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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:34,634 --> 00:00:36,732 RICHARD? 2 00:00:36,767 --> 00:00:39,234 I KNOW THAT VOICE. 3 00:00:40,801 --> 00:00:42,901 DO YOU REMEMBER THE WINSLOWS? 4 00:00:42,936 --> 00:00:44,965 NO. 5 00:00:45,000 --> 00:00:48,634 THEY'VE OVERLOOKED SOMETHING. THEY CAME TO ONE OF MY CANDLELIGHT SUPPERS, 6 00:00:48,669 --> 00:00:52,334 AND THEY'VE NEVER INVITED US BACK. I CAN'T UNDERSTAND IT. 7 00:00:52,369 --> 00:00:54,834 I THINK I CAN. 8 00:00:55,868 --> 00:00:57,833 IT MUST BE AN OVERSIGHT. 9 00:00:57,868 --> 00:01:01,601 THEY'RE NOT THE KIND OF PEOPLE WHO'D COMMIT A BREECH OF MANNERS. 10 00:01:01,636 --> 00:01:04,667 YOU MUST RING THEM FOR A CHAT AND DROP A HINT, RICHARD. 11 00:01:04,702 --> 00:01:06,933 ME? - I'D DO IT MYSELF, 12 00:01:06,968 --> 00:01:10,334 ONLY I'M NOT THE SORT OF PERSON WHO GOES FISHING FOR INVITATIONS. 13 00:01:11,501 --> 00:01:14,132 I CAN'T DO THAT. 14 00:01:14,167 --> 00:01:16,300 GOOD, THAT'S SETTLED THEN. 15 00:01:23,100 --> 00:01:25,167 ROSE IS ALL EXCITED. 16 00:01:27,234 --> 00:01:29,399 WE ALL KNOW THAT. 17 00:01:29,434 --> 00:01:33,501 MOST OF THE MALE POPULATION KNOWS THAT. 18 00:01:33,536 --> 00:01:35,566 SHE'S ENGAGED. 19 00:01:35,601 --> 00:01:38,367 YOU'VE GOT TO ADMIRE THE ETERNAL OPTIMISM. 20 00:01:39,701 --> 00:01:42,365 SHE THINKS THIS IS THE REAL THING. 21 00:01:42,400 --> 00:01:45,000 IF SHE DOESN'T KNOW BY NOW, SHE NEVER WILL. 22 00:01:46,234 --> 00:01:49,234 DO YOU REMEMBER WHEN WE WERE ENGAGED? 23 00:01:51,968 --> 00:01:54,165 THOSE WONDERFUL HOURS 24 00:01:54,200 --> 00:01:56,267 AT THE BACK OF THE BAKERY. 25 00:01:58,467 --> 00:02:00,667 THAT WASN'T ME! 26 00:02:05,133 --> 00:02:07,434 RICHARD! 27 00:02:09,667 --> 00:02:14,634 I WONDER WHAT THE VOICE OF GOD SOUNDS LIKE. 28 00:02:14,669 --> 00:02:17,401 ISN'T IT TIME WE HAD OUR INVITATIONS 29 00:02:17,436 --> 00:02:20,098 TO THE MAYOR'S FANCY-DRESS BALL? 30 00:02:20,133 --> 00:02:23,266 I DON'T SUPPOSE WE'LL GET ONE THIS YEAR. 31 00:02:23,301 --> 00:02:26,067 OF COURSE WE WILL. WE'VE ALWAYS HAD ONE. 32 00:02:26,102 --> 00:02:28,834 WHEN I WAS AN OFFICER OF THE COUNCIL, 33 00:02:28,869 --> 00:02:30,899 BUT I'M RETIRED NOW. 34 00:02:30,934 --> 00:02:33,432 THAT'S NO EXCUSE. IT WOULD BE RIDICULOUS 35 00:02:33,467 --> 00:02:38,033 IF WE DIDN'T GET AN INVITATION TO THE MAYOR'S FANCY-DRESS BALL. 36 00:02:38,068 --> 00:02:40,232 AND RICHARD? 37 00:02:40,267 --> 00:02:43,834 ISN'T IT TIME WE MADE OURSELVES KNOWN TO OUR NEW NEIGHBOR? 38 00:02:43,869 --> 00:02:46,634 HAVE WE GOT A NEW NEIGHBOR? 39 00:02:46,669 --> 00:02:49,365 OH, YES. A MRS. DONAHUE. 40 00:02:49,400 --> 00:02:52,998 SHE WAS A PROCTOR. YOU KNOW, "PROCTOR'S PICKLES." 41 00:02:53,033 --> 00:02:57,234 HER FATHER IS VERY HIGHLY PLACED IN CONDIMENT CIRCLES. 42 00:02:57,269 --> 00:03:00,534 I HAVEN'T NOTICED ANYONE MOVING INTO THE ROAD. 43 00:03:00,569 --> 00:03:02,599 IT'S IN THE NEXT ROAD. 44 00:03:02,634 --> 00:03:05,466 AND THAT'S A NEW NEIGHBOR? IN ANOTHER ROAD? 45 00:03:05,501 --> 00:03:09,267 I DON'T SEE THAT AS A BARRIER. SHE'S STILL WITHIN OUR POSTCODE. 46 00:03:12,834 --> 00:03:17,432 HOW ENGAGED? - SHE'S ENGAGED. 47 00:03:17,467 --> 00:03:20,334 YOU'RE EITHER ENGAGED OR YOU'RE NOT. ROSE IS ENGAGED. 48 00:03:20,369 --> 00:03:22,432 HAS SHE GOT A RING? 49 00:03:22,467 --> 00:03:25,100 I MEAN, HAS SHE GOT ANOTHER RING? 50 00:03:26,400 --> 00:03:29,467 SHE JUST SHOWED IT TO ME. IT'S LOVELY. 51 00:03:29,502 --> 00:03:32,118 SHE MUST HAVE MORE ENGAGEMENT RINGS 52 00:03:32,153 --> 00:03:34,699 THAN THERE ARE IN WILLIS' WINDOW. 53 00:03:34,734 --> 00:03:38,351 SHE HAD MORE THAN I HAD WHEN SHE HAD ONE. 54 00:03:38,386 --> 00:03:41,933 I COULDN'T AFFORD AN ENGAGEMENT RING. 55 00:03:41,968 --> 00:03:45,200 DIDN'T STOP YOU WANTING ALL THE PRIVILEGES THOUGH, DID IT? 56 00:03:47,200 --> 00:03:51,133 MIND YOU, I MUST SAY YOU'VE SLOWED DOWN A LOT SINCE. 57 00:03:53,734 --> 00:03:56,033 GOOD NIGHT, DAISE. 58 00:04:04,033 --> 00:04:07,234 COME ON, MICHAEL, COME ON. STIFFEN THE SINEWS. 59 00:04:07,269 --> 00:04:09,901 DUTY CALLS. 60 00:04:21,567 --> 00:04:23,667 MRS. BUCKET- 61 00:04:25,033 --> 00:04:27,567 "BOUQUET." "BOUQUET." 62 00:04:28,767 --> 00:04:32,334 OH, HAVEN'T YOU AN INVITATION FOR ME? 63 00:04:32,369 --> 00:04:35,866 WHY WOULD I INVITE YOU ANYWHERE? 64 00:04:35,901 --> 00:04:40,501 I MEAN, AN INVITATION TO THE LORD MAYOR'S FANCY-DRESS BALL. 65 00:04:40,536 --> 00:04:44,868 IT MUST BE IN THERE. - OH! 66 00:04:44,903 --> 00:04:47,000 NO. SORRY. 67 00:04:51,200 --> 00:04:53,499 PLEASE CHECK AT THE SORTING OFFICE 68 00:04:53,534 --> 00:04:55,767 THAT YOU'VE NOT OVERLOOKED MY INVITATION 69 00:04:55,802 --> 00:04:58,234 TO THE MAYOR'S FANCY-DRESS BALL. 70 00:05:01,701 --> 00:05:03,701 DRINK UP, ELIZABETH. 71 00:05:05,601 --> 00:05:07,566 I WON'T BE A MOMENT. 72 00:05:07,601 --> 00:05:10,434 BUT AS YOU ARE FIVE MINUTES EARLY FOR COFFEE THIS MORNING, 73 00:05:10,469 --> 00:05:13,334 I HAVEN'T QUITE FINISHED MAKING MY CAKES. 74 00:05:14,634 --> 00:05:16,699 RICHARD WON'T BE JOINING US YET. 75 00:05:16,734 --> 00:05:19,501 HE'S HAVING A CHAT WITH THE MAYOR AT THE TOWN HALL. 76 00:05:19,536 --> 00:05:22,365 LUCKY RICHARD. 77 00:05:22,400 --> 00:05:25,601 I THOUGHT I'D BETTER SEND HIM ALONG PERSONALLY. 78 00:05:28,501 --> 00:05:31,032 THE MAYOR WILL BE SO DISTRESSED 79 00:05:31,067 --> 00:05:34,299 WHEN HE REALIZES OUR INVITATIONS ARE LATE. 80 00:05:34,334 --> 00:05:38,833 INVITATIONS? - TO THE MAYOR'S FANCY-DRESS BALL. 81 00:05:38,868 --> 00:05:42,734 WE ALWAYS GET AN INVITATION TO THE MAYOR'S FANCY-DRESS BALL. 82 00:05:44,901 --> 00:05:48,534 IT'S THE HIGHLIGHT OF THE MUNICIPAL YEAR. 83 00:05:48,569 --> 00:05:50,734 IT'S VERY EXCLUSIVE. 84 00:05:51,767 --> 00:05:53,866 I'M SURE IT IS. 85 00:05:53,901 --> 00:05:55,968 LAST YEAR I WENT AS CLEOPATRA. 86 00:05:58,000 --> 00:06:00,767 RICHARD WENT AS MARC ANTHONY. BUT QUITE FRANKLY, 87 00:06:00,802 --> 00:06:03,534 HE WAS SOMETHING OF A DISAPPOINTMENT AS A ROMAN. 88 00:06:05,634 --> 00:06:07,934 HE NEVER QUITE GOT CONTROL OF HIS JAVELIN. 89 00:06:09,801 --> 00:06:12,000 I STILL HAVE THE SCAR. 90 00:06:15,367 --> 00:06:18,667 PERSONALLY, I DON'T CARE IF WE'RE NOT INVITED. 91 00:06:18,702 --> 00:06:20,699 I HATED BEING A ROMAN. 92 00:06:20,734 --> 00:06:25,501 IT WAS DAMN DIFFICULT JUGGLING WITH THAT JAVELIN AND THE BUFFET. 93 00:06:25,536 --> 00:06:27,499 ARE YOU ON THE LIST? 94 00:06:27,534 --> 00:06:30,283 I DON'T SUPPOSE WE ARE NOW THAT I'VE RETIRED. 95 00:06:30,318 --> 00:06:33,033 BUT HYACINTH WANTS TO GO? - VERY MUCH SO. 96 00:06:33,068 --> 00:06:35,167 I'LL PUT YOU ON THE LIST. 97 00:06:41,934 --> 00:06:45,667 THANKS, PAUL. THIS WILL MAKE LIFE SO MUCH EASIER FOR ME. 98 00:06:47,067 --> 00:06:49,332 NOT DRINKING, ELIZABETH? 99 00:06:49,367 --> 00:06:52,234 I THOUGHT I'D LET IT GET COOL. 100 00:06:54,701 --> 00:06:58,067 I THINK YOU'LL FIND IT'S ALL RIGHT, DEAR. TRY IT. 101 00:07:00,968 --> 00:07:04,133 OH, YOU WERE GOING TO TELL ME ABOUT THE WINSLOWS. 102 00:07:04,168 --> 00:07:06,566 OH, YES! 103 00:07:06,601 --> 00:07:09,968 YOU KNOW, THEY'VE NEVER RETURNED MY INVITATION. 104 00:07:10,003 --> 00:07:12,632 WHEN I THINK ABOUT IT, 105 00:07:12,667 --> 00:07:14,934 I MAY HAVE OVERDONE IT AT MY CANDLELIGHT SUPPER. 106 00:07:14,969 --> 00:07:17,566 THE POOR DEAR WAS PROBABLY 107 00:07:17,601 --> 00:07:20,033 SO OVERWHELMED BY THE GRACIOUSNESS OF THE EVENING, 108 00:07:20,068 --> 00:07:22,617 SHE FEELS SHE CAN'T COMPETE. 109 00:07:22,652 --> 00:07:24,926 YES, I EXPECT THAT MUST BE IT. 110 00:07:24,961 --> 00:07:27,165 OH, BISCUIT! - OH, THANK YOU. 111 00:07:27,200 --> 00:07:29,965 OH, EXCUSE ME. 112 00:07:30,000 --> 00:07:33,467 IT'S PROBABLY SOMEONE VERY IMPORTANT. 113 00:07:36,300 --> 00:07:38,332 THE "BOUQUET" RESIDENCE, 114 00:07:38,367 --> 00:07:40,801 THE LADY OF THE HOUSE SPEAKING. 115 00:07:40,836 --> 00:07:42,951 OH, IT'S YOU, ROSE. 116 00:07:42,986 --> 00:07:45,032 IT'S MY SISTER ROSE. 117 00:07:45,067 --> 00:07:47,901 SHE'S NOT THE ONE WITH THE MERCEDES, 118 00:07:47,936 --> 00:07:49,934 SAUNA AND ROOM FOR A PONY. 119 00:07:58,868 --> 00:08:00,833 OH, ROSE, 120 00:08:00,868 --> 00:08:03,933 I AM PLEASED FOR YOU. 121 00:08:03,968 --> 00:08:07,034 OH, AND I DO HOPE THAT THIS IS THE ONE. 122 00:08:07,069 --> 00:08:10,401 YOU CAN'T KEEP FLIRTING WITH MATRIMONY. 123 00:08:10,436 --> 00:08:13,734 MY SISTER ROSE HAS JUST BECOME ENGAGED! 124 00:08:15,067 --> 00:08:17,499 A POLISH PERSON? 125 00:08:17,534 --> 00:08:20,132 WELL, NO, NO, NO, NO, NO, DEAR, 126 00:08:20,167 --> 00:08:22,450 I'VE NOTHING AGAINST POLISH PERSONS. 127 00:08:22,485 --> 00:08:24,734 BUT COULDN'T YOU FIND SOMEONE NEARER? 128 00:08:26,567 --> 00:08:28,566 OH, HE LIVES HERE. 129 00:08:28,601 --> 00:08:30,634 COULD YOU PUT DAISY ON FOR A MOMENT, DEAR? 130 00:08:33,000 --> 00:08:35,534 DO HELP YOURSELF, ELIZABETH. 131 00:08:44,934 --> 00:08:48,667 ONSLOW LIKES BROKEN BISCUITS, DOESN'T HE, DAISY? 132 00:08:50,734 --> 00:08:52,766 NOW, DAISY, 133 00:08:52,801 --> 00:08:55,133 WHAT IS ROSE DOING MARRYING A POLISH PERSON? 134 00:08:55,168 --> 00:08:57,567 IS HE SUITABLE? WHAT'S HIS NAME? 135 00:08:57,602 --> 00:09:00,365 NOBODY KNOWS HIS NAME. 136 00:09:00,400 --> 00:09:04,033 WELL, SHE MUST LEARN TO PRONOUNCE IT. 137 00:09:04,068 --> 00:09:06,400 SHE PREFERS TO USE HIS NICKNAME? 138 00:09:06,435 --> 00:09:08,767 WHAT IS HIS NICKNAME? 139 00:09:08,802 --> 00:09:11,367 "CUDDLY CHOPS"? 140 00:09:14,968 --> 00:09:18,566 NOW, DAISY, YOU TELL ROSE IMMEDIATELY 141 00:09:18,601 --> 00:09:21,867 THAT SHE MUST LEARN THIS GENTLEMAN'S NAME. 142 00:09:21,902 --> 00:09:25,133 WE CANNOT HAVE A CUDDLY CHOPS IN THE FAMILY. 143 00:09:27,334 --> 00:09:30,167 HER SISTER ROSE IS ENGAGED. 144 00:09:30,202 --> 00:09:32,466 YOU REMEMBER ROSE- 145 00:09:32,501 --> 00:09:36,734 EYELASHES CONSIDERABLY LONGER THAN HER SKIRT. 146 00:09:36,769 --> 00:09:40,968 LIZ, DO NOT DISTRACT ME WITH TRIVIALITIES. 147 00:09:41,003 --> 00:09:44,334 LIFE IS DARK AND BURDENSOME. 148 00:09:44,369 --> 00:09:46,332 OH, EMMET, 149 00:09:46,367 --> 00:09:49,901 YOU'VE BEEN DIVORCED FOR 18 MONTHS NOW. I THOUGHT YOU GOT OVER IT. 150 00:09:49,936 --> 00:09:53,667 OH, I GOT OVER THAT. THAT WAS A MERE TRIFLE. 151 00:09:53,702 --> 00:09:57,267 IT'S FRANKENSTEIN'S MOTHER NEXT DOOR. 152 00:09:59,167 --> 00:10:02,000 WHAT'S SHE DONE TO YOU NOW? 153 00:10:03,234 --> 00:10:06,866 SHE'S THREATENED TO COME TO MY DRESS REHEARSAL. 154 00:10:06,901 --> 00:10:11,501 SHE'S VOLUNTEERED TO "HELP" WITH MY DRESS REHEARSAL. 155 00:10:17,634 --> 00:10:19,732 MAYBE SHE'LL HAVE MORE ON HER MIND, 156 00:10:19,767 --> 00:10:22,067 NOW THAT ROSE IS MARRYING A POLISH PERSON. 157 00:10:23,167 --> 00:10:25,332 A WEDDING! 158 00:10:25,367 --> 00:10:27,901 SHE'LL BE GOING TO THE WEDDING- 159 00:10:27,936 --> 00:10:30,901 IN POLAND! 160 00:10:32,834 --> 00:10:36,067 OH, HYACINTH COULD BE AWAY FOR WEEKS IN POLAND. 161 00:10:36,102 --> 00:10:38,067 THE POLISH PERSON LIVES HERE. 162 00:10:41,000 --> 00:10:43,365 HE'S GOT NO RIGHT TO LIVE HERE. 163 00:10:43,400 --> 00:10:45,400 WHAT'S A POLISH PERSON DOING LIVING IN ENGLAND? 164 00:10:45,435 --> 00:10:47,998 THAT'S THE TROUBLE WITH PEOPLE TODAY, 165 00:10:48,033 --> 00:10:50,434 THEY'RE ALWAYS WANDERING ABOUT. NO ONE SITS STILL. 166 00:10:50,469 --> 00:10:53,100 INCLUDING YOU. LOOK AT YOU. 167 00:10:54,467 --> 00:10:57,901 IF THAT'S HYACINTH, TELL HER I'VE GOT RABIES. 168 00:11:00,567 --> 00:11:02,868 AND MY BITE IS FATAL. 169 00:11:14,834 --> 00:11:17,550 RICHARD. HAVE A DRINK. 170 00:11:17,585 --> 00:11:20,232 ISN'T IT A BIT EARLY? 171 00:11:20,267 --> 00:11:22,783 THERE ARE SOME PEOPLE, FOR WHOM IT IS NEVER TOO EARLY. 172 00:11:22,818 --> 00:11:25,300 THERE ARE SOME PEOPLE WHO DESERVE A DRINK AT ANY TIME. 173 00:11:25,335 --> 00:11:27,501 JUST A SMALL GIN AND TONIC THEN. 174 00:11:27,536 --> 00:11:29,632 GO AND HAVE A LARGE ONE, DAMN IT. 175 00:11:29,667 --> 00:11:32,300 IF ANYONE DESERVED A LARGE ONE, IT'S YOU. 176 00:11:32,335 --> 00:11:34,834 I'VE BEEN SENT ROUND BY HYACINTH. 177 00:11:34,869 --> 00:11:36,933 HYACINTH? 178 00:11:36,968 --> 00:11:40,566 SHE'S NOT GOING TO BE ABLE TO MAKE YOUR DRESS REHEARSAL. 179 00:11:40,601 --> 00:11:44,000 IT TURNS OUT TO BE THE SAME NIGHT AS THE MAYOR'S FANCY-DRESS BALL. 180 00:11:46,133 --> 00:11:49,499 WE'LL BOTH HAVE A LARGE ONE. 181 00:11:49,534 --> 00:11:53,934 LIZ, MAKE US TWO LARGE GIN AND TONICS. 182 00:11:55,334 --> 00:11:57,934 * HAPPY DAYS ARE HERE AGAIN... * 183 00:12:00,267 --> 00:12:03,365 IF HE DOESN'T MIND, WHY SHOULD OUR HYACINTH MIND? 184 00:12:03,400 --> 00:12:06,650 SHE DOESN'T THINK IT RIGHT YOU CALLING HIM BY HIS NICKNAME, 185 00:12:06,685 --> 00:12:09,901 ESPECIALLY THAT NICKNAME. NOT IF YOU'RE GOING TO GET MARRIED. 186 00:12:09,936 --> 00:12:12,634 OUR HYACINTH WANTS TO TRY PRONOUNCING IT. 187 00:12:12,669 --> 00:12:14,732 THERE'S TOO MANY ZEDS IN IT. 188 00:12:14,767 --> 00:12:18,234 YOU'LL HAVE TO LEARN IT, IF YOU'RE GOING TO GET MARRIED. 189 00:12:18,269 --> 00:12:21,334 I KEEP TRYING TO LEARN IT. I WAS TRYING SO HARD, 190 00:12:21,369 --> 00:12:24,318 I NEVER NOTICED WHAT HE WAS UP TO. 191 00:12:24,353 --> 00:12:27,232 THAT'S HOW I CAME TO BE ENGAGED. 192 00:12:27,267 --> 00:12:31,267 WHY DIDN'T YOU WORK YOUR WAY IN SLOWLY? WHAT'S HIS FIRST NAME? 193 00:12:31,302 --> 00:12:33,518 THAT'S NEARLY AS BAD. 194 00:12:33,553 --> 00:12:35,699 SHE NEEDS HIS LAST NAME. 195 00:12:35,734 --> 00:12:39,250 SHE'S GONNA BE MRS. WHATEVER HIS LAST NAME IS. 196 00:12:39,285 --> 00:12:42,767 "WHATSIT!" I'M GOING TO BE "MRS. WHATSIT." 197 00:12:42,802 --> 00:12:44,866 THAT'S ABOUT AS NEAR AS I CAN GET. 198 00:12:44,901 --> 00:12:47,965 I GOT IT WRITTEN DOWN SOMEWHERE. HE SPELLED IT FOR ME. 199 00:12:48,000 --> 00:12:52,000 IF HE'D HAVE BEEN ENGLISH HE'D HAVE HAD TO SPELL IT FOR YOU. 200 00:12:52,035 --> 00:12:55,251 NOBODY IS GONNA MARRY YOU FOR YOUR SPELLING, ROSE. 201 00:12:55,286 --> 00:12:58,432 I MANAGED TO MAKE MY WAY THROUGH LIFE, THANK YOU. 202 00:12:58,467 --> 00:13:02,300 IF LOVE HAD A WRITTEN EXAMINATION, YOU'D HAVE HAD TO ENTER THE CONVENT. 203 00:13:04,501 --> 00:13:06,734 I CAN SPELL IT. 204 00:13:11,100 --> 00:13:14,167 NOT TONIGHT, DAISE. IT'S ONLY TUESDAY. 205 00:13:15,167 --> 00:13:18,167 IT'S HERE! 206 00:13:18,202 --> 00:13:21,132 I TOLD YOU. 207 00:13:21,167 --> 00:13:23,501 WHAT DO YOU THINK IT SAYS? 208 00:13:33,601 --> 00:13:37,334 "WHATSIT." DEFINITELY "MR. WHATSIT." 209 00:13:38,801 --> 00:13:41,132 ARE YOU SURE WE'RE ON THE LIST? 210 00:13:41,167 --> 00:13:44,365 HYACINTH, I'VE TOLD YOU A THOUSAND TIMES, 211 00:13:44,400 --> 00:13:49,133 WE'VE BEEN INVITED TO THE MAYOR'S FANCY-DRESS BALL. 212 00:13:49,168 --> 00:13:51,734 WELL, I THINK IT'S VERY SHORT NOTICE. 213 00:13:51,769 --> 00:13:54,201 THEY APOLOGIZE FOR THAT. 214 00:13:54,236 --> 00:13:56,735 IT SEEMS WE WERE OVERLOOKED. 215 00:13:56,770 --> 00:14:00,168 ANYWAY, WHAT DO YOU WANT TO BE? 216 00:14:00,203 --> 00:14:03,532 JUST HAPPY IN A MODEST SORT OF WAY. 217 00:14:03,567 --> 00:14:08,067 NO, I MEAN THE FANCY DRESS. WHAT DO YOU WANT TO BE? 218 00:14:08,102 --> 00:14:12,332 WELL, NOT A ROMAN. - OH, NO, DEAR. 219 00:14:12,367 --> 00:14:14,699 I COULDN'T LET YOU LOOSE AS A ROMAN AGAIN. 220 00:14:14,734 --> 00:14:18,567 YOU KNOW, I'VE NEVER ACTUALLY TOLD YOU, RICHARD, 221 00:14:18,602 --> 00:14:21,801 BUT YOU WERE VERY DISAPPOINTING AS A ROMAN. 222 00:14:21,836 --> 00:14:25,000 I EXPECTED MORE OF A HINT OF BRUTALITY- 223 00:14:26,968 --> 00:14:29,400 IN THE BEST POSSIBLE TASTE, OF COURSE. 224 00:14:29,435 --> 00:14:31,566 YOU SEE, DEAR, 225 00:14:31,601 --> 00:14:35,701 YOU QUITE FAILED TO CONVINCE ME THAT YOU'D CONQUERED GAUL. 226 00:14:37,634 --> 00:14:41,032 NEVER MIND THOUGH, DEAR. COME ALONG. 227 00:14:41,067 --> 00:14:44,634 COME AND CHANGE. GET INTO SOMETHING SMART. WE'RE GOING FOR A WALK. 228 00:14:44,669 --> 00:14:47,934 WHERE TO? - DOES IT MATTER WHERE TO? 229 00:14:47,969 --> 00:14:51,532 WE NEED TO WALK MORE. 230 00:14:51,567 --> 00:14:53,998 YOU'LL FIND THE EXERCISE'LL DO US GOOD. 231 00:14:54,033 --> 00:14:57,634 YOU'RE UP TO SOMETHING. - GO ON, GET CHANGED. 232 00:15:02,968 --> 00:15:05,100 OH COME ON, LET'S GO! 233 00:15:09,834 --> 00:15:11,866 THE KEYS! GIVE ME THE KEYS, LIZ. 234 00:15:11,901 --> 00:15:14,834 ARE YOU SURE YOU CLOSED ALL THE WINDOWS, RICHARD? 235 00:15:14,869 --> 00:15:18,300 I DEFY ANYONE TO FIND AN OPEN WINDOW. 236 00:15:22,234 --> 00:15:24,332 WAS THAT EMMET? 237 00:15:24,367 --> 00:15:26,667 HE MUST HAVE FORGOTTEN SOMETHING IN THE HOUSE. 238 00:15:27,667 --> 00:15:30,599 NO, DEAR. 239 00:15:30,634 --> 00:15:32,801 I'M AFRAID IT'S ME. 240 00:15:36,033 --> 00:15:39,501 I RATHER THINK I'VE SENT HIS SENSES REELING. 241 00:15:40,767 --> 00:15:44,667 DEAR EMMET. I'M COMING, RICHARD. 242 00:15:50,501 --> 00:15:54,734 HAS SHE GONE? - YES, IT'S ALL CLEAR. YOU CAN COME OUT NOW. 243 00:15:54,769 --> 00:15:58,033 BUT SHE DID SEE YOU. - I COULDN'T GET IN. 244 00:15:58,068 --> 00:16:00,265 I NOTICED THAT. 245 00:16:00,300 --> 00:16:03,601 SHE THINKS YOU'RE HALF IN LOVE WITH HER. 246 00:16:05,133 --> 00:16:07,866 WHY ARE WE GOING THIS WAY? - HMM? 247 00:16:07,901 --> 00:16:11,634 IF WE WANT TO WALK, WHY DON'T WE GO INTO THE PARK OR SOMETHING? 248 00:16:11,669 --> 00:16:14,667 OH, RICHARD. EVERYBODY WALKS IN THE PARK. 249 00:16:14,702 --> 00:16:17,033 PECULIAR PEOPLE WALK IN THE PARK. 250 00:16:17,068 --> 00:16:19,400 NO, IT'S NICE DOWN HERE. 251 00:16:19,435 --> 00:16:21,365 WE'LL GO THIS WAY. 252 00:16:21,400 --> 00:16:24,501 I'LL ALWAYS BELIEVE ONE SHOULD GO ONE'S OWN WAY. 253 00:16:24,536 --> 00:16:26,968 I'VE NOTICED WE NEVER GO MY WAY. 254 00:16:27,003 --> 00:16:28,334 HMM? 255 00:16:29,467 --> 00:16:32,801 HAVE YOU DECIDED WHAT YOU WANT TO BE? 256 00:16:32,836 --> 00:16:35,265 WHEN I GROW UP, YOU MEAN? 257 00:16:35,300 --> 00:16:38,550 DON'T BE SILLY, DEAR. I MEAN YOUR FANCY DRESS. 258 00:16:38,585 --> 00:16:41,766 OH! IT USUALLY DEPENDS ON WHAT YOU WANT TO BE, 259 00:16:41,801 --> 00:16:44,834 AND THEN I FIND SOMETHING THAT GOES WITH IT. - OH, RICHARD, 260 00:16:44,869 --> 00:16:48,367 YOU MAKE IT SOUND AS IF I PRESSURE YOU INTO THINGS. 261 00:16:50,133 --> 00:16:53,200 I THINK I MIGHT GO AS MARIE ANTOINETTE. 262 00:16:53,235 --> 00:16:55,799 WELL, I'M NOT DOING LOUIS XIV. 263 00:16:55,834 --> 00:16:58,800 I'M NOT WEARING SILK TROUSERS. - OH, RICHARD! 264 00:16:58,835 --> 00:17:01,767 YOU CAN WEAR YOUR PLUS FOURS UNDERNEATH. 265 00:17:03,234 --> 00:17:05,299 OH, I LIKE NUMBER 10. 266 00:17:05,334 --> 00:17:07,601 WHY THAT ONE? IT LOOKS JUST LIKE THE OTHERS. 267 00:17:07,636 --> 00:17:09,566 NO, IT DOESN'T, DEAR. 268 00:17:09,601 --> 00:17:13,132 IT HAS AN INDEFINABLE SOMETHING ABOUT IT. 269 00:17:13,167 --> 00:17:16,065 HYACINTH, IF YOU ARE GOING AS MARIE ANTOINETTE- 270 00:17:16,100 --> 00:17:19,868 WELL, I AM. I HAVE MY HEART SET ON MARIE ANTOINETTE. 271 00:17:19,903 --> 00:17:22,734 MAYBE I COULD GO AS THE EXECUTIONER. 272 00:17:24,467 --> 00:17:26,566 OH, THAT'S A GOOD IDEA. 273 00:17:26,601 --> 00:17:29,484 IT HAS A CERTAIN APPEAL, I AGREE. 274 00:17:29,519 --> 00:17:32,367 LET'S TURN ROUND AND WALK BACK. 275 00:17:33,567 --> 00:17:36,432 WHY? - HUMOR ME, RICHARD. 276 00:17:36,467 --> 00:17:40,067 HYACINTH, TELL ME NOW- WHO IS AT NUMBER 10? 277 00:17:40,102 --> 00:17:41,365 SHH! 278 00:17:41,400 --> 00:17:43,817 I BELIEVE IT'S THE DONAHUES. 279 00:17:43,852 --> 00:17:46,559 DO YOU REMEMBER? I TOLD YOU. 280 00:17:46,594 --> 00:17:49,232 SHE WAS A "PROCTOR'S PICKLES." 281 00:17:49,267 --> 00:17:53,200 I THOUGHT IF WE BUMPED INTO THEM, IT WOULD BE NICE TO WELCOME THEM TO THE AREA. 282 00:17:53,235 --> 00:17:55,951 WELL, I'M NOT PASSING NUMBER 10 ALL AFTERNOON. 283 00:17:55,986 --> 00:17:58,667 I WOULDN'T DREAM OF DOING ANYTHING SO SILLY. 284 00:17:58,702 --> 00:18:00,766 GOOD. 285 00:18:00,801 --> 00:18:03,801 JUST A COUPLE MORE TIMES AND THEN WE'LL CALL IT A DAY. 286 00:18:16,534 --> 00:18:18,767 WHAT'S WRONG? 287 00:18:18,802 --> 00:18:20,901 NOTHING. 288 00:18:26,334 --> 00:18:28,801 WHAT'RE YOU LOOKING AT ME FOR? 289 00:18:28,836 --> 00:18:31,666 I LIKE LOOKING AT YOU. 290 00:18:31,701 --> 00:18:34,634 I LIKE SITTING HERE AND THINKING... 291 00:18:34,669 --> 00:18:38,699 IT'S ALL MINE! 292 00:18:38,734 --> 00:18:41,267 HOW MANY OF THOSE HAVE YOU HAD? 293 00:18:42,801 --> 00:18:44,899 IT'S MY FIRST. 294 00:18:44,934 --> 00:18:46,300 WELL, DON'T HAVE ANY MORE. 295 00:18:51,100 --> 00:18:53,400 WHAT ARE YOU SMILING FOR? 296 00:18:53,435 --> 00:18:55,666 I WAS JUST THINKING... 297 00:18:55,701 --> 00:18:58,033 WHEN OUR ROSE GETS MARRIED 298 00:18:58,068 --> 00:19:00,098 AND SHE LEAVES, 299 00:19:00,133 --> 00:19:02,634 IT'LL JUST BE THE TWO OF US. 300 00:19:03,667 --> 00:19:06,501 DAISY, I AM NOT JUST A PLAYTHING. 301 00:19:09,334 --> 00:19:11,434 WE'LL HAVE TO TAKE IN A LODGER. 302 00:19:15,200 --> 00:19:18,767 THERE NOW. I'M SURE THE WALK DID US GOOD. 303 00:19:18,802 --> 00:19:23,566 23 TIMES PAST NUMBER 10. 304 00:19:23,601 --> 00:19:27,601 THAT WASN'T A WALK, IT WAS SENTRY DUTY. 305 00:19:27,636 --> 00:19:30,432 I LIKED NUMBER 10. 306 00:19:30,467 --> 00:19:33,767 I WAS MERELY ADMIRING THEIR GARDEN. 307 00:19:33,802 --> 00:19:36,668 I DON'T SEE WHY. IT'S JUST A GARDEN. 308 00:19:36,703 --> 00:19:39,499 OF COURSE IT'S NOT JUST A GARDEN. 309 00:19:39,534 --> 00:19:41,667 IF YOU WERE ONCE A "PROCTOR'S PICKLE," 310 00:19:41,702 --> 00:19:43,818 YOU DON'T HAVE JUST A GARDEN. 311 00:19:43,853 --> 00:19:45,934 OH, I DO NEED A CUP OF TEA. 312 00:19:45,969 --> 00:19:47,866 WHAT A GOOD IDEA. 313 00:19:47,901 --> 00:19:51,901 DON'T TAKE YOUR SHOES OFF. YOU HAVE TO GO INTO TOWN. 314 00:19:51,936 --> 00:19:53,933 WHAT ON EARTH FOR? 315 00:19:53,968 --> 00:19:57,434 TO ORDER OUR COSTUMES FOR THE FANCY-DRESS BALL. 316 00:19:58,901 --> 00:20:02,334 AND DO INSIST - I WANT TO BE MARIE ANTOINETTE. 317 00:20:02,369 --> 00:20:04,467 THEY HAVE MY MEASUREMENTS ON FILE. 318 00:20:06,334 --> 00:20:09,868 AND DO BE CAREFUL WHAT YOU CHOOSE FOR YOURSELF. 319 00:20:09,903 --> 00:20:12,367 I DON'T WANT YOU IN TIGHTS, RICHARD. 320 00:20:14,167 --> 00:20:17,734 I GET VERY EMBARRASSED IN FRONT OF THE NEIGHBORS WHEN YOU'RE IN TIGHTS. 321 00:20:17,769 --> 00:20:20,018 WHEN HAVE I EVER BEEN IN TIGHTS? 322 00:20:20,053 --> 00:20:22,232 THE YEAR YOU WERE ROBIN HOOD. 323 00:20:22,267 --> 00:20:26,500 I WAS FRIAR TUCK, YOU WERE ROBIN HOOD. 324 00:20:26,535 --> 00:20:30,699 ARE YOU SURE? - DON'T YOU REMEMBER? 325 00:20:30,734 --> 00:20:34,200 SHERIDAN BECAME ILL BECAUSE HE COULDN'T BE MAID MARIAN. 326 00:20:34,235 --> 00:20:37,767 OH YES, I DO REMEMBER. 327 00:20:37,802 --> 00:20:39,732 POOR SHERIDAN. 328 00:20:39,767 --> 00:20:41,965 HE BROKE OUT IN SPOTS. 329 00:20:42,000 --> 00:20:44,701 ONLY IN THE NICEST PLACES, OF COURSE. 330 00:20:44,736 --> 00:20:46,734 AH, SPOIL YOUR LUNCH. 331 00:20:57,734 --> 00:20:59,868 OH, KID! COME HERE, COME HERE! 332 00:21:01,234 --> 00:21:03,601 POP THIS IN THAT LETTERBOX FOR ME, WILL YOU? 333 00:21:04,400 --> 00:21:07,199 HOW MUCH? 334 00:21:07,234 --> 00:21:09,667 YOU'RE GONNA GROW UP TO BE A MONSTER, AREN'T YOU? 335 00:21:09,702 --> 00:21:12,033 50p. 336 00:21:13,033 --> 00:21:15,817 FOR MRS. BUCKET? FORGET IT. 337 00:21:15,852 --> 00:21:18,601 WAIT! COME HERE. A POUND. 338 00:21:18,636 --> 00:21:20,734 LET'S SEE YOUR MONEY. 339 00:21:23,934 --> 00:21:26,100 THERE YOU ARE. 340 00:21:31,868 --> 00:21:34,601 YOU'LL BE SORRY. 341 00:21:40,734 --> 00:21:43,267 SMART KID. 342 00:21:46,167 --> 00:21:50,100 THE "BOUQUET" RESIDENCE, THE LADY OF THE HOUSE SPEAKING. 343 00:21:50,135 --> 00:21:53,199 SHERIDAN! 344 00:21:53,234 --> 00:21:56,998 HOW PSYCHIC OF YOU TO RING MOMMY. 345 00:21:57,033 --> 00:22:01,200 DADDY AND I WERE TALKING ABOUT YOUR SPOTS EARLY YESTERDAY. 346 00:22:01,235 --> 00:22:04,466 NO MORE MONEY THIS MONTH. - HMM? 347 00:22:04,501 --> 00:22:08,567 AND MOMMY'S BEEN THINKING ABOUT YOU AGAIN THIS MORNING. 348 00:22:08,602 --> 00:22:10,965 I WAS CLEARING OUT A DRAWER, 349 00:22:11,000 --> 00:22:14,167 AND I FOUND YOUR FIRST LITTLE SEWING KIT. 350 00:22:15,200 --> 00:22:17,501 IT BROUGHT A TEAR TO MOMMY'S EYE. 351 00:22:17,536 --> 00:22:19,768 IT BROUGHT A TEAR TO MINE. 352 00:22:19,803 --> 00:22:22,000 I SAT ON THE DAMN THING. 353 00:22:23,300 --> 00:22:26,167 NOW YOU'RE LUCKY TO HAVE CAUGHT US, DEAR. 354 00:22:26,202 --> 00:22:29,434 WE'LL SOON BE OFF FOR OUR WALK, 355 00:22:29,469 --> 00:22:32,667 YES, WE GO EVERY DAY NOW. 356 00:22:32,702 --> 00:22:34,032 MMM. 357 00:22:34,067 --> 00:22:37,667 MOMMY'S ON NODDING TERMS WITH A "PROCTOR'S PICKLE." 358 00:22:37,702 --> 00:22:41,032 YES, A MRS. DONAHUE. 359 00:22:41,067 --> 00:22:44,467 HER FATHER'S VERY BIG IN CONDIMENT CIRCLES. 360 00:22:44,502 --> 00:22:47,567 "ABSOLUTELY NOTHING OVER �10." 361 00:22:47,602 --> 00:22:50,034 OH, RICHARD! 362 00:22:50,069 --> 00:22:52,432 I'M SORRY, DEAR. 363 00:22:52,467 --> 00:22:55,150 THERE'S AN INTERFERENCE ON THE LINE. 364 00:22:55,185 --> 00:22:57,834 NOW I'M AFRAID YOU'VE CAUGHT MOMMY 365 00:22:57,869 --> 00:23:00,566 WHEN SHE'S VERY DISAPPOINTED. 366 00:23:00,601 --> 00:23:04,067 IT'S THE MAYOR'S FANCY-DRESS BALL THIS EVENING, 367 00:23:04,102 --> 00:23:06,468 AND I WANTED TO GO AS MARIE ANTOINETTE, 368 00:23:06,503 --> 00:23:08,799 BUT DADDY COULDN'T GET THE COSTUME. 369 00:23:08,834 --> 00:23:13,399 WELL, I HAD TO TAKE WHAT THEY'D GOT LEFT! 370 00:23:13,434 --> 00:23:16,767 I'M SORRY, DEAR. THERE'S ANOTHER GREMLIN ON THE LINE. 371 00:23:19,167 --> 00:23:22,634 WHAT'RE YOU DOING, LIZ? I THOUGHT YOU WERE SUPPOSED TO BE IN THE GARDEN. 372 00:23:22,669 --> 00:23:26,234 NO, NOT YET. I WANT TO SEE HYACINTH IN COSTUME. 373 00:23:26,269 --> 00:23:28,334 WHAT ARE THEY GOING AS? 374 00:23:28,369 --> 00:23:30,432 SHE WON'T SAY. 375 00:23:30,467 --> 00:23:33,534 IT'S NOT MARIE ANTOINETTE - I'VE GATHERED THAT MUCH. 376 00:23:35,634 --> 00:23:38,350 ALL SHE NEEDS IS A CRUFT'S FIRST PRIZE ROSETTE 377 00:23:38,385 --> 00:23:41,067 AND SHE COULD GO AS SUPREME LADY CHAMPION. 378 00:23:42,133 --> 00:23:44,501 AND YOU KNOW WHAT THEY CALL THOSE. 379 00:23:44,536 --> 00:23:47,566 OH, EMMET! 380 00:23:47,601 --> 00:23:50,100 QUICK, QUICK! THEY'RE GETTING IN THE CAR! 381 00:23:51,200 --> 00:23:53,566 GOOD HEAVENS! 382 00:23:53,601 --> 00:23:58,165 OH, I WOULDN'T HAVE MISSED THAT FOR THE WORLD. 383 00:23:58,200 --> 00:24:01,534 Hyacinth: I FEEL RATHER UNCOMFORTABLE IN THIS COSTUME, RICHARD. 384 00:24:01,569 --> 00:24:03,632 Richard: YOU TOLD ME TO TAKE WHAT THEY HAD. 385 00:24:03,667 --> 00:24:05,833 IT WAS THESE OR NOTHING. 386 00:24:05,868 --> 00:24:07,899 Hyacinth: WHAT ARE YOU DOING, DEAR? 387 00:24:07,934 --> 00:24:10,734 Richard: I'M NOT DOING ANYTHING. IT'S DOING IT ALL BY ITSELF. 388 00:24:12,200 --> 00:24:14,968 RICHARD, HOW CAN YOU BREAK DOWN ON ME LIKE THIS? 389 00:24:24,400 --> 00:24:27,566 HELLO, ROSE. 390 00:24:27,601 --> 00:24:29,834 YOU'VE JUST MISSED HYACINTH. THEY LEFT FOR THE TOWN HALL. 391 00:24:29,869 --> 00:24:32,551 YOU'LL CATCH THEM IF YOU HURRY. 392 00:24:32,586 --> 00:24:35,199 BELIEVE ME, IT'S WORTH THE EFFORT. 393 00:24:35,234 --> 00:24:40,200 I DID WANT HER TO MEET MY FRIEND, MISTER... 394 00:24:40,235 --> 00:24:42,334 "WHATSIT." 395 00:25:00,234 --> 00:25:02,234 MRS. BUCKET? 396 00:25:07,100 --> 00:25:10,267 IT'S "BOUQUET," MRS. DONAHUE. 397 00:25:12,200 --> 00:25:16,584 I DON'T BELIEVE YOU'VE MET MY HUSBAND? 398 00:25:16,619 --> 00:25:20,968 RICHARD, COME AND MEET MRS. DONAHUE. 399 00:25:28,634 --> 00:25:31,098 HOW DO YOU DO? 400 00:25:31,133 --> 00:25:35,367 WELL... I REALLY CAN'T STAY OUT HERE ALL EVENING. 401 00:25:35,402 --> 00:25:37,651 I THINK I CAN HEAR MY TELEPHONE. 402 00:25:37,686 --> 00:25:39,866 I'LL CALL YOU, MRS. DONAHUE. 403 00:25:39,901 --> 00:25:43,033 I DO HOPE YOU'LL GRACE ONE OF MY CANDLELIGHT SUPPERS. 404 00:26:00,734 --> 00:26:02,968 IS QUEEN BOADICEA HAVING TROUBLE WITH HER CHARIOT? 405 00:26:04,334 --> 00:26:06,833 DO PUT A JACKET ON, ONSLOW. 406 00:26:06,868 --> 00:26:09,501 YOU'RE BEING OBSERVED BY A "PROCTOR'S PICKLE." 407 00:26:44,534 --> 00:26:48,200 THANKS FOR THE LIFT, ONSLOW. I'M SORRY YOU CAN'T STOP. 408 00:26:53,267 --> 00:26:55,601 YOU'VE HARDLY SAID A WORD TO "MR. WHATSIT." 409 00:26:55,636 --> 00:26:57,933 SHE SAID A WORD TO ME. 410 00:26:57,968 --> 00:27:00,667 I DON'T THINK IT WAS ANCIENT BRIT. 411 00:27:01,701 --> 00:27:03,567 YOUR WORSHIP. 412 00:27:09,968 --> 00:27:13,334 OH, YOUR WORSHIP. I WAS HOPING TO SPEAK WITH YOU 413 00:27:13,369 --> 00:27:15,866 ABOUT A LITTLE FUNCTION I SHALL BE HOLDING. 414 00:27:15,901 --> 00:27:19,300 JUST A FEW FRIENDS OF THE RIGHT SOCIO-ECONOMIC BALANCE. 415 00:27:25,434 --> 00:27:27,567 OH, I KNOW! 416 00:27:45,334 --> 00:27:47,599 HOME, RICHARD. 417 00:27:47,634 --> 00:27:51,767 I WILL NOT SHARE MY THRONE WITH THOSE IMPOSTORS. 31328

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