All language subtitles for 22. Finally

Hello, everyone. Thank you for watching the lecture so far.

This course is for those who want to act as an illustrator and want to be good at painting.

As the first skill you need to draw as an illustrator,

I explained how to make a composition from section 2.

About layout, space, lines, natural guidance, and density.

Let's make a composition using these four major elements that make up the composition.

Next, I explained about section 3, drawing.

How to draw the basic form, how to draw the skin, how to draw the body.

First of all, it refers to a simple form, regardless of the person or object.

The basic procedure is to decide the placement and form of each part and draw the details.

However, even if you are not used to it,

you may end up with something that doesn't look good.

Or maybe you don't have enough observation.

Especially the human body is very difficult.

The impression will change completely by the subtle difference in line.

So, I think it's good to observe frequently, such as your favorite illustration,

and remember the final shape.

The simplified form is almost the same as the human body,

so if you can draw the ideal form from there,

you can draw the shape you want.

This is not something you can learn right away,

but if you keep it steady, you'll get used to it little by little,

so let's do our best.

And next.

Section 4. Color.

I explained the three elements of color, the psychological effect of color,

the color layer, brightness, saturation, and so on.

There are various characteristics of colors, and they are very deep.

The content I talked about this time is basic,

but it can be applied to reflection, psychological effect, and perspective expression,

so it may feel a little complicated,

but even if you choose a color that you think fits the picture you want to draw intuitively,

it can be quite confusing.

The first impression of looking at the picture is that it depends on the color,

so I'd like to use intuition and theory.

From Section 5, I actually went into the last production and proceeded with the rough.

It is very important to shape the image in the rough stage.

Look at various roughs so that your intentions can be conveyed,

think about it,

think about various roughs so that your intentions can be conveyed,

and if you come up with a good idea, let's look back on it the next day.

Then you can often find new ideas and places you want to fix, so I recommend it.

Next is Section 6. It's line drawing.

I did line drawing here.

The content was that the atmosphere of the picture changed greatly

as I drew more and more lines.

And the last Section 7. Coloring.

In coloring, as you add shadows and highlights,

the image gradually changes.

I made it fit the image while making frequent adjustments to the brightness and saturation.

And after adding the effect and completing it,

if you look back on it again after a day or two,

there are many ideas that can be brought closer to the image you want to convey, such as the place you want to fix.

So it's also an important process to lay the picture.

That was a brief overview of what I explained in this course.

Also, it's a device I usually use,

but I'm using Clip Studio Tab Mate and Tourbox Neo.

And by working on it with a keyboard,

the efficiency is very good, so I recommend this as well.

And when working on an illustration,

there are quite a few situations where you have to draw scenes that you have never drawn or elements that you are not good at.

So if you draw something you've never drawn with just your imagination,

it will be an illustration that is not very convincing and low in perfection.

So even if you draw anything,

let's collect the materials in advance and capture the characteristics of the elements.

And let's finish it with an illustration that can convey the message that the client wants to convey as much as possible.

In the rough stage of work, there are often three points or three patterns,

and one of them is that even if it is slightly different from the client's request,

I think it's a good idea to add a lot of your own ideas to make it a better expression.

In this way, if you do a quality job that exceeds the client's request, it leads to a repeat.

As you can see from my Twitter,

it doesn't function as a promotion at all.

However, the reason I have a lot of work is because of the big point of this repeat.

Also, drawing an illustration uses more energy than you can imagine both mentally and physically,

so let's figure out how much time you can spend on it and make a schedule that is not too much.

If you are in a state of being exhausted, the quality of the picture will inevitably decrease.

Even if you are mentally exhausted, it's hard to get a good quality.

So let's draw while enjoying health first.

I pray that your goals will be achieved.

Thank you very much for watching until the end.

See you in the next video.