All language subtitles for LHOP S01E02 Country Girls.DVDRip.NonHI.cc.en.LNSGT

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French Download
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:02,646 --> 00:01:03,646 Charles: JACK! 2 00:01:16,593 --> 00:01:17,593 HERE, BOY. 3 00:01:22,332 --> 00:01:24,032 THAT'S-A-BOY. GOOD, JACK. 4 00:01:27,638 --> 00:01:29,638 DO YOU WANT TO SEE? 5 00:01:44,171 --> 00:01:47,384 OOH, CARRIE, WHERE DO YOU THINK YOU'RE GOING? 6 00:01:47,408 --> 00:01:49,819 MARY! LAURA! COME TO BREAKFAST. 7 00:01:49,843 --> 00:01:51,154 ALL RIGHT, MA. 8 00:01:51,178 --> 00:01:52,889 LAURA. 9 00:01:52,913 --> 00:01:55,358 HURRY UP! YOU HEARD MA. 10 00:01:55,382 --> 00:01:58,344 DON'T YOU DARE MAKE US LATE FOR SCHOOL... 11 00:01:58,368 --> 00:02:00,296 NOT ON THE VERY FIRST DAY. 12 00:02:00,320 --> 00:02:01,320 I'M NOT GOING. 13 00:02:07,043 --> 00:02:08,020 IT'S A FINE MORNING. 14 00:02:08,044 --> 00:02:09,121 ISN'T IT? 15 00:02:09,145 --> 00:02:10,122 GOOD MORNING, MA. 16 00:02:10,146 --> 00:02:11,257 MARY. 17 00:02:11,281 --> 00:02:12,291 MORNING, PA. 18 00:02:12,315 --> 00:02:13,360 MORNING, MARY. HAVE A GOOD SLEEP? 19 00:02:13,384 --> 00:02:14,361 YEAH. 20 00:02:14,385 --> 00:02:15,428 IS LAURA NEARLY READY? 21 00:02:15,452 --> 00:02:17,372 SHE SAYS SHE'S NOT GOING. 22 00:02:20,007 --> 00:02:22,247 NOW, DON'T WORRY. I'LL SEE TO IT. 23 00:02:41,712 --> 00:02:44,290 WHAT'S THE MATTER, HALF-PINT? 24 00:02:44,314 --> 00:02:45,397 I DON'T WANT TO GO. 25 00:02:54,725 --> 00:02:57,987 IT'S KIND OF HARD FOR ME TO HEAR YOU WITH THOSE COVERS ALL OVER YOUR HEAD. 26 00:02:58,011 --> 00:03:00,495 I DON'T WANT TO GO. I WANT TO STAY HERE. 27 00:03:03,184 --> 00:03:06,263 WELL, I WISH YOU COULD STAY. 28 00:03:06,287 --> 00:03:09,032 YOU KNOW, I MADE A PROMISE TO YOUR MA. 29 00:03:09,056 --> 00:03:11,168 TOLD HER ONCE WE GOT SETTLED, IF WE WERE NEAR A SCHOOL, 30 00:03:11,192 --> 00:03:13,686 YOU AND YOUR SISTER WOULD GO. 31 00:03:13,710 --> 00:03:15,988 BUT YOU NEED ME HERE. 32 00:03:16,012 --> 00:03:18,324 WHO'S GOING TO HELP YOU WITH THE FISH TRAPS? 33 00:03:18,348 --> 00:03:20,259 WHO'S GOING TO TAKE CARE OF JACK? 34 00:03:20,283 --> 00:03:23,529 YOU'RE GOING TO HAVE TIME FOR ALL THAT. 35 00:03:23,553 --> 00:03:24,764 YOU WOULDN'T WANT ME TO BREAK A PROMISE 36 00:03:24,788 --> 00:03:26,949 I MADE TO YOUR MA, WOULD YOU? 37 00:03:26,973 --> 00:03:28,784 NO, PA. 38 00:03:28,808 --> 00:03:30,786 OK. 39 00:03:30,810 --> 00:03:32,722 THAT'S MY GIRL. 40 00:03:32,746 --> 00:03:34,090 NOW, YOU HURRY UP AND GET DRESSED. 41 00:03:34,114 --> 00:03:36,274 BREAKFAST IS GOING TO GET COLD. 42 00:03:40,554 --> 00:03:42,835 TELL YOU SOMETHING YOU DON'T KNOW. 43 00:03:43,757 --> 00:03:46,519 YOU'RE GOING TO LIKE SCHOOL. 44 00:03:46,543 --> 00:03:47,543 YES, PA. 45 00:03:50,029 --> 00:03:53,976 LET'S HAVE ANOTHER LOOK AT THOSE HANDS. 46 00:03:54,000 --> 00:03:56,212 IT'S FINE. OH, YOURS, TOO, CARRIE, 47 00:03:56,236 --> 00:03:57,813 SPIC AND SPAN. 48 00:03:57,837 --> 00:03:59,582 MA, MY NECK HURTS. 49 00:03:59,606 --> 00:04:02,151 WHAT? MARY SCRATCHED SO HARD, 50 00:04:02,175 --> 00:04:04,220 SHE LIKELY TOOK THE SKIN CLEAN OFF. 51 00:04:04,244 --> 00:04:05,855 YOU'RE BIG ENOUGH TO DO YOUR OWN SCRUBBING, 52 00:04:05,879 --> 00:04:07,022 ONLY YOU WON'T. 53 00:04:07,046 --> 00:04:09,292 I DON'T LIKE BEING BIG. 54 00:04:09,316 --> 00:04:10,782 I WISH I WAS CARRIE. 55 00:04:13,386 --> 00:04:17,267 MA... YOU THINK THEY'LL LIKE US? 56 00:04:17,291 --> 00:04:19,502 WHAT KIND OF A FOOLISH QUESTION IS THAT? 57 00:04:19,526 --> 00:04:21,538 OF COURSE THEY'LL LIKE YOU. 58 00:04:21,562 --> 00:04:25,342 YOU JUST BE FRIENDLY AND MIND YOUR MANNERS. 59 00:04:25,366 --> 00:04:27,611 NOW, LET ME HAVE A BETTER LOOK AT YOU. 60 00:04:27,635 --> 00:04:28,635 TURN AROUND. 61 00:04:33,757 --> 00:04:36,469 YOU GIRLS ARE SPROUTING UP SO FAST. 62 00:04:36,493 --> 00:04:37,503 THERE'S NOTHING LEFT OF THOSE HEMS 63 00:04:37,527 --> 00:04:38,576 FOR ME TO LET DOWN. 64 00:04:40,063 --> 00:04:42,842 WELL, YOU'RE FRESH AND CLEAN, 65 00:04:42,866 --> 00:04:45,378 AND YOU'RE STARTING SCHOOL. 66 00:04:45,402 --> 00:04:46,517 THAT'S THE IMPORTANT THING. 67 00:04:49,289 --> 00:04:50,400 MA? 68 00:04:50,424 --> 00:04:51,467 HMM? 69 00:04:51,491 --> 00:04:53,619 HOW LONG IS ALL THIS LEARNING GOING TO TAKE? 70 00:04:55,379 --> 00:04:58,591 WE START LEARNING WHEN WE'RE BORN, LAURA. 71 00:04:58,615 --> 00:05:02,083 AND IF WE'RE WISE, WE DON'T STOP UNTIL THE LORD CALLS US HOME. 72 00:05:04,320 --> 00:05:06,182 THAT LONG? 73 00:05:06,206 --> 00:05:07,817 COME. 74 00:05:07,841 --> 00:05:09,474 I HAVE SOMETHING SPECIAL FOR YOU TWO. 75 00:05:25,158 --> 00:05:28,170 MY SCHOOLBOOKS ARE YOURS NOW. 76 00:05:28,194 --> 00:05:29,405 YOU TAKE GOOD CARE OF THEM. 77 00:05:29,429 --> 00:05:30,707 WE WILL, MA. 78 00:05:30,731 --> 00:05:34,143 WELL, TIME TO GET STARTED. 79 00:05:34,167 --> 00:05:36,278 NOW, LAURA, YOU TAKE THE LUNCH PAIL. 80 00:05:36,302 --> 00:05:38,781 REMEMBER TO BRING IT HOME... AND THE CLOTH. 81 00:05:38,805 --> 00:05:40,005 Laura: I WILL. 82 00:05:42,058 --> 00:05:45,705 WELL, EVERYBODY'S ALL SET FOR SCHOOL. 83 00:05:45,729 --> 00:05:47,039 NOW, NO DAWDLIN'. 84 00:05:47,063 --> 00:05:48,708 I DON'T WANT YOU TO BE LATE THE FIRST DAY, ALL RIGHT? 85 00:05:48,732 --> 00:05:49,709 BE GOOD GIRLS. 86 00:05:49,733 --> 00:05:50,843 WE WILL, MA. 87 00:05:50,867 --> 00:05:52,067 ON YOUR WAY. HAVE A GOOD TIME. 88 00:06:01,812 --> 00:06:02,812 BYE, MA. 89 00:06:04,581 --> 00:06:07,026 GOOD-BYE, PA. 90 00:06:07,050 --> 00:06:08,215 BYE, CARRIE. 91 00:06:15,209 --> 00:06:17,809 A LOT OF GOOD-BYES FOR SOMEBODY WHO'S GOING TO BE HOME FOR SUPPER. 92 00:06:21,648 --> 00:06:23,626 HA HA HA! 93 00:06:23,650 --> 00:06:25,361 HEY, YOU HOLD IT, YOUNG LADY! 94 00:06:25,385 --> 00:06:27,385 WE GET TO HOLD ON TO YOU FOR A COUPLE OF YEARS YET. 95 00:06:30,924 --> 00:06:31,964 THERE THEY GO. 96 00:06:38,465 --> 00:06:40,198 CHARLES, THEY LOOK SO SMALL. 97 00:06:42,669 --> 00:06:43,768 STOP WORRYING. 98 00:07:05,893 --> 00:07:07,133 COME ON, LAURA. 99 00:07:28,114 --> 00:07:30,434 COME ON. YOU'RE GONNA MAKE US LATE. 100 00:07:48,151 --> 00:07:49,351 Mary: LAURA, COME ON. 101 00:08:00,680 --> 00:08:02,558 KICK IT OVER HERE, QUICK! 102 00:08:02,582 --> 00:08:04,060 GO AHEAD, LAURA. 103 00:08:04,084 --> 00:08:05,161 UH-UH. YOU FIRST. 104 00:08:05,185 --> 00:08:06,529 WHY ME? 105 00:08:06,553 --> 00:08:09,165 'CAUSE YOU'RE ALWAYS BRAGGING ABOUT BEING OLDEST. 106 00:08:09,189 --> 00:08:11,868 IT'S YOUR PLACE TO GO FIRST. 107 00:08:11,892 --> 00:08:13,092 WE'LL GO TOGETHER. 108 00:08:34,798 --> 00:08:36,142 FROM THE SOUND OF YOU, 109 00:08:36,166 --> 00:08:38,411 WE FIGURED WE'D COME INTO A FLOCK OF PRAIRIE CHICKENS. 110 00:08:38,435 --> 00:08:39,445 LAURA! 111 00:08:39,469 --> 00:08:42,148 SNIPES YOURSELVES... LONG-LEGGED SNIPES. 112 00:08:42,172 --> 00:08:43,849 Children: ♪ SNIPES, SNIPES ♪ 113 00:08:43,873 --> 00:08:45,768 ♪ LONG-LEGGED SNIPES ♪ 114 00:08:45,792 --> 00:08:49,422 ♪ SNIPES, SNIPES, LONG-LEGGED SNIPES ♪ 115 00:08:49,446 --> 00:08:51,658 ♪ SNIPES, SNIPES... ♪ 116 00:08:51,682 --> 00:08:54,327 YOU STOP BEING MEAN TO THEM, OR I'LL TELL MAMA ON YOU. 117 00:08:54,351 --> 00:08:55,328 GO AHEAD, CHRISTY. 118 00:08:55,352 --> 00:08:56,552 SEE IF I CARE! 119 00:09:05,411 --> 00:09:06,811 COUNTRY GIRLS. 120 00:09:37,610 --> 00:09:38,588 SETTLE DOWN, CHILDREN. 121 00:09:38,612 --> 00:09:39,612 SETTLE DOWN. 122 00:09:45,668 --> 00:09:47,949 Teacher: WON'T YOU COME IN, GIRLS? 123 00:10:11,678 --> 00:10:14,423 YOU MUST BE THE NEW GIRLS FROM PLUM CREEK, AREN'T YOU? 124 00:10:14,447 --> 00:10:15,691 YES, MA'AM. 125 00:10:15,715 --> 00:10:17,176 I'M MISS BEADLE. 126 00:10:17,200 --> 00:10:20,079 I'M MARY INGALLS, MA'AM, AND THAT'S LAURA. 127 00:10:20,103 --> 00:10:21,948 Miss Beadle: I'M VERY PLEASED TO MEET YOU, 128 00:10:21,972 --> 00:10:23,566 AND I'LL PUT YOUR NAME IN THIS REGISTER, 129 00:10:23,590 --> 00:10:25,430 AND THAT WILL MAKE IT OFFICIAL. 130 00:10:31,247 --> 00:10:32,980 WE HAVE OUR OWN BOOKS. 131 00:10:35,318 --> 00:10:37,029 THEY BELONGED TO MA. 132 00:10:37,053 --> 00:10:40,533 OH, I CAN SEE SHE TOOK FINE CARE OF THEM. 133 00:10:41,491 --> 00:10:45,051 NOW, HOW MUCH SCHOOLING HAVE YOU GIRLS HAD? 134 00:10:46,296 --> 00:10:48,040 NONE. 135 00:10:48,064 --> 00:10:49,064 BUT I CAN READ. 136 00:10:56,639 --> 00:10:59,251 I CAN'T, BUT I KNOW THE ALPHABET. 137 00:10:59,275 --> 00:11:02,020 I THOUGHT YOU OUGHT TO KNOW. 138 00:11:02,044 --> 00:11:03,489 THANK YOU, LAURA. 139 00:11:03,513 --> 00:11:05,924 AND DON'T YOU WORRY. YOU'LL LEARN FAST. 140 00:11:05,948 --> 00:11:08,094 AND I'LL HELP YOU EVERY SPARE MINUTE I CAN. 141 00:11:08,118 --> 00:11:09,150 THANK YOU. 142 00:11:12,455 --> 00:11:14,233 CHILDREN... 143 00:11:14,257 --> 00:11:16,736 I'D LIKE YOU TO WELCOME 2 NEW STUDENTS. 144 00:11:16,760 --> 00:11:18,871 THIS IS MARY AND LAURA INGALLS. 145 00:11:18,895 --> 00:11:20,615 Children, weakly: HELLO. 146 00:11:23,400 --> 00:11:26,245 NOW, I WOULDN'T CALL THAT MUCH OF A WELCOME. 147 00:11:26,269 --> 00:11:29,031 WE'D LIKE TO HEAR YOU SAY, "GOOD MORNING, MARY..." 148 00:11:29,055 --> 00:11:31,917 Children: GOOD MORNING, MARY. 149 00:11:31,941 --> 00:11:32,941 AND... 150 00:11:34,828 --> 00:11:36,494 Children: GOOD MORNING, LAURA. 151 00:11:39,032 --> 00:11:40,642 THERE'S A NICE PLACE FOR YOU RIGHT UP FRONT. 152 00:11:40,666 --> 00:11:44,106 THAT WAY, YOU CAN SIT TOGETHER AND SHARE YOUR BOOKS. 153 00:11:47,173 --> 00:11:48,885 DID YOU BRING A SLATE? 154 00:11:48,909 --> 00:11:50,436 NO, MA'AM. 155 00:11:50,460 --> 00:11:52,905 WELL, YOU CAN'T LEARN TO WRITE PROPERLY WITHOUT A SLATE. 156 00:11:52,929 --> 00:11:54,009 I'LL LEND YOU MINE. 157 00:11:55,248 --> 00:11:57,368 Nellie: COUNTRY GIRLS. 158 00:12:01,304 --> 00:12:03,449 Miss Beadle: HERE YOU GO. 159 00:12:03,473 --> 00:12:04,750 THANK YOU, MISS BEADLE. 160 00:12:04,774 --> 00:12:06,251 YOU'RE WELCOME. 161 00:12:06,275 --> 00:12:07,386 NOW, LAURA, I'D LIKE YOU TO TURN 162 00:12:07,410 --> 00:12:09,422 TO THE FIRST PAGE IN YOUR SPELLER. 163 00:12:09,446 --> 00:12:10,423 LET'S SEE HOW MANY NEW WORDS 164 00:12:10,447 --> 00:12:12,157 YOU CAN TAKE HOME WITH YOU TONIGHT. 165 00:12:12,181 --> 00:12:13,181 YES, MA'AM! 166 00:12:18,571 --> 00:12:21,834 ALL RIGHT, CLASS. TODAY WE'RE GOING TO START WITH SUMS. 167 00:12:25,228 --> 00:12:26,605 Miss Beadle: WILLIE? 168 00:12:26,629 --> 00:12:28,057 YES, MA'AM? 169 00:12:28,081 --> 00:12:29,280 BY 3s, PLEASE, WILLIE. 170 00:12:43,997 --> 00:12:45,641 MA'AM? 171 00:12:45,665 --> 00:12:48,461 HOW'S HE EVER GONNA GET ALL THOSE NUMBERS OFF AGAIN? 172 00:12:52,689 --> 00:12:53,689 SILENCE! 173 00:12:55,225 --> 00:12:57,425 THERE WILL BE SILENCE IN THIS CLASSROOM. 174 00:13:02,782 --> 00:13:05,227 WILLIE, LAURA HAS ASKED A QUESTION. 175 00:13:05,251 --> 00:13:07,411 WILL YOU PLEASE DEMONSTRATE THE ANSWER? 176 00:13:13,827 --> 00:13:15,504 MARY, LOOK. 177 00:13:15,528 --> 00:13:17,823 IT'S CLEAN AS A WHISTLE. 178 00:13:17,847 --> 00:13:19,692 WHAT DID I TELL YOU? 179 00:13:19,716 --> 00:13:21,494 COUNTRY GIRLS. 180 00:13:21,518 --> 00:13:23,746 DON'T EVEN KNOW WHAT A BLACKBOARD IS. 181 00:13:23,770 --> 00:13:24,770 NELLIE. 182 00:13:34,380 --> 00:13:40,462 Laura: C-A-T, CAT. 183 00:13:40,486 --> 00:13:41,486 MM-HMM. 184 00:13:44,090 --> 00:13:49,505 B-A-T, BAT. 185 00:13:49,529 --> 00:13:50,529 RIGHT. 186 00:13:52,749 --> 00:13:56,934 M-A-T, MAT. 187 00:13:59,889 --> 00:14:04,971 P-A-T, PAT. 188 00:14:04,995 --> 00:14:05,972 GOOD. 189 00:14:05,996 --> 00:14:08,074 I LEARNED THE WHOLE FIRST ROW. 190 00:14:08,098 --> 00:14:10,926 HEY, HOW ABOUT IF I GIVE YOU ONE THAT ISN'T EVEN ON THAT FIRST ROW? 191 00:14:10,950 --> 00:14:11,961 LET ME SEE. WHAT'S A GOOD WORD? 192 00:14:11,985 --> 00:14:13,634 HOW ABOUT RAT? 193 00:14:16,806 --> 00:14:17,856 RAT. 194 00:14:21,828 --> 00:14:28,510 R... A... T, RAT. 195 00:14:28,534 --> 00:14:30,112 PERFECT. 196 00:14:30,136 --> 00:14:32,315 I'D SAY THAT WAS A FINE DAY'S WORK. 197 00:14:32,339 --> 00:14:34,550 IT SEEMS TO ME YOU KIND OF LIKE SCHOOL, HUH? 198 00:14:34,574 --> 00:14:36,519 OH, I DO, PA. 199 00:14:36,543 --> 00:14:39,155 AND YOU SHOULD JUST SEE MISS BEADLE. 200 00:14:39,179 --> 00:14:42,508 SHE'S THE BEST TEACHER IN THE WHOLE WORLD, 201 00:14:42,532 --> 00:14:45,010 AND SHE SMILES ALL THE TIME, 202 00:14:45,034 --> 00:14:47,830 AND SHE SMELLS AS GOOD AS SHE LOOKS. 203 00:14:47,854 --> 00:14:49,699 I CAME RIGHT OUT AND ASKED, 204 00:14:49,723 --> 00:14:52,985 AND SHE TOLD ME SHE WEARS SOMETHING CALLED LEMON VERBENA. 205 00:14:53,009 --> 00:14:54,170 HMM. 206 00:14:54,194 --> 00:14:58,473 SHE'S THE MOST BEAUTIFUL LADY I EVER SAW... 207 00:14:58,497 --> 00:15:00,442 EXCEPT FOR MA, OF COURSE. 208 00:15:00,466 --> 00:15:03,346 WELL, I MUST SAY SHE MUST BE SOMETHING SPECIAL 209 00:15:03,370 --> 00:15:05,814 TO BE EVEN CLOSE TO YOUR MA. 210 00:15:05,838 --> 00:15:07,082 CHARLES! 211 00:15:07,106 --> 00:15:08,083 Charles: HOW ABOUT YOU, MARY? 212 00:15:08,107 --> 00:15:09,151 DID YOU LIKE SCHOOL TODAY? 213 00:15:09,175 --> 00:15:11,086 THERE'S A REAL NICE GIRL NAMED CHRISTY. 214 00:15:11,110 --> 00:15:13,356 SHE'LL PROBABLY BE MY BEST FRIEND. 215 00:15:13,380 --> 00:15:14,357 GOOD. 216 00:15:14,381 --> 00:15:16,192 ANYBODY IN PARTICULAR YOU LIKE, LAURA? 217 00:15:16,216 --> 00:15:18,660 SOMEONE IN PARTICULAR I DON'T LIKE... 218 00:15:18,684 --> 00:15:20,162 THAT SNIPPY NELLIE OLESON. 219 00:15:20,186 --> 00:15:21,263 LAURA! 220 00:15:21,287 --> 00:15:24,883 YOU KNOW WHAT SHE CALLED US? COUNTRY GIRLS. 221 00:15:24,907 --> 00:15:25,884 WELL, YOU ARE COUNTRY GIRLS. 222 00:15:25,908 --> 00:15:27,386 THERE'S NOTHING BAD ABOUT THAT. 223 00:15:27,410 --> 00:15:29,388 THERE IS THE WAY SHE SAID IT. 224 00:15:29,412 --> 00:15:31,390 "LOOK AT THE COUNTRY GIRLS!" 225 00:15:31,414 --> 00:15:34,577 MADE ME SO MAD, I WANTED TO SMACK HER GOOD. 226 00:15:34,601 --> 00:15:37,479 NOW, JUST A MINUTE. I DON'T WANT TO HEAR YOU TALKING LIKE THAT. 227 00:15:37,503 --> 00:15:40,499 YOU GO TO SCHOOL TO LEARN, NOT TO FIGHT. 228 00:15:40,523 --> 00:15:41,801 PART OF WHAT YOU HAVE TO LEARN 229 00:15:41,825 --> 00:15:43,703 IS HOW TO GET ON WITH OTHERS. 230 00:15:43,727 --> 00:15:46,538 ALL RIGHT. I'LL TRY. 231 00:15:46,562 --> 00:15:50,142 NOW, YOUNG LADY, YOU'RE GOING TO DO A LOT MORE THAN JUST TRY. 232 00:15:50,166 --> 00:15:52,844 REMEMBER, LAURA, DO UNTO OTHERS... 233 00:15:52,868 --> 00:15:53,845 THAT'S RIGHT. 234 00:15:53,869 --> 00:15:55,814 AND THAT MEANS NO NAME-CALLING, 235 00:15:55,838 --> 00:15:58,350 NO FIGHTING, AND NO TEASING. 236 00:15:58,374 --> 00:15:59,936 UNDERSTOOD? 237 00:15:59,960 --> 00:16:00,960 YES, SIR. 238 00:16:02,445 --> 00:16:03,445 ALL RIGHT. 239 00:16:05,715 --> 00:16:08,060 HERE. 240 00:16:08,084 --> 00:16:09,462 YOU TAKE THAT IN TO OLESON'S STORE TOMORROW 241 00:16:09,486 --> 00:16:11,513 AND BUY YOURSELVES A SLATE. 242 00:16:11,537 --> 00:16:13,983 YOU OUGHT TO HAVE ENOUGH LEFT OVER FOR A PAPER TABLET. 243 00:16:14,007 --> 00:16:16,502 OH, PA, THANK YOU! 244 00:16:16,526 --> 00:16:19,421 Laura: THANK YOU. 245 00:16:19,445 --> 00:16:21,574 THEN YOU'RE NOT MAD AT ME? 246 00:16:21,598 --> 00:16:24,843 WELL, NOT YET, BUT I WILL BE 247 00:16:24,867 --> 00:16:26,679 IF YOU TWO ARE NOT UP IN BED 248 00:16:26,703 --> 00:16:28,614 QUICKER THAN I CAN SAY JACK... 249 00:16:28,638 --> 00:16:30,318 ROBINSON! ROBINSON! 250 00:16:38,565 --> 00:16:40,175 IT'S HARD TO BELIEVE THAT'S THE SAME LITTLE GIRL 251 00:16:40,199 --> 00:16:42,845 WE COULD HARDLY GET OUT OF BED THIS MORNING. 252 00:16:42,869 --> 00:16:44,547 I HOPED SHE'D LIKE IT, 253 00:16:44,571 --> 00:16:45,581 BUT I DIDN'T KNOW. 254 00:16:45,605 --> 00:16:47,383 OH, SHE'LL BE FINE. 255 00:16:47,407 --> 00:16:50,219 SURE WAS FEISTY ABOUT THAT NELLIE OLESON, WASN'T SHE? 256 00:16:50,243 --> 00:16:51,520 I WONDER WHY. 257 00:16:51,544 --> 00:16:52,888 YOU HAVEN'T MET HER MOTHER. 258 00:16:52,912 --> 00:16:54,390 HAVE YOU? MM-HMM. 259 00:16:54,414 --> 00:16:56,758 Laura: PA? 260 00:16:56,782 --> 00:17:00,129 HAT. H-A-T. 261 00:17:00,153 --> 00:17:01,580 HAT. 262 00:17:01,604 --> 00:17:03,982 B-E-D. BED. 263 00:17:04,006 --> 00:17:05,006 GOOD NIGHT, PA. 264 00:17:06,643 --> 00:17:07,843 GOOD NIGHT, LAURA. 265 00:17:15,235 --> 00:17:16,578 WHAT YOU DOING? 266 00:17:16,602 --> 00:17:19,070 FAT. F-A-T. FAT. 267 00:17:48,017 --> 00:17:49,227 GOOD MORNING. 268 00:17:49,251 --> 00:17:50,279 Girls: GOOD MORNING. 269 00:17:50,303 --> 00:17:53,048 I'LL BE WITH YOU IN A MINUTE, GIRLS. 270 00:17:53,072 --> 00:17:54,750 YOU SURE YOU GOT THE MONEY, MARY? 271 00:17:54,774 --> 00:17:56,785 IT'S IN MY POCKET... RIGHT WHERE MA PINNED IT. 272 00:18:00,045 --> 00:18:02,023 ♪ SNIPES, SNIPES, LONG-LEGGED SNIPES ♪ 273 00:18:02,047 --> 00:18:03,024 WILLIE, NELLIE... YOU TWO GET ON OUT OF HERE NOW. 274 00:18:03,048 --> 00:18:04,960 THIS STORE IS NOT A PLAYHOUSE. 275 00:18:04,984 --> 00:18:07,024 WILLIE, DO YOU HEAR ME? OUT! 276 00:18:11,591 --> 00:18:14,236 WELL, NOW, WHAT CAN I DO FOR YOU TODAY? 277 00:18:14,260 --> 00:18:15,904 WE'D LIKE A SLATE, MR. OLESON, 278 00:18:15,928 --> 00:18:18,340 AND A PAPER TABLET FOR SCHOOL, PLEASE. 279 00:18:18,364 --> 00:18:20,724 I'VE GOT JUST WHAT YOU NEED. 280 00:18:22,635 --> 00:18:24,813 THOSE ARE MINE! 281 00:18:24,837 --> 00:18:26,732 GO AHEAD. KEEP IT. 282 00:18:26,756 --> 00:18:29,618 IT'S ALL OURS, ANYWAY. 283 00:18:29,642 --> 00:18:32,771 WE CAN HAVE AS MUCH CANDY AS WE WANT. 284 00:18:32,795 --> 00:18:34,075 HERE WE ARE. 285 00:18:40,202 --> 00:18:42,914 PA SAID THAT WOULD BE ENOUGH TO PAY FOR THE BOTH. 286 00:18:42,938 --> 00:18:44,416 AND HE WAS RIGHT, 287 00:18:44,440 --> 00:18:46,051 BUT YOU'LL NEED A SLATE PENCIL, 288 00:18:46,075 --> 00:18:47,953 UNLESS YOU ALREADY HAVE ONE. 289 00:18:47,977 --> 00:18:49,555 NO, SIR, WE DON'T. 290 00:18:49,579 --> 00:18:52,107 WELL, THAT WILL BE ANOTHER PENNY. 291 00:18:52,131 --> 00:18:55,110 I DON'T THINK THE COUNTRY GIRLS HAVE ANOTHER PENNY. 292 00:18:55,134 --> 00:18:56,495 WHAT DO YOU THINK, WILLIE? 293 00:18:56,519 --> 00:18:57,997 I'M TELLING YOU TWO FOR THE LAST TIME. 294 00:18:58,021 --> 00:19:00,341 NOW YOU GET ON OUT OF HERE! 295 00:19:06,045 --> 00:19:08,557 WELL, IF YOU WEREN'T PLANNING ON BUYING A PENCIL, 296 00:19:08,581 --> 00:19:11,243 I IMAGINE YOU'RE A LITTLE SHORT. 297 00:19:11,267 --> 00:19:12,644 YOU JUST TAKE IT ALONG WITH YOU ANYHOW, 298 00:19:12,668 --> 00:19:15,714 AND TELL YOUR PA TO PAY ME THE NEXT TIME HE COMES INTO TOWN. 299 00:19:15,738 --> 00:19:18,450 NO, SIR. CASH ON THE BARREL. 300 00:19:18,474 --> 00:19:21,303 PA MAKES THAT A STRICT RULE. 301 00:19:21,327 --> 00:19:22,805 AND IT'S A GOOD ONE, 302 00:19:22,829 --> 00:19:26,224 THOUGH MOST FOLKS FIND IT HARD TO LIVE BY. 303 00:19:26,248 --> 00:19:28,060 WE THANK YOU ANYWAY, MR. OLESON. 304 00:19:28,084 --> 00:19:29,061 YOU'RE WELCOME, GIRLS. 305 00:19:29,085 --> 00:19:30,062 BYE-BYE. 306 00:19:30,086 --> 00:19:31,063 BYE. 307 00:19:31,087 --> 00:19:32,087 BYE. 308 00:19:47,954 --> 00:19:52,067 THAT NELLIE OLESON'S THE MEANEST GIRL I EVER DID SEE. 309 00:19:52,091 --> 00:19:54,570 I COULD NEVER BE THAT MEAN. 310 00:19:54,594 --> 00:19:56,071 I COULD. 311 00:19:56,095 --> 00:19:57,339 MEANER... 312 00:19:57,363 --> 00:20:00,509 IF MA AND PA WOULD LET ME. 313 00:20:00,533 --> 00:20:03,779 WE DO NEED A SLATE PENCIL, LAURA. 314 00:20:03,803 --> 00:20:05,748 PA GAVE US SO MUCH ALREADY. 315 00:20:05,772 --> 00:20:07,416 WE CAN'T ASK FOR MORE. 316 00:20:07,440 --> 00:20:08,440 NO. 317 00:20:11,210 --> 00:20:14,406 OUR CHRISTMAS PENNIES! WE STILL HAVE THOSE. 318 00:20:14,430 --> 00:20:17,192 I COULD USE MINE TO BUY THE PENCIL, AND WE'D SHARE IT. 319 00:20:17,216 --> 00:20:19,728 AND YOU COULD OWN HALF MY PENNY. 320 00:20:19,752 --> 00:20:21,072 COME ON. WE'LL BE LATE FOR SCHOOL. 321 00:20:46,362 --> 00:20:47,762 THAT'S VERY GOOD, LAURA. 322 00:20:55,154 --> 00:20:59,301 "HOW... 323 00:20:59,325 --> 00:21:00,736 "WOU... 324 00:21:00,760 --> 00:21:02,805 WOUL..." 325 00:21:02,829 --> 00:21:04,039 THE "L" IS SILENT. 326 00:21:04,063 --> 00:21:06,241 I KNOW IT'S CONFUSING, BUT... 327 00:21:06,265 --> 00:21:07,476 "WOOED." 328 00:21:07,500 --> 00:21:09,745 "HOW..." 329 00:21:09,769 --> 00:21:10,746 "WOULD." 330 00:21:10,770 --> 00:21:12,648 THAT'S RIGHT. THAT'S RIGHT. 331 00:21:12,672 --> 00:21:15,884 "HOW WOULD... 332 00:21:15,908 --> 00:21:18,876 YE-OO..." 333 00:21:22,148 --> 00:21:23,547 "YOU"! YEAH. 334 00:21:25,551 --> 00:21:28,463 "HOW WOULD YOU..." 335 00:21:28,487 --> 00:21:29,598 "LICKY"? 336 00:21:29,622 --> 00:21:32,768 NO. "I." 337 00:21:32,792 --> 00:21:33,769 "LIKE." 338 00:21:33,793 --> 00:21:35,871 THAT'S RIGHT. 339 00:21:35,895 --> 00:21:37,339 WHAT ABOUT THE "E"? 340 00:21:37,363 --> 00:21:39,241 WELL, YOU DON'T... IT'S SILENT. 341 00:21:39,265 --> 00:21:41,293 LIKE THE "L"? THAT'S RIGHT. 342 00:21:41,317 --> 00:21:42,317 OH. 343 00:22:00,603 --> 00:22:03,015 Laura, narrating: IF I HAD A REMEMBRANCE BOOK, 344 00:22:03,039 --> 00:22:06,084 THERE'S ONE THING I'D WANT TO PUT IN IT ABOUT SCHOOL. 345 00:22:06,108 --> 00:22:09,421 MA AND PA WERE RIGHT. IT WAS FUN. 346 00:22:09,445 --> 00:22:11,389 ESPECIALLY WHEN ALL THE DIFFERENT LETTERS 347 00:22:11,413 --> 00:22:13,825 STARTED TURNING INTO WORDS. 348 00:22:13,849 --> 00:22:16,695 BUT LEARNING TO WRITE WAS ONE OF THE HARDEST THINGS 349 00:22:16,719 --> 00:22:18,085 I EVER HOPED TO DO. 350 00:22:23,459 --> 00:22:26,772 RECESS WAS SUPPOSED TO BE THE MOST FUN, 351 00:22:26,796 --> 00:22:32,744 ONLY NELLIE OLESON WOULDN'T EVER LET US PLAY ANYTHING BUT RING AROUND THE ROSY. 352 00:22:32,768 --> 00:22:35,447 CAN'T WE PLAY SOMETHING ELSE? 353 00:22:35,471 --> 00:22:36,681 Children: ♪ RING AROUND THE ROSY... ♪ 354 00:22:36,705 --> 00:22:38,182 Laura, narrating: I DIDN'T WANT TO, 355 00:22:38,206 --> 00:22:40,985 BUT MA SAID, "DO UNTO OTHERS..." 356 00:22:41,009 --> 00:22:42,521 I COULDN'T HELP WONDERING 357 00:22:42,545 --> 00:22:45,529 WHEN NELLIE'S MA WOULD GET AROUND TO TELLING HER THE SAME THING. 358 00:22:47,299 --> 00:22:48,944 THERE WE ARE, MRS. GRANDY. 359 00:22:48,968 --> 00:22:50,579 DID YOU SAY 60 CENTS? 360 00:22:50,603 --> 00:22:52,448 THAT'S RIGHT. 361 00:22:52,472 --> 00:22:53,482 THANK YOU. 362 00:22:53,506 --> 00:22:54,850 GIVE MY BEST TO ELI, 363 00:22:54,874 --> 00:22:57,519 AND TELL HIM NOT TO MAKE HIMSELF SUCH A STRANGER, HMM? 364 00:22:57,543 --> 00:22:59,555 THANK YOU, NELS. I WILL. 365 00:22:59,579 --> 00:23:00,556 GOOD DAY, MRS. GRANDY. 366 00:23:00,580 --> 00:23:01,580 GOOD DAY, NELS. 367 00:23:04,216 --> 00:23:05,249 GOOD DAY. 368 00:23:14,676 --> 00:23:15,653 HELLO. 369 00:23:15,677 --> 00:23:16,654 OH! 370 00:23:16,678 --> 00:23:18,073 I'M MRS. INGALLS. 371 00:23:18,097 --> 00:23:19,674 HOW DO YOU DO, MRS. INGALLS? 372 00:23:19,698 --> 00:23:21,559 I BELIEVE MY HUSBAND SPOKE WITH YOU. 373 00:23:21,583 --> 00:23:23,361 YES, YES. YES, INDEED. 374 00:23:23,385 --> 00:23:25,664 FRESH EGGS. HE SAID YOU BUY THEM. 375 00:23:25,688 --> 00:23:27,232 YES, WE DO. 376 00:23:27,256 --> 00:23:28,496 Woman: I DO THE BUYING. 377 00:23:33,062 --> 00:23:35,473 MRS. INGALLS, MY WIFE. 378 00:23:35,497 --> 00:23:36,708 HOW DO YOU DO, MRS. OLESON? 379 00:23:36,732 --> 00:23:40,678 WELL, NELLIE'S TOLD ME ABOUT YOUR, UH, GIRLS. 380 00:23:40,702 --> 00:23:42,013 ALL GOOD, I HOPE. 381 00:23:42,037 --> 00:23:43,799 HOW MANY DO WE HAVE HERE? 382 00:23:43,823 --> 00:23:44,823 3 DOZEN. 383 00:23:50,479 --> 00:23:52,256 BROWN? 384 00:23:52,280 --> 00:23:53,992 THESE EGGS ARE BROWN. 385 00:23:54,016 --> 00:23:56,297 THEY DON'T BRING AS MUCH AS WHITE. 386 00:23:58,554 --> 00:24:01,633 7 OF THEM ARE DOUBLE YOLKS. 387 00:24:01,657 --> 00:24:03,991 BROWN EGGS GET 4 CENTS LESS A DOZEN. 388 00:24:10,399 --> 00:24:13,528 ALL RIGHT. 4 CENTS LESS FOR THE BROWN. 389 00:24:13,552 --> 00:24:14,552 AH. 390 00:24:23,762 --> 00:24:27,042 HEY, JACK. THERE YOU GO. GO ON, BOY. 391 00:24:42,481 --> 00:24:44,259 PRETTY QUIET TONIGHT. 392 00:24:44,283 --> 00:24:45,460 YES. HASN'T BEEN A WORD OUT OF THEM 393 00:24:45,484 --> 00:24:47,762 FOR MORE THAN AN HOUR. 394 00:24:47,786 --> 00:24:48,786 I WAS TALKING ABOUT YOU. 395 00:24:51,924 --> 00:24:53,804 I MET MRS. OLESON TODAY. 396 00:24:55,494 --> 00:24:56,494 OH. 397 00:24:58,865 --> 00:25:00,008 IF NELLIE'S ANYTHING LIKE HER MOTHER, 398 00:25:00,032 --> 00:25:03,112 I CAN UNDERSTAND WHY LAURA'S BEEN SO UPSET. 399 00:25:05,037 --> 00:25:06,648 DO YOU KNOW WHAT SHE TOLD ME? 400 00:25:06,672 --> 00:25:07,782 MM-MMM. 401 00:25:07,806 --> 00:25:10,919 SHE TOLD ME BROWN EGGS BRING LESS THAN WHITE. 402 00:25:10,943 --> 00:25:12,354 MUST BE SOMETHING PECULIAR TO MINNESOTA. 403 00:25:12,378 --> 00:25:13,655 I NEVER HEARD OF THAT BEFORE. 404 00:25:13,679 --> 00:25:16,791 YOU NEVER HEARD IT BEFORE 'CAUSE IT ISN'T TRUE. 405 00:25:16,815 --> 00:25:19,594 SHE PAID ME 4 CENTS LESS A DOZEN FOR THE BROWN, 406 00:25:19,618 --> 00:25:20,829 AND THEN SHE TURNED AROUND AND SOLD THEM 407 00:25:20,853 --> 00:25:22,530 FOR EXACTLY THE SAME AS THE WHITE. 408 00:25:22,554 --> 00:25:24,933 I WAS BUYING THIS THREAD. I HEARD HER DO IT. 409 00:25:24,957 --> 00:25:26,501 I'LL TALK TO HER HUSBAND. HE'S A FAIR MAN. 410 00:25:26,525 --> 00:25:30,705 NO. IF YOU DO THAT, SHE WON'T BUY ANY EGGS. 411 00:25:30,729 --> 00:25:32,941 WE NEED THE MONEY. 412 00:25:34,100 --> 00:25:36,044 I'LL HANDLE IT. 413 00:25:36,068 --> 00:25:38,546 WANT TO FIGHT YOUR OWN BATTLES, HUH? 414 00:25:38,570 --> 00:25:40,448 THIS ONE. 415 00:25:40,472 --> 00:25:41,672 AND, CHARLES, I INTEND TO WIN. 416 00:25:46,913 --> 00:25:49,046 JUST REMEMBER... DO UNTO OTHERS... 417 00:26:03,245 --> 00:26:05,640 ♪ RING AROUND THE ROSY ♪ 418 00:26:05,664 --> 00:26:07,776 ♪ POCKETFUL OF POSIES ♪ 419 00:26:07,800 --> 00:26:11,468 ♪ ASHES, ASHES, WE ALL FALL DOWN ♪ 420 00:26:13,940 --> 00:26:16,684 COME ON, LAURA. DON'T YOU WANT TO PLAY? 421 00:26:16,708 --> 00:26:20,171 WHY DO WE ALWAYS HAVE TO PLAY RING AROUND THE ROSY? 422 00:26:20,195 --> 00:26:21,974 BECAUSE I SAY SO. 423 00:26:21,998 --> 00:26:24,076 ♪ RING AROUND THE ROSY ♪ 424 00:26:24,100 --> 00:26:25,577 Laura: ♪ UNCLE JOHN IS SICK A-BED ♪ 425 00:26:25,601 --> 00:26:27,312 ♪ WHAT SHALL WE SEND HIM? ♪ 426 00:26:27,336 --> 00:26:29,531 ♪ PIECE OF PIE, A PIECE OF CAKE ♪ 427 00:26:29,555 --> 00:26:33,384 ♪ UNCLE JOHN IS SICK A-BED, WHAT SHALL WE SEND HIM? ♪ 428 00:26:33,408 --> 00:26:34,991 LAURA INGALLS, YOU STOP THAT! 429 00:26:36,562 --> 00:26:38,940 ♪ APPLE AND DUMPLING ♪ 430 00:26:38,964 --> 00:26:40,809 WHAT SHALL WE SEND IT IN? 431 00:26:40,833 --> 00:26:42,511 STOP! 432 00:26:42,535 --> 00:26:45,447 YOU HAVE IT YOUR WAY EVERY SINGLE DAY, NELLIE. 433 00:26:45,471 --> 00:26:48,349 WELL, TODAY, I WANT TO PLAY UNCLE JOHN! 434 00:26:48,373 --> 00:26:50,919 RING AROUND THE ROSY! 435 00:26:50,943 --> 00:26:51,958 UNCLE JOHN! 436 00:26:54,229 --> 00:26:56,641 YOU WANT TO FIGHT, I'LL FIGHT! 437 00:26:56,665 --> 00:26:59,745 YOU WANT TO PLAY, WE'RE PLAYING UNCLE JOHN! 438 00:27:01,970 --> 00:27:04,082 GO ON. GO AHEAD. 439 00:27:04,106 --> 00:27:06,818 SO I DID WHAT YOU SAID I SHOULDN'T. 440 00:27:06,842 --> 00:27:09,621 THAT IS, I DID UNTO NELLIE, 441 00:27:09,645 --> 00:27:13,058 BUT NOT WHAT YOU HAD IN MIND. 442 00:27:13,082 --> 00:27:16,428 I'M SORRY FOR GOING AGAINST YOU. 443 00:27:16,452 --> 00:27:18,163 SEEMS LIKE IT KEPT BUILDING UP INSIDE ME 444 00:27:18,187 --> 00:27:21,099 RIGHT FROM THAT FIRST DAY. 445 00:27:22,358 --> 00:27:24,969 WELL, AT LEAST YOU DID ONE THING RIGHT, HALF-PINT. 446 00:27:24,993 --> 00:27:26,071 I DID? 447 00:27:26,095 --> 00:27:30,242 MM-HMM. YOU CAME TO US AND TOLD US ON YOUR OWN. 448 00:27:30,266 --> 00:27:33,812 YOUR MA AND I DIDN'T HAVE TO HEAR IT FROM SOMEBODY ELSE. 449 00:27:33,836 --> 00:27:36,214 NOW WHAT DO YOU THINK WE OUGHT TO DO ABOUT IT? 450 00:27:36,238 --> 00:27:38,216 WHATEVER YOU THINK'S BEST, PA, 451 00:27:38,240 --> 00:27:39,572 BUT SHE DID START IT. 452 00:27:45,964 --> 00:27:50,011 YOU THOUGHT YOU HAD GOOD REASON FOR WHAT YOU DID. 453 00:27:50,035 --> 00:27:51,079 AND THIS TIME, JUST FOR ONCE, 454 00:27:51,103 --> 00:27:53,482 I'M INCLINED TO AGREE WITH YOU. 455 00:27:53,506 --> 00:27:55,484 THE IMPORTANT THING IS, ARE YOU GOING TO DO IT AGAIN? 456 00:27:55,508 --> 00:27:58,353 NO, PA. 457 00:27:58,377 --> 00:27:59,854 THAT A PROMISE? 458 00:27:59,878 --> 00:28:00,878 PROMISE. 459 00:28:03,198 --> 00:28:05,310 ALL RIGHT. WE WON'T SAY ANY MORE ABOUT IT. 460 00:28:05,334 --> 00:28:06,334 OFF TO BED. 461 00:28:15,961 --> 00:28:19,674 HALF-PINT, DON'T FORGET NOW. YOU MADE A PROMISE. 462 00:28:19,698 --> 00:28:21,743 YOU WON'T DO IT AGAIN. 463 00:28:21,767 --> 00:28:23,879 OH, NO, PA. I WON'T. 464 00:28:23,903 --> 00:28:25,614 I WON'T HAVE TO. 465 00:28:25,638 --> 00:28:27,278 NELLIE'S SCARED OF ME NOW. 466 00:28:35,798 --> 00:28:37,542 CHARLES, YOU WERE MUCH TOO EASY ON HER. 467 00:28:37,566 --> 00:28:40,044 SHE'S NOT THE LEAST BIT SORRY FOR WHAT SHE DID. 468 00:28:40,068 --> 00:28:43,047 YOU HEARD WHAT THE CHILD SAID. IT WAS NELLIE'S FAULT. 469 00:28:43,071 --> 00:28:44,916 THE BIBLE SAYS TURN THE OTHER CHEEK. 470 00:28:44,940 --> 00:28:46,851 I THINK THAT'S SOMETIMES EASIER SAID THAN DONE, 471 00:28:46,875 --> 00:28:48,975 OR WE'D ALL BE WEARING HALOS INSTEAD OF HOMESPUN. 472 00:28:55,451 --> 00:28:57,331 YOU'RE AS BAD AS SHE IS. 473 00:29:00,322 --> 00:29:03,282 WELL, AT LEAST SHE COMES BY IT HONESTLY. 474 00:29:38,393 --> 00:29:39,538 MORNING, MRS. INGALLS. 475 00:29:39,562 --> 00:29:42,974 GOOD MORNING, MR. OLESON. 476 00:29:42,998 --> 00:29:45,343 WELL, I EXPECT YOU'RE HERE TO APOLOGIZE 477 00:29:45,367 --> 00:29:47,896 FOR WHAT HAPPENED YESTERDAY AT THE SCHOOL. 478 00:29:47,920 --> 00:29:49,653 I'M HERE TO SELL EGGS, MRS. OLESON. 479 00:29:52,024 --> 00:29:53,268 HMM. 480 00:29:53,292 --> 00:29:56,004 I MIGHT HAVE EXPECTED AS MUCH. 481 00:29:56,028 --> 00:29:58,556 LET ME TELL YOU SOMETHING, MRS. INGALLS. 482 00:29:58,580 --> 00:30:00,958 YOUR DAUGHTER LAURA IS A TROUBLEMAKER, 483 00:30:00,982 --> 00:30:02,927 AND YOU'D BEST TAKE HER IN HAND. 484 00:30:02,951 --> 00:30:04,796 STARTING FIGHTS IN THE SCHOOLYARD 485 00:30:04,820 --> 00:30:07,465 AND PUSHING OTHER CHILDREN AROUND! 486 00:30:07,489 --> 00:30:10,352 NELLIE APPARENTLY HAS HER OWN VERSION OF THE TRUTH. 487 00:30:10,376 --> 00:30:12,020 IF YOU'D CARE TO QUESTION THE OTHER CHILDREN... 488 00:30:12,044 --> 00:30:14,325 BROWN EGGS ARE STILL 4 CENTS LESS. 489 00:30:19,968 --> 00:30:22,079 YOU DIDN'T BRING ANY BROWN EGGS. 490 00:30:22,103 --> 00:30:24,849 OH, MY HUSBAND SOLD THEM TO THE MEN AT HANSON'S MILL 491 00:30:24,873 --> 00:30:26,607 FOR 3 CENTS MORE THAN YOU PAID ME. 492 00:30:28,426 --> 00:30:30,404 THAT'S GRATITUDE. 493 00:30:30,428 --> 00:30:34,209 NO. THAT'S GOOD BUSINESS. 494 00:30:34,233 --> 00:30:37,678 MAYBE THEY'LL BUY YOUR WHITE EGGS AS WELL. 495 00:30:37,702 --> 00:30:41,949 AS A MATTER OF FACT, MY HUSBAND SAID THEY'D BE GLAD TO GET THEM. 496 00:30:41,973 --> 00:30:43,240 GOOD DAY, MRS. OLESON. 497 00:30:45,010 --> 00:30:48,323 NOW, MRS. INGALLS... 498 00:30:48,347 --> 00:30:50,508 I'M A VERY BUSY WOMAN, 499 00:30:50,532 --> 00:30:53,161 TOO BUSY TO QUIBBLE OVER PENNIES. 500 00:30:53,185 --> 00:30:56,898 UM, WE'LL BUY YOUR BROWN EGGS, 501 00:30:56,922 --> 00:30:58,054 SAME PRICE AS THE WHITE. 502 00:31:07,532 --> 00:31:09,410 IF IT'S YARD GOODS YOU'RE AFTER, MRS. INGALLS, 503 00:31:09,434 --> 00:31:13,681 YOU'LL FIND THIS IS MORE TO YOUR NEEDS. 504 00:31:13,705 --> 00:31:14,983 THANK YOU, MRS. OLESON. 505 00:31:15,007 --> 00:31:15,984 MM-HMM. 506 00:31:16,008 --> 00:31:17,852 I PREFER THIS. 507 00:31:17,876 --> 00:31:19,520 WON'T WEAR WELL. 508 00:31:19,544 --> 00:31:23,758 COUNTRY FOLK HAVE TO THINK MORE ON THE PRACTICAL. 509 00:31:23,782 --> 00:31:25,826 I'LL TAKE THE BLUE. 510 00:31:25,850 --> 00:31:27,595 IT WILL BE A MISTAKE. 511 00:31:27,619 --> 00:31:29,814 THEN IT WILL BE MY MISTAKE. 512 00:31:29,838 --> 00:31:31,149 I BELIEVE IT'S CUSTOMARY 513 00:31:31,173 --> 00:31:34,373 TO LET THE BUYER DO THE CHOOSING, MRS. OLESON. 514 00:31:35,443 --> 00:31:38,039 THAT'S QUITE ALL RIGHT. 515 00:31:38,063 --> 00:31:39,463 I BEG YOUR PARDON. 516 00:31:41,066 --> 00:31:43,411 I'LL TAKE A DRESS LENGTH, PLEASE. 517 00:31:43,435 --> 00:31:45,380 WELL, IT DOES COME DEAR, 518 00:31:45,404 --> 00:31:47,444 BUT THERE'S NOT A FINER PIECE OF GOODS IN THE STORE. 519 00:31:49,575 --> 00:31:51,615 IT'S GOING TO LOOK RIGHT SMART ON YOU, MRS. INGALLS. 520 00:31:59,517 --> 00:32:02,763 DON'T TOUCH, LAURA! YOU'LL GET IT ALL GRUBBY. 521 00:32:02,787 --> 00:32:04,332 I DON'T KNOW WHAT POSSESSED ME, 522 00:32:04,356 --> 00:32:07,402 SPENDING SO MUCH MONEY ON MYSELF. 523 00:32:07,426 --> 00:32:11,272 IF MRS. OLESON JUST HADN'T GONE ON SO ABOUT COUNTRY FOLKS, 524 00:32:11,296 --> 00:32:14,375 AS IF ALL WE'RE FIT TO WEAR IS FLOUR SACKS. 525 00:32:14,399 --> 00:32:15,543 I'M GLAD YOU BOUGHT IT. 526 00:32:15,567 --> 00:32:16,544 SO AM I. 527 00:32:16,568 --> 00:32:18,488 Charles: SO AM I. 528 00:32:21,807 --> 00:32:25,086 PRIDE GOETH BEFORE A FALL. 529 00:32:25,110 --> 00:32:27,689 I'LL JUST TAKE IT BACK AND SEE IF MR. OLESON 530 00:32:27,713 --> 00:32:28,873 WILL GIVE ME THE MONEY ON IT. 531 00:32:32,100 --> 00:32:33,511 CAROLINE, WHY DO YOU THINK THE GOOD LORD 532 00:32:33,535 --> 00:32:35,212 WENT TO ALL THAT TROUBLE OF MAKING YOU SO PRETTY 533 00:32:35,236 --> 00:32:37,076 IF HE DIDN'T WANT YOU TO HAVE A NEW BLUE DRESS? 534 00:32:39,074 --> 00:32:41,185 YOU'LL BE BEAUTIFUL, MA. 535 00:32:41,209 --> 00:32:43,688 I CAN'T WAIT TILL EVERYONE SEES YOU. 536 00:32:43,712 --> 00:32:47,142 THEY'RE GOING TO THINK THEY'RE LOOKING AT A PIECE OF HEAVEN. 537 00:32:47,166 --> 00:32:48,443 IF THEY DON'T THINK THAT ALREADY, 538 00:32:48,467 --> 00:32:49,610 I CAN'T SAY MUCH FOR THEIR JUDGMENT 539 00:32:49,634 --> 00:32:50,634 OR THEIR EYESIGHT. 540 00:32:52,104 --> 00:32:54,037 OH! WHAT AM I GOING TO DO WITH YOU? 541 00:32:58,843 --> 00:33:00,943 WHAT AM I GOING TO DO WITH THE LOT OF YOU? 542 00:33:09,371 --> 00:33:11,249 Laura, narrating: MA GATHERED ENOUGH EGGS 543 00:33:11,273 --> 00:33:12,616 TO WALK US INTO TOWN 544 00:33:12,640 --> 00:33:15,386 TWO OR 3 TIMES EVERY WEEK. 545 00:33:15,410 --> 00:33:16,921 SOMETIMES, SHE'D TELL US ABOUT 546 00:33:16,945 --> 00:33:19,223 WHEN SHE WAS A LITTLE GIRL. 547 00:33:19,247 --> 00:33:21,659 I TRIED SCRUNCHING HER DOWN IN MY MIND, 548 00:33:21,683 --> 00:33:25,629 SO AS I COULD SEE HER ALL BAREFOOT, PIGTAILS FLYING, 549 00:33:25,653 --> 00:33:27,465 BUT IT NEVER DID WORK. 550 00:33:27,489 --> 00:33:29,833 SHE KEPT RIGHT ON BEING MOM, 551 00:33:29,857 --> 00:33:31,469 WHICH WAS ALL RIGHT, 552 00:33:31,493 --> 00:33:36,273 SINCE WE LOVED HER A WHOLE LOT JUST THE WAY SHE WAS. 553 00:33:36,297 --> 00:33:37,875 ARITHMETIC WAS EASY, 554 00:33:37,899 --> 00:33:39,944 AND I LIKED READING MOST OF ALL, 555 00:33:39,968 --> 00:33:43,614 BUT WRITING... I DIDN'T THINK I'D EVER LEARN 556 00:33:43,638 --> 00:33:46,517 TO PUT DOWN BIG WORDS THE WAY MARY DID, 557 00:33:46,541 --> 00:33:48,207 NOT EVEN WITH MA TO HELP ME. 558 00:33:51,330 --> 00:33:52,440 WAIT UP, MARY! 559 00:33:52,464 --> 00:33:53,808 DON'T TELL TILL I GET THERE! 560 00:33:53,832 --> 00:33:55,143 MA! MA! 561 00:33:55,167 --> 00:33:56,878 Caroline: WHAT'S THE MATTER? 562 00:33:56,902 --> 00:33:58,579 WHERE'S PA? 563 00:33:58,603 --> 00:34:00,114 WHAT'S GOING ON DOWN THERE? 564 00:34:00,138 --> 00:34:01,916 Laura: WE'RE GOING TO HAVE A VISITORS' DAY. 565 00:34:01,940 --> 00:34:03,985 PRACTICALLY EVERYBODY IN TOWN WILL BE THERE. 566 00:34:04,009 --> 00:34:06,821 YOU AND MA AND ALL THE PARENTS AND ALL THE KIDS. 567 00:34:06,845 --> 00:34:08,906 YOU GET TO SEE WHERE MARY AND ME SIT. 568 00:34:08,930 --> 00:34:10,675 Mary: WE ALL HAVE TO WRITE WHAT THEY CALL AN ESSAY 569 00:34:10,699 --> 00:34:14,178 ABOUT ANYTHING WE WANT AND STAND UP IN FRONT AND READ IT OUT LOUD. 570 00:34:14,202 --> 00:34:16,347 AND YOU COULD WEAR YOUR NEW BLUE DRESS. 571 00:34:16,371 --> 00:34:18,149 YOU BETTER GET STARTED ON THAT, MA. 572 00:34:18,173 --> 00:34:19,750 IT'S THE END OF THIS WEEK. 573 00:34:19,774 --> 00:34:22,303 YOU TWO BETTER GET BUSY ON YOUR ESSAYS RIGHT NOW. 574 00:34:22,327 --> 00:34:23,643 WE WILL. COME ON! 575 00:34:27,933 --> 00:34:31,535 AND WAIT TILL YOU SMELL MISS BEADLE'S LEMON VERBENA! 576 00:34:40,496 --> 00:34:42,173 Laura, narrating: MA AND MARY AND ME 577 00:34:42,197 --> 00:34:45,309 WORKED HARD AND STEADY THAT WHOLE WEEK, 578 00:34:45,333 --> 00:34:47,979 BUT BEFORE WE KNEW IT, TIME WAS UP. 579 00:34:48,003 --> 00:34:51,015 VISITORS' DAY WAS THE NEXT MORNING. 580 00:34:51,039 --> 00:34:53,551 MA'S DRESS WAS PRETTY NEAR DONE, 581 00:34:53,575 --> 00:34:56,688 AND SO WAS MARY'S ESSAY. 582 00:34:56,712 --> 00:34:59,357 Mary: WELL, I'M FINISHED. 583 00:34:59,381 --> 00:35:00,458 KNOW WHAT I WROTE ABOUT? 584 00:35:00,482 --> 00:35:01,659 WHAT, DEAR? 585 00:35:01,683 --> 00:35:04,328 ABOUT PA BUILDING THE LITTLE HOUSE ON THE PRAIRIE 586 00:35:04,352 --> 00:35:07,098 AND THE WOLVES AND THE INDIANS 587 00:35:07,122 --> 00:35:09,534 AND HAVING TO MOVE ON 588 00:35:09,558 --> 00:35:12,169 AND HOW WE CAME TO PLUM CREEK. 589 00:35:12,193 --> 00:35:13,471 HOW'S THAT SOUND? 590 00:35:13,495 --> 00:35:15,607 THAT SOUNDS GOOD TO ME. 591 00:35:15,631 --> 00:35:17,575 WHAT DID YOU WRITE ABOUT, LAURA? 592 00:35:17,599 --> 00:35:20,845 MINE? MINE'S A SURPRISE. 593 00:35:20,869 --> 00:35:22,413 WELL, THAT'S FAIR ENOUGH. 594 00:35:22,437 --> 00:35:23,548 I'LL TELL YOU, THAT SURPRISE 595 00:35:23,572 --> 00:35:26,283 IS GOING TO COME PRETTY EARLY IN THE MORNING. 596 00:35:26,307 --> 00:35:28,887 IT'S ABOUT TIME FOR YOU GIRLS TO BE GETTING TO BED. 597 00:35:28,911 --> 00:35:31,231 I KNOW IT'S TIME FOR CARRIE AND ME. 598 00:35:32,581 --> 00:35:34,191 I'LL PUT HER TO SLEEP. 599 00:35:34,215 --> 00:35:35,226 COME ON, LAURA. 600 00:35:35,250 --> 00:35:36,370 IN A MINUTE. 601 00:35:48,797 --> 00:35:51,509 WHAT IS IT, LAURA? 602 00:35:51,533 --> 00:35:53,912 THE ESSAY? 603 00:35:53,936 --> 00:35:57,515 IT'S NOT AN ESSAY... NOT LIKE MARY'S. 604 00:35:57,539 --> 00:36:00,251 IT'S NOT SUPPOSED TO BE LIKE MARY'S. 605 00:36:00,275 --> 00:36:01,419 SHE'S OLDER THAN YOU ARE. 606 00:36:01,443 --> 00:36:03,320 SHE KNOWS MORE WORDS. 607 00:36:03,344 --> 00:36:05,356 I KNOW LOTS OF WORDS, MA. 608 00:36:05,380 --> 00:36:07,324 TROUBLE IS, THEY'RE IN MY HEAD, 609 00:36:07,348 --> 00:36:08,826 AND I CAN'T GET 'EM DOWN ON PAPER 610 00:36:08,850 --> 00:36:10,929 LIKE THEY'RE SUPPOSED TO BE. 611 00:36:10,953 --> 00:36:13,197 ALL I KNOW HOW TO WRITE IS LITTLE WORDS. 612 00:36:13,221 --> 00:36:15,332 THAT'S ALL YOU'RE SUPPOSED TO KNOW. 613 00:36:15,356 --> 00:36:17,602 YOU'RE JUST SAYING THAT TO MAKE ME FEEL BETTER. 614 00:36:17,626 --> 00:36:21,205 I'M SAYING THAT BECAUSE IT'S TRUE. 615 00:36:21,229 --> 00:36:23,124 MA... 616 00:36:23,148 --> 00:36:25,659 IF I WAS TO TELL YOU SOMETHING, 617 00:36:25,683 --> 00:36:27,495 COULD YOU KEEP IT SECRET? 618 00:36:27,519 --> 00:36:31,649 IF YOU ASK ME TO, OF COURSE. 619 00:36:31,673 --> 00:36:33,651 I'M SCARED. 620 00:36:33,675 --> 00:36:37,354 I'M SCARED OF GETTING UP IN FRONT OF ALL THOSE PEOPLE. 621 00:36:37,378 --> 00:36:40,008 I JUST KNOW THEY'RE GOING TO LAUGH AT ME. 622 00:36:40,032 --> 00:36:41,297 DARLING, THEY WON'T LAUGH. 623 00:36:43,802 --> 00:36:45,747 ALL THAT MISS BEADLE ASKS OF YOU 624 00:36:45,771 --> 00:36:48,383 IS THAT YOU DO YOUR BEST. 625 00:36:48,407 --> 00:36:50,818 AND AS LONG AS YOU DO YOUR BEST, LAURA, 626 00:36:50,842 --> 00:36:53,287 WE'LL ALWAYS BE PROUD OF YOU. 627 00:36:53,311 --> 00:36:54,789 BUT THEY LAUGHED BEFORE, 628 00:36:54,813 --> 00:36:57,825 WHEN THEY CALLED US LONG-LEGGED SNIPES. 629 00:36:57,849 --> 00:37:00,328 THAT WAS JUST TEASING, 630 00:37:00,352 --> 00:37:03,347 AND THAT WAS BEFORE THEY KNEW YOU. 631 00:37:03,371 --> 00:37:06,918 BUT WHAT IF THEY DO LAUGH? 632 00:37:06,942 --> 00:37:08,241 THEY WON'T, LAURA. 633 00:37:11,680 --> 00:37:12,746 THEY WON'T. 634 00:37:42,226 --> 00:37:43,226 CAROLINE? 635 00:37:46,230 --> 00:37:47,230 CAROLINE? 636 00:37:50,418 --> 00:37:51,896 YES? 637 00:37:51,920 --> 00:37:53,531 ARE YOU ALL RIGHT? 638 00:37:53,555 --> 00:37:56,099 EVERYTHING'S FINE, CHARLES. 639 00:37:56,123 --> 00:37:58,435 I'M SORRY IF THE LIGHT DISTURBED YOU. 640 00:37:58,459 --> 00:37:59,603 NO, IT'S ALL RIGHT. 641 00:37:59,627 --> 00:38:01,347 MUST BE MIDNIGHT. WHY DON'T YOU COME TO BED? 642 00:38:02,698 --> 00:38:06,477 I WILL, SOON AS I'M FINISHED. 643 00:38:06,501 --> 00:38:07,501 GOOD NIGHT. 644 00:38:27,305 --> 00:38:28,985 COME ON, GIRLS! TIME FOR BREAKFAST! 645 00:38:31,276 --> 00:38:32,276 THERE WE GO. 646 00:38:34,446 --> 00:38:35,789 Mary: MORNING, PA! 647 00:38:35,813 --> 00:38:37,158 MORNING, MARY. 648 00:38:37,182 --> 00:38:39,527 SOME MILK? UH. 649 00:38:39,551 --> 00:38:40,528 Laura: MORNING, PA. 650 00:38:40,552 --> 00:38:41,796 GOOD MORNING, SWEETIE. 651 00:38:41,820 --> 00:38:43,997 MMM, YOU LOOK PRETTY THIS MORNING. 652 00:38:44,021 --> 00:38:44,998 MWAH. HI, DARLING. 653 00:38:45,022 --> 00:38:46,102 Caroline: GOOD MORNING! 654 00:38:59,938 --> 00:39:02,483 MA, YOU USED YOUR YARD GOODS 655 00:39:02,507 --> 00:39:04,769 TO MAKE DRESSES FOR US. 656 00:39:04,793 --> 00:39:06,270 AND WHY NOT? 657 00:39:06,294 --> 00:39:08,606 MY BROWN DRESS IS PERFECTLY GOOD. 658 00:39:08,630 --> 00:39:10,908 THERE. 659 00:39:10,932 --> 00:39:13,010 BESIDES, I DON'T HAVE TO GET UP IN FRONT OF ALL THOSE PEOPLE 660 00:39:13,034 --> 00:39:14,445 LIKE YOU DO. 661 00:39:14,469 --> 00:39:16,980 WE WOULDN'T HAVE MINDED WEARING OUR CALICOES. 662 00:39:17,004 --> 00:39:18,682 WE WOULDN'T HAVE MINDED. 663 00:39:18,706 --> 00:39:21,852 WELL, I WOULD HAVE MINDED. 664 00:39:21,876 --> 00:39:22,987 HOW LONG ARE YOU GOING TO MAKE ME WAIT 665 00:39:23,011 --> 00:39:24,839 TO SEE HOW THEY LOOK ON YOU? 666 00:39:24,863 --> 00:39:27,075 I'M GOING TO PUT MINE ON RIGHT NOW. 667 00:39:27,099 --> 00:39:28,865 I SURELY DO LOVE YOU, MA. 668 00:39:35,973 --> 00:39:37,133 YOU'RE QUITE A WOMAN, MA. 669 00:39:40,895 --> 00:39:44,008 I WANT A NEW DRESS FOR MY DOLLY. 670 00:39:44,032 --> 00:39:48,579 HA HA HA! YOU'LL GET ONE, SWEETHEART. 671 00:39:48,603 --> 00:39:52,182 Willie: "I HAVE BEEN RIDING HORSES ALL OF MY DAYS. 672 00:39:52,206 --> 00:39:56,854 I LIKE RIDING HORSES MORE THAN I LIKE..." 673 00:39:59,414 --> 00:40:02,360 "MORE THAN I LIKE... 674 00:40:02,384 --> 00:40:04,261 "I LIKE RIDING HORSES. 675 00:40:04,285 --> 00:40:08,599 "MY PA IS GOING TO BUY ME A PONY. 676 00:40:08,623 --> 00:40:13,203 "HE WILL LET ME PICK OUT ANY PONY IN THE TOWN... 677 00:40:13,227 --> 00:40:16,095 TO BUY FOR ME FOR MY BIRTHDAY." 678 00:40:25,323 --> 00:40:28,152 Miss Beadle: THANK YOU, WILLIE. 679 00:40:28,176 --> 00:40:30,296 AND NOW WE'LL HEAR FROM NELLIE OLESON. 680 00:40:38,854 --> 00:40:40,832 "MY HOME. 681 00:40:40,856 --> 00:40:44,835 "MY HOME IS THE BEST HOUSE IN ALL OF WALNUT GROVE. 682 00:40:44,859 --> 00:40:48,355 "WE HAVE CARPETS IN EVERY ROOM... BOUGHTEN CARPETS. 683 00:40:48,379 --> 00:40:50,090 "WE HAVE 3 SETS OF DISHES: 684 00:40:50,114 --> 00:40:52,409 "ONE FOR EVERY DAY, ONE FOR SUNDAY, 685 00:40:52,433 --> 00:40:53,844 AND ONE FOR WHEN SOMEONE..." 686 00:41:00,091 --> 00:41:03,504 "FOR SOMEONE SPECIAL AND VERY IMPORTANT COMES TO VISIT, 687 00:41:03,528 --> 00:41:05,606 WHICH WE'VE NEVER EVEN USED YET." 688 00:41:05,630 --> 00:41:07,470 "WE HAVE REAL LACE CURTAINS..." 689 00:41:08,566 --> 00:41:11,912 "AND 6 GENUINE OIL PAINTINGS AND..." 690 00:41:22,046 --> 00:41:23,624 "AND 6 GENUINE OIL PAINTINGS, 691 00:41:23,648 --> 00:41:26,994 "AND I HAVE MY OWN ROOM, AND WILLIE HAS HIS OWN. 692 00:41:27,018 --> 00:41:29,130 "ALL OF OUR FURNITURE IS BOUGHTEN, TOO, 693 00:41:29,154 --> 00:41:31,181 "AND IT COST A WHOLE LOT. 694 00:41:31,205 --> 00:41:34,151 "IF I TOLD YOU HOW MUCH, YOU'D PROBABLY FAINT DEAD AWAY. 695 00:41:34,175 --> 00:41:36,387 "BUT MY PA, OLESON'S MERCANTILE, 696 00:41:36,411 --> 00:41:39,523 "SAYS TALKING ABOUT HOW MUCH THINGS COST ISN'T PROPER, 697 00:41:39,547 --> 00:41:42,143 "BUT IT COST DEAR, I CAN TELL YOU THAT, 698 00:41:42,167 --> 00:41:44,779 "AND IT'S THE NICEST FURNITURE OF ANY FURNITURE 699 00:41:44,803 --> 00:41:47,881 IN ANY HOUSE IN WALNUT GROVE." 700 00:41:55,363 --> 00:41:57,074 THANK YOU, NELLIE. 701 00:41:57,098 --> 00:41:59,538 AND NOW WE'LL HEAR FROM LAURA INGALLS. 702 00:42:19,604 --> 00:42:20,670 "MY MOTHER." 703 00:42:22,274 --> 00:42:24,952 MY SISTER MARY IS GOING TO TELL YOU 704 00:42:24,976 --> 00:42:29,106 HOW PA BROUGHT US WEST AND HOW HARD HE WORKED, 705 00:42:29,130 --> 00:42:31,175 AND I DON'T MEAN TO TAKE ANYTHING FROM HIM 706 00:42:31,199 --> 00:42:35,463 BY TELLING YOU MA WORKED PLENTY HARD HERSELF. 707 00:42:35,487 --> 00:42:37,297 STILL DOES. 708 00:42:37,321 --> 00:42:40,467 SHE COOKS AND SEWS AND CLEANS 709 00:42:40,491 --> 00:42:44,688 AND TAKES CARE OF THE LOT OF US, PA INCLUDED. 710 00:42:44,712 --> 00:42:46,790 I REMEMBER ONCE WHEN I WAS LITTLE, 711 00:42:46,814 --> 00:42:48,825 COMING DOWN WITH THE FEVER. 712 00:42:48,849 --> 00:42:51,962 MA SAT UP NEXT TO ME ALL NIGHT LONG. 713 00:42:51,986 --> 00:42:55,565 I SLEPT SOME, BUT SHE, NEVER. 714 00:42:55,589 --> 00:43:00,204 ANYTIME I'D OPEN MY EYES, SHE'D BE THERE, SMILING, 715 00:43:00,228 --> 00:43:03,540 PUTTING A COLD CLOTH TO MY HEAD. 716 00:43:03,564 --> 00:43:06,309 NOW WITH ME AND MARY SPROUTING UP... 717 00:43:06,333 --> 00:43:08,345 WHICH IS WHAT MA CALLS IT... 718 00:43:08,369 --> 00:43:11,282 IF THERE'S THE LEAST LITTLEST NOISE IN THE NIGHT, 719 00:43:11,306 --> 00:43:14,702 MA WOULD COME CLIMBING UP THE LADDER INTO THE LOFT 720 00:43:14,726 --> 00:43:17,238 TO MAKE SURE WE'RE ALL RIGHT. 721 00:43:17,262 --> 00:43:20,107 I RECKON THERE'S TIMES SHE GETS BONE-TIRED, 722 00:43:20,131 --> 00:43:22,476 BUT YOU'D NEVER KNOW IT. 723 00:43:22,500 --> 00:43:24,645 HER SMILE'S THE LAST THING I SEE 724 00:43:24,669 --> 00:43:27,381 BEFORE I CLOSE MY EYES AT NIGHT 725 00:43:27,405 --> 00:43:31,151 AND THE FIRST THING I WANT TO SEE IN THE MORNING. 726 00:43:31,175 --> 00:43:33,821 SHE'S BEEN SELLING EGGS TO THE MERCANTILE 727 00:43:33,845 --> 00:43:38,308 AND SAVED ENOUGH TO BUY YARD GOODS TO MAKE HERSELF A NEW DRESS. 728 00:43:38,332 --> 00:43:43,914 THIS MORNING, MARY AND ME FOUND OUT SHE MADE DRESSES FOR THE TWO OF US INSTEAD. 729 00:43:43,938 --> 00:43:47,434 THAT'S BECAUSE SHE LOVES US. 730 00:43:47,458 --> 00:43:50,403 THAT'S THE KIND OF MOTHER MA IS, 731 00:43:50,427 --> 00:43:52,267 AND THAT'S WHY WE LOVE HER SO MUCH. 732 00:44:21,542 --> 00:44:23,353 YOU'RE A LUCKY MAN, MR. INGALLS. 733 00:44:23,377 --> 00:44:25,022 WELL, THANK YOU, MR. OLESON. 734 00:44:25,046 --> 00:44:26,023 GUESS THAT'S THE ONE THING IN THIS LIFE 735 00:44:26,047 --> 00:44:27,624 I'M ABSOLUTELY SURE OF. 736 00:44:27,648 --> 00:44:28,688 Mrs. Oleson: NELS! 737 00:44:32,937 --> 00:44:34,648 VERY LUCKY. 738 00:44:34,672 --> 00:44:36,750 MA'AM. 739 00:44:36,774 --> 00:44:39,086 MA, PA, WHAT DID YOU THINK? 740 00:44:39,110 --> 00:44:40,420 DID YOU LIKE MY ESSAY? 741 00:44:40,444 --> 00:44:42,656 I THOUGHT IT WAS LOVELY, MARY. 742 00:44:42,680 --> 00:44:43,924 YOU MADE ME OUT TO BE A BIT OF A HERO, 743 00:44:43,948 --> 00:44:45,468 BUT I GUESS I CAN'T FAULT YOU FOR THAT. 744 00:44:54,859 --> 00:44:55,899 LAURA. 745 00:44:57,528 --> 00:45:00,407 WHAT YOU SAID TODAY WAS BEAUTIFUL, 746 00:45:00,431 --> 00:45:03,960 AND I'LL TREASURE IT AS LONG AS I LIVE, 747 00:45:03,984 --> 00:45:06,029 BUT... 748 00:45:06,053 --> 00:45:09,693 IT WASN'T WHAT YOU HAD WRITTEN DOWN ON THE PAPER, WAS IT? 749 00:45:11,275 --> 00:45:13,821 IT'S WHAT I WOULD HAVE WRITTEN IF I COULD. 750 00:45:13,845 --> 00:45:16,490 I KNOW THAT, DEAR, 751 00:45:16,514 --> 00:45:19,715 BUT IT WASN'T REALLY AN ESSAY, WAS IT? 752 00:45:22,703 --> 00:45:23,703 NO, MA. 753 00:45:37,885 --> 00:45:41,731 I THINK I BETTER GIVE IT TO MISS BEADLE. 754 00:45:41,755 --> 00:45:43,467 WHAT DO YOU THINK SHE'LL DO? 755 00:45:43,491 --> 00:45:45,731 THAT'S UP TO MISS BEADLE. 756 00:46:17,991 --> 00:46:19,703 AH, MRS. INGALLS! 757 00:46:19,727 --> 00:46:22,672 YOU AND YOUR HUSBAND MUST BE VERY PROUD OF YOUR GIRLS TODAY. 758 00:46:22,696 --> 00:46:23,740 WE ARE. 759 00:46:23,764 --> 00:46:25,376 AND YOU, YOUNG LADY, 760 00:46:25,400 --> 00:46:27,311 YOU GAVE ONE OF THE FINEST RECITATIONS 761 00:46:27,335 --> 00:46:29,135 IT'S BEEN MY PLEASURE TO HEAR. 762 00:46:32,907 --> 00:46:36,147 LAURA WANTED YOU TO SEE HER PAPER, MISS BEADLE. 763 00:46:36,443 --> 00:46:37,443 OH. 764 00:46:46,938 --> 00:46:49,416 YES. 765 00:46:49,440 --> 00:46:52,736 LAURA'S SPELLING HAS IMPROVED A GREAT DEAL. 766 00:46:52,760 --> 00:46:56,006 HER PENMANSHIP NEEDS A LITTLE IMPROVEMENT. 767 00:46:56,030 --> 00:46:58,359 BUT I THINK WITH A LITTLE MORE HARD WORK, 768 00:46:58,383 --> 00:47:00,560 BY THE TIME THE SCHOOL YEAR'S OUT, 769 00:47:00,584 --> 00:47:02,544 SHE'LL HAVE THAT MASTERED AS WELL. 770 00:47:08,342 --> 00:47:10,502 THANK YOU, MISS BEADLE. 771 00:47:36,170 --> 00:47:39,650 Laura, narrating: MA TOOK MARY'S ESSAY AND MINE, TOO. 772 00:47:39,674 --> 00:47:42,653 SHE SAID SHE WAS GOING TO PUT THEM IN THE SPECIAL BOX 773 00:47:42,677 --> 00:47:45,889 WHERE SHE KEPT THE SCHOOLBOOKS AND HER WEDDING DRESS 774 00:47:45,913 --> 00:47:48,558 AND EVERYTHING SHE LOVED MOST. 775 00:47:48,582 --> 00:47:51,662 MADE US PROUD SHE'D WANT 'EM FOR REMEMBERING. 776 00:47:51,686 --> 00:47:53,997 BUT I KNEW, EVEN WITHOUT THE PAPERS, 777 00:47:54,021 --> 00:47:57,267 THERE WASN'T ONE OF US LIKELY TO FORGET THAT DAY. 778 00:47:57,291 --> 00:47:58,390 NOT EVER. 50438

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.