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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,462 --> 00:00:02,463 PREVIOUSLY ON "CASTLE"... 2 00:00:02,463 --> 00:00:03,464 I CAN'T PROVE IT, BUT MY GUT SAYS 3 00:00:03,464 --> 00:00:05,005 THIS IS KELLY NIEMAN'S WORK. 4 00:00:05,005 --> 00:00:07,298 Beckett: LAST TIME, SHE GOT AWAY WITH IT BECAUSE SHE HAD AN ACCOMPLICE. 5 00:00:07,298 --> 00:00:09,630 OH, MY GOD. THAT'S JERRY TYSON. 6 00:00:09,630 --> 00:00:11,892 3XK -- HE'S ALIVE. 7 00:00:11,892 --> 00:00:14,055 NIEMAN AND TYSON ARE IN THIS TOGETHER. 8 00:00:14,055 --> 00:00:16,397 EXCEPT JERRY TYSON IS DEAD. THEREFORE, THAT CAN'T BE HIM. 9 00:00:16,397 --> 00:00:17,848 I'M MICHAEL BOUDREAU. 10 00:00:17,848 --> 00:00:20,691 YOU HAD COSMETIC SURGERY TO LOOK LIKE A SERIAL KILLER. 11 00:00:20,691 --> 00:00:22,983 SO HERE WE ARE, NOT BEING ABLE TO PROVE THAT TYSON IS TYSON 12 00:00:22,983 --> 00:00:24,985 BECAUSE WE DON'T HAVE HIS DNA SAMPLE THAT HE STOLE. 13 00:00:24,985 --> 00:00:27,027 Ryan: TYSON'S LATEST GIRLFRIEND, AMY BARRETT. 14 00:00:27,027 --> 00:00:29,070 QUESTION IS, WHERE IS SHE NOW? WHAT DID TYSON DO TO HER? 15 00:00:29,070 --> 00:00:29,990 [ CELLPHONE RINGS ] BECKETT. 16 00:00:29,990 --> 00:00:31,532 IT'S AMY BARRETT. I'M AFRAID. 17 00:00:31,532 --> 00:00:34,034 DON'T MOVE. I'LL BE THERE, OKAY? 18 00:00:34,034 --> 00:00:37,037 Gates: UNLESS WE CAN SHOW THAT HE'S TYSON, WE HAVE TO RELEASE HIM. 19 00:00:37,037 --> 00:00:38,499 Castle: HE WANTED TO BE HERE, AND SO DID SHE. 20 00:00:38,499 --> 00:00:39,420 Esposito: WHY? 21 00:00:39,920 --> 00:00:41,082 AAH! 22 00:00:41,082 --> 00:00:42,253 BECKETT. 23 00:00:42,253 --> 00:00:43,544 VOICE: [ Distorted ] It's done. 24 00:00:45,166 --> 00:00:47,218 [ SIRENS WAIL, TIRES SCREECH ] 25 00:00:47,218 --> 00:00:49,009 YOU SURE THIS IS WHERE SHE SAID SHE WAS GOING? 26 00:00:49,009 --> 00:00:50,671 YEAH, YEAH -- 9th AND JANE. 27 00:00:50,671 --> 00:00:53,844 Ryan: TORY SAID SHE STILL CAN'T GET A TRACE ON BECKETT'S PHONE. 28 00:00:53,844 --> 00:00:56,307 SAYS IT'S EITHER BEEN TURNED OFF OR DISABLED. 29 00:00:58,849 --> 00:01:01,102 THERE. THERE'S HER CAR. 30 00:01:08,109 --> 00:01:09,190 "HELP HER!" 31 00:01:11,782 --> 00:01:13,614 THEY WANT US TO KNOW THEY HAVE HER. 32 00:01:13,614 --> 00:01:15,156 ALL RIGHT, LET'S GET CSU DOWN HERE! 33 00:01:15,156 --> 00:01:18,119 Esposito: CALL IN A 10-45! I WANT EVERY AVAILABLE UNIT CANVASSING! 34 00:01:18,119 --> 00:01:19,200 ASK EVERYONE QUESTIONS! 35 00:01:19,200 --> 00:01:20,701 SOMEBODY HAD TO HAVE SEEN HER! LET'S GO! 36 00:01:20,701 --> 00:01:21,962 WE'RE GONNA DIG INTO 37 00:01:21,962 --> 00:01:23,464 ALL THE SECURITY AND TRAFFIC CAMS IN THE AREA -- 38 00:01:23,464 --> 00:01:26,006 ANY ATMs, BUSINESSES, ANYTHING WITH EYES ON THE STREETS. 39 00:01:26,006 --> 00:01:27,418 GO, GO, GO! 40 00:01:27,418 --> 00:01:28,759 CASTLE? 41 00:01:28,759 --> 00:01:30,010 IT'S HIM. 42 00:01:30,010 --> 00:01:31,712 BOUDREAU, TYSON, WHATEVER HE'S CALLING HIMSELF -- 43 00:01:31,712 --> 00:01:33,053 IT'S HIM, AND IT'S NIEMAN. 44 00:01:33,053 --> 00:01:34,595 BUT THEY WERE IN THE PRECINCT WITH US. 45 00:01:34,595 --> 00:01:36,056 GIVING THEM THE PERFECT ALIBI. 46 00:01:36,056 --> 00:01:39,019 MEANWHILE, THEY USE AMY BARRETT AS BAIT TO DRAW BECKETT OUT. 47 00:01:39,019 --> 00:01:40,181 YOU THINK BARRETT WAS INVOLVED WITH THIS? 48 00:01:40,181 --> 00:01:41,222 OR SHE'S A VICTIM, TOO. 49 00:01:41,222 --> 00:01:45,025 WE NEED TO FIND NIEMAN, AND WE NEED TO FIND BOUDREAU. 50 00:01:45,025 --> 00:01:47,107 [ POUNDING ON DOOR ] 51 00:01:47,107 --> 00:01:49,109 Ryan: MR. BOUDREAU, OPEN UP! 52 00:01:49,990 --> 00:01:51,532 MR. BOUDREAU, SHORTLY AFTER LEAVING 53 00:01:51,532 --> 00:01:52,993 TO MEET WITH YOUR FRIEND AMY BARRETT, 54 00:01:52,993 --> 00:01:54,615 ONE OF OUR DETECTIVES WENT MISSING. 55 00:01:54,615 --> 00:01:55,736 SO? 56 00:01:55,736 --> 00:01:57,618 SO, WHERE IS SHE? I DON'T KNOW. 57 00:01:57,618 --> 00:02:00,241 I'VE BEEN IN POLICE CUSTODY UNTIL AN HOUR AGO. 58 00:02:00,241 --> 00:02:01,872 GIVING YOU THE PERFECT ALIBI. 59 00:02:01,872 --> 00:02:04,004 MAYBE I HAVE AN ALIBI 'CAUSE I DIDN'T DO ANYTHING WRONG. 60 00:02:05,085 --> 00:02:08,048 THEN WHY DON'T YOU LET US IN? 61 00:02:13,013 --> 00:02:14,555 FINE. 62 00:02:16,177 --> 00:02:18,219 BECKETT? 63 00:02:18,219 --> 00:02:19,019 BECKETT?! 64 00:02:19,019 --> 00:02:22,062 COME ON, MAN. NOBODY'S HERE. IT'S JUST ME. 65 00:02:22,062 --> 00:02:23,814 WHAT'D YOU DO TO HER? HUH, TYSON? 66 00:02:23,814 --> 00:02:25,025 WHERE ARE YOU KEEPING HER? 67 00:02:25,025 --> 00:02:27,107 I'M NOT KEEPING HER ANYWHERE, AND I'M NOT JERRY TYSON. 68 00:02:27,107 --> 00:02:29,069 NO, NO! COME ON! YOU CAN'T DO THIS. 69 00:02:29,069 --> 00:02:31,192 YOU CAN'T JUST COME IN HERE THREATENING ME. I KNOW IT'S YOU! 70 00:02:31,192 --> 00:02:32,403 I KNOW IT'S YOU. 71 00:02:32,403 --> 00:02:33,574 [ DOOR SLAMS ] 72 00:02:33,574 --> 00:02:36,537 YOU'RE NOT HELPING HER -- NOT LIKE THAT. 73 00:02:36,537 --> 00:02:38,449 SO WHAT? WE JUST LET HIM KILL HER? NO. 74 00:02:38,449 --> 00:02:39,990 BUT, CASTLE, WE CAN'T DO ANYTHING 75 00:02:39,990 --> 00:02:41,242 IF WE DON'T HAVE ANYTHING. 76 00:02:41,242 --> 00:02:44,665 IT'S HIM, KEVIN. IT'S TYSON. 77 00:02:44,665 --> 00:02:46,667 WE NEED TO PROVE IT. 78 00:02:46,667 --> 00:02:49,290 WE'LL PUT UNITS ON HIM, PUT HIM UNDER THE MICROSCOPE. 79 00:02:49,290 --> 00:02:50,751 IF IT'S HIM, 80 00:02:50,751 --> 00:02:54,134 HE WON'T BE ABLE TO MAKE A MOVE WITHOUT US KNOWING IT. 81 00:02:54,134 --> 00:02:55,926 WE'LL FIND HER. 82 00:02:59,059 --> 00:03:00,140 [ SIGHS ] 83 00:03:00,140 --> 00:03:02,102 [ POLICE RADIO CHATTER ] 84 00:03:02,102 --> 00:03:05,145 [ SCOFFS ] OKAY, LOOK ALL YOU WANT, DETECTIVE ESPOSITO, 85 00:03:05,145 --> 00:03:07,358 SHE'S NOT HERE, AND I HAVE NO IDEA WHERE SHE IS. 86 00:03:07,358 --> 00:03:09,069 WHAT ABOUT YOUR CLIENT AMY BARRETT? 87 00:03:09,069 --> 00:03:11,151 MY OFFICE GAVE YOU OUR INFORMATION ON AMY BARRETT. 88 00:03:11,151 --> 00:03:13,364 I CAN'T HELP IT IF HER CONTACT INFORMATION IS OUT OF DATE. 89 00:03:13,364 --> 00:03:15,696 YEAH, I BET YOU CAN'T -- JUST LIKE YOU HAVE NOTHING TO DO WITH 90 00:03:15,696 --> 00:03:17,117 DETECTIVE BECKETT'S DISAPPEARANCE. 91 00:03:17,117 --> 00:03:19,700 YOU SEEM TO THINK THAT I'M SOMETHING THAT I'M NOT. 92 00:03:19,700 --> 00:03:23,534 AND HOW COULD I BE INVOLVED? I WAS WITH YOU AT THE TIME. 93 00:03:24,535 --> 00:03:26,126 Ryan: I GOT A UNIT ON BOUDREAU'S PLACE 94 00:03:26,126 --> 00:03:27,458 AND A FOLLOW CAR STANDING BY. 95 00:03:27,458 --> 00:03:29,750 ESPO, PUT UNITS ON NIEMAN, AS WELL. 96 00:03:29,750 --> 00:03:31,171 ANYTHING ON THE CANVASS? 97 00:03:31,171 --> 00:03:33,384 WE'VE PULLED OFFICERS FROM THE 3rd AND 8th PRECINCTS TO HELP. 98 00:03:33,384 --> 00:03:35,175 IF THERE'S A WITNESS OUT THERE, WE'LL FIND THEM. 99 00:03:35,175 --> 00:03:36,136 HOW ABOUT VIDEO? 100 00:03:36,136 --> 00:03:37,928 THE IMMEDIATE AREA WHERE YOU FOUND HER CAR 101 00:03:37,928 --> 00:03:39,680 DIDN'T HAVE ANY STREET-CAM OR SECURITY COVERAGE. 102 00:03:39,680 --> 00:03:41,342 MAKING IT THE PERFECT PLACE FOR AN ABDUCTION. 103 00:03:41,342 --> 00:03:43,434 I HAVE TEAMS FROM FOUR PRECINCTS PULLING ALL VIDEO 104 00:03:43,434 --> 00:03:45,556 IN A 10-BLOCK RADIUS FROM WHERE BECKETT WAS TAKEN. 105 00:03:45,556 --> 00:03:46,767 IT'S A LONG SHOT, BUT -- 106 00:03:46,767 --> 00:03:47,808 WHAT ABOUT AMY BARRETT -- 107 00:03:47,808 --> 00:03:49,189 THE PHONE CALL SHE MADE TO BECKETT? 108 00:03:49,189 --> 00:03:50,401 CAN WE TRACE THAT? 109 00:03:50,401 --> 00:03:52,192 WE DID -- TO A CELLPHONE. IT'S NO LONGER ACTIVE. 110 00:03:52,192 --> 00:03:54,114 BUT WE'VE GOT AMY'S PICTURE OUT TO EVERY COP 111 00:03:54,114 --> 00:03:55,946 AND EVERY TRANSIT WORKER IN THE CITY. 112 00:03:55,946 --> 00:03:57,858 AMY'S NOT GONNA BE IN PUBLIC -- NOT IF SHE'S WORKING WITH TYSON. 113 00:03:57,858 --> 00:04:01,241 Gates: AND WE'RE ASSUMING BOUDREAU IS TYSON. 114 00:04:01,241 --> 00:04:06,827 BUT WHAT IF MIKE BOUDREAU IS REALLY MIKE BOUDREAU? 115 00:04:06,827 --> 00:04:09,169 WHAT IF NIEMAN ACTUALLY CUT HIM TO LOOK LIKE TYSON 116 00:04:09,169 --> 00:04:11,081 JUST TO GIVE US SOMEONE TO CHASE? 117 00:04:11,081 --> 00:04:16,216 WHAT IF THE REAL JERRY TYSON IS STILL OUT THERE? 118 00:04:16,216 --> 00:04:17,798 NO. 119 00:04:17,798 --> 00:04:19,470 HE'S JUST MESSING WITH OUR HEADS. 120 00:04:19,470 --> 00:04:21,472 BOUDREAU IS TYSON. 121 00:04:21,472 --> 00:04:23,884 IT DOESN'T MAKE ANY SENSE. 122 00:04:23,884 --> 00:04:25,886 WHY WOULD HE LET HIMSELF GET ARRESTED? 123 00:04:25,886 --> 00:04:28,228 WHY WOULD HE RISK RETURNING TO HIS APARTMENT? 124 00:04:30,230 --> 00:04:31,812 IT'S PART OF THE THRILL. 125 00:04:33,604 --> 00:04:37,488 TO BE HERE -- A-AMONG US, WITHIN OUR GRASP. 126 00:04:37,488 --> 00:04:41,492 HE WANTS TO SEE HOW CLOSE HE CAN GET TO THE FLAME. 127 00:04:41,492 --> 00:04:43,404 THAT'S WHAT EXCITES HIM. 128 00:04:43,404 --> 00:04:46,206 IT'S NOT JUST THE MURDER HE LIKES -- IT'S THE GAME. 129 00:04:46,206 --> 00:04:48,669 WE HAD HIM, AND WE LET OUR GUARD DOWN. 130 00:04:48,669 --> 00:04:50,331 THAT WAS HIS PLAN. 131 00:04:50,331 --> 00:04:51,672 [ CELLPHONE VIBRATES ] 132 00:04:51,672 --> 00:04:52,963 [ CELLPHONE BEEPS ] HELLO? 133 00:04:52,963 --> 00:04:54,375 BECKETT: Castle, can you hear me? 134 00:04:54,375 --> 00:04:55,676 BECKETT! 135 00:04:55,676 --> 00:04:57,217 Please, Castle, I need your help. 136 00:04:57,217 --> 00:04:58,218 WHERE ARE YOU? 137 00:04:58,218 --> 00:04:59,129 Oh, God. 138 00:04:59,129 --> 00:05:00,881 Castle, please! 139 00:05:00,881 --> 00:05:01,922 You have to help me! 140 00:05:01,922 --> 00:05:03,724 Castle!! Help me!! 141 00:05:12,022 --> 00:05:13,063 WHAT WAS THE NUMBER? 142 00:05:13,063 --> 00:05:14,024 212-555-0147. 143 00:05:14,024 --> 00:05:15,195 [ COMPUTER BEEPING ] 144 00:05:15,195 --> 00:05:16,697 Ryan: HOW LONG TO TRACE? DON'T KNOW. 145 00:05:16,697 --> 00:05:18,278 IT SOUNDED LIKE SHE WAS, UH, STRUGGLING. 146 00:05:18,278 --> 00:05:20,150 SHE WAS TRYING TO GET AWAY FROM SOMEONE. SHE COULD STILL BE THERE. 147 00:05:20,150 --> 00:05:21,321 [ COMPUTER BEEPS ] 148 00:05:21,321 --> 00:05:23,073 IT'S A PAYPHONE -- OPERATED BY CENTI-COM. 149 00:05:23,073 --> 00:05:24,705 Ryan: WHERE? TRACING IT NOW. 150 00:05:28,829 --> 00:05:30,160 COME ON, COME ON. 151 00:05:31,502 --> 00:05:32,913 GOT IT. 152 00:05:32,913 --> 00:05:34,835 UPPER WEST SIDE -- PARKING LOT BY THE WEST SIDE HIGHWAY. 153 00:05:34,835 --> 00:05:37,087 [ ENGINE REVS, TIRES SQUEAL ] 154 00:05:37,087 --> 00:05:39,049 [ SIRENS CHIRP, WAIL ] 155 00:05:42,342 --> 00:05:45,135 Esposito: FAN OUT. SECURE THE AREA. 156 00:05:48,969 --> 00:05:49,930 THERE'S SOMETHING HERE. 157 00:05:51,602 --> 00:05:53,103 LOOK AT THAT. YEAH. 158 00:05:54,354 --> 00:05:56,106 CAREFUL. EASY. 159 00:05:56,106 --> 00:05:57,398 MIGHT BE RIGGED. 160 00:06:12,793 --> 00:06:13,874 [ SCOFFS ] 161 00:06:13,874 --> 00:06:15,165 IT'S A VOICE RECORDER. 162 00:06:15,165 --> 00:06:16,166 [ Beeping ] 163 00:06:16,166 --> 00:06:17,918 Beckett: CASTLE, CAN YOU HEAR ME? 164 00:06:17,918 --> 00:06:19,920 PLEASE, CASTLE, I NEED YOUR HELP. 165 00:06:19,920 --> 00:06:20,921 OH, GOD. 166 00:06:20,921 --> 00:06:23,173 CASTLE, PLEASE! 167 00:06:23,173 --> 00:06:24,425 YOU HAVE TO HELP ME! 168 00:06:24,425 --> 00:06:27,217 CASTLE!! HELP ME!! 169 00:06:27,217 --> 00:06:28,509 SHE WAS NEVER HERE. 170 00:06:28,509 --> 00:06:29,810 HE'S PLAYING US. 171 00:06:29,810 --> 00:06:31,181 HE'S PROBABLY WATCHING US RIGHT NOW. 172 00:06:31,181 --> 00:06:32,473 I NEED A CHOPPER! 173 00:06:32,473 --> 00:06:34,725 I NEED SEARCH TEAMS ON EVERY ROOF! LET'S GO! 174 00:06:35,856 --> 00:06:37,187 I DON'T UNDERSTAND. 175 00:06:37,187 --> 00:06:39,780 IF THIS IS A RECORDING, WHEN DID THEY GET HER TO SAY THIS? 176 00:06:39,780 --> 00:06:41,862 THEY DIDN'T -- THE RECORDING WAS MANUFACTURED, 177 00:06:41,862 --> 00:06:43,784 DIGITALLY SPLICED FROM WHAT APPEAR TO BE 178 00:06:43,784 --> 00:06:45,075 SEVERAL DIFFERENT SOURCES. WHAT SOURCES? 179 00:06:45,075 --> 00:06:46,196 THIS, FOR ONE. 180 00:06:46,196 --> 00:06:47,618 IT'S AN INTERVIEW BECKETT GAVE 181 00:06:47,618 --> 00:06:49,830 TO THE LOCAL NEWS JUST AFTER YOU DISAPPEARED. 182 00:06:49,830 --> 00:06:52,122 Beckett: PLEASE, IF YOU HAVE ANY INFORMATION 183 00:06:52,122 --> 00:06:54,414 OR KNOW ANYTHING ABOUT THE DISAPPEARANCE 184 00:06:54,414 --> 00:06:57,037 OF RICHARD CASTLE, I NEED YOUR HELP. 185 00:06:57,037 --> 00:06:58,629 AND HERE'S THE RECORDING. 186 00:06:58,629 --> 00:07:00,040 CASTLE, CAN YOU HEAR ME? 187 00:07:00,040 --> 00:07:03,003 PLEASE, CASTLE, I NEED YOUR HELP. 188 00:07:03,003 --> 00:07:05,045 GIVEN THE BACKGROUND NOISE ON SOME OF THESE OTHER WORDS, 189 00:07:05,045 --> 00:07:07,548 I'M GUESSING PARTS OF THIS WERE RECORDED IN PUBLIC 190 00:07:07,548 --> 00:07:09,389 USING A PARABOLIC MIKE ON THE STREET, 191 00:07:09,389 --> 00:07:10,721 MAYBE EVEN AT CRIME SCENES. 192 00:07:10,721 --> 00:07:13,223 THIS WAS PLANNED. THEY'VE BEEN PREPARING THIS FOR MONTHS. 193 00:07:13,223 --> 00:07:14,475 LOOKS THAT WAY. 194 00:07:14,475 --> 00:07:15,646 THIS WAS ABOUT BECKETT. 195 00:07:15,646 --> 00:07:17,357 NO. 196 00:07:17,357 --> 00:07:19,900 THAT INTERVIEW, THAT WAS MEANT AS A -- 197 00:07:19,900 --> 00:07:21,111 AS A MESSAGE TO ME. 198 00:07:21,111 --> 00:07:23,774 HE WANTS ME TO SUFFER. 199 00:07:23,774 --> 00:07:24,775 WHY? 200 00:07:25,906 --> 00:07:28,448 WHY IS TYSON FIXATED ON YOU? 201 00:07:28,448 --> 00:07:31,532 IF HE'S DIRECTING THIS AT YOU, HE MAY TRY TO COMMUNICATE. 202 00:07:31,532 --> 00:07:34,074 WE SHOULD PUT A TAP AND A TRACE ON ALL YOUR PHONES. 203 00:07:34,074 --> 00:07:35,285 Tori: I'LL SET IT UP. 204 00:07:35,285 --> 00:07:37,668 CAPTAIN, HE'S ALREADY COMMUNICATING. 205 00:07:37,668 --> 00:07:39,670 HE'S OUT THERE, SITTING IN BOUDREAU'S APARTMENT. 206 00:07:39,670 --> 00:07:40,961 AND HE KNOWS WHERE SHE IS. 207 00:07:40,961 --> 00:07:43,043 AND WE CAN'T TOUCH HIM UNTIL WE HAVE PROOF. 208 00:07:43,043 --> 00:07:45,005 BY THEN, SHE'LL BE DEAD! 209 00:07:45,005 --> 00:07:47,638 PLEASE, CAPTAIN. THIS IS -- SHE'S MY WIFE. 210 00:07:47,638 --> 00:07:50,470 MR. CASTLE, I KNOW YOU'RE HURTING. WE ALL ARE. 211 00:07:50,470 --> 00:07:52,222 BUT WE HAVE TO KEEP OUR WITS ABOUT US. 212 00:07:52,222 --> 00:07:54,054 WE HAVE TO WORK THE EVIDENCE. 213 00:07:54,054 --> 00:07:56,146 IT'S THE ONLY WAY WE CAN GET HER BACK. 214 00:07:56,146 --> 00:07:57,187 Esposito: CAPTAIN. 215 00:07:57,187 --> 00:07:58,769 THE CANVASS AT THE ABDUCTION SITE 216 00:07:58,769 --> 00:08:00,521 FOUND A WITNESS WHO SAID THAT SHE SAW SOMEONE 217 00:08:00,521 --> 00:08:02,102 MATCHING BECKETT'S DESCRIPTION. 218 00:08:02,102 --> 00:08:04,655 SAID SHE WAS IN A WHEELCHAIR BEING PUSHED TOWARDS A RED VAN, 219 00:08:04,655 --> 00:08:08,198 AND, UH, THE WITNESS ALSO SAID SHE APPEARED UNCONSCIOUS. 220 00:08:08,198 --> 00:08:09,700 SHE MUST'VE BEEN DRUGGED. 221 00:08:09,700 --> 00:08:11,161 DID THEY SEE WHO WAS WITH HER? 222 00:08:11,161 --> 00:08:13,373 NO. THE PERSON PUSHING THE WHEELCHAIR WAS WEARING A HOODIE. 223 00:08:13,373 --> 00:08:14,995 WELL, WHAT ABOUT A LICENSE PLATE? 224 00:08:14,995 --> 00:08:16,326 NO. 225 00:08:16,326 --> 00:08:17,457 BUT THAT'S A START. 226 00:08:17,457 --> 00:08:20,120 GET TEAMS SCRUBBING ALL STREET-CAM FOOTAGE 227 00:08:20,120 --> 00:08:21,041 FROM BLOCKS NEARBY. 228 00:08:21,041 --> 00:08:22,082 FIND THAT VAN. 229 00:08:22,082 --> 00:08:25,085 WE ARE GONNA GET HER BACK. 230 00:09:07,838 --> 00:09:09,299 [ KNOCK ON DOOR ] 231 00:09:11,091 --> 00:09:13,473 NO. NO, NO, NO, NO. I TOLD YOU THAT I'M NOT -- 232 00:09:15,175 --> 00:09:16,727 OH, GOD! 233 00:09:16,727 --> 00:09:19,059 [ GROANING ] 234 00:09:25,606 --> 00:09:26,857 Tori: GUYS! 235 00:09:26,857 --> 00:09:28,819 THIS IS FROM A TRAFFIC CAMERA TWO BLOCKS AWAY 236 00:09:28,819 --> 00:09:30,110 FROM WHERE BECKETT WAS TAKEN. 237 00:09:30,110 --> 00:09:31,451 Esposito: THAT'S A RED VAN. 238 00:09:31,451 --> 00:09:32,993 HEADING AWAY FROM THE ABDUCTION AREA. 239 00:09:32,993 --> 00:09:34,074 YOU RUN THE PLATE? 240 00:09:34,074 --> 00:09:35,195 BELONGS TO A PLUMBER IN QUEENS. 241 00:09:35,195 --> 00:09:37,037 HE REPORTED IT STOLEN THREE DAYS AGO. 242 00:09:37,037 --> 00:09:38,038 THAT'S GOT TO BE IT. 243 00:09:38,038 --> 00:09:39,079 ALL RIGHT. I'LL RUN AN APB. 244 00:09:39,079 --> 00:09:40,410 MAKE SURE YOU LET CASTLE KNOW. 245 00:09:40,410 --> 00:09:41,792 YEAH, WHERE IS CASTLE? 246 00:09:41,792 --> 00:09:43,203 [ GROANS ] WHERE IS SHE? 247 00:09:43,203 --> 00:09:44,755 GET OUT OF HERE. 248 00:09:44,755 --> 00:09:46,206 IS SHE ALIVE? 249 00:09:46,206 --> 00:09:47,668 HELP! I NEED HELP! 250 00:09:47,668 --> 00:09:49,049 GET OFF ME! GET OFF ME! 251 00:09:51,802 --> 00:09:52,923 WHERE IS SHE?! 252 00:09:52,923 --> 00:09:55,555 I TOLD YOU! I DON'T KNOW! HUH?! 253 00:09:55,555 --> 00:09:58,348 WHY'D YOU DO IT, TYSON? FOR REVENGE? 254 00:09:58,348 --> 00:10:00,270 BECAUSE WE WERE HAPPY? 255 00:10:00,270 --> 00:10:02,182 YOU HAVE GOT THE WRONG GUY. 256 00:10:02,182 --> 00:10:04,604 THE HELL I DO. 257 00:10:04,604 --> 00:10:06,106 WHERE IS SHE? I DON'T KNOW! 258 00:10:06,106 --> 00:10:07,067 [ GRUNTS ] 259 00:10:10,110 --> 00:10:11,031 [ GROANS ] 260 00:10:11,031 --> 00:10:13,073 YOU PLANNED THIS. 261 00:10:13,073 --> 00:10:15,155 YOU AND NIEMAN. 262 00:10:15,155 --> 00:10:16,496 BUT IT ENDS TONIGHT. 263 00:10:17,287 --> 00:10:19,039 GO TO HELL. 264 00:10:21,792 --> 00:10:24,164 [ BREATHING SHAKILY ] 265 00:10:24,164 --> 00:10:26,006 WHERE IS SHE? HEY. 266 00:10:26,006 --> 00:10:27,087 NO. 267 00:10:27,087 --> 00:10:28,669 HEY, HEY, M-MAN. 268 00:10:28,669 --> 00:10:29,880 NO, NO, NO, NO, WAIT A MINUTE. 269 00:10:29,880 --> 00:10:32,052 TELL ME WHERE SHE IS, TYSON, OR SO HELP ME, GOD... 270 00:10:32,052 --> 00:10:33,383 I DON'T KNOW. 271 00:10:33,383 --> 00:10:35,806 AND I'M NOT TYSON. 272 00:10:35,806 --> 00:10:38,598 HE JUST WANTS YOU TO THINK I AM. 273 00:10:38,598 --> 00:10:40,100 WHERE IS SHE? BUT I DIDN'T DO THIS. 274 00:10:40,100 --> 00:10:42,022 I DIDN'T DO ANY OF THIS. WHERE IS SHE? 275 00:10:42,022 --> 00:10:45,185 I-I'M NOT HIM! 276 00:10:45,185 --> 00:10:48,108 DR. NIEMAN JUST MADE ME LOOK LIKE HIM, BUT I'M NOT HIM. 277 00:10:48,108 --> 00:10:50,070 WHERE IS SHE? 278 00:10:50,070 --> 00:10:53,073 MY NAME IS MICHAEL BOUDREAU. I SWEAR. 279 00:10:53,073 --> 00:10:55,365 I WAS -- I WAS BORN IN IOWA. 280 00:10:55,365 --> 00:10:57,738 I WAS RAISED ON 11725 NORTH GENOA STREET. 281 00:10:57,738 --> 00:11:00,120 MY PARENTS' NAMES ARE MICHAEL AND LAUREN. 282 00:11:00,120 --> 00:11:02,662 I'M -- I'M NOT JERRY TYSON. I'M NOT. 283 00:11:02,662 --> 00:11:05,085 [ Voice breaking ] I SWEAR. 284 00:11:05,085 --> 00:11:06,837 I DON'T BELIEVE YOU. 285 00:11:06,837 --> 00:11:08,088 [ SOBS ] 286 00:11:08,088 --> 00:11:09,089 NOW... 287 00:11:09,089 --> 00:11:10,170 [ GUN COCKS ] 288 00:11:10,170 --> 00:11:11,501 ...LAST CHANCE. 289 00:11:11,501 --> 00:11:13,633 [ Crying ] NO, NO. PLEASE. DON'T. DON'T. PLEASE. 290 00:11:13,633 --> 00:11:15,175 WHERE IS SHE? 291 00:11:17,467 --> 00:11:18,468 [ DOOR BURSTS OPEN ] 292 00:11:18,468 --> 00:11:19,890 NYPD! POLICE! 293 00:11:19,890 --> 00:11:22,182 Officer: DROP THE GUN! DROP IT! 294 00:11:22,182 --> 00:11:23,223 DROP YOUR WEAPON! 295 00:11:23,223 --> 00:11:25,515 DROP IT! 296 00:11:25,515 --> 00:11:29,269 YOU HEARD ME! DROP THE GUN NOW! 297 00:11:35,155 --> 00:11:36,947 LET'S SEE YOUR HANDS! 298 00:11:49,379 --> 00:11:50,831 [ HANDCUFFS CLICK ] 299 00:11:58,598 --> 00:12:01,301 [ Echoing ] COME ON, CASTLE. ASSAULT WITH A DEADLY WEAPON? 300 00:12:01,301 --> 00:12:03,513 DO YOU HAVE ANY IDEA WHAT THIS DOES TO THE INVESTIGATION? 301 00:12:03,513 --> 00:12:05,145 YOU DON'T THINK I WANTED TO GO OVER THERE 302 00:12:05,145 --> 00:12:08,608 AND BEAT THE HELL OUT OF HIM -- AND NIEMAN? 303 00:12:08,608 --> 00:12:10,400 THAT'S NOT GONNA GET HER BACK. 304 00:12:13,733 --> 00:12:15,735 HE'S PRESSING CHARGES. 305 00:12:17,818 --> 00:12:19,239 WE'RE GONNA HAVE TO BOOK YOU. 306 00:12:19,239 --> 00:12:20,660 ME? 307 00:12:20,660 --> 00:12:21,952 WHAT ABOUT HIM? 308 00:12:21,952 --> 00:12:24,204 WE DON'T HAVE ANYTHING TO HOLD HIM ON. 309 00:12:44,014 --> 00:12:46,346 YOU WERE NEVER GONNA WIN GOING STRAIGHT AT HIM. 310 00:12:46,346 --> 00:12:48,438 IF HE THOUGHT THERE WAS ANY CHANCE OF THAT, 311 00:12:48,438 --> 00:12:50,770 THEN HE WOULDN'T HAVE STAYED IN THAT APARTMENT. 312 00:12:52,442 --> 00:12:56,106 WE'LL TAKE CARE OF THE REST OF THE BOOKING DETAILS LATER. 313 00:12:56,106 --> 00:12:57,818 ANYTHING ON THE VAN? NO, NOT YET. 314 00:12:59,399 --> 00:13:00,610 [ SIGHS ] 315 00:13:00,610 --> 00:13:03,163 YOU KNOW, WHEN I FIRST GOT HERE, 316 00:13:03,163 --> 00:13:06,957 I COULDN'T FIGURE OUT WHAT BECKETT SAW IN YOU. 317 00:13:06,957 --> 00:13:09,039 BUT YOU KNOW WHAT SHE SAID? 318 00:13:10,790 --> 00:13:12,963 "HE SEES THE STORY. 319 00:13:12,963 --> 00:13:14,965 "I SEE THE EVIDENCE, WHERE IT LEADS, 320 00:13:14,965 --> 00:13:18,919 BUT HE SEES THE STORY." 321 00:13:21,051 --> 00:13:24,764 THAT MAN GOT INSIDE YOUR HEAD, AND YOU LET HIM. 322 00:13:24,764 --> 00:13:30,770 YOU WANT TO HELP HER, YOU GOT TO GET INSIDE HIS. 323 00:13:30,770 --> 00:13:33,143 WHAT'S HIS STORY? 324 00:13:33,143 --> 00:13:36,937 WHAT'S HIS NEXT MOVE GOING TO BE? 325 00:13:36,937 --> 00:13:40,360 NOW, YOU FIGURE THAT OUT, AND WE'LL FIND HER. 326 00:13:40,360 --> 00:13:42,903 [ GATE OPENS ] 327 00:13:42,903 --> 00:13:43,703 SIR. 328 00:13:43,703 --> 00:13:44,744 WHAT'S WRONG? 329 00:13:44,744 --> 00:13:46,206 IT'S BOUDREAU -- TYSON. 330 00:13:46,206 --> 00:13:47,617 ON THE WAY BACK TO HIS APARTMENT, 331 00:13:47,617 --> 00:13:49,499 HE BOLTED ON THE SUBWAY PLATFORM AND JUMPED ONTO THE TRACKS. 332 00:13:49,499 --> 00:13:51,081 OUR GUYS TRIED TO FOLLOW, BUT THEY LOST HIM. 333 00:13:52,122 --> 00:13:54,624 I WANT TRANSIT AUTHORITY ON FULL ALERT! 334 00:13:54,624 --> 00:13:57,047 PUT EVERY UNIT IN THE AREA ON THE LOOKOUT 335 00:13:57,047 --> 00:13:59,009 AND GET HIS PICTURE ON THE WIRE! 336 00:13:59,009 --> 00:14:00,300 I WANT HIM FOUND! 337 00:14:00,300 --> 00:14:01,631 CAPTAIN, I JUST SENT TEAMS TO KELLY NIEMAN'S APARTMENT 338 00:14:01,631 --> 00:14:02,722 TO CHECK ON HER. 339 00:14:02,722 --> 00:14:04,134 SHE'S GONE. 340 00:14:04,134 --> 00:14:05,765 HOW CAN SHE BE GONE? WE'VE BEEN ON HER PLACE THE WHOLE TIME. 341 00:14:05,765 --> 00:14:08,178 [ CELLPHONE RINGING ] THEY FOUND AN ACCESS DOOR TO THE ROOF OPEN. 342 00:14:08,178 --> 00:14:09,269 SHE MUST HAVE WENT OUT OF IT 343 00:14:09,269 --> 00:14:10,891 AND CLIMBED ACROSS THE ROOF TO ANOTHER BUILDING. 344 00:14:10,891 --> 00:14:13,523 GET AN APB OUT ON HER AND GET TEAMS DOWN TO THE HOSPITAL... 345 00:14:13,523 --> 00:14:14,564 HELLO? 346 00:14:14,564 --> 00:14:17,477 TYSON: How did it feel to be that close? 347 00:14:17,477 --> 00:14:18,858 [ RATTLING ] 348 00:14:18,858 --> 00:14:19,980 TYSON. 349 00:14:19,980 --> 00:14:21,571 TRACE -- GO. 350 00:14:23,783 --> 00:14:26,616 You know the part I liked best? 351 00:14:26,616 --> 00:14:28,828 The pain in your eyes. 352 00:14:28,828 --> 00:14:31,251 The suffering. 353 00:14:31,251 --> 00:14:34,624 And all that fear, knowing that I have her. 354 00:14:34,624 --> 00:14:37,167 WELL, IF THIS IS ABOUT ME, THEN TAKE ME. 355 00:14:37,167 --> 00:14:38,959 TAKE ME AND LET HER GO. 356 00:14:38,959 --> 00:14:40,460 No. 357 00:14:40,460 --> 00:14:43,803 No, if I took you, I'd only get to kill you once. 358 00:14:43,803 --> 00:14:48,468 See, this way, I get to kill you over and over again. 359 00:14:48,468 --> 00:14:51,061 TYSON. 360 00:14:51,061 --> 00:14:52,062 TYSON? 361 00:14:52,062 --> 00:14:53,813 RYAN? 362 00:14:53,813 --> 00:14:55,145 DID YOU GET HIM? STAND BY. 363 00:14:57,567 --> 00:14:58,858 WAIT. WAIT. 364 00:14:58,858 --> 00:15:00,650 [ COMPUTER CHIRPING ] 365 00:15:00,650 --> 00:15:02,282 GOT IT! NUMBER'S COMING THROUGH RIGHT NOW! 366 00:15:02,282 --> 00:15:03,483 WHERE'S HE CALLING FROM? 367 00:15:03,483 --> 00:15:04,444 [ CHIRPING CONTINUES ] 368 00:15:04,444 --> 00:15:05,445 OH, GOD. 369 00:15:05,445 --> 00:15:07,077 CASTLE? 370 00:15:07,077 --> 00:15:09,409 HE'S CALLING FROM YOUR HOUSE. 371 00:15:16,166 --> 00:15:18,378 [ MARTHA SCREAMS ] 372 00:15:18,378 --> 00:15:19,960 WHERE'S ALEXIS? 373 00:15:19,960 --> 00:15:21,631 [ ALEXIS SCREAMS ] 374 00:15:22,963 --> 00:15:25,175 DAD, WHAT THE HELL?! 375 00:15:25,175 --> 00:15:27,257 [ PANTING ] 376 00:15:31,601 --> 00:15:32,812 YOU HAVE YOUR PASSPORT? 377 00:15:32,812 --> 00:15:35,015 YES, YES, YES. BUT, RICHARD, EUROPE? 378 00:15:35,015 --> 00:15:36,856 NO "BUTS." I NEED TO KNOW THAT YOU'RE SAFE. 379 00:15:36,856 --> 00:15:39,019 NOW, THE -- THE POLICE ARE GONNA TAKE YOU TO THE AIRPORT. 380 00:15:39,019 --> 00:15:41,151 I HAVE FRIENDS WAITING FOR YOU ON THE OTHER SIDE. 381 00:15:41,151 --> 00:15:42,112 OKAY. 382 00:15:42,112 --> 00:15:44,524 [ SIGHS ] 383 00:15:44,524 --> 00:15:46,366 DAD, PLEASE BE SAFE. 384 00:15:46,366 --> 00:15:48,028 I WILL. BUT I NEED YOU TO GO. 385 00:15:48,028 --> 00:15:50,780 OKAY. TAKE CARE, BABY. 386 00:15:50,780 --> 00:15:51,911 [ SMOOCHES ] BE CAREFUL. 387 00:15:51,911 --> 00:15:52,912 I LOVE YOU. 388 00:15:52,912 --> 00:15:55,075 I... 389 00:16:02,082 --> 00:16:04,844 WE JUST HEARD FROM TECH. 390 00:16:04,844 --> 00:16:07,427 NO EVIDENCE OF ANYONE TAMPERING WITH YOUR PHONE. 391 00:16:07,427 --> 00:16:09,849 THEY THINK THAT TYSON MUST HAVE FIGURED OUT A WAY 392 00:16:09,849 --> 00:16:11,471 TO SPOOF YOUR NUMBER FROM THE OUTSIDE. 393 00:16:11,471 --> 00:16:15,095 INSIDE, OUTSIDE -- DOESN'T MATTER. 394 00:16:15,095 --> 00:16:18,058 HE WANTS ME TO KNOW HE CAN GET TO ME ANYTIME. 395 00:16:19,059 --> 00:16:20,100 I'M SORRY. 396 00:16:21,981 --> 00:16:24,864 I HAD HIM THE NIGHT AT THE MOTEL. 397 00:16:24,864 --> 00:16:28,698 I-IF I COULD HAVE FOUND A WAY TO MOVE A LITTLE FASTER, 398 00:16:28,698 --> 00:16:30,030 REACT A SECOND SOONER... 399 00:16:30,030 --> 00:16:32,072 IT'S NOT YOUR FAULT. 400 00:16:32,072 --> 00:16:33,533 IT'S NOT MY FAULT. 401 00:16:33,533 --> 00:16:35,375 IT'S HIS FAULT. 402 00:16:35,375 --> 00:16:36,916 Esposito: YO. 403 00:16:36,916 --> 00:16:38,998 UNIFORM IN QUEENS JUST SPOTTED THAT STOLEN RED VAN OFF THE APB. 404 00:16:38,998 --> 00:16:40,380 WHERE? 405 00:16:40,380 --> 00:16:42,252 PARKED OUTSIDE OF AN ABANDONED INDUSTRIAL PROPERTY. 406 00:16:42,252 --> 00:16:43,923 IS SHE THERE? WE DON'T KNOW. 407 00:16:43,923 --> 00:16:45,425 BUT AN E.S.U. TEAM'S ON ITS WAY. 408 00:16:55,805 --> 00:16:57,807 Team leader: I GOT SOMETHING -- THIRD FLOOR. 409 00:16:57,807 --> 00:16:59,059 IT'S HER. 410 00:16:59,059 --> 00:17:02,272 WE HAVE A POSITIVE I.D. -- THIRD FLOOR, NORTHEAST CORNER. 411 00:17:02,272 --> 00:17:04,023 HOW MANY OTHERS? UNKNOWN. WE DON'T HAVE A VISUAL. 412 00:17:04,023 --> 00:17:06,526 STAY BEHIND US. IF HE'S IN THERE, HE'S GONNA GUN FOR YOU FIRST. 413 00:17:06,526 --> 00:17:07,527 [ SHOTGUN COCKS ] 414 00:17:24,164 --> 00:17:26,586 Beckett: CASTLE! WAIT! GET BACK! IT'S A TRAP! 415 00:17:26,586 --> 00:17:28,468 [ GUNSHOTS ] [ INDISTINCT SHOUTING ] 416 00:17:30,009 --> 00:17:31,091 [ GUNSHOTS STOP ] 417 00:17:32,342 --> 00:17:33,303 BECKETT!! NO!! 418 00:17:42,482 --> 00:17:43,773 [ Voice breaking ] GOD! 419 00:17:47,527 --> 00:17:48,948 [ Sobbing ] KATE, I'M SO SORRY. 420 00:17:48,948 --> 00:17:50,069 I'M SORRY. 421 00:17:55,115 --> 00:17:57,617 I'M SORRY. 422 00:17:57,617 --> 00:17:58,748 I'M SO-- 423 00:18:02,332 --> 00:18:04,334 IT'S NOT HER! 424 00:18:04,334 --> 00:18:06,256 IT'S NOT HER! 425 00:18:24,314 --> 00:18:25,685 WHO WAS THE GIRL? 426 00:18:25,685 --> 00:18:28,688 Ryan: FORMER DRUG ADDICT, JUST LIKE THE OTHERS. 427 00:18:28,688 --> 00:18:30,860 SHE WAS REPORTED MISSING LAST WEEK. 428 00:18:30,860 --> 00:18:33,783 THEY FOUND A SPEAKER UNDERNEATH THE CHAIR. 429 00:18:33,783 --> 00:18:36,786 IT'S HOW HE WAS ABLE TO BROADCAST BECKETT'S VOICE. 430 00:18:36,786 --> 00:18:37,947 AND THE WEAPON? 431 00:18:37,947 --> 00:18:41,911 PRE-AIMED AT THE VICTIM, TRIGGERED REMOTELY. 432 00:18:41,911 --> 00:18:45,004 HE WANTED US TO WATCH. 433 00:18:45,004 --> 00:18:47,046 HE WANTED US TO WATCH. 434 00:18:47,046 --> 00:18:49,339 YOU THINK SHE'S STILL ALIVE? 435 00:18:50,840 --> 00:18:52,462 SHE'S ALIVE. 436 00:18:52,462 --> 00:18:54,093 HOW DO YOU KNOW? 437 00:18:54,093 --> 00:18:56,466 BECAUSE HE'S NOT DONE WITH ME YET. 438 00:19:04,894 --> 00:19:06,686 [ MUFFLED MOANING ] 439 00:19:12,732 --> 00:19:13,733 [ LIGHTS BUZZING ] 440 00:19:13,733 --> 00:19:15,195 [ ROPES CREAK ] 441 00:19:15,195 --> 00:19:16,115 [ DOOR OPENS ] 442 00:19:18,448 --> 00:19:19,779 GOOD. 443 00:19:19,779 --> 00:19:21,040 YOU'RE AWAKE. 444 00:19:21,040 --> 00:19:24,163 WE CAN GET STARTED. 445 00:19:24,163 --> 00:19:26,336 OUR NEW VICTIM'S NAME IS SYDNEY NOVAK, 446 00:19:26,336 --> 00:19:28,208 FROM BROWARD COUNTY, FLORIDA. 447 00:19:28,208 --> 00:19:31,381 WE BELIEVE SHE MAY HAVE BEEN TARGETED BY TYSON AND NIEMAN 448 00:19:31,381 --> 00:19:33,843 DUE TO FACIAL SIMILARITIES 449 00:19:33,843 --> 00:19:36,756 BETWEEN HER AND DETECTIVE BECKETT. 450 00:19:36,756 --> 00:19:38,718 GIVEN THE NATURE OF THESE MURDERS... 451 00:19:38,718 --> 00:19:40,930 We're not gonna find her. 452 00:19:40,930 --> 00:19:42,101 Not like this. 453 00:19:43,763 --> 00:19:46,766 Not by chasing him, not by playing his game. 454 00:19:49,148 --> 00:19:51,231 We need to take the game to him. 455 00:20:01,371 --> 00:20:03,703 [ DOOR CLOSES ] 456 00:20:03,703 --> 00:20:06,376 [ SCOFFS ] 457 00:20:06,376 --> 00:20:08,207 I KNOW YOU. 458 00:20:08,207 --> 00:20:11,090 YOU'RE THE WRITER. 459 00:20:11,090 --> 00:20:13,503 YOU AND YOUR COP FRIEND PUT ME IN HERE. 460 00:20:13,503 --> 00:20:16,215 FOR MURDERS THAT YOUR CELLMATE JERRY TYSON 461 00:20:16,215 --> 00:20:17,837 CONVINCED YOU TO COMMIT 462 00:20:17,837 --> 00:20:20,099 SO THE WORLD WOULD THINK YOU WERE 3XK 463 00:20:20,099 --> 00:20:22,101 AND HE WOULD GET AWAY SCOT-FREE. 464 00:20:22,101 --> 00:20:24,554 WHY ARE YOU HERE? 465 00:20:24,554 --> 00:20:28,438 YOU SHARED A CELL WITH HIM FOR FOUR YEARS. 466 00:20:28,438 --> 00:20:30,019 TIME I'D RATHER FORGET. 467 00:20:30,019 --> 00:20:31,110 WHY? 468 00:20:31,110 --> 00:20:35,355 YOU LOOK AT HIM, YOU THINK..."HE'S SO WEAK." 469 00:20:35,355 --> 00:20:36,816 [ CHUCKLES ] 470 00:20:36,816 --> 00:20:38,197 THERE'S NOTHING TO HIM. 471 00:20:40,069 --> 00:20:41,621 BUT THE GUY -- 472 00:20:41,621 --> 00:20:43,993 HE KNEW HOW TO GET IN YOUR HEAD. 473 00:20:43,993 --> 00:20:46,666 HE KNEW HOW TO MAKE YOU DO THINGS 474 00:20:46,666 --> 00:20:48,788 YOU NEVER THOUGHT CAPABLE OF. 475 00:20:48,788 --> 00:20:50,630 LIKE KILLING FOR HIM? 476 00:20:51,921 --> 00:20:54,213 LET'S JUST SAY I SLEPT A LOT BETTER 477 00:20:54,213 --> 00:20:57,216 ONCE I KNEW HE WAS DEAD. 478 00:20:57,216 --> 00:20:58,428 HE'S NOT. 479 00:20:59,589 --> 00:21:01,431 JUST ANOTHER WAY FOR HIM TO DISAPPEAR 480 00:21:01,431 --> 00:21:02,972 SO HE COULD MAKE HIS PLANS. 481 00:21:02,972 --> 00:21:04,384 HE'S ALIVE? 482 00:21:04,384 --> 00:21:06,686 AND HE HAS MY WIFE. 483 00:21:06,686 --> 00:21:09,148 YOU SHARED A CELL WITH HIM FOR FOUR YEARS. 484 00:21:09,148 --> 00:21:11,651 NO ONE KNOWS HIM BETTER THAN YOU. 485 00:21:11,651 --> 00:21:12,942 IN ALL THAT TIME, 486 00:21:12,942 --> 00:21:16,776 DID HE EVER MENTION A PLACE SOMEWHERE IN THE CITY, 487 00:21:16,776 --> 00:21:19,449 A PLACE HE WOULD GO TO FEEL SAFE? 488 00:21:19,449 --> 00:21:21,781 [ CHUCKLES ] YOU NEED MY HELP. 489 00:21:22,862 --> 00:21:24,324 YES, I NEED YOUR HELP. 490 00:21:24,324 --> 00:21:25,495 YOU PUT ME IN HERE. 491 00:21:25,495 --> 00:21:27,206 HE PUT YOU IN HERE. 492 00:21:27,206 --> 00:21:30,540 HE GOT YOU TO DO THOSE THINGS. 493 00:21:30,540 --> 00:21:35,875 HE GOT INSIDE YOUR HEAD, CONTROLLED YOU LIKE A PUPPET. 494 00:21:35,875 --> 00:21:40,760 YOU'D DONE YOUR TIME, BUT HE NEEDED YOU TO GET CAUGHT. 495 00:21:40,760 --> 00:21:42,342 YOU SACRIFICED YOURSELF. 496 00:21:42,342 --> 00:21:44,474 AND I BET NOT A NIGHT GOES BY YOU DON'T SEE HIS FACE 497 00:21:44,474 --> 00:21:47,637 AND WONDER, "HOW DID HE DO THAT? 498 00:21:47,637 --> 00:21:50,850 HOW DID HE GET ME TO THROW MY LIFE AWAY?" 499 00:21:53,643 --> 00:21:56,025 THERE WAS SOMEPLACE HE TALKED ABOUT -- 500 00:21:56,025 --> 00:21:57,647 A PLACE HE LIKED TO GO. 501 00:21:57,647 --> 00:21:58,858 WHERE? 502 00:22:00,570 --> 00:22:02,612 WHAT'S IN IT FOR ME? 503 00:22:02,612 --> 00:22:03,573 WHAT DO YOU WANT? 504 00:22:03,573 --> 00:22:04,994 OUT. 505 00:22:04,994 --> 00:22:06,205 YOU KNOW I DON'T HAVE THE AUTHORITY -- 506 00:22:06,205 --> 00:22:07,707 I'M SURE WITH ALL YOUR CONNECTIONS, 507 00:22:07,707 --> 00:22:09,038 YOU CAN FIND SOMEONE WHO DOES. 508 00:22:09,038 --> 00:22:10,119 THEY'LL NEVER GO FOR IT. 509 00:22:10,119 --> 00:22:13,162 NOT GONNA RELEASE A MURDERER. THEY'LL LET HER DIE FIRST. 510 00:22:13,162 --> 00:22:15,915 THAT'S NOT MY PROBLEM. 511 00:22:15,915 --> 00:22:17,547 PLEASE. 512 00:22:19,799 --> 00:22:21,631 SOMETHING ELSE. 513 00:22:21,631 --> 00:22:22,842 MONEY FOR YOUR FAMILY. 514 00:22:22,842 --> 00:22:24,384 GIVE ME SOMETHING I CAN GIVE YOU. 515 00:22:24,384 --> 00:22:26,225 I DON'T HAVE A FAMILY, MR. CASTLE. 516 00:22:26,225 --> 00:22:28,307 AND I AM STUCK IN HERE FOR LIFE 517 00:22:28,307 --> 00:22:30,179 WITHOUT THE POSSIBILITY OF PAROLE, 518 00:22:30,179 --> 00:22:32,432 SO WHAT THE HELL DO YOU THINK YOU COULD GIVE ME 519 00:22:32,432 --> 00:22:35,895 THAT WOULD BE WORTH A DAMN? 520 00:22:38,107 --> 00:22:39,899 REVENGE. 521 00:22:41,611 --> 00:22:45,194 HE'S OUT THERE, WALKING AROUND, AND YOU'RE IN HERE. 522 00:22:45,194 --> 00:22:47,617 DON'T YOU WANT TO SETTLE THE SCORE? 523 00:22:48,948 --> 00:22:50,119 FINE. 524 00:22:50,119 --> 00:22:52,251 GUESS I JUST DIDN'T THINK, AFTER ALL THESE YEARS, 525 00:22:52,251 --> 00:22:53,873 YOU'D STILL LET HIM CONTROL YOU. 526 00:23:00,500 --> 00:23:02,131 WHAT KIND OF REVENGE? 527 00:23:07,927 --> 00:23:10,139 Marcus: THERE WAS A PLACE HE TALKED ABOUT -- 528 00:23:10,139 --> 00:23:11,681 A HOUSE IN THE WOODS. 529 00:23:11,681 --> 00:23:13,062 WHERE? 530 00:23:13,062 --> 00:23:16,065 A LITTLE WAYS UP THE HUDSON, OWNED BY A FAMILY FRIEND. 531 00:23:16,065 --> 00:23:18,187 WHEN HE WAS A KID, HE'D GO THERE IN THE SUMMERS 532 00:23:18,187 --> 00:23:21,110 WHEN THINGS GOT TOO INTENSE WITH HIS MOTHER. 533 00:23:21,110 --> 00:23:23,573 Castle: HELLO. ARE YOUR ARCHIVES DIGITIZED? 534 00:23:23,573 --> 00:23:25,024 I WAS WONDERING IF YOU COULD E-MAIL ME 535 00:23:25,024 --> 00:23:27,286 A SET OF THE BUILDING PLANS FOR THE FOLLOWING ADDRESS. 536 00:23:27,286 --> 00:23:29,408 YOU KNOW, YOU CAN'T SAVE HER. 537 00:23:29,408 --> 00:23:32,622 WHEN HE SEES THE COPS COMING -- 538 00:23:32,622 --> 00:23:35,745 AND, TRUST ME, HE WILL SEE THE COPS COMING -- 539 00:23:35,745 --> 00:23:36,956 HE WON'T BARGAIN. 540 00:23:36,956 --> 00:23:38,538 HE WON'T BE REASONED WITH. 541 00:23:38,538 --> 00:23:40,169 HE WILL JUST... 542 00:23:40,169 --> 00:23:42,882 KILL HER. 543 00:23:42,882 --> 00:23:44,844 IT WON'T BE THE COPS. 544 00:23:50,930 --> 00:23:52,351 IT'LL BE ME. 545 00:24:46,866 --> 00:24:49,028 [ DOOR OPENS ] 546 00:24:51,070 --> 00:24:53,663 AMY BARRETT. 547 00:24:53,663 --> 00:24:55,615 YOU THINK BARRETT WAS INVOLVED IN THIS? 548 00:24:55,615 --> 00:24:57,246 OR SHE'S A VICTIM, TOO. 549 00:24:59,168 --> 00:25:02,041 SO SHE WAS WORKING WITH THEM. 550 00:26:03,733 --> 00:26:04,734 [ GUN COCKS ] 551 00:26:04,734 --> 00:26:07,146 DON'T SCREAM, OR I WILL SHOOT YOU. 552 00:26:07,146 --> 00:26:09,108 WHERE'S BECKETT? IS SHE INSIDE THE HOUSE? 553 00:26:10,820 --> 00:26:12,652 WHERE IS SHE? 554 00:26:12,652 --> 00:26:14,744 NOT HERE. 555 00:26:14,744 --> 00:26:16,365 WHERE? 556 00:26:16,365 --> 00:26:18,698 I DON'T KNOW. THEY WOULDN'T TELL ME. 557 00:26:18,698 --> 00:26:21,040 NOT UNTIL IT'S OVER. 558 00:26:21,040 --> 00:26:22,581 THEY SENT ME HERE TO WAIT. 559 00:26:24,083 --> 00:26:25,124 I DON'T BELIEVE YOU. 560 00:26:25,124 --> 00:26:27,006 WHO'S DOWN THERE? WHO'S IN THE HOUSE? 561 00:26:28,467 --> 00:26:29,468 JUST ME. 562 00:26:29,468 --> 00:26:30,630 YOU'RE LYING. 563 00:26:30,630 --> 00:26:32,211 THEY'RE IN THERE, AREN'T THEY? 564 00:26:32,211 --> 00:26:33,422 NO. 565 00:26:33,422 --> 00:26:36,345 IF YOU BRING ME BACK THERE, I'LL SHOW YOU. 566 00:26:39,639 --> 00:26:40,640 WHAT ARE YOU DOING? 567 00:26:40,640 --> 00:26:42,431 MAKING SURE YOU STAY OUT OF MY WAY. 568 00:26:42,431 --> 00:26:44,353 YOU KNOW WHAT I LOVE ABOUT THIS CAR? 569 00:26:44,353 --> 00:26:45,224 [ BEEP ] 570 00:26:47,186 --> 00:26:48,648 ALL THE TRUNK SPACE. 571 00:26:48,648 --> 00:26:49,649 GET IN. 572 00:26:53,653 --> 00:26:55,695 IF I'M LYING AND THEY ARE DOWN THERE, 573 00:26:55,695 --> 00:26:57,116 THEY'RE GONNA MISS ME SOON. 574 00:26:57,116 --> 00:26:59,408 THEY'LL KNOW YOU'RE OUT HERE. THEY'LL KILL YOU BOTH. 575 00:27:19,518 --> 00:27:24,974 DESPITE THE SITUATION, I WANT YOU TO KNOW I ADMIRE YOU. 576 00:27:24,974 --> 00:27:27,817 I ALWAYS HAVE. 577 00:27:29,608 --> 00:27:32,902 THERE'S NO POINT IN RESISTING, DETECTIVE. 578 00:27:32,902 --> 00:27:36,946 IF FACT, IF YOU ACCEPT THAT, I CAN REMOVE THE GAG. 579 00:27:40,119 --> 00:27:41,200 GOOD. 580 00:27:42,161 --> 00:27:44,123 AND PLEASE DON'T SCREAM. IT'S TEDIOUS. 581 00:27:44,123 --> 00:27:46,125 AND NO ONE CAN HEAR YOU. 582 00:27:49,749 --> 00:27:51,170 MUCH BETTER. 583 00:27:55,845 --> 00:27:58,177 IT'S A CRIME TO COVER UP SUCH A LOVELY FACE. 584 00:28:00,139 --> 00:28:02,852 KIDNAPPING AND MURDER ARE CRIMES. 585 00:28:02,852 --> 00:28:05,144 YOU CAN STILL SAVE YOURSELF. 586 00:28:05,144 --> 00:28:07,807 [ CHUCKLES SOFTLY ] 587 00:28:07,807 --> 00:28:09,939 I'VE ALREADY BEEN SAVED. 588 00:28:09,939 --> 00:28:12,361 [ WHIRRING ] 589 00:28:12,361 --> 00:28:15,364 I USED TO FEEL ASHAMED OF WHO I WAS INSIDE, 590 00:28:15,364 --> 00:28:17,737 THE THINGS I DREAMT ABOUT DOING. 591 00:28:17,737 --> 00:28:19,909 AND THEN I MET JERRY, 592 00:28:19,909 --> 00:28:22,992 AND IT WAS LIKE... COMING HOME. 593 00:28:22,992 --> 00:28:26,415 SO IF YOU THINK THAT I WOULD EVER TURN ON HIM, 594 00:28:26,415 --> 00:28:28,457 YOU DON'T UNDERSTAND ME AT ALL. 595 00:28:32,331 --> 00:28:33,793 WHAT DO YOU THINK HE'S GONNA DO 596 00:28:33,793 --> 00:28:35,254 WHEN YOU'RE NO LONGER USEFUL TO HIM? 597 00:28:35,254 --> 00:28:37,046 HE WILL KILL YOU. 598 00:28:38,507 --> 00:28:41,180 I AM YOUR ONLY CHANCE, KELLY. I CAN HELP YOU. 599 00:28:42,802 --> 00:28:45,474 AND YOU'RE GOING TO. 600 00:28:45,474 --> 00:28:46,685 [ DEVICE BEEPING ] 601 00:28:46,685 --> 00:28:48,477 WHAT ARE YOU DOING? 602 00:28:48,477 --> 00:28:50,980 WITH ALL THE POLICE ATTENTION, I'LL NEED A NEW FACE. 603 00:28:52,481 --> 00:28:54,193 [ BEEP ] 604 00:29:00,319 --> 00:29:02,071 AND I'VE CHOSEN YOURS. 605 00:29:02,071 --> 00:29:03,823 NO. 606 00:29:03,823 --> 00:29:04,914 NO. 607 00:29:04,914 --> 00:29:06,125 NO! PLEASE! 608 00:29:06,125 --> 00:29:07,166 PLEASE. 609 00:29:07,166 --> 00:29:08,167 THIS IS GOING BACK ON. 610 00:29:08,167 --> 00:29:09,328 NO! OW! 611 00:29:09,328 --> 00:29:10,329 [ GRUNTS ] Shh. 612 00:29:10,329 --> 00:29:12,041 [ MUFFLED MOANING ] 613 00:31:09,038 --> 00:31:10,789 SHE'S NOT HERE. 614 00:31:14,493 --> 00:31:16,625 Tyson: BUT YOU ARE. 615 00:31:22,881 --> 00:31:24,463 [ CRACKLING ] 616 00:31:24,463 --> 00:31:26,885 [ GROANING ] 617 00:31:28,137 --> 00:31:29,808 [ CRACKLING STOPS ] 618 00:31:31,890 --> 00:31:34,183 SO GLAD YOU COULD JOIN ME. 619 00:31:43,943 --> 00:31:46,445 FACES FASCINATE ME. 620 00:31:50,369 --> 00:31:52,371 [ BEEP ] 621 00:31:52,371 --> 00:31:53,993 THE MASK WE SHOW TO THE WORLD. 622 00:31:53,993 --> 00:31:56,125 I FIND THAT CLIENTS INVARIABLY HOPE 623 00:31:56,125 --> 00:31:58,587 A PROCEDURE WON'T JUST CHANGE THEIR LOOKS, 624 00:31:58,587 --> 00:32:03,342 BUT CHANGE WHO THEY ARE IN SOME DEEPER WAY. 625 00:32:03,342 --> 00:32:05,004 NEVER DOES. 626 00:32:07,676 --> 00:32:09,678 ANY MORE THAN PAINTING A HOUSE 627 00:32:09,678 --> 00:32:12,391 CAN CHANGE THE THINGS THAT HAPPEN INSIDE OF IT. 628 00:32:21,360 --> 00:32:23,022 [ CELLPHONE RINGS ] 629 00:32:23,022 --> 00:32:24,153 YES? 630 00:32:24,153 --> 00:32:25,904 DO YOU HAVE HIM? 631 00:32:27,196 --> 00:32:29,658 YEAH, I'VE GOT HIM. 632 00:32:29,658 --> 00:32:31,410 DID YOU GET WHAT YOU NEED FROM HER? 633 00:32:31,410 --> 00:32:32,411 ENOUGH. 634 00:32:32,411 --> 00:32:34,873 I CAN DO THE REST AFTER. 635 00:32:34,873 --> 00:32:37,076 GET HER READY. 636 00:32:37,076 --> 00:32:39,168 WAIT FOR MY CALL. 637 00:32:39,168 --> 00:32:41,040 [ CELLPHONE BEEPS ] 638 00:32:51,260 --> 00:32:54,553 IT'LL ALL BE OVER SOON. 639 00:32:54,553 --> 00:32:57,596 BUT I'VE SO ENJOYED OUR TIME TOGETHER. 640 00:33:06,155 --> 00:33:07,446 TAKE A SEAT. 641 00:33:16,205 --> 00:33:17,876 PLEASE. 642 00:33:17,876 --> 00:33:20,039 YOU HAVE ME NOW. JUST LET HER GO. 643 00:33:20,039 --> 00:33:22,291 OH, NO, NO, NO. I CAN'T. 644 00:33:22,291 --> 00:33:24,833 SHE'S PART OF THE PLAN. 645 00:33:26,545 --> 00:33:28,047 WHY I BROUGHT YOU HERE. 646 00:33:28,047 --> 00:33:29,128 BROUGHT ME? 647 00:33:29,128 --> 00:33:31,130 YOU KNOW WHAT I LOVE ABOUT HUMAN BEINGS? 648 00:33:31,130 --> 00:33:33,892 IS THEY'RE SO PREDICTABLE. THEY'RE LIKE MICE. 649 00:33:33,892 --> 00:33:35,844 YOU CAN GET THEM TO DO ANYTHING. 650 00:33:35,844 --> 00:33:37,096 ALL YOU HAVE TO DO 651 00:33:37,096 --> 00:33:40,689 IS PUT A LITTLE CHEESE AT THE END OF THE MAZE 652 00:33:40,689 --> 00:33:43,021 AND KNOW EXACTLY WHEN TO SHOCK THEM. 653 00:33:43,021 --> 00:33:44,853 YOU KNEW I WAS COMING. 654 00:33:44,853 --> 00:33:47,406 DANGLING BOUDREAU IN FRONT OF YOU, 655 00:33:47,406 --> 00:33:50,359 WATCHING BECKETT DIE BEFORE YOUR EYES -- 656 00:33:50,359 --> 00:33:52,861 ONCE I HAD THE COPS CHASING THEIR TAILS, 657 00:33:52,861 --> 00:33:54,743 I KNEW IT'D BE ONLY A MATTER OF TIME 658 00:33:54,743 --> 00:33:56,655 BEFORE YOU DID SOMETHING ON YOUR OWN. 659 00:33:56,655 --> 00:33:58,247 VISITING MY OLD CELLIE WAS A -- 660 00:33:58,247 --> 00:34:00,999 WELL, THAT WAS A NATURAL CHOICE. 661 00:34:02,081 --> 00:34:04,042 THIS WAS A SETUP. 662 00:34:04,042 --> 00:34:07,626 WHAT BETTER WAY TO GET YOU HERE ALONE 663 00:34:07,626 --> 00:34:10,048 THAN TO MAKE YOU THINK IT WAS YOUR IDEA? 664 00:34:11,510 --> 00:34:12,801 WHY? 665 00:34:12,801 --> 00:34:14,473 WHY ARE YOU DOING THIS TO ME? 666 00:34:14,473 --> 00:34:16,305 BECAUSE I WANT TO SEE YOUR FACE. 667 00:34:16,305 --> 00:34:19,558 IT'S WHY I LURED YOU HERE -- 668 00:34:19,558 --> 00:34:22,101 SO I COULD SEE YOUR FACE... 669 00:34:22,101 --> 00:34:24,943 WHILE YOU WATCHED HER DIE. 670 00:34:24,943 --> 00:34:26,605 NO. 671 00:34:28,107 --> 00:34:30,149 THAT'S NOT IT. 672 00:34:30,149 --> 00:34:31,530 OH? 673 00:34:34,693 --> 00:34:37,035 THIS ISN'T ABOUT ME, IS IT? 674 00:34:37,035 --> 00:34:40,999 OH, IT'S ABOUT SO MUCH MORE THAN THAT. 675 00:34:40,999 --> 00:34:44,082 THIS IS ABOUT YOU. 676 00:34:44,082 --> 00:34:46,165 YOUR INADEQUACY. 677 00:34:46,165 --> 00:34:50,339 ALL THE GAMES, ALL THE MANIPULATION... 678 00:34:50,339 --> 00:34:53,262 AFTER I SCREWED UP YOUR PLANS, 679 00:34:53,262 --> 00:34:57,346 YOU NEEDED TO PROVE YOU WERE SMARTER THAN ME. 680 00:34:57,346 --> 00:35:00,219 YOU NEEDED TO KNOW YOU COULD CONTROL ME. 681 00:35:00,219 --> 00:35:02,521 MM. 682 00:35:05,144 --> 00:35:07,486 WELL, YOU'RE HERE. 683 00:35:07,486 --> 00:35:10,068 YOU KNOW, I'VE WRITTEN CHARACTERS LIKE YOU. 684 00:35:10,068 --> 00:35:11,900 CUNNING PSYCHOPATHS SO NARCISSISTIC, 685 00:35:11,900 --> 00:35:13,652 THEY BELIEVE THEY CAN'T BE CAUGHT - 686 00:35:13,652 --> 00:35:16,995 BECAUSE THEY'RE SMARTER THAN EVERYONE 687 00:35:16,995 --> 00:35:20,159 AND THEY NEED TO PROVE IT. 688 00:35:20,159 --> 00:35:22,951 THAT'S YOUR STORY, JERRY. 689 00:35:24,002 --> 00:35:26,415 WHY YOU DID EVERYTHING. 690 00:35:26,415 --> 00:35:29,168 YOU NEEDED TO PROVE IT. 691 00:35:29,168 --> 00:35:31,170 SO I LET YOU. 692 00:35:36,805 --> 00:35:38,016 WHAT DO YOU MEAN? 693 00:35:38,016 --> 00:35:40,929 I LET YOU BRING ME HERE. 694 00:35:40,929 --> 00:35:43,141 IT'S THE ONLY WAY TO FIND YOU. 695 00:35:43,141 --> 00:35:47,356 I NEEDED TO FIND YOU SO I COULD FIND HER. 696 00:35:47,356 --> 00:35:49,528 BUT THE TRUTH, JERRY... 697 00:35:49,528 --> 00:35:54,152 We're not gonna find her -- not like this. 698 00:35:54,152 --> 00:35:57,366 Not by chasing him, not by playing his game. 699 00:35:57,366 --> 00:36:00,158 We need to take the game to him. 700 00:36:06,044 --> 00:36:07,996 PUT THIS DEEP IN YOUR EAR. 701 00:36:07,996 --> 00:36:10,629 ALL RIGHT? ALL THE WAY IN. 702 00:36:10,629 --> 00:36:13,422 THE TRUTH IS... 703 00:36:13,422 --> 00:36:16,134 I LURED YOU HERE... 704 00:36:16,134 --> 00:36:18,257 TO WATCH YOU DIE. 705 00:36:20,138 --> 00:36:21,350 ARE WE CLEAR? 706 00:36:21,350 --> 00:36:24,182 CLEAR ABOUT WHAT? 707 00:36:26,144 --> 00:36:28,106 THEN TAKE THE SHOT. 708 00:36:59,047 --> 00:37:00,839 RYAN, HE'S DOWN. 709 00:37:02,511 --> 00:37:03,802 YOU HAVE HER LOCATION? 710 00:37:03,802 --> 00:37:04,803 YEAH. 711 00:37:04,803 --> 00:37:06,475 HERE. 712 00:37:06,475 --> 00:37:08,437 THIS IS THE LAST NUMBER HE CALLED. 713 00:37:08,437 --> 00:37:09,848 BECKETT'S WITH NIEMAN. 714 00:37:09,848 --> 00:37:12,060 I NEED AN EMERGENCY TRACE ON THE FOLLOWING NUMBER... 715 00:37:16,315 --> 00:37:17,986 SOMETHING'S WRONG. 716 00:37:17,986 --> 00:37:19,488 HE SHOULD HAVE CALLED BY NOW. 717 00:37:21,029 --> 00:37:22,531 [ CELLPHONE BEEPS ] 718 00:37:32,421 --> 00:37:34,212 [ CELLPHONE BEEPS ] 719 00:37:55,193 --> 00:37:58,066 I'M AFRAID IT'S TIME, DETECTIVE. 720 00:38:11,830 --> 00:38:13,752 THERE! 721 00:38:27,886 --> 00:38:29,097 BECKETT? 722 00:38:50,078 --> 00:38:52,330 [ SIGHS DEEPLY ] 723 00:39:29,197 --> 00:39:30,038 I WAS SO SCARED. 724 00:39:35,203 --> 00:39:36,204 YOU OKAY? Beckett: YEAH. 725 00:39:38,667 --> 00:39:41,259 THAT WAS THE STUPIDEST, MOST RECKLESS, 726 00:39:41,259 --> 00:39:44,262 IRRESPONSIBLE STUNT YOU'VE EVER PULLED, MR. CASTLE. 727 00:39:47,005 --> 00:39:48,677 THANK YOU. 728 00:39:51,269 --> 00:39:52,350 [ LAUGHS ] 729 00:39:52,350 --> 00:39:53,512 OKAY. ALL RIGHT, ALL RIGHT, ALL RIGHT. 730 00:39:53,512 --> 00:39:55,474 [ LAUGHS ] OKAY! 731 00:39:55,474 --> 00:39:57,776 THERE'S STILL THE MATTER OF THE ASSAULT CHARGES. 732 00:39:59,067 --> 00:40:00,068 ASSAULT CHARGES? 733 00:40:00,068 --> 00:40:01,229 UH, IT'S A -- IT'S A LONG STORY. 734 00:40:01,229 --> 00:40:03,612 BUT, C-CAPTAIN [CHUCKLES] YOU CAN'T BE SERIOUS. 735 00:40:03,612 --> 00:40:05,153 SERIAL KILLER OR NO, 736 00:40:05,153 --> 00:40:07,486 YOU THREATENED AN UNARMED MAN WITH A GUN. 737 00:40:07,486 --> 00:40:10,078 THE D.A. TAKES THAT VERY SERIOUSLY. 738 00:40:10,078 --> 00:40:11,119 BUT... 739 00:40:11,119 --> 00:40:13,121 IN LIGHT OF YOUR OUTSTANDING WORK ON THIS CASE, 740 00:40:13,121 --> 00:40:14,703 HE'S WILLING TO DROP THE CHARGES 741 00:40:14,703 --> 00:40:18,376 IF YOU AGREE TO 1,000 HOURS OF COMMUNITY SERVICE. 742 00:40:18,376 --> 00:40:20,499 1,000 HOURS?! 743 00:40:20,499 --> 00:40:21,960 YES. 744 00:40:21,960 --> 00:40:24,923 AS A CONSULTANT TO DETECTIVE BECKETT 745 00:40:24,923 --> 00:40:26,595 AND THE 12th PRECINCT. 746 00:40:26,595 --> 00:40:28,507 I'M -- I'M -- I'M -- 747 00:40:28,507 --> 00:40:30,348 I'M BEING UN-BANNED? 748 00:40:30,348 --> 00:40:32,761 MR. CASTLE, WELCOME BACK. 749 00:40:32,761 --> 00:40:34,052 [ LAUGHTER ] OKAY! 750 00:40:34,052 --> 00:40:36,104 [ LAUGHS ] 751 00:40:36,104 --> 00:40:38,396 [ CASTLE AND BECKETT LAUGH ] 752 00:40:46,364 --> 00:40:48,116 THAT WAS MY MOTHER AND ALEXIS. 753 00:40:48,116 --> 00:40:49,778 THEY SAID THEY'RE ON THEIR WAY HOME, 754 00:40:49,778 --> 00:40:52,160 JUST AS SOON AS THEY DO SOME SHOPPING. 755 00:40:53,451 --> 00:40:55,123 [ GROANS ] 756 00:40:58,497 --> 00:41:01,880 I DON'T KNOW HOW YOU DID IT. 757 00:41:01,880 --> 00:41:03,381 WHAT? 758 00:41:03,381 --> 00:41:07,045 KEPT IT TOGETHER THE TWO MONTHS I WAS MISSING. 759 00:41:07,045 --> 00:41:09,217 TWO DAYS, I DIDN'T KNOW WHERE YOU WERE, 760 00:41:09,217 --> 00:41:11,179 AND IT NEARLY KILLED ME. 761 00:41:18,226 --> 00:41:21,399 YOU EVER THINK ABOUT WHAT HAPPENED... 762 00:41:21,399 --> 00:41:23,982 WHEN YOU WERE GONE? 763 00:41:23,982 --> 00:41:26,064 ALL THE TIME. 764 00:41:28,236 --> 00:41:31,409 EVERY TIME I CLOSE MY EYES, I SEE HER FACE. 765 00:41:31,409 --> 00:41:33,371 [ SIGHS ] 766 00:41:35,243 --> 00:41:37,666 I SEE HIS, TOO. 767 00:41:37,666 --> 00:41:40,038 SINCE THAT NIGHT ON THE BRIDGE. 768 00:41:42,040 --> 00:41:44,212 YOU KNOW HOW I DEAL WITH IT? 769 00:41:44,212 --> 00:41:45,333 NO. 770 00:41:45,333 --> 00:41:49,257 I OPEN MY EYES AND LOOK AT YOU. 771 00:41:54,512 --> 00:41:56,304 THANKS FOR COMING TO GET ME. 772 00:41:59,137 --> 00:42:00,188 ALWAYS. 773 00:42:06,524 --> 00:42:08,907 [ SIGHS ] 50010

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