2000, it is said that was the year 458 00:27:21,390 --> 00:27:23,267 the cassette tape officially died 459 00:27:23,559 --> 00:27:26,562 and the reign of the compact disc became apparent, 460 00:27:26,854 --> 00:27:30,649 (quirky upbeat music continues) 461 00:27:33,277 --> 00:27:37,030 But recording books on tapes remains popular, 462 00:27:43,453 --> 00:27:46,957 but despite the astronomical rise of streaming, 463 00:27:47,249 --> 00:27:50,961 punk, hip hop, and rock bands like Pearl Jam 464 00:27:51,253 --> 00:27:54,047 and The Smashing Pumpkins began seeking 465 00:27:54,339 --> 00:27:57,467 to market these recordings that were released on cassettes 466 00:27:57,759 --> 00:28:01,138 as a tribute to the old school and classic sound. 467 00:28:02,848 --> 00:28:05,017 This convinced even more major record labels 468 00:28:05,309 --> 00:28:07,394 that they was still interest in the cassette 469 00:28:07,686 --> 00:28:09,229 as a commercial music format. 470 00:28:10,355 --> 00:28:13,650 Several years ago, a company named National Audio 471 00:28:13,942 --> 00:28:17,321 bought 300,000 reels of tape from a South Korean company 472 00:28:17,613 --> 00:28:19,698 that gave up on cassette tape production. 473 00:28:20,824 --> 00:28:24,036 As sales increase and the stockpile began to shrink, 474 00:28:24,328 --> 00:28:26,455 National Audio was faced with a challenge: 475 00:28:26,747 --> 00:28:29,291 to either produce their own original cassettes 476 00:28:29,583 --> 00:28:30,709 or go out of business. 477 00:28:31,960 --> 00:28:35,005 The business invested several million dollars buying up 478 00:28:35,297 --> 00:28:38,425 old equipment from defunct cassette manufacturers, 479 00:28:38,717 --> 00:28:42,262 and in 2017, National Audio manufactured 480 00:28:42,554 --> 00:28:44,932 18 million audio cassettes, 481 00:28:45,224 --> 00:28:47,643 mostly being sold to record labels. 482 00:28:48,769 --> 00:28:52,522 Reports of the cassette death were greatly exaggerated 483 00:28:52,814 --> 00:28:55,943 as even today, many people young and old 484 00:28:56,235 --> 00:28:59,780 still keep a tape recorder handy for quick transmissions. 485 00:29:00,072 --> 00:29:01,073 (quirky upbeat music) 486 00:29:01,365 --> 00:29:05,160 It's a '90s vibe, a preference thing. 487 00:29:05,452 --> 00:29:07,287 Some like their music clean, 488 00:29:07,579 --> 00:29:09,373 others may preference a more dirtier sound, 489 00:29:09,665 --> 00:29:10,916 like it or not. 490 00:29:11,208 --> 00:29:12,918 The cassette tape is here to stay, 491 00:29:13,877 --> 00:29:15,712 a much dependable format, 492 00:29:16,004 --> 00:29:18,048 and some wish that it could never go away. 493 00:29:19,591 --> 00:29:22,844 So let's get those graphic equalizers from out of the garage 494 00:29:23,136 --> 00:29:26,723 and let's pump that bass or perhaps turn down the treble 495 00:29:27,015 --> 00:29:30,519 for cassette tape recorder, and no, I am not a rebel. 496 00:29:30,811 --> 00:29:34,606 (quirky upbeat music continues) 497 00:29:35,774 --> 00:29:36,525 - Watches? 498 00:29:38,068 --> 00:29:40,529 (seller speaking in foreign language) 499 00:29:40,821 --> 00:29:43,031 Radio cassette. I see? 500 00:29:44,700 --> 00:29:45,450 (bright upbeat music) 501 00:29:45,742 --> 00:29:47,577 (speaks in foreign language) Paul Newman! 502 00:29:49,246 --> 00:29:52,124 (seller speaking in foreign language) 503 00:29:52,416 --> 00:29:55,127 Automatic shut-off, tape counter. 504 00:29:57,212 --> 00:29:58,630 (speaks in foreign language) You sell me this? 505 00:29:58,922 --> 00:30:00,173 Sell me? 506 00:30:00,465 --> 00:30:02,592 1,800 rupees? No? 507 00:30:04,386 --> 00:30:09,016 (sighs) 2,000 rupees cash. No? 508 00:30:10,600 --> 00:30:13,437 - This is a very good set, Bush Baron made in India. 509 00:30:13,729 --> 00:30:15,147 I bought it from there. 510 00:30:15,439 --> 00:30:16,148 - Ooh. Ooh! 511 00:30:18,066 --> 00:30:20,444 - [Announcer] Now available in two models. 512 00:30:20,736 --> 00:30:23,155 Bush, the number one two-in-one. 513 00:30:26,992 --> 00:30:28,785 - There you go. Latest. 514 00:30:29,077 --> 00:30:29,911 (child speaking in foreign language) 515 00:30:30,203 --> 00:30:31,330 (car horn honking) 516 00:30:31,621 --> 00:30:32,831 (seller speaking in foreign language) 517 00:30:33,123 --> 00:30:34,833 - Good day. Welcome sir, welcome. 518 00:30:35,125 --> 00:30:37,336 Psst, one bargain, 519 00:30:37,627 --> 00:30:39,504 very good radio cassette, two-in-one. 520 00:30:39,796 --> 00:30:40,714 - Are you sure? 521 00:30:41,006 --> 00:30:42,174 - Sure. 522 00:30:42,466 --> 00:30:44,301 See the quality, Bush radio cassette. 523 00:30:44,593 --> 00:30:45,177 (buyer speaking in foreign language) 524 00:30:45,469 --> 00:30:49,139 - Very cheap. Only $200 cash. 525 00:30:49,431 --> 00:30:51,808 Eight minute. (grunts) 526 00:30:52,100 --> 00:30:52,642 (boss speaking in foreign language) 527 00:30:52,934 --> 00:30:55,145 - [Announcer] Bush, the number one two-in-one. 528 00:30:57,939 --> 00:31:00,442 (door creaking) 529 00:31:00,734 --> 00:31:02,110 (father yawning) 530 00:31:02,402 --> 00:31:03,487 (father grunts) 531 00:31:03,779 --> 00:31:05,072 - [Father] Huh? 532 00:31:05,364 --> 00:31:05,947 Hurray! 533 00:31:06,239 --> 00:31:07,699 - Papa! - Papa! Papal! 534 00:31:08,658 --> 00:31:09,743 (wife speaking in foreign language) 535 00:31:10,035 --> 00:31:11,203 - Papa! - Papa! 536 00:31:11,495 --> 00:31:12,579 Papa! - Papa! 537 00:31:12,871 --> 00:31:17,167 - [Father] Huh? (grunting) 538 00:31:17,459 --> 00:31:19,044 (vocalist singing in foreign language) 539 00:31:19,336 --> 00:31:23,882 (wife speaking in foreign language) 540 00:31:24,174 --> 00:31:26,426 - [Announcer] Now available in two models, 541 00:31:26,718 --> 00:31:29,012 Bush, the number one two-in-one. 542 00:31:33,100 --> 00:31:36,269 (upbeat lively music) 543 00:31:37,646 --> 00:31:39,981 - [Narrator] Many would say there's still a place 544 00:31:40,273 --> 00:31:43,068 for analog sound in today's digital music world. 545 00:31:44,861 --> 00:31:47,280 If you've ever spent hours sitting by the radio waiting 546 00:31:47,572 --> 00:31:49,366 for your favorite songs to come on so you could record 547 00:31:49,658 --> 00:31:51,284 on your cassette recorder, 548 00:31:51,576 --> 00:31:54,788 you should be excited because through the availability 549 00:31:55,080 --> 00:31:58,250 of new recordable cassette tapes still on the market, 550 00:31:58,542 --> 00:32:01,378 you can now still relive those experiences. 551 00:32:01,670 --> 00:32:05,549 (upbeat lively music continues) 552 00:32:06,633 --> 00:32:09,970 Let those '90s vibes stay with you. 553 00:32:11,096 --> 00:32:14,808 It's quite a uniqueness and as the old saying goes, 554 00:32:15,100 --> 00:32:16,977 "if it ain't broke, don't fix it." 555 00:32:18,145 --> 00:32:21,440 Cassette tapes are still being used for a reason, 556 00:32:21,731 --> 00:32:25,735 not just in amateur setting, but for professional use: 557 00:32:26,027 --> 00:32:28,655 the small size, the ease of recording, 558 00:32:28,947 --> 00:32:32,033 and playback without any programming or fuss. 559 00:32:32,325 --> 00:32:34,953 Despite its many downsides, this is why 560 00:32:35,245 --> 00:32:38,498 the cassette tape still offers fantastic potential. 561 00:32:40,542 --> 00:32:44,880 Cassette tape album sales in the US grew by 123% in 2018 562 00:32:46,506 --> 00:32:51,428 according to Nielsen Music, jumping from 178,000 copies 563 00:32:52,012 --> 00:32:54,973 the year prior to 219,000. 564 00:32:56,016 --> 00:32:58,852 It's nothing compared the 1994 sales 565 00:32:59,144 --> 00:33:03,940 of 246 million cassette albums, but still very significant 566 00:33:04,816 --> 00:33:06,485 considering the format was all 567 00:33:06,776 --> 00:33:08,361 but dead by the mid-2000s. 568 00:33:08,653 --> 00:33:09,988 (upbeat lively music continues) 569 00:33:10,280 --> 00:33:13,992 But who could imagine a world without analog? 570 00:33:14,284 --> 00:33:16,703 The world around is analog. 571 00:33:16,995 --> 00:33:19,581 Our ears and eyes are analog. 572 00:33:21,124 --> 00:33:24,628 Digital recordings are very clean and sharp, 573 00:33:24,920 --> 00:33:26,755 but there are no harmonics. 574 00:33:27,047 --> 00:33:30,300 These are digital pictures of audio recordings, if you will. 575 00:33:32,511 --> 00:33:36,556 The consumer public is fickle and trends always change, 576 00:33:36,848 --> 00:33:38,433 but for the foreseeable future, 577 00:33:38,725 --> 00:33:40,685 people will always stay a little crazy 578 00:33:40,977 --> 00:33:42,646 for vinyl records and cassettes. 579 00:33:44,564 --> 00:33:49,194 Last year in 2018, vinyl LPs saw revenues hit 580 00:33:49,486 --> 00:33:54,241 their highest level since 1988, totaling 419 million, 581 00:33:56,117 --> 00:33:58,495 an 8% jump from the previous year. 582 00:34:00,455 --> 00:34:02,207 Though vinyl sound quality to many 583 00:34:02,499 --> 00:34:05,627 is unquestionably superior to cassette tapes, 584 00:34:05,919 --> 00:34:09,422 the small size and mostly lowered costs makes them superior 585 00:34:09,714 --> 00:34:14,052 for vintage music collectors, but as new inventions come 586 00:34:14,344 --> 00:34:16,888 to fruition in the digital computer age, 587 00:34:17,180 --> 00:34:19,558 can cassette tapes still thrive in the future? 588 00:34:20,976 --> 00:34:23,645 Analog magnetic tape has always been used 589 00:34:23,937 --> 00:34:26,648 in early computer technology for data storage, 590 00:34:26,940 --> 00:34:30,026 but how much can a single compact cassette tape hold 591 00:34:30,318 --> 00:34:32,195 in today's data storage terms? 592 00:34:33,446 --> 00:34:37,951 Well as we found, cassettes are still in massive use 593 00:34:38,243 --> 00:34:41,746 for long term data storage for professional computing firms. 594 00:34:42,038 --> 00:34:44,082 Every computing cluster uses them. 595 00:34:45,125 --> 00:34:48,795 They have a very high lifetime, usually at least between 20 596 00:34:49,087 --> 00:34:52,090 to 50 years compared to other storage mediums 597 00:34:52,382 --> 00:34:56,094 and are still very dependable for long term storage of data, 598 00:34:56,386 --> 00:34:58,597 music, images, and even video. 599 00:34:58,888 --> 00:35:00,974 (bright lively music) 600 00:35:01,266 --> 00:35:03,560 Cassette tapes for video recording has been in use 601 00:35:03,852 --> 00:35:05,937 since the 1980s with the introduction 602 00:35:06,229 --> 00:35:11,026 of the Fisher-Price PAL 2000 video camera in 1987 603 00:35:11,735 --> 00:35:14,571 that used a cassette tape as its recording format. 604 00:35:15,488 --> 00:35:18,116 Although the modern cassette recording speed moves 605 00:35:18,408 --> 00:35:21,828 much too slow to capture high-quality video images, 606 00:35:22,120 --> 00:35:26,333 the PXL 2000 still offered a low grade, grainy, 607 00:35:26,625 --> 00:35:28,251 black-and-white video image 608 00:35:28,543 --> 00:35:31,129 that could be instantly played back and enjoyed. 609 00:35:35,175 --> 00:35:36,468 - [Announcer] You've always been heard, 610 00:35:36,760 --> 00:35:38,511 but now you can be seen. 611 00:35:38,803 --> 00:35:41,598 Introducing the PXL 2000 camcorder, 612 00:35:41,890 --> 00:35:45,060 with the same audio cassette that makes your music. 613 00:35:45,352 --> 00:35:46,686 It makes videos. 614 00:35:47,687 --> 00:35:50,148 Sight and sound that's easy to handle. 615 00:35:50,440 --> 00:35:53,276 (bright lively music) 616 00:35:53,568 --> 00:35:57,030 Just shoot and play back on the PXL 2000 TV. 617 00:35:58,865 --> 00:36:03,662 The PXL 2000 video system. Now you can be seen and heard. 618 00:36:05,038 --> 00:36:08,124 (upbeat lively music) 619 00:36:08,416 --> 00:36:10,543 - [Narrator] A standard audio cassette tape stores 620 00:36:10,835 --> 00:36:12,587 both video and sound. 621 00:36:14,255 --> 00:36:18,176 The PXL 2000 holds 11 minutes of footage 622 00:36:18,468 --> 00:36:20,887 by moving the tape at a high speed, 623 00:36:21,179 --> 00:36:24,599 nearly nine times the normal percent playback speed. 624 00:36:26,017 --> 00:36:27,977 The PXL 2000 records 625 00:36:28,269 --> 00:36:32,732 at roughly 16.875 inches per second 626 00:36:33,024 --> 00:36:35,110 versus a standard cassette speed 627 00:36:35,402 --> 00:36:38,446 of 1.875 inches per second. 628 00:36:40,448 --> 00:36:44,035 The higher speed is necessary because video requires 629 00:36:44,327 --> 00:36:47,205 a wider bandwidth than standard audio recording. 630 00:36:48,623 --> 00:36:52,252 In magnetic tape recording, the faster the tape speed, 631 00:36:52,544 --> 00:36:55,672 the more data can be read or written per second, 632 00:36:55,964 --> 00:36:58,675 which equates to a higher bandwidth. 633 00:36:58,967 --> 00:37:02,095 The PXL 2000 recorded the video information 634 00:37:02,387 --> 00:37:04,723 on the left audio channel of the cassette 635 00:37:05,014 --> 00:37:06,599 and the audio is on the right. 636 00:37:08,935 --> 00:37:12,772 The camera also was marketed to kids and teenagers. 637 00:37:13,064 --> 00:37:15,024 Amazingly, the pixelated quality 638 00:37:15,316 --> 00:37:17,986 of the PXL 2000 is actually used 639 00:37:18,278 --> 00:37:21,156 as a very abstract video medium to this day. 640 00:37:21,448 --> 00:37:23,742 (upbeat lively music continues) 641 00:37:24,033 --> 00:37:26,411 Modern cassettes have the ability to hold 642 00:37:26,703 --> 00:37:29,038 as much as 500 gigabytes of data 643 00:37:29,330 --> 00:37:30,749 depending on its application. 644 00:37:31,666 --> 00:37:35,545 Holding 500 gigabytes of data on a small, lightweight, 645 00:37:35,837 --> 00:37:38,214 and portable medium with the ability to be stored 646 00:37:38,506 --> 00:37:42,343 for up to 50 years is still quite a milestone. 647 00:37:43,636 --> 00:37:46,473 This and many other usages for cassette tapes have come 648 00:37:46,765 --> 00:37:49,976 to pass in recent years as well as improvements 649 00:37:50,268 --> 00:37:54,105 in tape quality from the introduction of better metal oxides 650 00:37:54,397 --> 00:37:58,610 being used on the tape like ferric oxide and chrome dioxide, 651 00:37:58,902 --> 00:38:00,528 also known as metal tape. 652 00:38:01,821 --> 00:38:05,784 So where will the future lead? Is it analog or digital? 653 00:38:06,743 --> 00:38:09,871 Even though we live in a mostly digital world now, 654 00:38:10,163 --> 00:38:12,707 at the backbone of that technology lies 655 00:38:12,999 --> 00:38:15,710 a format that's well tried and true, 656 00:38:16,002 --> 00:38:18,838 and its lifespan cannot be doubted. 657 00:38:19,130 --> 00:38:22,342 The modern cassette tape will forever go down 658 00:38:22,634 --> 00:38:24,928 as one of the most brilliant human breakthroughs 659 00:38:25,220 --> 00:38:29,974 of our time, and who is to say that even future residents 660 00:38:30,517 --> 00:38:34,187 will undoubtedly find much to be thankful for 661 00:38:34,479 --> 00:38:35,939 in the compact cassette tape. 662 00:38:38,650 --> 00:38:41,319 (wind whooshing) 663 00:38:43,363 --> 00:38:44,823 - [Announcer] When it's recorded on a tape 664 00:38:45,114 --> 00:38:47,116 that's built to standard 60% higher 665 00:38:47,408 --> 00:38:48,785 than the industry calls for. 666 00:38:49,077 --> 00:38:50,578 (robots gibbering) 667 00:38:50,870 --> 00:38:53,331 Rock and roll is really here to stay. 668 00:38:54,666 --> 00:38:57,544 ♩ You shake my nerves and you rattle my brain ♩ 669 00:38:57,836 --> 00:39:00,630 ♩ Too much love drives a man insane ♩ 670 00:39:00,922 --> 00:39:02,841 ♩ You broke my will, but what ♩ 671 00:39:03,132 --> 00:39:04,509 - [Howie] This is Howie Maxell, 672 00:39:04,801 --> 00:39:07,387 employing you to save bonuses spots. 673 00:39:07,679 --> 00:39:10,723 (upbeat lively music) 674 00:39:11,933 --> 00:39:13,643 - [Narrator] "Cassettes Go Hi-Fi," 675 00:39:14,561 --> 00:39:17,480 written and directed by Dwayne Buckle, 676 00:39:17,772 --> 00:39:19,732 narrated by Myles Wright, 677 00:39:20,859 --> 00:39:23,570 presented by Vision Laboratories, 678 00:39:23,862 --> 00:39:27,115 distributed by 360 Sound And Vision LTD. 679 00:39:36,833 --> 00:39:40,753 (upbeat lively music continues) 680 00:40:06,821 --> 00:40:10,700 (upbeat lively music continues) 681 00:40:36,809 --> 00:40:40,730 (upbeat lively music continues) 682 00:41:06,881 --> 00:41:10,802 (upbeat lively music continues) 683 00:41:36,828 --> 00:41:40,748 (upbeat lively music continues)54559

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