All language subtitles for 22PresetsCodecDitherAndOptions

Want to look at working with the presets
another kind of ozone infrastructure

housekeeping things in this video.

So here I've got this chain set up that I

used in the last song where I replaced
the maximize worth vintage limiter and

it's unsaved right now i just started
with the master assistant and customized

it and I can save it as a preset but
before we do that I want to click here

these are the global presets, so not
module specific, but global.

And here we have at the top default and
working settings.

And the working settings will always
bring you back to where you're at so

let's say I decide I want to see what
Balance Master sounds like one of the

presets. Going to hit play for a bit, yeah, not

sure I like that.

So I'm going to click Working Settings

and boom, it brings me back to my
settings with my custom chain with the

dynamic EQ and the Vintage Limiter.

So that's a great way to always just jump

back and audition different presets.

That one ironically uses the Vintage

limiter, but I'm going to go back here
and just jump to Working Settings and now

it's reverted back.

So really useful to understand that and

default is what the state is when you
open up your first instance of Ozone and

factory default of course is this going
to go back to working settings and there

we are, but you can change it and make
them to customize default.

But before we do that I want to just save
this preset that I've created so we have

all the factory presets here and here we
have custom now you saw me use this in

one of the earlier videos for some of the
individual modules and it works similarly

here. So here in custom I have a couple that

I've created previously and we can of
course just click plus to create a new

one i can create a new folder if I want
to organize them into folders like I have

here folder for vocal chain, one for drum
processing and so on.

But I'm just going to click plus and I'll
call it vintage master chain and that's

where it is.

So let's say I decide, I make changes, I

decide the imager I want to you know,
maybe bring that down, bring that up.

I can always go here and now we see that
dirty sign.

I just clicked it and it got rid of it
but let me just do that again do that

there we go, we see The Dirty indicator
indicating that it's been changed.

And what I can do is just use this update
button and now it's updated so as soon as

you make a change, you'll get that dirty
status, which is very useful.

And then I can update it.

And I can also add in comments here if I

want. So that's the basic info you need for

presets now back to here let's say I'm
gonna go with center focus.

Let's say I like that and I want that as
my starting mastering chain i can right

click on here and go set this as my
default and now I'll just change resets

to well from different chains if I click
default, we're back to what I've now

saved as my new default and if I want to
revert to the factory default, I can

right click there and go reset the
factory default, click yes and now we're

back to there.

And as far as per module presets, it

works the same way we get the preset
manager there and we have factory resets

and then custom ones with same options at
the bottom.

And just to show you where these are
stored on your hard drive in your user

folder in Documents, Isotope, Ozone, Pro
Presets and here Global Presets there's

the one I just saved and the per module
presets are here.

Now I want to take a brief look at the
codec and dither panels so for Codec, we

turn it on here.

This gives us an opportunity to preview

what the file is going to sound like if
we're reducing the bit depth to, for

example, MP three at a lower kilobytes
per second rate, Let's say I'm going down

there, I can solo the artifacts and
that's what it's going to be adding to

when it's reducing everything.

And of course, the higher you get, the

less artifacts they'll be.

So again, with solo artifacts, you'll

hear the artifacts that are going to
result from the reduction.

Now with dithering, we have a separate
panel for when we're reducing the bit

depth from either 24 or 20 or whatever
down to a lower bit depth so again, you

can Click to hear the different options.

And what auto blanking will do is if

there's silence in the file, it'll
automatically turn off the dithering

process so that the noise and effects
that are added with the bit depth and

dithering because there's noise shaping
involved, it'll blank out the noise

that's added, so they'll be silence when
that's enabled.

So we have different amounts of dither.

And when it's off, we have the option to

press harmonic suppression, which
determines how it's going to interact

with overtones that are generated when
there's no dithering used.

So you may like to sound better, you may
not these are really subtle adjustments,

but it controls the interaction of the
overtones that are generated.

Then we can limit peaks of course, and
then different noise shaping types.

So most commonly we're going from 24 bit
16 and we see a meter readout what's

happening here.
So here at 24 bit, all the full range is

happening. We go down to 8, just getting that

portion of the bit being heard the rest
are being dithered and noise shaped into

this range and we can see if there's any
DC offset that's going to result and we

can click the filter button if we need
to.

And I want to take a quick look at the
options we've gone through the main

important ones, but let's just round out
our look at it here.

So on general we can show the tool tips
they've been on throughout these videos

we can actually turn them off, and I like
having the whole interface dimmed when we

bypass, we can control the opacity of the
window and you want to send usage data to

Isotope, the undo history, how many steps
you want to save, and keyboard support.

I think we've gone through most of these
spectrum options, but they're display

preferences And then for the EQ we've
gone through these over here.

For dynamics, again we can switch the
crossover type between analog, digital

and hybrid and when we're at digital, we
get the variable crossover and look ahead

time. For imager, again we have the crossover

type controls prevent anti phase and
detection method for the vectorscope

dynamics EQ just the width of when we're
soloing.

And for the exciter, I think we looked at
that and we've looked at those.

We'll see you for more in the next video.