All language subtitles for 12. Think About The Layout

Hello. Thank you for watching.

First of all, I would like to briefly review the last time.

In the last video, I talked about the psychological effect of color.

First of all, I talked about what kind of impression and feeling each color gives us because it is an emotion that color gives.

Next, about expansion and contraction colors.

The bright colors of the maid seem to be expanding, and the dark colors of the maid seem to be contracting.

Next, about brightness and brightness.

The warm-toned colors give a bright impression, and the cold-toned colors give a bright impression.

About weight and lightness.

As the brightness increases, it becomes a light impression, and as the brightness decreases, it becomes a heavy impression.

Finally, about softness and hardness.

The bright colors and low saturation pastel colors give a soft impression.

And as the brightness decreases, it becomes a hard impression.

From this time on, I would like to create an illustration based on the contents I have learned so far.

In the first step, I would like to think about the layout of the rough production.

First, I would like to think about the theme.

I was very confused about what kind of illustration to draw this time, but I was thinking about what was related to this course.

First of all, I would like to draw a lot of words that came to my mind.

First of all, it's a course.

I'm going to draw an illustration in the course, so I'm going to draw an illustration.

The people who are watching this course are students, so there are students, teachers, and so on.

These words came to my mind, and as a feature of my illustration, there is a sense of dynamism.

I would like to explain that point as well, so as a feature I want to incorporate, I gave it a sense of dynamism.

While I was thinking about these points in various combinations, I was wondering who would be the main character of the screen, but I thought it would be nice to have a student.

Next, I thought it would be nice to personalize the difficult wall that comes while drawing a picture, such as a slump, and face it.

And it's up to me whether or not I can overcome the wall, so I thought it would be nice to make the person who was personalized like the main character's alter ego.

And since it's a battle scene in my mind, I thought I'd make the place where the two are in the world in the main character's mind.

It's a mental world, isn't it? I'm imagining a landscape where vast plains and the sky are spread out.

And then, I'm thinking about what to do to give it a sense of dynamism, which is a feature I want to incorporate.

Whether to make the main character and alter ego fight with weapons, or whether to make it look like they're interacting, not fighting, and so on.

I've been thinking about this a lot, so I thought I'd change the course graph of both patterns for the time being.

And finally, the clothes of the characters.

I thought it would be nice to wear a school uniform because I'm a student, so I'm going to make it a school uniform-based costume.

Most of the elements have been decided, so this time, I'm going to make the theme of myself moving forward.

Now, I'd like to actually draw a course graph from now on.

First of all, I'd like to start with the battle scene.

It's the screen size, but for now, I've made it horizontal, which I'm used to using.

I thought there might be a vertical direction in the middle of the drawing, so I'd like to change it to a vertical screen.

First of all, I'm going to roughly take the shape.

This circle is the exercise point.

The main character, of course, is the main character, and the other one is the avatar.

I'm going to use the exercise point as a guide like this, and I'm going to take the general shape of the body.

I'm going to draw a little more detail, but I'm going to draw it roughly.

Like this, I'm going to draw both the body and the invisible part to make it easier to balance.

I'd like to have a weapon, so I'm going to make the first guide a little hidden.

I'd like to have a weapon, so I'm going to divide the weapon into different layers to make it easier to move and transform.

I think it would be cool if I could use a sword or a spear, but I think it would be nice if I could use a tool to draw a picture as a weapon.

Let's make it look like a pen sword or a pen spear.

There's a pen like this, right? With ink on it.

Let's make this a weapon and draw it.

If the handle is thick, the character will be hidden, so I'd like to make it a little thinner.

The second character is a clone, so I'm going to make it look like it's got the same weapon as the clone.

The background is a space where the earth and the sky are spread out, so I'm going to draw the eye level around here.

Eye level and lighting system...

There's a sense of perspective like this.

The person in the scenes is often chosen to be shown in a good shape, and then the perspective of the scene is often confirmed.

The rough shape of the battle scene is like this

Oh, it's the hair

Let's also decide the rough shape of the hair

It's easier to transform and fix if you do it in a different layer

I'd like to change it to a different layer

But it's a rough flow

It's like taking it like this

It's like this

This is the rough shape of the initial stage

I'd like to put the layers together

Battle scene

Then, next

Next is the scene of exchanging

I'd like to proceed with this composition

This is a composition that shows the face clearly with a sense of perspective

First of all, I'd like to make it easier to convey the expression

Shoulder to elbow

Elbow to elbow

This character

This is a clone

It's easier to understand if you draw the spine and draw the center line

Knees, legs

Take a rough shape like this

And

I'm going to put it together in a slightly simpler form

It's like putting your hand on your clone's chin

I'm going to draw the invisible part of the legs

I'm going to draw it

You can't see the legs completely without this

Is it like this?

The body is complete

A rough shape of the body

I'm going to do the hair in a different layer

I'd like to emphasize the sense of depth

This is the back

This is the front

From the front to the back

I'm trying to make the form smaller

By doing so

Distance and proximity

I can express it

The background is pretty simple

At this stage

I don't think it's necessary to draw that much

With this

The two characters placed on the screen

The pose rough

Is it done?

In terms of arrangement

It's like this

I'm going to think about this section 5 layout

That's it

Next time, I'm going to incorporate line-by-line guidance

Thank you for watching until the end

See you again