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_
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It's the biggest land-run ever.
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Kentucky Daisey's like,
Sha-doink, this is my land.
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Wine is a very... it... high
[bleep] up quotient.
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Gordo is like, I'm
entering Earth's atmosphere.
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[mimics shuttle]
[bleep] bravo to me!
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Wait.
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Bass Reeves arrested 3,000
men in the line of duty.
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And he's like... pew, pew, pew.
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[laughing] I love you.
I'ma kiss you on your lips.
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00:00:37,765 --> 00:00:40,699
[patriotic music]
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sync & correction by f1nc0
~ Addic7ed.com ~
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I grew up in the middle
of bum[bleep] Oklahoma,
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out in the Panhandle.
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We have this great history... you know,
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00:00:54,700 --> 00:00:56,699
the Dust Bowl, and
everything really sucked.
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00:00:56,700 --> 00:00:58,699
And they were like, we're
gonna come through this.
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00:00:58,700 --> 00:01:00,699
Oklahoma, like, we
rose to the challenge.
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00:01:00,700 --> 00:01:03,699
We're the melting pot
of the United States.
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We are the armpit
of the United States.
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00:01:05,700 --> 00:01:08,699
Or the armpit.
Melting pot... armpit...
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00:01:08,700 --> 00:01:11,699
What we really are,
is Texas' weird hat.
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00:01:11,700 --> 00:01:13,699
- Right.
- I've heard we're Kansas with a boner.
25
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[laughs]
True.
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00:01:14,700 --> 00:01:16,699
- Do you like white wine?
- Yeah...
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00:01:16,700 --> 00:01:17,699
- You do?
- I do.
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Wow, you don't know
any guys that like it.
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- Cheers.
- Kentucky Daisey.
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- Kentucky Daisey. [giggles]
- All the way.
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Are you shooting it?
You seem experienced, fella.
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You were, like... had been a
bridesmaid at one point in your life.
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00:01:31,765 --> 00:01:33,699
- And you had shot some wine.
- Maybe.
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00:01:33,700 --> 00:01:35,780
Hello, today we're gonna
talk about Kentucky Daisey
35
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and the great Oklahoma
land-run. [laughs]
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[chuckles]
37
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- Oh no, I can't.
- You're fine.
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So, late 1870s,
Kentucky Daisey is a journalist,
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writing all... just the
fluff, garbage, women pieces.
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00:01:54,700 --> 00:01:56,699
They're like, Here's an assignment,
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00:01:56,700 --> 00:02:00,699
why don't you go write
about making corn pie
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or pudding... article, or whatever.
Okay?
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She's like, Pfft, I need a
little bit more meaty [bleep].
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00:02:08,700 --> 00:02:10,699
- Can I say... I can swear, right?
- Mm-hmm.
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00:02:10,700 --> 00:02:15,699
So, the government has this land,
it's like, 2 million acres.
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I mean, taken from the
poor Native Americans,
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00:02:18,700 --> 00:02:23,699
and they're like, What if we
give it to some crazy pioneers?
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00:02:23,700 --> 00:02:26,699
Let them kinda cultivate it for us,
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00:02:26,700 --> 00:02:28,699
make some cities, et cetera.
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Let's give the white people a chance.
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It's so awful.
We took 2 million acres!
52
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- Wow.
- It's very sad.
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But anyways, God bless America.
[laughs]
54
00:02:41,700 --> 00:02:44,699
So, she hears about this huge land-run.
55
00:02:44,700 --> 00:02:49,699
April 22nd, noon, land-run,
160 acres for free...
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to white people.
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So, she is like, Hey, journalist, boss,
what if I went to this land-run
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and I talked about what girls are
wearing in terms of petticoats?
59
00:03:02,700 --> 00:03:05,699
But in her head is like,
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I'm gonna get a piece
of this land for me.
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00:03:08,700 --> 00:03:09,700
So, she gets there.
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There are 50,000 people
lining the border.
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Cannon goes off at noon.
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Boom.
Everybody's acting buck wild.
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Everybody's buck. They'll
trample other people.
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Take kids down. They don't care.
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So, there's also a train that
goes into the lands as well.
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00:03:28,700 --> 00:03:31,940
And it's filled with journalists.
Kentucky Daisey's on the train.
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00:03:31,965 --> 00:03:33,699
She's trying to keep it cool.
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00:03:33,700 --> 00:03:35,700
But then, it goes up this
incline so it slows down.
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00:03:35,725 --> 00:03:38,699
Kentucky Daisey's like,
[bleep] this [bleep].
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She jumps off of a moving train.
Over a ditch.
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Gets to the plot of land that she wants,
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pulls a stake out... pop!
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Claims the land.
Shoots a gun off,
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because, whatever, that's who she is.
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Thus I salute the Ken...
What?
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00:03:53,700 --> 00:03:57,032
- What?
- The Kentucky Daisey claim.
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Thus I salute the Kentucky
Daisey claim! [mimics gunfire]
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00:04:00,700 --> 00:04:01,699
She gets the land.
81
00:04:01,700 --> 00:04:04,699
And so, on her little piece of property,
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she builds a house and whatever,
83
00:04:06,700 --> 00:04:08,699
but she starts to kinda
get that hunger again.
84
00:04:08,700 --> 00:04:10,699
She's like, I'm gonna
go to this next land-run,
85
00:04:10,700 --> 00:04:13,699
and I'm gonna ride a horse
in, like a badass bitch.
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00:04:13,700 --> 00:04:15,699
Boom! Cannon goes off.
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00:04:15,700 --> 00:04:18,699
And she does, she rides a horse in.
She's super cool.
88
00:04:18,700 --> 00:04:21,699
And then the horse acts
like a [bleep] asshole.
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Throws her.
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Tromps her face with its
little horse hooves...
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00:04:26,700 --> 00:04:28,699
- She what?
- Tromped her face.
92
00:04:28,700 --> 00:04:30,699
What do they do? Trample?
Tramp?
93
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The horse tramped her face?
[laughs] Right?
94
00:04:34,700 --> 00:04:37,699
- Yeah.
- Who cares? She lost it.
95
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So, she's out. She's unconscious.
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She wakes up, she's like,
Where am I?
97
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By the way, who cares where I am,
98
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it's land, I'm gonna claim it.
99
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I don't give a [bleep] where I am.
Sha-doink. This is my land.
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00:04:48,700 --> 00:04:50,699
People next door are like,
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00:04:50,700 --> 00:04:54,945
You just got hit in the [bleep] face.
You're cray.
102
00:04:54,991 --> 00:04:56,940
Now she's got two plots of land.
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00:04:56,965 --> 00:04:58,699
That's it, that's it.
That's the cap.
104
00:04:58,700 --> 00:05:01,722
So, Kentucky Daisey brought 11 women.
105
00:05:01,807 --> 00:05:05,549
She's like, Girls, we're
gonna go into these new lands.
106
00:05:05,550 --> 00:05:07,510
We're gonna give you some
property for yourselves.
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00:05:07,535 --> 00:05:09,549
Like, have at it. This is for us.
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This is lady land.
Let's put up some houses,
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00:05:13,050 --> 00:05:14,549
establish some lady property.
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Put a hot tub up.
Do whatever you want.
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These bitches are [bleep] rifled up.
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00:05:21,550 --> 00:05:24,549
They're called Daisey's Amazons
by "The New York Times."
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So, they go in there...
here's the crazy part,
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you're supposed to go in at noon,
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00:05:28,550 --> 00:05:31,549
that's the time, but
they go in days early...
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00:05:31,550 --> 00:05:33,549
which is illegal.
That's like a thing.
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00:05:33,550 --> 00:05:35,549
Those people were called sooners.
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And they hide in a ditch.
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00:05:36,575 --> 00:05:38,549
So, their whole thing
is like, Hey, by the way,
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00:05:38,550 --> 00:05:41,549
if like a [bleep] dude
runs up on you tonight,
121
00:05:41,550 --> 00:05:44,549
shoot him in the throat.
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00:05:44,550 --> 00:05:46,549
Sounds like a blast, but okay.
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00:05:46,720 --> 00:05:49,312
Kentucky Daisey gets it in
her head that... she's like,
124
00:05:49,348 --> 00:05:53,116
You know what we need?
Snacks... supplies.
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00:05:53,151 --> 00:05:55,719
Food, whatever it was.
I'll volunteer to get the Fritos.
126
00:05:55,720 --> 00:05:57,719
They're like, cool. She goes out.
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00:05:57,720 --> 00:06:00,719
And the guys in charge
of the land-run are like,
128
00:06:00,720 --> 00:06:03,719
No, not cool.
We're gonna capture you.
129
00:06:03,720 --> 00:06:04,719
You can't get the land.
130
00:06:04,720 --> 00:06:08,719
Sorry, you can't go get your Fritos.
131
00:06:08,720 --> 00:06:09,719
Mmm. [sniffs]
132
00:06:09,720 --> 00:06:12,719
She diverted the attention
that might have been
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00:06:12,720 --> 00:06:14,719
on these 11 ladies that
were hiding in the ditch.
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00:06:14,720 --> 00:06:16,719
And they ended up being land owners.
135
00:06:16,720 --> 00:06:19,719
I'm gonna throw up...
I'm not!
136
00:06:19,720 --> 00:06:21,719
People underestimate the power of wine.
137
00:06:21,720 --> 00:06:24,719
Wine is a very... it... high
[bleep] up quotient.
138
00:06:24,720 --> 00:06:29,519
- I agree.
- This is two bottles. [laughs]
139
00:06:29,570 --> 00:06:34,569
[chuckles] So, anyways, in 1893,
it's the biggest land-run ever.
140
00:06:34,570 --> 00:06:37,569
She gets 36 single broads.
141
00:06:37,570 --> 00:06:41,569
She's like, [bleep] those stereotypes.
142
00:06:41,570 --> 00:06:44,569
These are my... hos.
This is the best.
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00:06:44,570 --> 00:06:46,569
That's what she said.
She was like,
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00:06:46,570 --> 00:06:48,569
[bleep] blow into these territories
145
00:06:48,570 --> 00:06:53,569
and make a bunch of women
in charge of these lands.
146
00:06:53,570 --> 00:06:57,569
That's everybody's nightmare.
[bleep] yes!
147
00:06:57,570 --> 00:07:01,569
36 single women claimed the land,
set up houses and schools,
148
00:07:01,570 --> 00:07:05,569
and they built themselves...
how dare they.
149
00:07:05,570 --> 00:07:09,569
And that land became Oklahoma,
like, the Sooner State.
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00:07:09,570 --> 00:07:14,569
She's, kind of,
the mother of Oklahoma. [pistol shot]
151
00:07:14,570 --> 00:07:19,569
You know, it's not all about pioneers.
It's not all about families.
152
00:07:19,570 --> 00:07:23,569
It could be a [bleep] single lady
making it on your own.
153
00:07:23,570 --> 00:07:24,569
- Mm-hmm.
- You know?
154
00:07:24,570 --> 00:07:26,547
Bitches be doing it for themselves.
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00:07:26,633 --> 00:07:29,660
- To Kentucky Daisey.
- We love you.
156
00:07:29,703 --> 00:07:30,973
We love you.
157
00:07:31,570 --> 00:07:34,610
So, John Glenn is like,
Ten, night, eight, seven...
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00:07:34,635 --> 00:07:36,569
Gordo's like, Let's just,
like, do it, I'm ready.
159
00:07:36,570 --> 00:07:40,213
Have another drink.
Stop being a little bitch, Derek.
160
00:07:42,226 --> 00:07:44,306
[Steve Earle's "Copperhead Road"]
161
00:07:44,307 --> 00:07:47,025
All right, here we go.
Heels.
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00:07:47,026 --> 00:07:48,386
Oh, oh, that's right, it's only...
163
00:07:48,387 --> 00:07:49,867
Here we go with the turn.
And stomp!
164
00:07:49,892 --> 00:07:53,025
? You better stay away
from Copperhead Road ?
165
00:07:56,026 --> 00:07:59,025
Derek, come join me.
166
00:07:59,026 --> 00:08:00,306
- Where are you?
- In the bushes.
167
00:08:00,331 --> 00:08:03,025
What're you doing in the bushes?
Come out and play.
168
00:08:03,026 --> 00:08:07,026
Have another drink.
Stop being a little bitch, Derek.
169
00:08:10,026 --> 00:08:14,025
[laughs]
That's good. I like this moustache.
170
00:08:14,026 --> 00:08:17,026
Hi. My name is Laura...
My name is Laura Steinel.
171
00:08:17,051 --> 00:08:19,526
And today we're talking
about Gordon Cooper.
172
00:08:21,326 --> 00:08:23,025
The year is 1963.
173
00:08:23,026 --> 00:08:27,025
Gordon Cooper, he's this
military test pilot from Oklahoma.
174
00:08:27,026 --> 00:08:29,025
NASA had just begun.
175
00:08:29,026 --> 00:08:33,025
And so, he was one of seven
astronauts chosen for Project Mercury.
176
00:08:33,026 --> 00:08:35,025
Also, really chill.
177
00:08:35,026 --> 00:08:38,025
He was like,
Please, call me Gordo.
178
00:08:38,026 --> 00:08:41,025
Don't call me Gordon.
I'm not that official.
179
00:08:41,026 --> 00:08:44,025
Right? And so, all these
space missions go off
180
00:08:44,026 --> 00:08:46,025
without a hitch, and NASA's like,
181
00:08:46,026 --> 00:08:49,025
We've done really well.
Congrats, NASA.
182
00:08:49,026 --> 00:08:51,025
And they're patting
themselves on the back.
183
00:08:51,026 --> 00:08:53,025
And Gordo's like,
Guys, I totally get it.
184
00:08:53,026 --> 00:08:56,025
Like, that's really cool,
like, pats on the back.
185
00:08:56,026 --> 00:09:01,025
But if you want to
send a man to the Moon,
186
00:09:01,026 --> 00:09:04,025
you should maybe see if someone could
187
00:09:04,026 --> 00:09:07,025
be in space for, I don't know,
24 hours.
188
00:09:07,026 --> 00:09:10,025
And NASA's like,
Ugh, yeah I guess, Gus.
189
00:09:10,026 --> 00:09:12,025
Yeah, sure, Gus.
190
00:09:12,026 --> 00:09:14,025
- Gordo.
- Oh, [bleep], sorry.
191
00:09:14,026 --> 00:09:15,106
- I'm an idiot.
- That's okay.
192
00:09:15,131 --> 00:09:17,025
- All right, all right.
- You're fine.
193
00:09:17,026 --> 00:09:19,025
So, Gordo goes on the launch pad.
194
00:09:19,026 --> 00:09:22,025
NASA'd be like,
Hey, just like, really quick...
195
00:09:22,026 --> 00:09:23,106
Like, don't touch anything.
196
00:09:23,131 --> 00:09:25,025
NASA would completely
control everything.
197
00:09:25,026 --> 00:09:28,025
It was so bad that the
astronauts felt like, um,
198
00:09:28,026 --> 00:09:30,025
spam in a can.
[chuckles]
199
00:09:30,026 --> 00:09:32,025
Is what they referred
to themselves as.
200
00:09:32,026 --> 00:09:35,025
So, anyway, he launches
into space and it's like,
201
00:09:35,026 --> 00:09:39,025
Three, two, one, blast off.
202
00:09:39,026 --> 00:09:42,026
[mimics rocket firing]
203
00:09:46,026 --> 00:09:49,025
Are you shooting that...
Okay, good.
204
00:09:49,026 --> 00:09:51,025
He gets up into space
and everything's cool.
205
00:09:51,026 --> 00:09:54,025
He's like, I'm orbiting
the [bleep] Earth.
206
00:09:54,026 --> 00:09:57,025
- Oh, I'm sorry, I wa...
- You can swear.
207
00:09:57,026 --> 00:09:58,026
No, my mom... I try not...
208
00:09:58,051 --> 00:10:00,025
I'm not...
I'm gonna try not to swear.
209
00:10:00,026 --> 00:10:03,025
So, he's in space.
He sends back the first
210
00:10:03,026 --> 00:10:06,025
TV images of a human,
back to Earth.
211
00:10:06,026 --> 00:10:10,025
He has a little powdered
roast beef dinner.
212
00:10:10,026 --> 00:10:13,025
He's just having a ball.
213
00:10:13,176 --> 00:10:15,116
So, he takes a nap.
214
00:10:15,117 --> 00:10:18,997
The first guy to ever sleep in space.
215
00:10:19,033 --> 00:10:21,175
He wakes up and he's like,
It's good to be Gordo.
216
00:10:21,176 --> 00:10:24,175
And then, he's like,
Oh, [bleep], no, it's not.
217
00:10:24,176 --> 00:10:27,175
Because... beep, beep.
218
00:10:27,176 --> 00:10:33,176
Oh... [bleep].
I have no stabilization unit.
219
00:10:34,046 --> 00:10:37,045
Everyone in Mission
Control is freaking out.
220
00:10:37,046 --> 00:10:40,045
They're like, Oh, God.
This doesn't look good.
221
00:10:40,046 --> 00:10:42,045
And Gus Grissom is
like, Bro, I love you.
222
00:10:42,046 --> 00:10:44,045
I'm gonna tell your wife you're a hero.
223
00:10:44,046 --> 00:10:46,045
Gordo's like, No, stop it.
224
00:10:46,046 --> 00:10:49,525
I'm gonna take control
over the spaceship.
225
00:10:49,584 --> 00:10:52,046
Gus is like, You're about
to do something none of...
226
00:10:52,071 --> 00:10:54,045
no one has ever done before.
227
00:10:54,046 --> 00:10:56,045
And Gordo's like,
Yeah, no, I know.
228
00:10:56,046 --> 00:11:00,045
So, just shut the [bleep] up, Gus.
I've got control.
229
00:11:00,046 --> 00:11:04,819
He starts to take over manual control.
230
00:11:04,833 --> 00:11:08,045
But, at that moment, he loses
radio signal with Gus Grissom.
231
00:11:08,046 --> 00:11:12,045
And so, he gets a radio signal
over to his friend John Glenn,
232
00:11:12,046 --> 00:11:15,045
who's on the recovery
boat over in Japan.
233
00:11:15,046 --> 00:11:18,045
Then he's like, John Glenn, hey.
It's me, Gordo.
234
00:11:18,046 --> 00:11:22,045
Um, I have absolutely no
power in my spacecraft.
235
00:11:22,046 --> 00:11:24,045
And I just wanna get back home
236
00:11:24,046 --> 00:11:26,447
because I'm a really
chill guy. It's me, Gordo.
237
00:11:26,576 --> 00:11:28,045
And he's like, Okay,
here's what we're gonna do.
238
00:11:28,046 --> 00:11:30,045
And so, together they go
through this checklist.
239
00:11:30,046 --> 00:11:35,045
Uh, put this thing up.
Like, press this button.
240
00:11:35,046 --> 00:11:37,045
There's all these things he needs to do.
241
00:11:37,046 --> 00:11:39,045
But then Gordo's like,
Oh, [bleep].
242
00:11:39,046 --> 00:11:43,045
Beep. And his carbon
dioxide meter's going off.
243
00:11:43,046 --> 00:11:46,045
And it's like,
Beep, beep, you're [bleep].
244
00:11:46,046 --> 00:11:48,045
And he's like,
Oh, my God, you're right.
245
00:11:48,046 --> 00:11:49,166
I'm totally [bleep] [bleep].
246
00:11:49,191 --> 00:11:52,045
But I...
no, but he's chiller than that.
247
00:11:52,046 --> 00:11:54,843
No, hold on.
He's way calmer than that.
248
00:11:55,527 --> 00:12:00,045
John Glenn, look, my
carbon dioxide meter's
249
00:12:00,046 --> 00:12:04,045
going off and, uh...
It's like 100 degrees in my cabin.
250
00:12:04,046 --> 00:12:06,045
Which means he's [bleep] dying.
251
00:12:06,046 --> 00:12:09,045
But he's not being
a Debbie Downer about it.
252
00:12:09,046 --> 00:12:12,045
And he's like, I need to get to Earth.
253
00:12:12,046 --> 00:12:16,045
But, like, manual reentry
had never been done before.
254
00:12:16,046 --> 00:12:18,045
So, if he enters the
Earth's atmosphere too steep,
255
00:12:18,046 --> 00:12:21,045
he's gonna blow up.
So, he says, Okay.
256
00:12:21,046 --> 00:12:24,045
There's the Big Dipper.
There's the Little Dipper.
257
00:12:24,046 --> 00:12:28,045
Gemini...
He draws an axis on the window
258
00:12:28,046 --> 00:12:32,045
and uses the constellations
as his constant.
259
00:12:32,046 --> 00:12:35,045
And he says, This is
going to be my angle
260
00:12:35,046 --> 00:12:37,045
at which I can enter Earth's atmosphere.
261
00:12:37,046 --> 00:12:40,045
Which I think is... pretty incredible.
262
00:12:40,046 --> 00:12:44,045
So, John Glenn is like, Okay.
Ten, nine, eight, seven, six...
263
00:12:44,046 --> 00:12:47,045
Gordo's like,
Let's just, like, do it, I'm ready.
264
00:12:47,046 --> 00:12:51,045
So, he fires, uh...
[grunts]
265
00:12:51,046 --> 00:12:52,705
Uh, what does this mean?
266
00:12:53,046 --> 00:12:55,045
[laughs]
267
00:12:55,046 --> 00:12:59,045
[chuckling] What's it called when
there's fire coming out of stuff?
268
00:12:59,046 --> 00:13:02,045
What... when it's like a fire...
269
00:13:02,046 --> 00:13:03,045
[groans]
270
00:13:03,046 --> 00:13:04,045
[laughs]
271
00:13:04,046 --> 00:13:08,045
He fires the rockets.
272
00:13:08,046 --> 00:13:10,046
[mimics rocket blast]
273
00:13:11,046 --> 00:13:13,045
He had a $5 wristwatch,
and that's what he used
274
00:13:13,046 --> 00:13:17,045
to figure out how long
to fire his rockets.
275
00:13:17,046 --> 00:13:19,045
[mimics rocket blast]
276
00:13:19,046 --> 00:13:22,045
Gordo is like, I'm
entering Earth's atmosphere!
277
00:13:22,046 --> 00:13:24,046
[bleep] bravo to me!
278
00:13:26,046 --> 00:13:28,046
Wait. Oh.
279
00:13:31,046 --> 00:13:35,045
[both laugh]
And he splashes down.
280
00:13:35,046 --> 00:13:40,045
And he has the most
accurate splash-down, ever,
281
00:13:40,046 --> 00:13:42,997
in... NASA history.
282
00:13:44,046 --> 00:13:47,286
He's like, so chill. He's like,
Hey, guys, I made it.
283
00:13:47,311 --> 00:13:52,045
I'm not surprised.
It's me, Gordo.
284
00:13:52,046 --> 00:13:54,046
Big whoop.
285
00:13:58,896 --> 00:14:02,895
- Gordo changed the game.
- Great.
286
00:14:02,896 --> 00:14:04,896
He had a $5 wristwatch!
287
00:14:09,400 --> 00:14:11,899
- All right, Mark.
- I'm listening.
288
00:14:11,900 --> 00:14:14,899
- Well, you're gonna do some talking.
- Hello.
289
00:14:14,900 --> 00:14:18,948
- I'm Mark Gagliardi.
- I'm Mark Gagliardi.
290
00:14:19,153 --> 00:14:20,550
And today, we're gonna talk about...
291
00:14:20,551 --> 00:14:22,271
Oh, is this really
that part of the thing?
292
00:14:22,296 --> 00:14:24,069
- Yep.
- Yeah, now you're woken up.
293
00:14:24,070 --> 00:14:25,069
Here he comes.
294
00:14:25,070 --> 00:14:27,069
This is how television
works, bitches.
295
00:14:27,070 --> 00:14:28,069
- Ready?
- Which camera?
296
00:14:28,070 --> 00:14:33,069
- Action.
- Hi, I'm Mark Gagliardi.
297
00:14:33,070 --> 00:14:35,069
[glass crashes] Today
we're gonna talk about
298
00:14:35,070 --> 00:14:38,873
Bass Reeves.
[laughs]
299
00:14:41,200 --> 00:14:44,199
Bass Reeves is born as a slave.
300
00:14:44,200 --> 00:14:48,199
One night,
Bass Reeves and his master
301
00:14:48,200 --> 00:14:53,199
get in an argument over a poker game.
Bass Reeves...
302
00:14:53,200 --> 00:14:59,957
punches his owner in the face.
And Bass Reaves thinks to himself,
303
00:15:00,051 --> 00:15:04,199
Oh, [bleep], you guys, I
just coldcocked my boss.
304
00:15:04,200 --> 00:15:07,199
Listen, let's be honest, my owner.
305
00:15:07,200 --> 00:15:10,199
This is probably not
gonna be good for me.
306
00:15:10,200 --> 00:15:15,917
So, Bass Reeves hightails it
to the Indian Territories of Oklahoma.
307
00:15:16,097 --> 00:15:20,199
So, Bass Reeves winds up living
among the Seminole Nation,
308
00:15:20,200 --> 00:15:24,011
learning the language of all
of these indigenous peoples.
309
00:15:24,119 --> 00:15:26,199
And trained in the
ways of Native American
310
00:15:26,200 --> 00:15:30,702
- tracking and hunting.
- Hmm, awesome.
311
00:15:30,737 --> 00:15:35,349
- Ah, I appreciate you, Derek. I love you.
- I love you.
312
00:15:35,350 --> 00:15:37,166
You're my... listen, I'm...
313
00:15:37,244 --> 00:15:41,349
We're gonna make a baby.
Um... [both laugh]
314
00:15:41,350 --> 00:15:43,349
I may be aimed down
at the ground for
315
00:15:43,350 --> 00:15:45,349
the whole of this, but
don't worry about that.
316
00:15:45,350 --> 00:15:49,349
In 1875 the U.S. is changing.
317
00:15:49,350 --> 00:15:52,349
Taming the Wild West and
all that kinda [bleep].
318
00:15:52,350 --> 00:15:56,349
U.S. Marshal James Fagan knew
that this was dangerous work.
319
00:15:56,350 --> 00:16:02,933
He needed the guy that full on
dances with wolvesed in that area.
320
00:16:02,968 --> 00:16:04,944
[laughs]
So, Fagan goes to Reeves.
321
00:16:04,979 --> 00:16:08,664
Hey, I have 75,000 square miles
322
00:16:08,665 --> 00:16:12,349
to cover to bring bad guys to justice.
323
00:16:12,490 --> 00:16:16,489
And Bass Reeves said,
Listen, I'm ambidextrous,
324
00:16:16,490 --> 00:16:20,489
I can shoot a gun with both hands.
325
00:16:20,490 --> 00:16:24,890
I'm 6'2" and 390 pounds.
326
00:16:25,490 --> 00:16:29,452
I'm gonna be the guy
that keeps you safe.
327
00:16:29,490 --> 00:16:32,490
The only thing I can say to you is...
328
00:16:33,490 --> 00:16:36,489
I'm gonna tape a... take a nap.
[bleep] you.
329
00:16:36,490 --> 00:16:39,489
? There he goes on the floor ?
330
00:16:39,490 --> 00:16:41,489
- Derek?
- Mm-hmm?
331
00:16:41,490 --> 00:16:45,489
- Take my hand.
- Good night, then.
332
00:16:45,490 --> 00:16:47,490
Night. So...
333
00:16:49,490 --> 00:16:54,489
So, Bass Reeves is working as a
U.S. Marshal, picking up bad guys.
334
00:16:54,490 --> 00:16:58,489
So, one of the bad guy
things that he does is,
335
00:16:58,490 --> 00:17:01,489
he dresses himself up as an old beggar
336
00:17:01,490 --> 00:17:06,489
at the homestead of
a couple of bad guys' mother.
337
00:17:06,490 --> 00:17:10,489
He says, I'm just a poor old beggar.
338
00:17:10,490 --> 00:17:13,489
I just need a place
to stay for the night.
339
00:17:13,490 --> 00:17:17,489
So she gives Bass Reeves
a place to spend the night.
340
00:17:17,490 --> 00:17:19,490
As soon as the two outlaws fell asleep,
341
00:17:20,490 --> 00:17:25,489
Bass Reeves pulled down his shawl,
grabs his six shooter.
342
00:17:25,490 --> 00:17:28,585
He says, The Bass w...
hold on.
343
00:17:28,620 --> 00:17:31,490
I'm gonna corner their dumb
asses while they're sleeping.
344
00:17:31,491 --> 00:17:34,489
I'll sleep you...
345
00:17:34,490 --> 00:17:37,490
I will sleep clack you
into my handcuffs, bitches!
346
00:17:38,490 --> 00:17:39,490
And I'm gonna grag you...
347
00:17:40,490 --> 00:17:43,489
I'm gonna grag you...
hold on.
348
00:17:43,490 --> 00:17:46,182
I'm gonna drag your asses in jail
349
00:17:46,256 --> 00:17:48,489
where I gathered up all the criminals.
350
00:17:48,490 --> 00:17:51,329
- That's pretty badass.
- Listen, mother[bleep],
351
00:17:51,342 --> 00:17:53,669
I'll tell you this whole story, hold on.
352
00:17:53,704 --> 00:17:56,489
This is how big a badass Bass Reeves is.
353
00:17:56,490 --> 00:18:00,489
The Brunter Brothers,
another group of outlaws,
354
00:18:00,490 --> 00:18:05,489
ambushed him at gunpoint.
Bass Reeves kept his cool,
355
00:18:05,490 --> 00:18:08,489
turned to the first
Brunter Brother and said,
356
00:18:08,490 --> 00:18:11,489
I'm sorry, do you know
what the date is today?
357
00:18:11,490 --> 00:18:15,489
And as that brother was trying to
figure out the date for the day,
358
00:18:15,490 --> 00:18:18,489
Bass Reeves shoots
the first two brothers.
359
00:18:18,490 --> 00:18:21,489
And then coldcocked the other brother
360
00:18:21,490 --> 00:18:24,489
and carried them back to
the court at Fort Lewis.
361
00:18:24,490 --> 00:18:28,489
And they're like, You know what?
[bleep] you, Bass Reeves!
362
00:18:28,490 --> 00:18:31,318
[bleep] you and your knowing
what's right and wrong!
363
00:18:31,353 --> 00:18:35,489
[bleep] you, Honest...
Honest Jack Reeves!
364
00:18:35,490 --> 00:18:36,489
[bleep] you, Bass Reeves,
365
00:18:36,490 --> 00:18:40,489
and your wanting to give
the honesty to the people!
366
00:18:40,490 --> 00:18:45,489
- Mark.
- I love you. [laughing]
367
00:18:45,490 --> 00:18:49,489
I love you.
I'ma kiss you on your lips.
368
00:18:49,490 --> 00:18:50,489
- Derek Waters.
- No.
369
00:18:50,490 --> 00:18:52,196
I'ma kiss you on your lips.
370
00:18:52,990 --> 00:18:54,450
I just wanna hold your face.
371
00:18:54,475 --> 00:18:58,142
- Will you finish the story if I do this?
- I promise I will.
372
00:18:58,290 --> 00:18:58,290
- Promise?
- I'm...
373
00:18:58,291 --> 00:19:02,289
- No slapping.
- I'm not gonna slap you, Derek.
374
00:19:02,290 --> 00:19:07,290
- What're you gonna do?
- Derek? [sighs]
375
00:19:08,290 --> 00:19:10,330
- That was very nice.
- I'm gonna take a nap now.
376
00:19:10,331 --> 00:19:12,331
Nope. You promised, if
you could touch my face...
377
00:19:12,356 --> 00:19:14,289
- I'll touch your face.
- You were gonna finish
378
00:19:14,290 --> 00:19:16,289
- the [bleep] story.
- I'ma finish it, hold on.
379
00:19:16,440 --> 00:19:21,439
So, uh, one night,
Bass Reeves is chasing after Jim Webb.
380
00:19:21,440 --> 00:19:24,439
He'd killed a ton of
dudes, and Bass Reeves...
381
00:19:24,440 --> 00:19:28,439
pew, pew, pew...
shot down this dude.
382
00:19:28,440 --> 00:19:31,439
And this guy is laying
there, on the ground,
383
00:19:31,440 --> 00:19:33,439
looks up at Bass Reeves, and he says,
384
00:19:33,440 --> 00:19:38,440
Bass, this bullet that
is designed for you...
385
00:19:39,440 --> 00:19:44,439
Nah, man.
I want this bullet to be designed
386
00:19:44,440 --> 00:19:47,439
for people that [bleep] you up.
387
00:19:47,440 --> 00:19:49,939
That guy, Jim Webb, gave that gun
388
00:19:49,940 --> 00:19:52,439
to Bass Reeves because he respects him.
389
00:19:52,440 --> 00:19:56,439
- Derek.
- Shh. Tell the story.
390
00:19:56,440 --> 00:19:58,439
- I love you.
- I love you.
391
00:19:58,440 --> 00:20:01,439
Bass Reeves threw more
men in jail than any
392
00:20:01,440 --> 00:20:04,439
other Marshal in U.S.
history, 3,000 men.
393
00:20:04,440 --> 00:20:08,439
And when he died,
his funeral was attended
394
00:20:08,440 --> 00:20:11,440
by hundreds of people.
White...
395
00:20:12,440 --> 00:20:14,439
Black...
Native American...
396
00:20:14,440 --> 00:20:19,224
and whatever the other
thing was that they had.
397
00:20:19,354 --> 00:20:23,439
And they all went
to pay their respects to this,
398
00:20:23,440 --> 00:20:27,439
the most important man,
of the wild frontier.
399
00:20:27,440 --> 00:20:32,439
You know what?
Reeves was the inspiration...
400
00:20:32,440 --> 00:20:33,439
for the Lone Ranger.
401
00:20:33,440 --> 00:20:36,439
How come more people
don't know that Bass Reeves
402
00:20:36,440 --> 00:20:39,439
is who inspired the Lone Ranger?
403
00:20:39,440 --> 00:20:40,439
Because he's black.
404
00:20:40,440 --> 00:20:43,439
- That's sad.
- Yeah.
405
00:20:43,440 --> 00:20:47,439
- Well, we're changing history now.
- I love you.
406
00:20:47,440 --> 00:20:50,439
[orchestral music]
407
00:20:59,177 --> 00:21:02,524
sync & correction by f1nc0
~ Addic7ed.com ~
408
00:21:07,781 --> 00:21:08,781
Right.
409
00:21:17,781 --> 00:21:18,780
And then what happens?
410
00:21:19,381 --> 00:21:20,081
Mm-hmm.
411
00:21:20,131 --> 00:21:24,681
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