All language subtitles for The Dead Files s03e11 Blood in the Bordello.eng

Subs created by: David Coleman.

You hear that?

He's stalking them.

My wife was assaulted here.

It hurts.

I felt this push.

Looks like a scratch mark.

Really dangerous situation.

Within two minutes
he's dead on the street.

I see a lot of brains.

Holy [Bleep].

She was tried for first-degree murder.

She's, like, trying to reach out.

There's something very bad here.

They're being watched.

My name is Amy Allan.

This thing likes death.

I see dead people.

This thing is, like, a monster.

I speak to dead people...

And he's pissed off now.

And they speak to me.

His head was cracked.

But there's only one way to
know if my findings are real.

This guy was murdered.

I rely on my partner.

I'm Steve Di Schiavi.

I'm a retired New York
City homicide Detective.

I cannot help you unless
I know the whole story.

And I know every person,
every house has secrets.

You saw her? It's my job to reveal them.

Why would you stay here?

But Steve and I never speak...

We never communicate
during an investigation.

Until the very end.

Stop it.

We uncover if it's
safe for you to stay...

I want to know the truth. I
want to know what's happening.

Or time to get out.

[Voice breaking] I told you
there were ghosts in this house.

[Indistinct whispering]

Steve: Amy and I conduct our
investigations separately.

I interview witnesses, local experts,
and dig into the history of the location.

At the end we reveal our findings to the
clients and each other for the first time.

I'm in Columbus, Ohio.

We've been called in by
this guy named Harold.

He owns a restaurant
with his wife in town,

and he says there's violent spirits
attacking his wife and his employees.

I'm hoping Amy and I
can straighten this out.

Matt: Before Amy enters a location.

I clear the area of anything
that could influence her findings.

This restaurant has a lot of
photographs and historical items.

So it's important that I cover or
remove them before Amy begins her walk.

[Eerie music playing]

There's too much going on.

I saw this dead lady
who's depressed, and...

I saw things moving. I saw a chair move.

Oh, okay.

[Bleep].

There's a lot of sadness.

[Whispering] I don't like it back here.

[Normal voice] There's
something very bad up here.

[Eerie music playing]

Steve: So, Harold, you sounded
really concerned on the phone.

What's going on?

My wife and I just
bought the restaurant.

And recently employees have started
reporting seeing apparitions...

Seeing things moving
around on their own.

And the breaking point was
when my wife was assaulted here.

Assaulted? In what way?

She was pushed.

- Did she get hurt?
- Fortunately, she's okay.

But it... it rattled her a little.

That's gotta be a
little bit tough on you.

This is difficult.

There's something here attacking
my wife, and I feel helpless.

What do you think's going on here?

I'm not sure, but it seems to
be primarily targeting women.

We've seen a pattern, and more
women seem to be affected by this.

- And it's a concern.
- Ah.

You hear that?

[Wood creaking]

Stomping up and down.

And it's him.

I think it's a shadow man.

Amy: Shadow people are evil entities.

No one knows where they come
from, but they are very dangerous.

He attaches to people.

He's been here before.

And he wants everyone out.

[Eerie music playing]

Steve, I brought you back here,
because this is where the staff,

keeps the ghost log.

They began to have so many incidents,

that nine months ago I asked them to
start documenting their experiences.

You've got a lot of entries here.

Yeah.

My first experience came
when we opened the bar.

I was standing under the bar here,

and as I stood and talked to staff in
anticipation of our first customers.

One of the pictures...

Fell off of the wall and
hit me squarely on the head.

- It came crashing down.
- Did you get hurt?

I definitely felt it.

Did you notice if it had been
loose or anything like that?

We had gone through quite an extensive

renovation here over
the previous four months.

During the renovation,
nothing had happened.

If it was gonna come
down, it would've come...

- Maybe.
- It would've come down.

Harold, I gotta ask you, what would you
do if Amy told you you gotta get out?

I hope that's not the answer.

We have everything tied
up in this restaurant.

Amy: So there's this one guy,
and he doesn't like to be here.

[Scoffs]

He's very annoyed about the shadow
man, who he cannot stand at all.

And he [Bleep] throws a fit about it.

I have a weird feeling that maybe
they knew each other in life.

This is, like, a long-standing feud.

- Between the shadow man and this man?
- Yes.

[Bleep] Gonna go down.
Like, he's had it.

Amy: This angry guy is screaming to
me about how he hates the shadow man.

I think they're in an ugly fight, and
the living are caught in the middle of it.

This guy, how does he
feel about the living?

He's very, very, very
annoyed and frustrated

with them because they
won't listen to him.

Is he gonna do something?

Well, that's what he's threatening.

He'll, like, try to throw something.

He wants the living to get rid
of all of the dead except for him.

Because they annoy him.

- Your husband Harold called us in.
- Mm hmm.

You've got some things going on here.
Why don't you tell me about that?

Since we've been in here, a
lot of our trusted employees,

um, have started to
complain about things.

- And we don't have answers.
- Okay.

- What do you know about the building?
- This building is... is 200 years old.

And we know stories about the history of
this place, but we don't know what's true.

Some of the things I've heard is,

you know, I know this are used to
be a Native American burial ground.

Going way back before
this building was here.

And, um, this was around
during The Civil War,

so this was actually a bar
that Union soldiers would visit.

- Way back in the 1860s.
- Wow, okay, so there's a lot here.

So, Elizabeth, I spoke to your husband.

He's a little concerned
about what happened to you.

Yes.

- You got pushed?
- Yes.

- Can you show me how...
- Absolutely.

What did you do? I mean,
were you just walking in here?

Essentially I was walking in.

- Our kitchen's back behind here.
- Right.

I had two managers that were in the
office right about where you were.

Was this door open?

Yeah, the door was open, and,
uh, I got to about right here.

And I felt this push, uh, on my back.

I basically fell forward,
like, onto my forearms.

It was scary. I just was this
really violent push to the ground.

When I looked up and looked at my managers,
they were like, "did somebody push you?"

- It... it was really weird.
- And nobody was in the hallway?

Nobody was in the hallway. We checked.
There was no trip hazard anywhere.

And it... it happened so quickly.
It was just... it was very strange.

Okay.

Matt: So can you tell me
more about this guy here?

He doesn't like the shadow guy, because
he thinks that he owns the joint.

What's he doing?

He tries to hit people in
the back, but right here.

Like, he's trying to get
them, like, right here.

Like, he's trying to touch
them or push them or punch them.

Oh, he's pissed now.

[Indistinct whispering]

Like, he's trying to touch
them or push them or punch them.

He's had it. He does
want these people gone.

You know, he [Bleep] hates everybody.

[Eerie music playing]

So, Caeleigh, I was talking
to Harold and Elizabeth,

and they told me some of the
employees here are having issues.

Have you had any experiences?

I've seen things out
of the corner of my eye.

Like what?

Like a taller, shadowy figure
of a man in a white shirt.

Could you see details
of his face or anything?

No. But the feeling that I get is, like,
I'm being watched while I'm working.

- Are you uncomfortable working here?
- I am. I am.

- Okay.
- Definitely startled.

My heart starts beating, and I
start getting too anxious to work.

But as soon as my anxiety
level goes up, so do...

Paranormal things in the kitchen.

The shadow man... he doesn't
like the living people.

He says they're just as
bad as the dead people.

Can you describe him?

I have to look into the shadows.

I can't really see its face.

He's wearing black suspenders
with metal hooks and a white shirt.

His shirt is weird.

It doesn't have a collar or
anything, just a button there.

The shadow man, he does follow people.

He's, like, stalking them.

He would like them to die.

When I was working last Friday, and
I walked away for a little while,

and I came back in, and
the middle burner was on.

Is there a problem with the stove?

No. I mean, I'm a cook.
I don't leave burners on.

And there was no one around
that could have turned it on.

But luckily I caught
it and turned it off.

That could be potentially a
really dangerous situation.

Yes.

I saw a male and a female.

That he really hates a lot.

What does he do or want to do with them?

Oh, well, one of 'em he wants to kill,
I think in his dream land burn them.

[Eerie music playing]

So, Brenda, I was talking to
people that work downstairs.

And, uh, they're having some
pretty strange things happen.

Now you work up here in
these offices up top here.

Right. Right.

Okay, now I'm trying to find out,
did you ever experience anything?

I feel like there's a
man who's very, very bad.

I feel like he can effect
people's moods to where somebody

who's generally a nice person,
may not be for a second.

Like they deviate from their
personality for a minute.

So I know what you're sensing, but
have you actually ever seen anything?

No. I've never seen anything.

But I was downstairs in the conference
room finishing up some paperwork.

And all of a sudden I could
feel, like, a burn on my arm.

And when I pulled up my sleeve,
you can see the scar on my arm.

But it went from here
all the way to here.

But now the scar's about like that.

Looks like scratch marks.

So how long ago did that happen to you?

Approximately six weeks ago.

- And the scar's still like that?
- Yes.

- Amy: Holy [Bleep].
- Matt: What?

There's something very bad.

I'm trying to get into his head.

And he doesn't like that.

Amy: As soon as I try to connect with the
shadow man, I realize he isn't one at all.

He's been projecting himself
this way to scare the living.

So this man isn't
actually a shadow person?

No, he's a dead...

Person. But he looks
like a shadow person.

That's how people see him is like
a shadow person, but he's not.

He likes to pound on the
stairs. [Loud banging]

He likes to stand right by people.

He will squeeze them.

Like, it feels like your muscle
is, like, going in a spasm.

But it's... but it's not. It's
like you feel his pressure.

So is there anything else
that you feel or see up here?

There's a young girl.

I feel like she's, like,
trying to get my attention.

It's almost like you can hear
her, and she's, like, really sad.

But I feel like she died
a very tragic, sad death.

Steve: Three years ago,

I would have never considered a
witness's feelings to carry much weight.

But working with Amy has really changed
my mind about what people can sense...

But not actually see.

You seem to know a lot about this girl.

Physically and emotionally
without even seeing her.

How do you explain that?

Maybe she senses that I would
understand how she feels.

Maybe she knows that about me.

There's quite a few of 'em
he's got trapped up in there.

A few of what?

[Whispering] People.

[Normal voice] They're
all crying in the corner.

He says, "don't pay attention to the
[Bleep] crying in the [Bleep] corner".

[Indistinct whispering]

Steve: The witnesses I've talked to told
me a lot of legends about the jury room.

So I'm meeting with a local
historian in front of the restaurant.

Who promises to separate
fact from fiction.

[Eerie music playing]

Nellie, is it true that this entire
area was an Indian burial ground?

That's true, actually, a
couple thousand years ago,

there were Hopewell
Indians living in this area.

And there was a 40-foot-tall Indian
burial ground right on this site.

Okay, so what happened to the mound?

In the 1820s the settlers dug it all up.

They took all the clay from the outer
layer of it, including the bones.

Ground that up and made it into bricks,

which they ended up using as part
of the original Ohio State House.

So they used the remains...

Of these Indians in
the building materials.

Yes, incredibly disrespectful.

Amy: I see that there are
things coming up from the ground.

Just dark things coming up
from the ground, from the floor.

There's these men that are
coming up from the floor.

They're trying to
come up from the floor.

Shadow man comes down here,
and he likes it down here.

He, like, feeds off it. He
likes it. He likes it a lot.

I feel like...

Someone's strangling me.

Do you have any idea who's doing that?

I think that's the shadow man.

He's better at being physical.

He's, uh, like, he gets, uh, his
energy down here or something.

It hurts.

And this guy will not [Bleep] stop.

[Gasps]

The real history of this place
didn't really start until 1831,

when the Courthouse was built
here, right where we're standing.

That's the whole reason
why the jury room was built.

You know, to accommodate
the needs of the,

lawyers and judges and
people who come to the trials.

Okay, so the Courthouse was first,
and then the jury room was built.

Now was it always a tavern?

Oh, it's always been a tavern, although
there were some other businesses going on.

It had been used off and on as an inn.

And in the 1850s it was
also used as a bordello.

- Really?
- Oh, yeah.

The building originally
looked quite different.

As you can see in this picture of it from
1879, it had three stories originally.

By the time this picture was taken, fire
had taken out the entire third floor.

- And what year did that happen?
- Eighteen eighty five.

Okay.

And that's not even the last of it.

Then they had a huge flood
in 1913 that was just,

the most grisly thing I've ever
heard of in Columbus history.

So where'd the flood come from?

Flood came through a few days of very,
very heavy rains and then a levee breaking.

Close to 100 people died. Thousands
of people were left homeless.

Wow.

- Matt: Are you okay?
- Amy: Yes.

What's wrong?

There's these men that are,
like, swimming through the floor.

It's like swimming, like,
they're swimming. Like...

I don't understand.

It's like this woman's
getting, like, drowned.

She's, like, drowning. She's like...

And her hand's up, and she's,
like, trying to reach out.

And... and she's being
sucked into the floor.

And she's screaming.
There's so much pain.

Steve: After meeting with Nellie,

I wanted to see what other information
I could find out about the jury room.

And the fact that it was
once used as a bordello.

Is something definitely
worth looking into.

Digging through the archives,

I came across an article that took this
case in a direction I wasn't expecting.

It turns out a prostitute
named Frances Miller,

was arrested for murdering a man in
the exact location I'm investigating.

This murder is my first
major lead in this case.

So I've tracked down a local historian,

who's asked me to meet her
in Columbus's oldest cemetery.

She says she has something to show me.

[Eerie music playing]

So this article I read
about this murder...

- It says it took place in a bordello.
- Mm hmm.

And it's in the same
property I'm investigating.

Does that sound accurate to you?

Oh, very accurate because whatever the
tavern or saloon was at that location.

Didn't necessarily mean that there
wasn't another business going on,

like a bordello in the
basement or the upstairs,

and that would have been pretty common.

So now why did you
bring me to the cemetery?

There's something I wanted to
show you that I think pertains,

- to what you're investigating.
- Okay.

This is the family plot
of the murder victim.

Well, the night of the murder, can
you take me through what happened?

It's the end of March, 1859.

3 guys in their 20s, friends, meet up.

They've been drinking way too much, and
they're gonna go off to the bordello.

Which one of them, the
victim, knows very well.

In fact, he knows it so well that
he has this little euphemism for it.

He calls it his "farm".

But he's definitely gonna
get his way into the bordello,

even though it's past midnight.

And you have these intoxicated young
men who think they're gonna get in,

especially one who knows it
very well, and he's insistent.

So it's not unusual to think that she
has to take the matter into her own hands.

Pick up a gun, and
scare him off at least.

He turns away. He turns
back, and she shoots him.

And within two minutes
he's dead on the street.

People are yelling.

There's blood on the floor.

Amy: By touching the blood
I can see on the floor,

I'm able to pick up on the strong
residual energy of what happened here.

Why is there blood on the floor?

Oh, because there was this murder.

[Winces]

Uh, I think it's a male.

He's slumped over.

He said that people put
themselves in stupid situations,

and they deserve what they get.

He's like, "well, now you've got
blood on your hands, too, [Bleep]".

[Indistinct whispering]

Steve: I now know that a prostitute named
Frances Miller shot and killed a man,

inside the restaurant I'm investigating.

But I need to know what
happened when she went to trial.

So I'm meeting with a local author
who can tell me all about it.

This Frances Miller trial, uh,
what can you tell me about it?

Well, uh, I can tell you that
it started in the Mayor's court.

Lorenzo English. He
was Mayor of Columbus.

And he presided in Mayor's
court over the witness testimony.

So he was the Mayor
and presided over court?

That's correct.

Lorenzo English was
very, very strict.

And a very, very religious man.

Uh, revered in the community, but he really
didn't have a lot of, uh, personal friends.

Amy: I need to return to the attic,

to see if I can figure out
who this dead man really is.

Who's been projecting himself
to me as a shadowy figure.

He has...

Dark hair.

He's really pretty powerful.

[Whispering] Always
business, business, business.

[Normal voice] Religious man, very.

Oh, I'm just getting bits and pieces.

[Exhales sharply]

Huh?

He doesn't want me to get into his mind.

[Winces]

What happened with the trial?

The Mayor's court took
down all of the testimony.

And then transferred it
to the common police court.

Okay.

The Judge that presided
over Frances Miller's case,

in the common police
court was James L. Bates.

Okay, what kind of guy was he?

Well, he was very, very revered
also within the community,

but he also was said
to be very kind-hearted.

What was her defense in the case?

Well, her defense is that
Paulus was banging down the door.

And threatened to kick it down and
enter her bordello establishment.

Okay.

She, uh, felt like she
had to defend herself.

All right, so her claim was
self-defense to shoot the guy.

And what winded up happening?

Well, uh, she was tried
for first-degree murder.

And, um, she was
convicted of manslaughter.

And sentenced to 11 years in prison.

It's my belief that
Mayor Lorenzo English,

would have really thrown
the book at this woman.

So, Tom, after the trial
she's sentenced to 11 years.

What happened?

When she got out, she basically
got out a broken women.

She... she basically lost everything.

She lost her business,
her house, everything.

[Loud banging]

Amy: Somebody's saying, "and
they deserve to be punished".

"Because"...

"They were all"...

Uh...

"Evil".

"Uh, doing very bad things".

"Uh, like, against, uh, God".

"And so they deserve to be punished".

Who's telling you this?

Uh, the dead guy.

Is he, like, the... the threat?

Yeah, I mean, he can hurt
you. He hurt me. Yeah.

I think he can do that to others. Yeah.

Do you think he wants
to kill the living here?

Yes.

[Eerie music playing]

Amy: During my walk I
encountered an angry entity,

who projected himself as a shadow man.

I'm meeting with a sketch artist to
illustrate my violent encounter with him.

He'd probably be about 6'3".

You can see, like, his arms and,
like, the deltoid and the bicep.

His hand's down, touching
the ground, just like this.

Okay.

How's the environment
in the rest of the room?

There's bricks on the floor.

And there's a water heater.

Amy, is this what you saw?

[Indistinct whispering]

Steve: Now that our
investigations are complete.

We're hoping our findings will help
Harold and Elizabeth save their restaurant.

I also asked Brenda to be here,
because I know she needs answers.

This is Harold and Elizabeth.

They bought the place a few years ago,
and they've had trouble ever since.

Employees are frightened
by what's happening here.

And they can't afford
to close the doors,

so they're looking for
answers and some help.

This is Brenda. Now Brenda
works up on the top floor here.

And she had a pretty frightening
incident happen to her.

That being said, I'm
gonna turn it over to Amy.

The first person that I encountered
was a very, very sad, lost woman.

To me she looked like a mother.

She was hysterical, um, crying.

There's a sense of loss there.

Wow.

Brenda, tell Amy about that
particular feeling you get.

I sense her. I don't see her.

She's just very sad, and
she died a very tragic death.

Well, there is one woman that comes
to mind, and her story is very sad.

Back in the 1850s there was a
bordello run out of the building.

[Whispering] Wow.

The woman that ran the bordello
here, her name was Frances Miller.

She was in her 40s.

On the night of March 31st,
early in the morning hours, 1859.

She shot and killed a young man.

Who was attempting to
get into the bordello.

She didn't want him in there.

An argument ensued. She
shoots and kills him.

Here's the article about it.

She was claiming self-defense,
but they didn't buy it.

She was sentenced to 11 years, came out,
and her life was basically destroyed.

I saw a...

Murder.

Of a man, and he was slumped over.

Um, there was blood everywhere.

And I heard, "now you've got
blood on your hands, [Bleep]".

Could that sad woman you
encountered be Frances Miller?

Yes, I think it's very likely.

But she didn't die
here. Does that matter?

No.

Amy: The dead often return to the place
that was most important to them in life.

And this woman has done just that.

Okay, so the next conscious
entity that encountered.

Uh, was actually here in the bar area.

And it's this male. He's in his 20s.

He is a braggart.

He...

He hates the depressed woman.

I saw him coughing up blood.

Well, it sounds like the guy
that Frances Miller murdered.

He was 26 years old. His
name was Paulus Ruprecht.

By all accounts, this
guy was a real jerk,

because he used to call the bordello...

His "farm".

You know, like, treating the
women like they were animals.

Now do you think that this angry
guy here could be this guy Paulus?

I don't know. Maybe.

But the angry man I encountered,

he also has an issue with the living.

Because he wants the
place to... for himself.

And he's getting really frustrated.

And he wants to, like,
throw things around.

Right now I know that
he can touch and push.

He wouldn't, like, leave me alone.

Elizabeth, tell Amy what happened.

Back towards that office I was actually
pushed pretty... pretty violently.

Definitely a forceful push.

Oh, my.

Tell her what happened
the day you opened.

I was meeting with
the staff near the bar.

And a...

Picture... came off the wall
and hit me on the head.

Yeah.

He's, like, at the end of his rope
with the other dead people here.

- Will this guy get worse?
- Oh, yeah.

He wants to trash the place.

So the next entity...

I don't like this.

Up in the attic, um...

I see this shadow person.

But I'm looking, I'm looking,
and I see that there is...

It's actually a dead person.

Who is projecting that image around him.

Amy: The dead can sometimes take
on the form of other entities.

Usually to hide who they really
are or to scare those they dislike.

This one was doing both.

He is extremely angry,
and he just hates everyone.

Steve: Brenda, do me a favor.
Explain that feeling you have.

Yeah, I just keep feeling very a negative
man, and he affects people's moods.

And, um, he's just...

Hateful.

That's not good.

Once I got past seeing
him as a shadow person.

I saw the way he was when he was alive.

He was an extremely powerful person.

He was very religious.

Um, he hated everything
that was going on here.

He felt it was extremely sinful...

And that the people who were here
were doing things against God.

There was a Mayor here, Lorenzo English.

He was very religious and rigid.

I mean, he was known
as "The Hanging Judge".

He presided over the witness testimony for
the initial arraignment for Frances Miller.

The case got moved to a different Judge.

It's his town. He's the Mayor.
He's trying to clean it up.

And she commits a murder.

And he was pissed that it
was such a lenient sentence.

Do you think the shadow
being is this guy Lorenzo?

- Yes, I do.
- Okay.

Yeah, I do.

When I was upstairs, what I
was seeing was him on one side.

And then on the other side was that
woman who was crying and screaming.

He says, "don't pay attention to the
[Bleep] crying in the [Bleep] corner".

Why would he be here, though?

He didn't get to do what he
wanted to do to her in life.

The other problem with
this man is that...

He wants this place destroyed.

He'd love to burn it.

Talking about fires, they have
an employee here named Caeleigh.

She'll leave the stove burners off.

She'll come back, and
the burner will be on.

It's happened a couple times.

She sees a shadow man at least
twice a day while she's working.

Oh, my gosh.

So when I was in the basement,

that's when the shadow man
grabbed me on my neck and shoulder.

And it was extremely painful.

I feel like someone's strangling me.

This guy will not [Bleep] stop.

I was, um, finishing up some paperwork.

And all of a sudden I felt
this, like, burn go down my arm.

And when I looked, it was completely
inflamed, and I had a scratch down my arm.

Can you show her? She still
has the scarring from it.

- Oh, my God.
- So what really happened to her then?

- I think he probably did harm you.
- This guy?

Yeah.

The main person I'm concerned
about is the shadow man.

Because he has a male and a female that
he's kind of set his sights on here.

There's a male that he wants to harm.

But there's a female
that he wants to kill.

[Indistinct whispering]

The main person I'm concerned
about is the shadow man.

Though he hates all the living
people, and all the dead people.

He has two people in mind.

There's a male that he wants to harm.

But there's a female
that he wants to kill.

So I did something a little
bit different with my sketch.

I sketched him attacking me.

- You mean you sketched yourself?
- Yeah.

- You've never done that before.
- No.

Okay.

[Eerie music playing]

Take a look at this.

- Elizabeth: He's grabbing at you.
- Yeah.

What I wanted to show is
what he's capable of doing.

Like causing pain.

What he did to me.

Just... I don't know what to say.

What I saw, what I could make
out of him wasn't very clear.

So, Elizabeth, what's going
through your mind right now?

I'm really concerned that this
entity wants to hurt my staff.

Well, the thing is I don't know who
the male is that he wants to harm.

But the female that he wants to kill...

She's petite, thin, short brown hair.

You just described the
girl Caeleigh I interviewed,

who sees the shadow guy,
and the burners get put on.

That's her to a "T".

Okay.

I've seen things out
of the corner of my eye.

- Like what?
- Like a taller...

Shadowy figure of a man.

Do you know why he wants to harm her?

It's just that's the person that
he's kinda set his sights on.

And... but it's not even harm.
Like, he wants to kill her.

If she gets out of this
building, will he leave her alone?

Yes, but it doesn't matter.
He'd move on to others.

He's not gonna be satisfied.

So basically what we have
going on here is we have,

a fragmented woman feeling that
depression and loss, and she's broken.

- Who might be Frances.
- Frances Miller.

So part of her personality
is stuck upstairs in the attic

with the shadow man,
who is really the Mayor.

And he's kind of got a fragment
of her personality trapped there.

Then we have the male
who is the braggart.

Who has become frustrated and unhappy,

because he doesn't like
the dead that are here.

To him they're causing ruckus and chaos,
and he wants this place for himself.

Well, obviously this is a
dire situation you guys are in.

But is there any way that
Harold and Elizabeth can...

Save the restaurant and save lives?

So for that critical question,
I'm gonna turn it over to Amy.

I was initially concerned
about the shadow man.

Because he does have a lot of power.

But when I really sat down and
thought about it, he's just a dead guy,

and I'm not gonna take the
image that he's projecting,

as anything more than
just that... a projection.

So in that case, taking care
of dead people is a lot easier,

than if it had been a shadow
person or some kind of evil entity.

With him, his main
weakness is his religion.

Using the religion is
bringing in a man of the cloth,

to do a blessing of the entire location.

That's going to keep him out.

Once you do this, there will be
no dead that can enter this place.

And no dead that remain.

Just because I am slightly worried about
him, we're going to see how things go.

If things are still happening...

Then we might have
to go for an exorcism.

It's almost empowering to feel that

- we can kick these guys out.
- Mm hmm.

I feel good that we can,
uh, protect our staff,

and we can send everyone on their way.

And... and you guys are
definitely gonna do this?

- Yeah. Oh, yes.
- Okay.

Now are you gonna be a little afraid
to go upstairs to your office tomorrow?

I'm a little creeped
out, but I'm prepared.

And there's light at the
end of the tunnel here.

Yeah, absolutely.

Amy: I really hope Elizabeth
and Harold follow my advice,

and rid their restaurant of
the entities that inhabit it.

If they don't, I fear
not only for their safety,

but their employees
and customers as well.

(Eerie music playing)

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